DST_Capsa

Specimen TipográficoAcrescido de uma brevía trodução teórica

acerca do proceo tográfico utizado para

o desenho de um to de letra de vro

suas irações, práticas

& soluções.

CAPSA

b

DSTYPE FOUNDRY

gggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg

Specimen TipográficoAcrescido de uma brevía trodução teórica

acerca do proceo tográfico utizado para

o desenho de um to de letra de vro

suas irações, práticas

& soluções.

CAPSA

b

DSTYPE FOUNDRY

O processo tipográfico, embora frequentemente relacionado com uma determinada visão artística do mundo, raramente se compatibiliza com as diversas apreciações românticas de índole criacionista ou mesmo com surtos de inspiração súbita, mais ou menos fenomenais. A ¡eureka! tipográfica apresenta-se, sobretudo, sustentada na pesquisa histórica, seja tipográfica ou não, crítica e construtiva, com a assumpção de propósitos muito bem definidos.¶ Um novo tipo de letra nasce sabendo que não é, e provavelmente jamais será, passível de ser considerado novo, pelo que parece mais interessante, como princípio de trabalho, clarificar o objectivo de um novo tipo antes ainda do seu desenvolvimento enquanto desenho. ¶ O caso que apresento, reporta-se a um tipo de letra desenhado para ser utilizado como tipo de texto para livro, assumindo uma fluidez muito maior que um tipo desenhado para, por exemplo, uma publicação periódica, como um jornal. O livro apresenta características únicas, uma linearidade muito própria e, enquanto interface, coloca-se perante o leitor de um modo deveras conivente, íntimo, quase confidente. O tipo de letra deve exaltar esta interface, mais que interferir na mesma.¶ Compreender as necessidades do texto de livro, permite-nos partir para uma observação cuidada de alguns livros publicados em tipos romanos e destinados ao grande público, datados de finais do século XVI e início do século XVII. Neste capítulo encontram-se referenciados historicamente, pela sua relevância, os tipos desenhados por Claude Garamond (1480-1561) e celebrizados pelo magnífico impressor Cristoffel Plantin (1520-1589) e posteriormente

Capsanem Génesis, nem Eureka.

por Balthasar I Moretus (1574-1641). A imagem apresentada refere-se a um Rituale Romanum, datado de 1611, impresso por Plantin-Moretus, onde é possível perceber a fluidez e vigor do texto, assim como a utilização de ligaduras que, mais do que facilitarem a leitura, são relevantes do ponto de vista estritamente tipográfico, ou se preferir-mos, estético. ¶ A análise dos impressos destas páginas revelou-se desde cedo extremamente produtiva, não somente pela possibilidade de observar a capacidade e qualidade de impressão, mas sobretudo pela sábia utilização e construção do bloco tipográfico, coma utilização sistemática do ‘s’ oldstyle. ¶ Procedendo a uma comparação muito livre do texto impresso por Plantin-Moretus, com as matrizes tipográficas de diversos períodos da tipografia francófona, trazidas até aos nossos dias na obra Épreuves générales des caractères qui se trouvent chez Claude Lamesle, impresso em Paris, em 1742 (ou na versão facsimile da primeira edição, editada por Menno Hertzberger & Co em 1965, denominada por e type-Specimens of Claude Lamesle), o trabalho tipográfico ganhou uma vida muito própria, com uma mistura saudável de tipografias barrocas com tipografias pré-modernas. ¶ O Saint Augustin Oeil Ordinaire é, claramente, um tipo garamondiano, enquanto o Gros Romain Ordinaire revela um carácter mais moderno, embora permanecendo com certas características geraldas. O seu interesse, mais que o próprio desenho, como veremos mais adiante, consiste na assimetria provocada pelos meios de impressão, que embora evoluídos para a época, permitem observar um enorme conjunto de

