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Transcript of iml440
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SANTA MONICA
DOWN
WESTWOOD
HOLLYWOOD
URBAN FABRICComparisons o urban abrics around the world expose the
inherent problem o scale as perhaps one o the most signicant
actors in determining whether a city is characteristically
suburban and auto-oriented or more pedestrian-oriented. The
traditional response in suburbia has been to internalize
pedestrian areas, in the orm o the mall. Square One (home tothe largest Walmart in the world) as illustrated in the gure/
ground o Mississagua, is a classic example o the surbu rban
pedestrian public space (http://www.bricoleurbanism.org).
Copenhagen, on the other hand, is perhaps what many would
consider the ultimate pedestrian city. Though the two cities
could arguably have the same total areao pedestrian public
space, it is ultimately the degree o integration into the urban
abric that denes the temporal character o the city. Various
cities around the world all have dierent orms o the urban
grid,and thus there is no perect orm o street abric. However,as Los Angeles emerges rom a quilt work o distinctive
neighborhood abrics stitched together by the Wilshire corridor,
the morphological characteristics o each can perhaps begin to
expose the possibilities o a more interconnected city abric.
image source: http://www.bricoleurbanism.org
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WILSHIRE
A City within a City
As undamental as the element o the city block, are the
constructs that orm upon the delineation o these grids. While
the shiny towers o the centralizedcity nucei are indeed
present along the stretches o Wilshire Boulevard, what then liesin the interstitiary spaces within the urban abric? Not quite city,
yet not exactly surburban, Grey Goo,is the massive territory
between city centers and the exburbs.Endless and without
clear structure, this goois quite literally the grey concrete and
asphalt that has seeped into the inrastructure o transportation
throughways and city blocks.
As Wilshire transcends the shiting geometry o b
proportion and distance, it also illustrates the gra
prolieration o grey gooin the in-betweenso
neighborhood abrics. With the quaint proportioWestwood Village morphing into the corporate sc
City, the signicant increase in buildable oor-area
gives an indication o Grey Goo as the actual ma
apparatus necessary to sustain the shiny aade o
center.
Wilshire Boulevard was the rst trafc corridor to the ocean ater
the automobile became primary means o transportation.
Though initially the street was residential, the amount o trafc
using Wilshire gradually became more attractive or commerceand business. As Los Angeles developed, Wilshire became a city
within a city on a linear trajectory. Le Corbusiers Linear City
would come as no surprise to anyone living in this city(Barden
160).
As his concept idealized the city along viaducts, parallel open
spaces, and straight boulevards or corridors, to live in it requires
believing that having a true geographical center is not really t hat
important (Barden 160). With Wilshire Boulevard stringingtogether the dialogue between the citys many distinct
neighborhoods, it is perhaps these variable iterations o scale and
proportion undamental to the city block, which can ultimately
enable the dissection o LAs diverse spatial DNA.
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2.41 miles/ 11,303 ft2.45 miles/ 12,945 ft 2.72 miles/ 14,308 ft2.9 miles/ 15, 325 ft 2.71 miles/ 14, 306 ft 2.58 miles/ 13,622 ft 2.64 miles/ 13,982 ft
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METRIC: city block le
190,230 sf
617 ft
338 ft
GREY GOO
if 0.2 miles ~ 3 min walk
2.5 min
1 min
GREY GOOThe material apparatus o this greysupport system is
monotonous- asphalt, preab homes, back ofces, and old strip
malls. As city blocks along Wilshire morph and uctuate, it is the
interstitiary spaces that suer rom the inevitable need o
automobile and other support inrastructure. Scale becomes
orgotten and as the walkable city block transorms to meet a
more metropolitanabric, the residual blocks in-between are let
at the cost o their urban efciency and pedestrian viability.
While Grey Goois generally associated with the d
o the mid 20th century, a ormal and spatial dete
city into the boundaries o suburbia, the linear o
Wilshire Boulevard creates a contrastingly cyclic p
one not necessarily deteriorating but rather uct
ambiguity o abric shits. As distinct neighborh
together, the lost identity o those spaces caught
reected in the urban architecture o the goo.