I

I.

1.

(Paul Virilio) 21 , (telecommunication technology) . (data graphics) - . . , , (representation) . (Descartes) , , , . (spatiotemporal dimensions) () .

(Lewis Caroll) . 1950 . (Henry Bergson) , , (uncertainty principle) (indeterminacy) . , , , (realtime) .

, () () , () , (, temporal art) (, spatial art) . () , .

, . ? .

. . . , . .

. , , . , . , , . . . ? , . , , . , , , . . , . . . ( , ) .

, . . (techne) . , . .

, . ? , . , , . 2 .

. (uniform) (continuous) . , , (virtual-spatiotemporal construction) . (lineal connections) (interactive configurations) .

. (timeline) , 3-D . . 3-D . , . , (World Wide Web) .

(haptic) , (digital-being) . . . (dematerialized spatial expansion), (spatial effects) .

2.

3-D . (spatial art) , 2-D 3-D (temporal art) (computer-based motion graphics) . , .

.

, () .

, .

(nonlinear) . (Worldmaking) . . , .

2.1. (Virtual Reality)

, (actuality) . (virtual space) (cyberspace) 2-D, 3-D . 3-D . , . Virtual Reality . virtual () . (main memory) . (reality) . () .

. , , () , , . (idea) . . . , . , (ousia) . , (la rlit virtuelle) , , .

. , , . , , , . , .

The Legible City . . (tele-presence) . . (, presence) . , (modeling) . , . , . , . Virtual Museum , , . , .

2.2.

A Thousand Plateau , (rhizome, ) , , (arborescent) . . . () ( ) . . . , . . . . (rigid line), (supple line), (escape line; flight line) .

(Hypertext). , , , . . . , Metaplay , ( ) . , (between) , .

3.

1) :

. (Dematerialization) 1960 . , . , . , , . , . .

21 . . , . (coding) , (database) (data image) . . (information pattern) , .

(aussehen) , (ein geformter stoff) . 3-D (inferno), 3-D (Max), (Maya) . , ( ) . (Roy Ascot) (re-materialisation) .

(M. de Randa) (memes) (norms), (flesh) (gene) (lavas) (magma) () . (Erwin Schrndinger) , . 1960 (Richard Doyle) (George Gamow) Mr. Tompkins inside Himself . 1970 (Richard Dawkins) The Selfish Gene . , . 1990 (Human Genome Projec) . 3-D .

(Whitney) 3-D , 2 . . (Hans Moravec) . (body) (download) . (Giotto) (Hypertext) . . (Dante) , (10), . 1948 (Claude Shannon) . , . , (coding) . (decontextualized) .

(Cyber) , (Nobert Wiener) 1950 , (telegraphing) . . .

3-D 3 .

(N. Katherine Hayles) . () , , . (Pigmalion) . , (matter) (information) . , , . . , , , , . (noise) , . (randomness) . (Myron Krueger) , .

(Maximum Entropy Formalism) . . .(1)

(1)

/

(),

(Access)

(Castration)

(Mutation)

(Deconstruction)

()

(Chaos) ()

(1) (access). (file) . .

(Allucquere Rosanne Stone) (Catherine Richard) . , Vieoplace (Jeffrey Shaw) 3-D , . .

2) (formation of the virtual subject)

. (hot spot) (interactive links) . (world wide web) . , , , (proprioception) (navigable) (topography) . (subjectivity) .

()(Non-Cartesian) . CPU(Central Processing Unit) . . 3-D (three dimensional representation) 2 . . (cyborg) . , . . (instability), (lack of originary foundation), (intertextualities), (indeterminacies) .

, . (sense-ratio) . (writing) , . (orality) . , , , , . (Eric Havelock) Pregace to Place . , (Walter Ong) , (Elizabeth Eisenstein) . . , , . . , . ABC , , . .

, (oral subject) , (written subject) (self-identical), (normalized) (decontextualized) . . . .

. , 3-D . (Robert Lazzarini) 3-D , (digitalized) . , . . () . Hammers Skull , . 3-D .

, (disembodying technologies) . . (disembodiment) , .

3)

Cyberspace . , , . Parzival .

. , . . (creatura) . . Metaplay .

, . .

, (tactile) (, high definition, low participation) , . . , . , . . , . .

(J. Beuys) (Gregory Ulmer) . , 1000 , (Lev Manovich) (metaphor) .

3-D . , (worldmaking) . . . . 3-D . . .

. . . web-of-life . . (Videographics) (pixel) . , 90 . (capture) , Phsycho Birds . (Shaw) ..

, , . . . . , . , .

. , , 3-D .

, . . 3-D . , , , .

4.

(Kinetic Art) . , . 3-D , . . . . . . 3-D .

. . , . .

, (actual) . , , , , . (cybertime) , . (G. Bateson) (metapattern) (stochastic) . . .

, , , . 2 A . . , . , 2 . B . (metamedia) (Artificial Reality) Videoplace . 3-D .

, , . , . 3-D , . . 3 . , . 3-D , 3-D 3-D. 3-D .

, . , . . , .

. , . , .

II.

1.

(context) , . (Dante) . (Arena) (9) , () 3 . . . .

, . (User) , .

, . . CRT , ..

(Navigable) . 3-D , , . . (instrument) . . .

(Visual Imaging System) , . 1980, () (Super Cockpit System) (Nomad) D.C. HMD . .

(film) , () () . , . , .

1.

1.1.1.

. . . Neuromancer . , .

, . , . . . le virtuel , (le virtuel) (l'actuel) . , .

1.1.

. (context) (text) , , (haptic) . . 21 ( ) . . , . , (Conceptual Art) .2 , , , (l'actuel) . . (idea) . .

(res) . Res ens . Philosophia Prima . . . (res) (la quiddit) . . , .

, . ( ) ( ) . . . . . (ralit) , . . , , .

, . .5

. . . .

. .

(1) () (, dynamis) (, entelecheia) .

(2) (real) (actual) .

(3) .

(4) , .

(5) .

(6) (possible) .

(7) .

. . , . - . . , . , . . . . . . , . .

. . . , . . .

, . (la multiplicit) . (B. Riemann) , () . () . , , . , (la dure) . , , . . (nouveau) (altration), . . , . . , . . . , .

