Vol_32.pdf
Transcript of Vol_32.pdf
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T H E S O U N D I N G B O A R DVOLUME 32 983150 JANUARY 20 12THE OFFICIAL MAGAZINE OF THE MARTIN GUITAR COMPANY
TM
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is
available for free in limited quantities from your
local authorized Martin dealership You will also
find recent Sounding Board issues on our
website in downloadable PDF format Typically
issues are published in January and July of each
year If you wish to be assured of receiving
future issues of The Sounding Board we
recommend that you consider maintaining an
active membership in The Martin Owners
Club You may request a complimentary copy of
The Sounding Board
or the Martin catalog
by calling us at the
phone number above
P U B L I S H E D B Y
C F Martin amp Co Inc
P O Box 329 Nazareth PA 18064Phone (610) 759-2837Fax (610) 759-5757
wwwmartinguitarcom
E D I T O R I A L
dick boak editormartinguitarcom
D E S I G N
misty wilt graphic design wwwmistywiltcom
C O N T R I B U T O R S
Printed On Recycled Paper
in the USA
Darrin TrainerScott FollweilerTodd Phillips
Marshall NewmanDick Brown
Bill BushSusan J BurlingameTracey Dooms
John Sterling RuthMitch Gordon
copy 2012 C F Martin amp Co Inc Nazareth PAAll rights reserved 17MM03
Cert no SW-COC-000043
wwwfsccom
copy 1996 Forest Stewardship Council
Dear Sounding Board Readers
Rosewood ebony mahogany and spruce My ancestors and I have been very fortunate that these traditional guitar woods have been available in sufficientquantities to allow us to craft the best guitar we can As demand grows andsupplies shrink Irsquom becoming more and more concerned that we have done
too good a job convincing you that these are the only optionsThe recent dialog around the Lacey Act and illegal logging has actually been beneficial to all of us who make guitars The politicizing of certainaspects of it have been disappointing to me personally My understanding isthat the law was never intended to entrap the player but it was designed tohelp eliminate the indiscriminate harvesting of timber through illegal logging by holding all of us in the supply chain accountable for the provenance ofthe wood we use This is a good thing We have been able to comply with thelaw despite the fact that it is tedious and has added extra layers of scrutiny and paperwork
More importantly it has helped elevate the discussion around alternative woods engineered wood products and synthetic materials so that we can feelmore comfortable using them today and in the future I believe that there are
tremendous opportunities with alternatives As you may know we have beencommitted to this during my tenure as CEO and now I believe there will bemore guitar builders joining me in this fascinating quest to continue to try and build the perfect guitar
On a lighter note we have acquired some very cool vintage guitars for ourmuseum recently including the very first D-28 (see above) Please stop by and check them out
Join Today
wwwmartinownersclubcom
C H R I S rsquo C O R N E R
Chris Martin with the newly acquired assortment of special vintage guitars for theMartin Museum (Left to right) Three special instruments were acquired at theRichard Gere charity auction at Christiersquos in New York City the very first stampedD-28 (Serial 48325) as well as a 1944 000-28 and a 1902 00-42S ldquoSpecialrdquo with tree of life inlay Two lovely parlor guitars were acquired from Gruhn Guitars in Nashville a1907 0-45 and a 1904 00-45
VOLUME 32 983150 JANUARY 20 12
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TA B L E O F C O N T E N T S
p 10Care and Feeding Three back-to-back
articles center in on the
correct procedures for
shipping your guitar how
to create your optimum
Martin Custom Shop
instrument and the basic
elements of guitar setup
and action adjustment
p 22The Sound amp
The StoryArtist Robert Goetzl
is creating murals
depicting the history of
Martin Read about his
motivation and what
viewers will soon enjoy
p 32Limited Edition
Mamas and The
Papas D-28MCelebrating the group
and its place in pop
music history C F Martin
announces a very special
D-28M Mamas and
The Papas CustomArtist Edition
p 36Martin Owners
Club DayMartin Owners Club
members made the
pilgrimage and ldquopulled in
to Nazarethrdquo to immerse
themselves in guitars
jam and enjoy each
otherrsquos company
On the front
and back coversUPS recently
collaborated with
Martin on theirWe Love Logistics
Campaign during
which photographer
Mitch Gordon captured
quintessential day-in-
the-life images from
the Martin Guitar
Factory in Nazarath Pa
Other StoriesMartin Stories 2
Caring and Feeding
Shipping Your Guitar 10
The Custom Shop12Set-up14
Artist Profiles16
From the Archives20
The Sound and The Story22
New Products 24
Limited Edition32
Martin Happenings
London Acoustic
Guitar Show34
Martin Owners Club Day36UMGF 37
Philly Folkfest 38
Backpacker Stories40
Martin Remembers 42
Around the World 44
1
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Two Fine GuitarsBill Anderson from Tempe Az wrote in to let us know how much joy he finds with his two Martin guitars Pictured abovein his left hand is the 1979 Martin D-18 (ldquoand a great guitarrdquo)The 1972 Martin D-35 in his right hand has been his working guitar for nearly 40 years (ldquoIt has the nickname rsquoMy Babyrsquobecause thatrsquos what it isrdquo)
Bill played Bluegrass music professionally throughout the1970s and part time ever since Now playing Bluegrass toCountry and Country Rock full time professionally again sinceretiring he has found the freedom to perform
He says of his D-35 ldquoOnce in tune it stays there and almostplays itself I also fingerpick as early in my life I took classicalguitar lessons and this guitar works wonderfully in that style Itappears these instruments will long outlast me but I will cherishthem till the day I dierdquo He saved his money and every weekend
would find himself at the music store playing the guitars ldquoIplayed every D-28 that ever passed through their doorrdquo Whenthe day arrived when he was ready to buy the sales personbrought out the D-35 just off the truck and it was love at firstsight ldquoIt has been a great relationship You make great guitarsand I am so glad to own two of themrdquo
Pawn Shop Saints Americana group Pawn Shop Saints lead men Mike OrsquoNeilland Jeb Barry each own four Martins Mike is shown with his1988 Martin MC-28 a 2001 Martin 000-16RGT a 2001Martin 000C-16RGTE and a Martin LX1
Jeb is holding his favorite a new 2010 Martin 000-15M nextto his 2004 Martin D-15 a 2002 Martin DC-1E and 2004Martin 000-16RGT
Playing original music in the northeast Mikersquos main
instrument is his 000C-16RGTE ldquoI call this my main gigging acoustic I actually loved the first 000-16 so much I boughtanother onerdquo Jeb only plays Martin guitars both live and in thestudio and is either seen playing the D-15 or the 000-15MFounded in 2010 the Pawn Shop Saints will be heading intothe studio in the fall to record some new tracks with the fullband All recorded live as usual
wwwreverbnationcompawnshopsaints
M A R T I N S T O R I E S
2
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The guitarist Barclay Martin played for the people in Joplin atthe Joplin Relief Concert wwwbarclaymartincom
3
2011 Summer Tour Guides
A big THANK YOU to our 2011Summer Tour Guides
They did an excellent job of managing and educating our factory visitors on the building process Inaddition by covering the tours theygave their co-workers time to focuson making great guitars
Joplin Tornados
The town of Joplin Missouri was hit by an EF-5 tornadothat wiped out a third of the city and took over a hundred lives
Geoffrey Pollock (pictured above) was at a friendrsquoshouse a little out of town when it happened He wrote into give us an update ldquoWe were listening to the weatherreports on the radio while we were taking cover in theirbasement and heard the news of some places that hadbeen hit in town They were pretty close to where I live soI jumped in the car and headed for home The 15 miledrive took about an hour and a half due to backed uptraffic but I somehow managed to get within a mile of my house before I abandoned my car and started running through total devastation
I hoped that my house had been spared but when I gotthere it was all but destroyed I still had 4 walls (betterthan most) but the whole roof had been ripped off at theceiling I entered the house not knowing what Irsquod find butlooking for one thing - my D18 that I bought while I wasin college in 1979 After moving some roof and furniture
around I found it under a recliner As I moved the reclinerI expected to find it all smashed up but it was still in onepiece It had a small crack in the top and somehow the pick guard had come off but after all it had been through it wasin great shape
I found the case hiked back to my car and startedhelping neighbors who didnrsquot fare as well I did
I was much luckier than most people I still have the onething that I owned that I couldnrsquot have replaced Some
folks were left with nothingIt will be many years until Joplin gets back to normal
but little things like finding that guitar gave me hope for a great future
ldquoIrsquom calling the guitar my Martin D18 EF-5 editionnow I cleaned it up put on new strings and it sounds asperfect as it always hasrdquo
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Christiersquos Charity EventRichard Gere sold a majority of his vintage andcustom guitars at Christiersquos auction house onOctober 11 in New York City This included a 1901 Serial 9373 which is significant to thedevelopment of Martinrsquos Style 45 guitars (seephoto above) The Martin ledger mentions it wasone of four prototypes with ldquospecial inlayrdquo
Richard Gere is donating the proceeds to buildschools and hospitals in the Himalayas
4
UPS Films forWe Love LogisticsCampaignC F Martin amp Co is featuredin a recent advertising
campaign by Ogilvy andMather for UPS The photoabove shows the film crew onthe factory floor as anassortment of employees jamfor the cameras Martin andUPS have collaborated formany decades on logistics anddelivery of such a preciousproduct to dealers anddistributors worldwide Seethe link at left for the
YouTube video
M A R T I N S T O R I E S
The Music is Born Jim Morrell purchased a very special anniversary gift for his wife of 40 years Carol She tells her story belowldquoEarlier this year my daughter and I went on a photography excursion with Danrsquos Camera City (Allentown Pa) We took photos at the Martin GuitarFactory (Nazareth PA) then put together a photo journalI entitled mine
IN THE LIGHT OF A MASTERPIECETHE MUSIC IS BORN
We then took our husbands back to the factory for thetour to hear more about what we took pictures of
When my husband asked me what I would like as ananniversary gift I announced ‛a Martinrsquo Although it wasdifficult to manage he found a way to give me this giftI fell in love with the Grand Performance Cutaway-GPCPA1 It is beautiful The workmanship and all the loveand hard work that went into creating it amazes me
Say it LoudSay it Clear
Our 40th Anniversary Is Near
So my gift
Has arrived And it is Here
G- is for GorgeousP- Play it now
C- Care for it alwaysP- The Picture of Perfection
A- Adoring it1- 1 the Best of the Best
Even though Carol owns eight other guitars nothing compares to her Martin GPCPA1
wwwyoutubecomcfmartinguitarpau1P7G7GF_mwxI
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Sasha Greendyk Sasha Greendyk of Radnor Pennsylvania is inspired by music Since she can remembershersquos been singing in choirs and playing piano but it wasnrsquot until eighth grade that she
wrote her first piece That little piano melody was the start of many years of music writing and shersquos become an adept guitarist with a little help from her D-40 MartinDreadnought It is now Sasharsquos dream to become a film scorer and write music formovies and shows alike No matter what music will always be a part of her life
Kirsten SowersSince appearing in our previousSounding Board issue Kirsten Sowershas been keeping busy with her000 Martin cutaway This past Julyshe performed for the troops at theTD Bank Center in Philadelphia
5
A Family TraditionKen Kahn from Sedro-Woolley Washington and his grandsonTyler Turner 9 from Sequim Washington play country andbluegrass when they get together Tyler plays an LX1 LittleMartin and Ken is playing a D-28 Don McLean with severalbackups an HD-28 a 00-18 and a J-21 The mandolin is a Martin bowl back made in 1909
On BroadwayMichael Aarons lead guitarist and in-house contractor forthe popular Broadway musical Godspell recently emailedus with feedback about the impressive array of Martininstruments being used on stage for the show
ldquoWe have four Martin Dreadnoughts and a ukulele that weare using in the show These instruments are superb ndash they play and sound incredible ndash they are just what we needrdquo
As a professional guitarist Michael owns a lot of instruments He admits that while hersquos always wanted toown a Martin he just couldnrsquot afford the vintage modelshe was drawn tountil now
ldquoI have to say after seeing how consistent playableelegant and perfect these instruments are and hearing how tremendous they sound Irsquom converted for life They arethe best acoustics Irsquove ever played and I mean it ndash perfectbeyond words I speak for the whole band in thanking Martin for making such great guitarsrdquo
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M A R T I N S T O R I E S
A Silent Servant With No Name We recently received an interesting and compelling messagefrom a lifelong Christian minister who along with his obviousspiritual connection is also a musician and lover of Martinguitars In his own arsenal of Martins he cherishes threeDreadnoughts a D-28 Marquis a D-35 and a D-42 Thestory as he relayed it to us is that three years ago he was toldldquoby Godrdquo to acquire five Martin guitars and gift them to five
special and specific people At the time the minister who inhis humility has suggested to us that his name is notimportant only had enough money for one D-35 Martinguitar which he promptly gifted as instructed He waited formore money to appear and it seemed like it wasnrsquot going tocome He was facing a serious operation and asked his wife if she would finish his mission in the event that he didnrsquot makeit through
He woke up a month later after extensive surgery and couldnot move or walk His daughters told him later that all he
talked aboutin his direstate was Godand Martinguitars butinside he wasdetermined
to get back to normal After a year transpired he was able to walk with a caneMiraculously the money began to come in and he
contacted a prominent Martin dealership eventually buying three more Martin D-35s and a D-16GT
His message thanked us for the beautiful works of art Inthe end five people experienced the ldquobest day of their livesrdquo
He is thankful for ldquobeing chosenrdquo to be the deliveryman forsuch treasures and he wanted us to know that ldquoGodrdquo isMartinrsquos best sales rep
6
Harley-Davidson Motorcycle amp Guitar Again gracing the Martin Ownerrsquos Club event on Friday August 5 2011 was Mark Zickefoosersquos custom Harley-
Davidson complete with matching Custom Martin andmounted road case
Martin MarinesCorporal David M Jones wrote to us on behalf of hisDivision to express his thanks for his LXM LittleMartin that arrived in Afghanistan Since he receivedthe guitar it certainly has made its rounds ndash someoneis always coming to play it or learn to play it He hasactually had great success teaching two Marines toplay David admits that the beginners arenrsquot the bestto listen to but ldquoat least they are having funrdquo Picturedabove are David and a few of his fellow Marines withthe Martin guitar
Inked AdmirationRobert Dutton of Brooklyn New York shared this photograph of his Martin Performing
Artist Guitar tattoo
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We are honored to have received thefollowing Players Choice Awards for 2011
bull GOLD AWARD for BESTDREADNOUGHT GUITAR (D-28)
bull GOLD AWARD for BEST MID-SIZEFLATTOP GUITAR (Eric Clapton
Signature Model)bull SILVER AWARD for GUITAR
OF THE YEAR (D-28)
bull SILVER AWARD for SMALL-BODYFLATTOP (00-15M)
bull SILVER AWARD for JUMBO GUITAR SIX or 12-STRINGS (Grand J12-40E)
bull SILVER AWARD for ACOUSTIC-ELECTRIC GUITAR (GPCPA1)
bull SILVER AWARD for TRAVEL GUITAR (LX1)bull SILVER AWARD for 12-STRING (J12-40E)
bull SILVER AWARD for OTHER STRINGEDINSTRUMENT (OXK UKE)
bull SILVER AWARD for STEEL STRINGS (FX)
Acoustic Guitar Magazine
7
Distorted StringsIt is quite difficult to comeup with ideas for string advertising Guitars are
much more visual MartinrsquosDick Boak (no strangerto illustration)conceptualized thisslightly hyperbolic
pencil drawing Dickrsquossuggested headlineldquoMartin Strings -
Exaggerate Your Tonerdquo
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Let Us In
A special benefit concert was held onNovember 7th at Nashvillersquos legendary
Ryman Auditorium The ldquoLet Us InrdquoNashville benefit was the kick off forNashvillersquos CMA Week Actor musicianand Martin guitarist Jeff Daniels hostedand performed at the event whichfeatured live performances by SarahDarling SHeDAISY Steel Magnolia PhilVassar Cheyenne Kimball Juliana ColeNikki Shannon Fernandez JordynShellhart Chuck Wicks Nancy SirianniSamantha Landrum and Blue Sky RidersEach artist performed an original versionof a Sir Paul McCartney song
Sponsored in part by Martin the event was filmed and recorded for a live DVDas well as a CD bearing cover art by PeterMax that will include extra contributedtracks from Tommy Emmanuel Timothy B Schmidt Mark Hudson Laurence
Juber Denny Seiwell and Ricky SkaggsThe Women and Cancer Fund is a not-
for-profit charity led by Dr Alicia Alvarezand established in the memory of Linda McCartney Sir Paul McCartney has givenhis ldquowhole-hearted blessingrdquo to ldquoLet UsInrdquo Nashville a campaign led by ReviverMusic to raise awareness and proceedsfor this charity which promotesprevention increases lifestyle awarenessenhances available health services andadvocates advanced breast cancer andchildrenrsquos cancer research
A Martin D-28 Dreadnought similarto the D-28 Sir Paul plays was donatedand signed by the participating artists forsubsequent auction to benefit The
Women and Cancer Fund
The Invention of the American Guitar
Peter Szego is spearheading new scholarship into the early history of the American guitar which will culminate in the publication of a book tentatively entitled ldquoC F Martin and the Invention of the American GuitarrdquoIn September 2011 Peter hosted a group from Martin on a tour of hisextensive collection of antique American guitars and banjos (1833-1860)
with a special focus on the earliest Martin guitars The publication of hisbook and the concurrent opening of a major museum exhibition is scheduledin 2013 Stay tuned
8
M A R T I N S T O R I E S
Above left to right) Michael Dickinson Amani Duncan Peter Szego Chris Martinand Charles Peischl Dick Boak is not shown because he took the photo
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Every good guitar like every good son and daughter
periodically goes home ndash or should go home ndash to the
place of its birth For Martin guitars thatrsquos Nazareth
Pennsylvania 18064 and Mother Martin is always gladto see the kids
Kidding aside there truly is a parental attitude at Martintowards every single Martin guitar ever made because nobody knows better than Martin the enormous skill patience andunrelenting adherence to quality standards that goes intobuilding a Martin guitar
Not surprisingly Martin cares as much about how you send yourguitar back to Nazareth as the reason why yoursquore sending it It isimportant to contact the Martin Customer Service Department inadvance to get a Return Authorization (RA) Number Simply call(610) 759-2837 and ask for a Customer Service representative
Irsquove shipped guitars to Martin for years and never damaged a one in the process Not even a scratch Herersquos how I do it
De-tune the strings with just enough tension to keep the bridgepins and saddle securely in their slots If there are electronicsremember to remove any batteries to make sure that they do notbecome loose during shipping Also and very importantly removethe endpin Some people remove strings bridge pins endpin andsaddle (if itrsquos a removable type) put them in an envelope and put theenvelope in the string pocket of the case Thatrsquos fine but make surethat the envelope is securely packed with wadded tissue paper on topof it so that it doesnrsquot shake itself or its contents out of the string pocket and wreak havoc on the guitar
C A R E A N D F E E D I N G
Shipping Your Guitar
Home To Mother
BY BILL BUSH
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Next buy a box of stringed paper tags Print your nameaddress telephone number and e-mail address on one side of the tag on the other side print the Martin model number andserial number Fill out two tags Attach one tag to one of the
tuning machines attach the second tag to the case handle Why If anything happens to the shipping labels in transit thereis a record of you as the owner in two places within the box
Also purchase a package (or two) of plain soft tissue papersheets used for gently wrapping gifts inside a gift box Itrsquos very soft paper and wonrsquot scratch delicate lacquer Do not stuff thecase interior with newspaper
You want to be sure that the guitar is snug in the caseespecially the headstock Wad up enough tissue paper to supportthe headstock ndash top bottom and sides The entire headstock
well of the case should be filled as well as the space above theheadstock (and front of the headstock) You can also tuck tissuepaper on the fretboard near the nut You want to prevent the
headstock from whiplashing forward and backward which ishow a lot of necks get cracked
You also want to gently stuff the sides and lower bout of the guitar(where the back strip is) and around the neck heel so that there is noshifting frontward or backward In short you want to make theguitar inert (motionless) within the case No movement whatsoeverin any direction About the case No guitar should be shipped inanything but a hard case Ever Martin offers a thermoplastic hardcase (which is tough as nails) as well as black vinyl covered plywoodand plush ldquoGeib-stylerdquo hard cases They come in various model sizesand fit quite snugly
Original Geib hard shell plush cases are still floating aroundout there from the 60s as are other vintage Martin hard casesalthough none are as snug as the present variety ndash and snugnessis critical when shipping a guitar
The best shipping box for Martin guitars is the same shippingbox Martin uses to ship their new guitars to dealers Just callyour local Martin dealer and ask if you can have a used Martinshipping box - and do it quickly before itrsquos thrown out or beforesomeone else gets it Theyrsquore good as gold
About packing the case in the shipping box UPS and officesupply stores sell bags of Polystyrene foam shipping ldquopeanutsrdquoSprinkle a layer of peanuts in the bottom of the shipping boxplace the packed guitar case in the box and carefully fill-in arouthe case to the top of the box Like the guitar in the case you
want the guitar case itself to be inert in the shipping box Tapethe top and bottom box flaps with lots of wide Scotch Strappingtape (the strongest) Then use clear Scotch packing tape to cover
handwritten ldquoTo amp Fromrdquo self-sticking label in the corner of thbox top UPS amp Fed Ex have their own self-sticking labels as we
You can cover the address with clear tape but NOT the bar codThe shorter shipping time the better UPS and Fed Ex offer
Next Day Air but itrsquos expensive They also ship Ground but besure you know how many days it takes to arrive in Nazareth andship early in the week so that your guitar does not sit in a hotshipping container or parked truck over the weekend
Lastly make sure you insure your guitar Some shippers willonly insure guitars for a limited amount Others will insure onthe basis of declared value of the instrument Itrsquos not cheap but i
worth it if you love your guitar Mother will approve
De-tune
the strings(and remove
the endpin)
Fill outtwo tags
Purchase a
box of stringed
paper tags
Packing The case
should be completely
filled with tissue paper
About the caseAlways ship in a hard
case No exceptions
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C F Martin amp Co offers guitars to fit every preference and
budget but knows guitar dreams have no limits For
those whose guitar ideal canrsquot be found among the more
than 120 models Martin currently makes and who want toconceive their own unique perfect guitar Martin has
created a special place Itrsquos called the Custom Shop and it
is where guitar dreams come trueSituated on the production floor the Custom Shop is a dedicated
space with several workbenches assorted jigs and a range of racks andshelves for ldquoworks in progressrdquo Here just over a dozen of Martinrsquosmost experienced craftspeople build ndash one at a time and mostly oneof a kind ndash masterpiece acoustic guitars
ldquoThe Custom Shoprsquos goal is simply to build the best acousticguitars in the worldrdquo commented Fred Greene Martin Vice Presidentof Manufacturing ldquoWhether itrsquos an individualrsquos vision of a great
instrument a uniquely appointed model one of our dealers thinks will appeal to his or her clientele or a guitar wersquove conceived toshowcase artisan building each Custom Shop instrument is crafted asif we were making it for ourselvesrdquo
Custom guitars have been an element of Martin productionsince the company was founded in 1833 A number of Martinguitars from the 19th and early 20th century show customfeatures and custom Martins from the 1930s through the 1950shad an ldquoSrdquo suffix on the neck block model number to indicatetheir custom (or ldquospecialrdquo) status In the 1980s and 1990scustom Martinsrsquo neck blocks were simply stamped ldquocustomrdquo But
The Custom Shop
Bringing your
Guitar to LifeBY MARSHALL NEWMAN
Great sounding Custom Shop guitars donrsquot need to be fancy but if
you want to go that route Martin can certainly accommodate you12
C A R E A N D F E E D I N G
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until recently all custom Martins were built on the main shopfloor alongside their non-custom siblings
The concept of a separate stand-alone Custom Shop began to gainmomentum approximately 10 years ago but didnrsquot come tofruition until 2005 ldquoWe had a custom administrator who handledand followed custom orders on the shop floor but knew we could
do morerdquo Greene recalled ldquoIn 2005 I proposed we create a separate custom area with a separate workforce with the capability to handcraft unique instruments using traditional techniques ndash likecarving necks by hand and hide glue construction - that didnrsquot lendthemselves to our standard production process We started theCustom Shop with a staff of five it began by building the Authenticline and slowly took on custom buildingrdquo Today the Custom Shophas a staff of eleven plus three design consultants who work withcustomers dealers and builders to assure Custom Shop instrumentsare everything they can be
ldquoThe number one challenge of the Custom Shop is timerdquoGreene noted ldquoIt takes time to build instruments of the quality Custom Shop customers demand to hand-carve the necks to cut
the pearl to shape the braces and all the rest In the Custom Shop we take whatever time is needed to make these instrumentsexceptional Judging by the number of orders theCustom Shop receives people recognize the value of
what we are crea tingrdquoldquoThe Custom Shop team includes several of
Martinrsquos most experienced builders The average tenure with Martin is 25 years and there are a few who areapproaching the 40-year markrdquo Custom Shop guitarsare built almost entirely by this small staff in theCustom Shop only operations requiring largespecialized equipment ndash like side bending andfinishing - are done on the main shop floor
While all orders for Custom Shop guitarsmust be made through authorized C F Martinamp Co dealers prospective Custom Shopcustomers now have a great tool they can utilizeto design their dream guitar the Custom GuitarConfigurator Accessible on-line at
wwwmartinguitarcom the Custom GuitarConfigurator lets the user ldquovirtuallyrdquo create a guitar from a range of Martinrsquos most popular options see their creation and get a suggestedretail price quote The information then can be printed out for useas a reference during the order process
13
The Custom Shop offers a remarkable range of options(actually more than shown in the Configurator) sizes body styles scale lengths tonewoods neck profiles appointments
inlays and more Are there limits to what the Custom Shop wibuild As they sometimes say in the Custom ShopldquoWe try to never say ‛norsquo we only say ‛how muchrsquordquo In truth
there are some projects Martin wonrsquot tackle among themreplicating a Martin Custom Artist model or SignatureEdition (to respect the artistrsquos vision for hisher guitar) and
building with customer-supplied wood (which may not matchMartin specifications or standards)The Custom Shop even allows customers to come by the factory
to select the specific tonewood set for his or her guitar from Martinextensive inventory ldquoAt first it was just Martin dealers but now weare seeing individuals stop byrdquo observed Greene ldquoThe opportunityto select the set of Madagascar rosewood or flamed mahogany oranother tonewood that will become a Custom Shop guitar makesthat guitar an even more personal statementrdquoDespite its limited production and brief history the Custom
Shop has produced an impressive array of guitars Ordersoften include unusual tonewood combinations special
neck configurations or custom inlays A CustomShop guitar generally takes four to six months tobuild after details have been finalized dependingon the current workload and the complexity of theorder guitars featuring special design elements
andor custom pearlwork can take longer Whetherplain or fancy each completed Custom Shop guitar
is identified by the laser-etched Custom Shop logoon its neck block
In early 2011 the Custom Shop introducedtwo limited-production CS models the first
of a series of Custom Shop instruments that will be available for only one calendar year(or less if demand is overwhelming as wasthe case with the CS-21-11 model) ldquoThe CS
models express C F Martinrsquos spirit of adventurerdquo explained Fred Greene ldquoThese
short exclusive runs of g uitars allow us to introduceexciting new ideas that might eventually be looked upon asclassics At C F Martin amp Co heritage and creativity arenrsquotmutually exclusive and these CS guitars are the proofrdquo Readyto create your one-of-a-kind Martin guitar Good The CustomShop is ready for you
In creating your Custom Shop Martin you may choose from a wide array of tonewoods body sizes appointment levels and customized inlay sty
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Adjusting the truss rod with a special long Martin Allen wrench
Guitars are made to be played and the easier they are to
play the more pleasure they bring their owners The
action ndash the distance between the strings and the
fingerboard ndash should be just right and thatrsquos the reason
every guitar deserves a good set-upFundamentally guitar set-up is simple geometry adjusting
the guitarrsquos neck nut saddle and (occasionally) frets to put theaction at an ideal level - not so high as to be difficult to fret and notso low as to cause string buzz
C F Martin amp Co sets up every guitar it builds before it leavesthe factory Most Martin guitars built in Nazareth are set up using a PLEKreg Pro machine which scans the nut fingerboard and saddle
with a sensor compares the scan with optimal values and thencuts the nut slots contours thesaddle and polishes the frets toan accuracy of 11000 of aninch If necessary minor saddleand nut touch-up and truss rodadjustment are done by hand
when the guitar is strung A fewMartin guitars - primarily Custom Shop instruments -continue to be set up by hand
Even an acoustic guitar with a
good factory set-up may need tobe set up again within a few years according to Lon WernerMartin Customer RepairManager ldquoThe wood in a guitarcan take up to five years to ‛settleinrsquo under string tension and a change in the action may necessitate a fresh set-uprdquo Theownerrsquos playing style and
The LowdownBY MARSHALL NEWMAN on Set-up
Checking neck relief during final setup
14
C A R E A N D F E E D I N G
8102019 Vol_32pdf
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technique also may dictate whether a fresh set-up isneeded ldquoA fingerstyle player
with a light touch might wantthe action lowered while a flatpicker may need the actionraisedrdquo Indeed an individualrsquosplaying style and technique are
information a repairperson will want to know to do the bestpossible set-up
So can you tell if your guitarneeds a set-up Begin with theobvious If your guitar hasbecome very hard to fret itprobably needs a set-up If thestrings buzz either open orfretted it probably needs a set-up If its intonation is way offit probably needs a set-up
A few simple diagnostic testsalso can help determine
whether a set-up is neededCheck the neck relief by fretting the low E string simultaneously above the firstand below the 13th fret thegap between the string and the6th or 7th fret should beslightly more than the thicknessof a business card Checkaction at the nut by fretting each string between the second
and third fret there shouldbe daylight between eachstring and the first fret a gapapproximately the thicknessof a sheet of paper at thehigh E and slightly more at thelow E Check the height of theaction with a machinistrsquos rulerat the 12th fret the distancebetween the fret and the string should be approximately 232-332 of an inch on the trebleside and 332-432 of an inch
on the bass side A goodelectronic tuner can be used tocheck intonation on eachstring by playing the openstring and then playing theharmonic of the same string atthe 12th fret
A lot of guitarists may betempted to do their own set-upbut Dave Doll of Martinrsquos
Customer Repair Departmentcautions against it ldquoItrsquos like a doctor educating a patient onhow to recognize symptoms thpatient may know he has a problem but he still should goto the doctor to have thatproblem fixedrdquo he commented
ldquoEven a simple set-up can bedaunting unless you know whayou are doing you may well domore harm than goodrdquo Lon
Werner was more specificldquoWhile preliminary evaluationmay suggest a set-up is neededthe symptoms also can beindicative of a much moreserious problem When theMartin Customer RepairDepartment receives a guitar
we give it a thorough going-over from headstock toendpin If the bridge is liftingor a brace has pulled loose orthe neck needs a reset (justthree examples) that is a problem that has to be dealt
with for a set-up to bebeneficialrdquo Not everyonelives so close to Nazareth tohave their Martin guitar
worked on at C F Martin amp Cobut there are more than
150 Martin Service Centersthat can give that guitar thecare ndash whether a set-up orsomething more ndash it deservesShould you happen to visitNazareth or live nearbyC F Martin amp Co offers a very cool opportunity to learnabout guitar maintenance fromsome of the best in thebusiness Every Friday from11 am until noon theCustomer Repair Departmen
hosts a guitar care seminarduring which it demonstratesthe basics of guitar careincluding some of theelements of set-up (like trussrod adjustment) The guitarcare seminar is free noreservation is needed andit is a great way to learnhow to keep your Martinin peak playing condition
15
Checking the relief of the neck
Checking the action at the nut
Checking the action at the 12th fret
Adjusting the truss rod with a long Martin wrench
truss rod wrench
hole in brace
truss rod location
gap between bottom of string
and top of fret at the 12th fret
gap between bottom of string
and top of fret at the 1st fret
with string depressed
gap at the 6th or 7th fret with string
depressed at 2nd and 13th frets
exaggerated neck relief
frontblock
8102019 Vol_32pdf
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All-Star MUSEBenefit Concert
The All-Star MUSE BenefitConcertat the Shoreline Amphitheater inMountain View California supported Disaster Relief in Japanand Non-Nuclear Groups
Worldwide Featured artists includedCrosby (with his Martin Signature 12-string) Stills amp Nash Jackson BrowneBonnie Raitt Jason Mraz The DoobieBrothers Tom Morello John HallKitaro Sweet Honey in the Rock and
Jonathan Wilson
A R T I S T P R O F I L E S
Hollywood Bowl 2011Dolly Parton with her touring guitaris
Jim Salestrom who is playing hisMartin J-40 Dollyrsquos World Tour
thrilled attendees at the HollywoodBowl Saturday July 23 2011
DonavanFrankenreiterDonavonrsquos fourth studioalbum Glow is describedas ldquowarm organic andoverwhelmingly hopeful Theperfect antidote to trying timesrdquo Hersquos playing his triedand true Martin 000-18 Shawn Colvin
Shawn Colvinrsquos new Live album wasnominated for the Grammy Awardfor Best Contemporary Folk Album
Accompanied with her pristineM3SC Signature Edition findShawnrsquos enduring music on iTunes orat amazoncom
16
oto by Lynn Goldsmith
P
h o t o b y L y nn G ol d s mi t h
8102019 Vol_32pdf
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Ron Davies(1946-2003)
A songwriter fromthe pacific northwestRon Davies at 17bought a well worn1956 D-18 Martin
which he put to gooduse writing an entirealbum of songs forthe Seattle band ldquoThe
Wailersrdquo As an artisthe recorded fivealbums during hislifetime but he isbest remembered forhis songwriting
His songs have been covered by a diverse group of artists that include Joan Baez David Bowie (Ziggy Stardust) Long John Baldry Ann Murray Three Dog
Night Nitty Gritty Dirt Band Helen Reddy Jerry Jeff Walker Maria Muldaur Joe Cocker Randy TravisNanci Griffith and the Raconteurs to name a few
In 2011 friends in the pacific northwest cametogether to record ldquoThe Mystery of Ron Daviesrdquo a tribute CD containing eighteen of Ronrsquos songsperformed by artists from his hometown and one by Davies himself Available on iTunes and at CD Baby allof the proceeds will benefit ldquoMusic Caresrdquo
Leslie TuckerLexington Virginia-based singersongwriter Leslie Tuckerrecently received the gift of a Martin D-41 from a legion of her fans and she plans to use her new acquisition in theproduction of a new album project currently in progressalong with a tour of performances when itrsquos released Tune into wwwleslietuckercom for updates
Santa Cruz Blues Fest 2011Some of the worldrsquos finest guitarists including Jonny Lang were on hand to salute guitar legend JimiHendrix at this yearrsquos Santa Cruz Blues Fest 2011
Jonnyrsquos playing his Martin J-40 Jumbo
Sting
17
Early StingFrom Andy Summers groundbreaking book Irsquoll be watching you Insidethe Police 1980-1983 Police guitarist and professional photographer
Andy Summers captured Sting with his Martin D-28 in 1982
8102019 Vol_32pdf
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Fast AJ AJ Rubino of SpringfieldMassachusetts has beenperforming folk and country music for nearly fifty years ndash
much of that time with his1975 Martin D-35 slightly customized with fingerboardinlay by luthier Harry BeckerThis photo will grace the cover of AJrsquos forthcoming CD
He is a loyal member of the Martin Ownerrsquos Club andowns several other Martin guitars The tree AJ is standing in front of was destroyed by the tornado that hit WesternMassachusetts in June of 2011 but no one was hurt andall of the Martin guitars survived
A R T I S T P R O F I L E S
The Kingston Trio Fantasy Camp 2011
Winfield KansasFestivalrsquos Martin D-42
Allen Shadd began playing guitar when he was seven years oldacquiring his first Martin guitar -
a 1973 D-35 at the age of tenSince then he has gone on toperform in many bands guitar
workshops recording sessions and in 1997 released his own CDldquoA Cut Aboverdquo Allen also frequently competes in guitarcompetitions and has won some of the most prestigious flatpicking contests that have included Merlefest Rocky Grass and the WayneHenderson guitar competition He brought home this yearrsquos MartinD-42 from the National Flatpicking Championship held in
Winfield Kansas Itrsquos the sixth time Allen has placed in the topthree including his first place finish in 1997
18
wwwkingstontriocom
Caroline JonesThis NYC-based singer songwriterguitarist and producer was trainedclassically by Andy Anselmo Founder
of New Yorkrsquos ldquoThe Singerrsquos ForumrdquoCaroline began singing opera ariascabaret standards and show tunes at agenine Under the management of Tommy Mottola and Chris Apostle shebegan recording her original songs withproducer Chris Toland at Sony and
Avatar studios in New York as a studentat The Professional Childrenrsquos SchoolIn 2008 Caroline began monthlyco-writing trips to Nashville where sherecorded with many of the industryrsquostop talents Since then she has been
performing and recording with herMartin 00-21 Kingston Trio modelthat pays tribute to original KingstonTrio member Dave Guard (1934-1991)
Shown above are Fantasy camp attendees each holding their Martin guitars (plus one banjo)
P h o t o b y J o h n L i n d
8102019 Vol_32pdf
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Dierks BentleyReaching deep into acoustic rootsmusic resulted in Dierks Bentleyrsquosnew album Up On The RidgeMore than a bluegrass concept
album with guests Up On TheRidge features Bentley working with some of the finest acousticmusicians in the world including long-time collaborators theDel McCoury Band and a new musical partnership with ChrisThile and the Punch Brothers Asa recent addition to the Martin
Ambassador ranks Dierkrsquos israrely seen without his prizedvintage herringbone D-28
Hawaiirsquos HirsquoikuaIn a culture that honorsthe legacies of the pastthis Hawaiian trio of talented musicians pays
homage to their roots while creating a uniqueand progressive soundthat leaves an indeliblemark upon contemporary Hawaiian music
In a seamlesscontinuous movement we all carry a past while living in thepresent and moving toward a future Hirsquoikuarsquos music reflectsthe belief that without asking the knowledge of our ancestorshas already been placed within us in the hope that we too
will shoulder that responsibility in an unbroken journey intothe future
Their music is composed and performed by Kalehua Krug (left with his Martin 12-string) Kamuela Kimokeo (above andcenter left with his Martin OMC Aura cutaway) and BlakeLeoki-Haili (right with Martin tenor ukulele)
The grouprsquos name derives from the Hawaiian word thatmeans literally ldquoto carry on onersquos backrdquo Hirsquoikua has taken thisresponsibility seriously
ldquoAia I Hirsquoialordquo the long awaited CD from Hirsquoikua featuressix original and six traditional songs
wwwhiikuacom J e r r o l J u l i a n P
h o t o g r a p h y
J e r r o l J u l i a n P
h o t o g r a p h y
8102019 Vol_32pdf
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F R O M T H E A R C H I V E S
Waiting for the Sunday Boatrdquo by William Henry Jacksonrdquo Florida circa 1902Martin small-bodied parlor guitar
ldquoAs long as
Irsquove got my guitar
Irsquoll be finerdquo
mdash Willie Nelson referring to Tri
his legendary Martin guitar
HometownCentenarianMary Arletta Hahnis shown (right)
with her 00-1712-fret Martinguitar Mary was inher twenties whenthis picture was
taken (circa 1932)She was born inNazareth andturned 104 this pastSeptember Healthy small town living Shereceived her theology degree from the United
Wesleyan College but she also majored in voicepiano and guitar She would sing and play guitarin her fatherrsquos varied congregations Mary haslived her entire life in and around NazarethToday she lives just one block from where herguitar was made
1883 Advertisement
Gu i tar is t and Mando l in
is t
c irca 18 9 0
Guit ar ist and Mandolinist c ir c a 19 25
20
8102019 Vol_32pdf
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Ahh the sound of the Martin Rich and evocative Texture
lifeby strummingorpickingorthe lightesttouchtoteas
harmonicsthesoundmdashlikethehistoryofCF Martinamp C
peopleanda storyofthesensesHearitTasteitFeelitA
artist Robert Goetzl see it Seethe sound of the Martin
FEA TU R E
The Soundand the Story
Thehand drawnsketches (right)illustratethesix-panel seriesofthree-foot byfour-footmuralsthatwillhangintheMartinVisitorrsquos Center
BYSUSAN J BURLINGAME FREELANCE WRITER MARTIN
22
mdashC FMartin IVmdashcalls itldquothe magic ofFrom JohnnyCash to John Mayerand fromElvis Costello manyof historyrsquos mostbrilliantve chosen the Martin sound the Martin magicm the Martin storycontinuesMartin magic is mostprofoundly representedby n in the early1800s on the otherside of theour eyes fora momentand imagine ayoung king browfurrowed in concentration Heods the braces the strings of his firstguitarrtin has traveledfrom his home in Saxonytoe learns the artof guitarmaking as ane of the bestknown guitar shops in Europeg his 37th year C F Martinalong with hisdren sets outfor Americae story as theysayhellipis magicamp Co is still family-ownedmdashbutthe ldquofamilyrdquoh Martins and non-Martins generations of
ed arole in crafting the exquisite acousticrtin has offeredthe world formore than 175ertGoetzl a cousin to Chris Martinhas been create awork of art depicting C F Martin ampamily its sound andits storyeries of three-footby four-footmurals thatwillin Visitorrsquos Center the work says Goetzl is a love Chris Martin thatmuch He wasuential in mylife andthe opportunityto tellyauthentically is extremelymeaningful to merdquonels (pictured here)take viewers on CFfrom Saxonyto Viennato the newworld
ured as the music of the Martin guitar thensionalmdashdone in mixedmedia with collage andreating the firstpanel was forGoetzl the biggest
23
challenge ldquoI realizedthe enormityof the projectmdashnotjust inscope butalso in importance to the familyand to the thousandsof people who wouldbe looking atitrdquoGoetzl labored andsecond-guessedand tweakedand proddedbefore finally unveiling itto Chris Martin andothers at Martin ldquoThe lookson theirfaces toldme I had naileditrdquo Panel numbertwo which illustrates the Martin familyrsquosinitial shopin New York andthe move to NazarethPennsylvania causedGoetzl much less consternation butequallyas much joy he says as will each successive mural ldquoIf this is the endof the roadfor me the lastwork I evercreaterdquosays Goetzl (who surelyhas afew more decades ofcreativityleft) ldquoI wouldbe completely fine with thatrdquo
ldquoRobert has put his heart into
creating something that will
make a tremendous addition
to the Martin experiencerdquo
mdash Dick Boak Artist Relations C F Martin amp Co
Tex Fletcher
SingingcowboyTexFletcher maynot
have become the household name that
other cowboy singers from the 1930s
such as Gene Autry and Roy Rogers had
butdespitesometimes overwhelming
odds hersquosbeen remembered nonetheless
forhis noteworthycontributionsto earlyand
mid-20th century cowboy culture
He was born Geremino Biscegliain 1910 in HarrisonNew York the fifth of eight children of Italian immigrants Michael(astone mason)and Josephine Bisceglia He leftschool afterthethirdgrade to work with his fatherandbrothers He was raisedin a musical householdand he learnedto sing andplay traditional Italian songs accompaniedby accordionsmandolins andviolins
Jerrypicked upa fewguitar chords froma local right-handedguitarist butbeing left-handed he retaughthimself to playhisown right-handedguitarldquobackwards andupside downrdquoas he wouldlater explain with achuckle
He became enamoredwith the silver screen cowboys of theday often sneaking into the local cinemaforshowings of thelatestsilent picture starring TomMix WilliamS Hartand YakimaCanutt
Overthe nextfew years the teenagedcowboy wannabe beganto realize his boyhoodambition as he learnedto handle horseandcattle byday while soaking upcowboy lore andcampfiresongs bynight in effectbecoming aldquorealrdquocowboy Asinging cowboy Unique stuff forthe late 20s He returnedto NewYork in 1931 with aconfidence anda newfoundvoice With saddle bags full of cowboy stories andsongs the cowboysingerwas now going bythe name Tex Fletcher He began entering andwinning localthen regionaltalentshows Fletcherrsquos confidence grewwith each winning purse as was evidencedbyhis every growing wardrobe of
cowboyoutfits andhis first Martin guitar a000-45 He neverplayedanother companyrsquos guitars again believing the leastexpensive Martin guitarwas headand shoulders aboveanyother companyrsquos bestHistory has clearlymade fora compelling argument Itwasnrsquotlongbeforehereceivedan offerofa radiojobas asinging cowboyoverWFASinWhitePlainsNewYorkBy1934 attheheightofsingingcowboycrazeFletcherbegana relationshipthat wouldlastmorethan 25yearsbroadcastingoverWORNew YorkNewJersey(MutualNetwork)Itwas thesameyear thathebeganappearingatthe VillageBarnnightclub(whichwouldlaterbecomeJimiHendrixrsquosElectricLadyland)inGreenwichVillageNYagig thatlastedwell intotheearly1960s
1934 was also the yearTexorderedhis custommade MartinD-42Hersquodadmiredthe pearlygoodlooks and loudtone of Gene Autryrsquos D-45 (the firstD-45) butwanted an instrumentthatw ouldbe uniquelyTexFletcherrsquos guitar But he wasnrsquotthe onlycowboysinger who wantedto follow in Autryrsquos trail Milwaukee -based Jackie ldquoKidrdquoMoore beathimto the punch when he ordered his own D-45 (No 2)fromMartinBut according to authorMartin researcherJohn Woodland amisunderstanding with regardto neck length ledMartin to shelve the unfinished14 fretto the body D-45Moore then optedfor awider OMstyle neck with 12 frets tothe body This D-45 is No3 Then along comes NewYork radio cowboyTexFletcherwithhis own ideaof whatfeatures ldquohisrdquoguitar shouldsportincluding 14 frets to the body which alignedperfectly with the
partiallyconstructed D-45 (No2) buthe wanted all the flashupfront So insteadof proceeding to finish the guitaras aD-45Martin craftsmen changedthe toprsquos bracing to aHigh ldquoXrdquoconfiguration anddesignated this slightlymore modestcousinof the D-45the D-42 So the TexFletchermodel is not only the firstD-42butalso the secondD-45Itremainedthe only example of the D-42 forthe next54 years
Fletcherhadbeenout ofthe musicbusinessforjusta fewyears whenhe wastrackeddownin theearly1970sby then-MartinhistorianMikeLongworthwho convincedthe oldcowboytodonatetheinstrumenttothe MartinMuseumFletcheragreedandthatrsquoswhereitresidesto thisdaydisplayedjusta fewfeetfromitrsquosfirstcousintheGeneAutryD-45 (No1)
21 24
N EW PR O D U CTS
NEW A DDITIONS TO
OUR LINEUP OF
Great Ukuleles
The Martin Standards of Tone and Workmanship Prevail
C1K amp T1K UkulelesMartin has been building the worldrsquos finest ukuleles
from as early as 1916includingthesmallest Soprano
the original model to the larger Concert in 1925 and
the Tenor uke in 1929 Both the concert model and
tenor models havelong been prized for their full-bodied
voiceandgreatervolumeThesenewC1Kconcertand
T1Ktenor modelsfeaturetops backsidesand head-
platesofsolidHawaiianKoaawoodnativeto Hawaii
and a favoriteof island players Both ukes feature solid
Sitkabraces genuinemahoganyblocksand applied
dovetailneckjointsintheMartintraditionNecksare
craftedofselecthardwoodandcappedwithasolid
Morado fingerboardtheconcert has a 15rdquoscalelength
thetenor a 17rdquoscaleBridges arealso ofsolid Morado
with whiteTusqsaddles Open-geared nickel tuners with
whitebuttons ensureprecision Finished in high quality
satinlacquerPadded bagincludedTwo beautifulexam-
ples of why Martin is still the name in superior quality
ukuleles
ldquoAs far as inanimate objects
being friends I think that is right
on the list My Martin ukulele
is a work of art Itrsquos going to live
long after merdquo
mdashEddieVedderPearl JamUkuleleSongs
T1K
C1K
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2446
Clock key mechanism for
adjustingguitar necks on
Martinrsquos earliest guitars
manufactured in New York
ImaginedMartinfamily portrait
CircaSeptember1833mdashat the
timeof theMartinsrsquotransatlantic
journey to the New World
Mappointingto
Markneukirchen the
main town in Germanyrsquos
musicalinstrument-
makingregion
Embellished original
drawingofCF Martinrsquos
residencein
Markneukirchen
Saxony (Germany)
Thesa
carries
North
specta
showe
Harbo
Imagin
CFM
Hudso
Depic
mold
a Mart
glueu
NEL ONE 2 bull PANEL TWO
Rende
home
in Che
Circa1
Portra
presid
when
arrived
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
OM -21 NEW Martinrsquos OM (Orchestra Models)
guitars have always been very
special to fingerstyle guitarists
especially this new OM-21 with its
comfortable 1-34rdquo wide neck at the
nut and highly responsive 14rdquo
scalloped Sitka top braces Elegant in
its simplicity this new version offers a
tasteful upgrade of solid black ebony
fingerboard and 30rsquos style ldquobellyrdquo
bridge with genuine bone saddle and
nut all adding to the rich resonance of this guitar Whatrsquos more wersquove
replaced the standard OM neck with a
slimmer ldquoPerformingrdquo Artistrdquo modified
low oval profile tapered neck and
wider 2-316rdquo bridge string spacing for
faster more comfortable playing The
solid Sitka spruce top with
hand-inlaid 28 style
rosette is joined to a
body of premium
solid East Indian
rosewood bound intortoise colored
18 style binding
Delmar tortoise color
pickguard nickel
open-geared
tuners with
Butterbean
knobs and
polished gloss
lacquer with
aging toner
complete this
beautiful
instrument
Delivered to you in the
new Martin 433 archtop
hardshell case If yoursquore a finger picker this new OM-21 is
the one to pick
D-18 NEW Since its introduction in 1935 the D-18
has been the workhorse of the Martin steel
string acoustic line More plain and less
costly than its D-28 rosewood cousin the
D-18 has none the less established its own
tonal identity ndash balanced crisp midrange
definitive bass and bright clear treble a
favorite of innumerable bluegrass blues and
country performers as well as discerning
studio musicians ndash because it is a great
performing and recording guitar Over the
years the D-18 has seen numerouspermutations ndash the D-18V and D-18P ndash as
well as variations in bindings rosette
fingerboard amp bridge woods bracing
patterns and pickguards And now the
new D-18 brings together
the best features of all of
these great D-18s into
one superb sounding
and playing guitar On
the traditional side backs
and sides are still crafted
of solid genuineMahogany joined with a
solid Sitka spruce top
with forward-shifted
scalloped ldquoXrdquo bracing
The fingerboard
and 1930s style
belly bridge are
fashioned of
solid black
ebony as were
the originals
Whatrsquos new A
lightning fast modified low
oval profile neck with a
1-34rdquo nut width and slimmer 2-18rdquo taper at the 12th fret Itrsquos
the same neck featured on our innovative Performing Artist
series guitars with the same wide 2-316rdquo bridge string
spacing too for greater player comfort and accessibility up
and down the neck The new D-18 The perfect blend of past
and future ndash and great guitar to start the New Year
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2646 26
NAMM Show
Specials
N E W P R O D U C T S
2012 Martin Show Special Guitars
The DCPA Koa amp GPCPA Koa They donrsquot get any more beautiful ndash or more
beautiful sounding ndash than these spectacular
dovetail flamed Koa Performing Artist guitars
And with only a total of 30 instruments ndash