imperfeições, sobretudo se atentarmos nos mesmos caracteres em diversas linhas de texto. ¶ Estas idiossincrasias naturais do texto impresso são a pedra de toque da tipografia que vos apresento, assim como a supressão máxima de elementos rectilíneos, permitindo construir um tipo proporcional, altamente legível, historicamente referenciável e, sobretudo, com elevado ritmo tipográfico, algo que penso ser apreciável em tipos de letra para livro. ¶ A familia tipográfica Capsa sustenta-se na trindade tipográfica Roman, Itálic e Bold, ambas contendo versões SmallCaps incorporadas no mapa de caracteres. Todas as versões são acompanhadas por um diverso número de ligaduras tipográficas que permitem levar a composição do texto para uma outra dimensão. Capsa não pretende ser um revival tipográfico, antes a análise de uma plêiade de tipos históricos e uma dissertação tipográfica acerca da sua (im)provável unidade. ¶ O itálico apresenta inclinações distintas nas caixas alta e baixa, cuja diferença de 8 graus (10º na caixa alta e 18º na caixa baixa), remetem para uma apreciação histórica perfeitamente observável no Cicero Italique Gros Oeil, Numero XXXV. O propósito desta diferença consiste na criação de ritmos e no incremento da fluidez, tal como havia sido enunciado pelos scriptorium italianos do primeiro quartel do século XVI, numa clara edificação pós-renascentista e mesmo caligráfica. ¶ Esta família tipográfica estará brevemente disponível nas versões, Roman, Italic, Bold, Swashes, Vignettes e Patterns. Capsa é uma tipografia desenhada por Dino dos Santos para DSType, 2008. © Todos os direitos reservados.

CapsaEstojo de forma cilíndrica que se usava nas bibliotecas da antiguidadepara conservar no sentido vertical os rolos de papiro e pergaminho.

ABCDEFGHIJKLMNOPQRSTUVWXYZÆŒØÞ !? abcdefghijklmnopqrstuvwxyzæœøþ!?¡¿ABCDEFGHIJKLMNOPQRSTUVWXYZÆØÞ!?¡¿$€£¥¢ƒ$0123456789%‰0123456789/⁄⁰¹²³⁴⁵⁶⁷⁸⁹/₀₁₂₃₄₅₆₇₈₉ ©®™*/|–—¦\-+×÷±≤≥≠=#†‡∑√ℓΩ∏π∞◊¶§()[]&&.,:;„"“”‘’«»‹›fiflffifflffſÀÁÂÃÄÅĂĀĄÇĆČĈĊĐĎÈÉÊËĔĚĖĒĘĞĜĢĠĦĤÌÍÎÏĬİĪĮĨĴĶŁĹĽĻĿÑŃŇŅÒÓÔÕÖŎŐŌŔŘŖŚŞŜȘŠŦŤŢÙ Ú Û Ü Ŭ Ű Ū Ų Ů Ũ Ẃ Ŵ Ẅ Ẁ Ÿ Ŷ Ỳ Ž Ź Ż Þ Ŋ Ð à á â ã ä å ă ā ąç ć č ĉ ċ đďè é ê ë ĕ ěė ē ę ğ ĝ ģ ġ ħ ĥ ì í î ï ĭ i ī į ĩ ĵ ķ ł ĺ ľ ļ ŀ ñ ń ň ņ ò ó ô õ ö ŏ ő ō ŕ ř ŗ ś ş ŝ ș š ŧ ť ţ ù ú û ü ŭ ű ū ų ů ũẃŵẅẁÿŷỳžźżþŋðÀÁÂÃÄÅĂĀÇĆČĈĊĎÈÉÊËĔĚĖĒĞĜĢĠĤÌÍÎÏĬIĪĨĴĶŁĹĽĻĿÑŃŇŅÒÓÔÕÖŎŐŌŔŘŖŚŜȘŠŤŢÙÚÛÜŬŰŪŮŨẂŴẄẀŸŶỲŽŹŻÞÐ

