Viesnik Bresckaha universiteta_2_12_2009

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  Б р э с ц к а г а  у н і в е р с і т э т а  НАВУКОВА - ТЭАРЭТЫЧНЫ ЧАСОПІС  Выдаецца  с а  студзеня  2005 года  Выходзіць два разы ў год ерыя філ л гічных  н вук  ЛІТАРАТУРАЗНАЎСТВА  МОВАЗНАЎСТВА  Заснавальнік  Установа  адукацыі  "Брэсцкі  дзяржаўны  універсітэт  імя  А.С. Пушкіна "  № 2(12)/2009 У адпаведнасці  з загадам  28 Вышэйшай атэстацыйнай камісіі  Рэспублікі  Беларусь ад 31 студзеня  2008 г. часопіс  «Веснік Брэсцкага  універсітэта . Серыя філалагічных  навук» уключаны ў Пералік  навуковых  выданняў  Рэспублікі  Беларусь  для апублікавання  вынікаў дысертацыйных  даследаванняў  па  філалагічных  спецыяльнасцях .   Галоўны  рэдактар: М.Э. Часноўскі  Намеснік  галоўнага  рэдактара: Г.М. Сендзер  Намеснік  гал оўн ага   рэд акт ара  па  серыі  філалагічных  навук: С.Р. Рачэўскі  Рэдакцыйны савет па серыі  філалагічных  навук: З.П. Мельнікава М.І. Мішчанчук В.І. Сянкевіч  Міжнародны савет па серыі  філалагічных  навук: Г. П. Тварановіч  ( Польшча ) П.М.  Ямчук (Украіна) Золтан Андраш (Венгрыя) А.У. Жукаў (Расія)  Рэдакцыйная калегія: У. А. Сенькавец  ( адказны рэдактар ) А. М. Гарбалеў  У. В. Гніламёдаў  А. А. Лукашанец  М. П. Жыгалава  І. В. Жу к  В. А. Фелькіна  В. І. Іўчанкаў  А. М. Макарэвіч  В. Ф. Русецкі  Т. В. Сянькевіч  Т. Е. Камароўская  Л. В. Леванцэвіч  А. Г. Ківака  В. Б. Пераход  М. І. Новік І. А. Швед  І. Ф. Штэйнер  Пасведчанне  аб  рэгістрацыі  ў Міністэрстве  інфармацыі  Рэспублікі  Беларусь   2573 ад  2 7 красавіка  2007 г. Адрас  рэдакцыі : 224665, г. Брэст , бульвар  Касманаўтаў , 21 тэ л.: 21-66-16, 21-47-63 e-mail [email protected] t.by  ISSN 2072-9855

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Transcript of Viesnik Bresckaha universiteta_2_12_2009

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    2005

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    2(12)/2009

    28 31 2008 .

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    : .. : .. : .. : .. .. .. : .. () .. () () .. () : .. ( ) .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. 2573 27 2007 . : 224665, . , , 21 .: 21-66-16, 21-47-63 e-mail [email protected]

    ISSN 2072-9855

  • o f B r e s t u n i v e r s i t y U n i v e r s i t y s c i e n t i f i c - t h e o r e t i c a l j o u r n a l

    Published since December 2005 Issued two t imes a year

    Series of Philological Sciences

    LITERATURE

    LANGUAGE

    Founder Educational institution Brest state university named

    after A.S. Pushkin

    2(12)/2009

    According to the order of Supreme certification commission from 31.01.2008 28 the journal Vesnik of Brest state University. Series of Philological

    Sciences has been included to the List of editions of the Republic of Belarus for publication of the results of scientific research in philological sciences.

    Editor-in-chief: .E. Chasnovski Deputy Editor-in-chief: A.N. Sender Deputy Editor-in-chief of the series of Philological Sciences: S.G.Rachevsky Editorial Council of Philological Sciences: Z.P. Melnikava N.I. Mishchenchuk V.I. Senkevich International Board of the series of Philological Sciences: G.P. Tvaranovich (Poland) P.M. Yamchuk (Ukraine) Zoltan Andrach (Hungary) A.V. Zhukov (Russia) Editorial Board: U.A. Senkavets (managing editor) A.N. Garbalev V.V. Gnilomyodov A.A. Lukashanec M.P. Zhygalova I.V. Zhuk V.I. Ivchenkov A.N. Makarevich V.F. Rusecki E.G. Kivako T.V. Senkevich O.B. Perehod T.E. Komarovskaya M.I. Novik L.V. Levancevich I.A. Shved I.F. Schteyner O.A. Felkina Registration Certificate by State Press committee of the Republic of Belarus 2573 April, 27 2007 Editorial Office: 224665, Brest, Boulevard Cosmonauts, 21 tel.: 21-66-16, 21-47-63 e-mail [email protected]

    ISSN 2072-9855

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    .. , 2009

  • INDEX

    LITERATURE STUDY

    Tarasava T.M. Menipea and existential problems of a modern man in works by Y. Stankevitch and M. Houellebecg.....5

    Yanovets V.I. Subject as an expressive means of a dramatic work of art .............................................................11

    Nekrashevich-Karotkaja Zh.V. I yield to no one: new aspects of studying of Mikalai Housowskys works.............21

    Chumakevich E.V. Postrealism in modern Russian prose: D.Rubinoj and L.Ulitskoj's novels ...........................29

    Hrytsuk L. The beginning of the genre of the elegy: historical and theoretical aspect.........................................35

    Pranevich H.M. Lev Sapegy and Brest: the birth of Lithuanian statute of 1588 years.........................................43

    Mishchenchuk N.I., Marchankava A.G. Creative work of Nickolai Gumilev ...................................................52

    Vasiuchenka P. The main regions of the European symbolism and their influence on the Belarusian literature of the beginning of the 20th century ........................................................................................................64

    Shved I.A. Some problem of historical study of the Belarusian folklore studies ..................................................70

    Borsuk N.N. V. Shimborskas Poetry in N. Matiashs Translations ...................................................................79

    LANGUAGE STADY

    Matsko I.D. On some metadiscourse functions of particles in French..................................................................82

    Furashova N.V. Nature Images in the Meaning of German Verbs.......................................................................89

    Istomin V.S. The stereotype France in election campaign discourse ....................................................................94

    Eromeitchik T.V. The Taxonomic Variety of Evaluative Meanings in Mass Communication of Belarus (An Essay on the Linguistic Analysis of Belarusian Advertising) .....................................................101

    Tsepljakova A.D. French Borrowed Winged Words in the Modern Belarusian Literary Language (the Amount and Etymological Sources) .............................................................................................................109

    Aliferchyk T.M. Ethnonymes lyachi, mazury in toponymies of Western Polesje ..............................................117

