Mae-E (Forward); SSAA ver. - Kentaro Sato 佐藤賢太郎 ... I close my eyes I recall the time we...
8
This work was created for a charity, and you may freely make printed copies from this PDF data for your performance until Dec 31, 2022. Please inform www.wisemanproject.com for performances and recordings.
Transcript of Mae-E (Forward); SSAA ver. - Kentaro Sato 佐藤賢太郎 ... I close my eyes I recall the time we...
This
wor
k w
as c
reat
ed fo
r a c
harit
y, a
nd y
ou m
ay fr
eely
mak
e pr
inte
d co
pies
from
this
PD
F da
ta fo
r you
r per
form
ance
unt
il D
ec 3
1, 2
022.
Ple
ase
info
rm w
ww
.wis
eman
proj
ect.c
om fo
r per
form
ance
s and
reco
rdin
gs.
前へ (Mae-e)
覚えている Oboete-iru
あなたの暖かな手を Anata-no Atataka-na Te-wo
覚えている Oboete-iru
あなたの優しい声を Anata-no Yasashī Koe-wo
覚えている Oboete-iru
あなたの真っ直ぐな眼差しと 静かな祈りを Anata-no Massungu-na Manazashi-to Sizuka-na Inori-wo
目を閉じれば Me-wo Tojire-ba
あなたと過ごした時のことを Anata-to Sungoshi-ta Toki-no Koto-wo あなたと共に歌ったことを思い出す
Anata-to Tomo-ni Utatta-koto-wo Omoi-dasu
音楽の終わりが あなたとの別れではない Onngaku-no Owari-nga Anata-tono Wakare-dewa-nai
音楽がまたよみがえるように Onngaku-nga Mata Yomingaeru-yōni 何度でも 何度でも あなたを思い出そう
Nando-demo Nando-demo Anata-wo Omoi-dasō
覚えている Oboete-iru
あなたの大切な夢を Anata-no Taisetsu-na Yume-wo
覚えている Oboete-iru
あなたの明日に向けた笑顔を Anata-no Ashita-ni Muketa Engao-wo
あなたとの思い出を胸に Anata-tono Omoide-wo Mune-ni
一歩一歩 前へ Ippo Ippo Mae-e
毎日の喜びと悲しみを抱きしめながら
Mainichi-no Yorokobi-to Kanashimi-wo Dakishime-nangara 一歩一歩 前へ Ippo Ippo Mae-e
一歩一歩 前へ Ippo Ippo Mae-e
Forward
I remember
Your warm hand.
I remember
Your kind voice.
I remember
Your honest eyes and quiet prayer.
When I close my eyes
I recall the time we spent together,
And the time we sang together.
The end of music is not our farewell.
As music lives again,
So will you live again and again in my memory.
I remember
A dream you cherished.
I remember
A smile you beamed at tomorrow.
With memories of you in my heart,
One step at a time, I walk forward.
Embracing every day’s happiness and sadness,
One step at a time, I walk forward.
One step at a time, I walk forward.
This
wor
k w
as c
reat
ed fo
r a c
harit
y, a
nd y
ou m
ay fr
eely
mak
e pr
inte
d co
pies
from
this
PD
F da
ta fo
r you
r per
form
ance
unt
il D
ec 3
1, 2
022.
Ple
ase
info
rm w
ww
.wis
eman
proj
ect.c
om fo
r per
form
ance
s and
reco
rdin
gs.
&
&
&
&
# #
# #
# #
# #
44
44
44
44
1Sop.
2
1Alt.
2
Piano(opt.)
∑
∑
Œ ‰ Jœ œ œ œ œ
∑
q = c 65-70 (Kindly)
P
*Oo = [u]
∑
∑
˙ ..œœ Jœ
˙˙ ˙˙ ?
∑
∑
˙ œœ œ
œ œ œ œœœ œœ&
∑
∑
˙ œ œ˙˙
˙˙˙?
∑
∑
wwwU
wwU
&
&
&
?
# #
# #
# #
# #
S.
A.
Pno.(opt.)