Capsa Roman 8,5 _10 pt

Magn vullam am delese tis eu feuit vel auga volore vel et amconse qusum nullaorem erorud mciduismod dolor il iliquam cidunt lorem volutet, quis numsan ut ver, summy nullaort veliquat. Dui tismod euit lorperi liqui tem adiam, consen, t vero odsumsan er aliquatue modolendre magniat ii. Ent lut voluptat luptat. Ut aut nos nullan ulland la al ad ero od magna acil enis am volut autpat, t num quismod tetueril ut pratet is dolore magna adiat. To con et ad dsusci et, cortc cg eui ute dolort utatetum do odolorem cidunt vel et non hen iuscillam, conse dolore tat, quat praerud er vel eummolent al praeo et ad tio erud dign dolore eugue m zzr dolent ii ei. Ud eu faccum do doluptatis adionse te feumsan henisci bla feuga nos digna conulla conulla feumsan d, consen cismod tat eg el ex eliquation hen nullaore cor ad modolob orpero odolummod ir lum n do od mod dion utat. Odo et, summy niequat. Duis auga wis dionsen dionsed ea auguer se vel euga nullum quamet wis noo consequ iit lore commy n, vero commod dolobort ili. Vero cortie duis digna feuguero dolore venis at. Ee ex endign quis etue ex euatie ver iusc er susci te tem veniam dolor suscil alis n utpatum noisc, quis aut venis nonulla facc verat utpat ut nonum vullan exeros ad ullamcore conum vel del dolorper wisc ut laorem doloborper et, quat praesequis endre vel dolore tat. Wis niam num veraesee commy nos nulput praei blan esequi tat wii. Agnit niam, sumsandiam quat nonsee eum nulla faci euam il nullamet illaorero odio ea facil et lut lam ver iurem eu feuis do consen volorem dolor auga aliqui euis niam vullaor iriuscil landre vel iurt lore m eriurud magna al, consed m et vel al il vent vel, volore di quat. Luptat ad duit adsusci eu faci euguer sequam, vel d adiam euis dolor iusci tionse tis ercsu scil lan hendigna feum auga ad mcc et, consequis ero commy nos noo euam er nullamc ommolob orerat augue commolortis n del irilla consed dolore dis doleseet ut ver se dolor sed dolortie mg eum at la faccum do dolore faccum zzr, corer suscillam, quam dunt dolorpe rillum ut auga non er, quis dunt n

Capsa Italic 8,5 _10 pt

Magn vullam am delese tis eu feuit vel auga volore vel et amconse qusum nullaorem erorud mciduismod dolor il iliquam cidunt lorem volutet, quis numsan ut ver, summy nullaort veliquat. Dui tismod euit lorperi liqui tem adiam, consen, t vero odsumsan er aliquatue modolendre magniat ii. Ent lut voluptat luptat. Ut aut nos nullan ulland la al ad ero od magna acil enis am volut autpat, t num quismod tetueril ut pratet is dolore magna adiat. To con et ad dsusci et, cortc cg eui ute dolort utatetum do odolorem cidunt vel et non hen iuscillam, conse dolore tat, quat praerud er vel eummolent al praeo et ad tio erud dign dolore eugue m zzr dolent ii ei. Ud eu faccum do doluptatis adionse te feumsan henisci bla feuga nos digna conulla conulla feumsan d, consen cismod tat eg el ex eliquation hen nullaore cor ad modolob orpero odolummod ir lum n do od mod dion utat. Odo et, summy niequat. Duis auga wis dionsen dionsed ea auguer se vel euga nullum quamet wis noo consequ iit lore commy n, vero commod dolobort ili. Vero cortie duis digna feuguero dolore venis at. Ee ex endign quis etue ex euatie ver iusc er susci te tem veniam dolor suscil alis n utpatum noisc, quis aut venis nonulla facc verat utpat ut nonum vullan exeros ad ullamcore conum vel del dolorper wisc ut laorem doloborper et, quat praesequis endre vel dolore tat. Wis niam num veraesee commy nos nulput praei blan esequi tat wii. Agnit niam, sumsandiam quat nonsee eum nulla faci euam il nullamet illaorero odio ea facil et lut lam ver iurem eu feuis do consen volorem dolor auga aliqui euis niam vullaor iriuscil landre vel iurt lore m eriurud magna al, consed m et vel al il vent vel, volore di quat. Luptat ad duit adsusci eu faci euguer sequam, vel d adiam euis dolor iusci tionse tis ercsu scil lan hendigna feum auga ad mcc et, consequis ero commy nos noo euam er nullamc ommolob orerat augue commolortis n del irilla consed dolore dis doleseet ut ver se dolor sed dolortie mg eum at la faccum do dolore faccum zzr, corer suscillam, quam dunt dolorpe rillum ut auga non er, quis dunt n dolumsand lan ex endigniatem verorud dolen ullamcommy num ex exero dolort praee facilla ad dui blaore dsum erud et eu faccum ea commy