combined ndash being offered to dealers at the 2012
NAMM Show they donrsquot get any rarer either Here
wersquove chosen two of our most popular cutaway models in
the Performing Artist series the classic Dreadnought and
the Grand Performance and crafted the backs and sides
of premium Hawaiian flamed Koa a resonant tonewood
indigenous to the Hawaiian islands Koa has long been by
favored by native Hawaiian musicians for guitars and
ukuleles as well as discerning players and collectors
worldwide Martin in particular has built various sized
instruments of Koa from as early as 1850 The tops are of prized solid Adirondack Spruce as are the scalloped
forward-shifted ldquoXrdquo braces in the ldquoGolden Erardquo fashion The
bodies are bound with solid Madagascar rosewood the
top is inlaid in the 42 style with an elegant blue Paua
pearl rosette The backstrip is 45 style marquetry Both
guitars feature our fast and comfortable Performing Artist
modified low oval mahogany neck with ebony
fingerboard and
wide 2-316rdquo string
spacing on the
ebony Performing
Artist belly bridge And the
crowning touch both guitarsare equipped with the new
Fishmanreg F1 Aura + onboard electronics system the
ultimate in acoustic realism and projection as well as
pickup versatility Waverly gold tuners with Ivoroid
buttons complete the package Orders for the DCPA Koa amp
GPCP Koa will be taken solely from dealers in attendance
at the 2012 NAMM Show in Anaheim California
NEW TOOLS
for GREAT TONE
GPCPA Koa
DCPA Koa
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
DCPA1 Madagascar Rosewood ampGPCPA1 Madagascar Rosewood
These two very special dovetail Performing Artist
guitars reflect the best of Martin innovation expert
craftsmanship and selection of superior tonewoods ndash
all in one As PA series models Dreadnought and
Grand Performance they include a unique slim
tapered fast neck for exceptional player comfort in
all positions a smaller and lighter PA ldquobellyrdquo bridge
for greater tonal response and increased string
spacing for easier finger picking They also
include the new state-of-the-art Fishmanreg F1
Aura + onboard electronics system that deliver
striking acoustic realism and projection
Plugged in or pure acoustic these are great
sounding guitars ndash and with good reason The
tops are solid Adirondack spruce pearl inlaid inthe 41 style and driven by 516rdquo Adirondack
scalloped braces forward-shifted in the ldquoGolden Erardquo X
pattern The back sides and headplate are Madagascar
Rosewood selected for its beauty and close acoustic and visual resemblance to
Brazilian Rosewood Solid black ebony is used for the fingerboard and bridge
Details include grained Ivoroid bindings Delmar beveled tortoise color pickguard
special ldquoalternative torchrdquo inspired position inlays gold enclosed tuners bone nut
and saddle The most distinctive Performing Artist production models to date
Fishmanreg F1 Aura + The Fishmanreg F1 Aura + features a newsimplified and intuitive Easy Mode allowing youto quickly get a feel for the tonal possibilities ofthe system while providing the most importantfeatures The Easy Mode offers three custom-blended Aura Image presets tone control and
the option of using the undersaddle pickuponly For the real tone-tweakers wersquove retainedthe original Performance Mode as well givingyou full access to the powerful 3-band EQscompressor and automatic anti-feedback ofthe F1 Aura +
Performing
Artist SeriesDCPA1
Madagascar
Rosewood
GPCPA1
Madagascar
Rosewood
8102019 Vol_32pdf
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N E W P R O D U C T S
Performing
Artist Series
Martin introduces an exciting
new tonewood called Siris
DCPA4 Siris amp
GPCPA4 Siris
With these two new
Performing Artists guitars
Martin introduces an exciting
new tonewood called Siris
adding even more tonal color
and variety to the PA series Siris
delivers excellent bass response
reminiscent of East Indian rosewood as
well as a clear midrange and treble making it an
excellent guitar wood for recording and for playing live Lighter in color
yet denser than rosewood it produces a slightly longer sustain thanrosewood Siris is typically dark orange contrasting beautifully with the
Sitka Spruce tops tortoise colored pickguards grained Ivoroid bindings
and special East Indian rosewood center wedge on both guitarsrsquo 3-piece
backs The DCPA4 Siris and the GPCPA4 Siris are 14-fret cutaway guitars and
have fast comfortable Performing Artist profile necks Hybrid ldquoXrdquo scalloped top
bracing black Richlite fingerboards and bridges and Fishmanreg F1 Analog
onboard electronicsGPCPA4 Siris
DCPA4 Siris
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2946
Over 175 Years of Guitar Building Excellence
The GPCPA4 Sapele is constructed with
FSCreg Certified tonewoods harvested from
ecologically sound and responsibly manag
forests The fingerboard and bridge are
built with FSCreg
Certified Richlitereg
29
GPCPA4 SapeleFirst introduced in 2010 the GPCPA4 is an extraordinary Martin ndash a
big Grand Performance cutaway with a fast comfortable Performing
Artist Series high performance neck But this brand new version ndash
the GPCPA4 Sapele ndash is extra special It rsquos built with FSCreg Certified
tonewoods harvested from ecologically sound and responsibly
managed forests This includes African sapele back and sides
mahogany front and rear blocks cherry side strips Spanish cedar
ribbons and European spruce Hybrid ldquoXrdquo scalloped bracing The top
is FSCreg Certified recycled Sitka spruce produced from old bridge timbers in Canada
Even the fingerboard and bridge are crafted of FSCreg Certified Richlitereg material High
polished gloss top finish with tasteful Cherry red toned back and sides Fishmanreg F1
Analog electronics are included with volume and tone shaping capabilitiesonboard digital tuner and phase control Quite a
package Quite a guitar
8102019 Vol_32pdf
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N E W P R O D U C T S
DCPA5K and GPCPA5K
Advanced guitar design meets high-
tech guitar construction The result
two highly affordable Performing
Artist guitars with excellent tone
playability and durability Back
and sides of the cutaway
Dreadnought and Grand
Performance models are made
of a high-pressure wood fiber
laminate (called HPL) with
Koa grain and texture photo-
imbedded The top is solid Sitkaspruce braced with Martinrsquos Hybrid ldquoXrdquo
scalloped bracing system renowned for its
resonance clear treble and distinct bass The Performing Artist Profile neck is
slim and fast and comfortable made of tough Stratabondreg multi-layered
wood laminate Performing Artist bridge and fingerboard are black Richlite
Chrome enclosed tuners with large buttons and Fishmanreg F1 Analog
onboard electronics included A terrific value with great tone and
environmentally friendly
Performing
Artist Series
The DCPA5K and GPCPA5K
are Performing Artist guitars
with excellent tone playability and durability
GPCPA5K
DCPA5K
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Road Series
31
Over 175 Years of Guitar Building Excellence
Special Edition
DRS2 The latest of Martinrsquos hard-working
great sounding Road Series guitars
the new DRS2 delivers a unique blend
of durability and concert-quality
sound and projection The top is
crafted of solid Sitka spruce and
braced with Martinrsquos A-Frame (X1)
bracing Back and sides are select
solid Sapele similar in look and
tonal qualities to its
close cousin
mahogany As
beautiful as it looks
and sounds the
DRS2 is a serious
working musicianrsquos
guitar built for on
the road durability
without sacrificeof tone The
neck is
constructed
of a multi-
layered
wood
laminate
called
Stratabondtrade
that perfectly
simulates natural
quartersawn wood grain The fingerboard and bridgeare crafted of black Richlite amazingly similar in look
weight and resonance of ebony A Fishmanreg
Sonitone sound reinforcement system completes
this very road ndash and stage ndash worthy Martin
000C NylonIn response to the many Martin players
who chose the limited edition 000CDG
built in memory of Chris Martinrsquos late
brother Doug Greth we have
expanded upon this unique ldquocrossoverrdquo
instrument with the new 000C Nylon It is
truly a hybrid instrument combining features
of a traditional Martin steel-string guitar with
those associated with a classical nylon string
guitar The top is crafted of solid Sitka spruce
and braced with a unique A-Frame ldquoXrdquo brace
system Yet this bracing system is equally
responsive to lighter nylon strings without
inhibiting tone or volume The 12-fret low
profile neck features an 18rdquo radius arched
(versus flat) fingerboard like a steel string
but with a classic width 1-78rdquo at the nut and
2-516rdquo at the 12th fret The bridge is in the
classic style with tie block and drop insaddle Bridge string spacing is a
wider 2-516rdquo as well Even the
000Crsquos headstock is unique ndash
square tapered like the
traditional Martin steel
string style but slotted to
accommodate classical
nylon strings Each guitar is
fitted with onboard Fishmanreg
F1 Analog electronics too
The result A versatile
great sounding andplaying guitar no
matter whether you
play acoustic or
acoustic electric
or both
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D-28M Limited Edition Celebrates
The Enduring Music and Legacy ofThe Mamas and The Papas
The appointments on the D-28M Mamas and ThePapas Custom Artist Edition emulate a circa 1960sD-28 blackwhiteblack top purfling blackwhiteback purfling grained Ivoroid binding and heelcapldquocheckerboardrdquo backstrip mother of pearl dotposition markers chrome Groverreg Rotomatic tunerstortoise-colored pickguard polished gloss lacquerfinish and vintage-inspired aging toner on the topExtra flash comes in the form of a Style 45 abalonepearl rosette and abalone pearl-topped bone bridgeand end pins
The guitarrsquos crowning glory is ndash appropriately ndashon the polished black ebony headplate Above
the nut sheltered by the familiar gold old-styleldquoC F Martin amp Co Est 1833rdquo decal logo is a silhouette of The Mamas and The Papasbeautifully inlaid in mother of pearl Derivedfrom a photo by Henry Diltz the inlay capturesthe group in full performance mode
In the early 1960s the four musicians whobecame The Mamas and Papas were a long way from pop music stardom though all wereinvolved in the East Coast folk music scene
John Phillips was a member of the JourneymenDenny Doherty and Cass Elliot sang with theMugwumps After the Journeymen broke up
John Phillips his wife Michelle Phillips andMarshall Brickman formed the New JourneymenMarshall eventually left the band but went on toco-write Oscar winning screenplays with Woody
Allen and he co-wrote the book that became therecord-breaking play ldquoThe Jersey Boysrdquo
Marshall Brickman was replaced by Denny Doherty and soon Doherty introduced hisbandmates to Elliot The four began harmonizingto the pop songs John was writing and perfectedtheir sound during a Caribbean vacation together
The starting point for The Mamas and the Papasrsquofresh pop sound was the folk music all fourmembers played before they got together as a group Songwriter and leader John Phillipsrsquo well-
worn Martin Dreadnought often provided thestrummed rhythmic underpinning on which TheMamas and Papasrsquo band instrumentation andvocals were layered The combination proved tobe genius and even today The Mamas and thePapas ldquosoundrdquo is instantly recognizable
To celebrate the group and its place in popmusic history C F Martin introduces a very
special D-28M Mamas and The Papas
Custom Artist Edition Limited to just100 instruments this new Custom Artist Edition features rare tonewoodshandsome appointments and aunique headstock inlay to honorthese musical trailblazers
John Phillipsrsquo vintage Martin D-28provides the inspiration for this Custom Artist Edition The tonewoods and top
bracing are a stellar combination thatapproximates those of MartinDreadnoughts from the early 1930sBack and sides are rare Madagascarrosewood similar in appearance andtone to the now endangered Brazilianrosewood The top is Carpathianspruce comparable in power andbrilliance to Adirondack spruce andequally responsive Advanced ldquoXrdquo
516rdquo scalloped bracing provides richresonant tone The 1 1116rdquo (at the
nut) low profile neck with diamondvolute is genuine mahogany while the
fingerboard and belly bridge are black ebony
L M
In the 1960s The Mamas and the Papas were at the epicenter of a musical earthquake
that began in Southern California and sent shockwaves across the country Combining
great songwriting unique arrangements and lush harmonies the group had six ldquoTop
10rdquo singles and four ldquoTop 5rdquo albums from 1965 through 1967 a feat that made them one
of the few groups to challenge the Beatles during that era While The Mamas and the
Papasrsquo original lineup of John Phillips Cass Elliot Denny Doherty and Michelle Phillips
lasted just four years several of the songs they created ndash including ldquoCalifornia Dreaminrsquordquo
ldquoMonday Mondayrdquo ldquoWords of Loverdquo and ldquoTwelve Thirtyrdquo ndash have stood the test of time
32
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(This story should sound familiar they laterturned it into a hit single ldquoCreeque Alleyrdquo)Eventually the four traveled to Los Angeles
where they auditioned for Dunhill RecordsOwnerProducer Lou Adler Adler signed them tohis label immediately and two days later thegroup had a name The Mamas and the Papas
Released in 1965 The Mamas and The Papasrsquofirst single failed to garner much notice Howeverthe second single ldquoCalifornia Dreamingrdquo co-
written by John and Michelle Phillips reachedNo 4 on the charts The grouprsquos debut album If
You Can Believe Your Eyes and Ears was releasedin early 1966 and rose to No 1 quickly followedby the single ldquoMonday Mondayrdquo which also hitNo 1 and later won a Grammy Award for ldquoBestContemporary Group Performancerdquo
While The Mamas and The Papasrsquo personallives became increasingly turbulent over the nexttwo years their music continued to flourish they recorded three additional albums ndash The Mamasand The Papas Deliver and The Papas and TheMamas ndash that went ldquoTop 20rdquo and in turn yieldedseveral ldquoTop 20rdquo singles
In 1968 bitter infighting between memberscaused the group to disband Due to contractualobligations they reunited briefly in 1971 to makethe People Like Us album and then went theirseparate ways Cass Eliot had a flourishing solocareer that was cut short by her death in 1974
John Phillips continued to write songs and bothhe and Denny Doherty performed and recordedas solo acts In the 1980s and 1990s they occasionally reunited to tour as members of the
New Mamas and Papas John Phillipsdied in 2001 Denny Doherty died in2007 Michelle Phillips enjoyed a successful acting career and today isthe last surviving original memberof the group
Despite the grouprsquos short history TheMamas and The Papasrsquo musical legacy remainsundiminished the group was inducted into theRock amp Roll Hall of Fame in 1998 and received a
Grammy Hall of Fame Award in 2001 In 2003 If You Can Believe Your Eyes and Ears was ranked127 on Rolling Stone magazinersquos list of the 500greatest albums of all time
Delivered in a hardshell case eachD-28M Mamas and The PapasCustom Artist Edition guitar bears a special interior label featuring theldquosun rayrdquo graphic from the RouletteRecords label on which some of TheMamas and The Papasrsquo singles werereissued in the 1970s Each label ispersonally signed by former Mamasand The Papas member MichellePhillips and numbered in sequence
with the edition total Beginning immediately authorized C F Martindealers will accept orders for theD-28M Mamas and The PapasCustom Artist Edition until all 100guitars in the edition are allocatedparticipating Martin dealers willthen be posted on theC F Martin website
wwwmartinguitarcom
33
S A M P L E
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L O N D O N A C O U S T I C G U I TA R S H O W
Acoustic guitar aficionados attending The London
Acoustic Guitar Show were treated to presentations
that showcased Americarsquos favorite musical instrument
brand and featured musical vignettes by legendary
and influential guitarists Stefan Grossman and
John RenbournThe presentation was given by Dick Boak archivist for Martin
Guitar who offered a graphical and interactive history of the 178-year-old guitar company In addition Dick displayed severalimportant examples in the evolution of Martin acoustic guitarsThe presentation focused on the development of the modern
acoustic guitar Martinrsquos historical contributions to the definitivacoustic guitar design artist signature model collaborations an
an in-depth explanation of specific guitar shapes sizes andtonewoods that lend themselves to particular musical genres JoRenbourn and Stefan Grossman legendary acoustic fingerstyleinnovators demonstrated the tonality of an assortment of Martinstruments including their own Custom Signature models
Martinrsquos UK distributor Westside Management was a primasponsor of the show and the host for the concert stage thatfeatured a stunning live performance by Renbourn and Grossm
Dick Boakrsquos presentation provided a template and proving ground for potential future presentations throughout the UniteStates Europe and Japan
THE LONDON ACOUSTICGUITAR SHOWSaturday and Sunday September 10-11 2011
Olympia Conference Center London
34
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Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
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M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
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The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
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M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
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M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
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Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
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M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
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Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
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A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
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C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
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P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
8102019 Vol_32pdf
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is
available for free in limited quantities from your
local authorized Martin dealership You will also
find recent Sounding Board issues on our
website in downloadable PDF format Typically
issues are published in January and July of each
year If you wish to be assured of receiving
future issues of The Sounding Board we
recommend that you consider maintaining an
active membership in The Martin Owners
Club You may request a complimentary copy of
The Sounding Board
or the Martin catalog
by calling us at the
phone number above
P U B L I S H E D B Y
C F Martin amp Co Inc
P O Box 329 Nazareth PA 18064Phone (610) 759-2837Fax (610) 759-5757
wwwmartinguitarcom
E D I T O R I A L
dick boak editormartinguitarcom
D E S I G N
misty wilt graphic design wwwmistywiltcom
C O N T R I B U T O R S
Printed On Recycled Paper
in the USA
Darrin TrainerScott FollweilerTodd Phillips
Marshall NewmanDick Brown
Bill BushSusan J BurlingameTracey Dooms
John Sterling RuthMitch Gordon
copy 2012 C F Martin amp Co Inc Nazareth PAAll rights reserved 17MM03
Cert no SW-COC-000043
wwwfsccom
copy 1996 Forest Stewardship Council
Dear Sounding Board Readers
Rosewood ebony mahogany and spruce My ancestors and I have been very fortunate that these traditional guitar woods have been available in sufficientquantities to allow us to craft the best guitar we can As demand grows andsupplies shrink Irsquom becoming more and more concerned that we have done
too good a job convincing you that these are the only optionsThe recent dialog around the Lacey Act and illegal logging has actually been beneficial to all of us who make guitars The politicizing of certainaspects of it have been disappointing to me personally My understanding isthat the law was never intended to entrap the player but it was designed tohelp eliminate the indiscriminate harvesting of timber through illegal logging by holding all of us in the supply chain accountable for the provenance ofthe wood we use This is a good thing We have been able to comply with thelaw despite the fact that it is tedious and has added extra layers of scrutiny and paperwork
More importantly it has helped elevate the discussion around alternative woods engineered wood products and synthetic materials so that we can feelmore comfortable using them today and in the future I believe that there are
tremendous opportunities with alternatives As you may know we have beencommitted to this during my tenure as CEO and now I believe there will bemore guitar builders joining me in this fascinating quest to continue to try and build the perfect guitar
On a lighter note we have acquired some very cool vintage guitars for ourmuseum recently including the very first D-28 (see above) Please stop by and check them out
Join Today
wwwmartinownersclubcom
C H R I S rsquo C O R N E R
Chris Martin with the newly acquired assortment of special vintage guitars for theMartin Museum (Left to right) Three special instruments were acquired at theRichard Gere charity auction at Christiersquos in New York City the very first stampedD-28 (Serial 48325) as well as a 1944 000-28 and a 1902 00-42S ldquoSpecialrdquo with tree of life inlay Two lovely parlor guitars were acquired from Gruhn Guitars in Nashville a1907 0-45 and a 1904 00-45
VOLUME 32 983150 JANUARY 20 12
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TA B L E O F C O N T E N T S
p 10Care and Feeding Three back-to-back
articles center in on the
correct procedures for
shipping your guitar how
to create your optimum
Martin Custom Shop
instrument and the basic
elements of guitar setup
and action adjustment
p 22The Sound amp
The StoryArtist Robert Goetzl
is creating murals
depicting the history of
Martin Read about his
motivation and what
viewers will soon enjoy
p 32Limited Edition
Mamas and The
Papas D-28MCelebrating the group
and its place in pop
music history C F Martin
announces a very special
D-28M Mamas and
The Papas CustomArtist Edition
p 36Martin Owners
Club DayMartin Owners Club
members made the
pilgrimage and ldquopulled in
to Nazarethrdquo to immerse
themselves in guitars
jam and enjoy each
otherrsquos company
On the front
and back coversUPS recently
collaborated with
Martin on theirWe Love Logistics
Campaign during
which photographer
Mitch Gordon captured
quintessential day-in-
the-life images from
the Martin Guitar
Factory in Nazarath Pa
Other StoriesMartin Stories 2
Caring and Feeding
Shipping Your Guitar 10
The Custom Shop12Set-up14
Artist Profiles16
From the Archives20
The Sound and The Story22
New Products 24
Limited Edition32
Martin Happenings
London Acoustic
Guitar Show34
Martin Owners Club Day36UMGF 37
Philly Folkfest 38
Backpacker Stories40
Martin Remembers 42
Around the World 44
1
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Two Fine GuitarsBill Anderson from Tempe Az wrote in to let us know how much joy he finds with his two Martin guitars Pictured abovein his left hand is the 1979 Martin D-18 (ldquoand a great guitarrdquo)The 1972 Martin D-35 in his right hand has been his working guitar for nearly 40 years (ldquoIt has the nickname rsquoMy Babyrsquobecause thatrsquos what it isrdquo)
Bill played Bluegrass music professionally throughout the1970s and part time ever since Now playing Bluegrass toCountry and Country Rock full time professionally again sinceretiring he has found the freedom to perform
He says of his D-35 ldquoOnce in tune it stays there and almostplays itself I also fingerpick as early in my life I took classicalguitar lessons and this guitar works wonderfully in that style Itappears these instruments will long outlast me but I will cherishthem till the day I dierdquo He saved his money and every weekend
would find himself at the music store playing the guitars ldquoIplayed every D-28 that ever passed through their doorrdquo Whenthe day arrived when he was ready to buy the sales personbrought out the D-35 just off the truck and it was love at firstsight ldquoIt has been a great relationship You make great guitarsand I am so glad to own two of themrdquo
Pawn Shop Saints Americana group Pawn Shop Saints lead men Mike OrsquoNeilland Jeb Barry each own four Martins Mike is shown with his1988 Martin MC-28 a 2001 Martin 000-16RGT a 2001Martin 000C-16RGTE and a Martin LX1
Jeb is holding his favorite a new 2010 Martin 000-15M nextto his 2004 Martin D-15 a 2002 Martin DC-1E and 2004Martin 000-16RGT
Playing original music in the northeast Mikersquos main
instrument is his 000C-16RGTE ldquoI call this my main gigging acoustic I actually loved the first 000-16 so much I boughtanother onerdquo Jeb only plays Martin guitars both live and in thestudio and is either seen playing the D-15 or the 000-15MFounded in 2010 the Pawn Shop Saints will be heading intothe studio in the fall to record some new tracks with the fullband All recorded live as usual
wwwreverbnationcompawnshopsaints
M A R T I N S T O R I E S
2
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The guitarist Barclay Martin played for the people in Joplin atthe Joplin Relief Concert wwwbarclaymartincom
3
2011 Summer Tour Guides
A big THANK YOU to our 2011Summer Tour Guides
They did an excellent job of managing and educating our factory visitors on the building process Inaddition by covering the tours theygave their co-workers time to focuson making great guitars
Joplin Tornados
The town of Joplin Missouri was hit by an EF-5 tornadothat wiped out a third of the city and took over a hundred lives
Geoffrey Pollock (pictured above) was at a friendrsquoshouse a little out of town when it happened He wrote into give us an update ldquoWe were listening to the weatherreports on the radio while we were taking cover in theirbasement and heard the news of some places that hadbeen hit in town They were pretty close to where I live soI jumped in the car and headed for home The 15 miledrive took about an hour and a half due to backed uptraffic but I somehow managed to get within a mile of my house before I abandoned my car and started running through total devastation
I hoped that my house had been spared but when I gotthere it was all but destroyed I still had 4 walls (betterthan most) but the whole roof had been ripped off at theceiling I entered the house not knowing what Irsquod find butlooking for one thing - my D18 that I bought while I wasin college in 1979 After moving some roof and furniture
around I found it under a recliner As I moved the reclinerI expected to find it all smashed up but it was still in onepiece It had a small crack in the top and somehow the pick guard had come off but after all it had been through it wasin great shape
I found the case hiked back to my car and startedhelping neighbors who didnrsquot fare as well I did
I was much luckier than most people I still have the onething that I owned that I couldnrsquot have replaced Some
folks were left with nothingIt will be many years until Joplin gets back to normal
but little things like finding that guitar gave me hope for a great future
ldquoIrsquom calling the guitar my Martin D18 EF-5 editionnow I cleaned it up put on new strings and it sounds asperfect as it always hasrdquo
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Christiersquos Charity EventRichard Gere sold a majority of his vintage andcustom guitars at Christiersquos auction house onOctober 11 in New York City This included a 1901 Serial 9373 which is significant to thedevelopment of Martinrsquos Style 45 guitars (seephoto above) The Martin ledger mentions it wasone of four prototypes with ldquospecial inlayrdquo
Richard Gere is donating the proceeds to buildschools and hospitals in the Himalayas
4
UPS Films forWe Love LogisticsCampaignC F Martin amp Co is featuredin a recent advertising
campaign by Ogilvy andMather for UPS The photoabove shows the film crew onthe factory floor as anassortment of employees jamfor the cameras Martin andUPS have collaborated formany decades on logistics anddelivery of such a preciousproduct to dealers anddistributors worldwide Seethe link at left for the
YouTube video
M A R T I N S T O R I E S
The Music is Born Jim Morrell purchased a very special anniversary gift for his wife of 40 years Carol She tells her story belowldquoEarlier this year my daughter and I went on a photography excursion with Danrsquos Camera City (Allentown Pa) We took photos at the Martin GuitarFactory (Nazareth PA) then put together a photo journalI entitled mine
IN THE LIGHT OF A MASTERPIECETHE MUSIC IS BORN
We then took our husbands back to the factory for thetour to hear more about what we took pictures of
When my husband asked me what I would like as ananniversary gift I announced ‛a Martinrsquo Although it wasdifficult to manage he found a way to give me this giftI fell in love with the Grand Performance Cutaway-GPCPA1 It is beautiful The workmanship and all the loveand hard work that went into creating it amazes me
Say it LoudSay it Clear
Our 40th Anniversary Is Near
So my gift
Has arrived And it is Here
G- is for GorgeousP- Play it now
C- Care for it alwaysP- The Picture of Perfection
A- Adoring it1- 1 the Best of the Best
Even though Carol owns eight other guitars nothing compares to her Martin GPCPA1
wwwyoutubecomcfmartinguitarpau1P7G7GF_mwxI
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Sasha Greendyk Sasha Greendyk of Radnor Pennsylvania is inspired by music Since she can remembershersquos been singing in choirs and playing piano but it wasnrsquot until eighth grade that she
wrote her first piece That little piano melody was the start of many years of music writing and shersquos become an adept guitarist with a little help from her D-40 MartinDreadnought It is now Sasharsquos dream to become a film scorer and write music formovies and shows alike No matter what music will always be a part of her life
Kirsten SowersSince appearing in our previousSounding Board issue Kirsten Sowershas been keeping busy with her000 Martin cutaway This past Julyshe performed for the troops at theTD Bank Center in Philadelphia
5
A Family TraditionKen Kahn from Sedro-Woolley Washington and his grandsonTyler Turner 9 from Sequim Washington play country andbluegrass when they get together Tyler plays an LX1 LittleMartin and Ken is playing a D-28 Don McLean with severalbackups an HD-28 a 00-18 and a J-21 The mandolin is a Martin bowl back made in 1909
On BroadwayMichael Aarons lead guitarist and in-house contractor forthe popular Broadway musical Godspell recently emailedus with feedback about the impressive array of Martininstruments being used on stage for the show
ldquoWe have four Martin Dreadnoughts and a ukulele that weare using in the show These instruments are superb ndash they play and sound incredible ndash they are just what we needrdquo
As a professional guitarist Michael owns a lot of instruments He admits that while hersquos always wanted toown a Martin he just couldnrsquot afford the vintage modelshe was drawn tountil now
ldquoI have to say after seeing how consistent playableelegant and perfect these instruments are and hearing how tremendous they sound Irsquom converted for life They arethe best acoustics Irsquove ever played and I mean it ndash perfectbeyond words I speak for the whole band in thanking Martin for making such great guitarsrdquo
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M A R T I N S T O R I E S
A Silent Servant With No Name We recently received an interesting and compelling messagefrom a lifelong Christian minister who along with his obviousspiritual connection is also a musician and lover of Martinguitars In his own arsenal of Martins he cherishes threeDreadnoughts a D-28 Marquis a D-35 and a D-42 Thestory as he relayed it to us is that three years ago he was toldldquoby Godrdquo to acquire five Martin guitars and gift them to five
special and specific people At the time the minister who inhis humility has suggested to us that his name is notimportant only had enough money for one D-35 Martinguitar which he promptly gifted as instructed He waited formore money to appear and it seemed like it wasnrsquot going tocome He was facing a serious operation and asked his wife if she would finish his mission in the event that he didnrsquot makeit through
He woke up a month later after extensive surgery and couldnot move or walk His daughters told him later that all he
talked aboutin his direstate was Godand Martinguitars butinside he wasdetermined
to get back to normal After a year transpired he was able to walk with a caneMiraculously the money began to come in and he
contacted a prominent Martin dealership eventually buying three more Martin D-35s and a D-16GT
His message thanked us for the beautiful works of art Inthe end five people experienced the ldquobest day of their livesrdquo
He is thankful for ldquobeing chosenrdquo to be the deliveryman forsuch treasures and he wanted us to know that ldquoGodrdquo isMartinrsquos best sales rep
6
Harley-Davidson Motorcycle amp Guitar Again gracing the Martin Ownerrsquos Club event on Friday August 5 2011 was Mark Zickefoosersquos custom Harley-
Davidson complete with matching Custom Martin andmounted road case
Martin MarinesCorporal David M Jones wrote to us on behalf of hisDivision to express his thanks for his LXM LittleMartin that arrived in Afghanistan Since he receivedthe guitar it certainly has made its rounds ndash someoneis always coming to play it or learn to play it He hasactually had great success teaching two Marines toplay David admits that the beginners arenrsquot the bestto listen to but ldquoat least they are having funrdquo Picturedabove are David and a few of his fellow Marines withthe Martin guitar
Inked AdmirationRobert Dutton of Brooklyn New York shared this photograph of his Martin Performing
Artist Guitar tattoo
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We are honored to have received thefollowing Players Choice Awards for 2011
bull GOLD AWARD for BESTDREADNOUGHT GUITAR (D-28)
bull GOLD AWARD for BEST MID-SIZEFLATTOP GUITAR (Eric Clapton
Signature Model)bull SILVER AWARD for GUITAR
OF THE YEAR (D-28)
bull SILVER AWARD for SMALL-BODYFLATTOP (00-15M)
bull SILVER AWARD for JUMBO GUITAR SIX or 12-STRINGS (Grand J12-40E)
bull SILVER AWARD for ACOUSTIC-ELECTRIC GUITAR (GPCPA1)
bull SILVER AWARD for TRAVEL GUITAR (LX1)bull SILVER AWARD for 12-STRING (J12-40E)
bull SILVER AWARD for OTHER STRINGEDINSTRUMENT (OXK UKE)
bull SILVER AWARD for STEEL STRINGS (FX)
Acoustic Guitar Magazine
7
Distorted StringsIt is quite difficult to comeup with ideas for string advertising Guitars are
much more visual MartinrsquosDick Boak (no strangerto illustration)conceptualized thisslightly hyperbolic
pencil drawing Dickrsquossuggested headlineldquoMartin Strings -
Exaggerate Your Tonerdquo
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Let Us In
A special benefit concert was held onNovember 7th at Nashvillersquos legendary
Ryman Auditorium The ldquoLet Us InrdquoNashville benefit was the kick off forNashvillersquos CMA Week Actor musicianand Martin guitarist Jeff Daniels hostedand performed at the event whichfeatured live performances by SarahDarling SHeDAISY Steel Magnolia PhilVassar Cheyenne Kimball Juliana ColeNikki Shannon Fernandez JordynShellhart Chuck Wicks Nancy SirianniSamantha Landrum and Blue Sky RidersEach artist performed an original versionof a Sir Paul McCartney song
Sponsored in part by Martin the event was filmed and recorded for a live DVDas well as a CD bearing cover art by PeterMax that will include extra contributedtracks from Tommy Emmanuel Timothy B Schmidt Mark Hudson Laurence
Juber Denny Seiwell and Ricky SkaggsThe Women and Cancer Fund is a not-
for-profit charity led by Dr Alicia Alvarezand established in the memory of Linda McCartney Sir Paul McCartney has givenhis ldquowhole-hearted blessingrdquo to ldquoLet UsInrdquo Nashville a campaign led by ReviverMusic to raise awareness and proceedsfor this charity which promotesprevention increases lifestyle awarenessenhances available health services andadvocates advanced breast cancer andchildrenrsquos cancer research
A Martin D-28 Dreadnought similarto the D-28 Sir Paul plays was donatedand signed by the participating artists forsubsequent auction to benefit The
Women and Cancer Fund
The Invention of the American Guitar
Peter Szego is spearheading new scholarship into the early history of the American guitar which will culminate in the publication of a book tentatively entitled ldquoC F Martin and the Invention of the American GuitarrdquoIn September 2011 Peter hosted a group from Martin on a tour of hisextensive collection of antique American guitars and banjos (1833-1860)
with a special focus on the earliest Martin guitars The publication of hisbook and the concurrent opening of a major museum exhibition is scheduledin 2013 Stay tuned
8
M A R T I N S T O R I E S
Above left to right) Michael Dickinson Amani Duncan Peter Szego Chris Martinand Charles Peischl Dick Boak is not shown because he took the photo
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Every good guitar like every good son and daughter
periodically goes home ndash or should go home ndash to the
place of its birth For Martin guitars thatrsquos Nazareth
Pennsylvania 18064 and Mother Martin is always gladto see the kids
Kidding aside there truly is a parental attitude at Martintowards every single Martin guitar ever made because nobody knows better than Martin the enormous skill patience andunrelenting adherence to quality standards that goes intobuilding a Martin guitar
Not surprisingly Martin cares as much about how you send yourguitar back to Nazareth as the reason why yoursquore sending it It isimportant to contact the Martin Customer Service Department inadvance to get a Return Authorization (RA) Number Simply call(610) 759-2837 and ask for a Customer Service representative
Irsquove shipped guitars to Martin for years and never damaged a one in the process Not even a scratch Herersquos how I do it
De-tune the strings with just enough tension to keep the bridgepins and saddle securely in their slots If there are electronicsremember to remove any batteries to make sure that they do notbecome loose during shipping Also and very importantly removethe endpin Some people remove strings bridge pins endpin andsaddle (if itrsquos a removable type) put them in an envelope and put theenvelope in the string pocket of the case Thatrsquos fine but make surethat the envelope is securely packed with wadded tissue paper on topof it so that it doesnrsquot shake itself or its contents out of the string pocket and wreak havoc on the guitar
C A R E A N D F E E D I N G
Shipping Your Guitar
Home To Mother
BY BILL BUSH
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Next buy a box of stringed paper tags Print your nameaddress telephone number and e-mail address on one side of the tag on the other side print the Martin model number andserial number Fill out two tags Attach one tag to one of the
tuning machines attach the second tag to the case handle Why If anything happens to the shipping labels in transit thereis a record of you as the owner in two places within the box
Also purchase a package (or two) of plain soft tissue papersheets used for gently wrapping gifts inside a gift box Itrsquos very soft paper and wonrsquot scratch delicate lacquer Do not stuff thecase interior with newspaper
You want to be sure that the guitar is snug in the caseespecially the headstock Wad up enough tissue paper to supportthe headstock ndash top bottom and sides The entire headstock
well of the case should be filled as well as the space above theheadstock (and front of the headstock) You can also tuck tissuepaper on the fretboard near the nut You want to prevent the
headstock from whiplashing forward and backward which ishow a lot of necks get cracked
You also want to gently stuff the sides and lower bout of the guitar(where the back strip is) and around the neck heel so that there is noshifting frontward or backward In short you want to make theguitar inert (motionless) within the case No movement whatsoeverin any direction About the case No guitar should be shipped inanything but a hard case Ever Martin offers a thermoplastic hardcase (which is tough as nails) as well as black vinyl covered plywoodand plush ldquoGeib-stylerdquo hard cases They come in various model sizesand fit quite snugly
Original Geib hard shell plush cases are still floating aroundout there from the 60s as are other vintage Martin hard casesalthough none are as snug as the present variety ndash and snugnessis critical when shipping a guitar
The best shipping box for Martin guitars is the same shippingbox Martin uses to ship their new guitars to dealers Just callyour local Martin dealer and ask if you can have a used Martinshipping box - and do it quickly before itrsquos thrown out or beforesomeone else gets it Theyrsquore good as gold
About packing the case in the shipping box UPS and officesupply stores sell bags of Polystyrene foam shipping ldquopeanutsrdquoSprinkle a layer of peanuts in the bottom of the shipping boxplace the packed guitar case in the box and carefully fill-in arouthe case to the top of the box Like the guitar in the case you
want the guitar case itself to be inert in the shipping box Tapethe top and bottom box flaps with lots of wide Scotch Strappingtape (the strongest) Then use clear Scotch packing tape to cover
handwritten ldquoTo amp Fromrdquo self-sticking label in the corner of thbox top UPS amp Fed Ex have their own self-sticking labels as we
You can cover the address with clear tape but NOT the bar codThe shorter shipping time the better UPS and Fed Ex offer
Next Day Air but itrsquos expensive They also ship Ground but besure you know how many days it takes to arrive in Nazareth andship early in the week so that your guitar does not sit in a hotshipping container or parked truck over the weekend
Lastly make sure you insure your guitar Some shippers willonly insure guitars for a limited amount Others will insure onthe basis of declared value of the instrument Itrsquos not cheap but i
worth it if you love your guitar Mother will approve
De-tune
the strings(and remove
the endpin)
Fill outtwo tags
Purchase a
box of stringed
paper tags
Packing The case
should be completely
filled with tissue paper
About the caseAlways ship in a hard
case No exceptions
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C F Martin amp Co offers guitars to fit every preference and
budget but knows guitar dreams have no limits For
those whose guitar ideal canrsquot be found among the more
than 120 models Martin currently makes and who want toconceive their own unique perfect guitar Martin has
created a special place Itrsquos called the Custom Shop and it
is where guitar dreams come trueSituated on the production floor the Custom Shop is a dedicated
space with several workbenches assorted jigs and a range of racks andshelves for ldquoworks in progressrdquo Here just over a dozen of Martinrsquosmost experienced craftspeople build ndash one at a time and mostly oneof a kind ndash masterpiece acoustic guitars
ldquoThe Custom Shoprsquos goal is simply to build the best acousticguitars in the worldrdquo commented Fred Greene Martin Vice Presidentof Manufacturing ldquoWhether itrsquos an individualrsquos vision of a great
instrument a uniquely appointed model one of our dealers thinks will appeal to his or her clientele or a guitar wersquove conceived toshowcase artisan building each Custom Shop instrument is crafted asif we were making it for ourselvesrdquo
Custom guitars have been an element of Martin productionsince the company was founded in 1833 A number of Martinguitars from the 19th and early 20th century show customfeatures and custom Martins from the 1930s through the 1950shad an ldquoSrdquo suffix on the neck block model number to indicatetheir custom (or ldquospecialrdquo) status In the 1980s and 1990scustom Martinsrsquo neck blocks were simply stamped ldquocustomrdquo But
The Custom Shop
Bringing your
Guitar to LifeBY MARSHALL NEWMAN
Great sounding Custom Shop guitars donrsquot need to be fancy but if
you want to go that route Martin can certainly accommodate you12
C A R E A N D F E E D I N G
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until recently all custom Martins were built on the main shopfloor alongside their non-custom siblings
The concept of a separate stand-alone Custom Shop began to gainmomentum approximately 10 years ago but didnrsquot come tofruition until 2005 ldquoWe had a custom administrator who handledand followed custom orders on the shop floor but knew we could
do morerdquo Greene recalled ldquoIn 2005 I proposed we create a separate custom area with a separate workforce with the capability to handcraft unique instruments using traditional techniques ndash likecarving necks by hand and hide glue construction - that didnrsquot lendthemselves to our standard production process We started theCustom Shop with a staff of five it began by building the Authenticline and slowly took on custom buildingrdquo Today the Custom Shophas a staff of eleven plus three design consultants who work withcustomers dealers and builders to assure Custom Shop instrumentsare everything they can be
ldquoThe number one challenge of the Custom Shop is timerdquoGreene noted ldquoIt takes time to build instruments of the quality Custom Shop customers demand to hand-carve the necks to cut
the pearl to shape the braces and all the rest In the Custom Shop we take whatever time is needed to make these instrumentsexceptional Judging by the number of orders theCustom Shop receives people recognize the value of
what we are crea tingrdquoldquoThe Custom Shop team includes several of
Martinrsquos most experienced builders The average tenure with Martin is 25 years and there are a few who areapproaching the 40-year markrdquo Custom Shop guitarsare built almost entirely by this small staff in theCustom Shop only operations requiring largespecialized equipment ndash like side bending andfinishing - are done on the main shop floor
While all orders for Custom Shop guitarsmust be made through authorized C F Martinamp Co dealers prospective Custom Shopcustomers now have a great tool they can utilizeto design their dream guitar the Custom GuitarConfigurator Accessible on-line at
wwwmartinguitarcom the Custom GuitarConfigurator lets the user ldquovirtuallyrdquo create a guitar from a range of Martinrsquos most popular options see their creation and get a suggestedretail price quote The information then can be printed out for useas a reference during the order process
13
The Custom Shop offers a remarkable range of options(actually more than shown in the Configurator) sizes body styles scale lengths tonewoods neck profiles appointments
inlays and more Are there limits to what the Custom Shop wibuild As they sometimes say in the Custom ShopldquoWe try to never say ‛norsquo we only say ‛how muchrsquordquo In truth
there are some projects Martin wonrsquot tackle among themreplicating a Martin Custom Artist model or SignatureEdition (to respect the artistrsquos vision for hisher guitar) and
building with customer-supplied wood (which may not matchMartin specifications or standards)The Custom Shop even allows customers to come by the factory
to select the specific tonewood set for his or her guitar from Martinextensive inventory ldquoAt first it was just Martin dealers but now weare seeing individuals stop byrdquo observed Greene ldquoThe opportunityto select the set of Madagascar rosewood or flamed mahogany oranother tonewood that will become a Custom Shop guitar makesthat guitar an even more personal statementrdquoDespite its limited production and brief history the Custom
Shop has produced an impressive array of guitars Ordersoften include unusual tonewood combinations special
neck configurations or custom inlays A CustomShop guitar generally takes four to six months tobuild after details have been finalized dependingon the current workload and the complexity of theorder guitars featuring special design elements
andor custom pearlwork can take longer Whetherplain or fancy each completed Custom Shop guitar
is identified by the laser-etched Custom Shop logoon its neck block
In early 2011 the Custom Shop introducedtwo limited-production CS models the first
of a series of Custom Shop instruments that will be available for only one calendar year(or less if demand is overwhelming as wasthe case with the CS-21-11 model) ldquoThe CS
models express C F Martinrsquos spirit of adventurerdquo explained Fred Greene ldquoThese
short exclusive runs of g uitars allow us to introduceexciting new ideas that might eventually be looked upon asclassics At C F Martin amp Co heritage and creativity arenrsquotmutually exclusive and these CS guitars are the proofrdquo Readyto create your one-of-a-kind Martin guitar Good The CustomShop is ready for you
In creating your Custom Shop Martin you may choose from a wide array of tonewoods body sizes appointment levels and customized inlay sty
8102019 Vol_32pdf
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Adjusting the truss rod with a special long Martin Allen wrench
Guitars are made to be played and the easier they are to
play the more pleasure they bring their owners The
action ndash the distance between the strings and the
fingerboard ndash should be just right and thatrsquos the reason
every guitar deserves a good set-upFundamentally guitar set-up is simple geometry adjusting
the guitarrsquos neck nut saddle and (occasionally) frets to put theaction at an ideal level - not so high as to be difficult to fret and notso low as to cause string buzz
C F Martin amp Co sets up every guitar it builds before it leavesthe factory Most Martin guitars built in Nazareth are set up using a PLEKreg Pro machine which scans the nut fingerboard and saddle
with a sensor compares the scan with optimal values and thencuts the nut slots contours thesaddle and polishes the frets toan accuracy of 11000 of aninch If necessary minor saddleand nut touch-up and truss rodadjustment are done by hand
when the guitar is strung A fewMartin guitars - primarily Custom Shop instruments -continue to be set up by hand
Even an acoustic guitar with a
good factory set-up may need tobe set up again within a few years according to Lon WernerMartin Customer RepairManager ldquoThe wood in a guitarcan take up to five years to ‛settleinrsquo under string tension and a change in the action may necessitate a fresh set-uprdquo Theownerrsquos playing style and
The LowdownBY MARSHALL NEWMAN on Set-up
Checking neck relief during final setup
14
C A R E A N D F E E D I N G
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technique also may dictate whether a fresh set-up isneeded ldquoA fingerstyle player
with a light touch might wantthe action lowered while a flatpicker may need the actionraisedrdquo Indeed an individualrsquosplaying style and technique are
information a repairperson will want to know to do the bestpossible set-up
So can you tell if your guitarneeds a set-up Begin with theobvious If your guitar hasbecome very hard to fret itprobably needs a set-up If thestrings buzz either open orfretted it probably needs a set-up If its intonation is way offit probably needs a set-up
A few simple diagnostic testsalso can help determine
whether a set-up is neededCheck the neck relief by fretting the low E string simultaneously above the firstand below the 13th fret thegap between the string and the6th or 7th fret should beslightly more than the thicknessof a business card Checkaction at the nut by fretting each string between the second
and third fret there shouldbe daylight between eachstring and the first fret a gapapproximately the thicknessof a sheet of paper at thehigh E and slightly more at thelow E Check the height of theaction with a machinistrsquos rulerat the 12th fret the distancebetween the fret and the string should be approximately 232-332 of an inch on the trebleside and 332-432 of an inch
on the bass side A goodelectronic tuner can be used tocheck intonation on eachstring by playing the openstring and then playing theharmonic of the same string atthe 12th fret
A lot of guitarists may betempted to do their own set-upbut Dave Doll of Martinrsquos
Customer Repair Departmentcautions against it ldquoItrsquos like a doctor educating a patient onhow to recognize symptoms thpatient may know he has a problem but he still should goto the doctor to have thatproblem fixedrdquo he commented
ldquoEven a simple set-up can bedaunting unless you know whayou are doing you may well domore harm than goodrdquo Lon
Werner was more specificldquoWhile preliminary evaluationmay suggest a set-up is neededthe symptoms also can beindicative of a much moreserious problem When theMartin Customer RepairDepartment receives a guitar
we give it a thorough going-over from headstock toendpin If the bridge is liftingor a brace has pulled loose orthe neck needs a reset (justthree examples) that is a problem that has to be dealt
with for a set-up to bebeneficialrdquo Not everyonelives so close to Nazareth tohave their Martin guitar
worked on at C F Martin amp Cobut there are more than
150 Martin Service Centersthat can give that guitar thecare ndash whether a set-up orsomething more ndash it deservesShould you happen to visitNazareth or live nearbyC F Martin amp Co offers a very cool opportunity to learnabout guitar maintenance fromsome of the best in thebusiness Every Friday from11 am until noon theCustomer Repair Departmen
hosts a guitar care seminarduring which it demonstratesthe basics of guitar careincluding some of theelements of set-up (like trussrod adjustment) The guitarcare seminar is free noreservation is needed andit is a great way to learnhow to keep your Martinin peak playing condition
15
Checking the relief of the neck
Checking the action at the nut
Checking the action at the 12th fret
Adjusting the truss rod with a long Martin wrench
truss rod wrench
hole in brace
truss rod location
gap between bottom of string
and top of fret at the 12th fret
gap between bottom of string
and top of fret at the 1st fret
with string depressed
gap at the 6th or 7th fret with string
depressed at 2nd and 13th frets
exaggerated neck relief
frontblock
8102019 Vol_32pdf
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All-Star MUSEBenefit Concert
The All-Star MUSE BenefitConcertat the Shoreline Amphitheater inMountain View California supported Disaster Relief in Japanand Non-Nuclear Groups
Worldwide Featured artists includedCrosby (with his Martin Signature 12-string) Stills amp Nash Jackson BrowneBonnie Raitt Jason Mraz The DoobieBrothers Tom Morello John HallKitaro Sweet Honey in the Rock and
Jonathan Wilson
A R T I S T P R O F I L E S
Hollywood Bowl 2011Dolly Parton with her touring guitaris
Jim Salestrom who is playing hisMartin J-40 Dollyrsquos World Tour
thrilled attendees at the HollywoodBowl Saturday July 23 2011
DonavanFrankenreiterDonavonrsquos fourth studioalbum Glow is describedas ldquowarm organic andoverwhelmingly hopeful Theperfect antidote to trying timesrdquo Hersquos playing his triedand true Martin 000-18 Shawn Colvin