. . . . - . , . , .

1.1.2. :

, n-1. (l unique) n-1 . .

. . (Marcel Proust) la recherch du temps perdu () () . - . . . , , , ,

, . . Dure et simultan it .

, , , []

, , , . . . , . , .

, , , , , , . . , . . .

(Paul Czanne) (smooth space) . (striation) . , , , , , , ..,

, , , , , , , , , , . . , , . , , , . , , . perplication . perplexe' . perplication .

. . , . , . .. 1 2 , (indiscernable) . (fractale) . .

, , , , , . , . . . , . (embotement) . , . .

. . , . . . .

. , . . , , . , .

20 (Conceptual Art) (dematerialization) , . , , . . . . (l' art nomade) .

, , . ? , . (le corps intial), , (Kairos) . . .

, . , . , . Cinema II: the time-image (traveling) , , , . . . , , . .

. .

, (O ), ( ). . .

. () () . . . , .

: . .

1.1.3.

. . . , .

.: , (rels sans tre actuels, idaux sans tre abstraits). , , ( ). (Le possible est ce qui se realize); .

? , . . . , . , ? , . (David Gelernter) , . , .

, (Steve Mann) (wearable) . . , . , ? . , , . ? , . . , ( ) .

. . (icon) . , . , . , . . . . . .

. . , . , . ~ , ~ . - . . . . , . .

, . . . .

. , . . virtual reality rlit virtuelle , (rel) . (virtual) (actual) , (real) , (virtual) . . . , . (la rlit virtuelle) .

(reality). .

. , . . (modus) . . . ( ) . . (reality). , .

. , , . . , , , .

. , (becoming, devenir)) . , . , . , . . , () .

. , , ~ . .

, , . . ? . 3-D . (smooth space) .

1.2.

. . ? , ( , , ) . .

1.2.1.

. -- . Being and Time , . . , , .

. , . . .

. , -- . . , .

. , . . . , -- . -- -- .

-- . . . . , . . . . , . , . . , . , . .

. . . . . . , .

?. ? . . . , . . . . 20 .

. , . . . . , .

, 20 . . , , . , . , . .

. -- , . . . . . . . .

1.2.2. 3-D

. . ? . 3-D 3-D , , .

. . . . , . . . . , , . .

3-D , . , , , . . . . , . .

3-D . 3-D 2-D . . . , . (G. Berkeley) . " , . , . (I. Kant) , . . .

, . . , , , , . .

, (symbol) . , . . . , , . 3-D , , , , , . , , . , .

. . . . , . .

1.2.3. 3-D

(Nelson Goodman) (irrealism) . , , , , (version) . , . , . , . , , , , .

. :

(spatial order of layer) . , . , , , , . , , , , , . , , , , . 3-D . , , . . 3-D , 4 . 3-D , , . fMRI , . , , . . .

. :

. . . . , . . , . , .

, , Final Fantasy 3-D , , . , . . . , , , . 3-D , .

.

Videoplace (Artificial Reality) . (clitter) , . , . . .

. , , . , . . , , . , , , , , , , . (denote), (exemplification), (reference) . . , . .

? , , , , .

1920 . 1920 .

. . (file), (save), (open), (copy), (bulletin board), (windows) . . .

1) : : 3-D (Synthetic imagery) (illusion), (simulation) .

. . , . , , , , . , , , , . (label) . . , 3-D (clip) (Motion Graphics) 2-D . . . (kind) . . 3-D , . , . , 3-D .

2) : 3-D 3-D . 3-D . , . . 3-D . 3-D . 3-D . , , , 3-D .

3)

. . , . . , .

. , () , () , . , (, lineal) . . . , . The Legible City 3-D . . , . 3-D , . , .

4) (delete) (paste): 2-D 2-D 3-D .

3-D . . , . . . . 3-D , . , (Sub-division) .

5) : (morphing): (Adobe Photoshop) 2-D (affectio) .

(constitutio) . , . (affectus) .

(cyber server) . (file) , (digitalizing) . . . . . , . . , . .

3-D , , , , , , , . . . . . MTB, , . , . . . . . . . .

. . . .

, , , , . (morphing) .

a. :

. . , , (dformation) , . , (transformation) (mutation) .

, (Man Ray) Rose Slavy (1920~21), (1971) . (Hans Bellmer) (Roul Ubac), (Jacques-Andre Boiffard), (Maurice Tabard) . (R. Klauss) (Georges Bataille) (informe) .

(Giuseppe Arcimboldo) . . , . . , .

.

b. :

. . (algorithm) , . . (bio-morphic) . . , , / . .

3-D . (William Latham) . 3-D . . (1988), (1990) . (Mutator) . . () .

, , . Fla-ra(1989) , (Roger Caillois) .

. , . , , , . , , . . , (Stelarc), (Catherine Ikam) .

1.3.

2-D . 3-D 2-D . 3-D , . ? . , , . . . . (digital-being) . , , . (excuttable) (informative) . . (Adobe Photoshop), (Adobe Illustrator) 2 3-D (AliasWavefront Maya) 3 . 3-D . , , .

. (Friedrich-Wilhelm Von Herrmann) (Dingheit, Dingsein, Dinghafte) .

1) ,

2) .

3) , .

4) , , , .

5) ( ).

6) . () . () .

3-D (Unterbau) . (Dinglichkeit) . (Standigkeit), (Substantiality), (extension) . (universal passitive pregivenness) (Ding-Ganzheit) (Selbigkeit) . .

1.3.1.

. . . , , , . , .

(active user) (zooming) (clicking). ( ) . -(image-interface) -(image-instrument) . , , . , , ( ). .

3-D ( ) . . . . . . . . .

( ) . (zuhanddenheit:) . () () ()

(Werkzeug) . (Zuhanddenheit) . . . 3-D . . . (Dasein) (Zeug) . (etwas um zu) . (Um zu) , , , (Zeugganheit) .

. 3-D , , , , , . , . . .

. . . . . (.) . , , , , (), . ( ) (thematisch) - . . (Einrichtung: , ), . (Zeugganheit) .

, , , . , , , , , , (Adobe AfterEffects) (Discreet flint) 3-D . 3-D .