    Serebryakova V.V. Static aspect of the main content of the text .......................................................................123

    Senkevich V.I. Linguistics Institutionalism ........................................................................................................130

    Levonuk A.Y. Specific features of the aphorism as a short work ........................................................................141

    Levantsevich L.V. Concept mermaid in languagecontext...............................................................................148

    Kostyuchik V.M. Expressiveness criteria of Bres region phraseological units ..................................................154

    Korolyuk I.P. Categorial Status of derivative adjectives with the prefix un- in the modern German language ........165

    Shagun T.M. Linguistic somatology: its state and perspectives of the investigation......................................170

    Goduiko L.A., Podorovskaya O.M. Neologisms on the pages of modern russian mass media ........................181

    EVENTS, DATES, JUBILEES

    Hrytsuk L. Mikola Mishchenchuk.....................................................................................................................191

    Information about the authors ..............................................................................................................................193

    Publishing house of BrSU named after A.S. Pushkin, 2009

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    Tarasava T.M. Menippeah and Existential Problems of a Modern Man in the Works of Y. Stankevich and M. Houellebecg

    The article deals with the role of a menippeah in disclosing the existential problems in Y. Stanke-

    vichs story Besopotamus and in M. Houellebecgs novel Elementary particles. The investigation of the works of French and Belarusian writers in the light of a menippeah play enabled the author of the article to explain the insufficiently explored questions of the menippeah semantics in the modern prose, as well as to discover its style dominants.

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    258 .

    Yanovets V.I. Subject as an Expressive Means of a Dramatics The relations between a subject and a hero in a dramatics are explored in the article. The author

    analyses the aesthetic function of the subject and attempts to define it as a leading category in drama. He also presents the classification of subjects which is based on the analysis of major classical and modern dramatic works.

    17.02.2009

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    Nekrashevich-Karotkaja Zh.V. I Yield to No One: New Aspects of Studying of Mikalai Hou-

    sowskys works In this article we examine a complex of literary questions connected with the elucidation of the

    creative concept of one of the most important Renaissance literature works the poem The song about the appearance and the wildness of an aurochs and the hunting for it (Krakov, 1523) by Mikalai Hou-sowsky. These questions are elucidated on the basis of the analysis of the original text as well as in the light of the opinions of Belarusian and foreign experts on Mikalai Housowskys works. The main atten-tion is paid to the peculiarity of poetic dimensions and to the role of the verbs of movement for the dy-namic artistic creation. We suggest the original concept of the compositional reading of the text. The object of the artistic description in the poem, which has been widely discussed recently, is being con-sidered as well. The image-bearing symbols and thematic dominant idea of the poem are examined in the light of the authors aesthetic programme. The conclusions made in the article are about the peculiar features of the authors artistic methods which are confronted with the aesthetic ideas of his contempo-rary first-printer Francysc Skaryna. In the article we present different interpretations of artistic under-standing of The song about the aurochs including not mentioned earlier concepts of foreign scientists such as Thomas Veteikis, Kshyshtof Koehler, Andrij Sodomora.

    7.09.2009

  • 29 821.0(470+571) ..

    : . . . . -

    , , 2007 ( ). , - 19411945 . : . - ; . .

    .

    I .

    - I , I .

    30- - -. , , . , 60- , 80- - . . , . , , -, . ( ), . ( ), . . : , .

    . - , , . , 80 -, , 100 . . , , - , , - . , , , - . , - , . - , , .

    , - . - , , , . , ,

  • . . 2(12) 2009 30 . , , - . , . , .

    - 2007 . , , 1990 .

    . , - , , - , . 1977 . ?, . . , . . , - ( , , , !..).

    - , , , , , , -. , , - , : - .

    , - , - . , - , - -, : , , .

    . - , , -, : , , . . , . , , . , : - -, , , ! , , , : ?.. ? . , , . , , . . - , . , , , , ,

  • 31. , , , .

    () (). - , , , . , . , - , , -, , , - . , , . : , -? , , , , . , , ,

    , , - , , - ? , . , ? - , . - , , , . , . , .

    , , - . , . . , , - , , , . . : , , , , . -, . , , . , . , , -, , . , - , - . - , ?

    . , , - , , . , - , , , , .

    . 98 , . , , , , - , , , , , , , , , . , , , , - . ,

  • . . 2(12) 2009 32 , , - . , . , . : , , - . -. , . , , , -, , - .

    , , - : , , . , -, . : ?. -, , , , , , , , - . - , , , . - - , -, , , - .

    , , - , . . - : , , . . , . : , , ! , . ! .

    - . -: , , , - , , - . . , , . : !

    . , , - : - , ,

    , - . , 40 , . : - , , . - , - .

    , - . : -

  • 33, , , . - (2009).

    , - , :

    , - , , , ! , , ,

    , - : - , , - .

    . , - , - . : - ( - ), - , . , , , . , , , , - .

    . , 2007 . , , , , -, , , - . .

    . . , , , -, , . - . , : . , , - .

    , , , , , . , . , , .

    , : . ? : ? , -, , , . - , , , -

  • . . 2(12) 2009 34 . , . . , 1946 2006 . - . , , , . , , , .

    , . . , , : , -, , . , , - . , , , .

    , , -. - , , . , - , , , . . , , . : -. , , - . , , ( (2,20)).

    , . , , -, , . , - . : , , , . . , , , .

    , . , -, , . , , , . , . . : , , - . -, , .

    Chumakevich E.V. Postrealism in the Modern Russian Prose: D. Rubinas and L. Ulitskaja's novels The article considers D. Rubina's novel On the solar side of the street and L. Ulitskajas Daniel

    Stein, the interpreter, which were awarded the literary prize of Russia - The Great Book for 2007 (the third and the first accordingly). The features of post-realism similar in these works are investigated here; the connection between these two novels is convincingly shown both of them cover an epoch of the war of 1941-1945 and post-war decades right up to our days. Both writers managed to create the unique psychological epos : in D.Rubina's novel the best and the worst in the soviet man are shown by the examples of the portraits and fragments of old Tashkent citizens fates; L. Ulitskaja's book about Christian priest Daniel Stein investigates the problems of belief and nationality on a global scale.

    02.09.2009

  • 35

    821.161.3 ..

    : - .

    (, , , , ) (, , , ). .

    ()

    , . , , , . , , . , . , , .

    , .. , , . (), (neniae), (planctus, complaintes), (, , ) ( , ). . , , .

    : , . , ( ). . , , . carmna diabolca ( ) , . , , [1, . 184185].

    , , , , -. : : , , () . (planh) . , , , .

    , , , , , , , , , . . , praeficae, voceratrici [1, . 187]. , ,

    _______________________________ .. , ,

    ..