Shawn Colvinrsquos new Live album wasnominated for the Grammy Awardfor Best Contemporary Folk Album
Accompanied with her pristineM3SC Signature Edition findShawnrsquos enduring music on iTunes orat amazoncom
16
oto by Lynn Goldsmith
P
h o t o b y L y nn G ol d s mi t h
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 1946
Ron Davies(1946-2003)
A songwriter fromthe pacific northwestRon Davies at 17bought a well worn1956 D-18 Martin
which he put to gooduse writing an entirealbum of songs forthe Seattle band ldquoThe
Wailersrdquo As an artisthe recorded fivealbums during hislifetime but he isbest remembered forhis songwriting
His songs have been covered by a diverse group of artists that include Joan Baez David Bowie (Ziggy Stardust) Long John Baldry Ann Murray Three Dog
Night Nitty Gritty Dirt Band Helen Reddy Jerry Jeff Walker Maria Muldaur Joe Cocker Randy TravisNanci Griffith and the Raconteurs to name a few
In 2011 friends in the pacific northwest cametogether to record ldquoThe Mystery of Ron Daviesrdquo a tribute CD containing eighteen of Ronrsquos songsperformed by artists from his hometown and one by Davies himself Available on iTunes and at CD Baby allof the proceeds will benefit ldquoMusic Caresrdquo
Leslie TuckerLexington Virginia-based singersongwriter Leslie Tuckerrecently received the gift of a Martin D-41 from a legion of her fans and she plans to use her new acquisition in theproduction of a new album project currently in progressalong with a tour of performances when itrsquos released Tune into wwwleslietuckercom for updates
Santa Cruz Blues Fest 2011Some of the worldrsquos finest guitarists including Jonny Lang were on hand to salute guitar legend JimiHendrix at this yearrsquos Santa Cruz Blues Fest 2011
Jonnyrsquos playing his Martin J-40 Jumbo
Sting
17
Early StingFrom Andy Summers groundbreaking book Irsquoll be watching you Insidethe Police 1980-1983 Police guitarist and professional photographer
Andy Summers captured Sting with his Martin D-28 in 1982
8102019 Vol_32pdf
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Fast AJ AJ Rubino of SpringfieldMassachusetts has beenperforming folk and country music for nearly fifty years ndash
much of that time with his1975 Martin D-35 slightly customized with fingerboardinlay by luthier Harry BeckerThis photo will grace the cover of AJrsquos forthcoming CD
He is a loyal member of the Martin Ownerrsquos Club andowns several other Martin guitars The tree AJ is standing in front of was destroyed by the tornado that hit WesternMassachusetts in June of 2011 but no one was hurt andall of the Martin guitars survived
A R T I S T P R O F I L E S
The Kingston Trio Fantasy Camp 2011
Winfield KansasFestivalrsquos Martin D-42
Allen Shadd began playing guitar when he was seven years oldacquiring his first Martin guitar -
a 1973 D-35 at the age of tenSince then he has gone on toperform in many bands guitar
workshops recording sessions and in 1997 released his own CDldquoA Cut Aboverdquo Allen also frequently competes in guitarcompetitions and has won some of the most prestigious flatpicking contests that have included Merlefest Rocky Grass and the WayneHenderson guitar competition He brought home this yearrsquos MartinD-42 from the National Flatpicking Championship held in
Winfield Kansas Itrsquos the sixth time Allen has placed in the topthree including his first place finish in 1997
18
wwwkingstontriocom
Caroline JonesThis NYC-based singer songwriterguitarist and producer was trainedclassically by Andy Anselmo Founder
of New Yorkrsquos ldquoThe Singerrsquos ForumrdquoCaroline began singing opera ariascabaret standards and show tunes at agenine Under the management of Tommy Mottola and Chris Apostle shebegan recording her original songs withproducer Chris Toland at Sony and
Avatar studios in New York as a studentat The Professional Childrenrsquos SchoolIn 2008 Caroline began monthlyco-writing trips to Nashville where sherecorded with many of the industryrsquostop talents Since then she has been
performing and recording with herMartin 00-21 Kingston Trio modelthat pays tribute to original KingstonTrio member Dave Guard (1934-1991)
Shown above are Fantasy camp attendees each holding their Martin guitars (plus one banjo)
P h o t o b y J o h n L i n d
8102019 Vol_32pdf
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Dierks BentleyReaching deep into acoustic rootsmusic resulted in Dierks Bentleyrsquosnew album Up On The RidgeMore than a bluegrass concept
album with guests Up On TheRidge features Bentley working with some of the finest acousticmusicians in the world including long-time collaborators theDel McCoury Band and a new musical partnership with ChrisThile and the Punch Brothers Asa recent addition to the Martin
Ambassador ranks Dierkrsquos israrely seen without his prizedvintage herringbone D-28
Hawaiirsquos HirsquoikuaIn a culture that honorsthe legacies of the pastthis Hawaiian trio of talented musicians pays
homage to their roots while creating a uniqueand progressive soundthat leaves an indeliblemark upon contemporary Hawaiian music
In a seamlesscontinuous movement we all carry a past while living in thepresent and moving toward a future Hirsquoikuarsquos music reflectsthe belief that without asking the knowledge of our ancestorshas already been placed within us in the hope that we too
will shoulder that responsibility in an unbroken journey intothe future
Their music is composed and performed by Kalehua Krug (left with his Martin 12-string) Kamuela Kimokeo (above andcenter left with his Martin OMC Aura cutaway) and BlakeLeoki-Haili (right with Martin tenor ukulele)
The grouprsquos name derives from the Hawaiian word thatmeans literally ldquoto carry on onersquos backrdquo Hirsquoikua has taken thisresponsibility seriously
ldquoAia I Hirsquoialordquo the long awaited CD from Hirsquoikua featuressix original and six traditional songs
wwwhiikuacom J e r r o l J u l i a n P
h o t o g r a p h y
J e r r o l J u l i a n P
h o t o g r a p h y
8102019 Vol_32pdf
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F R O M T H E A R C H I V E S
Waiting for the Sunday Boatrdquo by William Henry Jacksonrdquo Florida circa 1902Martin small-bodied parlor guitar
ldquoAs long as
Irsquove got my guitar
Irsquoll be finerdquo
mdash Willie Nelson referring to Tri
his legendary Martin guitar
HometownCentenarianMary Arletta Hahnis shown (right)
with her 00-1712-fret Martinguitar Mary was inher twenties whenthis picture was
taken (circa 1932)She was born inNazareth andturned 104 this pastSeptember Healthy small town living Shereceived her theology degree from the United
Wesleyan College but she also majored in voicepiano and guitar She would sing and play guitarin her fatherrsquos varied congregations Mary haslived her entire life in and around NazarethToday she lives just one block from where herguitar was made
1883 Advertisement
Gu i tar is t and Mando l in
is t
c irca 18 9 0
Guit ar ist and Mandolinist c ir c a 19 25
20
8102019 Vol_32pdf
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Ahh the sound of the Martin Rich and evocative Texture
lifeby strummingorpickingorthe lightesttouchtoteas
harmonicsthesoundmdashlikethehistoryofCF Martinamp C
peopleanda storyofthesensesHearitTasteitFeelitA
artist Robert Goetzl see it Seethe sound of the Martin
FEA TU R E
The Soundand the Story
Thehand drawnsketches (right)illustratethesix-panel seriesofthree-foot byfour-footmuralsthatwillhangintheMartinVisitorrsquos Center
BYSUSAN J BURLINGAME FREELANCE WRITER MARTIN
22
mdashC FMartin IVmdashcalls itldquothe magic ofFrom JohnnyCash to John Mayerand fromElvis Costello manyof historyrsquos mostbrilliantve chosen the Martin sound the Martin magicm the Martin storycontinuesMartin magic is mostprofoundly representedby n in the early1800s on the otherside of theour eyes fora momentand imagine ayoung king browfurrowed in concentration Heods the braces the strings of his firstguitarrtin has traveledfrom his home in Saxonytoe learns the artof guitarmaking as ane of the bestknown guitar shops in Europeg his 37th year C F Martinalong with hisdren sets outfor Americae story as theysayhellipis magicamp Co is still family-ownedmdashbutthe ldquofamilyrdquoh Martins and non-Martins generations of
ed arole in crafting the exquisite acousticrtin has offeredthe world formore than 175ertGoetzl a cousin to Chris Martinhas been create awork of art depicting C F Martin ampamily its sound andits storyeries of three-footby four-footmurals thatwillin Visitorrsquos Center the work says Goetzl is a love Chris Martin thatmuch He wasuential in mylife andthe opportunityto tellyauthentically is extremelymeaningful to merdquonels (pictured here)take viewers on CFfrom Saxonyto Viennato the newworld
ured as the music of the Martin guitar thensionalmdashdone in mixedmedia with collage andreating the firstpanel was forGoetzl the biggest
23
challenge ldquoI realizedthe enormityof the projectmdashnotjust inscope butalso in importance to the familyand to the thousandsof people who wouldbe looking atitrdquoGoetzl labored andsecond-guessedand tweakedand proddedbefore finally unveiling itto Chris Martin andothers at Martin ldquoThe lookson theirfaces toldme I had naileditrdquo Panel numbertwo which illustrates the Martin familyrsquosinitial shopin New York andthe move to NazarethPennsylvania causedGoetzl much less consternation butequallyas much joy he says as will each successive mural ldquoIf this is the endof the roadfor me the lastwork I evercreaterdquosays Goetzl (who surelyhas afew more decades ofcreativityleft) ldquoI wouldbe completely fine with thatrdquo
ldquoRobert has put his heart into
creating something that will
make a tremendous addition
to the Martin experiencerdquo
mdash Dick Boak Artist Relations C F Martin amp Co
Tex Fletcher
SingingcowboyTexFletcher maynot
have become the household name that
other cowboy singers from the 1930s
such as Gene Autry and Roy Rogers had
butdespitesometimes overwhelming
odds hersquosbeen remembered nonetheless
forhis noteworthycontributionsto earlyand
mid-20th century cowboy culture
He was born Geremino Biscegliain 1910 in HarrisonNew York the fifth of eight children of Italian immigrants Michael(astone mason)and Josephine Bisceglia He leftschool afterthethirdgrade to work with his fatherandbrothers He was raisedin a musical householdand he learnedto sing andplay traditional Italian songs accompaniedby accordionsmandolins andviolins
Jerrypicked upa fewguitar chords froma local right-handedguitarist butbeing left-handed he retaughthimself to playhisown right-handedguitarldquobackwards andupside downrdquoas he wouldlater explain with achuckle
He became enamoredwith the silver screen cowboys of theday often sneaking into the local cinemaforshowings of thelatestsilent picture starring TomMix WilliamS Hartand YakimaCanutt
Overthe nextfew years the teenagedcowboy wannabe beganto realize his boyhoodambition as he learnedto handle horseandcattle byday while soaking upcowboy lore andcampfiresongs bynight in effectbecoming aldquorealrdquocowboy Asinging cowboy Unique stuff forthe late 20s He returnedto NewYork in 1931 with aconfidence anda newfoundvoice With saddle bags full of cowboy stories andsongs the cowboysingerwas now going bythe name Tex Fletcher He began entering andwinning localthen regionaltalentshows Fletcherrsquos confidence grewwith each winning purse as was evidencedbyhis every growing wardrobe of
cowboyoutfits andhis first Martin guitar a000-45 He neverplayedanother companyrsquos guitars again believing the leastexpensive Martin guitarwas headand shoulders aboveanyother companyrsquos bestHistory has clearlymade fora compelling argument Itwasnrsquotlongbeforehereceivedan offerofa radiojobas asinging cowboyoverWFASinWhitePlainsNewYorkBy1934 attheheightofsingingcowboycrazeFletcherbegana relationshipthat wouldlastmorethan 25yearsbroadcastingoverWORNew YorkNewJersey(MutualNetwork)Itwas thesameyear thathebeganappearingatthe VillageBarnnightclub(whichwouldlaterbecomeJimiHendrixrsquosElectricLadyland)inGreenwichVillageNYagig thatlastedwell intotheearly1960s
1934 was also the yearTexorderedhis custommade MartinD-42Hersquodadmiredthe pearlygoodlooks and loudtone of Gene Autryrsquos D-45 (the firstD-45) butwanted an instrumentthatw ouldbe uniquelyTexFletcherrsquos guitar But he wasnrsquotthe onlycowboysinger who wantedto follow in Autryrsquos trail Milwaukee -based Jackie ldquoKidrdquoMoore beathimto the punch when he ordered his own D-45 (No 2)fromMartinBut according to authorMartin researcherJohn Woodland amisunderstanding with regardto neck length ledMartin to shelve the unfinished14 fretto the body D-45Moore then optedfor awider OMstyle neck with 12 frets tothe body This D-45 is No3 Then along comes NewYork radio cowboyTexFletcherwithhis own ideaof whatfeatures ldquohisrdquoguitar shouldsportincluding 14 frets to the body which alignedperfectly with the
partiallyconstructed D-45 (No2) buthe wanted all the flashupfront So insteadof proceeding to finish the guitaras aD-45Martin craftsmen changedthe toprsquos bracing to aHigh ldquoXrdquoconfiguration anddesignated this slightlymore modestcousinof the D-45the D-42 So the TexFletchermodel is not only the firstD-42butalso the secondD-45Itremainedthe only example of the D-42 forthe next54 years
Fletcherhadbeenout ofthe musicbusinessforjusta fewyears whenhe wastrackeddownin theearly1970sby then-MartinhistorianMikeLongworthwho convincedthe oldcowboytodonatetheinstrumenttothe MartinMuseumFletcheragreedandthatrsquoswhereitresidesto thisdaydisplayedjusta fewfeetfromitrsquosfirstcousintheGeneAutryD-45 (No1)
21 24
N EW PR O D U CTS
NEW A DDITIONS TO
OUR LINEUP OF
Great Ukuleles
The Martin Standards of Tone and Workmanship Prevail
C1K amp T1K UkulelesMartin has been building the worldrsquos finest ukuleles
from as early as 1916includingthesmallest Soprano
the original model to the larger Concert in 1925 and
the Tenor uke in 1929 Both the concert model and
tenor models havelong been prized for their full-bodied
voiceandgreatervolumeThesenewC1Kconcertand
T1Ktenor modelsfeaturetops backsidesand head-
platesofsolidHawaiianKoaawoodnativeto Hawaii
and a favoriteof island players Both ukes feature solid
Sitkabraces genuinemahoganyblocksand applied
dovetailneckjointsintheMartintraditionNecksare
craftedofselecthardwoodandcappedwithasolid
Morado fingerboardtheconcert has a 15rdquoscalelength
thetenor a 17rdquoscaleBridges arealso ofsolid Morado
with whiteTusqsaddles Open-geared nickel tuners with
whitebuttons ensureprecision Finished in high quality
satinlacquerPadded bagincludedTwo beautifulexam-
ples of why Martin is still the name in superior quality
ukuleles
ldquoAs far as inanimate objects
being friends I think that is right
on the list My Martin ukulele
is a work of art Itrsquos going to live
long after merdquo
mdashEddieVedderPearl JamUkuleleSongs
T1K
C1K
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2446
Clock key mechanism for
adjustingguitar necks on
Martinrsquos earliest guitars
manufactured in New York
ImaginedMartinfamily portrait
CircaSeptember1833mdashat the
timeof theMartinsrsquotransatlantic
journey to the New World
Mappointingto
Markneukirchen the
main town in Germanyrsquos
musicalinstrument-
makingregion
Embellished original
drawingofCF Martinrsquos
residencein
Markneukirchen
Saxony (Germany)
Thesa
carries
North
specta
showe
Harbo
Imagin
CFM
Hudso
Depic
mold
a Mart
glueu
NEL ONE 2 bull PANEL TWO
Rende
home
in Che
Circa1
Portra
presid
when
arrived
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
OM -21 NEW Martinrsquos OM (Orchestra Models)
guitars have always been very
special to fingerstyle guitarists
especially this new OM-21 with its
comfortable 1-34rdquo wide neck at the
nut and highly responsive 14rdquo
scalloped Sitka top braces Elegant in
its simplicity this new version offers a
tasteful upgrade of solid black ebony
fingerboard and 30rsquos style ldquobellyrdquo
bridge with genuine bone saddle and
nut all adding to the rich resonance of this guitar Whatrsquos more wersquove
replaced the standard OM neck with a
slimmer ldquoPerformingrdquo Artistrdquo modified
low oval profile tapered neck and
wider 2-316rdquo bridge string spacing for
faster more comfortable playing The
solid Sitka spruce top with
hand-inlaid 28 style
rosette is joined to a
body of premium
solid East Indian
rosewood bound intortoise colored
18 style binding
Delmar tortoise color
pickguard nickel
open-geared
tuners with
Butterbean
knobs and
polished gloss
lacquer with
aging toner
complete this
beautiful
instrument
Delivered to you in the
new Martin 433 archtop
hardshell case If yoursquore a finger picker this new OM-21 is
the one to pick
D-18 NEW Since its introduction in 1935 the D-18
has been the workhorse of the Martin steel
string acoustic line More plain and less
costly than its D-28 rosewood cousin the
D-18 has none the less established its own
tonal identity ndash balanced crisp midrange
definitive bass and bright clear treble a
favorite of innumerable bluegrass blues and
country performers as well as discerning
studio musicians ndash because it is a great
performing and recording guitar Over the
years the D-18 has seen numerouspermutations ndash the D-18V and D-18P ndash as
well as variations in bindings rosette
fingerboard amp bridge woods bracing
patterns and pickguards And now the
new D-18 brings together
the best features of all of
these great D-18s into
one superb sounding
and playing guitar On
the traditional side backs
and sides are still crafted
of solid genuineMahogany joined with a
solid Sitka spruce top
with forward-shifted
scalloped ldquoXrdquo bracing
The fingerboard
and 1930s style
belly bridge are
fashioned of
solid black
ebony as were
the originals
Whatrsquos new A
lightning fast modified low
oval profile neck with a
1-34rdquo nut width and slimmer 2-18rdquo taper at the 12th fret Itrsquos
the same neck featured on our innovative Performing Artist
series guitars with the same wide 2-316rdquo bridge string
spacing too for greater player comfort and accessibility up
and down the neck The new D-18 The perfect blend of past
and future ndash and great guitar to start the New Year
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2646 26
NAMM Show
Specials
N E W P R O D U C T S
2012 Martin Show Special Guitars
The DCPA Koa amp GPCPA Koa They donrsquot get any more beautiful ndash or more
beautiful sounding ndash than these spectacular
dovetail flamed Koa Performing Artist guitars
And with only a total of 30 instruments ndash
combined ndash being offered to dealers at the 2012
NAMM Show they donrsquot get any rarer either Here
wersquove chosen two of our most popular cutaway models in
the Performing Artist series the classic Dreadnought and
the Grand Performance and crafted the backs and sides
of premium Hawaiian flamed Koa a resonant tonewood
indigenous to the Hawaiian islands Koa has long been by
favored by native Hawaiian musicians for guitars and
ukuleles as well as discerning players and collectors
worldwide Martin in particular has built various sized
instruments of Koa from as early as 1850 The tops are of prized solid Adirondack Spruce as are the scalloped
forward-shifted ldquoXrdquo braces in the ldquoGolden Erardquo fashion The
bodies are bound with solid Madagascar rosewood the
top is inlaid in the 42 style with an elegant blue Paua
pearl rosette The backstrip is 45 style marquetry Both
guitars feature our fast and comfortable Performing Artist
modified low oval mahogany neck with ebony
fingerboard and
wide 2-316rdquo string
spacing on the
ebony Performing
Artist belly bridge And the
crowning touch both guitarsare equipped with the new
Fishmanreg F1 Aura + onboard electronics system the
ultimate in acoustic realism and projection as well as
pickup versatility Waverly gold tuners with Ivoroid
buttons complete the package Orders for the DCPA Koa amp
GPCP Koa will be taken solely from dealers in attendance
at the 2012 NAMM Show in Anaheim California
NEW TOOLS
for GREAT TONE
GPCPA Koa
DCPA Koa
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
DCPA1 Madagascar Rosewood ampGPCPA1 Madagascar Rosewood
These two very special dovetail Performing Artist
guitars reflect the best of Martin innovation expert
craftsmanship and selection of superior tonewoods ndash
all in one As PA series models Dreadnought and
Grand Performance they include a unique slim
tapered fast neck for exceptional player comfort in
all positions a smaller and lighter PA ldquobellyrdquo bridge
for greater tonal response and increased string
spacing for easier finger picking They also
include the new state-of-the-art Fishmanreg F1
Aura + onboard electronics system that deliver
striking acoustic realism and projection
Plugged in or pure acoustic these are great
sounding guitars ndash and with good reason The
tops are solid Adirondack spruce pearl inlaid inthe 41 style and driven by 516rdquo Adirondack
scalloped braces forward-shifted in the ldquoGolden Erardquo X
pattern The back sides and headplate are Madagascar
Rosewood selected for its beauty and close acoustic and visual resemblance to
Brazilian Rosewood Solid black ebony is used for the fingerboard and bridge
Details include grained Ivoroid bindings Delmar beveled tortoise color pickguard
special ldquoalternative torchrdquo inspired position inlays gold enclosed tuners bone nut
and saddle The most distinctive Performing Artist production models to date
Fishmanreg F1 Aura + The Fishmanreg F1 Aura + features a newsimplified and intuitive Easy Mode allowing youto quickly get a feel for the tonal possibilities ofthe system while providing the most importantfeatures The Easy Mode offers three custom-blended Aura Image presets tone control and
the option of using the undersaddle pickuponly For the real tone-tweakers wersquove retainedthe original Performance Mode as well givingyou full access to the powerful 3-band EQscompressor and automatic anti-feedback ofthe F1 Aura +
Performing
Artist SeriesDCPA1
Madagascar
Rosewood
GPCPA1
Madagascar
Rosewood
8102019 Vol_32pdf
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N E W P R O D U C T S
Performing
Artist Series
Martin introduces an exciting
new tonewood called Siris
DCPA4 Siris amp
GPCPA4 Siris
With these two new
Performing Artists guitars
Martin introduces an exciting
new tonewood called Siris
adding even more tonal color
and variety to the PA series Siris
delivers excellent bass response
reminiscent of East Indian rosewood as
well as a clear midrange and treble making it an
excellent guitar wood for recording and for playing live Lighter in color
yet denser than rosewood it produces a slightly longer sustain thanrosewood Siris is typically dark orange contrasting beautifully with the
Sitka Spruce tops tortoise colored pickguards grained Ivoroid bindings
and special East Indian rosewood center wedge on both guitarsrsquo 3-piece
backs The DCPA4 Siris and the GPCPA4 Siris are 14-fret cutaway guitars and
have fast comfortable Performing Artist profile necks Hybrid ldquoXrdquo scalloped top
bracing black Richlite fingerboards and bridges and Fishmanreg F1 Analog
onboard electronicsGPCPA4 Siris
DCPA4 Siris
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
The GPCPA4 Sapele is constructed with
FSCreg Certified tonewoods harvested from
ecologically sound and responsibly manag
forests The fingerboard and bridge are
built with FSCreg
Certified Richlitereg
29
GPCPA4 SapeleFirst introduced in 2010 the GPCPA4 is an extraordinary Martin ndash a
big Grand Performance cutaway with a fast comfortable Performing
Artist Series high performance neck But this brand new version ndash
the GPCPA4 Sapele ndash is extra special It rsquos built with FSCreg Certified
tonewoods harvested from ecologically sound and responsibly
managed forests This includes African sapele back and sides
mahogany front and rear blocks cherry side strips Spanish cedar
ribbons and European spruce Hybrid ldquoXrdquo scalloped bracing The top
is FSCreg Certified recycled Sitka spruce produced from old bridge timbers in Canada
Even the fingerboard and bridge are crafted of FSCreg Certified Richlitereg material High
polished gloss top finish with tasteful Cherry red toned back and sides Fishmanreg F1
Analog electronics are included with volume and tone shaping capabilitiesonboard digital tuner and phase control Quite a
package Quite a guitar
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 304630
N E W P R O D U C T S
DCPA5K and GPCPA5K
Advanced guitar design meets high-
tech guitar construction The result
two highly affordable Performing
Artist guitars with excellent tone
playability and durability Back
and sides of the cutaway
Dreadnought and Grand
Performance models are made
of a high-pressure wood fiber
laminate (called HPL) with
Koa grain and texture photo-
imbedded The top is solid Sitkaspruce braced with Martinrsquos Hybrid ldquoXrdquo
scalloped bracing system renowned for its
resonance clear treble and distinct bass The Performing Artist Profile neck is
slim and fast and comfortable made of tough Stratabondreg multi-layered
wood laminate Performing Artist bridge and fingerboard are black Richlite
Chrome enclosed tuners with large buttons and Fishmanreg F1 Analog
onboard electronics included A terrific value with great tone and
environmentally friendly
Performing
Artist Series
The DCPA5K and GPCPA5K
are Performing Artist guitars
with excellent tone playability and durability
GPCPA5K
DCPA5K
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3146
Road Series
31
Over 175 Years of Guitar Building Excellence
Special Edition
DRS2 The latest of Martinrsquos hard-working
great sounding Road Series guitars
the new DRS2 delivers a unique blend
of durability and concert-quality
sound and projection The top is
crafted of solid Sitka spruce and
braced with Martinrsquos A-Frame (X1)
bracing Back and sides are select
solid Sapele similar in look and
tonal qualities to its
close cousin
mahogany As
beautiful as it looks
and sounds the
DRS2 is a serious
working musicianrsquos
guitar built for on
the road durability
without sacrificeof tone The
neck is
constructed
of a multi-
layered
wood
laminate
called
Stratabondtrade
that perfectly
simulates natural
quartersawn wood grain The fingerboard and bridgeare crafted of black Richlite amazingly similar in look
weight and resonance of ebony A Fishmanreg
Sonitone sound reinforcement system completes
this very road ndash and stage ndash worthy Martin
000C NylonIn response to the many Martin players
who chose the limited edition 000CDG
built in memory of Chris Martinrsquos late
brother Doug Greth we have
expanded upon this unique ldquocrossoverrdquo
instrument with the new 000C Nylon It is
truly a hybrid instrument combining features
of a traditional Martin steel-string guitar with
those associated with a classical nylon string
guitar The top is crafted of solid Sitka spruce
and braced with a unique A-Frame ldquoXrdquo brace
system Yet this bracing system is equally
responsive to lighter nylon strings without
inhibiting tone or volume The 12-fret low
profile neck features an 18rdquo radius arched
(versus flat) fingerboard like a steel string
but with a classic width 1-78rdquo at the nut and
2-516rdquo at the 12th fret The bridge is in the
classic style with tie block and drop insaddle Bridge string spacing is a
wider 2-516rdquo as well Even the
000Crsquos headstock is unique ndash
square tapered like the
traditional Martin steel
string style but slotted to
accommodate classical
nylon strings Each guitar is
fitted with onboard Fishmanreg
F1 Analog electronics too
The result A versatile
great sounding andplaying guitar no
matter whether you
play acoustic or
acoustic electric
or both
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D-28M Limited Edition Celebrates
The Enduring Music and Legacy ofThe Mamas and The Papas
The appointments on the D-28M Mamas and ThePapas Custom Artist Edition emulate a circa 1960sD-28 blackwhiteblack top purfling blackwhiteback purfling grained Ivoroid binding and heelcapldquocheckerboardrdquo backstrip mother of pearl dotposition markers chrome Groverreg Rotomatic tunerstortoise-colored pickguard polished gloss lacquerfinish and vintage-inspired aging toner on the topExtra flash comes in the form of a Style 45 abalonepearl rosette and abalone pearl-topped bone bridgeand end pins
The guitarrsquos crowning glory is ndash appropriately ndashon the polished black ebony headplate Above
the nut sheltered by the familiar gold old-styleldquoC F Martin amp Co Est 1833rdquo decal logo is a silhouette of The Mamas and The Papasbeautifully inlaid in mother of pearl Derivedfrom a photo by Henry Diltz the inlay capturesthe group in full performance mode
In the early 1960s the four musicians whobecame The Mamas and Papas were a long way from pop music stardom though all wereinvolved in the East Coast folk music scene
John Phillips was a member of the JourneymenDenny Doherty and Cass Elliot sang with theMugwumps After the Journeymen broke up
John Phillips his wife Michelle Phillips andMarshall Brickman formed the New JourneymenMarshall eventually left the band but went on toco-write Oscar winning screenplays with Woody
Allen and he co-wrote the book that became therecord-breaking play ldquoThe Jersey Boysrdquo
Marshall Brickman was replaced by Denny Doherty and soon Doherty introduced hisbandmates to Elliot The four began harmonizingto the pop songs John was writing and perfectedtheir sound during a Caribbean vacation together
The starting point for The Mamas and the Papasrsquofresh pop sound was the folk music all fourmembers played before they got together as a group Songwriter and leader John Phillipsrsquo well-
worn Martin Dreadnought often provided thestrummed rhythmic underpinning on which TheMamas and Papasrsquo band instrumentation andvocals were layered The combination proved tobe genius and even today The Mamas and thePapas ldquosoundrdquo is instantly recognizable
To celebrate the group and its place in popmusic history C F Martin introduces a very
special D-28M Mamas and The Papas
Custom Artist Edition Limited to just100 instruments this new Custom Artist Edition features rare tonewoodshandsome appointments and aunique headstock inlay to honorthese musical trailblazers
John Phillipsrsquo vintage Martin D-28provides the inspiration for this Custom Artist Edition The tonewoods and top
bracing are a stellar combination thatapproximates those of MartinDreadnoughts from the early 1930sBack and sides are rare Madagascarrosewood similar in appearance andtone to the now endangered Brazilianrosewood The top is Carpathianspruce comparable in power andbrilliance to Adirondack spruce andequally responsive Advanced ldquoXrdquo
516rdquo scalloped bracing provides richresonant tone The 1 1116rdquo (at the
nut) low profile neck with diamondvolute is genuine mahogany while the
fingerboard and belly bridge are black ebony
L M
In the 1960s The Mamas and the Papas were at the epicenter of a musical earthquake
that began in Southern California and sent shockwaves across the country Combining
great songwriting unique arrangements and lush harmonies the group had six ldquoTop
10rdquo singles and four ldquoTop 5rdquo albums from 1965 through 1967 a feat that made them one
of the few groups to challenge the Beatles during that era While The Mamas and the
Papasrsquo original lineup of John Phillips Cass Elliot Denny Doherty and Michelle Phillips
lasted just four years several of the songs they created ndash including ldquoCalifornia Dreaminrsquordquo
ldquoMonday Mondayrdquo ldquoWords of Loverdquo and ldquoTwelve Thirtyrdquo ndash have stood the test of time
32
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(This story should sound familiar they laterturned it into a hit single ldquoCreeque Alleyrdquo)Eventually the four traveled to Los Angeles
where they auditioned for Dunhill RecordsOwnerProducer Lou Adler Adler signed them tohis label immediately and two days later thegroup had a name The Mamas and the Papas
Released in 1965 The Mamas and The Papasrsquofirst single failed to garner much notice Howeverthe second single ldquoCalifornia Dreamingrdquo co-
written by John and Michelle Phillips reachedNo 4 on the charts The grouprsquos debut album If
You Can Believe Your Eyes and Ears was releasedin early 1966 and rose to No 1 quickly followedby the single ldquoMonday Mondayrdquo which also hitNo 1 and later won a Grammy Award for ldquoBestContemporary Group Performancerdquo
While The Mamas and The Papasrsquo personallives became increasingly turbulent over the nexttwo years their music continued to flourish they recorded three additional albums ndash The Mamasand The Papas Deliver and The Papas and TheMamas ndash that went ldquoTop 20rdquo and in turn yieldedseveral ldquoTop 20rdquo singles
In 1968 bitter infighting between memberscaused the group to disband Due to contractualobligations they reunited briefly in 1971 to makethe People Like Us album and then went theirseparate ways Cass Eliot had a flourishing solocareer that was cut short by her death in 1974
John Phillips continued to write songs and bothhe and Denny Doherty performed and recordedas solo acts In the 1980s and 1990s they occasionally reunited to tour as members of the
New Mamas and Papas John Phillipsdied in 2001 Denny Doherty died in2007 Michelle Phillips enjoyed a successful acting career and today isthe last surviving original memberof the group
Despite the grouprsquos short history TheMamas and The Papasrsquo musical legacy remainsundiminished the group was inducted into theRock amp Roll Hall of Fame in 1998 and received a
Grammy Hall of Fame Award in 2001 In 2003 If You Can Believe Your Eyes and Ears was ranked127 on Rolling Stone magazinersquos list of the 500greatest albums of all time
Delivered in a hardshell case eachD-28M Mamas and The PapasCustom Artist Edition guitar bears a special interior label featuring theldquosun rayrdquo graphic from the RouletteRecords label on which some of TheMamas and The Papasrsquo singles werereissued in the 1970s Each label ispersonally signed by former Mamasand The Papas member MichellePhillips and numbered in sequence
with the edition total Beginning immediately authorized C F Martindealers will accept orders for theD-28M Mamas and The PapasCustom Artist Edition until all 100guitars in the edition are allocatedparticipating Martin dealers willthen be posted on theC F Martin website
wwwmartinguitarcom
33
S A M P L E
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L O N D O N A C O U S T I C G U I TA R S H O W
Acoustic guitar aficionados attending The London
Acoustic Guitar Show were treated to presentations
that showcased Americarsquos favorite musical instrument
brand and featured musical vignettes by legendary
and influential guitarists Stefan Grossman and
John RenbournThe presentation was given by Dick Boak archivist for Martin
Guitar who offered a graphical and interactive history of the 178-year-old guitar company In addition Dick displayed severalimportant examples in the evolution of Martin acoustic guitarsThe presentation focused on the development of the modern
acoustic guitar Martinrsquos historical contributions to the definitivacoustic guitar design artist signature model collaborations an
an in-depth explanation of specific guitar shapes sizes andtonewoods that lend themselves to particular musical genres JoRenbourn and Stefan Grossman legendary acoustic fingerstyleinnovators demonstrated the tonality of an assortment of Martinstruments including their own Custom Signature models
Martinrsquos UK distributor Westside Management was a primasponsor of the show and the host for the concert stage thatfeatured a stunning live performance by Renbourn and Grossm
Dick Boakrsquos presentation provided a template and proving ground for potential future presentations throughout the UniteStates Europe and Japan
THE LONDON ACOUSTICGUITAR SHOWSaturday and Sunday September 10-11 2011
Olympia Conference Center London
34
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Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
8102019 Vol_32pdf
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M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
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The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
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M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
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M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
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Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
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M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
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Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
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A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
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C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
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P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
8102019 Vol_32pdf
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TA B L E O F C O N T E N T S
p 10Care and Feeding Three back-to-back
articles center in on the
correct procedures for
shipping your guitar how
to create your optimum
Martin Custom Shop
instrument and the basic
elements of guitar setup
and action adjustment
p 22The Sound amp
The StoryArtist Robert Goetzl
is creating murals
depicting the history of
Martin Read about his
motivation and what
viewers will soon enjoy
p 32Limited Edition
Mamas and The
Papas D-28MCelebrating the group
and its place in pop
music history C F Martin
announces a very special
D-28M Mamas and
The Papas CustomArtist Edition
p 36Martin Owners
Club DayMartin Owners Club
members made the
pilgrimage and ldquopulled in
to Nazarethrdquo to immerse
themselves in guitars
jam and enjoy each
otherrsquos company
On the front
and back coversUPS recently
collaborated with
Martin on theirWe Love Logistics
Campaign during
which photographer
Mitch Gordon captured
quintessential day-in-
the-life images from
the Martin Guitar
Factory in Nazarath Pa
Other StoriesMartin Stories 2
Caring and Feeding
Shipping Your Guitar 10
The Custom Shop12Set-up14
Artist Profiles16
From the Archives20
The Sound and The Story22
New Products 24
Limited Edition32
Martin Happenings
London Acoustic
Guitar Show34
Martin Owners Club Day36UMGF 37
Philly Folkfest 38
Backpacker Stories40
Martin Remembers 42
Around the World 44
1
8102019 Vol_32pdf
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Two Fine GuitarsBill Anderson from Tempe Az wrote in to let us know how much joy he finds with his two Martin guitars Pictured abovein his left hand is the 1979 Martin D-18 (ldquoand a great guitarrdquo)The 1972 Martin D-35 in his right hand has been his working guitar for nearly 40 years (ldquoIt has the nickname rsquoMy Babyrsquobecause thatrsquos what it isrdquo)
Bill played Bluegrass music professionally throughout the1970s and part time ever since Now playing Bluegrass toCountry and Country Rock full time professionally again sinceretiring he has found the freedom to perform
He says of his D-35 ldquoOnce in tune it stays there and almostplays itself I also fingerpick as early in my life I took classicalguitar lessons and this guitar works wonderfully in that style Itappears these instruments will long outlast me but I will cherishthem till the day I dierdquo He saved his money and every weekend
would find himself at the music store playing the guitars ldquoIplayed every D-28 that ever passed through their doorrdquo Whenthe day arrived when he was ready to buy the sales personbrought out the D-35 just off the truck and it was love at firstsight ldquoIt has been a great relationship You make great guitarsand I am so glad to own two of themrdquo
Pawn Shop Saints Americana group Pawn Shop Saints lead men Mike OrsquoNeilland Jeb Barry each own four Martins Mike is shown with his1988 Martin MC-28 a 2001 Martin 000-16RGT a 2001Martin 000C-16RGTE and a Martin LX1
Jeb is holding his favorite a new 2010 Martin 000-15M nextto his 2004 Martin D-15 a 2002 Martin DC-1E and 2004Martin 000-16RGT
Playing original music in the northeast Mikersquos main
instrument is his 000C-16RGTE ldquoI call this my main gigging acoustic I actually loved the first 000-16 so much I boughtanother onerdquo Jeb only plays Martin guitars both live and in thestudio and is either seen playing the D-15 or the 000-15MFounded in 2010 the Pawn Shop Saints will be heading intothe studio in the fall to record some new tracks with the fullband All recorded live as usual
wwwreverbnationcompawnshopsaints
M A R T I N S T O R I E S
2
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The guitarist Barclay Martin played for the people in Joplin atthe Joplin Relief Concert wwwbarclaymartincom
3
2011 Summer Tour Guides
A big THANK YOU to our 2011Summer Tour Guides
They did an excellent job of managing and educating our factory visitors on the building process Inaddition by covering the tours theygave their co-workers time to focuson making great guitars
Joplin Tornados
The town of Joplin Missouri was hit by an EF-5 tornadothat wiped out a third of the city and took over a hundred lives
Geoffrey Pollock (pictured above) was at a friendrsquoshouse a little out of town when it happened He wrote into give us an update ldquoWe were listening to the weatherreports on the radio while we were taking cover in theirbasement and heard the news of some places that hadbeen hit in town They were pretty close to where I live soI jumped in the car and headed for home The 15 miledrive took about an hour and a half due to backed uptraffic but I somehow managed to get within a mile of my house before I abandoned my car and started running through total devastation
I hoped that my house had been spared but when I gotthere it was all but destroyed I still had 4 walls (betterthan most) but the whole roof had been ripped off at theceiling I entered the house not knowing what Irsquod find butlooking for one thing - my D18 that I bought while I wasin college in 1979 After moving some roof and furniture
around I found it under a recliner As I moved the reclinerI expected to find it all smashed up but it was still in onepiece It had a small crack in the top and somehow the pick guard had come off but after all it had been through it wasin great shape
I found the case hiked back to my car and startedhelping neighbors who didnrsquot fare as well I did
I was much luckier than most people I still have the onething that I owned that I couldnrsquot have replaced Some
folks were left with nothingIt will be many years until Joplin gets back to normal
but little things like finding that guitar gave me hope for a great future
ldquoIrsquom calling the guitar my Martin D18 EF-5 editionnow I cleaned it up put on new strings and it sounds asperfect as it always hasrdquo
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Christiersquos Charity EventRichard Gere sold a majority of his vintage andcustom guitars at Christiersquos auction house onOctober 11 in New York City This included a 1901 Serial 9373 which is significant to thedevelopment of Martinrsquos Style 45 guitars (seephoto above) The Martin ledger mentions it wasone of four prototypes with ldquospecial inlayrdquo
Richard Gere is donating the proceeds to buildschools and hospitals in the Himalayas
4
UPS Films forWe Love LogisticsCampaignC F Martin amp Co is featuredin a recent advertising
campaign by Ogilvy andMather for UPS The photoabove shows the film crew onthe factory floor as anassortment of employees jamfor the cameras Martin andUPS have collaborated formany decades on logistics anddelivery of such a preciousproduct to dealers anddistributors worldwide Seethe link at left for the
YouTube video
M A R T I N S T O R I E S
The Music is Born Jim Morrell purchased a very special anniversary gift for his wife of 40 years Carol She tells her story belowldquoEarlier this year my daughter and I went on a photography excursion with Danrsquos Camera City (Allentown Pa) We took photos at the Martin GuitarFactory (Nazareth PA) then put together a photo journalI entitled mine
IN THE LIGHT OF A MASTERPIECETHE MUSIC IS BORN
We then took our husbands back to the factory for thetour to hear more about what we took pictures of
When my husband asked me what I would like as ananniversary gift I announced ‛a Martinrsquo Although it wasdifficult to manage he found a way to give me this giftI fell in love with the Grand Performance Cutaway-GPCPA1 It is beautiful The workmanship and all the loveand hard work that went into creating it amazes me
Say it LoudSay it Clear
Our 40th Anniversary Is Near
So my gift
Has arrived And it is Here
G- is for GorgeousP- Play it now
C- Care for it alwaysP- The Picture of Perfection
A- Adoring it1- 1 the Best of the Best
Even though Carol owns eight other guitars nothing compares to her Martin GPCPA1
wwwyoutubecomcfmartinguitarpau1P7G7GF_mwxI
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Sasha Greendyk Sasha Greendyk of Radnor Pennsylvania is inspired by music Since she can remembershersquos been singing in choirs and playing piano but it wasnrsquot until eighth grade that she
wrote her first piece That little piano melody was the start of many years of music writing and shersquos become an adept guitarist with a little help from her D-40 MartinDreadnought It is now Sasharsquos dream to become a film scorer and write music formovies and shows alike No matter what music will always be a part of her life
Kirsten SowersSince appearing in our previousSounding Board issue Kirsten Sowershas been keeping busy with her000 Martin cutaway This past Julyshe performed for the troops at theTD Bank Center in Philadelphia
5
A Family TraditionKen Kahn from Sedro-Woolley Washington and his grandsonTyler Turner 9 from Sequim Washington play country andbluegrass when they get together Tyler plays an LX1 LittleMartin and Ken is playing a D-28 Don McLean with severalbackups an HD-28 a 00-18 and a J-21 The mandolin is a Martin bowl back made in 1909
On BroadwayMichael Aarons lead guitarist and in-house contractor forthe popular Broadway musical Godspell recently emailedus with feedback about the impressive array of Martininstruments being used on stage for the show
ldquoWe have four Martin Dreadnoughts and a ukulele that weare using in the show These instruments are superb ndash they play and sound incredible ndash they are just what we needrdquo
As a professional guitarist Michael owns a lot of instruments He admits that while hersquos always wanted toown a Martin he just couldnrsquot afford the vintage modelshe was drawn tountil now
ldquoI have to say after seeing how consistent playableelegant and perfect these instruments are and hearing how tremendous they sound Irsquom converted for life They arethe best acoustics Irsquove ever played and I mean it ndash perfectbeyond words I speak for the whole band in thanking Martin for making such great guitarsrdquo
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M A R T I N S T O R I E S
A Silent Servant With No Name We recently received an interesting and compelling messagefrom a lifelong Christian minister who along with his obviousspiritual connection is also a musician and lover of Martinguitars In his own arsenal of Martins he cherishes threeDreadnoughts a D-28 Marquis a D-35 and a D-42 Thestory as he relayed it to us is that three years ago he was toldldquoby Godrdquo to acquire five Martin guitars and gift them to five
special and specific people At the time the minister who inhis humility has suggested to us that his name is notimportant only had enough money for one D-35 Martinguitar which he promptly gifted as instructed He waited formore money to appear and it seemed like it wasnrsquot going tocome He was facing a serious operation and asked his wife if she would finish his mission in the event that he didnrsquot makeit through
He woke up a month later after extensive surgery and couldnot move or walk His daughters told him later that all he
talked aboutin his direstate was Godand Martinguitars butinside he wasdetermined
to get back to normal After a year transpired he was able to walk with a caneMiraculously the money began to come in and he
contacted a prominent Martin dealership eventually buying three more Martin D-35s and a D-16GT
His message thanked us for the beautiful works of art Inthe end five people experienced the ldquobest day of their livesrdquo
He is thankful for ldquobeing chosenrdquo to be the deliveryman forsuch treasures and he wanted us to know that ldquoGodrdquo isMartinrsquos best sales rep
6
Harley-Davidson Motorcycle amp Guitar Again gracing the Martin Ownerrsquos Club event on Friday August 5 2011 was Mark Zickefoosersquos custom Harley-
Davidson complete with matching Custom Martin andmounted road case
Martin MarinesCorporal David M Jones wrote to us on behalf of hisDivision to express his thanks for his LXM LittleMartin that arrived in Afghanistan Since he receivedthe guitar it certainly has made its rounds ndash someoneis always coming to play it or learn to play it He hasactually had great success teaching two Marines toplay David admits that the beginners arenrsquot the bestto listen to but ldquoat least they are having funrdquo Picturedabove are David and a few of his fellow Marines withthe Martin guitar
Inked AdmirationRobert Dutton of Brooklyn New York shared this photograph of his Martin Performing
Artist Guitar tattoo
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We are honored to have received thefollowing Players Choice Awards for 2011
bull GOLD AWARD for BESTDREADNOUGHT GUITAR (D-28)
bull GOLD AWARD for BEST MID-SIZEFLATTOP GUITAR (Eric Clapton
Signature Model)bull SILVER AWARD for GUITAR
OF THE YEAR (D-28)
bull SILVER AWARD for SMALL-BODYFLATTOP (00-15M)
bull SILVER AWARD for JUMBO GUITAR SIX or 12-STRINGS (Grand J12-40E)
bull SILVER AWARD for ACOUSTIC-ELECTRIC GUITAR (GPCPA1)
bull SILVER AWARD for TRAVEL GUITAR (LX1)bull SILVER AWARD for 12-STRING (J12-40E)
bull SILVER AWARD for OTHER STRINGEDINSTRUMENT (OXK UKE)
bull SILVER AWARD for STEEL STRINGS (FX)
Acoustic Guitar Magazine
7
Distorted StringsIt is quite difficult to comeup with ideas for string advertising Guitars are
much more visual MartinrsquosDick Boak (no strangerto illustration)conceptualized thisslightly hyperbolic
pencil drawing Dickrsquossuggested headlineldquoMartin Strings -
Exaggerate Your Tonerdquo
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Let Us In
A special benefit concert was held onNovember 7th at Nashvillersquos legendary
Ryman Auditorium The ldquoLet Us InrdquoNashville benefit was the kick off forNashvillersquos CMA Week Actor musicianand Martin guitarist Jeff Daniels hostedand performed at the event whichfeatured live performances by SarahDarling SHeDAISY Steel Magnolia PhilVassar Cheyenne Kimball Juliana ColeNikki Shannon Fernandez JordynShellhart Chuck Wicks Nancy SirianniSamantha Landrum and Blue Sky RidersEach artist performed an original versionof a Sir Paul McCartney song
Sponsored in part by Martin the event was filmed and recorded for a live DVDas well as a CD bearing cover art by PeterMax that will include extra contributedtracks from Tommy Emmanuel Timothy B Schmidt Mark Hudson Laurence
Juber Denny Seiwell and Ricky SkaggsThe Women and Cancer Fund is a not-
for-profit charity led by Dr Alicia Alvarezand established in the memory of Linda McCartney Sir Paul McCartney has givenhis ldquowhole-hearted blessingrdquo to ldquoLet UsInrdquo Nashville a campaign led by ReviverMusic to raise awareness and proceedsfor this charity which promotesprevention increases lifestyle awarenessenhances available health services andadvocates advanced breast cancer andchildrenrsquos cancer research
A Martin D-28 Dreadnought similarto the D-28 Sir Paul plays was donatedand signed by the participating artists forsubsequent auction to benefit The
Women and Cancer Fund
The Invention of the American Guitar
Peter Szego is spearheading new scholarship into the early history of the American guitar which will culminate in the publication of a book tentatively entitled ldquoC F Martin and the Invention of the American GuitarrdquoIn September 2011 Peter hosted a group from Martin on a tour of hisextensive collection of antique American guitars and banjos (1833-1860)
with a special focus on the earliest Martin guitars The publication of hisbook and the concurrent opening of a major museum exhibition is scheduledin 2013 Stay tuned
8
M A R T I N S T O R I E S
Above left to right) Michael Dickinson Amani Duncan Peter Szego Chris Martinand Charles Peischl Dick Boak is not shown because he took the photo
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Every good guitar like every good son and daughter
periodically goes home ndash or should go home ndash to the
place of its birth For Martin guitars thatrsquos Nazareth
Pennsylvania 18064 and Mother Martin is always gladto see the kids
Kidding aside there truly is a parental attitude at Martintowards every single Martin guitar ever made because nobody knows better than Martin the enormous skill patience andunrelenting adherence to quality standards that goes intobuilding a Martin guitar
Not surprisingly Martin cares as much about how you send yourguitar back to Nazareth as the reason why yoursquore sending it It isimportant to contact the Martin Customer Service Department inadvance to get a Return Authorization (RA) Number Simply call(610) 759-2837 and ask for a Customer Service representative
Irsquove shipped guitars to Martin for years and never damaged a one in the process Not even a scratch Herersquos how I do it
De-tune the strings with just enough tension to keep the bridgepins and saddle securely in their slots If there are electronicsremember to remove any batteries to make sure that they do notbecome loose during shipping Also and very importantly removethe endpin Some people remove strings bridge pins endpin andsaddle (if itrsquos a removable type) put them in an envelope and put theenvelope in the string pocket of the case Thatrsquos fine but make surethat the envelope is securely packed with wadded tissue paper on topof it so that it doesnrsquot shake itself or its contents out of the string pocket and wreak havoc on the guitar
C A R E A N D F E E D I N G
Shipping Your Guitar
Home To Mother
BY BILL BUSH
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Next buy a box of stringed paper tags Print your nameaddress telephone number and e-mail address on one side of the tag on the other side print the Martin model number andserial number Fill out two tags Attach one tag to one of the
tuning machines attach the second tag to the case handle Why If anything happens to the shipping labels in transit thereis a record of you as the owner in two places within the box
Also purchase a package (or two) of plain soft tissue papersheets used for gently wrapping gifts inside a gift box Itrsquos very soft paper and wonrsquot scratch delicate lacquer Do not stuff thecase interior with newspaper
You want to be sure that the guitar is snug in the caseespecially the headstock Wad up enough tissue paper to supportthe headstock ndash top bottom and sides The entire headstock
well of the case should be filled as well as the space above theheadstock (and front of the headstock) You can also tuck tissuepaper on the fretboard near the nut You want to prevent the
headstock from whiplashing forward and backward which ishow a lot of necks get cracked
