Work Samples

WORK SAMPLESJesus A. Fernandez · University of Oregon 2012

21st CENTURY NEIGHBORHOOD

a�ordable housing courtyard (revit, photoshop):

�e site lends itself for a more a-symmetrical courtyard for children to play and be creative.

2.2 acres

50’ elevation change

Elev. 234

Elev. 240

Elev. 253

50’ max50’ max50’ max50’ max50’ max50’ max50’ max50’ max50’ max50’ max50’ max50’ max50’ max50’ max50’ max50’ max

21st Century Neighborhood - SEATTLE, WA

SITE PODIUMS 5-STORY LIMIT

COURTYARDS

VIEW CORRIDORS

the story (revit, illustrator):

Process of how the building came to be. �e constraints and uses dictated the form and building type.


exterior perspective (revit, photoshop, illustrator):

Using a google earth image to understand the relationship between the proposed building and existing street/sidewalk conditions.

exterior perspective (revit, photoshop):

Using a google earth image to understand the relationship between the proposed building and pedestrian/vehicle approach to the site.

BORENAVAVA E

FIR ST

12TH

AVAVAE

FIRST FLOOR PLAN ABOVE PODIUM

PARKING GARAGE PLAN

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site/� plan (revit, illustrator):

Each di�erent build-ing type is raised from one another. �is plan shows the relationship between the units and their courtyards, as well as the relationship between courtyards.

A�ordable Housing 45 units: 26 town homes 19 studios 57 parking spaces

Retail 7 units

Student Housing 27 units: 25 �ats 2 studios (77 students) 20 parking spaces

Market Rate Housing 76 units: 50 Lofts 26 studios 89 parking spaces

program diagram(revit, illustrator):

Yesler Terrace in Seattle, WA is a low income housing development built in 1942. �e Seattle Housing Authority has begun redesigning the 17 blocks of Yesler Terrace to include 150-300 units per block of 60% Market rate and 40% A�ordable.


student housing courtyard (revit, photoshop):

A large simple courtyard for various student social activities.

market rate housing courtyard (revit, photoshop):

View corridor vignette as experienced from the market rate courtyard.

site section (revit, illustrator):

Cut through the market rate and a�ordable courtyards showing a view corridor towards Mt. Rainier.

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RESIDENTIAL CONSTRUCTION

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cross section (revit, illustrator):

�is 500 square foot cabin in Eugene, OR is a small explo-ration of material types and their construction

ROOF FRAMING PLAN

1/4”=1’-0”3FIRST FLOOR PLAN

1/4”=1’-0”3

SITE PLAN

1/16”=1’-0”1

70.0’

70.0’80

.0’

RESIDENCEFIN. FL. 103.0

CONC. DRIVEWAY

5’ SIDEWALK

PORCHFIN. FL.101.0

100.0

101.0

102.0

103.0

104.0

103.0

104.0

102.0

101.0

100.0

SEWER LINE

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MTR

ELEC

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CROSS SECTION

1/2”=1’-0”5

EAST ELEVATION

1/4”=1’-0”7SOUTH ELEVATION

1/4”=1’-0”6

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JAF

THE

500

RESI

DEN

CE

JESUS A. FERNANDEZ

JUNE 9, 2011

05001102

Owner:Summer E. Carrillo

Project Architect: Jesus A. Fernandez

Project Location: 550 W 25TH PLACEEUGENE, OR 97405

ARCHITECTS

KITCHEN ELEVATION

1/2”=1’-0”2

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UP

UP

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A15

READING RM.

PORCH

DN

A15

BEDROOM DECK

Residential Construction - EUGENE, OR

WALL DETAIL SECTION

1-1/2”=1’-0”1

6 K GUTTER

CONTINUOUS 2” X 12” FASCIA BOARD

FURRING STRIPS & 1/2” PLYWOOD SHEATHING OVER EXPOSED EAVE

2” X 8” FRIEZE BLOCK

1” THICK CORRUGATED METAL ROOFING

4” RIGID INSULATION

2” X 6” BLOCKING

4” X 8” BEAM

VAPOR BARRIER BETWEEN INSULATION & 1/2” PLYWOOD SHEATHING

2” X 8” ROOF RAFTERS

FINISH WOOD CEILING PANELS

NAILING BLOCK FOR FINISH WALL

1/2” PLYWOOD SHEATHING W/FINISH WALL

R-8 (2) BATT INSULATION

2” X 8” TOP PLATE W/ANCHOR BOLT

1/2” VERTICAL REBAR EVERY 36”