, . , OS X 100, , , , .

. .

(Zeug) . . , , , .(.) , , - .

ConFIGURING the CAVE 3-D . . , 3-D , , , , , .

, . . , , . (Umwelt) .

, . (Umgang) . (intelligible functionality whole) . (das Zuhandene) .

, . . , , . . . . , . .

. . . , (factually present) . (equipmental contexture) (environing world) . . (Roy Asocott) (instrumentality) , .

. (Zu-nichts-gedrngt-sein) . .

1.3.2. 3-D

, , , . . . , , , (spatiotemporal horizon) .

(temporalization of moving image) (spatial dimensions) .

1) (spatial order of layer) .

2) 3-D .

3) 2-D 2-D .

4) .

, - (audio-visual-spatial dimensions) .

. . . . (duration) , (objective time) . - , .

3-D (, , ) - . . . (on) (open) . . , - (virtual-spatiotemporal horizon) . . - .

, - . . .

. . 3-D 3-D . - - .

(determinable) . . , . . . .

(Whitney Museum) . LCD , . . (cyber server), , . - . . , . . . . (Datierbarkeit) .

. - . . . . . .

(technique) - . .

. . .

. (mobile) . - . . . - . (primacy of alterity and relationality) . (monologic) (non-communicative), . (flesh) (dialogic) .

1.3.3.

, (forza divina) , (amicitia) .

-- (Dasein as being-in-the-world) . -- .

, , , . (inner world) . . . ? (vorhanden) . , . -- . . (Dasein) (da) (das Da-sein) . . , , . .

. . . . . . --(in-der-welt-sein) (Beosorge). . -- . TV . . (Gesamtperson) (Lebensgemeinschaft) . , 3-D 3-D 3-D . , . -- . . . , --. 3-D , , .

3-D . , . . . , (in-Sein). , .

(being together with the world) (in Sein) . (existenzial), (Mitsein) . .

, . (in-Sein) .

-- , (In-sein) . - (within) , .

. , , , . -- . . ------ . .

------ . .

2.

(Edgar Alan Poe) , . (), , . . . . . . , 1 0.4l , . , t . 0.4 v t

v=0.4t

, (1) . t=0 Al , 0.4 t=0 A . . (nonlinear).

v

2

0

5 t

(1)

v

A

t

(2)

2.1.

. , .

, . . 0 1 (bunary pattern) . , . .

, . . . , , . , , (hyperspace) .

, . . , .

. . , . . , (H. Innis) .

. , . (1-2) . .

, . . . . . . . , (server) (client) . . .

3-D . 3-D , . (digitalized) .

(Alias Wavefront Maya), (Discreet inferno) , , , , . (pixel) . (image) . (2-D image) (3-D image) . , 3-D .

, DVD . (link marker) , . , , . , ( virtual-spatiotemporal construction ) .

. (hyperreal) , , , , , . .

2.1.1.

.

. , , . . ' ' . . , , . . .

. 1945 (Vannevar Bush) Atlantic Monthly . 1940 . (Memex) . , . , . . 1965 (Theodor Nelson) .

(non-sequential writing), , . . . (A. V. Dam) 1967 (Hypertext Editing System) , 1981 (Literary Machines) (Xanadu) . . (Tim Berners-Lee) 1989 (World Wide Web) . (web) . 1993 (Mosaic) .

(R. Fowler) , , , , . , , . . (rhizomatic smooth space) .

. 0 1 . . , , (hypernarrative) . . . , . . , . .

. , . .

. (videotaped) , , .

(Michael Joyce) (topographical) .

, (inwardly elastic) , (forward) (backward), .

, (interactive configuration) . , , , . (surface) (depth) . , (Surface) , (cut), (copy), (paste) .

. . , . . .

. , . (1) , . , , . , . . . (1) , A a, b, c , a 1, 2, 3, . , . .

. . , 3-D . . . , . . , . , web-of-life 3 3-D . , . . . . .

. . (clips) . . .

(1)

, . . () . web-of -life , , . 3 . . .

, . , . . . . , (configuration contents) .

, (intertextual system). , . (Benjamin Wooley) , (full same environment) ,. Videoplace .

, . , . . . . . . , . , .

. (cybertime)

, , ( ) .

(time) . . . , . (realtime), (I. Asimov) The Naked Sun . . (hyperlink) (place) . . . , 0(zero) . . . . . . .

. (second) , (microsecond) (nano-second) (picosecond) . . , . (L. Strate) , , (cybertime) . .

, , . (asynchronous). . . , . . . , .

, . 0(zero) . (M. Castells) . . .

, . . . 0(zero) , , . .

. , . . -- , . , . .

-- . . () .

-(Ent-terung). - . . - . , . , , . , - .

3-D . - , .

. . , . (D. Bolter) , . () . , (Strate) (Jacobson), (Gibson) , . .

-- . , . . . (Poster) .

, (telemedic) . , , . , 3-D (digital sculpture) .

2.1.2.

(exploratory) (constructive) . , . , .

(Silvio Gaggi) (loss of a primary axis) .

1) (no center of the text).

2) (vanishing point).

3) (no clear unitary authorial voice) .

web-of-life , . . , . .

. '' . . . .

. , 3-D . . . .

. .

. (film) . , . . (interactive configuration) (Artificial Reality) .

2.1.3.

, .

, . , , , 3 - . 4 3 . , - .

. , . 3, 3 . , . 15 , , . . . , , .

, - . . 4 , .

. , .

, .

, . , (exteriorization of knowledge) (modernity) (supermodernity) .

1) -(Database), (hypermedia), () (flattening of hierarchy)

2) (Objective space)- (Navigable space)

3) (Static archtecture)- (Liquid architecture)

4) (Geometry and topology as theoretical models for cultural and social analysis)- (vector) .

(2) . , . (metadiscourse) .

. . . , (language game) .

(2)

(link marker)

. . . . . . , . . .

, . . .

. (glow) . . . . . .

. . . . . , , . . . (objectivity) .

2.2.

2.2.1.

web-of life Videoplace , (in-form(ing)-ation; ), . . .

(rhizome) . . (Horhizome) . 1) . . . . . 2) . --- . . (corps sans organs) . (George Orwell) 1984 , . . TCP/IP . , . 3) . , . ( ) (ensemble) .