You also want to gently stuff the sides and lower bout of the guitar(where the back strip is) and around the neck heel so that there is noshifting frontward or backward In short you want to make theguitar inert (motionless) within the case No movement whatsoeverin any direction About the case No guitar should be shipped inanything but a hard case Ever Martin offers a thermoplastic hardcase (which is tough as nails) as well as black vinyl covered plywoodand plush ldquoGeib-stylerdquo hard cases They come in various model sizesand fit quite snugly
Original Geib hard shell plush cases are still floating aroundout there from the 60s as are other vintage Martin hard casesalthough none are as snug as the present variety ndash and snugnessis critical when shipping a guitar
The best shipping box for Martin guitars is the same shippingbox Martin uses to ship their new guitars to dealers Just callyour local Martin dealer and ask if you can have a used Martinshipping box - and do it quickly before itrsquos thrown out or beforesomeone else gets it Theyrsquore good as gold
About packing the case in the shipping box UPS and officesupply stores sell bags of Polystyrene foam shipping ldquopeanutsrdquoSprinkle a layer of peanuts in the bottom of the shipping boxplace the packed guitar case in the box and carefully fill-in arouthe case to the top of the box Like the guitar in the case you
want the guitar case itself to be inert in the shipping box Tapethe top and bottom box flaps with lots of wide Scotch Strappingtape (the strongest) Then use clear Scotch packing tape to cover
handwritten ldquoTo amp Fromrdquo self-sticking label in the corner of thbox top UPS amp Fed Ex have their own self-sticking labels as we
You can cover the address with clear tape but NOT the bar codThe shorter shipping time the better UPS and Fed Ex offer
Next Day Air but itrsquos expensive They also ship Ground but besure you know how many days it takes to arrive in Nazareth andship early in the week so that your guitar does not sit in a hotshipping container or parked truck over the weekend
Lastly make sure you insure your guitar Some shippers willonly insure guitars for a limited amount Others will insure onthe basis of declared value of the instrument Itrsquos not cheap but i
worth it if you love your guitar Mother will approve
De-tune
the strings(and remove
the endpin)
Fill outtwo tags
Purchase a
box of stringed
paper tags
Packing The case
should be completely
filled with tissue paper
About the caseAlways ship in a hard
case No exceptions
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C F Martin amp Co offers guitars to fit every preference and
budget but knows guitar dreams have no limits For
those whose guitar ideal canrsquot be found among the more
than 120 models Martin currently makes and who want toconceive their own unique perfect guitar Martin has
created a special place Itrsquos called the Custom Shop and it
is where guitar dreams come trueSituated on the production floor the Custom Shop is a dedicated
space with several workbenches assorted jigs and a range of racks andshelves for ldquoworks in progressrdquo Here just over a dozen of Martinrsquosmost experienced craftspeople build ndash one at a time and mostly oneof a kind ndash masterpiece acoustic guitars
ldquoThe Custom Shoprsquos goal is simply to build the best acousticguitars in the worldrdquo commented Fred Greene Martin Vice Presidentof Manufacturing ldquoWhether itrsquos an individualrsquos vision of a great
instrument a uniquely appointed model one of our dealers thinks will appeal to his or her clientele or a guitar wersquove conceived toshowcase artisan building each Custom Shop instrument is crafted asif we were making it for ourselvesrdquo
Custom guitars have been an element of Martin productionsince the company was founded in 1833 A number of Martinguitars from the 19th and early 20th century show customfeatures and custom Martins from the 1930s through the 1950shad an ldquoSrdquo suffix on the neck block model number to indicatetheir custom (or ldquospecialrdquo) status In the 1980s and 1990scustom Martinsrsquo neck blocks were simply stamped ldquocustomrdquo But
The Custom Shop
Bringing your
Guitar to LifeBY MARSHALL NEWMAN
Great sounding Custom Shop guitars donrsquot need to be fancy but if
you want to go that route Martin can certainly accommodate you12
C A R E A N D F E E D I N G
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until recently all custom Martins were built on the main shopfloor alongside their non-custom siblings
The concept of a separate stand-alone Custom Shop began to gainmomentum approximately 10 years ago but didnrsquot come tofruition until 2005 ldquoWe had a custom administrator who handledand followed custom orders on the shop floor but knew we could
do morerdquo Greene recalled ldquoIn 2005 I proposed we create a separate custom area with a separate workforce with the capability to handcraft unique instruments using traditional techniques ndash likecarving necks by hand and hide glue construction - that didnrsquot lendthemselves to our standard production process We started theCustom Shop with a staff of five it began by building the Authenticline and slowly took on custom buildingrdquo Today the Custom Shophas a staff of eleven plus three design consultants who work withcustomers dealers and builders to assure Custom Shop instrumentsare everything they can be
ldquoThe number one challenge of the Custom Shop is timerdquoGreene noted ldquoIt takes time to build instruments of the quality Custom Shop customers demand to hand-carve the necks to cut
the pearl to shape the braces and all the rest In the Custom Shop we take whatever time is needed to make these instrumentsexceptional Judging by the number of orders theCustom Shop receives people recognize the value of
what we are crea tingrdquoldquoThe Custom Shop team includes several of
Martinrsquos most experienced builders The average tenure with Martin is 25 years and there are a few who areapproaching the 40-year markrdquo Custom Shop guitarsare built almost entirely by this small staff in theCustom Shop only operations requiring largespecialized equipment ndash like side bending andfinishing - are done on the main shop floor
While all orders for Custom Shop guitarsmust be made through authorized C F Martinamp Co dealers prospective Custom Shopcustomers now have a great tool they can utilizeto design their dream guitar the Custom GuitarConfigurator Accessible on-line at
wwwmartinguitarcom the Custom GuitarConfigurator lets the user ldquovirtuallyrdquo create a guitar from a range of Martinrsquos most popular options see their creation and get a suggestedretail price quote The information then can be printed out for useas a reference during the order process
13
The Custom Shop offers a remarkable range of options(actually more than shown in the Configurator) sizes body styles scale lengths tonewoods neck profiles appointments
inlays and more Are there limits to what the Custom Shop wibuild As they sometimes say in the Custom ShopldquoWe try to never say ‛norsquo we only say ‛how muchrsquordquo In truth
there are some projects Martin wonrsquot tackle among themreplicating a Martin Custom Artist model or SignatureEdition (to respect the artistrsquos vision for hisher guitar) and
building with customer-supplied wood (which may not matchMartin specifications or standards)The Custom Shop even allows customers to come by the factory
to select the specific tonewood set for his or her guitar from Martinextensive inventory ldquoAt first it was just Martin dealers but now weare seeing individuals stop byrdquo observed Greene ldquoThe opportunityto select the set of Madagascar rosewood or flamed mahogany oranother tonewood that will become a Custom Shop guitar makesthat guitar an even more personal statementrdquoDespite its limited production and brief history the Custom
Shop has produced an impressive array of guitars Ordersoften include unusual tonewood combinations special
neck configurations or custom inlays A CustomShop guitar generally takes four to six months tobuild after details have been finalized dependingon the current workload and the complexity of theorder guitars featuring special design elements
andor custom pearlwork can take longer Whetherplain or fancy each completed Custom Shop guitar
is identified by the laser-etched Custom Shop logoon its neck block
In early 2011 the Custom Shop introducedtwo limited-production CS models the first
of a series of Custom Shop instruments that will be available for only one calendar year(or less if demand is overwhelming as wasthe case with the CS-21-11 model) ldquoThe CS
models express C F Martinrsquos spirit of adventurerdquo explained Fred Greene ldquoThese
short exclusive runs of g uitars allow us to introduceexciting new ideas that might eventually be looked upon asclassics At C F Martin amp Co heritage and creativity arenrsquotmutually exclusive and these CS guitars are the proofrdquo Readyto create your one-of-a-kind Martin guitar Good The CustomShop is ready for you
In creating your Custom Shop Martin you may choose from a wide array of tonewoods body sizes appointment levels and customized inlay sty
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Adjusting the truss rod with a special long Martin Allen wrench
Guitars are made to be played and the easier they are to
play the more pleasure they bring their owners The
action ndash the distance between the strings and the
fingerboard ndash should be just right and thatrsquos the reason
every guitar deserves a good set-upFundamentally guitar set-up is simple geometry adjusting
the guitarrsquos neck nut saddle and (occasionally) frets to put theaction at an ideal level - not so high as to be difficult to fret and notso low as to cause string buzz
C F Martin amp Co sets up every guitar it builds before it leavesthe factory Most Martin guitars built in Nazareth are set up using a PLEKreg Pro machine which scans the nut fingerboard and saddle
with a sensor compares the scan with optimal values and thencuts the nut slots contours thesaddle and polishes the frets toan accuracy of 11000 of aninch If necessary minor saddleand nut touch-up and truss rodadjustment are done by hand
when the guitar is strung A fewMartin guitars - primarily Custom Shop instruments -continue to be set up by hand
Even an acoustic guitar with a
good factory set-up may need tobe set up again within a few years according to Lon WernerMartin Customer RepairManager ldquoThe wood in a guitarcan take up to five years to ‛settleinrsquo under string tension and a change in the action may necessitate a fresh set-uprdquo Theownerrsquos playing style and
The LowdownBY MARSHALL NEWMAN on Set-up
Checking neck relief during final setup
14
C A R E A N D F E E D I N G
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technique also may dictate whether a fresh set-up isneeded ldquoA fingerstyle player
with a light touch might wantthe action lowered while a flatpicker may need the actionraisedrdquo Indeed an individualrsquosplaying style and technique are
information a repairperson will want to know to do the bestpossible set-up
So can you tell if your guitarneeds a set-up Begin with theobvious If your guitar hasbecome very hard to fret itprobably needs a set-up If thestrings buzz either open orfretted it probably needs a set-up If its intonation is way offit probably needs a set-up
A few simple diagnostic testsalso can help determine
whether a set-up is neededCheck the neck relief by fretting the low E string simultaneously above the firstand below the 13th fret thegap between the string and the6th or 7th fret should beslightly more than the thicknessof a business card Checkaction at the nut by fretting each string between the second
and third fret there shouldbe daylight between eachstring and the first fret a gapapproximately the thicknessof a sheet of paper at thehigh E and slightly more at thelow E Check the height of theaction with a machinistrsquos rulerat the 12th fret the distancebetween the fret and the string should be approximately 232-332 of an inch on the trebleside and 332-432 of an inch
on the bass side A goodelectronic tuner can be used tocheck intonation on eachstring by playing the openstring and then playing theharmonic of the same string atthe 12th fret
A lot of guitarists may betempted to do their own set-upbut Dave Doll of Martinrsquos
Customer Repair Departmentcautions against it ldquoItrsquos like a doctor educating a patient onhow to recognize symptoms thpatient may know he has a problem but he still should goto the doctor to have thatproblem fixedrdquo he commented
ldquoEven a simple set-up can bedaunting unless you know whayou are doing you may well domore harm than goodrdquo Lon
Werner was more specificldquoWhile preliminary evaluationmay suggest a set-up is neededthe symptoms also can beindicative of a much moreserious problem When theMartin Customer RepairDepartment receives a guitar
we give it a thorough going-over from headstock toendpin If the bridge is liftingor a brace has pulled loose orthe neck needs a reset (justthree examples) that is a problem that has to be dealt
with for a set-up to bebeneficialrdquo Not everyonelives so close to Nazareth tohave their Martin guitar
worked on at C F Martin amp Cobut there are more than
150 Martin Service Centersthat can give that guitar thecare ndash whether a set-up orsomething more ndash it deservesShould you happen to visitNazareth or live nearbyC F Martin amp Co offers a very cool opportunity to learnabout guitar maintenance fromsome of the best in thebusiness Every Friday from11 am until noon theCustomer Repair Departmen
hosts a guitar care seminarduring which it demonstratesthe basics of guitar careincluding some of theelements of set-up (like trussrod adjustment) The guitarcare seminar is free noreservation is needed andit is a great way to learnhow to keep your Martinin peak playing condition
15
Checking the relief of the neck
Checking the action at the nut
Checking the action at the 12th fret
Adjusting the truss rod with a long Martin wrench
truss rod wrench
hole in brace
truss rod location
gap between bottom of string
and top of fret at the 12th fret
gap between bottom of string
and top of fret at the 1st fret
with string depressed
gap at the 6th or 7th fret with string
depressed at 2nd and 13th frets
exaggerated neck relief
frontblock
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All-Star MUSEBenefit Concert
The All-Star MUSE BenefitConcertat the Shoreline Amphitheater inMountain View California supported Disaster Relief in Japanand Non-Nuclear Groups
Worldwide Featured artists includedCrosby (with his Martin Signature 12-string) Stills amp Nash Jackson BrowneBonnie Raitt Jason Mraz The DoobieBrothers Tom Morello John HallKitaro Sweet Honey in the Rock and
Jonathan Wilson
A R T I S T P R O F I L E S
Hollywood Bowl 2011Dolly Parton with her touring guitaris
Jim Salestrom who is playing hisMartin J-40 Dollyrsquos World Tour
thrilled attendees at the HollywoodBowl Saturday July 23 2011
DonavanFrankenreiterDonavonrsquos fourth studioalbum Glow is describedas ldquowarm organic andoverwhelmingly hopeful Theperfect antidote to trying timesrdquo Hersquos playing his triedand true Martin 000-18 Shawn Colvin
Shawn Colvinrsquos new Live album wasnominated for the Grammy Awardfor Best Contemporary Folk Album
Accompanied with her pristineM3SC Signature Edition findShawnrsquos enduring music on iTunes orat amazoncom
16
oto by Lynn Goldsmith
P
h o t o b y L y nn G ol d s mi t h
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 1946
Ron Davies(1946-2003)
A songwriter fromthe pacific northwestRon Davies at 17bought a well worn1956 D-18 Martin
which he put to gooduse writing an entirealbum of songs forthe Seattle band ldquoThe
Wailersrdquo As an artisthe recorded fivealbums during hislifetime but he isbest remembered forhis songwriting
His songs have been covered by a diverse group of artists that include Joan Baez David Bowie (Ziggy Stardust) Long John Baldry Ann Murray Three Dog
Night Nitty Gritty Dirt Band Helen Reddy Jerry Jeff Walker Maria Muldaur Joe Cocker Randy TravisNanci Griffith and the Raconteurs to name a few
In 2011 friends in the pacific northwest cametogether to record ldquoThe Mystery of Ron Daviesrdquo a tribute CD containing eighteen of Ronrsquos songsperformed by artists from his hometown and one by Davies himself Available on iTunes and at CD Baby allof the proceeds will benefit ldquoMusic Caresrdquo
Leslie TuckerLexington Virginia-based singersongwriter Leslie Tuckerrecently received the gift of a Martin D-41 from a legion of her fans and she plans to use her new acquisition in theproduction of a new album project currently in progressalong with a tour of performances when itrsquos released Tune into wwwleslietuckercom for updates
Santa Cruz Blues Fest 2011Some of the worldrsquos finest guitarists including Jonny Lang were on hand to salute guitar legend JimiHendrix at this yearrsquos Santa Cruz Blues Fest 2011
Jonnyrsquos playing his Martin J-40 Jumbo
Sting
17
Early StingFrom Andy Summers groundbreaking book Irsquoll be watching you Insidethe Police 1980-1983 Police guitarist and professional photographer
Andy Summers captured Sting with his Martin D-28 in 1982
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Fast AJ AJ Rubino of SpringfieldMassachusetts has beenperforming folk and country music for nearly fifty years ndash
much of that time with his1975 Martin D-35 slightly customized with fingerboardinlay by luthier Harry BeckerThis photo will grace the cover of AJrsquos forthcoming CD
He is a loyal member of the Martin Ownerrsquos Club andowns several other Martin guitars The tree AJ is standing in front of was destroyed by the tornado that hit WesternMassachusetts in June of 2011 but no one was hurt andall of the Martin guitars survived
A R T I S T P R O F I L E S
The Kingston Trio Fantasy Camp 2011
Winfield KansasFestivalrsquos Martin D-42
Allen Shadd began playing guitar when he was seven years oldacquiring his first Martin guitar -
a 1973 D-35 at the age of tenSince then he has gone on toperform in many bands guitar
workshops recording sessions and in 1997 released his own CDldquoA Cut Aboverdquo Allen also frequently competes in guitarcompetitions and has won some of the most prestigious flatpicking contests that have included Merlefest Rocky Grass and the WayneHenderson guitar competition He brought home this yearrsquos MartinD-42 from the National Flatpicking Championship held in
Winfield Kansas Itrsquos the sixth time Allen has placed in the topthree including his first place finish in 1997
18
wwwkingstontriocom
Caroline JonesThis NYC-based singer songwriterguitarist and producer was trainedclassically by Andy Anselmo Founder
of New Yorkrsquos ldquoThe Singerrsquos ForumrdquoCaroline began singing opera ariascabaret standards and show tunes at agenine Under the management of Tommy Mottola and Chris Apostle shebegan recording her original songs withproducer Chris Toland at Sony and
Avatar studios in New York as a studentat The Professional Childrenrsquos SchoolIn 2008 Caroline began monthlyco-writing trips to Nashville where sherecorded with many of the industryrsquostop talents Since then she has been
performing and recording with herMartin 00-21 Kingston Trio modelthat pays tribute to original KingstonTrio member Dave Guard (1934-1991)
Shown above are Fantasy camp attendees each holding their Martin guitars (plus one banjo)
P h o t o b y J o h n L i n d
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Dierks BentleyReaching deep into acoustic rootsmusic resulted in Dierks Bentleyrsquosnew album Up On The RidgeMore than a bluegrass concept
album with guests Up On TheRidge features Bentley working with some of the finest acousticmusicians in the world including long-time collaborators theDel McCoury Band and a new musical partnership with ChrisThile and the Punch Brothers Asa recent addition to the Martin
Ambassador ranks Dierkrsquos israrely seen without his prizedvintage herringbone D-28
Hawaiirsquos HirsquoikuaIn a culture that honorsthe legacies of the pastthis Hawaiian trio of talented musicians pays
homage to their roots while creating a uniqueand progressive soundthat leaves an indeliblemark upon contemporary Hawaiian music
In a seamlesscontinuous movement we all carry a past while living in thepresent and moving toward a future Hirsquoikuarsquos music reflectsthe belief that without asking the knowledge of our ancestorshas already been placed within us in the hope that we too
will shoulder that responsibility in an unbroken journey intothe future
Their music is composed and performed by Kalehua Krug (left with his Martin 12-string) Kamuela Kimokeo (above andcenter left with his Martin OMC Aura cutaway) and BlakeLeoki-Haili (right with Martin tenor ukulele)
The grouprsquos name derives from the Hawaiian word thatmeans literally ldquoto carry on onersquos backrdquo Hirsquoikua has taken thisresponsibility seriously
ldquoAia I Hirsquoialordquo the long awaited CD from Hirsquoikua featuressix original and six traditional songs
wwwhiikuacom J e r r o l J u l i a n P
h o t o g r a p h y
J e r r o l J u l i a n P
h o t o g r a p h y
8102019 Vol_32pdf
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F R O M T H E A R C H I V E S
Waiting for the Sunday Boatrdquo by William Henry Jacksonrdquo Florida circa 1902Martin small-bodied parlor guitar
ldquoAs long as
Irsquove got my guitar
Irsquoll be finerdquo
mdash Willie Nelson referring to Tri
his legendary Martin guitar
HometownCentenarianMary Arletta Hahnis shown (right)
with her 00-1712-fret Martinguitar Mary was inher twenties whenthis picture was
taken (circa 1932)She was born inNazareth andturned 104 this pastSeptember Healthy small town living Shereceived her theology degree from the United
Wesleyan College but she also majored in voicepiano and guitar She would sing and play guitarin her fatherrsquos varied congregations Mary haslived her entire life in and around NazarethToday she lives just one block from where herguitar was made
1883 Advertisement
Gu i tar is t and Mando l in
is t
c irca 18 9 0
Guit ar ist and Mandolinist c ir c a 19 25
20
8102019 Vol_32pdf
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Ahh the sound of the Martin Rich and evocative Texture
lifeby strummingorpickingorthe lightesttouchtoteas
harmonicsthesoundmdashlikethehistoryofCF Martinamp C
peopleanda storyofthesensesHearitTasteitFeelitA
artist Robert Goetzl see it Seethe sound of the Martin
FEA TU R E
The Soundand the Story
Thehand drawnsketches (right)illustratethesix-panel seriesofthree-foot byfour-footmuralsthatwillhangintheMartinVisitorrsquos Center
BYSUSAN J BURLINGAME FREELANCE WRITER MARTIN
22
mdashC FMartin IVmdashcalls itldquothe magic ofFrom JohnnyCash to John Mayerand fromElvis Costello manyof historyrsquos mostbrilliantve chosen the Martin sound the Martin magicm the Martin storycontinuesMartin magic is mostprofoundly representedby n in the early1800s on the otherside of theour eyes fora momentand imagine ayoung king browfurrowed in concentration Heods the braces the strings of his firstguitarrtin has traveledfrom his home in Saxonytoe learns the artof guitarmaking as ane of the bestknown guitar shops in Europeg his 37th year C F Martinalong with hisdren sets outfor Americae story as theysayhellipis magicamp Co is still family-ownedmdashbutthe ldquofamilyrdquoh Martins and non-Martins generations of
ed arole in crafting the exquisite acousticrtin has offeredthe world formore than 175ertGoetzl a cousin to Chris Martinhas been create awork of art depicting C F Martin ampamily its sound andits storyeries of three-footby four-footmurals thatwillin Visitorrsquos Center the work says Goetzl is a love Chris Martin thatmuch He wasuential in mylife andthe opportunityto tellyauthentically is extremelymeaningful to merdquonels (pictured here)take viewers on CFfrom Saxonyto Viennato the newworld
ured as the music of the Martin guitar thensionalmdashdone in mixedmedia with collage andreating the firstpanel was forGoetzl the biggest
23
challenge ldquoI realizedthe enormityof the projectmdashnotjust inscope butalso in importance to the familyand to the thousandsof people who wouldbe looking atitrdquoGoetzl labored andsecond-guessedand tweakedand proddedbefore finally unveiling itto Chris Martin andothers at Martin ldquoThe lookson theirfaces toldme I had naileditrdquo Panel numbertwo which illustrates the Martin familyrsquosinitial shopin New York andthe move to NazarethPennsylvania causedGoetzl much less consternation butequallyas much joy he says as will each successive mural ldquoIf this is the endof the roadfor me the lastwork I evercreaterdquosays Goetzl (who surelyhas afew more decades ofcreativityleft) ldquoI wouldbe completely fine with thatrdquo
ldquoRobert has put his heart into
creating something that will
make a tremendous addition
to the Martin experiencerdquo
mdash Dick Boak Artist Relations C F Martin amp Co
Tex Fletcher
SingingcowboyTexFletcher maynot
have become the household name that
other cowboy singers from the 1930s
such as Gene Autry and Roy Rogers had
butdespitesometimes overwhelming
odds hersquosbeen remembered nonetheless
forhis noteworthycontributionsto earlyand
mid-20th century cowboy culture
He was born Geremino Biscegliain 1910 in HarrisonNew York the fifth of eight children of Italian immigrants Michael(astone mason)and Josephine Bisceglia He leftschool afterthethirdgrade to work with his fatherandbrothers He was raisedin a musical householdand he learnedto sing andplay traditional Italian songs accompaniedby accordionsmandolins andviolins
Jerrypicked upa fewguitar chords froma local right-handedguitarist butbeing left-handed he retaughthimself to playhisown right-handedguitarldquobackwards andupside downrdquoas he wouldlater explain with achuckle
He became enamoredwith the silver screen cowboys of theday often sneaking into the local cinemaforshowings of thelatestsilent picture starring TomMix WilliamS Hartand YakimaCanutt
Overthe nextfew years the teenagedcowboy wannabe beganto realize his boyhoodambition as he learnedto handle horseandcattle byday while soaking upcowboy lore andcampfiresongs bynight in effectbecoming aldquorealrdquocowboy Asinging cowboy Unique stuff forthe late 20s He returnedto NewYork in 1931 with aconfidence anda newfoundvoice With saddle bags full of cowboy stories andsongs the cowboysingerwas now going bythe name Tex Fletcher He began entering andwinning localthen regionaltalentshows Fletcherrsquos confidence grewwith each winning purse as was evidencedbyhis every growing wardrobe of
cowboyoutfits andhis first Martin guitar a000-45 He neverplayedanother companyrsquos guitars again believing the leastexpensive Martin guitarwas headand shoulders aboveanyother companyrsquos bestHistory has clearlymade fora compelling argument Itwasnrsquotlongbeforehereceivedan offerofa radiojobas asinging cowboyoverWFASinWhitePlainsNewYorkBy1934 attheheightofsingingcowboycrazeFletcherbegana relationshipthat wouldlastmorethan 25yearsbroadcastingoverWORNew YorkNewJersey(MutualNetwork)Itwas thesameyear thathebeganappearingatthe VillageBarnnightclub(whichwouldlaterbecomeJimiHendrixrsquosElectricLadyland)inGreenwichVillageNYagig thatlastedwell intotheearly1960s
1934 was also the yearTexorderedhis custommade MartinD-42Hersquodadmiredthe pearlygoodlooks and loudtone of Gene Autryrsquos D-45 (the firstD-45) butwanted an instrumentthatw ouldbe uniquelyTexFletcherrsquos guitar But he wasnrsquotthe onlycowboysinger who wantedto follow in Autryrsquos trail Milwaukee -based Jackie ldquoKidrdquoMoore beathimto the punch when he ordered his own D-45 (No 2)fromMartinBut according to authorMartin researcherJohn Woodland amisunderstanding with regardto neck length ledMartin to shelve the unfinished14 fretto the body D-45Moore then optedfor awider OMstyle neck with 12 frets tothe body This D-45 is No3 Then along comes NewYork radio cowboyTexFletcherwithhis own ideaof whatfeatures ldquohisrdquoguitar shouldsportincluding 14 frets to the body which alignedperfectly with the
partiallyconstructed D-45 (No2) buthe wanted all the flashupfront So insteadof proceeding to finish the guitaras aD-45Martin craftsmen changedthe toprsquos bracing to aHigh ldquoXrdquoconfiguration anddesignated this slightlymore modestcousinof the D-45the D-42 So the TexFletchermodel is not only the firstD-42butalso the secondD-45Itremainedthe only example of the D-42 forthe next54 years
Fletcherhadbeenout ofthe musicbusinessforjusta fewyears whenhe wastrackeddownin theearly1970sby then-MartinhistorianMikeLongworthwho convincedthe oldcowboytodonatetheinstrumenttothe MartinMuseumFletcheragreedandthatrsquoswhereitresidesto thisdaydisplayedjusta fewfeetfromitrsquosfirstcousintheGeneAutryD-45 (No1)
21 24
N EW PR O D U CTS
NEW A DDITIONS TO
OUR LINEUP OF
Great Ukuleles
The Martin Standards of Tone and Workmanship Prevail
C1K amp T1K UkulelesMartin has been building the worldrsquos finest ukuleles
from as early as 1916includingthesmallest Soprano
the original model to the larger Concert in 1925 and
the Tenor uke in 1929 Both the concert model and
tenor models havelong been prized for their full-bodied
voiceandgreatervolumeThesenewC1Kconcertand
T1Ktenor modelsfeaturetops backsidesand head-
platesofsolidHawaiianKoaawoodnativeto Hawaii
and a favoriteof island players Both ukes feature solid
Sitkabraces genuinemahoganyblocksand applied
dovetailneckjointsintheMartintraditionNecksare
craftedofselecthardwoodandcappedwithasolid
Morado fingerboardtheconcert has a 15rdquoscalelength
thetenor a 17rdquoscaleBridges arealso ofsolid Morado
with whiteTusqsaddles Open-geared nickel tuners with
whitebuttons ensureprecision Finished in high quality
satinlacquerPadded bagincludedTwo beautifulexam-
ples of why Martin is still the name in superior quality
ukuleles
ldquoAs far as inanimate objects
being friends I think that is right
on the list My Martin ukulele
is a work of art Itrsquos going to live
long after merdquo
mdashEddieVedderPearl JamUkuleleSongs
T1K
C1K
8102019 Vol_32pdf
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Clock key mechanism for
adjustingguitar necks on
Martinrsquos earliest guitars
manufactured in New York
ImaginedMartinfamily portrait
CircaSeptember1833mdashat the
timeof theMartinsrsquotransatlantic
journey to the New World
Mappointingto
Markneukirchen the
main town in Germanyrsquos
musicalinstrument-
makingregion
Embellished original
drawingofCF Martinrsquos
residencein
Markneukirchen
Saxony (Germany)
Thesa
carries
North
specta
showe
Harbo
Imagin
CFM
Hudso
Depic
mold
a Mart
glueu
NEL ONE 2 bull PANEL TWO
Rende
home
in Che
Circa1
Portra
presid
when
arrived
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
OM -21 NEW Martinrsquos OM (Orchestra Models)
guitars have always been very
special to fingerstyle guitarists
especially this new OM-21 with its
comfortable 1-34rdquo wide neck at the
nut and highly responsive 14rdquo
scalloped Sitka top braces Elegant in
its simplicity this new version offers a
tasteful upgrade of solid black ebony
fingerboard and 30rsquos style ldquobellyrdquo
bridge with genuine bone saddle and
nut all adding to the rich resonance of this guitar Whatrsquos more wersquove
replaced the standard OM neck with a
slimmer ldquoPerformingrdquo Artistrdquo modified
low oval profile tapered neck and
wider 2-316rdquo bridge string spacing for
faster more comfortable playing The
solid Sitka spruce top with
hand-inlaid 28 style
rosette is joined to a
body of premium
solid East Indian
rosewood bound intortoise colored
18 style binding
Delmar tortoise color
pickguard nickel
open-geared
tuners with
Butterbean
knobs and
polished gloss
lacquer with
aging toner
complete this
beautiful
instrument
Delivered to you in the
new Martin 433 archtop
hardshell case If yoursquore a finger picker this new OM-21 is
the one to pick
D-18 NEW Since its introduction in 1935 the D-18
has been the workhorse of the Martin steel
string acoustic line More plain and less
costly than its D-28 rosewood cousin the
D-18 has none the less established its own
tonal identity ndash balanced crisp midrange
definitive bass and bright clear treble a
favorite of innumerable bluegrass blues and
country performers as well as discerning
studio musicians ndash because it is a great
performing and recording guitar Over the
years the D-18 has seen numerouspermutations ndash the D-18V and D-18P ndash as
well as variations in bindings rosette
fingerboard amp bridge woods bracing
patterns and pickguards And now the
new D-18 brings together
the best features of all of
these great D-18s into
one superb sounding
and playing guitar On
the traditional side backs
and sides are still crafted
of solid genuineMahogany joined with a
solid Sitka spruce top
with forward-shifted
scalloped ldquoXrdquo bracing
The fingerboard
and 1930s style
belly bridge are
fashioned of
solid black
ebony as were
the originals
Whatrsquos new A
lightning fast modified low
oval profile neck with a
1-34rdquo nut width and slimmer 2-18rdquo taper at the 12th fret Itrsquos
the same neck featured on our innovative Performing Artist
series guitars with the same wide 2-316rdquo bridge string
spacing too for greater player comfort and accessibility up
and down the neck The new D-18 The perfect blend of past
and future ndash and great guitar to start the New Year
8102019 Vol_32pdf
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NAMM Show
Specials
N E W P R O D U C T S
2012 Martin Show Special Guitars
The DCPA Koa amp GPCPA Koa They donrsquot get any more beautiful ndash or more
beautiful sounding ndash than these spectacular
dovetail flamed Koa Performing Artist guitars
And with only a total of 30 instruments ndash
combined ndash being offered to dealers at the 2012
NAMM Show they donrsquot get any rarer either Here
wersquove chosen two of our most popular cutaway models in
the Performing Artist series the classic Dreadnought and
the Grand Performance and crafted the backs and sides
of premium Hawaiian flamed Koa a resonant tonewood
indigenous to the Hawaiian islands Koa has long been by
favored by native Hawaiian musicians for guitars and
ukuleles as well as discerning players and collectors
worldwide Martin in particular has built various sized
instruments of Koa from as early as 1850 The tops are of prized solid Adirondack Spruce as are the scalloped
forward-shifted ldquoXrdquo braces in the ldquoGolden Erardquo fashion The
bodies are bound with solid Madagascar rosewood the
top is inlaid in the 42 style with an elegant blue Paua
pearl rosette The backstrip is 45 style marquetry Both
guitars feature our fast and comfortable Performing Artist
modified low oval mahogany neck with ebony
fingerboard and
wide 2-316rdquo string
spacing on the
ebony Performing
Artist belly bridge And the
crowning touch both guitarsare equipped with the new
Fishmanreg F1 Aura + onboard electronics system the
ultimate in acoustic realism and projection as well as
pickup versatility Waverly gold tuners with Ivoroid
buttons complete the package Orders for the DCPA Koa amp
GPCP Koa will be taken solely from dealers in attendance
at the 2012 NAMM Show in Anaheim California
NEW TOOLS
for GREAT TONE
GPCPA Koa
DCPA Koa
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
DCPA1 Madagascar Rosewood ampGPCPA1 Madagascar Rosewood
These two very special dovetail Performing Artist
guitars reflect the best of Martin innovation expert
craftsmanship and selection of superior tonewoods ndash
all in one As PA series models Dreadnought and
Grand Performance they include a unique slim
tapered fast neck for exceptional player comfort in
all positions a smaller and lighter PA ldquobellyrdquo bridge
for greater tonal response and increased string
spacing for easier finger picking They also
include the new state-of-the-art Fishmanreg F1
Aura + onboard electronics system that deliver
striking acoustic realism and projection
Plugged in or pure acoustic these are great
sounding guitars ndash and with good reason The
tops are solid Adirondack spruce pearl inlaid inthe 41 style and driven by 516rdquo Adirondack
scalloped braces forward-shifted in the ldquoGolden Erardquo X
pattern The back sides and headplate are Madagascar
Rosewood selected for its beauty and close acoustic and visual resemblance to
Brazilian Rosewood Solid black ebony is used for the fingerboard and bridge
Details include grained Ivoroid bindings Delmar beveled tortoise color pickguard
special ldquoalternative torchrdquo inspired position inlays gold enclosed tuners bone nut
and saddle The most distinctive Performing Artist production models to date
Fishmanreg F1 Aura + The Fishmanreg F1 Aura + features a newsimplified and intuitive Easy Mode allowing youto quickly get a feel for the tonal possibilities ofthe system while providing the most importantfeatures The Easy Mode offers three custom-blended Aura Image presets tone control and
the option of using the undersaddle pickuponly For the real tone-tweakers wersquove retainedthe original Performance Mode as well givingyou full access to the powerful 3-band EQscompressor and automatic anti-feedback ofthe F1 Aura +
Performing
Artist SeriesDCPA1
Madagascar
Rosewood
GPCPA1
Madagascar
Rosewood
8102019 Vol_32pdf
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N E W P R O D U C T S
Performing
Artist Series
Martin introduces an exciting
new tonewood called Siris
DCPA4 Siris amp
GPCPA4 Siris
With these two new
Performing Artists guitars
Martin introduces an exciting
new tonewood called Siris
adding even more tonal color
and variety to the PA series Siris
delivers excellent bass response
reminiscent of East Indian rosewood as
well as a clear midrange and treble making it an
excellent guitar wood for recording and for playing live Lighter in color
yet denser than rosewood it produces a slightly longer sustain thanrosewood Siris is typically dark orange contrasting beautifully with the
Sitka Spruce tops tortoise colored pickguards grained Ivoroid bindings
and special East Indian rosewood center wedge on both guitarsrsquo 3-piece
backs The DCPA4 Siris and the GPCPA4 Siris are 14-fret cutaway guitars and
have fast comfortable Performing Artist profile necks Hybrid ldquoXrdquo scalloped top
bracing black Richlite fingerboards and bridges and Fishmanreg F1 Analog
onboard electronicsGPCPA4 Siris
DCPA4 Siris
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
The GPCPA4 Sapele is constructed with
FSCreg Certified tonewoods harvested from
ecologically sound and responsibly manag
forests The fingerboard and bridge are
built with FSCreg
Certified Richlitereg
29
GPCPA4 SapeleFirst introduced in 2010 the GPCPA4 is an extraordinary Martin ndash a
big Grand Performance cutaway with a fast comfortable Performing
Artist Series high performance neck But this brand new version ndash
the GPCPA4 Sapele ndash is extra special It rsquos built with FSCreg Certified
tonewoods harvested from ecologically sound and responsibly
managed forests This includes African sapele back and sides
mahogany front and rear blocks cherry side strips Spanish cedar
ribbons and European spruce Hybrid ldquoXrdquo scalloped bracing The top
is FSCreg Certified recycled Sitka spruce produced from old bridge timbers in Canada
Even the fingerboard and bridge are crafted of FSCreg Certified Richlitereg material High
polished gloss top finish with tasteful Cherry red toned back and sides Fishmanreg F1
Analog electronics are included with volume and tone shaping capabilitiesonboard digital tuner and phase control Quite a
package Quite a guitar
8102019 Vol_32pdf
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N E W P R O D U C T S
DCPA5K and GPCPA5K
Advanced guitar design meets high-
tech guitar construction The result
two highly affordable Performing
Artist guitars with excellent tone
playability and durability Back
and sides of the cutaway
Dreadnought and Grand
Performance models are made
of a high-pressure wood fiber
laminate (called HPL) with
Koa grain and texture photo-
imbedded The top is solid Sitkaspruce braced with Martinrsquos Hybrid ldquoXrdquo
scalloped bracing system renowned for its
resonance clear treble and distinct bass The Performing Artist Profile neck is
slim and fast and comfortable made of tough Stratabondreg multi-layered
wood laminate Performing Artist bridge and fingerboard are black Richlite
Chrome enclosed tuners with large buttons and Fishmanreg F1 Analog
onboard electronics included A terrific value with great tone and
environmentally friendly
Performing
Artist Series
The DCPA5K and GPCPA5K
are Performing Artist guitars
with excellent tone playability and durability
GPCPA5K
DCPA5K
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3146
Road Series
31
Over 175 Years of Guitar Building Excellence
Special Edition
DRS2 The latest of Martinrsquos hard-working
great sounding Road Series guitars
the new DRS2 delivers a unique blend
of durability and concert-quality
sound and projection The top is
crafted of solid Sitka spruce and
braced with Martinrsquos A-Frame (X1)
bracing Back and sides are select
solid Sapele similar in look and
tonal qualities to its
close cousin
mahogany As
beautiful as it looks
and sounds the
DRS2 is a serious
working musicianrsquos
guitar built for on
the road durability
without sacrificeof tone The
neck is
constructed
of a multi-
layered
wood
laminate
called
Stratabondtrade
that perfectly
simulates natural
quartersawn wood grain The fingerboard and bridgeare crafted of black Richlite amazingly similar in look
weight and resonance of ebony A Fishmanreg
Sonitone sound reinforcement system completes
this very road ndash and stage ndash worthy Martin
000C NylonIn response to the many Martin players
who chose the limited edition 000CDG
built in memory of Chris Martinrsquos late
brother Doug Greth we have
expanded upon this unique ldquocrossoverrdquo
instrument with the new 000C Nylon It is
truly a hybrid instrument combining features
of a traditional Martin steel-string guitar with
those associated with a classical nylon string
guitar The top is crafted of solid Sitka spruce
and braced with a unique A-Frame ldquoXrdquo brace
system Yet this bracing system is equally
responsive to lighter nylon strings without
inhibiting tone or volume The 12-fret low
profile neck features an 18rdquo radius arched
(versus flat) fingerboard like a steel string
but with a classic width 1-78rdquo at the nut and
2-516rdquo at the 12th fret The bridge is in the
classic style with tie block and drop insaddle Bridge string spacing is a
wider 2-516rdquo as well Even the
000Crsquos headstock is unique ndash
square tapered like the
traditional Martin steel
string style but slotted to
accommodate classical
nylon strings Each guitar is
fitted with onboard Fishmanreg
F1 Analog electronics too
The result A versatile
great sounding andplaying guitar no
matter whether you
play acoustic or
acoustic electric
or both
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3246
D-28M Limited Edition Celebrates
The Enduring Music and Legacy ofThe Mamas and The Papas
The appointments on the D-28M Mamas and ThePapas Custom Artist Edition emulate a circa 1960sD-28 blackwhiteblack top purfling blackwhiteback purfling grained Ivoroid binding and heelcapldquocheckerboardrdquo backstrip mother of pearl dotposition markers chrome Groverreg Rotomatic tunerstortoise-colored pickguard polished gloss lacquerfinish and vintage-inspired aging toner on the topExtra flash comes in the form of a Style 45 abalonepearl rosette and abalone pearl-topped bone bridgeand end pins
The guitarrsquos crowning glory is ndash appropriately ndashon the polished black ebony headplate Above
the nut sheltered by the familiar gold old-styleldquoC F Martin amp Co Est 1833rdquo decal logo is a silhouette of The Mamas and The Papasbeautifully inlaid in mother of pearl Derivedfrom a photo by Henry Diltz the inlay capturesthe group in full performance mode
In the early 1960s the four musicians whobecame The Mamas and Papas were a long way from pop music stardom though all wereinvolved in the East Coast folk music scene
John Phillips was a member of the JourneymenDenny Doherty and Cass Elliot sang with theMugwumps After the Journeymen broke up
John Phillips his wife Michelle Phillips andMarshall Brickman formed the New JourneymenMarshall eventually left the band but went on toco-write Oscar winning screenplays with Woody
Allen and he co-wrote the book that became therecord-breaking play ldquoThe Jersey Boysrdquo
Marshall Brickman was replaced by Denny Doherty and soon Doherty introduced hisbandmates to Elliot The four began harmonizingto the pop songs John was writing and perfectedtheir sound during a Caribbean vacation together
The starting point for The Mamas and the Papasrsquofresh pop sound was the folk music all fourmembers played before they got together as a group Songwriter and leader John Phillipsrsquo well-
worn Martin Dreadnought often provided thestrummed rhythmic underpinning on which TheMamas and Papasrsquo band instrumentation andvocals were layered The combination proved tobe genius and even today The Mamas and thePapas ldquosoundrdquo is instantly recognizable
To celebrate the group and its place in popmusic history C F Martin introduces a very
special D-28M Mamas and The Papas
Custom Artist Edition Limited to just100 instruments this new Custom Artist Edition features rare tonewoodshandsome appointments and aunique headstock inlay to honorthese musical trailblazers
John Phillipsrsquo vintage Martin D-28provides the inspiration for this Custom Artist Edition The tonewoods and top
bracing are a stellar combination thatapproximates those of MartinDreadnoughts from the early 1930sBack and sides are rare Madagascarrosewood similar in appearance andtone to the now endangered Brazilianrosewood The top is Carpathianspruce comparable in power andbrilliance to Adirondack spruce andequally responsive Advanced ldquoXrdquo
516rdquo scalloped bracing provides richresonant tone The 1 1116rdquo (at the
nut) low profile neck with diamondvolute is genuine mahogany while the
fingerboard and belly bridge are black ebony
L M
In the 1960s The Mamas and the Papas were at the epicenter of a musical earthquake
that began in Southern California and sent shockwaves across the country Combining
great songwriting unique arrangements and lush harmonies the group had six ldquoTop
10rdquo singles and four ldquoTop 5rdquo albums from 1965 through 1967 a feat that made them one
of the few groups to challenge the Beatles during that era While The Mamas and the
Papasrsquo original lineup of John Phillips Cass Elliot Denny Doherty and Michelle Phillips
lasted just four years several of the songs they created ndash including ldquoCalifornia Dreaminrsquordquo
ldquoMonday Mondayrdquo ldquoWords of Loverdquo and ldquoTwelve Thirtyrdquo ndash have stood the test of time
32
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(This story should sound familiar they laterturned it into a hit single ldquoCreeque Alleyrdquo)Eventually the four traveled to Los Angeles
where they auditioned for Dunhill RecordsOwnerProducer Lou Adler Adler signed them tohis label immediately and two days later thegroup had a name The Mamas and the Papas
Released in 1965 The Mamas and The Papasrsquofirst single failed to garner much notice Howeverthe second single ldquoCalifornia Dreamingrdquo co-
written by John and Michelle Phillips reachedNo 4 on the charts The grouprsquos debut album If
You Can Believe Your Eyes and Ears was releasedin early 1966 and rose to No 1 quickly followedby the single ldquoMonday Mondayrdquo which also hitNo 1 and later won a Grammy Award for ldquoBestContemporary Group Performancerdquo
While The Mamas and The Papasrsquo personallives became increasingly turbulent over the nexttwo years their music continued to flourish they recorded three additional albums ndash The Mamasand The Papas Deliver and The Papas and TheMamas ndash that went ldquoTop 20rdquo and in turn yieldedseveral ldquoTop 20rdquo singles
In 1968 bitter infighting between memberscaused the group to disband Due to contractualobligations they reunited briefly in 1971 to makethe People Like Us album and then went theirseparate ways Cass Eliot had a flourishing solocareer that was cut short by her death in 1974
John Phillips continued to write songs and bothhe and Denny Doherty performed and recordedas solo acts In the 1980s and 1990s they occasionally reunited to tour as members of the
New Mamas and Papas John Phillipsdied in 2001 Denny Doherty died in2007 Michelle Phillips enjoyed a successful acting career and today isthe last surviving original memberof the group
Despite the grouprsquos short history TheMamas and The Papasrsquo musical legacy remainsundiminished the group was inducted into theRock amp Roll Hall of Fame in 1998 and received a
Grammy Hall of Fame Award in 2001 In 2003 If You Can Believe Your Eyes and Ears was ranked127 on Rolling Stone magazinersquos list of the 500greatest albums of all time
Delivered in a hardshell case eachD-28M Mamas and The PapasCustom Artist Edition guitar bears a special interior label featuring theldquosun rayrdquo graphic from the RouletteRecords label on which some of TheMamas and The Papasrsquo singles werereissued in the 1970s Each label ispersonally signed by former Mamasand The Papas member MichellePhillips and numbered in sequence
with the edition total Beginning immediately authorized C F Martindealers will accept orders for theD-28M Mamas and The PapasCustom Artist Edition until all 100guitars in the edition are allocatedparticipating Martin dealers willthen be posted on theC F Martin website
wwwmartinguitarcom
33
S A M P L E
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L O N D O N A C O U S T I C G U I TA R S H O W
Acoustic guitar aficionados attending The London
Acoustic Guitar Show were treated to presentations
that showcased Americarsquos favorite musical instrument
brand and featured musical vignettes by legendary
and influential guitarists Stefan Grossman and
John RenbournThe presentation was given by Dick Boak archivist for Martin
Guitar who offered a graphical and interactive history of the 178-year-old guitar company In addition Dick displayed severalimportant examples in the evolution of Martin acoustic guitarsThe presentation focused on the development of the modern
acoustic guitar Martinrsquos historical contributions to the definitivacoustic guitar design artist signature model collaborations an
an in-depth explanation of specific guitar shapes sizes andtonewoods that lend themselves to particular musical genres JoRenbourn and Stefan Grossman legendary acoustic fingerstyleinnovators demonstrated the tonality of an assortment of Martinstruments including their own Custom Signature models
Martinrsquos UK distributor Westside Management was a primasponsor of the show and the host for the concert stage thatfeatured a stunning live performance by Renbourn and Grossm
Dick Boakrsquos presentation provided a template and proving ground for potential future presentations throughout the UniteStates Europe and Japan
THE LONDON ACOUSTICGUITAR SHOWSaturday and Sunday September 10-11 2011
Olympia Conference Center London
34
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Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
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M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
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The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
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M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
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M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
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Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
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M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
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Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
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A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
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C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
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P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
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Two Fine GuitarsBill Anderson from Tempe Az wrote in to let us know how much joy he finds with his two Martin guitars Pictured abovein his left hand is the 1979 Martin D-18 (ldquoand a great guitarrdquo)The 1972 Martin D-35 in his right hand has been his working guitar for nearly 40 years (ldquoIt has the nickname rsquoMy Babyrsquobecause thatrsquos what it isrdquo)
Bill played Bluegrass music professionally throughout the1970s and part time ever since Now playing Bluegrass toCountry and Country Rock full time professionally again sinceretiring he has found the freedom to perform
He says of his D-35 ldquoOnce in tune it stays there and almostplays itself I also fingerpick as early in my life I took classicalguitar lessons and this guitar works wonderfully in that style Itappears these instruments will long outlast me but I will cherishthem till the day I dierdquo He saved his money and every weekend
would find himself at the music store playing the guitars ldquoIplayed every D-28 that ever passed through their doorrdquo Whenthe day arrived when he was ready to buy the sales personbrought out the D-35 just off the truck and it was love at firstsight ldquoIt has been a great relationship You make great guitarsand I am so glad to own two of themrdquo
Pawn Shop Saints Americana group Pawn Shop Saints lead men Mike OrsquoNeilland Jeb Barry each own four Martins Mike is shown with his1988 Martin MC-28 a 2001 Martin 000-16RGT a 2001Martin 000C-16RGTE and a Martin LX1
Jeb is holding his favorite a new 2010 Martin 000-15M nextto his 2004 Martin D-15 a 2002 Martin DC-1E and 2004Martin 000-16RGT
Playing original music in the northeast Mikersquos main
instrument is his 000C-16RGTE ldquoI call this my main gigging acoustic I actually loved the first 000-16 so much I boughtanother onerdquo Jeb only plays Martin guitars both live and in thestudio and is either seen playing the D-15 or the 000-15MFounded in 2010 the Pawn Shop Saints will be heading intothe studio in the fall to record some new tracks with the fullband All recorded live as usual
wwwreverbnationcompawnshopsaints
M A R T I N S T O R I E S
2
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The guitarist Barclay Martin played for the people in Joplin atthe Joplin Relief Concert wwwbarclaymartincom
3
2011 Summer Tour Guides
A big THANK YOU to our 2011Summer Tour Guides
They did an excellent job of managing and educating our factory visitors on the building process Inaddition by covering the tours theygave their co-workers time to focuson making great guitars
Joplin Tornados
The town of Joplin Missouri was hit by an EF-5 tornadothat wiped out a third of the city and took over a hundred lives
Geoffrey Pollock (pictured above) was at a friendrsquoshouse a little out of town when it happened He wrote into give us an update ldquoWe were listening to the weatherreports on the radio while we were taking cover in theirbasement and heard the news of some places that hadbeen hit in town They were pretty close to where I live soI jumped in the car and headed for home The 15 miledrive took about an hour and a half due to backed uptraffic but I somehow managed to get within a mile of my house before I abandoned my car and started running through total devastation
I hoped that my house had been spared but when I gotthere it was all but destroyed I still had 4 walls (betterthan most) but the whole roof had been ripped off at theceiling I entered the house not knowing what Irsquod find butlooking for one thing - my D18 that I bought while I wasin college in 1979 After moving some roof and furniture