√
6 Œ ‰ jœ œ œ œ œO bo e te i
Œ ‰ jœ œ œ œ œO bo e te i
p
pww
ru,
wwru,
‰ œ œ œwwww
P
..œœ jœ œ œ œ œA na ta no A
..œœ jœ œ œ œ œA na ta no A
wwww
œ œ œ œ œœta ta ka na Te
œœ œœ œœ œœ œœta ta ka na Te
..˙ œ
www
wwo.
.œ jœ œ œ œ œwo.
O bo e te i
wœ .˙
www
- - - - - - - - - - - - -
- - - - - - - - - - - - -
- - - - -
&
&
&
?
# #
# #
# #
# #
S.
A.
Pno.(opt.)
◊
11 Œ ‰ jœ œ œ œ œO bo e te i
.˙ œru,
Œ œ œ œOo...
www˙ ˙
. .˙ jœru, Ya
˙ .œ
.œ jœ œœ œœ œœ œœA na ta no Ya
œ œ œ
www
ww
P
P..œœ J
œœ Jœœ œœ jœsa shi i Ko e
..œœ jœœ jœœ œœ jœœsa shi i Ko e
..œœ Jœ œ œ
www
wwwo.
. .. .˙ jœwo. O
˙ggggjœ
˙
ww
P..œœ jœ œ œ œ œ
O bo e te i
œ œ œ œ ˙bo e te i ru,
œ œ
œœ œ œ œ ˙
œ œ ˙ œ
P- - - - - - - - - - - - - - -
- - - - - - - - - - - - -
1/5Visit: www.wisemanproject
5/15, 2011 updated©2011 Kentaro Sato (Ken-P), International Copyright Secured.The rights for Japan assingned to edition KAWAI Tokyo Japan.
Mae-e (Forward) Text and Music by Kentaro Sato (Ken-P)5/2, 2011
SSAA version –Piano is optional. –Can be performed with other ensemble versions.
for Utao NIPPON Project
- to the Victims of the 2011 3/11 Earthquake and Tsunami in Japan -
This
wor
k w
as c
reat
ed fo
r a c
harit
y, a
nd y
ou m
ay fr
eely
mak
e pr
inte
d co
pies
from
this
PD
F da
ta fo
r you
r per
form
ance
unt
il D
ec 3
1, 2
022.
Ple
ase
info
rm w
ww
.wis
eman
proj
ect.c
om fo
r per
form
ance
s and
reco
rdin
gs.
&
&
&
?
# #
# #
# #
# #
S.
A.
Pno.(opt.)
◊
16 ..œœ Jœœœœ œœ œœ œœ
ru, A na ta no Ma
..œœ jœœ œœ œœ œœ œœA na ta no Ma
˙ggg ˙
œ œ ˙ œ
œ. œ œ œœ œœ œœssu ngu na Ma na
œ.
œœ œœ œœ œœ œœ œœssu ngu na Ma na
œ œ.˙ ˙
œ œ œ œ œœ
œœ œœ ..˙za shi to,
œœ œœ ..˙za shi to,
œ œ œ œ ˙
œ œ .˙
œœ œ œ œShi zu ka na
œœ œœ œœ œœShi zu ka na
œœ œ œ œ˙˙ ˙œ œ
p
p
π
œ œ œœ œœI no ri
œœ œœ œ œI no ri...
œœ œ œ jœœ
ww
- - - - - - - - - - - - - - - -
- - - - - - - - - - - - - - -
&
&
&
?
# #
# #
# #
# #
S.
A.
Pno.(opt.)
21
wwo.
˙ ˙I no
‰œ œ œ œ œ œ œ
˙ ˙˙˙p
. .˙ jœMe
˙ ˙ri wo.
œ œ œ œ œ œ œ œ˙ ˙˙˙
Pœ œ œ œ ˙wo To ji re ba
˙ ˙nn...
. .˙ Jœ
˙ ˙˙˙
pœ œ œ œ œ œ œ œ
A na ta to Su ngo shi
˙ ˙
w˙ œœœ œ
.œ jœ jœœ œœ œ œœta To ki no Ko to
˙ ˙nn...