  • . . 2(12) 2009 36 . , , , , , . , , , , .

    , , , . , , , . .

    , , , . , . , , , , .

    , ( ). - , . [2, c. 67]. , , , . ( .. , .. ).

    : (, ), (), , (), (), , , ().

    (. 675 . ..). . . . , , :

    ? ? , , ? , , . , , , . , . , , , , [3, . 93]. ,

    , . : , ; [4, . 12].

    , - VII . .. , , ( ).

  • 37 , . () . [5, . 2627]. , , . , :

    , - ; , , . , , . , , , [3, . 9394].

    , , - (). , . , , . , :

    , , , , . , , , : , ! ! , ! [4, . 7576]. ,

    . , , , [4, . 1618].

    - , - . , , , , , , , .

    [5, . 23] , (VII . ..) , :

    ? , , , . .

  • . . 2(12) 2009 38 , , , , , , . [4, . 70]. .

    : , , ; , [4, 90].

    - . , . , , , [4, . 8]:

    , ! . ! [6, . 217]. ,

    , , , [5, . 20].

    . ( 1400 ), , , , . . . ( ):

    , , . , . , , , . , , , , [3, . 100]. ,

    . ( ) -:

    , , [4, . 131]. , , ,

    , . (), () () [7, . 512513]. .

    , , , . , . , , , , . .

  • 39 : , , . , , . , , , . , , , ( , ). (, ) . , . . . , XVIII XIX .: .. ( ), .. ( .. ), .. (, ), .. ( ), .. (), .. (), .. .. .

    , , .

    -, , . 116 , , . , :

    , , , ! , ? ... [8, . 201]. , -

    .

    , , . : , , , ! , , , , , . , . , ? [8, . 393]. ,

    , , . :

    , : , [8, . 411].

    , : , , . , , , -. , , :

  • . . 2(12) 2009 40 : , , . , , , , , [8, . 492]. ,

    , . , , , , , , . . , , , . , , , , , , . . , , , , .

    , , , . .

    - , , , , , , , .

    , . , , , . , , . . , , , , . , .. , .. . -. Anthologia graeca ( ) Anthologia latina ( ).

    , , , : 1) , ; 2) , , ; 3) , .

    , , ,

  • 41 , , - .

    , , : , , . . () . (. , . , . , . ).

    XVIIVIII . , , , .

    VIII ., , , , (. , . , . , . , . , . ).

    , . (, , ), (, , , ), ( ). , , : ; , ; - ; .

    1030- , , : .. , , .. , , , ?, . , , . .. , . : , , , . - . , . , . . , . : , , , , , , , .

    - -, . , . , . , . . , . . . - . - , , , .

    , . , ( , ), . ( ), . ( , , ). 20- . , . , . , . . , .

  • . . 2(12) 2009 42 6070- -

    (. , . , . , . ) (. , . , . ) .

    - . , . , . , . .

    , , , , , , .

    1. , .. / .. . . : .

    , 1989. 405 . 2. , .. : / .. . . :

    - . -, 1976. 207 . 3. . . . . 1 / .: .. ,

    .. . . : . , 1989. 512 . 4. / ., ., .. . :

    , 1996. 396 . 5. , .. / .. , .. . . : . -

    , 1967. 210 . 6. / .. ; . . . [

    .] ; . . ; . . [ .] . : , 1963. 407 .

    7. , . . 3 . / . . . : -, 2001. . 1. 575 .

    8. . . / . .. , .. -. 2- ., . . : . , 1988. 720 .

    Hrytsuk L. The Beginning of the Genre of Elegy: Historical and Theoretical aspect The article considers the origin of such genre as elegy. A sad poem developed fast and reached

    its fullest flower in the creative work of ancient Greek poets (Kallin, Theognis, Solon, Mimnerm) and ancient Roman poets (Katulus, Tibulus, Propertsius, Ovidius). The influence of the ancient elegy on the creative works of the Medieval poets and the authors of the later centuries is shown in the article.

    25.09.2009

  • 43 821.161.3 ..

    : 1588 ,

    - - 1588 .

    - ,

    , , - , , . , -, - - - - , - VV . , 1529, 1566 1588 . .

    , (1588 .), , , , , - .

    . , , - , - VV .

    -, - , , .

    , , , , [1, c. 223]. , - -. 15131517 . - . , , 12 1529 1541 . , 155658 . , . , - , -

  • . . 2(12) 2009 44 [12, c. 59]. , . 1580 , . (15581569 .), , . 1541 1556 ., , (1546 .). , - - , . , 1566 , , , , , , . . (, . ..) [7, c. 205].

    , - . , , ( (1584), (1585), 1589 . ), , , - , - , , - , , .

    , 1598 , , , . V , , - . : , . , . - - , , .

    , . , , . - , - , , - - , - - - , . , , - , , , , .,

  • 45, , - .

    - , , . , 1553 , (15581560- .) (15601574 .) ( ) - , - , . , . . - , , .

    , , . .. -, , - . , 16 . [3, c. 229]. XVI . -, - . , V XVI . , . , , , . , ., - - .

    1553 . - . , . . , , (1563 .), 40 . , , - , , . , , -. , , (1564 .), - (1570 .). . , (1567 .). , . -

  • . . 2(12) 2009 46 (, 1577), . , (, 1574), . - . , - (, 1569).

    . , - , . , , - , , - : , . . : , , , ; , , , . , [4, c. 124].

    , . , , , , . , - , - , .

    . , , - - , (1560) . , . (, 1577), - ( 1564 .), . , , , - [9, c. 7179].

    , , , , , , - - .

    , , - . , . - , - - , 1569 , 1588 . .

  • 47, ,

    , , 1569 ., 1566 . , - - - .

    - - , , - . , . : , .

    , , . , , , , , , , .

    , . , 1588 ., - , , , -, , . - , , , , , [10, c. 4748].

    , - , - . , 1588 , . : 1588 , 1 [10, c. 45].

    , ( ) 1588 ., , , , , , .

    , . , . , , , : , , . , , , .

    , . , [8, c. 9]. , .

  • . . 2(12) 2009 48 1566 1 ( 35 . . . .), , -, , -, ( . ) , .

    . , . 16321691 ., 1584 - , [5, c. 693]. . , VII ., , , , , - 1584 . , , , , 1581- 1585 . , , .

    , . - , , -. , , , , , - , . ( ) [2, c. 83, 86, 88, 116]. , , - . , , -, , - . , 30 1587 . , , , , , , , . . , , III -. . , . - , , , , ..

    - . , - , , , 1390 , . , , , , - , , - . . , . .. , . , - , , - .

  • 49 , .

    . .