around I found it under a recliner As I moved the reclinerI expected to find it all smashed up but it was still in onepiece It had a small crack in the top and somehow the pick guard had come off but after all it had been through it wasin great shape
I found the case hiked back to my car and startedhelping neighbors who didnrsquot fare as well I did
I was much luckier than most people I still have the onething that I owned that I couldnrsquot have replaced Some
folks were left with nothingIt will be many years until Joplin gets back to normal
but little things like finding that guitar gave me hope for a great future
ldquoIrsquom calling the guitar my Martin D18 EF-5 editionnow I cleaned it up put on new strings and it sounds asperfect as it always hasrdquo
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Christiersquos Charity EventRichard Gere sold a majority of his vintage andcustom guitars at Christiersquos auction house onOctober 11 in New York City This included a 1901 Serial 9373 which is significant to thedevelopment of Martinrsquos Style 45 guitars (seephoto above) The Martin ledger mentions it wasone of four prototypes with ldquospecial inlayrdquo
Richard Gere is donating the proceeds to buildschools and hospitals in the Himalayas
4
UPS Films forWe Love LogisticsCampaignC F Martin amp Co is featuredin a recent advertising
campaign by Ogilvy andMather for UPS The photoabove shows the film crew onthe factory floor as anassortment of employees jamfor the cameras Martin andUPS have collaborated formany decades on logistics anddelivery of such a preciousproduct to dealers anddistributors worldwide Seethe link at left for the
YouTube video
M A R T I N S T O R I E S
The Music is Born Jim Morrell purchased a very special anniversary gift for his wife of 40 years Carol She tells her story belowldquoEarlier this year my daughter and I went on a photography excursion with Danrsquos Camera City (Allentown Pa) We took photos at the Martin GuitarFactory (Nazareth PA) then put together a photo journalI entitled mine
IN THE LIGHT OF A MASTERPIECETHE MUSIC IS BORN
We then took our husbands back to the factory for thetour to hear more about what we took pictures of
When my husband asked me what I would like as ananniversary gift I announced ‛a Martinrsquo Although it wasdifficult to manage he found a way to give me this giftI fell in love with the Grand Performance Cutaway-GPCPA1 It is beautiful The workmanship and all the loveand hard work that went into creating it amazes me
Say it LoudSay it Clear
Our 40th Anniversary Is Near
So my gift
Has arrived And it is Here
G- is for GorgeousP- Play it now
C- Care for it alwaysP- The Picture of Perfection
A- Adoring it1- 1 the Best of the Best
Even though Carol owns eight other guitars nothing compares to her Martin GPCPA1
wwwyoutubecomcfmartinguitarpau1P7G7GF_mwxI
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Sasha Greendyk Sasha Greendyk of Radnor Pennsylvania is inspired by music Since she can remembershersquos been singing in choirs and playing piano but it wasnrsquot until eighth grade that she
wrote her first piece That little piano melody was the start of many years of music writing and shersquos become an adept guitarist with a little help from her D-40 MartinDreadnought It is now Sasharsquos dream to become a film scorer and write music formovies and shows alike No matter what music will always be a part of her life
Kirsten SowersSince appearing in our previousSounding Board issue Kirsten Sowershas been keeping busy with her000 Martin cutaway This past Julyshe performed for the troops at theTD Bank Center in Philadelphia
5
A Family TraditionKen Kahn from Sedro-Woolley Washington and his grandsonTyler Turner 9 from Sequim Washington play country andbluegrass when they get together Tyler plays an LX1 LittleMartin and Ken is playing a D-28 Don McLean with severalbackups an HD-28 a 00-18 and a J-21 The mandolin is a Martin bowl back made in 1909
On BroadwayMichael Aarons lead guitarist and in-house contractor forthe popular Broadway musical Godspell recently emailedus with feedback about the impressive array of Martininstruments being used on stage for the show
ldquoWe have four Martin Dreadnoughts and a ukulele that weare using in the show These instruments are superb ndash they play and sound incredible ndash they are just what we needrdquo
As a professional guitarist Michael owns a lot of instruments He admits that while hersquos always wanted toown a Martin he just couldnrsquot afford the vintage modelshe was drawn tountil now
ldquoI have to say after seeing how consistent playableelegant and perfect these instruments are and hearing how tremendous they sound Irsquom converted for life They arethe best acoustics Irsquove ever played and I mean it ndash perfectbeyond words I speak for the whole band in thanking Martin for making such great guitarsrdquo
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M A R T I N S T O R I E S
A Silent Servant With No Name We recently received an interesting and compelling messagefrom a lifelong Christian minister who along with his obviousspiritual connection is also a musician and lover of Martinguitars In his own arsenal of Martins he cherishes threeDreadnoughts a D-28 Marquis a D-35 and a D-42 Thestory as he relayed it to us is that three years ago he was toldldquoby Godrdquo to acquire five Martin guitars and gift them to five
special and specific people At the time the minister who inhis humility has suggested to us that his name is notimportant only had enough money for one D-35 Martinguitar which he promptly gifted as instructed He waited formore money to appear and it seemed like it wasnrsquot going tocome He was facing a serious operation and asked his wife if she would finish his mission in the event that he didnrsquot makeit through
He woke up a month later after extensive surgery and couldnot move or walk His daughters told him later that all he
talked aboutin his direstate was Godand Martinguitars butinside he wasdetermined
to get back to normal After a year transpired he was able to walk with a caneMiraculously the money began to come in and he
contacted a prominent Martin dealership eventually buying three more Martin D-35s and a D-16GT
His message thanked us for the beautiful works of art Inthe end five people experienced the ldquobest day of their livesrdquo
He is thankful for ldquobeing chosenrdquo to be the deliveryman forsuch treasures and he wanted us to know that ldquoGodrdquo isMartinrsquos best sales rep
6
Harley-Davidson Motorcycle amp Guitar Again gracing the Martin Ownerrsquos Club event on Friday August 5 2011 was Mark Zickefoosersquos custom Harley-
Davidson complete with matching Custom Martin andmounted road case
Martin MarinesCorporal David M Jones wrote to us on behalf of hisDivision to express his thanks for his LXM LittleMartin that arrived in Afghanistan Since he receivedthe guitar it certainly has made its rounds ndash someoneis always coming to play it or learn to play it He hasactually had great success teaching two Marines toplay David admits that the beginners arenrsquot the bestto listen to but ldquoat least they are having funrdquo Picturedabove are David and a few of his fellow Marines withthe Martin guitar
Inked AdmirationRobert Dutton of Brooklyn New York shared this photograph of his Martin Performing
Artist Guitar tattoo
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We are honored to have received thefollowing Players Choice Awards for 2011
bull GOLD AWARD for BESTDREADNOUGHT GUITAR (D-28)
bull GOLD AWARD for BEST MID-SIZEFLATTOP GUITAR (Eric Clapton
Signature Model)bull SILVER AWARD for GUITAR
OF THE YEAR (D-28)
bull SILVER AWARD for SMALL-BODYFLATTOP (00-15M)
bull SILVER AWARD for JUMBO GUITAR SIX or 12-STRINGS (Grand J12-40E)
bull SILVER AWARD for ACOUSTIC-ELECTRIC GUITAR (GPCPA1)
bull SILVER AWARD for TRAVEL GUITAR (LX1)bull SILVER AWARD for 12-STRING (J12-40E)
bull SILVER AWARD for OTHER STRINGEDINSTRUMENT (OXK UKE)
bull SILVER AWARD for STEEL STRINGS (FX)
Acoustic Guitar Magazine
7
Distorted StringsIt is quite difficult to comeup with ideas for string advertising Guitars are
much more visual MartinrsquosDick Boak (no strangerto illustration)conceptualized thisslightly hyperbolic
pencil drawing Dickrsquossuggested headlineldquoMartin Strings -
Exaggerate Your Tonerdquo
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Let Us In
A special benefit concert was held onNovember 7th at Nashvillersquos legendary
Ryman Auditorium The ldquoLet Us InrdquoNashville benefit was the kick off forNashvillersquos CMA Week Actor musicianand Martin guitarist Jeff Daniels hostedand performed at the event whichfeatured live performances by SarahDarling SHeDAISY Steel Magnolia PhilVassar Cheyenne Kimball Juliana ColeNikki Shannon Fernandez JordynShellhart Chuck Wicks Nancy SirianniSamantha Landrum and Blue Sky RidersEach artist performed an original versionof a Sir Paul McCartney song
Sponsored in part by Martin the event was filmed and recorded for a live DVDas well as a CD bearing cover art by PeterMax that will include extra contributedtracks from Tommy Emmanuel Timothy B Schmidt Mark Hudson Laurence
Juber Denny Seiwell and Ricky SkaggsThe Women and Cancer Fund is a not-
for-profit charity led by Dr Alicia Alvarezand established in the memory of Linda McCartney Sir Paul McCartney has givenhis ldquowhole-hearted blessingrdquo to ldquoLet UsInrdquo Nashville a campaign led by ReviverMusic to raise awareness and proceedsfor this charity which promotesprevention increases lifestyle awarenessenhances available health services andadvocates advanced breast cancer andchildrenrsquos cancer research
A Martin D-28 Dreadnought similarto the D-28 Sir Paul plays was donatedand signed by the participating artists forsubsequent auction to benefit The
Women and Cancer Fund
The Invention of the American Guitar
Peter Szego is spearheading new scholarship into the early history of the American guitar which will culminate in the publication of a book tentatively entitled ldquoC F Martin and the Invention of the American GuitarrdquoIn September 2011 Peter hosted a group from Martin on a tour of hisextensive collection of antique American guitars and banjos (1833-1860)
with a special focus on the earliest Martin guitars The publication of hisbook and the concurrent opening of a major museum exhibition is scheduledin 2013 Stay tuned
8
M A R T I N S T O R I E S
Above left to right) Michael Dickinson Amani Duncan Peter Szego Chris Martinand Charles Peischl Dick Boak is not shown because he took the photo
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Every good guitar like every good son and daughter
periodically goes home ndash or should go home ndash to the
place of its birth For Martin guitars thatrsquos Nazareth
Pennsylvania 18064 and Mother Martin is always gladto see the kids
Kidding aside there truly is a parental attitude at Martintowards every single Martin guitar ever made because nobody knows better than Martin the enormous skill patience andunrelenting adherence to quality standards that goes intobuilding a Martin guitar
Not surprisingly Martin cares as much about how you send yourguitar back to Nazareth as the reason why yoursquore sending it It isimportant to contact the Martin Customer Service Department inadvance to get a Return Authorization (RA) Number Simply call(610) 759-2837 and ask for a Customer Service representative
Irsquove shipped guitars to Martin for years and never damaged a one in the process Not even a scratch Herersquos how I do it
De-tune the strings with just enough tension to keep the bridgepins and saddle securely in their slots If there are electronicsremember to remove any batteries to make sure that they do notbecome loose during shipping Also and very importantly removethe endpin Some people remove strings bridge pins endpin andsaddle (if itrsquos a removable type) put them in an envelope and put theenvelope in the string pocket of the case Thatrsquos fine but make surethat the envelope is securely packed with wadded tissue paper on topof it so that it doesnrsquot shake itself or its contents out of the string pocket and wreak havoc on the guitar
C A R E A N D F E E D I N G
Shipping Your Guitar
Home To Mother
BY BILL BUSH
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Next buy a box of stringed paper tags Print your nameaddress telephone number and e-mail address on one side of the tag on the other side print the Martin model number andserial number Fill out two tags Attach one tag to one of the
tuning machines attach the second tag to the case handle Why If anything happens to the shipping labels in transit thereis a record of you as the owner in two places within the box
Also purchase a package (or two) of plain soft tissue papersheets used for gently wrapping gifts inside a gift box Itrsquos very soft paper and wonrsquot scratch delicate lacquer Do not stuff thecase interior with newspaper
You want to be sure that the guitar is snug in the caseespecially the headstock Wad up enough tissue paper to supportthe headstock ndash top bottom and sides The entire headstock
well of the case should be filled as well as the space above theheadstock (and front of the headstock) You can also tuck tissuepaper on the fretboard near the nut You want to prevent the
headstock from whiplashing forward and backward which ishow a lot of necks get cracked
You also want to gently stuff the sides and lower bout of the guitar(where the back strip is) and around the neck heel so that there is noshifting frontward or backward In short you want to make theguitar inert (motionless) within the case No movement whatsoeverin any direction About the case No guitar should be shipped inanything but a hard case Ever Martin offers a thermoplastic hardcase (which is tough as nails) as well as black vinyl covered plywoodand plush ldquoGeib-stylerdquo hard cases They come in various model sizesand fit quite snugly
Original Geib hard shell plush cases are still floating aroundout there from the 60s as are other vintage Martin hard casesalthough none are as snug as the present variety ndash and snugnessis critical when shipping a guitar
The best shipping box for Martin guitars is the same shippingbox Martin uses to ship their new guitars to dealers Just callyour local Martin dealer and ask if you can have a used Martinshipping box - and do it quickly before itrsquos thrown out or beforesomeone else gets it Theyrsquore good as gold
About packing the case in the shipping box UPS and officesupply stores sell bags of Polystyrene foam shipping ldquopeanutsrdquoSprinkle a layer of peanuts in the bottom of the shipping boxplace the packed guitar case in the box and carefully fill-in arouthe case to the top of the box Like the guitar in the case you
want the guitar case itself to be inert in the shipping box Tapethe top and bottom box flaps with lots of wide Scotch Strappingtape (the strongest) Then use clear Scotch packing tape to cover
handwritten ldquoTo amp Fromrdquo self-sticking label in the corner of thbox top UPS amp Fed Ex have their own self-sticking labels as we
You can cover the address with clear tape but NOT the bar codThe shorter shipping time the better UPS and Fed Ex offer
Next Day Air but itrsquos expensive They also ship Ground but besure you know how many days it takes to arrive in Nazareth andship early in the week so that your guitar does not sit in a hotshipping container or parked truck over the weekend
Lastly make sure you insure your guitar Some shippers willonly insure guitars for a limited amount Others will insure onthe basis of declared value of the instrument Itrsquos not cheap but i
worth it if you love your guitar Mother will approve
De-tune
the strings(and remove
the endpin)
Fill outtwo tags
Purchase a
box of stringed
paper tags
Packing The case
should be completely
filled with tissue paper
About the caseAlways ship in a hard
case No exceptions
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C F Martin amp Co offers guitars to fit every preference and
budget but knows guitar dreams have no limits For
those whose guitar ideal canrsquot be found among the more
than 120 models Martin currently makes and who want toconceive their own unique perfect guitar Martin has
created a special place Itrsquos called the Custom Shop and it
is where guitar dreams come trueSituated on the production floor the Custom Shop is a dedicated
space with several workbenches assorted jigs and a range of racks andshelves for ldquoworks in progressrdquo Here just over a dozen of Martinrsquosmost experienced craftspeople build ndash one at a time and mostly oneof a kind ndash masterpiece acoustic guitars
ldquoThe Custom Shoprsquos goal is simply to build the best acousticguitars in the worldrdquo commented Fred Greene Martin Vice Presidentof Manufacturing ldquoWhether itrsquos an individualrsquos vision of a great
instrument a uniquely appointed model one of our dealers thinks will appeal to his or her clientele or a guitar wersquove conceived toshowcase artisan building each Custom Shop instrument is crafted asif we were making it for ourselvesrdquo
Custom guitars have been an element of Martin productionsince the company was founded in 1833 A number of Martinguitars from the 19th and early 20th century show customfeatures and custom Martins from the 1930s through the 1950shad an ldquoSrdquo suffix on the neck block model number to indicatetheir custom (or ldquospecialrdquo) status In the 1980s and 1990scustom Martinsrsquo neck blocks were simply stamped ldquocustomrdquo But
The Custom Shop
Bringing your
Guitar to LifeBY MARSHALL NEWMAN
Great sounding Custom Shop guitars donrsquot need to be fancy but if
you want to go that route Martin can certainly accommodate you12
C A R E A N D F E E D I N G
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until recently all custom Martins were built on the main shopfloor alongside their non-custom siblings
The concept of a separate stand-alone Custom Shop began to gainmomentum approximately 10 years ago but didnrsquot come tofruition until 2005 ldquoWe had a custom administrator who handledand followed custom orders on the shop floor but knew we could
do morerdquo Greene recalled ldquoIn 2005 I proposed we create a separate custom area with a separate workforce with the capability to handcraft unique instruments using traditional techniques ndash likecarving necks by hand and hide glue construction - that didnrsquot lendthemselves to our standard production process We started theCustom Shop with a staff of five it began by building the Authenticline and slowly took on custom buildingrdquo Today the Custom Shophas a staff of eleven plus three design consultants who work withcustomers dealers and builders to assure Custom Shop instrumentsare everything they can be
ldquoThe number one challenge of the Custom Shop is timerdquoGreene noted ldquoIt takes time to build instruments of the quality Custom Shop customers demand to hand-carve the necks to cut
the pearl to shape the braces and all the rest In the Custom Shop we take whatever time is needed to make these instrumentsexceptional Judging by the number of orders theCustom Shop receives people recognize the value of
what we are crea tingrdquoldquoThe Custom Shop team includes several of
Martinrsquos most experienced builders The average tenure with Martin is 25 years and there are a few who areapproaching the 40-year markrdquo Custom Shop guitarsare built almost entirely by this small staff in theCustom Shop only operations requiring largespecialized equipment ndash like side bending andfinishing - are done on the main shop floor
While all orders for Custom Shop guitarsmust be made through authorized C F Martinamp Co dealers prospective Custom Shopcustomers now have a great tool they can utilizeto design their dream guitar the Custom GuitarConfigurator Accessible on-line at
wwwmartinguitarcom the Custom GuitarConfigurator lets the user ldquovirtuallyrdquo create a guitar from a range of Martinrsquos most popular options see their creation and get a suggestedretail price quote The information then can be printed out for useas a reference during the order process
13
The Custom Shop offers a remarkable range of options(actually more than shown in the Configurator) sizes body styles scale lengths tonewoods neck profiles appointments
inlays and more Are there limits to what the Custom Shop wibuild As they sometimes say in the Custom ShopldquoWe try to never say ‛norsquo we only say ‛how muchrsquordquo In truth
there are some projects Martin wonrsquot tackle among themreplicating a Martin Custom Artist model or SignatureEdition (to respect the artistrsquos vision for hisher guitar) and
building with customer-supplied wood (which may not matchMartin specifications or standards)The Custom Shop even allows customers to come by the factory
to select the specific tonewood set for his or her guitar from Martinextensive inventory ldquoAt first it was just Martin dealers but now weare seeing individuals stop byrdquo observed Greene ldquoThe opportunityto select the set of Madagascar rosewood or flamed mahogany oranother tonewood that will become a Custom Shop guitar makesthat guitar an even more personal statementrdquoDespite its limited production and brief history the Custom
Shop has produced an impressive array of guitars Ordersoften include unusual tonewood combinations special
neck configurations or custom inlays A CustomShop guitar generally takes four to six months tobuild after details have been finalized dependingon the current workload and the complexity of theorder guitars featuring special design elements
andor custom pearlwork can take longer Whetherplain or fancy each completed Custom Shop guitar
is identified by the laser-etched Custom Shop logoon its neck block
In early 2011 the Custom Shop introducedtwo limited-production CS models the first
of a series of Custom Shop instruments that will be available for only one calendar year(or less if demand is overwhelming as wasthe case with the CS-21-11 model) ldquoThe CS
models express C F Martinrsquos spirit of adventurerdquo explained Fred Greene ldquoThese
short exclusive runs of g uitars allow us to introduceexciting new ideas that might eventually be looked upon asclassics At C F Martin amp Co heritage and creativity arenrsquotmutually exclusive and these CS guitars are the proofrdquo Readyto create your one-of-a-kind Martin guitar Good The CustomShop is ready for you
In creating your Custom Shop Martin you may choose from a wide array of tonewoods body sizes appointment levels and customized inlay sty
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Adjusting the truss rod with a special long Martin Allen wrench
Guitars are made to be played and the easier they are to
play the more pleasure they bring their owners The
action ndash the distance between the strings and the
fingerboard ndash should be just right and thatrsquos the reason
every guitar deserves a good set-upFundamentally guitar set-up is simple geometry adjusting
the guitarrsquos neck nut saddle and (occasionally) frets to put theaction at an ideal level - not so high as to be difficult to fret and notso low as to cause string buzz
C F Martin amp Co sets up every guitar it builds before it leavesthe factory Most Martin guitars built in Nazareth are set up using a PLEKreg Pro machine which scans the nut fingerboard and saddle
with a sensor compares the scan with optimal values and thencuts the nut slots contours thesaddle and polishes the frets toan accuracy of 11000 of aninch If necessary minor saddleand nut touch-up and truss rodadjustment are done by hand
when the guitar is strung A fewMartin guitars - primarily Custom Shop instruments -continue to be set up by hand
Even an acoustic guitar with a
good factory set-up may need tobe set up again within a few years according to Lon WernerMartin Customer RepairManager ldquoThe wood in a guitarcan take up to five years to ‛settleinrsquo under string tension and a change in the action may necessitate a fresh set-uprdquo Theownerrsquos playing style and
The LowdownBY MARSHALL NEWMAN on Set-up
Checking neck relief during final setup
14
C A R E A N D F E E D I N G
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technique also may dictate whether a fresh set-up isneeded ldquoA fingerstyle player
with a light touch might wantthe action lowered while a flatpicker may need the actionraisedrdquo Indeed an individualrsquosplaying style and technique are
information a repairperson will want to know to do the bestpossible set-up
So can you tell if your guitarneeds a set-up Begin with theobvious If your guitar hasbecome very hard to fret itprobably needs a set-up If thestrings buzz either open orfretted it probably needs a set-up If its intonation is way offit probably needs a set-up
A few simple diagnostic testsalso can help determine
whether a set-up is neededCheck the neck relief by fretting the low E string simultaneously above the firstand below the 13th fret thegap between the string and the6th or 7th fret should beslightly more than the thicknessof a business card Checkaction at the nut by fretting each string between the second
and third fret there shouldbe daylight between eachstring and the first fret a gapapproximately the thicknessof a sheet of paper at thehigh E and slightly more at thelow E Check the height of theaction with a machinistrsquos rulerat the 12th fret the distancebetween the fret and the string should be approximately 232-332 of an inch on the trebleside and 332-432 of an inch
on the bass side A goodelectronic tuner can be used tocheck intonation on eachstring by playing the openstring and then playing theharmonic of the same string atthe 12th fret
A lot of guitarists may betempted to do their own set-upbut Dave Doll of Martinrsquos
Customer Repair Departmentcautions against it ldquoItrsquos like a doctor educating a patient onhow to recognize symptoms thpatient may know he has a problem but he still should goto the doctor to have thatproblem fixedrdquo he commented
ldquoEven a simple set-up can bedaunting unless you know whayou are doing you may well domore harm than goodrdquo Lon
Werner was more specificldquoWhile preliminary evaluationmay suggest a set-up is neededthe symptoms also can beindicative of a much moreserious problem When theMartin Customer RepairDepartment receives a guitar
we give it a thorough going-over from headstock toendpin If the bridge is liftingor a brace has pulled loose orthe neck needs a reset (justthree examples) that is a problem that has to be dealt
with for a set-up to bebeneficialrdquo Not everyonelives so close to Nazareth tohave their Martin guitar
worked on at C F Martin amp Cobut there are more than
150 Martin Service Centersthat can give that guitar thecare ndash whether a set-up orsomething more ndash it deservesShould you happen to visitNazareth or live nearbyC F Martin amp Co offers a very cool opportunity to learnabout guitar maintenance fromsome of the best in thebusiness Every Friday from11 am until noon theCustomer Repair Departmen
hosts a guitar care seminarduring which it demonstratesthe basics of guitar careincluding some of theelements of set-up (like trussrod adjustment) The guitarcare seminar is free noreservation is needed andit is a great way to learnhow to keep your Martinin peak playing condition
15
Checking the relief of the neck
Checking the action at the nut
Checking the action at the 12th fret
Adjusting the truss rod with a long Martin wrench
truss rod wrench
hole in brace
truss rod location
gap between bottom of string
and top of fret at the 12th fret
gap between bottom of string
and top of fret at the 1st fret
with string depressed
gap at the 6th or 7th fret with string
depressed at 2nd and 13th frets
exaggerated neck relief
frontblock
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All-Star MUSEBenefit Concert
The All-Star MUSE BenefitConcertat the Shoreline Amphitheater inMountain View California supported Disaster Relief in Japanand Non-Nuclear Groups
Worldwide Featured artists includedCrosby (with his Martin Signature 12-string) Stills amp Nash Jackson BrowneBonnie Raitt Jason Mraz The DoobieBrothers Tom Morello John HallKitaro Sweet Honey in the Rock and
Jonathan Wilson
A R T I S T P R O F I L E S
Hollywood Bowl 2011Dolly Parton with her touring guitaris
Jim Salestrom who is playing hisMartin J-40 Dollyrsquos World Tour
thrilled attendees at the HollywoodBowl Saturday July 23 2011
DonavanFrankenreiterDonavonrsquos fourth studioalbum Glow is describedas ldquowarm organic andoverwhelmingly hopeful Theperfect antidote to trying timesrdquo Hersquos playing his triedand true Martin 000-18 Shawn Colvin
Shawn Colvinrsquos new Live album wasnominated for the Grammy Awardfor Best Contemporary Folk Album
Accompanied with her pristineM3SC Signature Edition findShawnrsquos enduring music on iTunes orat amazoncom
16
oto by Lynn Goldsmith
P
h o t o b y L y nn G ol d s mi t h
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Ron Davies(1946-2003)
A songwriter fromthe pacific northwestRon Davies at 17bought a well worn1956 D-18 Martin
which he put to gooduse writing an entirealbum of songs forthe Seattle band ldquoThe
Wailersrdquo As an artisthe recorded fivealbums during hislifetime but he isbest remembered forhis songwriting
His songs have been covered by a diverse group of artists that include Joan Baez David Bowie (Ziggy Stardust) Long John Baldry Ann Murray Three Dog
Night Nitty Gritty Dirt Band Helen Reddy Jerry Jeff Walker Maria Muldaur Joe Cocker Randy TravisNanci Griffith and the Raconteurs to name a few
In 2011 friends in the pacific northwest cametogether to record ldquoThe Mystery of Ron Daviesrdquo a tribute CD containing eighteen of Ronrsquos songsperformed by artists from his hometown and one by Davies himself Available on iTunes and at CD Baby allof the proceeds will benefit ldquoMusic Caresrdquo
Leslie TuckerLexington Virginia-based singersongwriter Leslie Tuckerrecently received the gift of a Martin D-41 from a legion of her fans and she plans to use her new acquisition in theproduction of a new album project currently in progressalong with a tour of performances when itrsquos released Tune into wwwleslietuckercom for updates
Santa Cruz Blues Fest 2011Some of the worldrsquos finest guitarists including Jonny Lang were on hand to salute guitar legend JimiHendrix at this yearrsquos Santa Cruz Blues Fest 2011
Jonnyrsquos playing his Martin J-40 Jumbo
Sting
17
Early StingFrom Andy Summers groundbreaking book Irsquoll be watching you Insidethe Police 1980-1983 Police guitarist and professional photographer
Andy Summers captured Sting with his Martin D-28 in 1982
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Fast AJ AJ Rubino of SpringfieldMassachusetts has beenperforming folk and country music for nearly fifty years ndash
much of that time with his1975 Martin D-35 slightly customized with fingerboardinlay by luthier Harry BeckerThis photo will grace the cover of AJrsquos forthcoming CD
He is a loyal member of the Martin Ownerrsquos Club andowns several other Martin guitars The tree AJ is standing in front of was destroyed by the tornado that hit WesternMassachusetts in June of 2011 but no one was hurt andall of the Martin guitars survived
A R T I S T P R O F I L E S
The Kingston Trio Fantasy Camp 2011
Winfield KansasFestivalrsquos Martin D-42
Allen Shadd began playing guitar when he was seven years oldacquiring his first Martin guitar -
a 1973 D-35 at the age of tenSince then he has gone on toperform in many bands guitar
workshops recording sessions and in 1997 released his own CDldquoA Cut Aboverdquo Allen also frequently competes in guitarcompetitions and has won some of the most prestigious flatpicking contests that have included Merlefest Rocky Grass and the WayneHenderson guitar competition He brought home this yearrsquos MartinD-42 from the National Flatpicking Championship held in
Winfield Kansas Itrsquos the sixth time Allen has placed in the topthree including his first place finish in 1997
18
wwwkingstontriocom
Caroline JonesThis NYC-based singer songwriterguitarist and producer was trainedclassically by Andy Anselmo Founder
of New Yorkrsquos ldquoThe Singerrsquos ForumrdquoCaroline began singing opera ariascabaret standards and show tunes at agenine Under the management of Tommy Mottola and Chris Apostle shebegan recording her original songs withproducer Chris Toland at Sony and
Avatar studios in New York as a studentat The Professional Childrenrsquos SchoolIn 2008 Caroline began monthlyco-writing trips to Nashville where sherecorded with many of the industryrsquostop talents Since then she has been
performing and recording with herMartin 00-21 Kingston Trio modelthat pays tribute to original KingstonTrio member Dave Guard (1934-1991)
Shown above are Fantasy camp attendees each holding their Martin guitars (plus one banjo)
P h o t o b y J o h n L i n d
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Dierks BentleyReaching deep into acoustic rootsmusic resulted in Dierks Bentleyrsquosnew album Up On The RidgeMore than a bluegrass concept
album with guests Up On TheRidge features Bentley working with some of the finest acousticmusicians in the world including long-time collaborators theDel McCoury Band and a new musical partnership with ChrisThile and the Punch Brothers Asa recent addition to the Martin
Ambassador ranks Dierkrsquos israrely seen without his prizedvintage herringbone D-28
Hawaiirsquos HirsquoikuaIn a culture that honorsthe legacies of the pastthis Hawaiian trio of talented musicians pays
homage to their roots while creating a uniqueand progressive soundthat leaves an indeliblemark upon contemporary Hawaiian music
In a seamlesscontinuous movement we all carry a past while living in thepresent and moving toward a future Hirsquoikuarsquos music reflectsthe belief that without asking the knowledge of our ancestorshas already been placed within us in the hope that we too
will shoulder that responsibility in an unbroken journey intothe future
Their music is composed and performed by Kalehua Krug (left with his Martin 12-string) Kamuela Kimokeo (above andcenter left with his Martin OMC Aura cutaway) and BlakeLeoki-Haili (right with Martin tenor ukulele)
The grouprsquos name derives from the Hawaiian word thatmeans literally ldquoto carry on onersquos backrdquo Hirsquoikua has taken thisresponsibility seriously
ldquoAia I Hirsquoialordquo the long awaited CD from Hirsquoikua featuressix original and six traditional songs
wwwhiikuacom J e r r o l J u l i a n P
h o t o g r a p h y
J e r r o l J u l i a n P
h o t o g r a p h y
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F R O M T H E A R C H I V E S
Waiting for the Sunday Boatrdquo by William Henry Jacksonrdquo Florida circa 1902Martin small-bodied parlor guitar
ldquoAs long as
Irsquove got my guitar
Irsquoll be finerdquo
mdash Willie Nelson referring to Tri
his legendary Martin guitar
HometownCentenarianMary Arletta Hahnis shown (right)
with her 00-1712-fret Martinguitar Mary was inher twenties whenthis picture was
taken (circa 1932)She was born inNazareth andturned 104 this pastSeptember Healthy small town living Shereceived her theology degree from the United
Wesleyan College but she also majored in voicepiano and guitar She would sing and play guitarin her fatherrsquos varied congregations Mary haslived her entire life in and around NazarethToday she lives just one block from where herguitar was made
1883 Advertisement
Gu i tar is t and Mando l in
is t
c irca 18 9 0
Guit ar ist and Mandolinist c ir c a 19 25
20
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Ahh the sound of the Martin Rich and evocative Texture
lifeby strummingorpickingorthe lightesttouchtoteas
harmonicsthesoundmdashlikethehistoryofCF Martinamp C
peopleanda storyofthesensesHearitTasteitFeelitA
artist Robert Goetzl see it Seethe sound of the Martin
FEA TU R E
The Soundand the Story
Thehand drawnsketches (right)illustratethesix-panel seriesofthree-foot byfour-footmuralsthatwillhangintheMartinVisitorrsquos Center
BYSUSAN J BURLINGAME FREELANCE WRITER MARTIN
22
mdashC FMartin IVmdashcalls itldquothe magic ofFrom JohnnyCash to John Mayerand fromElvis Costello manyof historyrsquos mostbrilliantve chosen the Martin sound the Martin magicm the Martin storycontinuesMartin magic is mostprofoundly representedby n in the early1800s on the otherside of theour eyes fora momentand imagine ayoung king browfurrowed in concentration Heods the braces the strings of his firstguitarrtin has traveledfrom his home in Saxonytoe learns the artof guitarmaking as ane of the bestknown guitar shops in Europeg his 37th year C F Martinalong with hisdren sets outfor Americae story as theysayhellipis magicamp Co is still family-ownedmdashbutthe ldquofamilyrdquoh Martins and non-Martins generations of
ed arole in crafting the exquisite acousticrtin has offeredthe world formore than 175ertGoetzl a cousin to Chris Martinhas been create awork of art depicting C F Martin ampamily its sound andits storyeries of three-footby four-footmurals thatwillin Visitorrsquos Center the work says Goetzl is a love Chris Martin thatmuch He wasuential in mylife andthe opportunityto tellyauthentically is extremelymeaningful to merdquonels (pictured here)take viewers on CFfrom Saxonyto Viennato the newworld
ured as the music of the Martin guitar thensionalmdashdone in mixedmedia with collage andreating the firstpanel was forGoetzl the biggest
23
challenge ldquoI realizedthe enormityof the projectmdashnotjust inscope butalso in importance to the familyand to the thousandsof people who wouldbe looking atitrdquoGoetzl labored andsecond-guessedand tweakedand proddedbefore finally unveiling itto Chris Martin andothers at Martin ldquoThe lookson theirfaces toldme I had naileditrdquo Panel numbertwo which illustrates the Martin familyrsquosinitial shopin New York andthe move to NazarethPennsylvania causedGoetzl much less consternation butequallyas much joy he says as will each successive mural ldquoIf this is the endof the roadfor me the lastwork I evercreaterdquosays Goetzl (who surelyhas afew more decades ofcreativityleft) ldquoI wouldbe completely fine with thatrdquo
ldquoRobert has put his heart into
creating something that will
make a tremendous addition
to the Martin experiencerdquo
mdash Dick Boak Artist Relations C F Martin amp Co
Tex Fletcher
SingingcowboyTexFletcher maynot
have become the household name that
other cowboy singers from the 1930s
such as Gene Autry and Roy Rogers had
butdespitesometimes overwhelming
odds hersquosbeen remembered nonetheless
forhis noteworthycontributionsto earlyand
mid-20th century cowboy culture
He was born Geremino Biscegliain 1910 in HarrisonNew York the fifth of eight children of Italian immigrants Michael(astone mason)and Josephine Bisceglia He leftschool afterthethirdgrade to work with his fatherandbrothers He was raisedin a musical householdand he learnedto sing andplay traditional Italian songs accompaniedby accordionsmandolins andviolins
Jerrypicked upa fewguitar chords froma local right-handedguitarist butbeing left-handed he retaughthimself to playhisown right-handedguitarldquobackwards andupside downrdquoas he wouldlater explain with achuckle
He became enamoredwith the silver screen cowboys of theday often sneaking into the local cinemaforshowings of thelatestsilent picture starring TomMix WilliamS Hartand YakimaCanutt
Overthe nextfew years the teenagedcowboy wannabe beganto realize his boyhoodambition as he learnedto handle horseandcattle byday while soaking upcowboy lore andcampfiresongs bynight in effectbecoming aldquorealrdquocowboy Asinging cowboy Unique stuff forthe late 20s He returnedto NewYork in 1931 with aconfidence anda newfoundvoice With saddle bags full of cowboy stories andsongs the cowboysingerwas now going bythe name Tex Fletcher He began entering andwinning localthen regionaltalentshows Fletcherrsquos confidence grewwith each winning purse as was evidencedbyhis every growing wardrobe of
cowboyoutfits andhis first Martin guitar a000-45 He neverplayedanother companyrsquos guitars again believing the leastexpensive Martin guitarwas headand shoulders aboveanyother companyrsquos bestHistory has clearlymade fora compelling argument Itwasnrsquotlongbeforehereceivedan offerofa radiojobas asinging cowboyoverWFASinWhitePlainsNewYorkBy1934 attheheightofsingingcowboycrazeFletcherbegana relationshipthat wouldlastmorethan 25yearsbroadcastingoverWORNew YorkNewJersey(MutualNetwork)Itwas thesameyear thathebeganappearingatthe VillageBarnnightclub(whichwouldlaterbecomeJimiHendrixrsquosElectricLadyland)inGreenwichVillageNYagig thatlastedwell intotheearly1960s
1934 was also the yearTexorderedhis custommade MartinD-42Hersquodadmiredthe pearlygoodlooks and loudtone of Gene Autryrsquos D-45 (the firstD-45) butwanted an instrumentthatw ouldbe uniquelyTexFletcherrsquos guitar But he wasnrsquotthe onlycowboysinger who wantedto follow in Autryrsquos trail Milwaukee -based Jackie ldquoKidrdquoMoore beathimto the punch when he ordered his own D-45 (No 2)fromMartinBut according to authorMartin researcherJohn Woodland amisunderstanding with regardto neck length ledMartin to shelve the unfinished14 fretto the body D-45Moore then optedfor awider OMstyle neck with 12 frets tothe body This D-45 is No3 Then along comes NewYork radio cowboyTexFletcherwithhis own ideaof whatfeatures ldquohisrdquoguitar shouldsportincluding 14 frets to the body which alignedperfectly with the
partiallyconstructed D-45 (No2) buthe wanted all the flashupfront So insteadof proceeding to finish the guitaras aD-45Martin craftsmen changedthe toprsquos bracing to aHigh ldquoXrdquoconfiguration anddesignated this slightlymore modestcousinof the D-45the D-42 So the TexFletchermodel is not only the firstD-42butalso the secondD-45Itremainedthe only example of the D-42 forthe next54 years
Fletcherhadbeenout ofthe musicbusinessforjusta fewyears whenhe wastrackeddownin theearly1970sby then-MartinhistorianMikeLongworthwho convincedthe oldcowboytodonatetheinstrumenttothe MartinMuseumFletcheragreedandthatrsquoswhereitresidesto thisdaydisplayedjusta fewfeetfromitrsquosfirstcousintheGeneAutryD-45 (No1)
21 24
N EW PR O D U CTS
NEW A DDITIONS TO
OUR LINEUP OF
Great Ukuleles
The Martin Standards of Tone and Workmanship Prevail
C1K amp T1K UkulelesMartin has been building the worldrsquos finest ukuleles
from as early as 1916includingthesmallest Soprano
the original model to the larger Concert in 1925 and
the Tenor uke in 1929 Both the concert model and
tenor models havelong been prized for their full-bodied
voiceandgreatervolumeThesenewC1Kconcertand
T1Ktenor modelsfeaturetops backsidesand head-
platesofsolidHawaiianKoaawoodnativeto Hawaii
and a favoriteof island players Both ukes feature solid
Sitkabraces genuinemahoganyblocksand applied
dovetailneckjointsintheMartintraditionNecksare
craftedofselecthardwoodandcappedwithasolid
Morado fingerboardtheconcert has a 15rdquoscalelength
thetenor a 17rdquoscaleBridges arealso ofsolid Morado
with whiteTusqsaddles Open-geared nickel tuners with
whitebuttons ensureprecision Finished in high quality
satinlacquerPadded bagincludedTwo beautifulexam-
ples of why Martin is still the name in superior quality
ukuleles
ldquoAs far as inanimate objects
being friends I think that is right
on the list My Martin ukulele
is a work of art Itrsquos going to live
long after merdquo
mdashEddieVedderPearl JamUkuleleSongs
T1K
C1K
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2446
Clock key mechanism for
adjustingguitar necks on
Martinrsquos earliest guitars
manufactured in New York
ImaginedMartinfamily portrait
CircaSeptember1833mdashat the
timeof theMartinsrsquotransatlantic
journey to the New World
Mappointingto
Markneukirchen the
main town in Germanyrsquos
musicalinstrument-
makingregion
Embellished original
drawingofCF Martinrsquos
residencein
Markneukirchen
Saxony (Germany)
Thesa
carries
North
specta
showe
Harbo
Imagin
CFM
Hudso
Depic
mold
a Mart
glueu
NEL ONE 2 bull PANEL TWO
Rende
home
in Che
Circa1
Portra
presid
when
arrived
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
OM -21 NEW Martinrsquos OM (Orchestra Models)
guitars have always been very
special to fingerstyle guitarists
especially this new OM-21 with its
comfortable 1-34rdquo wide neck at the
nut and highly responsive 14rdquo
scalloped Sitka top braces Elegant in
its simplicity this new version offers a
tasteful upgrade of solid black ebony
fingerboard and 30rsquos style ldquobellyrdquo
bridge with genuine bone saddle and
nut all adding to the rich resonance of this guitar Whatrsquos more wersquove
replaced the standard OM neck with a
slimmer ldquoPerformingrdquo Artistrdquo modified
low oval profile tapered neck and
wider 2-316rdquo bridge string spacing for
faster more comfortable playing The
solid Sitka spruce top with
hand-inlaid 28 style
rosette is joined to a
body of premium
solid East Indian
rosewood bound intortoise colored
18 style binding
Delmar tortoise color
pickguard nickel
open-geared
tuners with
Butterbean
knobs and
polished gloss
lacquer with
aging toner
complete this
beautiful
instrument
Delivered to you in the
new Martin 433 archtop
hardshell case If yoursquore a finger picker this new OM-21 is
the one to pick
D-18 NEW Since its introduction in 1935 the D-18
has been the workhorse of the Martin steel
string acoustic line More plain and less
costly than its D-28 rosewood cousin the
D-18 has none the less established its own
tonal identity ndash balanced crisp midrange
definitive bass and bright clear treble a
favorite of innumerable bluegrass blues and
country performers as well as discerning
studio musicians ndash because it is a great
performing and recording guitar Over the
years the D-18 has seen numerouspermutations ndash the D-18V and D-18P ndash as
well as variations in bindings rosette
fingerboard amp bridge woods bracing
patterns and pickguards And now the
new D-18 brings together
the best features of all of
these great D-18s into
one superb sounding
and playing guitar On
the traditional side backs
and sides are still crafted
of solid genuineMahogany joined with a
solid Sitka spruce top
with forward-shifted
scalloped ldquoXrdquo bracing
The fingerboard
and 1930s style
belly bridge are
fashioned of
solid black
ebony as were
the originals
Whatrsquos new A
lightning fast modified low
oval profile neck with a
1-34rdquo nut width and slimmer 2-18rdquo taper at the 12th fret Itrsquos
the same neck featured on our innovative Performing Artist
series guitars with the same wide 2-316rdquo bridge string
spacing too for greater player comfort and accessibility up
and down the neck The new D-18 The perfect blend of past
and future ndash and great guitar to start the New Year
8102019 Vol_32pdf
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NAMM Show
Specials
N E W P R O D U C T S
2012 Martin Show Special Guitars
The DCPA Koa amp GPCPA Koa They donrsquot get any more beautiful ndash or more
beautiful sounding ndash than these spectacular
dovetail flamed Koa Performing Artist guitars
And with only a total of 30 instruments ndash
combined ndash being offered to dealers at the 2012
NAMM Show they donrsquot get any rarer either Here
wersquove chosen two of our most popular cutaway models in
the Performing Artist series the classic Dreadnought and
the Grand Performance and crafted the backs and sides
of premium Hawaiian flamed Koa a resonant tonewood
indigenous to the Hawaiian islands Koa has long been by
favored by native Hawaiian musicians for guitars and
ukuleles as well as discerning players and collectors
worldwide Martin in particular has built various sized
instruments of Koa from as early as 1850 The tops are of prized solid Adirondack Spruce as are the scalloped
forward-shifted ldquoXrdquo braces in the ldquoGolden Erardquo fashion The
bodies are bound with solid Madagascar rosewood the
top is inlaid in the 42 style with an elegant blue Paua
pearl rosette The backstrip is 45 style marquetry Both
guitars feature our fast and comfortable Performing Artist
modified low oval mahogany neck with ebony
fingerboard and
wide 2-316rdquo string
spacing on the
ebony Performing
Artist belly bridge And the
crowning touch both guitarsare equipped with the new
Fishmanreg F1 Aura + onboard electronics system the
ultimate in acoustic realism and projection as well as
pickup versatility Waverly gold tuners with Ivoroid
buttons complete the package Orders for the DCPA Koa amp
GPCP Koa will be taken solely from dealers in attendance
at the 2012 NAMM Show in Anaheim California
NEW TOOLS
for GREAT TONE
GPCPA Koa
DCPA Koa
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
DCPA1 Madagascar Rosewood ampGPCPA1 Madagascar Rosewood
These two very special dovetail Performing Artist
guitars reflect the best of Martin innovation expert
craftsmanship and selection of superior tonewoods ndash
all in one As PA series models Dreadnought and
Grand Performance they include a unique slim
tapered fast neck for exceptional player comfort in
all positions a smaller and lighter PA ldquobellyrdquo bridge
for greater tonal response and increased string
spacing for easier finger picking They also
include the new state-of-the-art Fishmanreg F1
Aura + onboard electronics system that deliver
striking acoustic realism and projection
Plugged in or pure acoustic these are great
sounding guitars ndash and with good reason The
tops are solid Adirondack spruce pearl inlaid inthe 41 style and driven by 516rdquo Adirondack
scalloped braces forward-shifted in the ldquoGolden Erardquo X
pattern The back sides and headplate are Madagascar
Rosewood selected for its beauty and close acoustic and visual resemblance to
Brazilian Rosewood Solid black ebony is used for the fingerboard and bridge
Details include grained Ivoroid bindings Delmar beveled tortoise color pickguard
special ldquoalternative torchrdquo inspired position inlays gold enclosed tuners bone nut
and saddle The most distinctive Performing Artist production models to date
Fishmanreg F1 Aura + The Fishmanreg F1 Aura + features a newsimplified and intuitive Easy Mode allowing youto quickly get a feel for the tonal possibilities ofthe system while providing the most importantfeatures The Easy Mode offers three custom-blended Aura Image presets tone control and
the option of using the undersaddle pickuponly For the real tone-tweakers wersquove retainedthe original Performance Mode as well givingyou full access to the powerful 3-band EQscompressor and automatic anti-feedback ofthe F1 Aura +
Performing
Artist SeriesDCPA1
Madagascar
Rosewood
GPCPA1
Madagascar
Rosewood
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N E W P R O D U C T S
Performing
Artist Series
Martin introduces an exciting
new tonewood called Siris
DCPA4 Siris amp
GPCPA4 Siris
With these two new
Performing Artists guitars
Martin introduces an exciting
new tonewood called Siris
adding even more tonal color
and variety to the PA series Siris
delivers excellent bass response
reminiscent of East Indian rosewood as
well as a clear midrange and treble making it an
excellent guitar wood for recording and for playing live Lighter in color
yet denser than rosewood it produces a slightly longer sustain thanrosewood Siris is typically dark orange contrasting beautifully with the
Sitka Spruce tops tortoise colored pickguards grained Ivoroid bindings
and special East Indian rosewood center wedge on both guitarsrsquo 3-piece
backs The DCPA4 Siris and the GPCPA4 Siris are 14-fret cutaway guitars and
have fast comfortable Performing Artist profile necks Hybrid ldquoXrdquo scalloped top
bracing black Richlite fingerboards and bridges and Fishmanreg F1 Analog
onboard electronicsGPCPA4 Siris
DCPA4 Siris
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2946
Over 175 Years of Guitar Building Excellence
The GPCPA4 Sapele is constructed with
FSCreg Certified tonewoods harvested from
ecologically sound and responsibly manag
forests The fingerboard and bridge are
built with FSCreg
Certified Richlitereg
29
GPCPA4 SapeleFirst introduced in 2010 the GPCPA4 is an extraordinary Martin ndash a
big Grand Performance cutaway with a fast comfortable Performing
Artist Series high performance neck But this brand new version ndash
the GPCPA4 Sapele ndash is extra special It rsquos built with FSCreg Certified
tonewoods harvested from ecologically sound and responsibly
managed forests This includes African sapele back and sides
mahogany front and rear blocks cherry side strips Spanish cedar
ribbons and European spruce Hybrid ldquoXrdquo scalloped bracing The top
is FSCreg Certified recycled Sitka spruce produced from old bridge timbers in Canada
Even the fingerboard and bridge are crafted of FSCreg Certified Richlitereg material High
polished gloss top finish with tasteful Cherry red toned back and sides Fishmanreg F1
Analog electronics are included with volume and tone shaping capabilitiesonboard digital tuner and phase control Quite a
package Quite a guitar
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N E W P R O D U C T S
DCPA5K and GPCPA5K
Advanced guitar design meets high-
tech guitar construction The result
two highly affordable Performing
Artist guitars with excellent tone
playability and durability Back
and sides of the cutaway
Dreadnought and Grand
Performance models are made
of a high-pressure wood fiber
laminate (called HPL) with
Koa grain and texture photo-
imbedded The top is solid Sitkaspruce braced with Martinrsquos Hybrid ldquoXrdquo
scalloped bracing system renowned for its
resonance clear treble and distinct bass The Performing Artist Profile neck is
slim and fast and comfortable made of tough Stratabondreg multi-layered
wood laminate Performing Artist bridge and fingerboard are black Richlite
Chrome enclosed tuners with large buttons and Fishmanreg F1 Analog
onboard electronics included A terrific value with great tone and
environmentally friendly
Performing
Artist Series
The DCPA5K and GPCPA5K
are Performing Artist guitars
with excellent tone playability and durability
GPCPA5K
DCPA5K
8102019 Vol_32pdf
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Road Series
31
Over 175 Years of Guitar Building Excellence
Special Edition
DRS2 The latest of Martinrsquos hard-working
great sounding Road Series guitars
the new DRS2 delivers a unique blend
of durability and concert-quality
sound and projection The top is
crafted of solid Sitka spruce and
braced with Martinrsquos A-Frame (X1)
bracing Back and sides are select
solid Sapele similar in look and
tonal qualities to its
close cousin
mahogany As
beautiful as it looks
and sounds the
DRS2 is a serious
working musicianrsquos
guitar built for on
the road durability
without sacrificeof tone The
neck is
constructed
of a multi-
layered
wood
laminate
called
Stratabondtrade
that perfectly
simulates natural
quartersawn wood grain The fingerboard and bridgeare crafted of black Richlite amazingly similar in look
weight and resonance of ebony A Fishmanreg
Sonitone sound reinforcement system completes
this very road ndash and stage ndash worthy Martin
000C NylonIn response to the many Martin players
who chose the limited edition 000CDG
built in memory of Chris Martinrsquos late
brother Doug Greth we have
expanded upon this unique ldquocrossoverrdquo
instrument with the new 000C Nylon It is
truly a hybrid instrument combining features
of a traditional Martin steel-string guitar with
those associated with a classical nylon string
guitar The top is crafted of solid Sitka spruce
and braced with a unique A-Frame ldquoXrdquo brace
system Yet this bracing system is equally
responsive to lighter nylon strings without
inhibiting tone or volume The 12-fret low
profile neck features an 18rdquo radius arched