‰œ œ œ œ œ œ œ
œ œ œ œ ˙P
- - -
- - - - - - - - - - - - - -
&
&
&
?
# #
# #
# #
# #
S.
A.
Pno.(opt.)
√
26
wwo,
. .˙ Jœwo,
A
..œœ jœœ œœ œœ œœ œ...O mo i da su,
œ œ œ œ œ œ œ œ
œ œ œ œ œ œ
P P ˙ œ œ œœ œ œ œ œ œ œ œna ta to To mo ni U ta
.œ jœ œœ œœ œœ œœTo mo ni U ta
wwwwggggg
œ œ œ œ œ œ
p P œœ. œœ œœ œœ .œ œ œœtta ko to wo, O mo
œœ. œœ œœ œœ ..œœ œœ œœtta ko to wo, O mo
œœœ œ œ œ .œ ‰
..˙Jœœ ‰
p
˙ ˙i da
. .. .˙˙ jœi... O
˙ jœ˙
ww
p
p- - - - - - - -- - - - -
- - - - - - - - - - - - - -
Mae-e (Forward)
2/5Visit: www.wisemanproject
5/15, 2011 updated©2011 Kentaro Sato (Ken-P), International Copyright Secured.The rights for Japan assingned to edition KAWAI Tokyo Japan.
This
wor
k w
as c
reat
ed fo
r a c
harit
y, a
nd y
ou m
ay fr
eely
mak
e pr
inte
d co
pies
from
this
PD
F da
ta fo
r you
r per
form
ance
unt
il D
ec 3
1, 2
022.
Ple
ase
info
rm w
ww
.wis
eman
proj
ect.c
om fo
r per
form
ance
s and
reco
rdin
gs.
&
&
&
?
# #
# #
# #
# #
S.
A.
Pno.(opt.)
30
wwsu.
œ œœ œœ œœ ˙mo i da su.
Œ ‰ jœ œ œ œ œ
œ œ .˙
œœ œœ œœn œ œ œ œO n nga ku no O wa
œn œ œ œ œ œO n nga ku no
œœ œœ œœn œœ ˙
œn œ œn œ œ œ
P
P
P
œ ˙ œ œœri nga A
œœ œœ œœ œœ œœ œœ œœO wa ri nga A
˙ œ œ œ œ
œ œ œ œœ œ œ
œœ œœn œœ œœ œœ œœ œœ œœna ta to no Wa ka re de
œœn œœ œœ œœ œœ œœ œœ œœna ta to no Wa ka re de
˙nœœœn œ œ œ
˙ ˙
F
F- - -
- - - - - - - - - - - - - - -
- - - - - - - - - - - - - - -
&
&
&
?
# #
# #
# #
# #
S.
A.
Pno.(opt.)
34 ..œœn jœœ ..œœ jœœwa na i. O
..œœjœœ ..œœ
jœœwa na i. O...œœœn
Jœœœ ...œœœ jœœœ
œ œ œ œ .œJœ
œ œ œ ..œœ œœ œœ œœn nga ku nga Ma ta Yo
œœ œœ œœ ..œœ œœ œœ œœn nga ku nga Ma ta Yo
œ œ œ .œ jœww ˙
f
fœœ œœn œ œœ œœ œ œ œmi nga e ru yo ni,
œœn œœ œ œœ œœ œœ œœ œœmi nga e ru yo ni,
œ œ ˙˙˙n ˙˙˙
˙˙n œn œ œ œNa n do de
œn œœ œœ œœ œ œn œNa n do de
mo Na n
mo
œn œ œ œ œœn œ œ œ
.˙n œn
p
P
P
p
- - - - - - - - - - - - -
- - - - - - - - - - - - - - - - -
- -
- - - -
&
&
&
?
# #
# #
# #
# #
n#
n#
n#
n#
S.
A.
Pno.(opt.)
◊◊
38
..œœn jœœ œœ œœ œœ œœnmo A na ta wo O
œ œn .œ jœdo de mo O
.œ Jœ œ œ œ œA na ta wo O
œœ œœœn ˙ggggwwnn &
œœn œœ œ œmo i da
so.
œ œa œso.
œœ œ œ œœ œmo i da so.