Capsa Bold 8,5 _10 pt

Magn vullam am delese tis eu feuit vel auga volore vel et amconse qusum nullaorem erorud mciduismod dolor il iliquam cidunt lorem volutet, quis numsan ut ver, summy nullaort veliquat. Dui tismod euit lorperi liqui tem adiam, consen, t vero odsumsan er aliquatue modolendre magniat ii. Ent lut voluptat luptat. Ut aut nos nullan ulland la al ad ero od magna acil enis am volut autpat, t num quismod tetueril ut pratet is dolore magna adiat. To con et ad dsusci et, cortc cg eui ute dolort utatetum do odolorem cidunt vel et non hen iuscillam, conse dolore tat, quat praerud er vel eummolent al praeo et ad tio erud dign dolore eugue m zzr dolent ii ei. Ud eu faccum do doluptatis adionse te feumsan henisci bla feuga nos digna conulla conulla feumsan d, consen cismod tat eg el ex eliquation hen nullaore cor ad modolob orpero odolummod ir lum n do od mod dion utat. Odo et, summy niequat. Duis auga wis dionsen dionsed ea auguer se vel euga nullum quamet wis noo consequ iit lore commy n, vero commod dolobort ili. Vero cortie duis digna feuguero dolore venis at. Ee ex endign quis etue ex euatie ver iusc er susci te tem veniam dolor suscil alis n utpatum noisc, quis aut venis nonulla facc verat utpat ut nonum vullan exeros ad ullamcore conum vel del dolorper wisc ut laorem doloborper et, quat praesequis endre vel dolore tat. Wis niam num veraesee commy nos nulput praei blan esequi tat wii. Agnit niam, sumsandiam quat nonsee eum nulla faci euam il nullamet illaorero odio ea facil et lut lam ver iurem eu feuis do consen volorem dolor auga aliqui euis niam vullaor iriuscil landre vel iurt lore m eriurud magna al, consed m et vel al il vent vel, volore di quat. Luptat ad duit adsusci eu faci euguer sequam, vel d adiam euis dolor iusci tionse tis ercsu scil lan hendigna feum auga ad mcc et, consequis ero commy nos noo euam er nullamc ommolob orerat augue commolortis n del irilla consed dolore dis doleseet