(versus flat) fingerboard like a steel string
but with a classic width 1-78rdquo at the nut and
2-516rdquo at the 12th fret The bridge is in the
classic style with tie block and drop insaddle Bridge string spacing is a
wider 2-516rdquo as well Even the
000Crsquos headstock is unique ndash
square tapered like the
traditional Martin steel
string style but slotted to
accommodate classical
nylon strings Each guitar is
fitted with onboard Fishmanreg
F1 Analog electronics too
The result A versatile
great sounding andplaying guitar no
matter whether you
play acoustic or
acoustic electric
or both
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3246
D-28M Limited Edition Celebrates
The Enduring Music and Legacy ofThe Mamas and The Papas
The appointments on the D-28M Mamas and ThePapas Custom Artist Edition emulate a circa 1960sD-28 blackwhiteblack top purfling blackwhiteback purfling grained Ivoroid binding and heelcapldquocheckerboardrdquo backstrip mother of pearl dotposition markers chrome Groverreg Rotomatic tunerstortoise-colored pickguard polished gloss lacquerfinish and vintage-inspired aging toner on the topExtra flash comes in the form of a Style 45 abalonepearl rosette and abalone pearl-topped bone bridgeand end pins
The guitarrsquos crowning glory is ndash appropriately ndashon the polished black ebony headplate Above
the nut sheltered by the familiar gold old-styleldquoC F Martin amp Co Est 1833rdquo decal logo is a silhouette of The Mamas and The Papasbeautifully inlaid in mother of pearl Derivedfrom a photo by Henry Diltz the inlay capturesthe group in full performance mode
In the early 1960s the four musicians whobecame The Mamas and Papas were a long way from pop music stardom though all wereinvolved in the East Coast folk music scene
John Phillips was a member of the JourneymenDenny Doherty and Cass Elliot sang with theMugwumps After the Journeymen broke up
John Phillips his wife Michelle Phillips andMarshall Brickman formed the New JourneymenMarshall eventually left the band but went on toco-write Oscar winning screenplays with Woody
Allen and he co-wrote the book that became therecord-breaking play ldquoThe Jersey Boysrdquo
Marshall Brickman was replaced by Denny Doherty and soon Doherty introduced hisbandmates to Elliot The four began harmonizingto the pop songs John was writing and perfectedtheir sound during a Caribbean vacation together
The starting point for The Mamas and the Papasrsquofresh pop sound was the folk music all fourmembers played before they got together as a group Songwriter and leader John Phillipsrsquo well-
worn Martin Dreadnought often provided thestrummed rhythmic underpinning on which TheMamas and Papasrsquo band instrumentation andvocals were layered The combination proved tobe genius and even today The Mamas and thePapas ldquosoundrdquo is instantly recognizable
To celebrate the group and its place in popmusic history C F Martin introduces a very
special D-28M Mamas and The Papas
Custom Artist Edition Limited to just100 instruments this new Custom Artist Edition features rare tonewoodshandsome appointments and aunique headstock inlay to honorthese musical trailblazers
John Phillipsrsquo vintage Martin D-28provides the inspiration for this Custom Artist Edition The tonewoods and top
bracing are a stellar combination thatapproximates those of MartinDreadnoughts from the early 1930sBack and sides are rare Madagascarrosewood similar in appearance andtone to the now endangered Brazilianrosewood The top is Carpathianspruce comparable in power andbrilliance to Adirondack spruce andequally responsive Advanced ldquoXrdquo
516rdquo scalloped bracing provides richresonant tone The 1 1116rdquo (at the
nut) low profile neck with diamondvolute is genuine mahogany while the
fingerboard and belly bridge are black ebony
L M
In the 1960s The Mamas and the Papas were at the epicenter of a musical earthquake
that began in Southern California and sent shockwaves across the country Combining
great songwriting unique arrangements and lush harmonies the group had six ldquoTop
10rdquo singles and four ldquoTop 5rdquo albums from 1965 through 1967 a feat that made them one
of the few groups to challenge the Beatles during that era While The Mamas and the
Papasrsquo original lineup of John Phillips Cass Elliot Denny Doherty and Michelle Phillips
lasted just four years several of the songs they created ndash including ldquoCalifornia Dreaminrsquordquo
ldquoMonday Mondayrdquo ldquoWords of Loverdquo and ldquoTwelve Thirtyrdquo ndash have stood the test of time
32
8102019 Vol_32pdf
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(This story should sound familiar they laterturned it into a hit single ldquoCreeque Alleyrdquo)Eventually the four traveled to Los Angeles
where they auditioned for Dunhill RecordsOwnerProducer Lou Adler Adler signed them tohis label immediately and two days later thegroup had a name The Mamas and the Papas
Released in 1965 The Mamas and The Papasrsquofirst single failed to garner much notice Howeverthe second single ldquoCalifornia Dreamingrdquo co-
written by John and Michelle Phillips reachedNo 4 on the charts The grouprsquos debut album If
You Can Believe Your Eyes and Ears was releasedin early 1966 and rose to No 1 quickly followedby the single ldquoMonday Mondayrdquo which also hitNo 1 and later won a Grammy Award for ldquoBestContemporary Group Performancerdquo
While The Mamas and The Papasrsquo personallives became increasingly turbulent over the nexttwo years their music continued to flourish they recorded three additional albums ndash The Mamasand The Papas Deliver and The Papas and TheMamas ndash that went ldquoTop 20rdquo and in turn yieldedseveral ldquoTop 20rdquo singles
In 1968 bitter infighting between memberscaused the group to disband Due to contractualobligations they reunited briefly in 1971 to makethe People Like Us album and then went theirseparate ways Cass Eliot had a flourishing solocareer that was cut short by her death in 1974
John Phillips continued to write songs and bothhe and Denny Doherty performed and recordedas solo acts In the 1980s and 1990s they occasionally reunited to tour as members of the
New Mamas and Papas John Phillipsdied in 2001 Denny Doherty died in2007 Michelle Phillips enjoyed a successful acting career and today isthe last surviving original memberof the group
Despite the grouprsquos short history TheMamas and The Papasrsquo musical legacy remainsundiminished the group was inducted into theRock amp Roll Hall of Fame in 1998 and received a
Grammy Hall of Fame Award in 2001 In 2003 If You Can Believe Your Eyes and Ears was ranked127 on Rolling Stone magazinersquos list of the 500greatest albums of all time
Delivered in a hardshell case eachD-28M Mamas and The PapasCustom Artist Edition guitar bears a special interior label featuring theldquosun rayrdquo graphic from the RouletteRecords label on which some of TheMamas and The Papasrsquo singles werereissued in the 1970s Each label ispersonally signed by former Mamasand The Papas member MichellePhillips and numbered in sequence
with the edition total Beginning immediately authorized C F Martindealers will accept orders for theD-28M Mamas and The PapasCustom Artist Edition until all 100guitars in the edition are allocatedparticipating Martin dealers willthen be posted on theC F Martin website
wwwmartinguitarcom
33
S A M P L E
8102019 Vol_32pdf
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L O N D O N A C O U S T I C G U I TA R S H O W
Acoustic guitar aficionados attending The London
Acoustic Guitar Show were treated to presentations
that showcased Americarsquos favorite musical instrument
brand and featured musical vignettes by legendary
and influential guitarists Stefan Grossman and
John RenbournThe presentation was given by Dick Boak archivist for Martin
Guitar who offered a graphical and interactive history of the 178-year-old guitar company In addition Dick displayed severalimportant examples in the evolution of Martin acoustic guitarsThe presentation focused on the development of the modern
acoustic guitar Martinrsquos historical contributions to the definitivacoustic guitar design artist signature model collaborations an
an in-depth explanation of specific guitar shapes sizes andtonewoods that lend themselves to particular musical genres JoRenbourn and Stefan Grossman legendary acoustic fingerstyleinnovators demonstrated the tonality of an assortment of Martinstruments including their own Custom Signature models
Martinrsquos UK distributor Westside Management was a primasponsor of the show and the host for the concert stage thatfeatured a stunning live performance by Renbourn and Grossm
Dick Boakrsquos presentation provided a template and proving ground for potential future presentations throughout the UniteStates Europe and Japan
THE LONDON ACOUSTICGUITAR SHOWSaturday and Sunday September 10-11 2011
Olympia Conference Center London
34
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3546
Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3646
M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
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The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
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M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
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M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
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Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
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M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
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Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
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A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
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C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
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P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
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The guitarist Barclay Martin played for the people in Joplin atthe Joplin Relief Concert wwwbarclaymartincom
3
2011 Summer Tour Guides
A big THANK YOU to our 2011Summer Tour Guides
They did an excellent job of managing and educating our factory visitors on the building process Inaddition by covering the tours theygave their co-workers time to focuson making great guitars
Joplin Tornados
The town of Joplin Missouri was hit by an EF-5 tornadothat wiped out a third of the city and took over a hundred lives
Geoffrey Pollock (pictured above) was at a friendrsquoshouse a little out of town when it happened He wrote into give us an update ldquoWe were listening to the weatherreports on the radio while we were taking cover in theirbasement and heard the news of some places that hadbeen hit in town They were pretty close to where I live soI jumped in the car and headed for home The 15 miledrive took about an hour and a half due to backed uptraffic but I somehow managed to get within a mile of my house before I abandoned my car and started running through total devastation
I hoped that my house had been spared but when I gotthere it was all but destroyed I still had 4 walls (betterthan most) but the whole roof had been ripped off at theceiling I entered the house not knowing what Irsquod find butlooking for one thing - my D18 that I bought while I wasin college in 1979 After moving some roof and furniture
around I found it under a recliner As I moved the reclinerI expected to find it all smashed up but it was still in onepiece It had a small crack in the top and somehow the pick guard had come off but after all it had been through it wasin great shape
I found the case hiked back to my car and startedhelping neighbors who didnrsquot fare as well I did
I was much luckier than most people I still have the onething that I owned that I couldnrsquot have replaced Some
folks were left with nothingIt will be many years until Joplin gets back to normal
but little things like finding that guitar gave me hope for a great future
ldquoIrsquom calling the guitar my Martin D18 EF-5 editionnow I cleaned it up put on new strings and it sounds asperfect as it always hasrdquo
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Christiersquos Charity EventRichard Gere sold a majority of his vintage andcustom guitars at Christiersquos auction house onOctober 11 in New York City This included a 1901 Serial 9373 which is significant to thedevelopment of Martinrsquos Style 45 guitars (seephoto above) The Martin ledger mentions it wasone of four prototypes with ldquospecial inlayrdquo
Richard Gere is donating the proceeds to buildschools and hospitals in the Himalayas
4
UPS Films forWe Love LogisticsCampaignC F Martin amp Co is featuredin a recent advertising
campaign by Ogilvy andMather for UPS The photoabove shows the film crew onthe factory floor as anassortment of employees jamfor the cameras Martin andUPS have collaborated formany decades on logistics anddelivery of such a preciousproduct to dealers anddistributors worldwide Seethe link at left for the
YouTube video
M A R T I N S T O R I E S
The Music is Born Jim Morrell purchased a very special anniversary gift for his wife of 40 years Carol She tells her story belowldquoEarlier this year my daughter and I went on a photography excursion with Danrsquos Camera City (Allentown Pa) We took photos at the Martin GuitarFactory (Nazareth PA) then put together a photo journalI entitled mine
IN THE LIGHT OF A MASTERPIECETHE MUSIC IS BORN
We then took our husbands back to the factory for thetour to hear more about what we took pictures of
When my husband asked me what I would like as ananniversary gift I announced ‛a Martinrsquo Although it wasdifficult to manage he found a way to give me this giftI fell in love with the Grand Performance Cutaway-GPCPA1 It is beautiful The workmanship and all the loveand hard work that went into creating it amazes me
Say it LoudSay it Clear
Our 40th Anniversary Is Near
So my gift
Has arrived And it is Here
G- is for GorgeousP- Play it now
C- Care for it alwaysP- The Picture of Perfection
A- Adoring it1- 1 the Best of the Best
Even though Carol owns eight other guitars nothing compares to her Martin GPCPA1
wwwyoutubecomcfmartinguitarpau1P7G7GF_mwxI
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Sasha Greendyk Sasha Greendyk of Radnor Pennsylvania is inspired by music Since she can remembershersquos been singing in choirs and playing piano but it wasnrsquot until eighth grade that she
wrote her first piece That little piano melody was the start of many years of music writing and shersquos become an adept guitarist with a little help from her D-40 MartinDreadnought It is now Sasharsquos dream to become a film scorer and write music formovies and shows alike No matter what music will always be a part of her life
Kirsten SowersSince appearing in our previousSounding Board issue Kirsten Sowershas been keeping busy with her000 Martin cutaway This past Julyshe performed for the troops at theTD Bank Center in Philadelphia
5
A Family TraditionKen Kahn from Sedro-Woolley Washington and his grandsonTyler Turner 9 from Sequim Washington play country andbluegrass when they get together Tyler plays an LX1 LittleMartin and Ken is playing a D-28 Don McLean with severalbackups an HD-28 a 00-18 and a J-21 The mandolin is a Martin bowl back made in 1909
On BroadwayMichael Aarons lead guitarist and in-house contractor forthe popular Broadway musical Godspell recently emailedus with feedback about the impressive array of Martininstruments being used on stage for the show
ldquoWe have four Martin Dreadnoughts and a ukulele that weare using in the show These instruments are superb ndash they play and sound incredible ndash they are just what we needrdquo
As a professional guitarist Michael owns a lot of instruments He admits that while hersquos always wanted toown a Martin he just couldnrsquot afford the vintage modelshe was drawn tountil now
ldquoI have to say after seeing how consistent playableelegant and perfect these instruments are and hearing how tremendous they sound Irsquom converted for life They arethe best acoustics Irsquove ever played and I mean it ndash perfectbeyond words I speak for the whole band in thanking Martin for making such great guitarsrdquo
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M A R T I N S T O R I E S
A Silent Servant With No Name We recently received an interesting and compelling messagefrom a lifelong Christian minister who along with his obviousspiritual connection is also a musician and lover of Martinguitars In his own arsenal of Martins he cherishes threeDreadnoughts a D-28 Marquis a D-35 and a D-42 Thestory as he relayed it to us is that three years ago he was toldldquoby Godrdquo to acquire five Martin guitars and gift them to five
special and specific people At the time the minister who inhis humility has suggested to us that his name is notimportant only had enough money for one D-35 Martinguitar which he promptly gifted as instructed He waited formore money to appear and it seemed like it wasnrsquot going tocome He was facing a serious operation and asked his wife if she would finish his mission in the event that he didnrsquot makeit through
He woke up a month later after extensive surgery and couldnot move or walk His daughters told him later that all he
talked aboutin his direstate was Godand Martinguitars butinside he wasdetermined
to get back to normal After a year transpired he was able to walk with a caneMiraculously the money began to come in and he
contacted a prominent Martin dealership eventually buying three more Martin D-35s and a D-16GT
His message thanked us for the beautiful works of art Inthe end five people experienced the ldquobest day of their livesrdquo
He is thankful for ldquobeing chosenrdquo to be the deliveryman forsuch treasures and he wanted us to know that ldquoGodrdquo isMartinrsquos best sales rep
6
Harley-Davidson Motorcycle amp Guitar Again gracing the Martin Ownerrsquos Club event on Friday August 5 2011 was Mark Zickefoosersquos custom Harley-
Davidson complete with matching Custom Martin andmounted road case
Martin MarinesCorporal David M Jones wrote to us on behalf of hisDivision to express his thanks for his LXM LittleMartin that arrived in Afghanistan Since he receivedthe guitar it certainly has made its rounds ndash someoneis always coming to play it or learn to play it He hasactually had great success teaching two Marines toplay David admits that the beginners arenrsquot the bestto listen to but ldquoat least they are having funrdquo Picturedabove are David and a few of his fellow Marines withthe Martin guitar
Inked AdmirationRobert Dutton of Brooklyn New York shared this photograph of his Martin Performing
Artist Guitar tattoo
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We are honored to have received thefollowing Players Choice Awards for 2011
bull GOLD AWARD for BESTDREADNOUGHT GUITAR (D-28)
bull GOLD AWARD for BEST MID-SIZEFLATTOP GUITAR (Eric Clapton
Signature Model)bull SILVER AWARD for GUITAR
OF THE YEAR (D-28)
bull SILVER AWARD for SMALL-BODYFLATTOP (00-15M)
bull SILVER AWARD for JUMBO GUITAR SIX or 12-STRINGS (Grand J12-40E)
bull SILVER AWARD for ACOUSTIC-ELECTRIC GUITAR (GPCPA1)
bull SILVER AWARD for TRAVEL GUITAR (LX1)bull SILVER AWARD for 12-STRING (J12-40E)
bull SILVER AWARD for OTHER STRINGEDINSTRUMENT (OXK UKE)
bull SILVER AWARD for STEEL STRINGS (FX)
Acoustic Guitar Magazine
7
Distorted StringsIt is quite difficult to comeup with ideas for string advertising Guitars are
much more visual MartinrsquosDick Boak (no strangerto illustration)conceptualized thisslightly hyperbolic
pencil drawing Dickrsquossuggested headlineldquoMartin Strings -
Exaggerate Your Tonerdquo
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Let Us In
A special benefit concert was held onNovember 7th at Nashvillersquos legendary
Ryman Auditorium The ldquoLet Us InrdquoNashville benefit was the kick off forNashvillersquos CMA Week Actor musicianand Martin guitarist Jeff Daniels hostedand performed at the event whichfeatured live performances by SarahDarling SHeDAISY Steel Magnolia PhilVassar Cheyenne Kimball Juliana ColeNikki Shannon Fernandez JordynShellhart Chuck Wicks Nancy SirianniSamantha Landrum and Blue Sky RidersEach artist performed an original versionof a Sir Paul McCartney song
Sponsored in part by Martin the event was filmed and recorded for a live DVDas well as a CD bearing cover art by PeterMax that will include extra contributedtracks from Tommy Emmanuel Timothy B Schmidt Mark Hudson Laurence
Juber Denny Seiwell and Ricky SkaggsThe Women and Cancer Fund is a not-
for-profit charity led by Dr Alicia Alvarezand established in the memory of Linda McCartney Sir Paul McCartney has givenhis ldquowhole-hearted blessingrdquo to ldquoLet UsInrdquo Nashville a campaign led by ReviverMusic to raise awareness and proceedsfor this charity which promotesprevention increases lifestyle awarenessenhances available health services andadvocates advanced breast cancer andchildrenrsquos cancer research
A Martin D-28 Dreadnought similarto the D-28 Sir Paul plays was donatedand signed by the participating artists forsubsequent auction to benefit The
Women and Cancer Fund
The Invention of the American Guitar
Peter Szego is spearheading new scholarship into the early history of the American guitar which will culminate in the publication of a book tentatively entitled ldquoC F Martin and the Invention of the American GuitarrdquoIn September 2011 Peter hosted a group from Martin on a tour of hisextensive collection of antique American guitars and banjos (1833-1860)
with a special focus on the earliest Martin guitars The publication of hisbook and the concurrent opening of a major museum exhibition is scheduledin 2013 Stay tuned
8
M A R T I N S T O R I E S
Above left to right) Michael Dickinson Amani Duncan Peter Szego Chris Martinand Charles Peischl Dick Boak is not shown because he took the photo
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Every good guitar like every good son and daughter
periodically goes home ndash or should go home ndash to the
place of its birth For Martin guitars thatrsquos Nazareth
Pennsylvania 18064 and Mother Martin is always gladto see the kids
Kidding aside there truly is a parental attitude at Martintowards every single Martin guitar ever made because nobody knows better than Martin the enormous skill patience andunrelenting adherence to quality standards that goes intobuilding a Martin guitar
Not surprisingly Martin cares as much about how you send yourguitar back to Nazareth as the reason why yoursquore sending it It isimportant to contact the Martin Customer Service Department inadvance to get a Return Authorization (RA) Number Simply call(610) 759-2837 and ask for a Customer Service representative
Irsquove shipped guitars to Martin for years and never damaged a one in the process Not even a scratch Herersquos how I do it
De-tune the strings with just enough tension to keep the bridgepins and saddle securely in their slots If there are electronicsremember to remove any batteries to make sure that they do notbecome loose during shipping Also and very importantly removethe endpin Some people remove strings bridge pins endpin andsaddle (if itrsquos a removable type) put them in an envelope and put theenvelope in the string pocket of the case Thatrsquos fine but make surethat the envelope is securely packed with wadded tissue paper on topof it so that it doesnrsquot shake itself or its contents out of the string pocket and wreak havoc on the guitar
C A R E A N D F E E D I N G
Shipping Your Guitar
Home To Mother
BY BILL BUSH
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Next buy a box of stringed paper tags Print your nameaddress telephone number and e-mail address on one side of the tag on the other side print the Martin model number andserial number Fill out two tags Attach one tag to one of the
tuning machines attach the second tag to the case handle Why If anything happens to the shipping labels in transit thereis a record of you as the owner in two places within the box
Also purchase a package (or two) of plain soft tissue papersheets used for gently wrapping gifts inside a gift box Itrsquos very soft paper and wonrsquot scratch delicate lacquer Do not stuff thecase interior with newspaper
You want to be sure that the guitar is snug in the caseespecially the headstock Wad up enough tissue paper to supportthe headstock ndash top bottom and sides The entire headstock
well of the case should be filled as well as the space above theheadstock (and front of the headstock) You can also tuck tissuepaper on the fretboard near the nut You want to prevent the
headstock from whiplashing forward and backward which ishow a lot of necks get cracked
You also want to gently stuff the sides and lower bout of the guitar(where the back strip is) and around the neck heel so that there is noshifting frontward or backward In short you want to make theguitar inert (motionless) within the case No movement whatsoeverin any direction About the case No guitar should be shipped inanything but a hard case Ever Martin offers a thermoplastic hardcase (which is tough as nails) as well as black vinyl covered plywoodand plush ldquoGeib-stylerdquo hard cases They come in various model sizesand fit quite snugly
Original Geib hard shell plush cases are still floating aroundout there from the 60s as are other vintage Martin hard casesalthough none are as snug as the present variety ndash and snugnessis critical when shipping a guitar
The best shipping box for Martin guitars is the same shippingbox Martin uses to ship their new guitars to dealers Just callyour local Martin dealer and ask if you can have a used Martinshipping box - and do it quickly before itrsquos thrown out or beforesomeone else gets it Theyrsquore good as gold
About packing the case in the shipping box UPS and officesupply stores sell bags of Polystyrene foam shipping ldquopeanutsrdquoSprinkle a layer of peanuts in the bottom of the shipping boxplace the packed guitar case in the box and carefully fill-in arouthe case to the top of the box Like the guitar in the case you
want the guitar case itself to be inert in the shipping box Tapethe top and bottom box flaps with lots of wide Scotch Strappingtape (the strongest) Then use clear Scotch packing tape to cover
handwritten ldquoTo amp Fromrdquo self-sticking label in the corner of thbox top UPS amp Fed Ex have their own self-sticking labels as we
You can cover the address with clear tape but NOT the bar codThe shorter shipping time the better UPS and Fed Ex offer
Next Day Air but itrsquos expensive They also ship Ground but besure you know how many days it takes to arrive in Nazareth andship early in the week so that your guitar does not sit in a hotshipping container or parked truck over the weekend
Lastly make sure you insure your guitar Some shippers willonly insure guitars for a limited amount Others will insure onthe basis of declared value of the instrument Itrsquos not cheap but i
worth it if you love your guitar Mother will approve
De-tune
the strings(and remove
the endpin)
Fill outtwo tags
Purchase a
box of stringed
paper tags
Packing The case
should be completely
filled with tissue paper
About the caseAlways ship in a hard
case No exceptions
8102019 Vol_32pdf
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C F Martin amp Co offers guitars to fit every preference and
budget but knows guitar dreams have no limits For
those whose guitar ideal canrsquot be found among the more
than 120 models Martin currently makes and who want toconceive their own unique perfect guitar Martin has
created a special place Itrsquos called the Custom Shop and it
is where guitar dreams come trueSituated on the production floor the Custom Shop is a dedicated
space with several workbenches assorted jigs and a range of racks andshelves for ldquoworks in progressrdquo Here just over a dozen of Martinrsquosmost experienced craftspeople build ndash one at a time and mostly oneof a kind ndash masterpiece acoustic guitars
ldquoThe Custom Shoprsquos goal is simply to build the best acousticguitars in the worldrdquo commented Fred Greene Martin Vice Presidentof Manufacturing ldquoWhether itrsquos an individualrsquos vision of a great
instrument a uniquely appointed model one of our dealers thinks will appeal to his or her clientele or a guitar wersquove conceived toshowcase artisan building each Custom Shop instrument is crafted asif we were making it for ourselvesrdquo
Custom guitars have been an element of Martin productionsince the company was founded in 1833 A number of Martinguitars from the 19th and early 20th century show customfeatures and custom Martins from the 1930s through the 1950shad an ldquoSrdquo suffix on the neck block model number to indicatetheir custom (or ldquospecialrdquo) status In the 1980s and 1990scustom Martinsrsquo neck blocks were simply stamped ldquocustomrdquo But
The Custom Shop
Bringing your
Guitar to LifeBY MARSHALL NEWMAN
Great sounding Custom Shop guitars donrsquot need to be fancy but if
you want to go that route Martin can certainly accommodate you12
C A R E A N D F E E D I N G
8102019 Vol_32pdf
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until recently all custom Martins were built on the main shopfloor alongside their non-custom siblings
The concept of a separate stand-alone Custom Shop began to gainmomentum approximately 10 years ago but didnrsquot come tofruition until 2005 ldquoWe had a custom administrator who handledand followed custom orders on the shop floor but knew we could
do morerdquo Greene recalled ldquoIn 2005 I proposed we create a separate custom area with a separate workforce with the capability to handcraft unique instruments using traditional techniques ndash likecarving necks by hand and hide glue construction - that didnrsquot lendthemselves to our standard production process We started theCustom Shop with a staff of five it began by building the Authenticline and slowly took on custom buildingrdquo Today the Custom Shophas a staff of eleven plus three design consultants who work withcustomers dealers and builders to assure Custom Shop instrumentsare everything they can be
ldquoThe number one challenge of the Custom Shop is timerdquoGreene noted ldquoIt takes time to build instruments of the quality Custom Shop customers demand to hand-carve the necks to cut
the pearl to shape the braces and all the rest In the Custom Shop we take whatever time is needed to make these instrumentsexceptional Judging by the number of orders theCustom Shop receives people recognize the value of
what we are crea tingrdquoldquoThe Custom Shop team includes several of
Martinrsquos most experienced builders The average tenure with Martin is 25 years and there are a few who areapproaching the 40-year markrdquo Custom Shop guitarsare built almost entirely by this small staff in theCustom Shop only operations requiring largespecialized equipment ndash like side bending andfinishing - are done on the main shop floor
While all orders for Custom Shop guitarsmust be made through authorized C F Martinamp Co dealers prospective Custom Shopcustomers now have a great tool they can utilizeto design their dream guitar the Custom GuitarConfigurator Accessible on-line at
wwwmartinguitarcom the Custom GuitarConfigurator lets the user ldquovirtuallyrdquo create a guitar from a range of Martinrsquos most popular options see their creation and get a suggestedretail price quote The information then can be printed out for useas a reference during the order process
13
The Custom Shop offers a remarkable range of options(actually more than shown in the Configurator) sizes body styles scale lengths tonewoods neck profiles appointments
inlays and more Are there limits to what the Custom Shop wibuild As they sometimes say in the Custom ShopldquoWe try to never say ‛norsquo we only say ‛how muchrsquordquo In truth
there are some projects Martin wonrsquot tackle among themreplicating a Martin Custom Artist model or SignatureEdition (to respect the artistrsquos vision for hisher guitar) and
building with customer-supplied wood (which may not matchMartin specifications or standards)The Custom Shop even allows customers to come by the factory
to select the specific tonewood set for his or her guitar from Martinextensive inventory ldquoAt first it was just Martin dealers but now weare seeing individuals stop byrdquo observed Greene ldquoThe opportunityto select the set of Madagascar rosewood or flamed mahogany oranother tonewood that will become a Custom Shop guitar makesthat guitar an even more personal statementrdquoDespite its limited production and brief history the Custom
Shop has produced an impressive array of guitars Ordersoften include unusual tonewood combinations special
neck configurations or custom inlays A CustomShop guitar generally takes four to six months tobuild after details have been finalized dependingon the current workload and the complexity of theorder guitars featuring special design elements
andor custom pearlwork can take longer Whetherplain or fancy each completed Custom Shop guitar
is identified by the laser-etched Custom Shop logoon its neck block
In early 2011 the Custom Shop introducedtwo limited-production CS models the first
of a series of Custom Shop instruments that will be available for only one calendar year(or less if demand is overwhelming as wasthe case with the CS-21-11 model) ldquoThe CS
models express C F Martinrsquos spirit of adventurerdquo explained Fred Greene ldquoThese
short exclusive runs of g uitars allow us to introduceexciting new ideas that might eventually be looked upon asclassics At C F Martin amp Co heritage and creativity arenrsquotmutually exclusive and these CS guitars are the proofrdquo Readyto create your one-of-a-kind Martin guitar Good The CustomShop is ready for you
In creating your Custom Shop Martin you may choose from a wide array of tonewoods body sizes appointment levels and customized inlay sty
8102019 Vol_32pdf
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Adjusting the truss rod with a special long Martin Allen wrench
Guitars are made to be played and the easier they are to
play the more pleasure they bring their owners The
action ndash the distance between the strings and the
fingerboard ndash should be just right and thatrsquos the reason
every guitar deserves a good set-upFundamentally guitar set-up is simple geometry adjusting
the guitarrsquos neck nut saddle and (occasionally) frets to put theaction at an ideal level - not so high as to be difficult to fret and notso low as to cause string buzz
C F Martin amp Co sets up every guitar it builds before it leavesthe factory Most Martin guitars built in Nazareth are set up using a PLEKreg Pro machine which scans the nut fingerboard and saddle
with a sensor compares the scan with optimal values and thencuts the nut slots contours thesaddle and polishes the frets toan accuracy of 11000 of aninch If necessary minor saddleand nut touch-up and truss rodadjustment are done by hand
when the guitar is strung A fewMartin guitars - primarily Custom Shop instruments -continue to be set up by hand
Even an acoustic guitar with a
good factory set-up may need tobe set up again within a few years according to Lon WernerMartin Customer RepairManager ldquoThe wood in a guitarcan take up to five years to ‛settleinrsquo under string tension and a change in the action may necessitate a fresh set-uprdquo Theownerrsquos playing style and
The LowdownBY MARSHALL NEWMAN on Set-up
Checking neck relief during final setup
14
C A R E A N D F E E D I N G
8102019 Vol_32pdf
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technique also may dictate whether a fresh set-up isneeded ldquoA fingerstyle player
with a light touch might wantthe action lowered while a flatpicker may need the actionraisedrdquo Indeed an individualrsquosplaying style and technique are
information a repairperson will want to know to do the bestpossible set-up
So can you tell if your guitarneeds a set-up Begin with theobvious If your guitar hasbecome very hard to fret itprobably needs a set-up If thestrings buzz either open orfretted it probably needs a set-up If its intonation is way offit probably needs a set-up
A few simple diagnostic testsalso can help determine
whether a set-up is neededCheck the neck relief by fretting the low E string simultaneously above the firstand below the 13th fret thegap between the string and the6th or 7th fret should beslightly more than the thicknessof a business card Checkaction at the nut by fretting each string between the second
and third fret there shouldbe daylight between eachstring and the first fret a gapapproximately the thicknessof a sheet of paper at thehigh E and slightly more at thelow E Check the height of theaction with a machinistrsquos rulerat the 12th fret the distancebetween the fret and the string should be approximately 232-332 of an inch on the trebleside and 332-432 of an inch
on the bass side A goodelectronic tuner can be used tocheck intonation on eachstring by playing the openstring and then playing theharmonic of the same string atthe 12th fret
A lot of guitarists may betempted to do their own set-upbut Dave Doll of Martinrsquos
Customer Repair Departmentcautions against it ldquoItrsquos like a doctor educating a patient onhow to recognize symptoms thpatient may know he has a problem but he still should goto the doctor to have thatproblem fixedrdquo he commented
ldquoEven a simple set-up can bedaunting unless you know whayou are doing you may well domore harm than goodrdquo Lon
Werner was more specificldquoWhile preliminary evaluationmay suggest a set-up is neededthe symptoms also can beindicative of a much moreserious problem When theMartin Customer RepairDepartment receives a guitar
we give it a thorough going-over from headstock toendpin If the bridge is liftingor a brace has pulled loose orthe neck needs a reset (justthree examples) that is a problem that has to be dealt
with for a set-up to bebeneficialrdquo Not everyonelives so close to Nazareth tohave their Martin guitar
worked on at C F Martin amp Cobut there are more than
150 Martin Service Centersthat can give that guitar thecare ndash whether a set-up orsomething more ndash it deservesShould you happen to visitNazareth or live nearbyC F Martin amp Co offers a very cool opportunity to learnabout guitar maintenance fromsome of the best in thebusiness Every Friday from11 am until noon theCustomer Repair Departmen
hosts a guitar care seminarduring which it demonstratesthe basics of guitar careincluding some of theelements of set-up (like trussrod adjustment) The guitarcare seminar is free noreservation is needed andit is a great way to learnhow to keep your Martinin peak playing condition
15
Checking the relief of the neck
Checking the action at the nut
Checking the action at the 12th fret
Adjusting the truss rod with a long Martin wrench
truss rod wrench
hole in brace
truss rod location
gap between bottom of string
and top of fret at the 12th fret
gap between bottom of string
and top of fret at the 1st fret
with string depressed
gap at the 6th or 7th fret with string
depressed at 2nd and 13th frets
exaggerated neck relief
frontblock
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All-Star MUSEBenefit Concert
The All-Star MUSE BenefitConcertat the Shoreline Amphitheater inMountain View California supported Disaster Relief in Japanand Non-Nuclear Groups
Worldwide Featured artists includedCrosby (with his Martin Signature 12-string) Stills amp Nash Jackson BrowneBonnie Raitt Jason Mraz The DoobieBrothers Tom Morello John HallKitaro Sweet Honey in the Rock and
Jonathan Wilson
A R T I S T P R O F I L E S
Hollywood Bowl 2011Dolly Parton with her touring guitaris
Jim Salestrom who is playing hisMartin J-40 Dollyrsquos World Tour
thrilled attendees at the HollywoodBowl Saturday July 23 2011
DonavanFrankenreiterDonavonrsquos fourth studioalbum Glow is describedas ldquowarm organic andoverwhelmingly hopeful Theperfect antidote to trying timesrdquo Hersquos playing his triedand true Martin 000-18 Shawn Colvin
Shawn Colvinrsquos new Live album wasnominated for the Grammy Awardfor Best Contemporary Folk Album
Accompanied with her pristineM3SC Signature Edition findShawnrsquos enduring music on iTunes orat amazoncom
16
oto by Lynn Goldsmith
P
h o t o b y L y nn G ol d s mi t h
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 1946
Ron Davies(1946-2003)
A songwriter fromthe pacific northwestRon Davies at 17bought a well worn1956 D-18 Martin
which he put to gooduse writing an entirealbum of songs forthe Seattle band ldquoThe
Wailersrdquo As an artisthe recorded fivealbums during hislifetime but he isbest remembered forhis songwriting
His songs have been covered by a diverse group of artists that include Joan Baez David Bowie (Ziggy Stardust) Long John Baldry Ann Murray Three Dog
Night Nitty Gritty Dirt Band Helen Reddy Jerry Jeff Walker Maria Muldaur Joe Cocker Randy TravisNanci Griffith and the Raconteurs to name a few
In 2011 friends in the pacific northwest cametogether to record ldquoThe Mystery of Ron Daviesrdquo a tribute CD containing eighteen of Ronrsquos songsperformed by artists from his hometown and one by Davies himself Available on iTunes and at CD Baby allof the proceeds will benefit ldquoMusic Caresrdquo
Leslie TuckerLexington Virginia-based singersongwriter Leslie Tuckerrecently received the gift of a Martin D-41 from a legion of her fans and she plans to use her new acquisition in theproduction of a new album project currently in progressalong with a tour of performances when itrsquos released Tune into wwwleslietuckercom for updates
Santa Cruz Blues Fest 2011Some of the worldrsquos finest guitarists including Jonny Lang were on hand to salute guitar legend JimiHendrix at this yearrsquos Santa Cruz Blues Fest 2011
Jonnyrsquos playing his Martin J-40 Jumbo
Sting
17
Early StingFrom Andy Summers groundbreaking book Irsquoll be watching you Insidethe Police 1980-1983 Police guitarist and professional photographer
Andy Summers captured Sting with his Martin D-28 in 1982
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Fast AJ AJ Rubino of SpringfieldMassachusetts has beenperforming folk and country music for nearly fifty years ndash
much of that time with his1975 Martin D-35 slightly customized with fingerboardinlay by luthier Harry BeckerThis photo will grace the cover of AJrsquos forthcoming CD
He is a loyal member of the Martin Ownerrsquos Club andowns several other Martin guitars The tree AJ is standing in front of was destroyed by the tornado that hit WesternMassachusetts in June of 2011 but no one was hurt andall of the Martin guitars survived
A R T I S T P R O F I L E S
The Kingston Trio Fantasy Camp 2011
Winfield KansasFestivalrsquos Martin D-42
Allen Shadd began playing guitar when he was seven years oldacquiring his first Martin guitar -
a 1973 D-35 at the age of tenSince then he has gone on toperform in many bands guitar
workshops recording sessions and in 1997 released his own CDldquoA Cut Aboverdquo Allen also frequently competes in guitarcompetitions and has won some of the most prestigious flatpicking contests that have included Merlefest Rocky Grass and the WayneHenderson guitar competition He brought home this yearrsquos MartinD-42 from the National Flatpicking Championship held in
Winfield Kansas Itrsquos the sixth time Allen has placed in the topthree including his first place finish in 1997
18
wwwkingstontriocom
Caroline JonesThis NYC-based singer songwriterguitarist and producer was trainedclassically by Andy Anselmo Founder
of New Yorkrsquos ldquoThe Singerrsquos ForumrdquoCaroline began singing opera ariascabaret standards and show tunes at agenine Under the management of Tommy Mottola and Chris Apostle shebegan recording her original songs withproducer Chris Toland at Sony and
Avatar studios in New York as a studentat The Professional Childrenrsquos SchoolIn 2008 Caroline began monthlyco-writing trips to Nashville where sherecorded with many of the industryrsquostop talents Since then she has been
performing and recording with herMartin 00-21 Kingston Trio modelthat pays tribute to original KingstonTrio member Dave Guard (1934-1991)
Shown above are Fantasy camp attendees each holding their Martin guitars (plus one banjo)
P h o t o b y J o h n L i n d
8102019 Vol_32pdf
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Dierks BentleyReaching deep into acoustic rootsmusic resulted in Dierks Bentleyrsquosnew album Up On The RidgeMore than a bluegrass concept
album with guests Up On TheRidge features Bentley working with some of the finest acousticmusicians in the world including long-time collaborators theDel McCoury Band and a new musical partnership with ChrisThile and the Punch Brothers Asa recent addition to the Martin
Ambassador ranks Dierkrsquos israrely seen without his prizedvintage herringbone D-28
Hawaiirsquos HirsquoikuaIn a culture that honorsthe legacies of the pastthis Hawaiian trio of talented musicians pays
homage to their roots while creating a uniqueand progressive soundthat leaves an indeliblemark upon contemporary Hawaiian music
In a seamlesscontinuous movement we all carry a past while living in thepresent and moving toward a future Hirsquoikuarsquos music reflectsthe belief that without asking the knowledge of our ancestorshas already been placed within us in the hope that we too
will shoulder that responsibility in an unbroken journey intothe future
Their music is composed and performed by Kalehua Krug (left with his Martin 12-string) Kamuela Kimokeo (above andcenter left with his Martin OMC Aura cutaway) and BlakeLeoki-Haili (right with Martin tenor ukulele)
The grouprsquos name derives from the Hawaiian word thatmeans literally ldquoto carry on onersquos backrdquo Hirsquoikua has taken thisresponsibility seriously
ldquoAia I Hirsquoialordquo the long awaited CD from Hirsquoikua featuressix original and six traditional songs
wwwhiikuacom J e r r o l J u l i a n P
h o t o g r a p h y
J e r r o l J u l i a n P
h o t o g r a p h y
8102019 Vol_32pdf
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F R O M T H E A R C H I V E S
Waiting for the Sunday Boatrdquo by William Henry Jacksonrdquo Florida circa 1902Martin small-bodied parlor guitar
ldquoAs long as
Irsquove got my guitar
Irsquoll be finerdquo
mdash Willie Nelson referring to Tri
his legendary Martin guitar
HometownCentenarianMary Arletta Hahnis shown (right)
with her 00-1712-fret Martinguitar Mary was inher twenties whenthis picture was
taken (circa 1932)She was born inNazareth andturned 104 this pastSeptember Healthy small town living Shereceived her theology degree from the United
Wesleyan College but she also majored in voicepiano and guitar She would sing and play guitarin her fatherrsquos varied congregations Mary haslived her entire life in and around NazarethToday she lives just one block from where herguitar was made
1883 Advertisement
Gu i tar is t and Mando l in
is t
c irca 18 9 0
Guit ar ist and Mandolinist c ir c a 19 25
20
8102019 Vol_32pdf
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Ahh the sound of the Martin Rich and evocative Texture
lifeby strummingorpickingorthe lightesttouchtoteas
harmonicsthesoundmdashlikethehistoryofCF Martinamp C
peopleanda storyofthesensesHearitTasteitFeelitA
artist Robert Goetzl see it Seethe sound of the Martin
FEA TU R E
The Soundand the Story
Thehand drawnsketches (right)illustratethesix-panel seriesofthree-foot byfour-footmuralsthatwillhangintheMartinVisitorrsquos Center
BYSUSAN J BURLINGAME FREELANCE WRITER MARTIN
22
mdashC FMartin IVmdashcalls itldquothe magic ofFrom JohnnyCash to John Mayerand fromElvis Costello manyof historyrsquos mostbrilliantve chosen the Martin sound the Martin magicm the Martin storycontinuesMartin magic is mostprofoundly representedby n in the early1800s on the otherside of theour eyes fora momentand imagine ayoung king browfurrowed in concentration Heods the braces the strings of his firstguitarrtin has traveledfrom his home in Saxonytoe learns the artof guitarmaking as ane of the bestknown guitar shops in Europeg his 37th year C F Martinalong with hisdren sets outfor Americae story as theysayhellipis magicamp Co is still family-ownedmdashbutthe ldquofamilyrdquoh Martins and non-Martins generations of
ed arole in crafting the exquisite acousticrtin has offeredthe world formore than 175ertGoetzl a cousin to Chris Martinhas been create awork of art depicting C F Martin ampamily its sound andits storyeries of three-footby four-footmurals thatwillin Visitorrsquos Center the work says Goetzl is a love Chris Martin thatmuch He wasuential in mylife andthe opportunityto tellyauthentically is extremelymeaningful to merdquonels (pictured here)take viewers on CFfrom Saxonyto Viennato the newworld
ured as the music of the Martin guitar thensionalmdashdone in mixedmedia with collage andreating the firstpanel was forGoetzl the biggest
23
challenge ldquoI realizedthe enormityof the projectmdashnotjust inscope butalso in importance to the familyand to the thousandsof people who wouldbe looking atitrdquoGoetzl labored andsecond-guessedand tweakedand proddedbefore finally unveiling itto Chris Martin andothers at Martin ldquoThe lookson theirfaces toldme I had naileditrdquo Panel numbertwo which illustrates the Martin familyrsquosinitial shopin New York andthe move to NazarethPennsylvania causedGoetzl much less consternation butequallyas much joy he says as will each successive mural ldquoIf this is the endof the roadfor me the lastwork I evercreaterdquosays Goetzl (who surelyhas afew more decades ofcreativityleft) ldquoI wouldbe completely fine with thatrdquo
ldquoRobert has put his heart into
creating something that will
make a tremendous addition
to the Martin experiencerdquo
mdash Dick Boak Artist Relations C F Martin amp Co
Tex Fletcher
SingingcowboyTexFletcher maynot
have become the household name that
other cowboy singers from the 1930s
such as Gene Autry and Roy Rogers had
butdespitesometimes overwhelming
odds hersquosbeen remembered nonetheless
forhis noteworthycontributionsto earlyand
mid-20th century cowboy culture
He was born Geremino Biscegliain 1910 in HarrisonNew York the fifth of eight children of Italian immigrants Michael(astone mason)and Josephine Bisceglia He leftschool afterthethirdgrade to work with his fatherandbrothers He was raisedin a musical householdand he learnedto sing andplay traditional Italian songs accompaniedby accordionsmandolins andviolins
Jerrypicked upa fewguitar chords froma local right-handedguitarist butbeing left-handed he retaughthimself to playhisown right-handedguitarldquobackwards andupside downrdquoas he wouldlater explain with achuckle
He became enamoredwith the silver screen cowboys of theday often sneaking into the local cinemaforshowings of thelatestsilent picture starring TomMix WilliamS Hartand YakimaCanutt
Overthe nextfew years the teenagedcowboy wannabe beganto realize his boyhoodambition as he learnedto handle horseandcattle byday while soaking upcowboy lore andcampfiresongs bynight in effectbecoming aldquorealrdquocowboy Asinging cowboy Unique stuff forthe late 20s He returnedto NewYork in 1931 with aconfidence anda newfoundvoice With saddle bags full of cowboy stories andsongs the cowboysingerwas now going bythe name Tex Fletcher He began entering andwinning localthen regionaltalentshows Fletcherrsquos confidence grewwith each winning purse as was evidencedbyhis every growing wardrobe of
cowboyoutfits andhis first Martin guitar a000-45 He neverplayedanother companyrsquos guitars again believing the leastexpensive Martin guitarwas headand shoulders aboveanyother companyrsquos bestHistory has clearlymade fora compelling argument Itwasnrsquotlongbeforehereceivedan offerofa radiojobas asinging cowboyoverWFASinWhitePlainsNewYorkBy1934 attheheightofsingingcowboycrazeFletcherbegana relationshipthat wouldlastmorethan 25yearsbroadcastingoverWORNew YorkNewJersey(MutualNetwork)Itwas thesameyear thathebeganappearingatthe VillageBarnnightclub(whichwouldlaterbecomeJimiHendrixrsquosElectricLadyland)inGreenwichVillageNYagig thatlastedwell intotheearly1960s
1934 was also the yearTexorderedhis custommade MartinD-42Hersquodadmiredthe pearlygoodlooks and loudtone of Gene Autryrsquos D-45 (the firstD-45) butwanted an instrumentthatw ouldbe uniquelyTexFletcherrsquos guitar But he wasnrsquotthe onlycowboysinger who wantedto follow in Autryrsquos trail Milwaukee -based Jackie ldquoKidrdquoMoore beathimto the punch when he ordered his own D-45 (No 2)fromMartinBut according to authorMartin researcherJohn Woodland amisunderstanding with regardto neck length ledMartin to shelve the unfinished14 fretto the body D-45Moore then optedfor awider OMstyle neck with 12 frets tothe body This D-45 is No3 Then along comes NewYork radio cowboyTexFletcherwithhis own ideaof whatfeatures ldquohisrdquoguitar shouldsportincluding 14 frets to the body which alignedperfectly with the
partiallyconstructed D-45 (No2) buthe wanted all the flashupfront So insteadof proceeding to finish the guitaras aD-45Martin craftsmen changedthe toprsquos bracing to aHigh ldquoXrdquoconfiguration anddesignated this slightlymore modestcousinof the D-45the D-42 So the TexFletchermodel is not only the firstD-42butalso the secondD-45Itremainedthe only example of the D-42 forthe next54 years
Fletcherhadbeenout ofthe musicbusinessforjusta fewyears whenhe wastrackeddownin theearly1970sby then-MartinhistorianMikeLongworthwho convincedthe oldcowboytodonatetheinstrumenttothe MartinMuseumFletcheragreedandthatrsquoswhereitresidesto thisdaydisplayedjusta fewfeetfromitrsquosfirstcousintheGeneAutryD-45 (No1)
21 24
N EW PR O D U CTS
NEW A DDITIONS TO
OUR LINEUP OF
Great Ukuleles
The Martin Standards of Tone and Workmanship Prevail
C1K amp T1K UkulelesMartin has been building the worldrsquos finest ukuleles
from as early as 1916includingthesmallest Soprano
the original model to the larger Concert in 1925 and
the Tenor uke in 1929 Both the concert model and
tenor models havelong been prized for their full-bodied
voiceandgreatervolumeThesenewC1Kconcertand
T1Ktenor modelsfeaturetops backsidesand head-
platesofsolidHawaiianKoaawoodnativeto Hawaii
and a favoriteof island players Both ukes feature solid
Sitkabraces genuinemahoganyblocksand applied
dovetailneckjointsintheMartintraditionNecksare
craftedofselecthardwoodandcappedwithasolid
Morado fingerboardtheconcert has a 15rdquoscalelength
thetenor a 17rdquoscaleBridges arealso ofsolid Morado
with whiteTusqsaddles Open-geared nickel tuners with
whitebuttons ensureprecision Finished in high quality
satinlacquerPadded bagincludedTwo beautifulexam-
ples of why Martin is still the name in superior quality
ukuleles
ldquoAs far as inanimate objects
being friends I think that is right
on the list My Martin ukulele
is a work of art Itrsquos going to live
long after merdquo
mdashEddieVedderPearl JamUkuleleSongs
T1K
C1K
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2446
Clock key mechanism for
adjustingguitar necks on
Martinrsquos earliest guitars
manufactured in New York
ImaginedMartinfamily portrait
CircaSeptember1833mdashat the
timeof theMartinsrsquotransatlantic
journey to the New World
Mappointingto
Markneukirchen the
main town in Germanyrsquos
musicalinstrument-
makingregion
Embellished original
drawingofCF Martinrsquos
residencein
Markneukirchen
Saxony (Germany)
Thesa
carries
North
specta
showe
Harbo
Imagin
CFM
Hudso
Depic
mold
a Mart
glueu
NEL ONE 2 bull PANEL TWO
Rende
home
in Che
Circa1
Portra
presid
when
arrived
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
OM -21 NEW Martinrsquos OM (Orchestra Models)