. . , , , . . .

.

1) (heterogeneity) .

2) (machine assemblages) .

3) (multiplicity) , , (natural reality) (spiritual reality), . . , , . , . . (line of flight) .

a. .

b. (supplementary dimension) .

c. (plane of consistency) (exteriority) . n (flat multiplicities of n dimensions) (asignifying) (asubjective).

4) (asignifying) . (lines of deterritorialization) , .

5) (generative model) . (generative axis) (cartography) (decalcomania) .

3-D , , . . . (packet) . . . .

, , , , . , . . TV ( ) , , , .

. (updated) . . .

. . . , (devenir) .

.

1) . .

2) (milieu) , .

3) n, (multiplicities) , .

4) (acentered), (nonhierarchical), (nonsignifying), , .

5) (self-vibrating), , . (multiplicity) .

6) (filiation) -(interbeing) (intermezzo) . , , . (between) , .

.

, . , ( . , , , , .. ). . ..

. -(visual-audio) (haptic) . (Golan Levin) . Qwerms . (drag) . Floccus . . . . . .

. , , . , , , .

. , (state apparatus) (war machine) . , . , (smooth space), . . . , , , . . (cyber server) , . .

. . , . (escape line) . , .

.

1) (tactile space) , (visual, auditory) (vision-haptic space), (Smooth space) .

2) ( ) (striated space) .

3) .

4) (haptic) (optic), (close vision) (distant vision), (abstract line) (concrete line) .

5) (delimits nothing), (describes no contour), , (form of expression) , (material trait of expression) .

(Riegl) -- . (Michael Fried) . - , , , , , . .

. .

. , . (flat multiplicities) . (videographer), 3-D (3-D animater), (web grapher) .

.

, , . , . , , .

. , . . . . . , ICA . . , , , . .

? , , , ? , ?

. (post) , , .

(schzo-subject; schzophrenic) . . .

.

1) (mole) -

2) -

3) -

4) -

5) -

, . . , . . , .

2.2.2. :

. ' (La Machine de Vision)' . 19 , . TV (real-time image) (accident) .

(stream) . . . (Brian Massumi) .

1) -

2) -

3) -

, (immanence) . . . . , , ? ? .

. . ? ' (Abstract Machine)' (plugged-in) . , . (apparatus) (exterior) . . .

. . , ( ) . . . . . .

(world war machine) , , , ,

' (mutant machine)' . . . (John McDaid) . - , . . . . . .

. . .

2.2.3.

. , , , (client) . . . . (Peer to Peer) , . . . (Server) (Client). . (decentualized space) .

, . . . . (Minitel) . PC , , . . . . . . . , (mole) . , TV . (mole) (molecule) . . . .

. . . ,

, TV . (LAtrue) . , , . , (heterogeneous) . , . . , . . . .

TV . . . . . . TV 3-D .

/ . , , , , , , , , . (DIY: Do It Yourself) . . (Minimalism Art) (Robert Morris) , (Sonabend Gallery) . , . .

, . , , . . .

.

2.3. :

. , , . . . . .

, , , , (death of the author) . (R. Barthes) , , . , (emergence) .

(David Hume) 18 (lineal, ) . . . (electiricity) , . , .

(noetic navigation) , (artist) . . (nonlinearity) . . 100 . 100 . 100, 100, 100, 100, 100 100 ? 100 . .

(Michel Foucault) What is an Author . . , . (Thomas Kuhn) . . . . (gestalt switch) . . . . 2 , , . . 3-D .

2.3.1. 3-D

.

. (nonlinear editting system) . 6mm 8mm 1339 (Firewire) (Capture Board) . DTV . DV . (demo version) (freeware) . VJ . 1 (DIY) , . .

, .

. . , . , . , / , .

, ' (aesthetics of interactivity) . , , . , . (Jonathan Crary) , . , . , ' ' . , , .

TV . TV (speech without response) . . . .

, . , , . '' , . . . . (Soto) (Optic Art) , . . (A. Calder) . . (D. Z. Saltz) " , , " . . (navigable structure) . , . (story) . , , .

MPEG-4 DVD , . , CD-ROM DVD . (Navigable space) The Legible City. . . .

(Paul Serman) Think about the People Now . , , , 11 " " . (interlink) , . (Westminster) (White Hall) . , . . 3-D 64 . , (A Moment in Time) . (Unlimited virtuality) , . , . , (metaexperience) . . (Eric Colpaert) . . . . . , (alternative seeing) . . , .

. 3-D

3-D . 3-D , (haptic space) . 1970 (Pong) (Atari) . , . , . .

, . . (lerning) , . , . , (futurist) .

. , (moist intension) , . . (T. Kemp) (Personal Digital Assistant) , . 1000 .

. , . . . .

3-D . . , (cyber-ego) (alter-ego) .

3-D . 3-D , . , 3-D . .

. 3-D , . . , (idea) . . (modus) . .

. . . 3-D .

(flesh) , . Neuromancer . . , , .

. , , 3-D . - . . , . , . . 3-D .

3-D 3-D . . . . 3-D . (liquid architecture) . . . 3-D.

2.3.2.

, , , . , , , TV, , , ( ) . . Cybernetics, or Control and Communication in the animal and the Machine, Operating Manual for Spaceship Earth, Step to an Ecology of Mind .

, . (metapattern) .

1940 , , (A.I.) . 1960 (Licklider) (Symbiosis) . Human-Computer Symbiosis . . (NLP: Neuro-Linguistic Programming) (Noam Chomsky) 1970 . . . . (memes) .

( ) . 5( ) . . , .

(telematics) , . Mind and Nature (metapattern) , () . () . '' . . . . , , (pattern which connects) .

. , 1 . 2 3 . . , ' . , . .

.

, .

, . " ?" . . . (story) . . . . (pattern through time) , . (context) . . . . . .

.

.

.

1) , 2) , 3) . 4) , 5) , 6) , 7) , 8) , 8) .

. 3-D . . . , , . . . , . (E. Rogers) (D. Kincaid) . (linear components) . . [] . .

.

(transfer to nonlineal digital image) ?