    , , , . , . . , : , . , , . -, , , , [10, c. 47].

    1588 . - . . - 1588 . , , , ., , . , , . , . , . , . .

    . 1588 . , - , - , , , , , - , .

    - . - , , , .. .

    , .. - , , . , , , , , - [6, c. 60].

    .. , , , . . . , , - , 1588 . , -. , , 1588 . -

  • . . 2(12) 2009 50 , - . , 1768 . [11, c. 106].

    , 1588 ., , , . , - , , V [12, c. 64]. , , V . ( ) - . , ( 16 ) .

    (). ( ) , . , . 1573 , .

    , . , , (15171519 .), - (, ), .

    , , , , , , , , , , .

    , , 1588 ., . - , .

    , , , - 1588 , , .

    1. , . / . // : 6

    . , 2001. . 6, . 1. 592 c.

  • 512. Gralski Z. Urzdy i godnoi w dawnnej Polsce / Z. Gralski. Warszawa :

    Ludowa Wspdzielnia Wydawnicza, 1998. 282 s. 3. -, .. / .. -.

    : , 2003. 680 . 4. . ..

    (. 8). 5. , . /

    . // ARCHE . 2008. 7-8. . 680694. 6. Lepszy, K. Andrzej Frycz Modrzewski / K. Lepszy. Warszawa : Pastwowy

    Instytut Wydawniczy, 1954. 162 s. 7. 1566 // -

    / . . -. ., 1897. . 1. . 205448.

    8. . . . // . 2003. 20 26 . . 9.

    9. , . Aurea mediocritas. - : / . . : , 1998. 319 c.

    10. 1588 : . . . / . . .: . . (. .) [ .]. : , 1989. 573 c.

    11. Stroynowski, A. Pozycja spoeczna drobnej szlachty WKL w kocu XVIII w. / A. Stroynowski // Zeszyty naukowe uniwersytetu dzkiego. Nauki humanistyczno-spoeczny. d, 1976. Seria I, zeszyt 4. S. 97108.

    12. , . / . // . 1991. 1. . 5878.

    Pranevich H.M. Lev Sapega and Berastsie: the Birth of the Lithuanian Statute of 1588 The article deals with the investigation of the Sapegys contacts with Berastsie and Brest region

    and also presents socio-political, historic-cultural circumstances and reasons of the appearance of Lev Sapegas famous public forewords for the Lithuanian statute of 1588.

    25.09.2009

  • . . 2(12) 2009 52

    821.161.1.0 .. , ..

    .. ,

    . , , , , , , , , . , , Credo, , , : -, , -, --, -, , .

    .. (), - , , .

    -

    . , 1921 . , . , -. , - , , , . , , , . , .

    , . - , , - , , , , -: , , , , . , , , klarte, -. , , , - , , , .

    .. (1913), (1910) . - []. , , ( -, , ), ( ), , , [1, . 410]. , , -, , . . , , -

  • 53 , , , , - - [1, . 411], - . , ( !) , , , : , , [1, . 412].

    , - , , , , . , , - , -, - [1, . 412]. , , , , .

    . -, , . : , , , , - , , , , , , . , , [1, . 413].

    , . . , :

    , , -, ;

    , ; , ,

    ; , ,

    ; , , ,

    ; , , ; , , ,

    , .

    . , . , . . .

    ( 1911 .). , . - (19091917) ( . ) ( 1912) ( . ). . , , , - ,

  • . . 2(12) 2009 54 . , , - . . . . , . , . , . , -. - . , , . , - .

    * * * .. 3 1886 (

    -) . , -- .. -. , , (- ) 1900 , . , -, 1902 - , .. , , .

    1903 , - , - , . . , , . 1905 - . - , . - , . , , , - :

    , , . ! . , . , . , , . ,

    ( , , ), , . , , ( -), .

  • 55 1906 . , , -

    , , , , , .. , ( ), ( , , , // , // // , , ) . , ; - , . -, , , , (, !) :

    , , , , , , , . , , , , [1, . 238]. , .

    , , - ( , ) , , .

    1908 . - . , , - : - ( ) ( 1911 ). - . .

    , . , -, ; (1908-, 1909-, 19101911-, 1913- ) - , , , , . - , : - , , , , , , , . (1912) -.

    . . (1916), , , , , , , - , , , :

    , , , , . , , , ,

  • . . 2(12) 2009 56 .

    , , ; , , (, - ); , - , , : , , .

    .. , -, . , - , -, , ( ), .

    , , . , . . - . 24 1921 61 - . - ( ).

    , , , - , , -, , .

    * * *

    . - , , -, , -, , - (), ( 1905, - 1908).

    : , , , , -, . - (1910) (1912), , -, ; - ( , ; , , , - .), , . , , , , - , -, . () ( ) -. , , :

  • 57 , . ( ),

    : , ! , , , -

    : , , . - , , -

    : , . , (- , , ) , . , -, -:

    : ! , . , .

    . . , - - , . - .

    (1916), (1918), (1921) ( , - ). - , , , , - ( ) , - ( , -, ). - ( , , , , , - . .).

    () -, . , , - , , , , :

    , , .

  • . . 2(12) 2009 58 , , , ? [1, . 274].

    , , , , , , ( , , ) ( , , , , , , ). , , , - , , , , :

    , , , ; , , , . , , . , . , , . , -

    , , , , , , - , , , . , , , : , - , , , - (, ) . - .

    , . () , , -

  • 59 . () : ( ), . , -, , - .

    * * * , -

    -, , (, -, --) .

    , , , , , , , . , , , // , , // , -, // , . , // , - .

    , (. ), , , ( ) . . : , , , , , , , -, , , , , , , , . (-) , . , - , ( , // , , // , ) . - : , , - . - . , , .

    Credo - , , . , , - ( , -, , , , ).

    - , -, ( ; -- ; - , ; - , - ). - , (- ). , , ,

  • . . 2(12) 2009 60 (). - , ( // ) ( - ). , , , , . , ( - ) - . :

    , . , , . , , , . , , .

    : -. -, , () . // , , // - , , , . - (), - , , -, . , - - .

    , - , ( !) , , .

    , , , . , , , , , - , - , - , :

    , , , , - , , .

  • 61 , , , , , [1, . 82]. -

    , , . -, , -, (, -!) .

    , ( ) : , ; ; , , , ; ; - . , , , : , , , . . . -, , , - . , , -, , , . , , .. , . , . - , . , :

    - [1, . 263]. , , - , ,

    , // . , .

    , , , , , -. , , :

    , , [1, . 264].

    , - , ( , ), ( , ), ( , ) - . ( ) :

    - , , - , , , , , [1, . 264].