guitars have always been very
special to fingerstyle guitarists
especially this new OM-21 with its
comfortable 1-34rdquo wide neck at the
nut and highly responsive 14rdquo
scalloped Sitka top braces Elegant in
its simplicity this new version offers a
tasteful upgrade of solid black ebony
fingerboard and 30rsquos style ldquobellyrdquo
bridge with genuine bone saddle and
nut all adding to the rich resonance of this guitar Whatrsquos more wersquove
replaced the standard OM neck with a
slimmer ldquoPerformingrdquo Artistrdquo modified
low oval profile tapered neck and
wider 2-316rdquo bridge string spacing for
faster more comfortable playing The
solid Sitka spruce top with
hand-inlaid 28 style
rosette is joined to a
body of premium
solid East Indian
rosewood bound intortoise colored
18 style binding
Delmar tortoise color
pickguard nickel
open-geared
tuners with
Butterbean
knobs and
polished gloss
lacquer with
aging toner
complete this
beautiful
instrument
Delivered to you in the
new Martin 433 archtop
hardshell case If yoursquore a finger picker this new OM-21 is
the one to pick
D-18 NEW Since its introduction in 1935 the D-18
has been the workhorse of the Martin steel
string acoustic line More plain and less
costly than its D-28 rosewood cousin the
D-18 has none the less established its own
tonal identity ndash balanced crisp midrange
definitive bass and bright clear treble a
favorite of innumerable bluegrass blues and
country performers as well as discerning
studio musicians ndash because it is a great
performing and recording guitar Over the
years the D-18 has seen numerouspermutations ndash the D-18V and D-18P ndash as
well as variations in bindings rosette
fingerboard amp bridge woods bracing
patterns and pickguards And now the
new D-18 brings together
the best features of all of
these great D-18s into
one superb sounding
and playing guitar On
the traditional side backs
and sides are still crafted
of solid genuineMahogany joined with a
solid Sitka spruce top
with forward-shifted
scalloped ldquoXrdquo bracing
The fingerboard
and 1930s style
belly bridge are
fashioned of
solid black
ebony as were
the originals
Whatrsquos new A
lightning fast modified low
oval profile neck with a
1-34rdquo nut width and slimmer 2-18rdquo taper at the 12th fret Itrsquos
the same neck featured on our innovative Performing Artist
series guitars with the same wide 2-316rdquo bridge string
spacing too for greater player comfort and accessibility up
and down the neck The new D-18 The perfect blend of past
and future ndash and great guitar to start the New Year
8102019 Vol_32pdf
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NAMM Show
Specials
N E W P R O D U C T S
2012 Martin Show Special Guitars
The DCPA Koa amp GPCPA Koa They donrsquot get any more beautiful ndash or more
beautiful sounding ndash than these spectacular
dovetail flamed Koa Performing Artist guitars
And with only a total of 30 instruments ndash
combined ndash being offered to dealers at the 2012
NAMM Show they donrsquot get any rarer either Here
wersquove chosen two of our most popular cutaway models in
the Performing Artist series the classic Dreadnought and
the Grand Performance and crafted the backs and sides
of premium Hawaiian flamed Koa a resonant tonewood
indigenous to the Hawaiian islands Koa has long been by
favored by native Hawaiian musicians for guitars and
ukuleles as well as discerning players and collectors
worldwide Martin in particular has built various sized
instruments of Koa from as early as 1850 The tops are of prized solid Adirondack Spruce as are the scalloped
forward-shifted ldquoXrdquo braces in the ldquoGolden Erardquo fashion The
bodies are bound with solid Madagascar rosewood the
top is inlaid in the 42 style with an elegant blue Paua
pearl rosette The backstrip is 45 style marquetry Both
guitars feature our fast and comfortable Performing Artist
modified low oval mahogany neck with ebony
fingerboard and
wide 2-316rdquo string
spacing on the
ebony Performing
Artist belly bridge And the
crowning touch both guitarsare equipped with the new
Fishmanreg F1 Aura + onboard electronics system the
ultimate in acoustic realism and projection as well as
pickup versatility Waverly gold tuners with Ivoroid
buttons complete the package Orders for the DCPA Koa amp
GPCP Koa will be taken solely from dealers in attendance
at the 2012 NAMM Show in Anaheim California
NEW TOOLS
for GREAT TONE
GPCPA Koa
DCPA Koa
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
DCPA1 Madagascar Rosewood ampGPCPA1 Madagascar Rosewood
These two very special dovetail Performing Artist
guitars reflect the best of Martin innovation expert
craftsmanship and selection of superior tonewoods ndash
all in one As PA series models Dreadnought and
Grand Performance they include a unique slim
tapered fast neck for exceptional player comfort in
all positions a smaller and lighter PA ldquobellyrdquo bridge
for greater tonal response and increased string
spacing for easier finger picking They also
include the new state-of-the-art Fishmanreg F1
Aura + onboard electronics system that deliver
striking acoustic realism and projection
Plugged in or pure acoustic these are great
sounding guitars ndash and with good reason The
tops are solid Adirondack spruce pearl inlaid inthe 41 style and driven by 516rdquo Adirondack
scalloped braces forward-shifted in the ldquoGolden Erardquo X
pattern The back sides and headplate are Madagascar
Rosewood selected for its beauty and close acoustic and visual resemblance to
Brazilian Rosewood Solid black ebony is used for the fingerboard and bridge
Details include grained Ivoroid bindings Delmar beveled tortoise color pickguard
special ldquoalternative torchrdquo inspired position inlays gold enclosed tuners bone nut
and saddle The most distinctive Performing Artist production models to date
Fishmanreg F1 Aura + The Fishmanreg F1 Aura + features a newsimplified and intuitive Easy Mode allowing youto quickly get a feel for the tonal possibilities ofthe system while providing the most importantfeatures The Easy Mode offers three custom-blended Aura Image presets tone control and
the option of using the undersaddle pickuponly For the real tone-tweakers wersquove retainedthe original Performance Mode as well givingyou full access to the powerful 3-band EQscompressor and automatic anti-feedback ofthe F1 Aura +
Performing
Artist SeriesDCPA1
Madagascar
Rosewood
GPCPA1
Madagascar
Rosewood
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N E W P R O D U C T S
Performing
Artist Series
Martin introduces an exciting
new tonewood called Siris
DCPA4 Siris amp
GPCPA4 Siris
With these two new
Performing Artists guitars
Martin introduces an exciting
new tonewood called Siris
adding even more tonal color
and variety to the PA series Siris
delivers excellent bass response
reminiscent of East Indian rosewood as
well as a clear midrange and treble making it an
excellent guitar wood for recording and for playing live Lighter in color
yet denser than rosewood it produces a slightly longer sustain thanrosewood Siris is typically dark orange contrasting beautifully with the
Sitka Spruce tops tortoise colored pickguards grained Ivoroid bindings
and special East Indian rosewood center wedge on both guitarsrsquo 3-piece
backs The DCPA4 Siris and the GPCPA4 Siris are 14-fret cutaway guitars and
have fast comfortable Performing Artist profile necks Hybrid ldquoXrdquo scalloped top
bracing black Richlite fingerboards and bridges and Fishmanreg F1 Analog
onboard electronicsGPCPA4 Siris
DCPA4 Siris
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Over 175 Years of Guitar Building Excellence
The GPCPA4 Sapele is constructed with
FSCreg Certified tonewoods harvested from
ecologically sound and responsibly manag
forests The fingerboard and bridge are
built with FSCreg
Certified Richlitereg
29
GPCPA4 SapeleFirst introduced in 2010 the GPCPA4 is an extraordinary Martin ndash a
big Grand Performance cutaway with a fast comfortable Performing
Artist Series high performance neck But this brand new version ndash
the GPCPA4 Sapele ndash is extra special It rsquos built with FSCreg Certified
tonewoods harvested from ecologically sound and responsibly
managed forests This includes African sapele back and sides
mahogany front and rear blocks cherry side strips Spanish cedar
ribbons and European spruce Hybrid ldquoXrdquo scalloped bracing The top
is FSCreg Certified recycled Sitka spruce produced from old bridge timbers in Canada
Even the fingerboard and bridge are crafted of FSCreg Certified Richlitereg material High
polished gloss top finish with tasteful Cherry red toned back and sides Fishmanreg F1
Analog electronics are included with volume and tone shaping capabilitiesonboard digital tuner and phase control Quite a
package Quite a guitar
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N E W P R O D U C T S
DCPA5K and GPCPA5K
Advanced guitar design meets high-
tech guitar construction The result
two highly affordable Performing
Artist guitars with excellent tone
playability and durability Back
and sides of the cutaway
Dreadnought and Grand
Performance models are made
of a high-pressure wood fiber
laminate (called HPL) with
Koa grain and texture photo-
imbedded The top is solid Sitkaspruce braced with Martinrsquos Hybrid ldquoXrdquo
scalloped bracing system renowned for its
resonance clear treble and distinct bass The Performing Artist Profile neck is
slim and fast and comfortable made of tough Stratabondreg multi-layered
wood laminate Performing Artist bridge and fingerboard are black Richlite
Chrome enclosed tuners with large buttons and Fishmanreg F1 Analog
onboard electronics included A terrific value with great tone and
environmentally friendly
Performing
Artist Series
The DCPA5K and GPCPA5K
are Performing Artist guitars
with excellent tone playability and durability
GPCPA5K
DCPA5K
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Road Series
31
Over 175 Years of Guitar Building Excellence
Special Edition
DRS2 The latest of Martinrsquos hard-working
great sounding Road Series guitars
the new DRS2 delivers a unique blend
of durability and concert-quality
sound and projection The top is
crafted of solid Sitka spruce and
braced with Martinrsquos A-Frame (X1)
bracing Back and sides are select
solid Sapele similar in look and
tonal qualities to its
close cousin
mahogany As
beautiful as it looks
and sounds the
DRS2 is a serious
working musicianrsquos
guitar built for on
the road durability
without sacrificeof tone The
neck is
constructed
of a multi-
layered
wood
laminate
called
Stratabondtrade
that perfectly
simulates natural
quartersawn wood grain The fingerboard and bridgeare crafted of black Richlite amazingly similar in look
weight and resonance of ebony A Fishmanreg
Sonitone sound reinforcement system completes
this very road ndash and stage ndash worthy Martin
000C NylonIn response to the many Martin players
who chose the limited edition 000CDG
built in memory of Chris Martinrsquos late
brother Doug Greth we have
expanded upon this unique ldquocrossoverrdquo
instrument with the new 000C Nylon It is
truly a hybrid instrument combining features
of a traditional Martin steel-string guitar with
those associated with a classical nylon string
guitar The top is crafted of solid Sitka spruce
and braced with a unique A-Frame ldquoXrdquo brace
system Yet this bracing system is equally
responsive to lighter nylon strings without
inhibiting tone or volume The 12-fret low
profile neck features an 18rdquo radius arched
(versus flat) fingerboard like a steel string
but with a classic width 1-78rdquo at the nut and
2-516rdquo at the 12th fret The bridge is in the
classic style with tie block and drop insaddle Bridge string spacing is a
wider 2-516rdquo as well Even the
000Crsquos headstock is unique ndash
square tapered like the
traditional Martin steel
string style but slotted to
accommodate classical
nylon strings Each guitar is
fitted with onboard Fishmanreg
F1 Analog electronics too
The result A versatile
great sounding andplaying guitar no
matter whether you
play acoustic or
acoustic electric
or both
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D-28M Limited Edition Celebrates
The Enduring Music and Legacy ofThe Mamas and The Papas
The appointments on the D-28M Mamas and ThePapas Custom Artist Edition emulate a circa 1960sD-28 blackwhiteblack top purfling blackwhiteback purfling grained Ivoroid binding and heelcapldquocheckerboardrdquo backstrip mother of pearl dotposition markers chrome Groverreg Rotomatic tunerstortoise-colored pickguard polished gloss lacquerfinish and vintage-inspired aging toner on the topExtra flash comes in the form of a Style 45 abalonepearl rosette and abalone pearl-topped bone bridgeand end pins
The guitarrsquos crowning glory is ndash appropriately ndashon the polished black ebony headplate Above
the nut sheltered by the familiar gold old-styleldquoC F Martin amp Co Est 1833rdquo decal logo is a silhouette of The Mamas and The Papasbeautifully inlaid in mother of pearl Derivedfrom a photo by Henry Diltz the inlay capturesthe group in full performance mode
In the early 1960s the four musicians whobecame The Mamas and Papas were a long way from pop music stardom though all wereinvolved in the East Coast folk music scene
John Phillips was a member of the JourneymenDenny Doherty and Cass Elliot sang with theMugwumps After the Journeymen broke up
John Phillips his wife Michelle Phillips andMarshall Brickman formed the New JourneymenMarshall eventually left the band but went on toco-write Oscar winning screenplays with Woody
Allen and he co-wrote the book that became therecord-breaking play ldquoThe Jersey Boysrdquo
Marshall Brickman was replaced by Denny Doherty and soon Doherty introduced hisbandmates to Elliot The four began harmonizingto the pop songs John was writing and perfectedtheir sound during a Caribbean vacation together
The starting point for The Mamas and the Papasrsquofresh pop sound was the folk music all fourmembers played before they got together as a group Songwriter and leader John Phillipsrsquo well-
worn Martin Dreadnought often provided thestrummed rhythmic underpinning on which TheMamas and Papasrsquo band instrumentation andvocals were layered The combination proved tobe genius and even today The Mamas and thePapas ldquosoundrdquo is instantly recognizable
To celebrate the group and its place in popmusic history C F Martin introduces a very
special D-28M Mamas and The Papas
Custom Artist Edition Limited to just100 instruments this new Custom Artist Edition features rare tonewoodshandsome appointments and aunique headstock inlay to honorthese musical trailblazers
John Phillipsrsquo vintage Martin D-28provides the inspiration for this Custom Artist Edition The tonewoods and top
bracing are a stellar combination thatapproximates those of MartinDreadnoughts from the early 1930sBack and sides are rare Madagascarrosewood similar in appearance andtone to the now endangered Brazilianrosewood The top is Carpathianspruce comparable in power andbrilliance to Adirondack spruce andequally responsive Advanced ldquoXrdquo
516rdquo scalloped bracing provides richresonant tone The 1 1116rdquo (at the
nut) low profile neck with diamondvolute is genuine mahogany while the
fingerboard and belly bridge are black ebony
L M
In the 1960s The Mamas and the Papas were at the epicenter of a musical earthquake
that began in Southern California and sent shockwaves across the country Combining
great songwriting unique arrangements and lush harmonies the group had six ldquoTop
10rdquo singles and four ldquoTop 5rdquo albums from 1965 through 1967 a feat that made them one
of the few groups to challenge the Beatles during that era While The Mamas and the
Papasrsquo original lineup of John Phillips Cass Elliot Denny Doherty and Michelle Phillips
lasted just four years several of the songs they created ndash including ldquoCalifornia Dreaminrsquordquo
ldquoMonday Mondayrdquo ldquoWords of Loverdquo and ldquoTwelve Thirtyrdquo ndash have stood the test of time
32
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(This story should sound familiar they laterturned it into a hit single ldquoCreeque Alleyrdquo)Eventually the four traveled to Los Angeles
where they auditioned for Dunhill RecordsOwnerProducer Lou Adler Adler signed them tohis label immediately and two days later thegroup had a name The Mamas and the Papas
Released in 1965 The Mamas and The Papasrsquofirst single failed to garner much notice Howeverthe second single ldquoCalifornia Dreamingrdquo co-
written by John and Michelle Phillips reachedNo 4 on the charts The grouprsquos debut album If
You Can Believe Your Eyes and Ears was releasedin early 1966 and rose to No 1 quickly followedby the single ldquoMonday Mondayrdquo which also hitNo 1 and later won a Grammy Award for ldquoBestContemporary Group Performancerdquo
While The Mamas and The Papasrsquo personallives became increasingly turbulent over the nexttwo years their music continued to flourish they recorded three additional albums ndash The Mamasand The Papas Deliver and The Papas and TheMamas ndash that went ldquoTop 20rdquo and in turn yieldedseveral ldquoTop 20rdquo singles
In 1968 bitter infighting between memberscaused the group to disband Due to contractualobligations they reunited briefly in 1971 to makethe People Like Us album and then went theirseparate ways Cass Eliot had a flourishing solocareer that was cut short by her death in 1974
John Phillips continued to write songs and bothhe and Denny Doherty performed and recordedas solo acts In the 1980s and 1990s they occasionally reunited to tour as members of the
New Mamas and Papas John Phillipsdied in 2001 Denny Doherty died in2007 Michelle Phillips enjoyed a successful acting career and today isthe last surviving original memberof the group
Despite the grouprsquos short history TheMamas and The Papasrsquo musical legacy remainsundiminished the group was inducted into theRock amp Roll Hall of Fame in 1998 and received a
Grammy Hall of Fame Award in 2001 In 2003 If You Can Believe Your Eyes and Ears was ranked127 on Rolling Stone magazinersquos list of the 500greatest albums of all time
Delivered in a hardshell case eachD-28M Mamas and The PapasCustom Artist Edition guitar bears a special interior label featuring theldquosun rayrdquo graphic from the RouletteRecords label on which some of TheMamas and The Papasrsquo singles werereissued in the 1970s Each label ispersonally signed by former Mamasand The Papas member MichellePhillips and numbered in sequence
with the edition total Beginning immediately authorized C F Martindealers will accept orders for theD-28M Mamas and The PapasCustom Artist Edition until all 100guitars in the edition are allocatedparticipating Martin dealers willthen be posted on theC F Martin website
wwwmartinguitarcom
33
S A M P L E
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L O N D O N A C O U S T I C G U I TA R S H O W
Acoustic guitar aficionados attending The London
Acoustic Guitar Show were treated to presentations
that showcased Americarsquos favorite musical instrument
brand and featured musical vignettes by legendary
and influential guitarists Stefan Grossman and
John RenbournThe presentation was given by Dick Boak archivist for Martin
Guitar who offered a graphical and interactive history of the 178-year-old guitar company In addition Dick displayed severalimportant examples in the evolution of Martin acoustic guitarsThe presentation focused on the development of the modern
acoustic guitar Martinrsquos historical contributions to the definitivacoustic guitar design artist signature model collaborations an
an in-depth explanation of specific guitar shapes sizes andtonewoods that lend themselves to particular musical genres JoRenbourn and Stefan Grossman legendary acoustic fingerstyleinnovators demonstrated the tonality of an assortment of Martinstruments including their own Custom Signature models
Martinrsquos UK distributor Westside Management was a primasponsor of the show and the host for the concert stage thatfeatured a stunning live performance by Renbourn and Grossm
Dick Boakrsquos presentation provided a template and proving ground for potential future presentations throughout the UniteStates Europe and Japan
THE LONDON ACOUSTICGUITAR SHOWSaturday and Sunday September 10-11 2011
Olympia Conference Center London
34
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Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
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M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
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The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
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M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
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M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
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Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
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M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
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Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
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A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
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C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
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P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
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Christiersquos Charity EventRichard Gere sold a majority of his vintage andcustom guitars at Christiersquos auction house onOctober 11 in New York City This included a 1901 Serial 9373 which is significant to thedevelopment of Martinrsquos Style 45 guitars (seephoto above) The Martin ledger mentions it wasone of four prototypes with ldquospecial inlayrdquo
Richard Gere is donating the proceeds to buildschools and hospitals in the Himalayas
4
UPS Films forWe Love LogisticsCampaignC F Martin amp Co is featuredin a recent advertising
campaign by Ogilvy andMather for UPS The photoabove shows the film crew onthe factory floor as anassortment of employees jamfor the cameras Martin andUPS have collaborated formany decades on logistics anddelivery of such a preciousproduct to dealers anddistributors worldwide Seethe link at left for the
YouTube video
M A R T I N S T O R I E S
The Music is Born Jim Morrell purchased a very special anniversary gift for his wife of 40 years Carol She tells her story belowldquoEarlier this year my daughter and I went on a photography excursion with Danrsquos Camera City (Allentown Pa) We took photos at the Martin GuitarFactory (Nazareth PA) then put together a photo journalI entitled mine
IN THE LIGHT OF A MASTERPIECETHE MUSIC IS BORN
We then took our husbands back to the factory for thetour to hear more about what we took pictures of
When my husband asked me what I would like as ananniversary gift I announced ‛a Martinrsquo Although it wasdifficult to manage he found a way to give me this giftI fell in love with the Grand Performance Cutaway-GPCPA1 It is beautiful The workmanship and all the loveand hard work that went into creating it amazes me
Say it LoudSay it Clear
Our 40th Anniversary Is Near
So my gift
Has arrived And it is Here
G- is for GorgeousP- Play it now
C- Care for it alwaysP- The Picture of Perfection
A- Adoring it1- 1 the Best of the Best
Even though Carol owns eight other guitars nothing compares to her Martin GPCPA1
wwwyoutubecomcfmartinguitarpau1P7G7GF_mwxI
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Sasha Greendyk Sasha Greendyk of Radnor Pennsylvania is inspired by music Since she can remembershersquos been singing in choirs and playing piano but it wasnrsquot until eighth grade that she
wrote her first piece That little piano melody was the start of many years of music writing and shersquos become an adept guitarist with a little help from her D-40 MartinDreadnought It is now Sasharsquos dream to become a film scorer and write music formovies and shows alike No matter what music will always be a part of her life
Kirsten SowersSince appearing in our previousSounding Board issue Kirsten Sowershas been keeping busy with her000 Martin cutaway This past Julyshe performed for the troops at theTD Bank Center in Philadelphia
5
A Family TraditionKen Kahn from Sedro-Woolley Washington and his grandsonTyler Turner 9 from Sequim Washington play country andbluegrass when they get together Tyler plays an LX1 LittleMartin and Ken is playing a D-28 Don McLean with severalbackups an HD-28 a 00-18 and a J-21 The mandolin is a Martin bowl back made in 1909
On BroadwayMichael Aarons lead guitarist and in-house contractor forthe popular Broadway musical Godspell recently emailedus with feedback about the impressive array of Martininstruments being used on stage for the show
ldquoWe have four Martin Dreadnoughts and a ukulele that weare using in the show These instruments are superb ndash they play and sound incredible ndash they are just what we needrdquo
As a professional guitarist Michael owns a lot of instruments He admits that while hersquos always wanted toown a Martin he just couldnrsquot afford the vintage modelshe was drawn tountil now
ldquoI have to say after seeing how consistent playableelegant and perfect these instruments are and hearing how tremendous they sound Irsquom converted for life They arethe best acoustics Irsquove ever played and I mean it ndash perfectbeyond words I speak for the whole band in thanking Martin for making such great guitarsrdquo
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M A R T I N S T O R I E S
A Silent Servant With No Name We recently received an interesting and compelling messagefrom a lifelong Christian minister who along with his obviousspiritual connection is also a musician and lover of Martinguitars In his own arsenal of Martins he cherishes threeDreadnoughts a D-28 Marquis a D-35 and a D-42 Thestory as he relayed it to us is that three years ago he was toldldquoby Godrdquo to acquire five Martin guitars and gift them to five
special and specific people At the time the minister who inhis humility has suggested to us that his name is notimportant only had enough money for one D-35 Martinguitar which he promptly gifted as instructed He waited formore money to appear and it seemed like it wasnrsquot going tocome He was facing a serious operation and asked his wife if she would finish his mission in the event that he didnrsquot makeit through
He woke up a month later after extensive surgery and couldnot move or walk His daughters told him later that all he
talked aboutin his direstate was Godand Martinguitars butinside he wasdetermined
to get back to normal After a year transpired he was able to walk with a caneMiraculously the money began to come in and he
contacted a prominent Martin dealership eventually buying three more Martin D-35s and a D-16GT
His message thanked us for the beautiful works of art Inthe end five people experienced the ldquobest day of their livesrdquo
He is thankful for ldquobeing chosenrdquo to be the deliveryman forsuch treasures and he wanted us to know that ldquoGodrdquo isMartinrsquos best sales rep
6
Harley-Davidson Motorcycle amp Guitar Again gracing the Martin Ownerrsquos Club event on Friday August 5 2011 was Mark Zickefoosersquos custom Harley-
Davidson complete with matching Custom Martin andmounted road case
Martin MarinesCorporal David M Jones wrote to us on behalf of hisDivision to express his thanks for his LXM LittleMartin that arrived in Afghanistan Since he receivedthe guitar it certainly has made its rounds ndash someoneis always coming to play it or learn to play it He hasactually had great success teaching two Marines toplay David admits that the beginners arenrsquot the bestto listen to but ldquoat least they are having funrdquo Picturedabove are David and a few of his fellow Marines withthe Martin guitar
Inked AdmirationRobert Dutton of Brooklyn New York shared this photograph of his Martin Performing
Artist Guitar tattoo
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We are honored to have received thefollowing Players Choice Awards for 2011
bull GOLD AWARD for BESTDREADNOUGHT GUITAR (D-28)
bull GOLD AWARD for BEST MID-SIZEFLATTOP GUITAR (Eric Clapton
Signature Model)bull SILVER AWARD for GUITAR
OF THE YEAR (D-28)
bull SILVER AWARD for SMALL-BODYFLATTOP (00-15M)
bull SILVER AWARD for JUMBO GUITAR SIX or 12-STRINGS (Grand J12-40E)
bull SILVER AWARD for ACOUSTIC-ELECTRIC GUITAR (GPCPA1)
bull SILVER AWARD for TRAVEL GUITAR (LX1)bull SILVER AWARD for 12-STRING (J12-40E)
bull SILVER AWARD for OTHER STRINGEDINSTRUMENT (OXK UKE)
bull SILVER AWARD for STEEL STRINGS (FX)
Acoustic Guitar Magazine
7
Distorted StringsIt is quite difficult to comeup with ideas for string advertising Guitars are
much more visual MartinrsquosDick Boak (no strangerto illustration)conceptualized thisslightly hyperbolic
pencil drawing Dickrsquossuggested headlineldquoMartin Strings -
Exaggerate Your Tonerdquo
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Let Us In
A special benefit concert was held onNovember 7th at Nashvillersquos legendary
Ryman Auditorium The ldquoLet Us InrdquoNashville benefit was the kick off forNashvillersquos CMA Week Actor musicianand Martin guitarist Jeff Daniels hostedand performed at the event whichfeatured live performances by SarahDarling SHeDAISY Steel Magnolia PhilVassar Cheyenne Kimball Juliana ColeNikki Shannon Fernandez JordynShellhart Chuck Wicks Nancy SirianniSamantha Landrum and Blue Sky RidersEach artist performed an original versionof a Sir Paul McCartney song
Sponsored in part by Martin the event was filmed and recorded for a live DVDas well as a CD bearing cover art by PeterMax that will include extra contributedtracks from Tommy Emmanuel Timothy B Schmidt Mark Hudson Laurence
Juber Denny Seiwell and Ricky SkaggsThe Women and Cancer Fund is a not-
for-profit charity led by Dr Alicia Alvarezand established in the memory of Linda McCartney Sir Paul McCartney has givenhis ldquowhole-hearted blessingrdquo to ldquoLet UsInrdquo Nashville a campaign led by ReviverMusic to raise awareness and proceedsfor this charity which promotesprevention increases lifestyle awarenessenhances available health services andadvocates advanced breast cancer andchildrenrsquos cancer research
A Martin D-28 Dreadnought similarto the D-28 Sir Paul plays was donatedand signed by the participating artists forsubsequent auction to benefit The
Women and Cancer Fund
The Invention of the American Guitar
Peter Szego is spearheading new scholarship into the early history of the American guitar which will culminate in the publication of a book tentatively entitled ldquoC F Martin and the Invention of the American GuitarrdquoIn September 2011 Peter hosted a group from Martin on a tour of hisextensive collection of antique American guitars and banjos (1833-1860)
with a special focus on the earliest Martin guitars The publication of hisbook and the concurrent opening of a major museum exhibition is scheduledin 2013 Stay tuned
8
M A R T I N S T O R I E S
Above left to right) Michael Dickinson Amani Duncan Peter Szego Chris Martinand Charles Peischl Dick Boak is not shown because he took the photo
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Every good guitar like every good son and daughter
periodically goes home ndash or should go home ndash to the
place of its birth For Martin guitars thatrsquos Nazareth
Pennsylvania 18064 and Mother Martin is always gladto see the kids
Kidding aside there truly is a parental attitude at Martintowards every single Martin guitar ever made because nobody knows better than Martin the enormous skill patience andunrelenting adherence to quality standards that goes intobuilding a Martin guitar
Not surprisingly Martin cares as much about how you send yourguitar back to Nazareth as the reason why yoursquore sending it It isimportant to contact the Martin Customer Service Department inadvance to get a Return Authorization (RA) Number Simply call(610) 759-2837 and ask for a Customer Service representative
Irsquove shipped guitars to Martin for years and never damaged a one in the process Not even a scratch Herersquos how I do it
De-tune the strings with just enough tension to keep the bridgepins and saddle securely in their slots If there are electronicsremember to remove any batteries to make sure that they do notbecome loose during shipping Also and very importantly removethe endpin Some people remove strings bridge pins endpin andsaddle (if itrsquos a removable type) put them in an envelope and put theenvelope in the string pocket of the case Thatrsquos fine but make surethat the envelope is securely packed with wadded tissue paper on topof it so that it doesnrsquot shake itself or its contents out of the string pocket and wreak havoc on the guitar
C A R E A N D F E E D I N G
Shipping Your Guitar
Home To Mother
BY BILL BUSH
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Next buy a box of stringed paper tags Print your nameaddress telephone number and e-mail address on one side of the tag on the other side print the Martin model number andserial number Fill out two tags Attach one tag to one of the
tuning machines attach the second tag to the case handle Why If anything happens to the shipping labels in transit thereis a record of you as the owner in two places within the box
Also purchase a package (or two) of plain soft tissue papersheets used for gently wrapping gifts inside a gift box Itrsquos very soft paper and wonrsquot scratch delicate lacquer Do not stuff thecase interior with newspaper
You want to be sure that the guitar is snug in the caseespecially the headstock Wad up enough tissue paper to supportthe headstock ndash top bottom and sides The entire headstock
well of the case should be filled as well as the space above theheadstock (and front of the headstock) You can also tuck tissuepaper on the fretboard near the nut You want to prevent the
headstock from whiplashing forward and backward which ishow a lot of necks get cracked
You also want to gently stuff the sides and lower bout of the guitar(where the back strip is) and around the neck heel so that there is noshifting frontward or backward In short you want to make theguitar inert (motionless) within the case No movement whatsoeverin any direction About the case No guitar should be shipped inanything but a hard case Ever Martin offers a thermoplastic hardcase (which is tough as nails) as well as black vinyl covered plywoodand plush ldquoGeib-stylerdquo hard cases They come in various model sizesand fit quite snugly
Original Geib hard shell plush cases are still floating aroundout there from the 60s as are other vintage Martin hard casesalthough none are as snug as the present variety ndash and snugnessis critical when shipping a guitar
The best shipping box for Martin guitars is the same shippingbox Martin uses to ship their new guitars to dealers Just callyour local Martin dealer and ask if you can have a used Martinshipping box - and do it quickly before itrsquos thrown out or beforesomeone else gets it Theyrsquore good as gold
About packing the case in the shipping box UPS and officesupply stores sell bags of Polystyrene foam shipping ldquopeanutsrdquoSprinkle a layer of peanuts in the bottom of the shipping boxplace the packed guitar case in the box and carefully fill-in arouthe case to the top of the box Like the guitar in the case you
want the guitar case itself to be inert in the shipping box Tapethe top and bottom box flaps with lots of wide Scotch Strappingtape (the strongest) Then use clear Scotch packing tape to cover
handwritten ldquoTo amp Fromrdquo self-sticking label in the corner of thbox top UPS amp Fed Ex have their own self-sticking labels as we
You can cover the address with clear tape but NOT the bar codThe shorter shipping time the better UPS and Fed Ex offer
Next Day Air but itrsquos expensive They also ship Ground but besure you know how many days it takes to arrive in Nazareth andship early in the week so that your guitar does not sit in a hotshipping container or parked truck over the weekend
Lastly make sure you insure your guitar Some shippers willonly insure guitars for a limited amount Others will insure onthe basis of declared value of the instrument Itrsquos not cheap but i
worth it if you love your guitar Mother will approve
De-tune
the strings(and remove
the endpin)
Fill outtwo tags
Purchase a
box of stringed
paper tags
Packing The case
should be completely
filled with tissue paper
About the caseAlways ship in a hard
case No exceptions
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C F Martin amp Co offers guitars to fit every preference and
budget but knows guitar dreams have no limits For
those whose guitar ideal canrsquot be found among the more
than 120 models Martin currently makes and who want toconceive their own unique perfect guitar Martin has
created a special place Itrsquos called the Custom Shop and it
is where guitar dreams come trueSituated on the production floor the Custom Shop is a dedicated
space with several workbenches assorted jigs and a range of racks andshelves for ldquoworks in progressrdquo Here just over a dozen of Martinrsquosmost experienced craftspeople build ndash one at a time and mostly oneof a kind ndash masterpiece acoustic guitars
ldquoThe Custom Shoprsquos goal is simply to build the best acousticguitars in the worldrdquo commented Fred Greene Martin Vice Presidentof Manufacturing ldquoWhether itrsquos an individualrsquos vision of a great
instrument a uniquely appointed model one of our dealers thinks will appeal to his or her clientele or a guitar wersquove conceived toshowcase artisan building each Custom Shop instrument is crafted asif we were making it for ourselvesrdquo
Custom guitars have been an element of Martin productionsince the company was founded in 1833 A number of Martinguitars from the 19th and early 20th century show customfeatures and custom Martins from the 1930s through the 1950shad an ldquoSrdquo suffix on the neck block model number to indicatetheir custom (or ldquospecialrdquo) status In the 1980s and 1990scustom Martinsrsquo neck blocks were simply stamped ldquocustomrdquo But
The Custom Shop
Bringing your
Guitar to LifeBY MARSHALL NEWMAN
Great sounding Custom Shop guitars donrsquot need to be fancy but if
you want to go that route Martin can certainly accommodate you12
C A R E A N D F E E D I N G
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until recently all custom Martins were built on the main shopfloor alongside their non-custom siblings
The concept of a separate stand-alone Custom Shop began to gainmomentum approximately 10 years ago but didnrsquot come tofruition until 2005 ldquoWe had a custom administrator who handledand followed custom orders on the shop floor but knew we could
do morerdquo Greene recalled ldquoIn 2005 I proposed we create a separate custom area with a separate workforce with the capability to handcraft unique instruments using traditional techniques ndash likecarving necks by hand and hide glue construction - that didnrsquot lendthemselves to our standard production process We started theCustom Shop with a staff of five it began by building the Authenticline and slowly took on custom buildingrdquo Today the Custom Shophas a staff of eleven plus three design consultants who work withcustomers dealers and builders to assure Custom Shop instrumentsare everything they can be
ldquoThe number one challenge of the Custom Shop is timerdquoGreene noted ldquoIt takes time to build instruments of the quality Custom Shop customers demand to hand-carve the necks to cut
the pearl to shape the braces and all the rest In the Custom Shop we take whatever time is needed to make these instrumentsexceptional Judging by the number of orders theCustom Shop receives people recognize the value of
what we are crea tingrdquoldquoThe Custom Shop team includes several of
Martinrsquos most experienced builders The average tenure with Martin is 25 years and there are a few who areapproaching the 40-year markrdquo Custom Shop guitarsare built almost entirely by this small staff in theCustom Shop only operations requiring largespecialized equipment ndash like side bending andfinishing - are done on the main shop floor
While all orders for Custom Shop guitarsmust be made through authorized C F Martinamp Co dealers prospective Custom Shopcustomers now have a great tool they can utilizeto design their dream guitar the Custom GuitarConfigurator Accessible on-line at
wwwmartinguitarcom the Custom GuitarConfigurator lets the user ldquovirtuallyrdquo create a guitar from a range of Martinrsquos most popular options see their creation and get a suggestedretail price quote The information then can be printed out for useas a reference during the order process
13
The Custom Shop offers a remarkable range of options(actually more than shown in the Configurator) sizes body styles scale lengths tonewoods neck profiles appointments
inlays and more Are there limits to what the Custom Shop wibuild As they sometimes say in the Custom ShopldquoWe try to never say ‛norsquo we only say ‛how muchrsquordquo In truth
there are some projects Martin wonrsquot tackle among themreplicating a Martin Custom Artist model or SignatureEdition (to respect the artistrsquos vision for hisher guitar) and
building with customer-supplied wood (which may not matchMartin specifications or standards)The Custom Shop even allows customers to come by the factory
to select the specific tonewood set for his or her guitar from Martinextensive inventory ldquoAt first it was just Martin dealers but now weare seeing individuals stop byrdquo observed Greene ldquoThe opportunityto select the set of Madagascar rosewood or flamed mahogany oranother tonewood that will become a Custom Shop guitar makesthat guitar an even more personal statementrdquoDespite its limited production and brief history the Custom
Shop has produced an impressive array of guitars Ordersoften include unusual tonewood combinations special
neck configurations or custom inlays A CustomShop guitar generally takes four to six months tobuild after details have been finalized dependingon the current workload and the complexity of theorder guitars featuring special design elements
andor custom pearlwork can take longer Whetherplain or fancy each completed Custom Shop guitar
is identified by the laser-etched Custom Shop logoon its neck block
In early 2011 the Custom Shop introducedtwo limited-production CS models the first
of a series of Custom Shop instruments that will be available for only one calendar year(or less if demand is overwhelming as wasthe case with the CS-21-11 model) ldquoThe CS
models express C F Martinrsquos spirit of adventurerdquo explained Fred Greene ldquoThese
short exclusive runs of g uitars allow us to introduceexciting new ideas that might eventually be looked upon asclassics At C F Martin amp Co heritage and creativity arenrsquotmutually exclusive and these CS guitars are the proofrdquo Readyto create your one-of-a-kind Martin guitar Good The CustomShop is ready for you
In creating your Custom Shop Martin you may choose from a wide array of tonewoods body sizes appointment levels and customized inlay sty
8102019 Vol_32pdf
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Adjusting the truss rod with a special long Martin Allen wrench
Guitars are made to be played and the easier they are to
play the more pleasure they bring their owners The
action ndash the distance between the strings and the
fingerboard ndash should be just right and thatrsquos the reason
every guitar deserves a good set-upFundamentally guitar set-up is simple geometry adjusting
the guitarrsquos neck nut saddle and (occasionally) frets to put theaction at an ideal level - not so high as to be difficult to fret and notso low as to cause string buzz
C F Martin amp Co sets up every guitar it builds before it leavesthe factory Most Martin guitars built in Nazareth are set up using a PLEKreg Pro machine which scans the nut fingerboard and saddle
with a sensor compares the scan with optimal values and thencuts the nut slots contours thesaddle and polishes the frets toan accuracy of 11000 of aninch If necessary minor saddleand nut touch-up and truss rodadjustment are done by hand
when the guitar is strung A fewMartin guitars - primarily Custom Shop instruments -continue to be set up by hand
Even an acoustic guitar with a
good factory set-up may need tobe set up again within a few years according to Lon WernerMartin Customer RepairManager ldquoThe wood in a guitarcan take up to five years to ‛settleinrsquo under string tension and a change in the action may necessitate a fresh set-uprdquo Theownerrsquos playing style and
The LowdownBY MARSHALL NEWMAN on Set-up
Checking neck relief during final setup
14
C A R E A N D F E E D I N G
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technique also may dictate whether a fresh set-up isneeded ldquoA fingerstyle player
with a light touch might wantthe action lowered while a flatpicker may need the actionraisedrdquo Indeed an individualrsquosplaying style and technique are
information a repairperson will want to know to do the bestpossible set-up
So can you tell if your guitarneeds a set-up Begin with theobvious If your guitar hasbecome very hard to fret itprobably needs a set-up If thestrings buzz either open orfretted it probably needs a set-up If its intonation is way offit probably needs a set-up
A few simple diagnostic testsalso can help determine
whether a set-up is neededCheck the neck relief by fretting the low E string simultaneously above the firstand below the 13th fret thegap between the string and the6th or 7th fret should beslightly more than the thicknessof a business card Checkaction at the nut by fretting each string between the second
and third fret there shouldbe daylight between eachstring and the first fret a gapapproximately the thicknessof a sheet of paper at thehigh E and slightly more at thelow E Check the height of theaction with a machinistrsquos rulerat the 12th fret the distancebetween the fret and the string should be approximately 232-332 of an inch on the trebleside and 332-432 of an inch
on the bass side A goodelectronic tuner can be used tocheck intonation on eachstring by playing the openstring and then playing theharmonic of the same string atthe 12th fret
A lot of guitarists may betempted to do their own set-upbut Dave Doll of Martinrsquos
Customer Repair Departmentcautions against it ldquoItrsquos like a doctor educating a patient onhow to recognize symptoms thpatient may know he has a problem but he still should goto the doctor to have thatproblem fixedrdquo he commented
ldquoEven a simple set-up can bedaunting unless you know whayou are doing you may well domore harm than goodrdquo Lon
Werner was more specificldquoWhile preliminary evaluationmay suggest a set-up is neededthe symptoms also can beindicative of a much moreserious problem When theMartin Customer RepairDepartment receives a guitar
we give it a thorough going-over from headstock toendpin If the bridge is liftingor a brace has pulled loose orthe neck needs a reset (justthree examples) that is a problem that has to be dealt
with for a set-up to bebeneficialrdquo Not everyonelives so close to Nazareth tohave their Martin guitar
worked on at C F Martin amp Cobut there are more than
150 Martin Service Centersthat can give that guitar thecare ndash whether a set-up orsomething more ndash it deservesShould you happen to visitNazareth or live nearbyC F Martin amp Co offers a very cool opportunity to learnabout guitar maintenance fromsome of the best in thebusiness Every Friday from11 am until noon theCustomer Repair Departmen
hosts a guitar care seminarduring which it demonstratesthe basics of guitar careincluding some of theelements of set-up (like trussrod adjustment) The guitarcare seminar is free noreservation is needed andit is a great way to learnhow to keep your Martinin peak playing condition
15
Checking the relief of the neck
Checking the action at the nut
Checking the action at the 12th fret
Adjusting the truss rod with a long Martin wrench
truss rod wrench
hole in brace
truss rod location
gap between bottom of string
and top of fret at the 12th fret
gap between bottom of string
and top of fret at the 1st fret
with string depressed
gap at the 6th or 7th fret with string
depressed at 2nd and 13th frets
exaggerated neck relief
frontblock
8102019 Vol_32pdf
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All-Star MUSEBenefit Concert
The All-Star MUSE BenefitConcertat the Shoreline Amphitheater inMountain View California supported Disaster Relief in Japanand Non-Nuclear Groups
Worldwide Featured artists includedCrosby (with his Martin Signature 12-string) Stills amp Nash Jackson BrowneBonnie Raitt Jason Mraz The DoobieBrothers Tom Morello John HallKitaro Sweet Honey in the Rock and
Jonathan Wilson
A R T I S T P R O F I L E S
Hollywood Bowl 2011Dolly Parton with her touring guitaris
Jim Salestrom who is playing hisMartin J-40 Dollyrsquos World Tour
thrilled attendees at the HollywoodBowl Saturday July 23 2011
DonavanFrankenreiterDonavonrsquos fourth studioalbum Glow is describedas ldquowarm organic andoverwhelmingly hopeful Theperfect antidote to trying timesrdquo Hersquos playing his triedand true Martin 000-18 Shawn Colvin
Shawn Colvinrsquos new Live album wasnominated for the Grammy Awardfor Best Contemporary Folk Album
Accompanied with her pristineM3SC Signature Edition findShawnrsquos enduring music on iTunes orat amazoncom
16
oto by Lynn Goldsmith
P
h o t o b y L y nn G ol d s mi t h
8102019 Vol_32pdf
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Ron Davies(1946-2003)
A songwriter fromthe pacific northwestRon Davies at 17bought a well worn1956 D-18 Martin
which he put to gooduse writing an entirealbum of songs forthe Seattle band ldquoThe
Wailersrdquo As an artisthe recorded fivealbums during hislifetime but he isbest remembered forhis songwriting
His songs have been covered by a diverse group of artists that include Joan Baez David Bowie (Ziggy Stardust) Long John Baldry Ann Murray Three Dog
Night Nitty Gritty Dirt Band Helen Reddy Jerry Jeff Walker Maria Muldaur Joe Cocker Randy TravisNanci Griffith and the Raconteurs to name a few
In 2011 friends in the pacific northwest cametogether to record ldquoThe Mystery of Ron Daviesrdquo a tribute CD containing eighteen of Ronrsquos songsperformed by artists from his hometown and one by Davies himself Available on iTunes and at CD Baby allof the proceeds will benefit ldquoMusic Caresrdquo
Leslie TuckerLexington Virginia-based singersongwriter Leslie Tuckerrecently received the gift of a Martin D-41 from a legion of her fans and she plans to use her new acquisition in theproduction of a new album project currently in progressalong with a tour of performances when itrsquos released Tune into wwwleslietuckercom for updates
Santa Cruz Blues Fest 2011Some of the worldrsquos finest guitarists including Jonny Lang were on hand to salute guitar legend JimiHendrix at this yearrsquos Santa Cruz Blues Fest 2011
Jonnyrsquos playing his Martin J-40 Jumbo
Sting
17
Early StingFrom Andy Summers groundbreaking book Irsquoll be watching you Insidethe Police 1980-1983 Police guitarist and professional photographer
Andy Summers captured Sting with his Martin D-28 in 1982
8102019 Vol_32pdf
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Fast AJ AJ Rubino of SpringfieldMassachusetts has beenperforming folk and country music for nearly fifty years ndash
much of that time with his1975 Martin D-35 slightly customized with fingerboardinlay by luthier Harry BeckerThis photo will grace the cover of AJrsquos forthcoming CD
He is a loyal member of the Martin Ownerrsquos Club andowns several other Martin guitars The tree AJ is standing in front of was destroyed by the tornado that hit WesternMassachusetts in June of 2011 but no one was hurt andall of the Martin guitars survived
A R T I S T P R O F I L E S
The Kingston Trio Fantasy Camp 2011
Winfield KansasFestivalrsquos Martin D-42
Allen Shadd began playing guitar when he was seven years oldacquiring his first Martin guitar -
a 1973 D-35 at the age of tenSince then he has gone on toperform in many bands guitar
workshops recording sessions and in 1997 released his own CDldquoA Cut Aboverdquo Allen also frequently competes in guitarcompetitions and has won some of the most prestigious flatpicking contests that have included Merlefest Rocky Grass and the WayneHenderson guitar competition He brought home this yearrsquos MartinD-42 from the National Flatpicking Championship held in
Winfield Kansas Itrsquos the sixth time Allen has placed in the topthree including his first place finish in 1997
18
wwwkingstontriocom
Caroline JonesThis NYC-based singer songwriterguitarist and producer was trainedclassically by Andy Anselmo Founder
of New Yorkrsquos ldquoThe Singerrsquos ForumrdquoCaroline began singing opera ariascabaret standards and show tunes at agenine Under the management of Tommy Mottola and Chris Apostle shebegan recording her original songs withproducer Chris Toland at Sony and
Avatar studios in New York as a studentat The Professional Childrenrsquos SchoolIn 2008 Caroline began monthlyco-writing trips to Nashville where sherecorded with many of the industryrsquostop talents Since then she has been
performing and recording with herMartin 00-21 Kingston Trio modelthat pays tribute to original KingstonTrio member Dave Guard (1934-1991)
Shown above are Fantasy camp attendees each holding their Martin guitars (plus one banjo)
P h o t o b y J o h n L i n d
8102019 Vol_32pdf
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Dierks BentleyReaching deep into acoustic rootsmusic resulted in Dierks Bentleyrsquosnew album Up On The RidgeMore than a bluegrass concept
album with guests Up On TheRidge features Bentley working with some of the finest acousticmusicians in the world including long-time collaborators theDel McCoury Band and a new musical partnership with ChrisThile and the Punch Brothers Asa recent addition to the Martin
Ambassador ranks Dierkrsquos israrely seen without his prizedvintage herringbone D-28
Hawaiirsquos HirsquoikuaIn a culture that honorsthe legacies of the pastthis Hawaiian trio of talented musicians pays
homage to their roots while creating a uniqueand progressive soundthat leaves an indeliblemark upon contemporary Hawaiian music
In a seamlesscontinuous movement we all carry a past while living in thepresent and moving toward a future Hirsquoikuarsquos music reflectsthe belief that without asking the knowledge of our ancestorshas already been placed within us in the hope that we too
will shoulder that responsibility in an unbroken journey intothe future
Their music is composed and performed by Kalehua Krug (left with his Martin 12-string) Kamuela Kimokeo (above andcenter left with his Martin OMC Aura cutaway) and BlakeLeoki-Haili (right with Martin tenor ukulele)
The grouprsquos name derives from the Hawaiian word thatmeans literally ldquoto carry on onersquos backrdquo Hirsquoikua has taken thisresponsibility seriously
ldquoAia I Hirsquoialordquo the long awaited CD from Hirsquoikua featuressix original and six traditional songs
wwwhiikuacom J e r r o l J u l i a n P
h o t o g r a p h y
J e r r o l J u l i a n P
h o t o g r a p h y
8102019 Vol_32pdf
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F R O M T H E A R C H I V E S
Waiting for the Sunday Boatrdquo by William Henry Jacksonrdquo Florida circa 1902Martin small-bodied parlor guitar
ldquoAs long as
Irsquove got my guitar