Capsa Swaes 8,5 _10 pt

Magn vullam am delese tis eu feuit vet auga volore vel et amconse qusum nullaorem erorud mciduismod dolor il iquam cidunt lorem volutet, quis numsan ut ver, summy nullaort vequat. Dui tismod euit lorperi qui tem aam, consen, t vero opsumsan er aquatue modolendre magniat ii. Ent lut voluptat luptat. Ut aut nos nullan ullant la at ad ero od magna acil enis am volut autpat, t num quismod tetueril ut pratet is dolore magna aat. To con et ad psusci et, cortc cg eui ute dolort utatetum do odolorem cidunt vel et non hen iuscillam, conse dolore tat, quat praerud er vel eummolent at praeo et ad tio erud gn dolore eugue m zzr dolent ii ei. Ud eu faccum do doluptatis aonse te feumsan henisci bla feuga nos gna conulla conulla feumsan p, consen cismod tat eg el ex equation hen nullaore cor ad modolob orpero odolummot ir lum n do od mod on utat. Odo et, summy niequat. Duis auga wis onsen onsed ea auguer se vel euga nullum quamet wis noo consequ iit lore commy n, vero commod dolobort i. Vero cortie duis gna feuguero dolore venis at. Ee ex engn quis etue ex euatie ver iusc er susci te tem veniam dolor suscit as n utpatum noisc, quis aut venis nonulla facc verat utpat ut nonum vullan exeros at ullamcore conum vet del dolorper wisc ut laorem doloborper et, quat praesequis endre vel dolore tat. Wis niam num veraesee commy nos nulput praei blan esequi tat wii. Agnit niam, sumsanam quat nonsee eum nulla faci euam it nullamet illaorero oo ea facit et lut lam ver iurem eu feuis do consen volorem dolor auga aqui euis niam vullaor iriuscit landre vel iurt lore m eriurud magna at, consed m et vet at it vent vet, volore pi quat. Luptat ad duit apsusci eu faci euguer sequam, vel t aam euis dolor iusci tionse tis ercsu scit lan hengna feum auga ad mcc et, consequis ero commy nos noo euam er nullamc ommolob orerat augue commolortis n del irilla consed dolore pis doleseet ut ver se dolor sed dolortie mg eum at la faccum do dolore faccum zzr, corer suscillam, quam dunt dolorpe rillum ut auga non er, quis dunt n dolumsant lan ex engniatem verorud dolen ullamcommy num ex exero dolort praee facilla ad dui blaore psum erud et eu faccum ea commy

Capsa Roman

Milan Kunderae Unbearable Lightness of Beg

Menslies, Allzumenslies, E Bu für eie Geier

Friedri Wilhelm NietzseFleurs du MalCharles Baudelaire

C’e l’Ennui! —l’œil argé d’un pleur volontaire,Il rêve d’éafauds en mant son houka.Tu le connais, leeur, ce monre délicat,

—Hypocre leeur,—mon semblable,—mon ère!

e Piure of Dorian GrayOscar Wilde

Capsa Bold

Milan Kunderae Unbearable Lightness of Beg



C’e l’Ennui! —l’œil argé d’un pleur volontaire,Il rêve d’éafauds en fumant son houka.Tu le connais, leeur, ce monre délicat,


e Piure of Dorian GrayOscar Wilde

Capsa Itac

Milan Kunderae Unbearable Lightne of Beg



C’e l’Ennui! —l’œil argé d’un pleur volontaire,Il rêve d’éafauds en mant son houka.Tu le connais, leeur, ce monre délicat,


e Piure of Dorian Gray Oscar Wilde

Capsa Swaes

lan Kunderae Unbearable ightne of Beg

Menses, Allzumenses, E Bu für eie Geier

Friedri Wilhelm etzseFleurs du MalCharles Baudelaire

C’e l’Ennui! —l’œil argé d’un pleur volontaire,Il rêve d’éafauds en mant son houka.Tu le connais, leeur, ce monre décat,