  • . . 2(12) 2009 62 ,

    , , , , , , , .

    , , , -. , , , . - , , - , 1917 1918 ( , !) . , - (. ):

    ! , , , , . , , , . ! , , , , . - , , , ! [1, . 391].

    1. , . . / . . . : .

    ., 1989. 2. : . . -.

    ., 1996. 3. , . :

    / . . ., 1990. 4. . ., 1990. 5. : . . .,

    1992.

    Mishchenchuk N.I., Marchankava A.G. Creative Work of Nickolai Gumilev The originality of Nickolai Gumilevs lyrics is revealed in this article. The author of the paper

    shows the realization of the principles of modernistic writing of the Silver Age in the poets works. The poetry of the talented author was not a monotonous phenomenon. It developed from the exotic, unusual

  • 63writing, though connected with the natural living fundamental principle, to the harmonic, verisimilar, balanced, realistic writing. The truth of our concept is proved by the analysis of the poems Ragamuf-fin, The Suez Canal, redo, Romantic Flowers, Imitation to Persian. The analysis is made on several levels: content-subject, imaginative, verbal-descriptive, rhythmic-intonation, contextual-comparative. The attention is paid not only to the literary works, estimated by critics, but also to the works which are not regarded so far.

    Nickolai Gumilevs poetry is conditionally divided into three periods: early (initial), intermediate and final. Each period is characterised by its distinctive features, but one peculiarity the natural living fundamental principle is the dominant nucleus of the whole poetry of N. Gumilev.

    08.06.2009

  • . . 2(12) 2009 64 821.0 ..

    ,

    . . .

    , , . , , , () , .

    - , . , , , . , , , , , . [1, . 402].

    , . , . , . , . , . , . . ().

    , , .

    , , , , , . , . , , , , (. ). , (, , .), - .

    , . , , .

    , , .

  • 65 ,

    (. , . , . , . .); , . , . , . , . , . , . ; (, , ) , (. , . ); (, ) , , . , . , . , . , . , . .

    . , - . , - . , , () , , , , , , ( ), , .

    , , .

    , , . , , , - .

    , . , . , . , . , . , . , . , . .

    , , , , , , .

    , . , 22 . . . , ....

    : 1856 , ; 1866 . . ; 1886 ., .

    , , , , . . . ( , ), , ( ... , ..., ...). . (),

  • . . 2(12) 2009 66 ( , ..., ..., ...), ( , ... , ..., , ...). , ().

    , , . . . , . , . . . , , , .

    (, , ) . , ( ) . , . , . , . , . , .

    XIX XX . . . .

    XIX , , , , , . , , . , . , . , .

    XX , , . . , . , , . . , [2, . 268]. . .

    , . . , , , . .

    , , , , , , , (1850), (1855), (1855),

  • 67 (1856), (1857), (1866) (1867).

    . , , , (1877), (1879), (1881), (1882).

    . , , , , . : (1884), (1886), (1888), (1890), (1892), (1894), , , (1899).

    , , , , , . - . .

    - , , , ( ) (), . , - . , , . , . - .

    , , , , . .

    , , (. ) XIX XX .

    , , , .

    , (-, , , ), , , .

    -, (, , , ), , , .

    , , . . , , , . , , . , - .

    - - , . , (. , . .).

    , , , . . .

  • . . 2(12) 2009 68 , . . ,

    . , . , .

    . . ( , , , , , ) , , . - , - .

    , , , . , , , - .

    , , , , . , , , , , . , , : , , - (), .

    (. , . , . , . , . .) , , - . , , - . , . , , .

    . , . .

    , , . , -. . , - . , , . .

    , , , , , . , .

    - . , .

  • 69 , , , , (), .

    1. , .. . : . /

    .. . . : , 2003. 535 . 2. , . . 9 . . 9, . 1. ;

    ; . - . . . / . : . ., 2003. 686 .

    Vasiuchenka P. The Main Regions of the European Symbolism and Their Influence on the

    Belarusian Literature of the Beginning of the 20th Century The article is dedicated to the peculiarities of the All-European literary symbolism which was being

    formed from the end of the 19th century till the beginning of the 20th. The main regions of the diffusion of this literary style in Europe are named here. The author retraces the directions of the influence of the European literary symbolism on the Belarusian literature of the Nasha Nivas period.

    5.06.2009

  • . . 2(12) 2009 70

    398(476) ..

    , . , - .

    . , . , , , , , .2 .. .. [1], .. [2, . 148192]. .. , . . , . , . , . , . , . . [3]. .. [4], .. [5] .

    1.

    1917 . , , , . , , , . . 1920- . . , . , . . 2 .., .. . ., 1960; .. . ., 1972; . . ., 1972; .. . ., 1987; : 60- . . . / .. , .. , .. . ., 1989; .. : 2030- . ., 1991; : . . / .: .. [. .] . ., 1993. . 410414; .., .. . , 1999; .

  • 71 , XX ., .. , .. , I.. . .. , . 1920 . , , , , , .

    , , . . 1921 . - 1922 . , - . : , , , . , , , (), 1923 . , . 1920- : , , , , . : ( ); , , ; , . . , ; . . , . .

    , , 1925 , - - , . . 1928 . . . , , . 1920- (1927, . 1; 1928, . 2) . (1928) . . . . , , , , 19131923 . . , . . . . 318

  • . . 2(12) 2009 72 . . . 125 .

    2. 1930-

    , 1929 . . . 300 - . . - . , 1940 ., ( .. ). 208 25 . - -. , , , , , , . . . 1940 . .. 1- ( 414 ).

    , . , 1929 . , , , , . 1958 . .. : [6, c. 41]. : (1937); (1938); (1938); (1939); (1940). , , , , , . , , . , 19301960 . , : , , , . , . , (. fake , ). , , .

    . , . , , , , , . ; () ,

  • 73 . , , ., .

    . . , , , . , . , : - ( ), - .

    . ( ) - , , . 1950- . , , , . - [7, c. XIX]. , . - - . 1930- , , .. . 1931 . , , . 1933 . . , . , . , , . , . .

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  • . . 2(12) 2009 74 , . (1932) . .

    19291956 . . 1936 . , , . , - , : , , , . , 1978 ., : , , , , [8, c. 27]. . .

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    , . 1944 . . , 24 ( , , , , ) . . .. , .. , .. , .. , .. , .. , .. . , , 1957 . (1961, I.. ). , . , .. , .. , .. , I.. , 1985 . . 1950 . ( , ,

  • 75 .). . . 19701990- , .

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    1950- . .. . .. : ( , 1955, 4 ), (, 1956, 9), (, 1957, 20 ). . ( , 1940, 29 ) . (, 1958, 2). (1978). , , , , , , , , , , -, ... : -, - (, , , ) [8, c. 3435]. .