8” X 8” X 16” CMU BLOCK W/BOND

4” RIGID INSULATION BETWEEN STRUCTURAL CMU & CMU VENEER

CMU VENEER

1/2” HORIZONTAL REBAR AS REQUIRED BY ENGINEERING


WOOD FLOOR FINISH

6” RADIATING HEATING SLAB

BACKFILL

8” X 24” FOOTING

BACKFILL AND DRAINAGE

FOUNDATION/FLOOR FRAMING PLAN

1/4”=1’-0”2

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ROOF FRAMING PLAN

1/4”=1’-0”3

JAF

THE

500

RESI

DEN

CE

JESUS A. FERNANDEZ

JUNE 9, 2011

05001102

Owner:Summer E. Carrillo

Project Architect: Jesus A. Fernandez

Project Location: 550 W 25TH PLACEEUGENE, OR 97405

ARCHITECTS

2

WOOD STOP

STRUCTURAL CMU

WOOD BACKHAND

WOOD JAMB

URATHANE - FOAM OR BATT INSULATION

FLASHING @ HEAD- APPLIED BETWEEN

STURCTURAL WASLL AND INSULATION

WOOD SASH

WOOD SILL

WOOD APRON

STRUCTURAL CMU

WOOD SASH

URATHANE - FOAM OR BATT INSULATION

WOOD STOOL APPLIED AFTER WINDOW IS

ATTACHED TO BUILDING

HEAD JAMB DETAIL

3”=1’-0”5SILL DETAIL

3”=1’-0”4

4” x 8“ Beams @ 48” o.c.

2” x

8” R

afte

rs@

24”

o.c

.

2” x 12” Fascia Board


2” x

12”

Fas

cia

Boar

d

2” x

12”

Fas

cia

Boar

d

2” x 4” Look Outs@ 24” o.c.


A15

RADIANT HEATING CONCRETE SLAB


16” x 8” Foundation vents within 3’ of each corner

16” x 8” concrete footing with (2) #4 rebar continuous horiz and #4 vert. with alt. hook @ 36” o.c.

8” x 8” x 16” CMU Block stemwall 24” x 18” (min.)

crawl space access req’d

2” x 8” Joists @ 24” o.c.

24” x 16” concrete pad

A11

4” x 8” Beam

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construction documents (revit, illustrator)

UP

UP

UP

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A15

READING RM.

PORCH

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A15

BEDROOM DECK


FIRST FLOOR PLAN

1/4”=1’-0”3 SECOND FLOOR PLAN

1/4”=1’-0”4



Heat Source A

16” x 8” concrete footing with (2) #4 rebar continuous horiz and #4 vert. with alt. hook @ 36” o.c.

8” x 8” x 16” CMU Block stemwall

2” x 8” Joists @ 24” o.c.24” x 16” concrete pad

A15

4” x 8” Beam

Heat Source B 4” x 8“ Beams @ 48” o.c.

2” x

8” R

afte

rs@

24”

o.c

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2” x

12”

Bar

ge B

oard

2” x

12”

Bar

ge B

oard


A15

FOUNDATION/FLOOR FRAMING PLAN

1/4”=1’-0”2 ROOF FRAMING PLAN

1/4”=1’-0”3

building model (1’x1’x1’, laser cut model)

bedroom lo� (revit, photoshop):

Openness created with lo� and exposed framing.


6 K GUTTER







4” X 8” BEAM











CMU VENEER



WOOD FLOOR FINISH


BACKFILL



leisure space (revit, photoshop):

Privacy and variation are created with level changes and in-between spaces.

6 K GUTTER







4” X 8” BEAM











CMU VENEER



WOOD FLOOR FINISH


BACKFILL



wall detail section (revit, illustrator)

RESILIENT ARCHITECTURE

promenade perspective (revit, photoshop):

the promenade runs along the community center and shops/retail spaces working together to create exposure and interaction between the three.

Resilient Architecture - LONDON, UK

north elevation (revit, illustrator):

Given the surrounding buildings the northeast side of the lot gets the best daylighting. �e lower buildings are the workshop/commercial spaces.

aerial perspective (revit):

Live+work, retail, community center, and housing program; this view shows the constraints of the site and the proposal to clarify building uses and organize circulation.


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UP

UP

UP

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service area (revit, photoshop):

�e south side of the development has a strong circulation axis and a large space for service vehicles and parking.


east elevation (revit, illustrator):

Workshop spaces are located below the housing units.

TAPALPA HOTEL & RESORT

hotel carport and entry (revit, photoshop)

Vehicle Entry/Parking:The hotel is accessible through three entrances. Two lead directly to the hotel parking lots and two also lead to the reception entrance for valet parking and baggage handling. The Northwest parking lots are reserved for the suite guests (1 space per room) and sta�. The Northeast parking lots are reserved for the hotel guests and sta� (1 space per room)

Suites:12 private suites (each sixty meters squared) with focused views of the natural landscape and various forms of screens to promote privacy. Each bedroom has a large view of the forest to wake up to every morning and also a living space that opens up to a large deck to enjoy the fresh air.