. ' ' . ', , ' . , , . 3-D . '' '' .

, , , (skeletal object) (stomach) 3-D . () ( ) . . . . , 3-D .

. . . . . . . .

. .

. . . . ? (Alfred Korzybski) '' '' . . . . . . . . .

. 3-D 3-D , (immartrialization) . (Chauvet), . (ART) (Artificial Reality) (Technology) . . . . . . .

3-D . 3-D , ( ) ( ) . . .

. . .

1) '' .

2) , .

3) '' .

4) '' .

5) '' .

. . . (mutation) .

.

(Electronic Engineering) , , . . , , . .

stochazein , . (stochastic) .

2 . , (learning) . (evolution) . .

2 , .

(stochastic) . . . . , '' '' .

. 2 . . . (homology) . . . . ' ' .

. . . The Selfish Gene . . , .

. , . . 3-D 3-D . .

2 . . . . . .

. . ' ' . .

. (technoetics) .

1) (connective consciousness)

2) (self-aware systems and structures)

3) (the virtual and actual interface)

4) (re-materialization of art)

5) (moist convergence of the wet and dry)

6) (parallel worlds)

. , . . , . . . . . .

, . , , . , .

2.3.3.

. , . , , . . , .

.

60 . , 20 , (Walter Benjamin) The Work of Art in the Mechanical Reproduction 1969 . (Hannah Arent) TV, . (Paul Valery) TV .

, , . .

, . , (aura) . . . , . , , . , , , .

, . , . . . .

TV . . .

. , (body) . . . , . Surveiller et punir . , .

, . (dematerialization) . (LambadaMOO) (L. Nakamura) , . . (Access) , . , / (devenir) .

, , . . . . ( ) (, ) . . . , . .

. , , , . (LAutre) , . . (dematerialization) .

. :

, . 3, . . (frame) . 30 . (web graphics) . , . .

, , . . .

. , . . . . , , . . , . . .

, , , . . , . , . . (interdisciplinary) . , . . , . . . , . . , . . . , . , . , . , . . , . , , . (Jon Ippolito) .

1) .

2) .

3) . () (DIY:Do It Yourself). .

4) (digital devide) . .

5) . (re-present) .

6) , .

7) .

8) .

9) .

10) .

. . .

III.

1.

. (futurist) . , . 1920 , , (1), .

(video) () . . (Denis Oppenheim), (Robert Morris), (Lynda Benglis), (Richard Serra) , . . (dematerialization) , (Les Levine) (nonphysical) . , (thing-ness) . . .

(Martha Rosler) . , .. , .

, , . .

TV as a Creative Medium 1969 (Howard Wise Gallery) , 1965 . . . (Jonas Mekas) (that worship electricity), (Woody Vasulka) (technological wanderlust) .

CRT LCD . . (context) , . 21 ( ) .

, 1950 (electronic videotaped image) (data graphics image) . . . , (horhizome) .

(element of movement) . TV , . , , . 2-D 3 . . . , . , . .

, . . . , . . . , 1976 1980 .

B . . .

, A . , , 3-D 3-D B , .

2.

A. :

19 (Seurat) (Pointillisme) (Monet), (Renoir) . TV , . 1 0 () . . , (tactile) .

. B. .

A-1. :

A-1.1. :

(bioscope) . bio( , way of life) , . . . Vertigo . Feature Film .

. , , (ecology) . , . , . (3) , , , , , . (Ortega Y. Gasset) , (Vittorio Pica) . (Renato Poggioli) .

, Psycho (time-based effects) , , . , , . , .

, . . . , , .

20 , . , . . , , , .

, , . , , , , .

. (Edward Muybridge) (2) , , , , . , , , (), .

19 , (poque cin-dramatique) , . , (extraterritorialit) (extra-temporalit) .

90 , .

(Rouben Mamoulian) (Alfred Hitchcock) , (1939) 1996 Confessions of a Justified Sinner(11) . , .

. Vertigo(1958)(12), Psycho(1960), Birds(1963) . Psycho 1993 24 Hour Psycho(14, 15) , Feather Film Vertigo (Bernard Herrmann) . Feather Film , . Vertigo (pedaysment) .

(James Conlon) . 3 2 . , , .

1999 (Atlantis) Vertigo Feather Film . . . . Vertigo Feather Film Hysterical(16) .

. . , .

24 Hour Psycho (James Stewart) (Janet Leigh) , , . .

. . (1994), Star Trek , / ( ) .

[](chaos) , .

. (irrational) Psycho .

1998 32 . . . . .

. Feather Film . Vertigo , .

A-2.2. : Vertigo

, (cache) . , , . , . , .

(Weighting) . (A. Bazin) . . ( ) Vertigo .

TV (technical director) . . TV TV . TV . (aesthetic camera) TV . , (super impose) TV . TV (postproduction) . . . .

1958Vertigo ( ) , ( ) . (lineal) .

Vertigo , Birds, Psycho Taxi Driver, , Word and Picture(17) .

, . . (T. S. Eliot) (concentration). . 24 Hour Psycho , Feature Film Vertigo , . 122 80 .

. Vertigo , . . . , , . Feature Film (context) .

Feature Film . , . , , . . (fragment) . . . . (Sign) .

. , . , , , . . , . . . Feature Film . (scene) (E. H. Gombrich) 3 (ambiguity of three dimension) . . 100 , ( ) . , . , .

. 3 . 19 , ( ) . , .

, . , , (purity) . , .

A-2. :

A-2.1.

(Frederic Jameson) (temporal art) , (The becoming-time of space and the becoming-space of time) . (diffrance) . . () () , . . , (, spatiotemporal dimensions) 4 . 4 , .; .

, TV , . . , . . . Videotime/Videospace . (Parzival) , . . . . . , .

TV , Good morning Mr. Orwell Bye Bye Kipling , , . TV .

Global Groove , CRT . (Image processing) , . .

(Stephen Beck) Image Processing and Video Synthesis . , , , . , , .

. . . , . VTR TV . (Thomas Tadlock) .

. (Abe) .

TV , , . . , .

. 1960 . . . TV . , , , , , . , TV TV . , . 1972 WGBH .

WGBHPD , , 9 9 . 730 Electronic Opera 2 4 3 . . , , TV . , . . . .