    XX . 1956 . ..

  • . . 2(12) 2009 76 , , .. .. . . , .

    3.

    19571986 ., , , , . 1960- . . , .. (1963) . . 1966 . .. . , . - . - (1967) 1960- . - , -. . , .. . , . . . (1975) (1976). .. (1971) (1983) .. (1984).

    1979 . (.. , .. , .. , .. .) . - (1988), . -.

    19701980- - (). ; , , - ( , ). , : (1969), .. , (1978) .. (1971), .I. (1980), (1976), .. (1969),

  • 77 .. (1985), (1974), .. (1989), .. (1979), .. (1978), .. (1989) .

    . .I. . (1964), (1966), (1970) . .. . (1971), (1981), (19831984), - : - (1985). I.. : , , (1979), : (1982).

    ***

    , .., , , , , . , 1980- ., , , , - .

    1. , .. /

    .. , .. // : 8 . : , 2004. . 7 : . . 1140.

    2. , .. : . . / .. . : . , 2007. 309 .

    3. , .. / .. . : , 1991. 188 .

    4. , .. / .. // : . , , 16 . 2006 . : 3 . / ; . . .. . ., 2005. . 1. . 148158.

    5. , .. / .. // : . , , 16 . 2006 . : 3 . / ; . . .. . ., 2005. . 1. . 7295.

    6. , .. / .. . . : , 1958. 479 .

    7. : / . .. .. . . : - -, 1954. 587 .

  • . . 2(12) 2009 78 8. / . .. .

    : - , 1978. 207 .

    Shved I.A. Some Problems of Historiography of the Belarusian Folklore Studies The article presents the analysis of the main directions of the Belarusian folklorists research works

    in the Soviet period which dealt with the collection, publishing and investigation of the folklore poetry and prose. The main stages of the development of the Belarusian soviet folklore are examined here, and the corresponding theoretical-methodological and practical works of scientists are estimated.

    3.09.2009

  • 79 884=826 ..

    . . . . ,

    , , , . , . .

    . .

    . , , . . (1979) . : , : ?! , , , . , . - . . , , . , (1991 .) . , , , . , , . . , , , . . . , . . : . / , / (), . / / (), . / , ()... , , , , . , - . . . , , , . - ( ) : : , . / . / / . / / . , , : , . / . / ... / , , / , / , . , , . , [1, . 5] . , , .

  • . . 2(12) 2009 80 . , , , . . , , , . , . . - . . , ( , . / , Na jednym brzegu mier, na drugim ycie. Tu rozpacz, tam otucha; , non omnis moriar Tu cizhie serce, tam non omnis moriar ), ( pieka poezji ), ( , . / . / . / , To ja, Kasandra. / A to jest moje miasto pod popioem. / A to jest moja laska i wstki prorockie. / A to jest moja gowa pena wtpliwoci), ( chwiejna waluta ). , wilgotna nadzieja ( ) . ( ). . . , - . ( ), ( ). , . , (-,-) . - . , . . , . . , , , , . . , , .

    . ( ) , , , . . . , . przyjaci . ( . pustynnych). , , .., (: , , ). ? ( . , : Czemu ugryza mnie w serdeczny palec?) , ( ). , , , . , . , . . - . - . , , -. ,

  • 81( jednak) , . , - , . , , , [2, . 14]. , - . , -. , . , . , , , . . . , , .

    . , . , , . , , . : . [3, . 12].

    1. , . / . // , .

    / . . : , 1993. 2. . .: , . -

    / . . . : , 1979. 3. , . / . // , . ,

    / . . : . ., 1991. 151 . 4. Szymborska, W. Poezje / W. Szymborska. Warszawa : PIW, 1977.

    Borsuk N.N. V. Shimborskas Poetry in N. Matiashs Translations The article investigates V. Shimborskas poems; the attention is paid to the creative approach of the

    Belarusian translator to the texts of the Polish poetess which allows to preserve the contents as well as the spirit of the creative work and sometimes even to deepen the authors thought. The author of the ar-ticle convincingly proves that, by her translations, N. Matiash gives a Belarusian reader access to the creative property of the Polish literature.

    03.09.2009

  • 811.133.1 ..

    . -

    , -. , , , , .

    , -

    -. , , , - . - , . - . - - [1, . 139]. , - , -. - , - [3, . 155]. , - , - .

    , - , -, , .

    , .. , , [4, . 72]. , - homo sapiens homo sentiens. , , , - - , , . : , - , - - -

  • 83 -, , , . . , , - , , .. .

    ; - -, [2, . 52].

    : - ( ), - ( ) [9, . 49; 11, . 148; 12, . 308]. , - , , . , (, , ..).

    , , , - [6, . 155]. [3, . 155157]. - , , - [6, . 150] , - [2, . 53]. , , ( - , , ); ( ) [3, . 155157] . .

    , , - , - - .

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  • . . 2(12) 2009 84 [10, . 84; 16, . 1995]. , - - : - . - - -: , - , . . , , , , , . , - , . (, alors, bon, bien, donc, enfin, quoi, tu vois) , , - , . , [5, . 67].

    - ( . [8]), .

    , , , - , -.

    , , enfin - . : Vous vous portez trs bien physiquement. Enfin, apparemment. Je peux vous faire des analyses, si vous voulez ou vous donner des mdicaments pour votre tonus [Sagan 1986, . 25].

    , . - : Vous vous portez trs bien physiquement. , , , , , - . , : Vous vous portez bien apparemment . , (Vous vous portez trs bien physiquement) -, ( -) . : Vous navez rien craindre.

    . Je lai crois hier, sur les Champs-Elyses, dit Tony, bien amaigri Mais il sifflotait, il marchait au soleil, comme si de rien ntait Comme si de rien ntait? Quest-ce qui est? demanda Batrice. Tu ne sais pas? on dit quil a un enfin, une sorte de tumeur tu me comprends? [Sagan 1977, . 95]

  • 85 , () Il a un cancer, -

    , enfin, (il a) une sorte de tumeur, - : Il est gravement malade. :

    Il a un cancer Il est gravement malade. Il a une sorte de tumeur Il est gravement malade. -

    , enfin, : Il a un cancer. - Il a un cancer - , - : enfin ( il a) une sorte de tumeur. , , , enfin -, , , enfin , . , - , () .

    - , -, je veux dire. , - , - . : Mais alors, vous ne regardez plus la tlvision, enfin je veux dire les machines images? [Sabatier, . 180].

    enfin ( ). : Vous devriez le quitter, dit Brandon. Ce serait une loque, enfin, je veux dire Cest une loque, dj. Je sais [Sagan 1980, . 20].