e Piure of Dorian Gray& Oscar Wilde

Capsa Vignettes

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa

BBBBBBBBBBBBBBBBBBBBBBBBBBBBBBB

bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbb

A

a

B

b

C

c

D

d

E

e

F

f

CCCCCCCCC

ccccccccc

DDDDDDDDD

ddddddddd

EEEEEEEEEEEEEEEE

eeeeeeeeeeeeeeee

FFFFFFFFFFFFFFFF

ffffffffffffffff

GGGGGGGGGGGGGGGGGGGGGGGGGGG

ggggggggggggggggggggggggggg

HHHHHHHHHHHHHHHHHHHHHHHHHHH

hhhhhhhhhhhhhhhhhhhhhhhhhhh

G

g

H

h

I

i

J

j

K

k

IIIIIIIIIIII

iiiiiiiiiiii

JJJJJJJJJJJJ

jjjjjjjjjjjj

KKKKKKKKKKKK

kkkkkkkkkkkkL

lLLLLLLLLLLLL

llllllllllll

MMMMMMMMMM

mmmmmmmmmm

NNNNNNNNNN

nnnnnnnnnn

M

m

N

n

O + P + Q + R

o + p + q + r

S + T + U + V

s + t + u + v

W + X + Y + Z

w + x + y + z

OPPPPPPPPPPPQQQQQQQQQQQR

opppppppppppqqqqqqqqqqqr

STTTTTTTTTTTUUUUUUUUUUUV

stttttttttttuuuuuuuuuuuv

WXXXXXXXXXXXYYYYYYYYYYYZ

wxxxxxxxxxxxyyyyyyyyyyyzP + Q

p + qPPPPPPPPPPPPQQQQQQQQQQQQ

ppppppppppppqqqqqqqqqqqq

0 + 1

2 + 3

4 + 5

6 + 7

8 + 9

0000000011111111

22222222223333333333

44444444445555555555

666666777777

8888888888888899999999999999

TTTTTTTTTTTTUUUUUUUUUUUU

ttttttttttttuuuuuuuuuuuu

XXXXXXXXXXXXYYYYYYYYYYYY

xxxxxxxxxxxxyyyyyyyyyyyy

T + U

t + u

X + Y

x + y

O R

o r

SV

sv

WZ

wz

Capsa Patterns

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

BBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBB

CCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCC

DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD

EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE

FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF

A B

C D

E F

GGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGG

HHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH

IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII

JJJJJJJJJJJJJJJJJJJJJJJJJJJJJJJJJJJJ

KKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKK

LLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLL

G H

I J

K L

MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM

NNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNN

OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO

PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP

QQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQ

RRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRR

M N

O P

Q R

SSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSS

TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT

UUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUU

VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV

WWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWW

XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX

S T

U V

W X

YYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY

ZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZ

000000000000000000000000000000000000

111111111111111111111111111111111111

222222222222222222222222222222222222

333333333333333333333333333333333333

Y Z

0 1

2 3

444444444444444444444444444444444444

555555555555555555555555555555555555

666666666666666666666666666666666666

777777777777777777777777777777777777

888888888888888888888888888888888888

999999999999999999999999999999999999

4 5

6 7

8 9

aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa

bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbb

cccccccccccccccccccccccccccccccccccc

dddddddddddddddddddddddddddddddddddd

eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee

ffffffffffffffffffffffffffffffffffff

a b

c d

e f

gggggggggggggggggggggggggggggggggggg

hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh

iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii

jjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjj

kkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkk

llllllllllllllllllllllllllllllllllll

g h

i j

k l

mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm

nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn

oooooooooooooooooooooooooooooooooooo

pppppppppppppppppppppppppppppppppppp

qqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqq

rrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrr

m n

o p

q r

ssssssssssssssssssssssssssssssssssss

tttttttttttttttttttttttttttttttttttt

uuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuu

vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv

wwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwww

xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

s t

u v

w x

yyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyy

zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz

y z

CDCDCDEFEFEFCDCDCDEFEFEFCDCDCDEFEFEF

GHGHGHGHGHGHGHGHGHGHGHGHGHGHGHGHGHGH

MNMNMNOPOPOPMNMNMNOPOPOPMNMNMNOPOPOP

RQRQRQRQRQRQRQRQRQRQRQRQRQRQRQRQRQRQ

C + D + E + F G + H

M + N + O + P R + Q

SSSSSSTTTTTTSSSSSSTTTTTTSSSSSSTTTTTT

VWVWVWXYXYXYVWVWVWXYXYXYVWVWVWXYXYXY

AaAaAaaAaAaAAaAaAaaAaAaAAaAaAaaAaAaA

JjJjJjjJjJjJJjJjJjjJjJjJJjJjJjjJjJjJ

stststtststsstststtststsstststtststs

cdcdcdefefefcdcdcdefefefcdcdcdefefef

S + T V + W + X + Y

A + a J + j

s + t c + d + e + f

gggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg

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