Ramdom Access Information . . TV . (code) . . , , , (value) (coding), . .

. , . . Global Groove, (om) .

. (Croma key) . . , . TV Good morning Mr. Orwell .

. (theatrical) . TV (believability) . ((liveness) TV . . 1957 (Sputnik) , (Satellite Art) . 1976 (Douglas Davis) Seven Throughts, , . 1976 12 29 , . 1977 (Kit Gallaway) (Sherri Rabiniwitz) , . 1980 Double entendre . Good morning Mr. Orwell . 1984 11 12 . WNET-TV FR3 WDR III , , , , , , KBS1-TV . , , , , . Momenta . , . . . , () . TV, .

, TV . 3 Bye Bye Kipling(1986), (1988) , , . TV , . , , . , , , . , , .

1965 Magnetic TV . .. Electronic Superhighway .

Art and Communication . , Electronic Superhighway . 1974 , The Electronic Superhighway . . 280 Megatron . , , , .

. . . . , . .

.

A-2.2.. :

1955 . 1965 10 John Paul VI PORTAPAK(portable video recorder) . . TV . , . (C. Goodman) .

TV . . (John Hanhardt) TV TV .

Laser Experiment Number Five . 3-D . . . . .

1963 MIT (Sketch pad) , TV . 1963 Distorted TV , 2 , ( New School of Social Research) (interactive artwork) Magnet TV . TV . Participation , VR . , TV .

Concert for TV Cello TV Bra for Living Sculpture , (Henri-Pierre Jeudy) (Autoscopie) . (ego) (J. Lacan) . . . , (Gene Youngblood) .

Concert for TV Cello . (Charlotte Moorman) 3 TV Concert for TV Cello () . TV , TV , , TV . TV . (). . . . . . . . .

TV [ ] TV . (E. Decker) 60 .

Moon is the Oldest TV . TV . . . .

12 . . 144 . 144 . , , () () . . () . () () . , ( ) . . () .

3-D, , . . The Electronic Superhighway . 1967 Norbert Wiener and Marshall McLuhan . .

1) (intermedia) , .

2) .

3) () , () () .

4) (entropy) .

. (). (noise) . (cool) (low definition) . . (hot) , (cool) . .

A-2.3.

, . , .

(Cristian Kellerer) . . . , . , . . . .

TV Buddha , . . 4 , 20 4 . . . . . . , 20 .

1965 261.1499 for A String Player(1965-67) (1973) (1975) . , . , . . , , .

3 . TV Buddha(1974) , . . , , (Zen) TV .

TV Buddha , , . 1974 TV TV . , , TV . . . TV TV . () TV Buddha . TV Buddha . () . (input-time) . . . , (=), .

. . . , , TV , . . , , . () . TV Buddha .

80 . , , , . , , , . 1 , , . 1990 , , , .

B. :

(convention) . , . , . , . , . (Theodor W. Adorno) . . 20 . (aufstellen) , , , , 3-D 3-D .

B-1. :

B-1.1.

(Lewis Carroll) Through the Looking Glass Why Do things Get in a Muddle?(Come on Petunia)(1984) [] ? . (metalog) , , , . () . () () . , . . . , , . () . , () () . , , .

The Storytellers Room(18), Hand Heard(19) () , () . .

() . () . , , , .

, , () . . . . .

, (category) . . (Andre Malraux) Lhomme prcaire et la literature , , . , . . . , . . . () . , .

(B. London) , . (illusion) . , . , . , . 3-D .

. . , , () . , .

, Withershins(20) . . , , () .

, . () , . . , . () .

B-1.2.

. . . . . . , '' '' . . . . . '' . .

(Berthelot) 1 () , . (Claude Bernard) 1 . 100 . .

.

, , () . . . . () () . . . , . (object), (On) (Off) . , .

Between cinema and hard place(1991) 23 . . . . The Nature of Language(1957) [ ] . . , , . , . Cut pipe(21) (tubes) . , . . , , (on) (off) . (switch-pieces) , Between cinema and hard place , , (on) (off) . (Karlheinz Ludeking)

(off). (on) (off) . . . . TV . . . () () () .

, , , .

-(Maurice Merleau-Ponty) . (Asthetische Interaktion) . . (), , , (on) (off(O)) () . 1990 BEACON: Two Version of the Imaginary(1990)(22) . BEACON (Maurice Blanchot) , 54 6 . 6 . , . BEACON . , . , . , () , . () .

B-1.3. (Inter-text)

Crossbow(1999)(25) . , , , , . , . , . . , . , .

() , ( ) . (Dasein) , , .

. '' . ' (Jemeinigkeit)' . . . " , , . , -(Sichoffnen), -(Offensein)." .. , --(offenstanding) . -- . . .

, The Nature of Language , - - , , . - (das Gegen-ein-ander) . , . (Dichtung), . . - , .

Learning Curve(1993) . , . ( ) , (green room) . . , . . , , ' . . .

, . , . . (logos) , .

. . , . . , (signe) , (signifi) . (metalogue) (metamedia) .

(Margaret Morse) , TV , . . . - , , , - .

, . .

, . (anti-tele), (, utexcipeant benefici) , . . () , . .

B-2. :

(Hieronymus Bosch) () . , . (discontinuous) . 19 . . Alice in Wonderland , , . (Kafka), (Joyce), (Eliot) .

1993 SIGGRAPH, Machine Culture 1960 (AR: Artificial Reality) . AR (Mort Heilig) 1960 , , , , Multisensory .( 4, 5) , , 3-D . 1969 . , , 3 1976 (Nationnal Endowment for the Arts ) , (Data Gloves)(6) AR . VR (8) NASA (Mike McGreavy) . , VR . . (full-body participation), (shared telecommunication space) , (multisensory), , , VR .

B-2.1. Videoplace

(Myron Krueger) 1969 Videoplace VR, . . 1974 , Computer-Controlled Responsive Environments . Artificial Reality , , VR .

Videoplace( 26, 27) 20 . . . (RED), (Green), (Blue) , NTSC .

(1) Glowflow, Tubes on a Gallery Wall

(2) The Gallery Floorplan for Glowflow

. (techne) . . . . , (das Technische) . . (Wissen) . (Vernehmen des Anwesenden als eins solchen) . , (Hervorbringen). , . .