    , enfin , - . :

    Elle sen voulait de navoir pas tlphon avant quelle rentrerait plus tt que prvu. Seulement Linda tait dj derrire elle, les yeux ronds dans son visage blanc, lair oppress, et il lui fallait trouver une parade pour ce quelque chose dirrparable qui stait sans doute pass chez elle. Enfin, chez elle ? chez eux ? Car depuis dix ans, elle disait notre maison et David disait la maison [Sagan 1978, . 59].

    , - , - .

    - , -, , , . : - .

  • . . 2(12) 2009 86 , ,

    , , - . - - , . , - , -, . - .

    , , - . , - , , . , , - : , , [13, . 10; 14, . 365]. , , , , -. , , , - - , , - , . . , - .

    , , - ( ) [6, . 155]; ( . . ) [3, . 155157].

    - , - , , -, , - [7, . 145]. -, : alors, a alors, eh bien, et aprs, et alors . . : Brouillard en novembre, ciel clair en dcembre, dit Bisontin en guise de bonjour. Ah, fit Marie. a vient dun autre pays. Je ny avais jamais entendu a ici. Moi non plus, dit-il en riant. Et pas davantage ailleurs quici. Alors? Alors, je le dis comme a. Parce quil faut bien se donner de lesprance. [Clavel 1980, . 136]

    , alors, - , - , ( ? ?). -

  • 87 , ( ? ?).

    alors , -, - , -, , (), vis--vis. , alors - - . - . , - , . , -, .

    , , -, , ( ), , , - ( ). , - - , -, , . , , - .

    , , -, , , , , , .. , - , , , , , . , , . -, , , , , . -, - -, .

    1. , .. /

    .. // / , - -. ., 1981. . 127151.

    2. , .. / .. , .. // . . : , 1998. . 4569.

    3. , .. - / .. // . , 2000. . 3. . 155157.

  • . . 2(12) 2009 88 4. , .. /

    ... . : / URSS, 2005. 176 . 5. , .. / .. //

    - / . . .. . : , 1998. . 6367.

    6. , .. / .. // : . . . . . : . .. , 1984. . 147158.

    7. , .. / .. // / - . ., 1998. . 144145.

    8. Anscombre, J.-C. Largumentation dans la langue / J.-C. Anscombre, O. Ducrot. Bruxelles: Mardaga, 1983. 184 .

    9. Brown, P. Speech as a marker of situation / P. Brown, C. Fraser // Social Markers in Speech. Cambridge, 1979. P. 3362.

    10. Coulthard, M. Exchange structure / M. Coulthard, D. Brazil // Studies in Dis-course Analysis. London, 1981. P. 82106.

    11. Fillmore, C.J. Pragmatics and the description of discourse / C.J. Fillmore // Radical Pragmatics. New York, 1981. P. 143166.

    12. Levinson, S.C. Activity types and language / S.C. Levinson // Linguistics. 1979. Vol. 17 (5/6). P. 365399.

    13. Mey, J.L. Pragmatics: An Introduction / J.L. Mey. Oxford; Cambridge, MA, 1993.

    14. Schiffrin, D. Approaches to Discourse / D. Schiffrin. Oxford; Cambridge, MA, 1994.

    15. Sperber, D. Faons de parler / D. Sperber, D. Wilson // Cahiers de linguistique franaise. 1986. 7. P. 926.

    16. Sperber, D. Relevance: Communication and Cognition / D. Sperber, D. Wilson. 2nd ed. Oxford; Cambridge MA, 1995.

    Clavel, B. Marie Bon Pain / B. Clavel. P. : Robert Laffont, 1980. 198 p. Sabatier, R. Les enfants de lt / R. Sabatier. P. : Albin Michel, 1981. 372 p. Sagan, Fr. Des yeux de soie / Fr. Sagan. P. : Flammarion, 1978. 192 p. Sagan, Fr. Le lit dfait / Fr. Sagan. P. : Flammarion, 1977. 168 p. Sagan, Fr. Un peu de soleil dans leau froide / Fr.Sagan. P. : Flammarion, 1986. 183 p. Sagan, Fr. Les merveilleux nuages / Fr. Sagan. P. : Julliard, 1980. 189 p.

    Matsko I.D. On Some Metadiscourse Functions of Particles in French In the article some metadiscourse functions of particles are discussed. The emphasis is placed upon one of the most frequent difficulties in verbal interaction known as

    hesitation. The article highlights emotional, cognitive, communicative and interactive sources of hesita-tion and reveals the role of particles as metadiscourse units which help communicants to overcome the hesitation as one of the difficult points of interaction.

    24.03.2009

  • 89

    811.112.237(045) ..

    ( ) ( , . .) -

    . - - . - , . -, , , , - , , , .

    ,

    , , ,

    [1, . 106]

    , ,

    , - . - , . , , , , . ., . . , [2, . 48, 57].

    , - , , . , , , , , . . - . , , , , , - , .

    -

    . - - . - : -

  • . . 2(12) 2009 90 -, , .

    - , - . , schieen , - , , , ; schleifen , - schlingen , (, - ); streichen , , , ; boh-ren ein wurm bohrt in der wand der kfer bohrt im apfel 1.

    . , , , - [4, . 252]. - . , . : , , , - . , , ... [5, . 223]. , biegen , , : gold, silber, den draht, das eisen; die kette um hals, fusz, arm biegen () , , -, ; / , , .

    - , .. ., - . vogel , , , , . . , ; wurm , , , [6, . 81].

    , , - das Eis/ der Ast bricht / ( )/ - , das Eis/ der Schnee/ der Reif schmelzen / / , lschen - ( ), schweien ( : , ; , , . .).

    , , , : spinnen , ( [3]) , - , ; weben , , , , , . .

    , - , , - . -, - , , . -, 1 [3]; .

  • 91 - / ( - ), -: lschen , erlschen machen (.: , -); schieen etwas in schnelle, heftige bewegung versetzen (; - ).

    - , , , - ( ..) [7, . 76]. .. , , [8, . 648], , , : , - (, ), , , (, ) [9, . 266].

    , , , , schlingen ( , .) - -, klemmen ( ) -; ( ) , , kratzen : , ; , : . , , . .

    , , , , , . , , . , - , . - . ( ..) [10, . 154155]. (Der Ast bricht den Ast brechen -; Der Vogel schiet ( ), ( ) einen Pfeil/ einen Stein schieen / ( -)), - . , , . . - , , - () , [11, . 9]. - . -, .. , . , ; , - , -, [12, c. 181].

    , , , () , - , . . . , - , , ( ..) [13, . 90]. , -, , , -

  • . . 2(12) 2009 92 , , , , . . .