œn œ œœœnn œœ œœ œœ
œœœ œœn œ œa œœœ œ œœ œ œ?
F
F
P
˙ ˙Ah!
Œ ˙n œAh! O
Œ ˙ œœnAh! O
....˙˙˙n œœ˙ ˙
f
f
F
. .˙ jœOœn œ œ œ
bo e te i
œœ œœ œœ œœbo e te i
œœ œœ œœœœ
˙ ˙
- - -
- - - - - - - -
- - - - - - -
- - -
- - - - -
-
Mae-e (Forward)
3/5Visit: www.wisemanproject
5/15, 2011 updated©2011 Kentaro Sato (Ken-P), International Copyright Secured.The rights for Japan assingned to edition KAWAI Tokyo Japan.
This
wor
k w
as c
reat
ed fo
r a c
harit
y, a
nd y
ou m
ay fr
eely
mak
e pr
inte
d co
pies
from
this
PD
F da
ta fo
r you
r per
form
ance
unt
il D
ec 3
1, 2
022.
Ple
ase
info
rm w
ww
.wis
eman
proj
ect.c
om fo
r per
form
ance
s and
reco
rdin
gs.
&
&
&
?
#
#
#
#
S.
A.
Pno.(opt.)
42
œ œ œ œ ˙bo e te i ru,
.œ Jœ œ œ œ œru. O bo e te i
..œœjœœ œœ œœ œœ œœ
ru, O bo e te i
....œœœœgggggjœœ ˙
œœœ œ œ œ œ
f
f
f
..œœ Jœœ œœ œœ œœ œœA na ta no Taru,
..œœ jœœ œœ œœ œœ œœru, A na ta no Ta
œ œ œ œ ˙
œ œ œ œ œ œ
œœ œœ œœ œœ .œ jœi se tsu na
Yu me
œ œYu me
œœ œœ œœ œœ œ œi se tsu na
Yu me...
œ œ œYu
me
œœœ œ œ œ œ œ
œ œ œ œ œ œœ œ
wwo.
. .˙ Jœwo. O
jœ œ jœ .œ jœYu me
wo. O
.œ Jœœ œ œ œ
wo. Obo e te i
jœ œ jœ œœœœgggggœœœ
œ œ œ œ œ œ œ &
P- - - -
- - - - - - -
- -
- -- - - - - -
- - - - - - - - - - - -
- - --
--
-- - - -
&
&
&
&
#
#
#
#
S.
A.
Pno.(opt.)
◊◊
46 .œ jœ œ œ œ œO bo e te iœ œ œ œ œ œbo e te i ru... I
œ œ œ œ œœ œœ œœ œbo e te... O
bo e te i
.œ Jœru, O
œœœœggggggggggggggggggg
œ œ œ œœ œ
˙˙˙˙?
P
P
p
..œœ jœ œœ œ œœ jœœru, A na ta no A
..œœ jœœ œœ œœ œœ jœœru, A na ta no A
..œœ jœ œœœ œ œ Jœœ
˙ ˙
œœ œœ œœ œœ jœœ œœ œœ œshi ta ni Mu ke ta E nga
œ œ œœ œœ jœœn œœ œœ œœshi ta ni Mu ke ta E nga
œœœ œ œ œœœ œœ œ œœ
œ œ œ œ œn œ œ œ
F
F
P
˙ .œ jœo wo. A
œ œa œ œ œ œ œo wo, O bo e te i
œ œ œ œ œ œ œ˙ .œ Jœo wo. A
œœœœ œa œœ œœœ œ œœœ œœœ
œœ œ œ œ œœ œœF
- - - - -
- - - - - - - - - -
-
- - - -- - - - - -
- - -
- - - - - - - - - - - - - -
-
-
&
&
&
?
#
#
#
#
S.
A.
Pno.(opt.)
◊
50 œ œ œ œ œœ œœ œœ œœna ta to no
O mo i de
˙ru.
˙ œœ œœ œ œœru.