Videoplace . (1)Glow Flow Metaplay . . 1 . , . 3 (visual communication) . , . , .

(3) Metaplay drawing.

(4) Video Communication Link

(Videoplace) . (Information) , . , , . Videoplace 1960 () . Metaplay , . . Videoplace , , 3 . Good morning Mr. Orwell 3 Videoplace .

(5) The Videoplace Concept.

(6) The Computer Detect Contact Between the Video Image of Two Participants.

Videoplace 3 . . , ( 6) . 100 200 Videoplace, Bye Bye Kipling(1986) . , . .

, , , , , 3 . 1975 , .Metaplay . . . (processor) . , . , .

(VIDEOTOUCH) , Videoplace .

(7) Metaplay Communication System.

. , . , . (resticted aesthetic medium).

, .

. , , .

Videoplace , , (object) .

(8) Occlusion by Graphic Object (9) A Cats Cradle Interaction

(8) 1:1 , , Videoplace , . . Videoplace . . . . . (9) , . .(28-32)

(10) One and Two SplineMan Configuration

, . , , (10) , .

Videoplace 12 . (Critter) .

. . . - .- . .

Small Planet , . .

Body Surfacing 3-D . Spline Man - - .

Videoplace . , 12 , . . , 12 . .

Videoplace , HMD, 3-D ' '(Artificial Reality) .

' ' (Jaron Lanier) 1989 (virtual reality) 1984 ' '(artificial responsive environment) . 3 . (technites) .

B-2.2. (Artificial Reality)

3-D . . , (ubiquitous) , (sensible environments) .

, . () . . .

Videoplace , , . 2 3 . (Rober Mallory) , 3 . . Computer Sculpture; Six Levels of Cybernetics (Cybernetics) (Aesthetics) . 6 .

1

2

3 .

4 .

5

6 . .

(11) A Human Critter Interaction

(Interaction) (Human Critter Interaction) 1/10 , (Pointing: ) .

, . , .

, . , . , . . , . , , , . , . . , , .

(12) The Megaenvironment

Videoplace , (Megaenvironment) Videoplace (Interaction) , , , Videoplace . , .

. . , . . Videoplace . Videoplace . Videoplace , . , . . , VR . , . (story) .

(13) The Rockettes

(13) (Human Critter) , , (Busby Berkely fashion) . , . , . .

(14) Mandala

(14) Videoplace , (Mandala) , 7 .

. Videoplace, (Ed Tannenbaum) Recollection, (Vivid Goup) Mandala . , . . , . (recontextulize) (reflection) .

(15) Picking up a Graphic Object (16) Three-Way Catch in Videoplace

(16) Videoplace , , , Videoplace .

(17) Swimming in Videoplace

, , -(stereo-realite) . - (realite actuelle) , (realite virtuelle) . , .

Videoplace , . (17) , , 1000 (SCUBA) . .

() -(micro-video) .

, , , TV .

() , , .

(18)

(Artificial Personality), .

(19) A Vidiocy Interaction

, - , .

B-2.3. (reflection)

. . (Narcissus) . . . . "" '' (Narcosis) .

. , . . . , .

. (Eco) . . , . . , . , . , , . (self-absorption) , , , , . , , .

. , Videoplace , Videoplace , Videoplace .

. 3 , . . (David Rokeby) Very Nervous System . , , , . , .

(20) A Telecision Interaction

MAN_IPUATE Interaction , Videoplace VideoDesk Operator , . .

, , , (art actuel) (art virtuel) .

20 , . - .

, .

(motorisation electronique) , , .

(21) A Balloonacy

Balloonacy Videoplace . , . (21) .

. . , . , . . . , . . , . . . .

B-3. 3-D :

3-D . - - . The Legible City Imaginary Museum 1990 Revolution . . , . Revolution 200 - - . - - .

B-3.1. 3-D

. The Legible City(prototype)

, . . . () (Quantifizierung) .

. (random accessibility), (manipulatability) . (networkability) , . .

The Legible City (prototype)(33, 34)1988 , (Bonne-fantenmuseum, Maastricht, Belgium) (Dirk Groeneveld) . (wire-frame graphics) .

, . (three-dimensional letters) .

The Legible City 3-D . 3-D . , , , 3-D .

3-D 3-D . 3 . Paradise Lost 2 2 .

, (Hormuz) , .

4 6 3 . 3-D .

: . ?

: , .

: ? , . , .

. . 3-D , , 2 3 . 3. 2 . , () 3 .

3-D 3 . . 3-D .

3-D . (real world) (virtual world) , (virtual domain) , 3-D . , .

(1989) , , , , (confidence trickster), (ambassador), 8 . . , . .

() () . . . , 3 .

. The Distributed Legible City

, , , , . , . , . , . , , , , . . The Legible City .

3-D . Rehearsal of Memory . The Legible City(1989)(35, 36) , . 3 , . , , .

, 3-D . . (meta-texts) . 3 . .

3-D , . , . , .

. ConFIGURING the CAVE

ConFIGURING the CAVE(42, 42) 3-D . . , CAVE . . . . . , . 7 . . . (metalanguage) . , . 3-D . .

. The Virtual Museum

, . , 3 . , , , , .

, . . . . , (Emergent Reality), 2 (Nature II), . (xenoplasticarts), . .

The Virtual Museum(43, 44) 3-D . , . . . .

The Virtual Museum 5 . . , . . . .

4 (re-material) . . , , . . ('A', '2', 'Z') .

20 . , , 4 . . . , , . - . .

. The PlaceRuhr

The Place-Ruhr(39, 40), , 3 .

11 . 3-D . 360 .

11 ' ' . . 11 ( ) (environmental scenography) .

. , . .

, 3-D . . 5 , , .

B-3.2.

(, presence) . . (Telemedicine) , , , . , . 3-D , . , . .

(6) , Various media technologies classified by vividness and interactivity.

3-D . , . . (Michael B. Spring) , (R. Pose) (M. Regan) . , TV . .

EVE(45) ZKM 3-D ,

10m ( ) . . 3-D VR 3-D .

. . . .