    , , , , -, () , - , , / , / , . . .. , , , , , -, , , , : - , , [1, . 106].

    , , , - , , . , .. , , [14, . 177], - , .. , , , , - , [12, . 61]. , , . -, , - () , - , , . , , - [15, . 6869].

    ,

    , , , . - , , , - , - , - ( ..) [14, . 145]. , - , , - . , - , .

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    . / .. / . , - . . : , 2004. 560 .

  • 933. Grimm, J. Deutsches Wrterbuch : in 32 Teilbnden [ ]. /

    W. Grimm, J. Grimm Leipzig : S. Hirzel, 1854-1960. : http://germazope.uni-trier.de / Projects / WBB / woerterbuecher / dwb. : 02.02.2008.

    4. Gibbs, R.W. The cognitive psychological reality of image schemas and their trans-formations / R.W. Gibbs, Jr., H.L. Colston // Cognitive Linguistics Research. 34. Cognitive Linguistics: Basic Readings. Ed. by D. Geeraerts. Mouton de Gruyter, Berlin, New York, 2006. P. 239268.

    5. , . / . , . .; . .. . : . -, 1960. 500 .

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    9. Snedeker, J. Why It Is to Label Our Concepts / J. Snedeker, L.O. Gleitman // Weaving a lexicon. Massachusetts Institute of Technology, 2004. P. 257293.

    10. , . : 3 .: / . . . : , 1985. . 1. 621 . 11. , .. /

    .. // . 2003. 3. .514. 12. , .. : . /

    .. . . : - . .. , 2003. 277 . 13. , . // -

    . : , 1983. .90101. 14. , .. / .. . ; . : ,

    2002. 480 . 15. , .. / .. // -

    . 2006. 7. . 6773.

    Furashova N.V. Nature Images in the Meaning of German Verbs The article highlights the nature images (movements, events, vital functions of creatures etc.)

    which serve as a basis for the formation of action verbs meaning. The developing of the world by a per-son is presented in the language as the causation of transformations connected with the cognition of natural objects and further involvement of new objects into the created scheme of actions. Such enrich-ment of knowledge structures can lead to the stretch of verb meanings and the creation of notions which belong to a very high level of abstraction. These are the concepts and conceptual structures which are widely used by a modern person. Thus language has sensory images as its basis formed at the first stages of world cognition, and the manipulation of these images makes it possible for consciousness to go beyond the limits of real experience and build conceptual structures, the existence of which without language is impossible.

    15.05.2009

  • . . 2(12) 2009 94 811.133.1 ..

    , , . -

    , LePetit Robert et Le Petit Larousse, - . -, - , , - .

    XX -

    . , - : , -, , . , -, , , () . - . . , , , , [11]. . , . , . , . , . . - . [8], . , . [18], . , . [20].

    , , . , - , , , -, . , , [2, . 5556], , - [12, . 1516].

    . , . , . , . [9], . , . ( ) ( ). - [15, . 115116]. - - , [10]. - , - , - . - - [13]. - , -. .. ( . conceptus , ) - (), . . , () [21, . 67]. -

  • 95 [23, . 134; 22, . 33; 3, . 11; 7, . 4]. - , , - , , , .

    . Le Petit Robert strotyp qui parat sortir dun moule; tout fait, fig (, ; , ) [16, . 1694], a strotype opinion toute faite, clich ( , , ). Le Petit Larousse caractris par un strotype; banal, sans originalit ( ; , ) [17, . 971]. - , , , .

    - : , . - , . , , . , , , , , , . , , (), - , , , - , [19, . 126]. - . , . , , , [1]. , - , [4, . 276]. .. - , -, [5, . 176]. , , . - , , - , .

    , - , , [6, . 137]. , - , - . -, , , - , -. , , , . , . . , , , . -

  • . . 2(12) 2009 96 , - . - , - , , - . , ( ) , . . , .

    , . , - . .

    , , - , , - . - -- . - , - , - , - , . , - , , , , , .

    , , - , , . , - , - . -, - .

    , -, , - , - .

    , - . , , , - Deux Svres, , . , a besoin de votre nergie, de votre prsence. , la Rpublique a besoin de respirer. , , , -, . , -

  • 97 . , - , . -, [24]. - , , , - , .

    - 14 2007 [25]. . , - , . , , , - , , , , - . , , . , , . . , . : vos familles, moi, me, je (je vous parle, je vous demande), je vais donner, je veux que chacun dentre vous, jirai, jai rv, vous venez de raliser . , mes chers amis, , , -, , -. . avenir - France , dans ce moment que chacun devine si important pour la France, si important pour lavenir de chacune de vos famille, si important pour moi. Seul compte lenthousiasme de cette grande famille qui est la tienne Cher Alain Jupp, , - lesprance de la foule immense que vous formez, tendue vers un seul but: la victoire de la France. -, , . . : dans les valeurs auxquelles je crois, il y a aussi le mouvement. Je ne veux pas dune France immobile. Je veux linnovation, la cration. , , . : Eux, ce sont les hros de la Rsistance et de la France Libre, ces hommes avec lesquels jai fait mes premiers pas. Ils lavaient reconstruite, ils lavaient rconcilie avec lAllemagne. Ils avaient fait lEurope, fond la V-me Rpublique. Ils avaient toujours t en avance sur leur temps. , : llection prsidentielle est une preuve de vrit , les peuves de la vie mont chang. , : les faiblesses, les peines, les checs qui rendent plus fort, ce sont les compagnons de celui qui vent aller loin. : le visage accabl des parents dune jeune fille brle vive, la douleur quprouve le mari dune jeune femme tue par un multircidiviste condamn dix fois pour violences et un fois pur meurtre, langoisse de louvrier qui a peur que son usine ferme. - : Mandel, ce grand Franais, cette destine tragique, abattu dune rafale de mitraillette, le martyr. , , -

  • . . 2(12) 2009 98 : e jour-l, la France, La France, elle a 17 ans. : La France a le visage lumineux dune fille de Lorraine.., le visage dun migr italien naturalis franais, le visage ensanglant de Moulin quand il meurt sous la torture. La France a la voix du Gnral de Gaulle, la force du Tigre quand Clemenceau dclare, Elle a la voix, la figure, la dignit dune femme, dune mre. , : La France ne veut pas, ne doit pas, ne peut pas mourir . tonner le monde, , se relever et trouver la force de ressusciter. , , : Ma France, cest celle de tous les Franais sans exception, Ma Frnce, cest celles des Franais qui votent pour les extrmes, cest celle des travailleurs qui ont cru la gauche , cest celle de tous ceux qui ne croient plus la olitique. , : la cl de notre unit et de notre avenir est dans la Rpublique et dans la dmocratie.