Paths: Paths to the suites are surrounded by retaining walls of various sizes (half walls) to control the views. The suites are blocked of from the parking lot, the bottom row of suites are blocked o� from viewing the top suites.

Gardens:Landscaped gardens with native plants for the for the suites guests to enjoy

Reception/Restaurants:Sharp reception area to direct tra�c and create an exiting room for people to transition into the restaurants at the same level. The restaurants have the highest views of the forest and pools.

Bar Pool:Located below the restaurants this swimming pool is for guests who want to relax and be close to the bar (3 meters away).

Childrens Pool: This pool is the most visible from anywhere in the resort a perfect location for children to swim and play. This pool is surrounded by a large terrace area where people can lay in the sun and enjoy the view.

Diving Pool: 4 meter cli� for people to jump and dive into a 6 meter pool.

Hotel Rooms: A smaller suite with a strong sense of privacy and expansive views.

Spa: Located at the lowest part of the resort. Connects the resort to the landscape with an outdoor deck for people to relax enjoy a healthy smoothie or go out for a walk in the forested landscape.

Restaurant Deck:Large enough to �t around 24 people, this location connects the guests with great views and the activities of the swimming pool and restaurant.

Gardens:Landscaped gardens with native plants for the for the suites guests to enjoy

SITE PLAN 1:300

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Tapalpa Hotel & Resort - TAPALPA, MEXICO

site plan (revit, illustrator)

diving pool (revit, photoshop)

Tapalpa Hotel & Resort - TAPALPA, MEXICO

south elevation (revit, photoshop)

Tucked in the forested hills of Tapalpa, Mexico are various hotels & resorts used by citizens from all over Mexico. �ere are a lot of outdoor activities for visitors to enjoy.

DESIGN BUILD COMPETITION

construction phase (power tools, steel):

During this phase, our group of 6 students learned how to weld and use various power tools in a short amount of time.

habitable structure (6’ radius):

Steel structure welded together, corrugated steel, white canvas, and clear plastic.

luminaire process:

With minimal materials we built a simple but sculptural piece out of wire and paper. Hodge podge adhesive was used to keep the paper form intact.LUMINAIRE COMPETITION

luminaire model (paper & wire 8”x8”x1.5’)

�is luminaire design won �rst place and was displayed at “Modern,” a furniture store in Eugene, OR during the monthly art walk.

Prospetto dell alma citt di oma isto dal Monte ianicolo exhibition work (illustrator, photoshop):

Modi�ed Vasi scans and diagrams were created for display at the Jordan Schnitzer Museum of Art in Eugene, OR. ROME VISIBLE CITIES

1 Porto di Ripa grande2 Dogana di mare3 Strada pubblica4 Rovine a piË del Monte Aventino5 Via che sale al medesimo Monte6 Chiesa del Priorateo dei Cavalieri Gerosolimitani7 Casino egiardino dei medesimi8 Monastero e Campanile di S Alessio9 Cappella, e Arco di S. Lazzaro10 Contra da di Mormorata cioË porto vecchio11 Case appresso Monte Testaccio12 Porta S. Paolo13 Muri di Roma

14 Sepolcro di Cajo Cestio15 Strada di S. Paolo16 Cappella dei SS. Ap. Pietro, e Paolo17 Portico e prospetto della Basilica di S. Paolo18 Monastero dei Monici Cassininsi19 Parta laterale della Basilica di S. Paolo20 Via Ostiense21 Chiesa di S. Anastasio all' acque salvie22 Chiesa di S. Paolo alle tre fontane23 Chiesa di Santa Maria Scala Coeli24 Capo di Bove gia Sepolcro di Cecilia Metella 25 Basilica di S. Sebastiano26 Cappella di Domine quo vadis

1 Pallazo Albani2 Casino di S.A.R. il Card. Duca di Yorch.3 Collegio dei Canonici Premostratensi4 Villa Negroni gia Peretti5 Obelisco Egizio gi‡ del Mausoleo d'Augusto6 Tribuna della Basilica di S. M. Maggiore7 Cupola della Cappella di Sisto V8 Parte dello Spedale di S. Antonio Abate9 Campanile gotico della Basilica10 Statue del prospetto principale della med.ma11 Colbrina colla statua della SS. V. in metallo.12 Cupola della Capella di Paolo V13 Campanile della Chiesa di S. Prassede