, , , , . , HMD(head-mounted display)(8), (6) , . . , . , . , , , , , . 3-D .

. 3-D .

. . . . , .

1993 Virtual Museum EVE . 1995 . , . . , . .

, . . (volumetric) (hologram) (Firewire) . . . , , . .

Starwars: Episode VI () . R2-D2 3-D . 3-D (auto stereoscopic volumetric display) . . TV LCD , TV . TV . (OLED) (flexible) . TV 3-D 2 . Starwars R2-D2 3-D . 3-D 3-D . 3-D 3-D 2-D 3-D . , 3-D . . 3-D 2-D 3-D . 2-D 3-D . , , . 3-D 2-D 2-D .

(Auto Stereo Scopic) 3-D . 3 3-D Starwars . 3-D 3-D . , . . .

3-D , . 3-D , 3-D .

. MUD(Multi-User Dimensions) . . . , . (C. Chesher) .

, .

B-3.3. ,

. The Net.Art Browser

. . . . (propective). , .. , , , , . (autonomous) . . . . , (being-in-flux) , (devenir) . , , , . The Net.Art Browser.

The Net.Art Browser(46) 3-D . , , TV , (mobile viewing window) . . . , . . , . , .

. web-of-Life 2001-2003

web-of-Life(47) . . ZKM . . (52), ZKM , web-of-life , - . 2002 3 ZKM 2 . (Michael Gleich) .

web-of-life : ZKM , (48) 3-D 3-D .(50, 51) , . ZKM , web-of-life .(49, 50)

. , . web-of-life . , , web-of-life , , , .

Die Technik und die Kehre (technik) . .

. . . . . . . , . .

B-4. 3-D :

B-4.1. 3-D

3-D(three-dimensional graphics) (description) (presentation) . , , , . (marble) (chisel) (brush) (oil) .

1, 2 . .

. 2 , . .

1840 (Flix Nadar) (photorealism) . (George Mlis) . 3-D (3-D Photorealistic computer graphics) . 1981 (Information International) Looker . 3-D . (George Lucas) (Lucasfilm, Ltd.) 1983 Star Trek II and Return of the Jedi . 37 3-D 4 .

3-D (53, 54) . . . 3-D . , . . .

3-D. (C. Cadoz) . ? , . ? . , , , , , .

(Walter Benjamin) (aura) . (E. H. Gombrich) . . .

. , . , . , . , . (Simulacrum). , . , . . , . , . . 3-D . , , .

3-D , , . . , . . , . (J. P. Barlow) . , , , .

(English butler) . , . , . . , , , , , .

B-4.2.

, (Pygmalion) , , . . . , . , , , .

3-D , 3-D . 3-D 3-D . , . (Geometry based modeling) . 3-D . (Image based modeling). , .(55, 56) Hollowman Terminator . 20 3-D .

3-D . . . () . . . , . .

. , . Final Fantasy 3-D (59) .(56) . . 3-D . (Aki) . 6 . 1 15~20 , . , .(57)

. , . . 1 , . . (synthesized actor) .

B-4.3.

AOL(American On-line) Simone () (virtually everywhere) . . 30 . , . MIT , , (intelligent agents) (synthetic characters) . '' '' '' . (Metacharacter) . - .

(Gery Demos) 3-D . (remote interactive scene simulation) . (Virtual Actor) (synthesized actor) . . . , . .

. . (digital film) .

= (live action material)+ (painting)+ (image precessing)+(compositing)+2-D +3-D

. . , . . . (intelligent agents) , . Sonata . . , . Sonata 3 , . . , , . , .

(Sergei Eisenstein) (John Dewey) . , . . . . . , , , . .

. , .

. , . , (synaesthesia) . (context) .

.

1. web-of-life 3-D Metaplay Videoplace (la rlite virtuelle) . (instrumentality) (digital-being) (modus) .

2. (ubiquitous) , . .

3. (haptic) (smooth space) (lunique) n-1 . (Horhizome) (stochastic) .

4. , 3-D . , 3 (being-in-flux) . (aesthetics of appearance) (aesthetic of apparition) , (open-ended pathways) (semantic closure) , , .

5. 3 2 . . , -(image-instrument) (perfect duplicability) . .

a. (interactivity) (heterogeneity) (flat multiplicities) 3 .

b. . (homogeneous quality) ---(audio-visual-spatial dimensions) . .

c. 3-D . , .

. (, Pentecostal condition) (re-materialisation) .

. .

Paul Virilio, The Virilio Reader (London: Blackwell, 1998), p. 146.

1909 (Pillipe Thomaso Marinetti) (Futurism) , (Dadaism), (Constructivism) . (J. Harvey, The Condition of Postmodernity (Oxford, Basil Blackwell, 1989). (I. Newton) . , . , (K. Stephen, The Culture of Time and Space 1880-1918 (Cambridge: Harvard University Press, 1983).

Henri Bergson, Matire et Mmoire (Presses Universitaires de France, 1969), p. 34.

G.E. Laokon (:nacheinander), (:nebeneinander) . . . , .

Theodor Adorono, Dialectic of Enlightenment (New York: Continuum, 2001). . (cultural contentswear) .

(web graphics), (motion graphics), 3-D , . 3-D , . 3-D . 2-D, 3-D . . , .

Sean Cubitt, Digital Aesthetics (Sage, 1998) P. 84. Spatial effects .

. Neuromance . , , 1986 . . .

W. Gibson, Neuromancer(New York: Ace Book, 1984), p. 67. .

M. Benedikt, Introduction, Cyberspace: First Steps (Cambridge: MIT Press, 1993), p. 1. , .

Ibid., p . 268.

Merriam Webster's Collegiate Dictionary (Springfield , MA, 1993), pp. 1320.

Ibid., p. 973. reality . , .

M. Heim, The Metaphysics of Virtual Reality (Oxford University Press, 1993), p. 109.

Jonathan Steuer, Defining Virtual Reality: Dimensions Determining Telepresence (eds.), Bioca & Levy, Communication in the Age of Virtual Reality (Hillsdale, New Jersey: Lawrence Erlbaum Associates, 1995), pp. 33- 35. , . (sense of being) .

, .

. , . , . , . , .

(link marker) , .