O mo i de
œ œ œ œna ta to no
œœœ œœœ œ œœ œœœgggg
œœœ œ œ œ œ œ
f
f
f
..œœ jœœ œœ œœ œœwo Mu ne ni I
..œœ jœœ œœ œœ œœwo, Mu ne ni
Iœ œ œ œ ˙
œ œ œ œ œ œ œ
œœ. œœ œœ œœ.œœ œœ
ppo I ppo Ma
œœ. œœ œœ œœ. œœ œœppo I ppo Ma
œœ œœ œœ œœ œœœœ œœœgggg
œ œ œ œ œ œ œœ
œ ˙ œ œn œ œe e.
Ma i ni
œ œ œ œ œ œ œ œe... Ma e e.
œœn œœ œœ œœ œœ œœ œœ œœe... Ma e e. Ma i ni
œœœœn...œœœ œœ œœœ œ œ œ œ œ
œ œ œ œn œ œ œn œœ œ œœ
- - -
- - - - - - - - -
-
- - -- -
- - -- - - - - -
- -- - - - - -
Mae-e (Forward)
4/5Visit: www.wisemanproject
5/15, 2011 updated©2011 Kentaro Sato (Ken-P), International Copyright Secured.The rights for Japan assingned to edition KAWAI Tokyo Japan.
This
wor
k w
as c
reat
ed fo
r a c
harit
y, a
nd y
ou m
ay fr
eely
mak
e pr
inte
d co
pies
from
this
PD
F da
ta fo
r you
r per
form
ance
unt
il D
ec 3
1, 2
022.
Ple
ase
info
rm w
ww
.wis
eman
proj
ect.c
om fo
r per
form
ance
s and
reco
rdin
gs.
&
&
&
?
#
#
#
#
S.
A.
Pno.(opt.)
√
54
Jœœ œœ œœ œœ œœa œœ œœ ..œœ œœchi no Yo ro ko bi to Ka
jœ .œ œa œ œ œchi no Yo ro ko bi
Jœ œ œ œ œ œ œ .œ œchi no Yo ro ko bi to Ka
œœœ œ œœ œ œœœa œ œ œœ
œ œ œ œ œ œ œ œa œ œ
œœ œœ œœ œœ œœ œœ œœ œœna shi mi wo Da ki shi me
˙ œœ œœ œœ œœwo,
Da ki shi me
œ œ œ œna shi mi wo...œœœ œœ œœ œ œ œœ
œœ œœ œœ
œ œ œ œ œ œ œ œ œ œ
..œœ jœ .œ jœna nga ra I
..œœ jœœ ..œœ jœœna nga ra Iœœœ œ œ œ œ œ œ œœœ
œ œ œœœ œ
p
p
p
- - - - - - - - - - - - - - - -
- - - - - - - - -
- - - - -
- - - - - - -
&
&
&
?
#
#
#
#
S.
A.
Pno.(opt.)
◊
√
57
œ. œ œ œœ. ˙ppo I ppo...
œœ. œœ œœ œœ. ˙˙ppo I ppo...
œœ œœ œœ œœ ˙œœ œœ œœ œœ ˙
..œœjœœ œœ. œœ œœ œœ.
I ppo I
..œœ jœœ œœ. œœ œœ œœ.I ppo I
..œœjœœ œœ œœ œœ œœœ
..œœ Jœœ œœ œœ œœ œœ
wwppo
wwppo
....œœœœ Jœœ
œœ œœ œœœœ
œœ ˙ œœ
F
F
F
œœU Œ œœ œœMa e
œœU Œ œœ œ
Ma e
œœœœU
gggg Œ
œœU
Π&
P
P. .. .˙ jœœ
e. I
. .. .˙˙ jœœe.
I
..œœ Jœœ œ œ œ
wwww?
p
p
p
- - - - - - -
- - - -- -
-
&
&
&
?
#
#
#
#
S.
A.
Pno.(opt.)
◊ ◊◊ ◊
62
œœ. œ œ œ. œœ œœppo I ppo Ma
œœ. œœ œœ œœ. œœ œœppo I
ppo Ma
wœœ œ œ œ ˙˙ ˙
œœ ..˙e e...
œœ ..˙e e...
œœœ ..˙˙ ˙
rit.