14 Monastero delle Religiose Turchine15 Monastero e Chiesa del Bambin Gesu16 Campanile della Chiesa di S. Prudenziana17 Via Patrizia18 Chiesa di S. Maria della Salute19 Chiesa di S. Paolo primo Eremita20 Casino del Cardinal Albani21 Chiesa di S. Dionisio Areopagita22 Convento dei Frati Mercenari riformate23 Campanile della Chiesa di S. Carlo24 Quattro fontane nelli quattro angoli della Piazza

1 Cordonata che scende dal Campidoglio 2 Arco di Settimio Severo3 Ch. di S. Adriano, gi‡ Tempio di Saturno 4 Tempio d'Antonino e Faustina, or Chiesa di S. Lorenzo in Miranda 5 Ch. di SS. Cosimo e Damiano, gi‡ Tempio di Romolo e Remo6 Oratorio dei FF. della Via Crucis 7 Chiesa di S. Maria Nuova 8 Anfiteatro Flavio detto il Colosseo 9 Rovine del tempio della Pace 10 Chiesa di S. Pietro ad Vincula 11 Rovine delle Terme di Tito dette le Sette Sale12 Tempio di Minerva Medica 13 Rovine del tempio di Venere e Cupide 14 Basilica di S. Croce in Gerusalemme 15 Anfiteatro Castrense 16 Chiesa di SS. Marcellino e Pietro 17 Portico delle Scale Sante 18 Basilica di S. Giovanni in Laterano

19 Porta S. Giovanni20 Rovine di acquidotti diversi flm21 Rovine delle mura di Roma 22 Chiesa di SS. Quattro Coronati 23 Chiesa di S. Stefano Rotondo24 Ch. e Monastero de SS. Gio. e Paolo 25 Chiesa e Conv. di S. Bonaventura 26 Chiesa di S. Sebastiano in Pallara27 Arco di Tito Vespasiano 28 Arco di Costantino Magno 29 Orti Farnesiani sul monte Palatino30 Chiesa di S. Maria Liberatrice 31 Vestigj del Palazzo Imperiale 32 Colonne del Tempio di Giove Statore 33 Rovine della Basilica Porzia34 Colonne del Portico della Concordia 35 Una delle colonne del ponte che congiungeva il Palatino col Campidoglio 36 Dogana del mercato dei Bestiami 37 Residuo del Portico di Giove Tonante

1 Piazza di Ponte S. Angelo 2 Ponte S. Angelo ornato con 12 statue dimarmo pario3 Rastello all'ingresso di Castel S. Angelo 4 Mausoleo di Adriano Imp ridotto a Fort.za 5 Statua di metallo di S. Michele Arcang. 6 Baluardi, e fortificazioni di d.a fortezza 7 Strada principale della Citt‡ Leonina che corrisponde nella Piazza di S. Pietro 8 Chiesa e Convento di S. Ma. Traspontina 9 Palazzo del Marchese Giraud gi‡ de' Campeggi 10 Palazzo Spinola, ora Ospizio degli Ereticiridotti alla Fede Cattolica 11 Chiesa di S. Giacomo in scossacavalli 12 Ospizio dei PP. Penitenzieri di S. Pietro 13 Spedale di S. Spirito in Sassia14 Oratorio della Confratern.ta di S. Spirito

15 Prospetto della Basilica di S. Pietro in Vaticano 16 Cupola della medesima, e palla di metallo capace di 32 persone a sedere17 Palazzo Apostolico, e loggie dipinte da Raffaele d' Urbino 18 Ambulazione lunghe 500. passi 19 Casino di belvedere, e Torre de venti 20 Chiesa e Convento di S. Maria sul Monte Mario flm21 Valle infera, detta corrottamente dell' Inferno22 Giardino Pontificio 23 Torri e muri antichi della Citt‡ Leonina 24 Porta Pertusa 25 Chiesa di S. Marta e Convento dei PP. Mercenarij 26 Seminario dei Chierici di S. Pietro

Basilica Vaticana, Ponte, e Castel S. Angelo Campo Vaccino Basilica di S. Maria Magiore Basilica di S. Paolo fuori delle Mura

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Giuseppe Vasi’s Rome - ROME VISIBLE CITIES

RICK MATHER ARCHITECTS

facade study(digital photography, sketchUp, photoshop):

During my internship at RMA I took a trip to East Ham and in tight conditions took photographs of the existing buildings. Using photoshop, I manipulated the photos to create the elevations.

contextual elevations (digital photography, photoshop, sketchUp)

Facade Study - RICK MATHER ARCHITECTS

Thank You

Jesus A. Fernandez1200 West 76th St.Los Angeles, CA [email protected]

Work Samples

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Transcript of Work Samples