While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be

separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,

[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who

finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided

between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the

characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who

finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided

between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the

characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who

finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120]

While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in

American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the

captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is

frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in

American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the

captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is

frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in

American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the

captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is

frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in

American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120]

While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided

between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and

a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists.

There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided

between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and

a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists.

There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided

between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and

a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists.

There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120]

While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be

separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,

[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who

finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided

between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the

characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who

finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided

between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the

characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who

finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided

between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120]

While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a

separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan).

Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer,

who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a

separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan).

Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer,

who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a

separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan).

Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer,

who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120]

While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While

comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of

specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the

art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While

comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of

specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the

art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While

comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of

specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the

art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While

comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120]