P
˙- ˙-Ma e
˙- ˙-Ma e
˙ ˙˙˙˙ ˙
wwUe.
wwUe.
Œ ‰ jœ œ œ œ œwwwwww
wwwwUgggggww
U
- - - - - -
- -- - - -
Mae-e (Forward)
5/5Visit: www.wisemanproject
5/15, 2011 updated©2011 Kentaro Sato (Ken-P), International Copyright Secured.The rights for Japan assingned to edition KAWAI Tokyo Japan.
This
wor
k w
as c
reat
ed fo
r a c
harit
y, a
nd y
ou m
ay fr
eely
mak
e pr
inte
d co
pies
from
this
PD
F da
ta fo
r you
r per
form
ance
unt
il D
ec 3
1, 2
022.
Ple
ase
info
rm w
ww
.wis
eman
proj
ect.c
om fo
r per
form
ance
s and
reco
rdin
gs.
©2008 Kentaro Sato (Ken-P) www.wisemanproject.com update on 5/15, 2011
Ken-P’s Japanese Pronunciation Guide with IPA for Singers by Kentaro Sato (Ken-P)
1. Vowels
There are 5 vowels in the Japanese language and they are alphabetized as “A” “E” “I” “O” and “U.” Consecutive vowels belong to
separate syllables, and there is virtually no diphthong when it comes to music.
Singing Japanese “A” is always “Open A [A]” as in “father.” You may use [√] in softer passage.
Singing Japanese “E” is always “Open E [E]” as in “fetch.” Do not use [e].
Singing Japanese “I” is always “Close I [i]” as in “feet.” However, it can be modified toward “Open I [I],” when it provide
unified vowel sounds, or in softer passage.
Singing Japanese “O” is always “Close O [o]” as in “foe.” Do not use diphthong like [oU].
Singing Japanese “U” is always “Close U [u]” as in “food.” However, it can be modified toward “Open U [U]” as in “foot,” if it
provides ease of pronunciation for singers in upper resister and/or forte passages.
Japanese “N [n]” often makes an independent syllable.
2. Consonants
B [b] as in (boy)
BY [bj]
CH [t˛] *or [tS] as in (cheese)
D [d] (dot)
F [f] (food)
FY [fj] (few)
G [g] (gut)
GY [gj] (gas)
H [h] (hit)
HY [C] *or [hj] as in (human)
J [d¸] *or [dZ] as in (jet)
K [k] (king)
KY [kj] (cute)
L [l] (leap)
M [m] (mall)
MY [mj] (mute)
N [n] (nod)
NG [N] (song)
NGY [Nj]
NY [nj] (new)
P [p] (pot)
PY [pj] (puke)
R [R] or [}] Japanese R is “flipped R”
RY [Rj] or [}j]
S [s] (sing/toss)
SH [˛] *or [S] as in (shed)
T [t] (tea)
TS [ts] (let’s)
V [v] (victory)
W [w] (water)
Y [j] (you)
Z [dz] (zebra)
“F” “L” and “V” are only used for foreign-origin words.
If “NG [N]” and “NGY [Nj]” (aka Bidakuon) are difficult to produce, it is acceptable to use “G [g]” for NG and “GY [gj]” for
“NGY.”
One MAY NOT use “English R [®],” “Rolled R [r]” nor “German/French R [{] for “Japanese flipped R,” but MAY use “L [l]” if
s/he cannot produce [R] or [}].
Doubled consonants (EX. “a-tta,” “a-cchi” and “i-sse-i”) indicate small stops between proceeding vowels. In my music, they
can be sung without doubled consonants (EX. “a-ta,” “a-chi” and “i-se-i”) because they are already articulated by rests or
staccatos. So please do observe and execute such rests and staccatos correctly.
This
wor
k w
as c
reat
ed fo
r a c
harit
y, a
nd y
ou m
ay fr
eely
mak
e pr
inte
d co
pies
from
this
PD
F da
ta fo
r you
r per
form
ance
unt
il D
ec 3
1, 2
022.
Ple
ase
info
rm w
ww
.wis
eman
proj
ect.c
om fo
r per
form
ance
s and
reco
rdin
gs.