Irsquoll be finerdquo
mdash Willie Nelson referring to Tri
his legendary Martin guitar
HometownCentenarianMary Arletta Hahnis shown (right)
with her 00-1712-fret Martinguitar Mary was inher twenties whenthis picture was
taken (circa 1932)She was born inNazareth andturned 104 this pastSeptember Healthy small town living Shereceived her theology degree from the United
Wesleyan College but she also majored in voicepiano and guitar She would sing and play guitarin her fatherrsquos varied congregations Mary haslived her entire life in and around NazarethToday she lives just one block from where herguitar was made
1883 Advertisement
Gu i tar is t and Mando l in
is t
c irca 18 9 0
Guit ar ist and Mandolinist c ir c a 19 25
20
8102019 Vol_32pdf
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Ahh the sound of the Martin Rich and evocative Texture
lifeby strummingorpickingorthe lightesttouchtoteas
harmonicsthesoundmdashlikethehistoryofCF Martinamp C
peopleanda storyofthesensesHearitTasteitFeelitA
artist Robert Goetzl see it Seethe sound of the Martin
FEA TU R E
The Soundand the Story
Thehand drawnsketches (right)illustratethesix-panel seriesofthree-foot byfour-footmuralsthatwillhangintheMartinVisitorrsquos Center
BYSUSAN J BURLINGAME FREELANCE WRITER MARTIN
22
mdashC FMartin IVmdashcalls itldquothe magic ofFrom JohnnyCash to John Mayerand fromElvis Costello manyof historyrsquos mostbrilliantve chosen the Martin sound the Martin magicm the Martin storycontinuesMartin magic is mostprofoundly representedby n in the early1800s on the otherside of theour eyes fora momentand imagine ayoung king browfurrowed in concentration Heods the braces the strings of his firstguitarrtin has traveledfrom his home in Saxonytoe learns the artof guitarmaking as ane of the bestknown guitar shops in Europeg his 37th year C F Martinalong with hisdren sets outfor Americae story as theysayhellipis magicamp Co is still family-ownedmdashbutthe ldquofamilyrdquoh Martins and non-Martins generations of
ed arole in crafting the exquisite acousticrtin has offeredthe world formore than 175ertGoetzl a cousin to Chris Martinhas been create awork of art depicting C F Martin ampamily its sound andits storyeries of three-footby four-footmurals thatwillin Visitorrsquos Center the work says Goetzl is a love Chris Martin thatmuch He wasuential in mylife andthe opportunityto tellyauthentically is extremelymeaningful to merdquonels (pictured here)take viewers on CFfrom Saxonyto Viennato the newworld
ured as the music of the Martin guitar thensionalmdashdone in mixedmedia with collage andreating the firstpanel was forGoetzl the biggest
23
challenge ldquoI realizedthe enormityof the projectmdashnotjust inscope butalso in importance to the familyand to the thousandsof people who wouldbe looking atitrdquoGoetzl labored andsecond-guessedand tweakedand proddedbefore finally unveiling itto Chris Martin andothers at Martin ldquoThe lookson theirfaces toldme I had naileditrdquo Panel numbertwo which illustrates the Martin familyrsquosinitial shopin New York andthe move to NazarethPennsylvania causedGoetzl much less consternation butequallyas much joy he says as will each successive mural ldquoIf this is the endof the roadfor me the lastwork I evercreaterdquosays Goetzl (who surelyhas afew more decades ofcreativityleft) ldquoI wouldbe completely fine with thatrdquo
ldquoRobert has put his heart into
creating something that will
make a tremendous addition
to the Martin experiencerdquo
mdash Dick Boak Artist Relations C F Martin amp Co
Tex Fletcher
SingingcowboyTexFletcher maynot
have become the household name that
other cowboy singers from the 1930s
such as Gene Autry and Roy Rogers had
butdespitesometimes overwhelming
odds hersquosbeen remembered nonetheless
forhis noteworthycontributionsto earlyand
mid-20th century cowboy culture
He was born Geremino Biscegliain 1910 in HarrisonNew York the fifth of eight children of Italian immigrants Michael(astone mason)and Josephine Bisceglia He leftschool afterthethirdgrade to work with his fatherandbrothers He was raisedin a musical householdand he learnedto sing andplay traditional Italian songs accompaniedby accordionsmandolins andviolins
Jerrypicked upa fewguitar chords froma local right-handedguitarist butbeing left-handed he retaughthimself to playhisown right-handedguitarldquobackwards andupside downrdquoas he wouldlater explain with achuckle
He became enamoredwith the silver screen cowboys of theday often sneaking into the local cinemaforshowings of thelatestsilent picture starring TomMix WilliamS Hartand YakimaCanutt
Overthe nextfew years the teenagedcowboy wannabe beganto realize his boyhoodambition as he learnedto handle horseandcattle byday while soaking upcowboy lore andcampfiresongs bynight in effectbecoming aldquorealrdquocowboy Asinging cowboy Unique stuff forthe late 20s He returnedto NewYork in 1931 with aconfidence anda newfoundvoice With saddle bags full of cowboy stories andsongs the cowboysingerwas now going bythe name Tex Fletcher He began entering andwinning localthen regionaltalentshows Fletcherrsquos confidence grewwith each winning purse as was evidencedbyhis every growing wardrobe of
cowboyoutfits andhis first Martin guitar a000-45 He neverplayedanother companyrsquos guitars again believing the leastexpensive Martin guitarwas headand shoulders aboveanyother companyrsquos bestHistory has clearlymade fora compelling argument Itwasnrsquotlongbeforehereceivedan offerofa radiojobas asinging cowboyoverWFASinWhitePlainsNewYorkBy1934 attheheightofsingingcowboycrazeFletcherbegana relationshipthat wouldlastmorethan 25yearsbroadcastingoverWORNew YorkNewJersey(MutualNetwork)Itwas thesameyear thathebeganappearingatthe VillageBarnnightclub(whichwouldlaterbecomeJimiHendrixrsquosElectricLadyland)inGreenwichVillageNYagig thatlastedwell intotheearly1960s
1934 was also the yearTexorderedhis custommade MartinD-42Hersquodadmiredthe pearlygoodlooks and loudtone of Gene Autryrsquos D-45 (the firstD-45) butwanted an instrumentthatw ouldbe uniquelyTexFletcherrsquos guitar But he wasnrsquotthe onlycowboysinger who wantedto follow in Autryrsquos trail Milwaukee -based Jackie ldquoKidrdquoMoore beathimto the punch when he ordered his own D-45 (No 2)fromMartinBut according to authorMartin researcherJohn Woodland amisunderstanding with regardto neck length ledMartin to shelve the unfinished14 fretto the body D-45Moore then optedfor awider OMstyle neck with 12 frets tothe body This D-45 is No3 Then along comes NewYork radio cowboyTexFletcherwithhis own ideaof whatfeatures ldquohisrdquoguitar shouldsportincluding 14 frets to the body which alignedperfectly with the
partiallyconstructed D-45 (No2) buthe wanted all the flashupfront So insteadof proceeding to finish the guitaras aD-45Martin craftsmen changedthe toprsquos bracing to aHigh ldquoXrdquoconfiguration anddesignated this slightlymore modestcousinof the D-45the D-42 So the TexFletchermodel is not only the firstD-42butalso the secondD-45Itremainedthe only example of the D-42 forthe next54 years
Fletcherhadbeenout ofthe musicbusinessforjusta fewyears whenhe wastrackeddownin theearly1970sby then-MartinhistorianMikeLongworthwho convincedthe oldcowboytodonatetheinstrumenttothe MartinMuseumFletcheragreedandthatrsquoswhereitresidesto thisdaydisplayedjusta fewfeetfromitrsquosfirstcousintheGeneAutryD-45 (No1)
21 24
N EW PR O D U CTS
NEW A DDITIONS TO
OUR LINEUP OF
Great Ukuleles
The Martin Standards of Tone and Workmanship Prevail
C1K amp T1K UkulelesMartin has been building the worldrsquos finest ukuleles
from as early as 1916includingthesmallest Soprano
the original model to the larger Concert in 1925 and
the Tenor uke in 1929 Both the concert model and
tenor models havelong been prized for their full-bodied
voiceandgreatervolumeThesenewC1Kconcertand
T1Ktenor modelsfeaturetops backsidesand head-
platesofsolidHawaiianKoaawoodnativeto Hawaii
and a favoriteof island players Both ukes feature solid
Sitkabraces genuinemahoganyblocksand applied
dovetailneckjointsintheMartintraditionNecksare
craftedofselecthardwoodandcappedwithasolid
Morado fingerboardtheconcert has a 15rdquoscalelength
thetenor a 17rdquoscaleBridges arealso ofsolid Morado
with whiteTusqsaddles Open-geared nickel tuners with
whitebuttons ensureprecision Finished in high quality
satinlacquerPadded bagincludedTwo beautifulexam-
ples of why Martin is still the name in superior quality
ukuleles
ldquoAs far as inanimate objects
being friends I think that is right
on the list My Martin ukulele
is a work of art Itrsquos going to live
long after merdquo
mdashEddieVedderPearl JamUkuleleSongs
T1K
C1K
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2446
Clock key mechanism for
adjustingguitar necks on
Martinrsquos earliest guitars
manufactured in New York
ImaginedMartinfamily portrait
CircaSeptember1833mdashat the
timeof theMartinsrsquotransatlantic
journey to the New World
Mappointingto
Markneukirchen the
main town in Germanyrsquos
musicalinstrument-
makingregion
Embellished original
drawingofCF Martinrsquos
residencein
Markneukirchen
Saxony (Germany)
Thesa
carries
North
specta
showe
Harbo
Imagin
CFM
Hudso
Depic
mold
a Mart
glueu
NEL ONE 2 bull PANEL TWO
Rende
home
in Che
Circa1
Portra
presid
when
arrived
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
OM -21 NEW Martinrsquos OM (Orchestra Models)
guitars have always been very
special to fingerstyle guitarists
especially this new OM-21 with its
comfortable 1-34rdquo wide neck at the
nut and highly responsive 14rdquo
scalloped Sitka top braces Elegant in
its simplicity this new version offers a
tasteful upgrade of solid black ebony
fingerboard and 30rsquos style ldquobellyrdquo
bridge with genuine bone saddle and
nut all adding to the rich resonance of this guitar Whatrsquos more wersquove
replaced the standard OM neck with a
slimmer ldquoPerformingrdquo Artistrdquo modified
low oval profile tapered neck and
wider 2-316rdquo bridge string spacing for
faster more comfortable playing The
solid Sitka spruce top with
hand-inlaid 28 style
rosette is joined to a
body of premium
solid East Indian
rosewood bound intortoise colored
18 style binding
Delmar tortoise color
pickguard nickel
open-geared
tuners with
Butterbean
knobs and
polished gloss
lacquer with
aging toner
complete this
beautiful
instrument
Delivered to you in the
new Martin 433 archtop
hardshell case If yoursquore a finger picker this new OM-21 is
the one to pick
D-18 NEW Since its introduction in 1935 the D-18
has been the workhorse of the Martin steel
string acoustic line More plain and less
costly than its D-28 rosewood cousin the
D-18 has none the less established its own
tonal identity ndash balanced crisp midrange
definitive bass and bright clear treble a
favorite of innumerable bluegrass blues and
country performers as well as discerning
studio musicians ndash because it is a great
performing and recording guitar Over the
years the D-18 has seen numerouspermutations ndash the D-18V and D-18P ndash as
well as variations in bindings rosette
fingerboard amp bridge woods bracing
patterns and pickguards And now the
new D-18 brings together
the best features of all of
these great D-18s into
one superb sounding
and playing guitar On
the traditional side backs
and sides are still crafted
of solid genuineMahogany joined with a
solid Sitka spruce top
with forward-shifted
scalloped ldquoXrdquo bracing
The fingerboard
and 1930s style
belly bridge are
fashioned of
solid black
ebony as were
the originals
Whatrsquos new A
lightning fast modified low
oval profile neck with a
1-34rdquo nut width and slimmer 2-18rdquo taper at the 12th fret Itrsquos
the same neck featured on our innovative Performing Artist
series guitars with the same wide 2-316rdquo bridge string
spacing too for greater player comfort and accessibility up
and down the neck The new D-18 The perfect blend of past
and future ndash and great guitar to start the New Year
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2646 26
NAMM Show
Specials
N E W P R O D U C T S
2012 Martin Show Special Guitars
The DCPA Koa amp GPCPA Koa They donrsquot get any more beautiful ndash or more
beautiful sounding ndash than these spectacular
dovetail flamed Koa Performing Artist guitars
And with only a total of 30 instruments ndash
combined ndash being offered to dealers at the 2012
NAMM Show they donrsquot get any rarer either Here
wersquove chosen two of our most popular cutaway models in
the Performing Artist series the classic Dreadnought and
the Grand Performance and crafted the backs and sides
of premium Hawaiian flamed Koa a resonant tonewood
indigenous to the Hawaiian islands Koa has long been by
favored by native Hawaiian musicians for guitars and
ukuleles as well as discerning players and collectors
worldwide Martin in particular has built various sized
instruments of Koa from as early as 1850 The tops are of prized solid Adirondack Spruce as are the scalloped
forward-shifted ldquoXrdquo braces in the ldquoGolden Erardquo fashion The
bodies are bound with solid Madagascar rosewood the
top is inlaid in the 42 style with an elegant blue Paua
pearl rosette The backstrip is 45 style marquetry Both
guitars feature our fast and comfortable Performing Artist
modified low oval mahogany neck with ebony
fingerboard and
wide 2-316rdquo string
spacing on the
ebony Performing
Artist belly bridge And the
crowning touch both guitarsare equipped with the new
Fishmanreg F1 Aura + onboard electronics system the
ultimate in acoustic realism and projection as well as
pickup versatility Waverly gold tuners with Ivoroid
buttons complete the package Orders for the DCPA Koa amp
GPCP Koa will be taken solely from dealers in attendance
at the 2012 NAMM Show in Anaheim California
NEW TOOLS
for GREAT TONE
GPCPA Koa
DCPA Koa
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
DCPA1 Madagascar Rosewood ampGPCPA1 Madagascar Rosewood
These two very special dovetail Performing Artist
guitars reflect the best of Martin innovation expert
craftsmanship and selection of superior tonewoods ndash
all in one As PA series models Dreadnought and
Grand Performance they include a unique slim
tapered fast neck for exceptional player comfort in
all positions a smaller and lighter PA ldquobellyrdquo bridge
for greater tonal response and increased string
spacing for easier finger picking They also
include the new state-of-the-art Fishmanreg F1
Aura + onboard electronics system that deliver
striking acoustic realism and projection
Plugged in or pure acoustic these are great
sounding guitars ndash and with good reason The
tops are solid Adirondack spruce pearl inlaid inthe 41 style and driven by 516rdquo Adirondack
scalloped braces forward-shifted in the ldquoGolden Erardquo X
pattern The back sides and headplate are Madagascar
Rosewood selected for its beauty and close acoustic and visual resemblance to
Brazilian Rosewood Solid black ebony is used for the fingerboard and bridge
Details include grained Ivoroid bindings Delmar beveled tortoise color pickguard
special ldquoalternative torchrdquo inspired position inlays gold enclosed tuners bone nut
and saddle The most distinctive Performing Artist production models to date
Fishmanreg F1 Aura + The Fishmanreg F1 Aura + features a newsimplified and intuitive Easy Mode allowing youto quickly get a feel for the tonal possibilities ofthe system while providing the most importantfeatures The Easy Mode offers three custom-blended Aura Image presets tone control and
the option of using the undersaddle pickuponly For the real tone-tweakers wersquove retainedthe original Performance Mode as well givingyou full access to the powerful 3-band EQscompressor and automatic anti-feedback ofthe F1 Aura +
Performing
Artist SeriesDCPA1
Madagascar
Rosewood
GPCPA1
Madagascar
Rosewood
8102019 Vol_32pdf
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N E W P R O D U C T S
Performing
Artist Series
Martin introduces an exciting
new tonewood called Siris
DCPA4 Siris amp
GPCPA4 Siris
With these two new
Performing Artists guitars
Martin introduces an exciting
new tonewood called Siris
adding even more tonal color
and variety to the PA series Siris
delivers excellent bass response
reminiscent of East Indian rosewood as
well as a clear midrange and treble making it an
excellent guitar wood for recording and for playing live Lighter in color
yet denser than rosewood it produces a slightly longer sustain thanrosewood Siris is typically dark orange contrasting beautifully with the
Sitka Spruce tops tortoise colored pickguards grained Ivoroid bindings
and special East Indian rosewood center wedge on both guitarsrsquo 3-piece
backs The DCPA4 Siris and the GPCPA4 Siris are 14-fret cutaway guitars and
have fast comfortable Performing Artist profile necks Hybrid ldquoXrdquo scalloped top
bracing black Richlite fingerboards and bridges and Fishmanreg F1 Analog
onboard electronicsGPCPA4 Siris
DCPA4 Siris
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
The GPCPA4 Sapele is constructed with
FSCreg Certified tonewoods harvested from
ecologically sound and responsibly manag
forests The fingerboard and bridge are
built with FSCreg
Certified Richlitereg
29
GPCPA4 SapeleFirst introduced in 2010 the GPCPA4 is an extraordinary Martin ndash a
big Grand Performance cutaway with a fast comfortable Performing
Artist Series high performance neck But this brand new version ndash
the GPCPA4 Sapele ndash is extra special It rsquos built with FSCreg Certified
tonewoods harvested from ecologically sound and responsibly
managed forests This includes African sapele back and sides
mahogany front and rear blocks cherry side strips Spanish cedar
ribbons and European spruce Hybrid ldquoXrdquo scalloped bracing The top
is FSCreg Certified recycled Sitka spruce produced from old bridge timbers in Canada
Even the fingerboard and bridge are crafted of FSCreg Certified Richlitereg material High
polished gloss top finish with tasteful Cherry red toned back and sides Fishmanreg F1
Analog electronics are included with volume and tone shaping capabilitiesonboard digital tuner and phase control Quite a
package Quite a guitar
8102019 Vol_32pdf
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N E W P R O D U C T S
DCPA5K and GPCPA5K
Advanced guitar design meets high-
tech guitar construction The result
two highly affordable Performing
Artist guitars with excellent tone
playability and durability Back
and sides of the cutaway
Dreadnought and Grand
Performance models are made
of a high-pressure wood fiber
laminate (called HPL) with
Koa grain and texture photo-
imbedded The top is solid Sitkaspruce braced with Martinrsquos Hybrid ldquoXrdquo
scalloped bracing system renowned for its
resonance clear treble and distinct bass The Performing Artist Profile neck is
slim and fast and comfortable made of tough Stratabondreg multi-layered
wood laminate Performing Artist bridge and fingerboard are black Richlite
Chrome enclosed tuners with large buttons and Fishmanreg F1 Analog
onboard electronics included A terrific value with great tone and
environmentally friendly
Performing
Artist Series
The DCPA5K and GPCPA5K
are Performing Artist guitars
with excellent tone playability and durability
GPCPA5K
DCPA5K
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3146
Road Series
31
Over 175 Years of Guitar Building Excellence
Special Edition
DRS2 The latest of Martinrsquos hard-working
great sounding Road Series guitars
the new DRS2 delivers a unique blend
of durability and concert-quality
sound and projection The top is
crafted of solid Sitka spruce and
braced with Martinrsquos A-Frame (X1)
bracing Back and sides are select
solid Sapele similar in look and
tonal qualities to its
close cousin
mahogany As
beautiful as it looks
and sounds the
DRS2 is a serious
working musicianrsquos
guitar built for on
the road durability
without sacrificeof tone The
neck is
constructed
of a multi-
layered
wood
laminate
called
Stratabondtrade
that perfectly
simulates natural
quartersawn wood grain The fingerboard and bridgeare crafted of black Richlite amazingly similar in look
weight and resonance of ebony A Fishmanreg
Sonitone sound reinforcement system completes
this very road ndash and stage ndash worthy Martin
000C NylonIn response to the many Martin players
who chose the limited edition 000CDG
built in memory of Chris Martinrsquos late
brother Doug Greth we have
expanded upon this unique ldquocrossoverrdquo
instrument with the new 000C Nylon It is
truly a hybrid instrument combining features
of a traditional Martin steel-string guitar with
those associated with a classical nylon string
guitar The top is crafted of solid Sitka spruce
and braced with a unique A-Frame ldquoXrdquo brace
system Yet this bracing system is equally
responsive to lighter nylon strings without
inhibiting tone or volume The 12-fret low
profile neck features an 18rdquo radius arched
(versus flat) fingerboard like a steel string
but with a classic width 1-78rdquo at the nut and
2-516rdquo at the 12th fret The bridge is in the
classic style with tie block and drop insaddle Bridge string spacing is a
wider 2-516rdquo as well Even the
000Crsquos headstock is unique ndash
square tapered like the
traditional Martin steel
string style but slotted to
accommodate classical
nylon strings Each guitar is
fitted with onboard Fishmanreg
F1 Analog electronics too
The result A versatile
great sounding andplaying guitar no
matter whether you
play acoustic or
acoustic electric
or both
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D-28M Limited Edition Celebrates
The Enduring Music and Legacy ofThe Mamas and The Papas
The appointments on the D-28M Mamas and ThePapas Custom Artist Edition emulate a circa 1960sD-28 blackwhiteblack top purfling blackwhiteback purfling grained Ivoroid binding and heelcapldquocheckerboardrdquo backstrip mother of pearl dotposition markers chrome Groverreg Rotomatic tunerstortoise-colored pickguard polished gloss lacquerfinish and vintage-inspired aging toner on the topExtra flash comes in the form of a Style 45 abalonepearl rosette and abalone pearl-topped bone bridgeand end pins
The guitarrsquos crowning glory is ndash appropriately ndashon the polished black ebony headplate Above
the nut sheltered by the familiar gold old-styleldquoC F Martin amp Co Est 1833rdquo decal logo is a silhouette of The Mamas and The Papasbeautifully inlaid in mother of pearl Derivedfrom a photo by Henry Diltz the inlay capturesthe group in full performance mode
In the early 1960s the four musicians whobecame The Mamas and Papas were a long way from pop music stardom though all wereinvolved in the East Coast folk music scene
John Phillips was a member of the JourneymenDenny Doherty and Cass Elliot sang with theMugwumps After the Journeymen broke up
John Phillips his wife Michelle Phillips andMarshall Brickman formed the New JourneymenMarshall eventually left the band but went on toco-write Oscar winning screenplays with Woody
Allen and he co-wrote the book that became therecord-breaking play ldquoThe Jersey Boysrdquo
Marshall Brickman was replaced by Denny Doherty and soon Doherty introduced hisbandmates to Elliot The four began harmonizingto the pop songs John was writing and perfectedtheir sound during a Caribbean vacation together
The starting point for The Mamas and the Papasrsquofresh pop sound was the folk music all fourmembers played before they got together as a group Songwriter and leader John Phillipsrsquo well-
worn Martin Dreadnought often provided thestrummed rhythmic underpinning on which TheMamas and Papasrsquo band instrumentation andvocals were layered The combination proved tobe genius and even today The Mamas and thePapas ldquosoundrdquo is instantly recognizable
To celebrate the group and its place in popmusic history C F Martin introduces a very
special D-28M Mamas and The Papas
Custom Artist Edition Limited to just100 instruments this new Custom Artist Edition features rare tonewoodshandsome appointments and aunique headstock inlay to honorthese musical trailblazers
John Phillipsrsquo vintage Martin D-28provides the inspiration for this Custom Artist Edition The tonewoods and top
bracing are a stellar combination thatapproximates those of MartinDreadnoughts from the early 1930sBack and sides are rare Madagascarrosewood similar in appearance andtone to the now endangered Brazilianrosewood The top is Carpathianspruce comparable in power andbrilliance to Adirondack spruce andequally responsive Advanced ldquoXrdquo
516rdquo scalloped bracing provides richresonant tone The 1 1116rdquo (at the
nut) low profile neck with diamondvolute is genuine mahogany while the
fingerboard and belly bridge are black ebony
L M
In the 1960s The Mamas and the Papas were at the epicenter of a musical earthquake
that began in Southern California and sent shockwaves across the country Combining
great songwriting unique arrangements and lush harmonies the group had six ldquoTop
10rdquo singles and four ldquoTop 5rdquo albums from 1965 through 1967 a feat that made them one
of the few groups to challenge the Beatles during that era While The Mamas and the
Papasrsquo original lineup of John Phillips Cass Elliot Denny Doherty and Michelle Phillips
lasted just four years several of the songs they created ndash including ldquoCalifornia Dreaminrsquordquo
ldquoMonday Mondayrdquo ldquoWords of Loverdquo and ldquoTwelve Thirtyrdquo ndash have stood the test of time
32
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(This story should sound familiar they laterturned it into a hit single ldquoCreeque Alleyrdquo)Eventually the four traveled to Los Angeles
where they auditioned for Dunhill RecordsOwnerProducer Lou Adler Adler signed them tohis label immediately and two days later thegroup had a name The Mamas and the Papas
Released in 1965 The Mamas and The Papasrsquofirst single failed to garner much notice Howeverthe second single ldquoCalifornia Dreamingrdquo co-
written by John and Michelle Phillips reachedNo 4 on the charts The grouprsquos debut album If
You Can Believe Your Eyes and Ears was releasedin early 1966 and rose to No 1 quickly followedby the single ldquoMonday Mondayrdquo which also hitNo 1 and later won a Grammy Award for ldquoBestContemporary Group Performancerdquo
While The Mamas and The Papasrsquo personallives became increasingly turbulent over the nexttwo years their music continued to flourish they recorded three additional albums ndash The Mamasand The Papas Deliver and The Papas and TheMamas ndash that went ldquoTop 20rdquo and in turn yieldedseveral ldquoTop 20rdquo singles
In 1968 bitter infighting between memberscaused the group to disband Due to contractualobligations they reunited briefly in 1971 to makethe People Like Us album and then went theirseparate ways Cass Eliot had a flourishing solocareer that was cut short by her death in 1974
John Phillips continued to write songs and bothhe and Denny Doherty performed and recordedas solo acts In the 1980s and 1990s they occasionally reunited to tour as members of the
New Mamas and Papas John Phillipsdied in 2001 Denny Doherty died in2007 Michelle Phillips enjoyed a successful acting career and today isthe last surviving original memberof the group
Despite the grouprsquos short history TheMamas and The Papasrsquo musical legacy remainsundiminished the group was inducted into theRock amp Roll Hall of Fame in 1998 and received a
Grammy Hall of Fame Award in 2001 In 2003 If You Can Believe Your Eyes and Ears was ranked127 on Rolling Stone magazinersquos list of the 500greatest albums of all time
Delivered in a hardshell case eachD-28M Mamas and The PapasCustom Artist Edition guitar bears a special interior label featuring theldquosun rayrdquo graphic from the RouletteRecords label on which some of TheMamas and The Papasrsquo singles werereissued in the 1970s Each label ispersonally signed by former Mamasand The Papas member MichellePhillips and numbered in sequence
with the edition total Beginning immediately authorized C F Martindealers will accept orders for theD-28M Mamas and The PapasCustom Artist Edition until all 100guitars in the edition are allocatedparticipating Martin dealers willthen be posted on theC F Martin website
wwwmartinguitarcom
33
S A M P L E
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L O N D O N A C O U S T I C G U I TA R S H O W
Acoustic guitar aficionados attending The London
Acoustic Guitar Show were treated to presentations
that showcased Americarsquos favorite musical instrument
brand and featured musical vignettes by legendary
and influential guitarists Stefan Grossman and
John RenbournThe presentation was given by Dick Boak archivist for Martin
Guitar who offered a graphical and interactive history of the 178-year-old guitar company In addition Dick displayed severalimportant examples in the evolution of Martin acoustic guitarsThe presentation focused on the development of the modern
acoustic guitar Martinrsquos historical contributions to the definitivacoustic guitar design artist signature model collaborations an
an in-depth explanation of specific guitar shapes sizes andtonewoods that lend themselves to particular musical genres JoRenbourn and Stefan Grossman legendary acoustic fingerstyleinnovators demonstrated the tonality of an assortment of Martinstruments including their own Custom Signature models
Martinrsquos UK distributor Westside Management was a primasponsor of the show and the host for the concert stage thatfeatured a stunning live performance by Renbourn and Grossm
Dick Boakrsquos presentation provided a template and proving ground for potential future presentations throughout the UniteStates Europe and Japan
THE LONDON ACOUSTICGUITAR SHOWSaturday and Sunday September 10-11 2011
Olympia Conference Center London
34
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Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
8102019 Vol_32pdf
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M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
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The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
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M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
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M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
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Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
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M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
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Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
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A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
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C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
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P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
8102019 Vol_32pdf
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Sasha Greendyk Sasha Greendyk of Radnor Pennsylvania is inspired by music Since she can remembershersquos been singing in choirs and playing piano but it wasnrsquot until eighth grade that she
wrote her first piece That little piano melody was the start of many years of music writing and shersquos become an adept guitarist with a little help from her D-40 MartinDreadnought It is now Sasharsquos dream to become a film scorer and write music formovies and shows alike No matter what music will always be a part of her life
Kirsten SowersSince appearing in our previousSounding Board issue Kirsten Sowershas been keeping busy with her000 Martin cutaway This past Julyshe performed for the troops at theTD Bank Center in Philadelphia
5
A Family TraditionKen Kahn from Sedro-Woolley Washington and his grandsonTyler Turner 9 from Sequim Washington play country andbluegrass when they get together Tyler plays an LX1 LittleMartin and Ken is playing a D-28 Don McLean with severalbackups an HD-28 a 00-18 and a J-21 The mandolin is a Martin bowl back made in 1909
On BroadwayMichael Aarons lead guitarist and in-house contractor forthe popular Broadway musical Godspell recently emailedus with feedback about the impressive array of Martininstruments being used on stage for the show
ldquoWe have four Martin Dreadnoughts and a ukulele that weare using in the show These instruments are superb ndash they play and sound incredible ndash they are just what we needrdquo
As a professional guitarist Michael owns a lot of instruments He admits that while hersquos always wanted toown a Martin he just couldnrsquot afford the vintage modelshe was drawn tountil now
ldquoI have to say after seeing how consistent playableelegant and perfect these instruments are and hearing how tremendous they sound Irsquom converted for life They arethe best acoustics Irsquove ever played and I mean it ndash perfectbeyond words I speak for the whole band in thanking Martin for making such great guitarsrdquo
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M A R T I N S T O R I E S
A Silent Servant With No Name We recently received an interesting and compelling messagefrom a lifelong Christian minister who along with his obviousspiritual connection is also a musician and lover of Martinguitars In his own arsenal of Martins he cherishes threeDreadnoughts a D-28 Marquis a D-35 and a D-42 Thestory as he relayed it to us is that three years ago he was toldldquoby Godrdquo to acquire five Martin guitars and gift them to five
special and specific people At the time the minister who inhis humility has suggested to us that his name is notimportant only had enough money for one D-35 Martinguitar which he promptly gifted as instructed He waited formore money to appear and it seemed like it wasnrsquot going tocome He was facing a serious operation and asked his wife if she would finish his mission in the event that he didnrsquot makeit through
He woke up a month later after extensive surgery and couldnot move or walk His daughters told him later that all he
talked aboutin his direstate was Godand Martinguitars butinside he wasdetermined
to get back to normal After a year transpired he was able to walk with a caneMiraculously the money began to come in and he
contacted a prominent Martin dealership eventually buying three more Martin D-35s and a D-16GT
His message thanked us for the beautiful works of art Inthe end five people experienced the ldquobest day of their livesrdquo
He is thankful for ldquobeing chosenrdquo to be the deliveryman forsuch treasures and he wanted us to know that ldquoGodrdquo isMartinrsquos best sales rep
6
Harley-Davidson Motorcycle amp Guitar Again gracing the Martin Ownerrsquos Club event on Friday August 5 2011 was Mark Zickefoosersquos custom Harley-
Davidson complete with matching Custom Martin andmounted road case
Martin MarinesCorporal David M Jones wrote to us on behalf of hisDivision to express his thanks for his LXM LittleMartin that arrived in Afghanistan Since he receivedthe guitar it certainly has made its rounds ndash someoneis always coming to play it or learn to play it He hasactually had great success teaching two Marines toplay David admits that the beginners arenrsquot the bestto listen to but ldquoat least they are having funrdquo Picturedabove are David and a few of his fellow Marines withthe Martin guitar
Inked AdmirationRobert Dutton of Brooklyn New York shared this photograph of his Martin Performing
Artist Guitar tattoo
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We are honored to have received thefollowing Players Choice Awards for 2011
bull GOLD AWARD for BESTDREADNOUGHT GUITAR (D-28)
bull GOLD AWARD for BEST MID-SIZEFLATTOP GUITAR (Eric Clapton
Signature Model)bull SILVER AWARD for GUITAR
OF THE YEAR (D-28)
bull SILVER AWARD for SMALL-BODYFLATTOP (00-15M)
bull SILVER AWARD for JUMBO GUITAR SIX or 12-STRINGS (Grand J12-40E)
bull SILVER AWARD for ACOUSTIC-ELECTRIC GUITAR (GPCPA1)
bull SILVER AWARD for TRAVEL GUITAR (LX1)bull SILVER AWARD for 12-STRING (J12-40E)
bull SILVER AWARD for OTHER STRINGEDINSTRUMENT (OXK UKE)
bull SILVER AWARD for STEEL STRINGS (FX)
Acoustic Guitar Magazine
7
Distorted StringsIt is quite difficult to comeup with ideas for string advertising Guitars are
much more visual MartinrsquosDick Boak (no strangerto illustration)conceptualized thisslightly hyperbolic
pencil drawing Dickrsquossuggested headlineldquoMartin Strings -
Exaggerate Your Tonerdquo
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Let Us In
A special benefit concert was held onNovember 7th at Nashvillersquos legendary
Ryman Auditorium The ldquoLet Us InrdquoNashville benefit was the kick off forNashvillersquos CMA Week Actor musicianand Martin guitarist Jeff Daniels hostedand performed at the event whichfeatured live performances by SarahDarling SHeDAISY Steel Magnolia PhilVassar Cheyenne Kimball Juliana ColeNikki Shannon Fernandez JordynShellhart Chuck Wicks Nancy SirianniSamantha Landrum and Blue Sky RidersEach artist performed an original versionof a Sir Paul McCartney song
Sponsored in part by Martin the event was filmed and recorded for a live DVDas well as a CD bearing cover art by PeterMax that will include extra contributedtracks from Tommy Emmanuel Timothy B Schmidt Mark Hudson Laurence
Juber Denny Seiwell and Ricky SkaggsThe Women and Cancer Fund is a not-
for-profit charity led by Dr Alicia Alvarezand established in the memory of Linda McCartney Sir Paul McCartney has givenhis ldquowhole-hearted blessingrdquo to ldquoLet UsInrdquo Nashville a campaign led by ReviverMusic to raise awareness and proceedsfor this charity which promotesprevention increases lifestyle awarenessenhances available health services andadvocates advanced breast cancer andchildrenrsquos cancer research
A Martin D-28 Dreadnought similarto the D-28 Sir Paul plays was donatedand signed by the participating artists forsubsequent auction to benefit The
Women and Cancer Fund
The Invention of the American Guitar
Peter Szego is spearheading new scholarship into the early history of the American guitar which will culminate in the publication of a book tentatively entitled ldquoC F Martin and the Invention of the American GuitarrdquoIn September 2011 Peter hosted a group from Martin on a tour of hisextensive collection of antique American guitars and banjos (1833-1860)
with a special focus on the earliest Martin guitars The publication of hisbook and the concurrent opening of a major museum exhibition is scheduledin 2013 Stay tuned
8
M A R T I N S T O R I E S
Above left to right) Michael Dickinson Amani Duncan Peter Szego Chris Martinand Charles Peischl Dick Boak is not shown because he took the photo
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Every good guitar like every good son and daughter
periodically goes home ndash or should go home ndash to the
place of its birth For Martin guitars thatrsquos Nazareth
Pennsylvania 18064 and Mother Martin is always gladto see the kids
Kidding aside there truly is a parental attitude at Martintowards every single Martin guitar ever made because nobody knows better than Martin the enormous skill patience andunrelenting adherence to quality standards that goes intobuilding a Martin guitar
Not surprisingly Martin cares as much about how you send yourguitar back to Nazareth as the reason why yoursquore sending it It isimportant to contact the Martin Customer Service Department inadvance to get a Return Authorization (RA) Number Simply call(610) 759-2837 and ask for a Customer Service representative
Irsquove shipped guitars to Martin for years and never damaged a one in the process Not even a scratch Herersquos how I do it
De-tune the strings with just enough tension to keep the bridgepins and saddle securely in their slots If there are electronicsremember to remove any batteries to make sure that they do notbecome loose during shipping Also and very importantly removethe endpin Some people remove strings bridge pins endpin andsaddle (if itrsquos a removable type) put them in an envelope and put theenvelope in the string pocket of the case Thatrsquos fine but make surethat the envelope is securely packed with wadded tissue paper on topof it so that it doesnrsquot shake itself or its contents out of the string pocket and wreak havoc on the guitar
C A R E A N D F E E D I N G
Shipping Your Guitar
Home To Mother
BY BILL BUSH
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Next buy a box of stringed paper tags Print your nameaddress telephone number and e-mail address on one side of the tag on the other side print the Martin model number andserial number Fill out two tags Attach one tag to one of the
tuning machines attach the second tag to the case handle Why If anything happens to the shipping labels in transit thereis a record of you as the owner in two places within the box
Also purchase a package (or two) of plain soft tissue papersheets used for gently wrapping gifts inside a gift box Itrsquos very soft paper and wonrsquot scratch delicate lacquer Do not stuff thecase interior with newspaper
You want to be sure that the guitar is snug in the caseespecially the headstock Wad up enough tissue paper to supportthe headstock ndash top bottom and sides The entire headstock
well of the case should be filled as well as the space above theheadstock (and front of the headstock) You can also tuck tissuepaper on the fretboard near the nut You want to prevent the
headstock from whiplashing forward and backward which ishow a lot of necks get cracked
You also want to gently stuff the sides and lower bout of the guitar(where the back strip is) and around the neck heel so that there is noshifting frontward or backward In short you want to make theguitar inert (motionless) within the case No movement whatsoeverin any direction About the case No guitar should be shipped inanything but a hard case Ever Martin offers a thermoplastic hardcase (which is tough as nails) as well as black vinyl covered plywoodand plush ldquoGeib-stylerdquo hard cases They come in various model sizesand fit quite snugly
Original Geib hard shell plush cases are still floating aroundout there from the 60s as are other vintage Martin hard casesalthough none are as snug as the present variety ndash and snugnessis critical when shipping a guitar
The best shipping box for Martin guitars is the same shippingbox Martin uses to ship their new guitars to dealers Just callyour local Martin dealer and ask if you can have a used Martinshipping box - and do it quickly before itrsquos thrown out or beforesomeone else gets it Theyrsquore good as gold
About packing the case in the shipping box UPS and officesupply stores sell bags of Polystyrene foam shipping ldquopeanutsrdquoSprinkle a layer of peanuts in the bottom of the shipping boxplace the packed guitar case in the box and carefully fill-in arouthe case to the top of the box Like the guitar in the case you
want the guitar case itself to be inert in the shipping box Tapethe top and bottom box flaps with lots of wide Scotch Strappingtape (the strongest) Then use clear Scotch packing tape to cover
handwritten ldquoTo amp Fromrdquo self-sticking label in the corner of thbox top UPS amp Fed Ex have their own self-sticking labels as we
You can cover the address with clear tape but NOT the bar codThe shorter shipping time the better UPS and Fed Ex offer
Next Day Air but itrsquos expensive They also ship Ground but besure you know how many days it takes to arrive in Nazareth andship early in the week so that your guitar does not sit in a hotshipping container or parked truck over the weekend
Lastly make sure you insure your guitar Some shippers willonly insure guitars for a limited amount Others will insure onthe basis of declared value of the instrument Itrsquos not cheap but i
worth it if you love your guitar Mother will approve
De-tune
the strings(and remove
the endpin)
Fill outtwo tags
Purchase a
box of stringed
paper tags
Packing The case
should be completely
filled with tissue paper
About the caseAlways ship in a hard
case No exceptions
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C F Martin amp Co offers guitars to fit every preference and
budget but knows guitar dreams have no limits For
those whose guitar ideal canrsquot be found among the more
than 120 models Martin currently makes and who want toconceive their own unique perfect guitar Martin has
created a special place Itrsquos called the Custom Shop and it
is where guitar dreams come trueSituated on the production floor the Custom Shop is a dedicated
space with several workbenches assorted jigs and a range of racks andshelves for ldquoworks in progressrdquo Here just over a dozen of Martinrsquosmost experienced craftspeople build ndash one at a time and mostly oneof a kind ndash masterpiece acoustic guitars
ldquoThe Custom Shoprsquos goal is simply to build the best acousticguitars in the worldrdquo commented Fred Greene Martin Vice Presidentof Manufacturing ldquoWhether itrsquos an individualrsquos vision of a great
instrument a uniquely appointed model one of our dealers thinks will appeal to his or her clientele or a guitar wersquove conceived toshowcase artisan building each Custom Shop instrument is crafted asif we were making it for ourselvesrdquo
Custom guitars have been an element of Martin productionsince the company was founded in 1833 A number of Martinguitars from the 19th and early 20th century show customfeatures and custom Martins from the 1930s through the 1950shad an ldquoSrdquo suffix on the neck block model number to indicatetheir custom (or ldquospecialrdquo) status In the 1980s and 1990scustom Martinsrsquo neck blocks were simply stamped ldquocustomrdquo But
The Custom Shop
Bringing your
Guitar to LifeBY MARSHALL NEWMAN
Great sounding Custom Shop guitars donrsquot need to be fancy but if
you want to go that route Martin can certainly accommodate you12
C A R E A N D F E E D I N G
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until recently all custom Martins were built on the main shopfloor alongside their non-custom siblings
The concept of a separate stand-alone Custom Shop began to gainmomentum approximately 10 years ago but didnrsquot come tofruition until 2005 ldquoWe had a custom administrator who handledand followed custom orders on the shop floor but knew we could
do morerdquo Greene recalled ldquoIn 2005 I proposed we create a separate custom area with a separate workforce with the capability to handcraft unique instruments using traditional techniques ndash likecarving necks by hand and hide glue construction - that didnrsquot lendthemselves to our standard production process We started theCustom Shop with a staff of five it began by building the Authenticline and slowly took on custom buildingrdquo Today the Custom Shophas a staff of eleven plus three design consultants who work withcustomers dealers and builders to assure Custom Shop instrumentsare everything they can be
ldquoThe number one challenge of the Custom Shop is timerdquoGreene noted ldquoIt takes time to build instruments of the quality Custom Shop customers demand to hand-carve the necks to cut
the pearl to shape the braces and all the rest In the Custom Shop we take whatever time is needed to make these instrumentsexceptional Judging by the number of orders theCustom Shop receives people recognize the value of
what we are crea tingrdquoldquoThe Custom Shop team includes several of
Martinrsquos most experienced builders The average tenure with Martin is 25 years and there are a few who areapproaching the 40-year markrdquo Custom Shop guitarsare built almost entirely by this small staff in theCustom Shop only operations requiring largespecialized equipment ndash like side bending andfinishing - are done on the main shop floor
While all orders for Custom Shop guitarsmust be made through authorized C F Martinamp Co dealers prospective Custom Shopcustomers now have a great tool they can utilizeto design their dream guitar the Custom GuitarConfigurator Accessible on-line at
wwwmartinguitarcom the Custom GuitarConfigurator lets the user ldquovirtuallyrdquo create a guitar from a range of Martinrsquos most popular options see their creation and get a suggestedretail price quote The information then can be printed out for useas a reference during the order process
13
The Custom Shop offers a remarkable range of options(actually more than shown in the Configurator) sizes body styles scale lengths tonewoods neck profiles appointments
inlays and more Are there limits to what the Custom Shop wibuild As they sometimes say in the Custom ShopldquoWe try to never say ‛norsquo we only say ‛how muchrsquordquo In truth
there are some projects Martin wonrsquot tackle among themreplicating a Martin Custom Artist model or SignatureEdition (to respect the artistrsquos vision for hisher guitar) and
building with customer-supplied wood (which may not matchMartin specifications or standards)The Custom Shop even allows customers to come by the factory
to select the specific tonewood set for his or her guitar from Martinextensive inventory ldquoAt first it was just Martin dealers but now weare seeing individuals stop byrdquo observed Greene ldquoThe opportunityto select the set of Madagascar rosewood or flamed mahogany oranother tonewood that will become a Custom Shop guitar makesthat guitar an even more personal statementrdquoDespite its limited production and brief history the Custom
Shop has produced an impressive array of guitars Ordersoften include unusual tonewood combinations special
neck configurations or custom inlays A CustomShop guitar generally takes four to six months tobuild after details have been finalized dependingon the current workload and the complexity of theorder guitars featuring special design elements
andor custom pearlwork can take longer Whetherplain or fancy each completed Custom Shop guitar
is identified by the laser-etched Custom Shop logoon its neck block
In early 2011 the Custom Shop introducedtwo limited-production CS models the first
of a series of Custom Shop instruments that will be available for only one calendar year(or less if demand is overwhelming as wasthe case with the CS-21-11 model) ldquoThe CS
models express C F Martinrsquos spirit of adventurerdquo explained Fred Greene ldquoThese
short exclusive runs of g uitars allow us to introduceexciting new ideas that might eventually be looked upon asclassics At C F Martin amp Co heritage and creativity arenrsquotmutually exclusive and these CS guitars are the proofrdquo Readyto create your one-of-a-kind Martin guitar Good The CustomShop is ready for you
In creating your Custom Shop Martin you may choose from a wide array of tonewoods body sizes appointment levels and customized inlay sty
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Adjusting the truss rod with a special long Martin Allen wrench
Guitars are made to be played and the easier they are to
play the more pleasure they bring their owners The
action ndash the distance between the strings and the
fingerboard ndash should be just right and thatrsquos the reason
every guitar deserves a good set-upFundamentally guitar set-up is simple geometry adjusting
the guitarrsquos neck nut saddle and (occasionally) frets to put theaction at an ideal level - not so high as to be difficult to fret and notso low as to cause string buzz
C F Martin amp Co sets up every guitar it builds before it leavesthe factory Most Martin guitars built in Nazareth are set up using a PLEKreg Pro machine which scans the nut fingerboard and saddle
with a sensor compares the scan with optimal values and thencuts the nut slots contours thesaddle and polishes the frets toan accuracy of 11000 of aninch If necessary minor saddleand nut touch-up and truss rodadjustment are done by hand
when the guitar is strung A fewMartin guitars - primarily Custom Shop instruments -continue to be set up by hand
Even an acoustic guitar with a
good factory set-up may need tobe set up again within a few years according to Lon WernerMartin Customer RepairManager ldquoThe wood in a guitarcan take up to five years to ‛settleinrsquo under string tension and a change in the action may necessitate a fresh set-uprdquo Theownerrsquos playing style and
The LowdownBY MARSHALL NEWMAN on Set-up
Checking neck relief during final setup
14
C A R E A N D F E E D I N G
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technique also may dictate whether a fresh set-up isneeded ldquoA fingerstyle player
with a light touch might wantthe action lowered while a flatpicker may need the actionraisedrdquo Indeed an individualrsquosplaying style and technique are
information a repairperson will want to know to do the bestpossible set-up
So can you tell if your guitarneeds a set-up Begin with theobvious If your guitar hasbecome very hard to fret itprobably needs a set-up If thestrings buzz either open orfretted it probably needs a set-up If its intonation is way offit probably needs a set-up
A few simple diagnostic testsalso can help determine
whether a set-up is neededCheck the neck relief by fretting the low E string simultaneously above the firstand below the 13th fret thegap between the string and the6th or 7th fret should beslightly more than the thicknessof a business card Checkaction at the nut by fretting each string between the second
and third fret there shouldbe daylight between eachstring and the first fret a gapapproximately the thicknessof a sheet of paper at thehigh E and slightly more at thelow E Check the height of theaction with a machinistrsquos rulerat the 12th fret the distancebetween the fret and the string should be approximately 232-332 of an inch on the trebleside and 332-432 of an inch
on the bass side A goodelectronic tuner can be used tocheck intonation on eachstring by playing the openstring and then playing theharmonic of the same string atthe 12th fret
A lot of guitarists may betempted to do their own set-upbut Dave Doll of Martinrsquos
Customer Repair Departmentcautions against it ldquoItrsquos like a doctor educating a patient onhow to recognize symptoms thpatient may know he has a problem but he still should goto the doctor to have thatproblem fixedrdquo he commented
ldquoEven a simple set-up can bedaunting unless you know whayou are doing you may well domore harm than goodrdquo Lon
Werner was more specificldquoWhile preliminary evaluationmay suggest a set-up is neededthe symptoms also can beindicative of a much moreserious problem When theMartin Customer RepairDepartment receives a guitar
we give it a thorough going-over from headstock toendpin If the bridge is liftingor a brace has pulled loose orthe neck needs a reset (justthree examples) that is a problem that has to be dealt
with for a set-up to bebeneficialrdquo Not everyonelives so close to Nazareth tohave their Martin guitar
worked on at C F Martin amp Cobut there are more than
150 Martin Service Centersthat can give that guitar thecare ndash whether a set-up orsomething more ndash it deservesShould you happen to visitNazareth or live nearbyC F Martin amp Co offers a very cool opportunity to learnabout guitar maintenance fromsome of the best in thebusiness Every Friday from11 am until noon theCustomer Repair Departmen
hosts a guitar care seminarduring which it demonstratesthe basics of guitar careincluding some of theelements of set-up (like trussrod adjustment) The guitarcare seminar is free noreservation is needed andit is a great way to learnhow to keep your Martinin peak playing condition
15
Checking the relief of the neck
Checking the action at the nut
Checking the action at the 12th fret
Adjusting the truss rod with a long Martin wrench
truss rod wrench
hole in brace
truss rod location
gap between bottom of string
and top of fret at the 12th fret
gap between bottom of string
and top of fret at the 1st fret
with string depressed
gap at the 6th or 7th fret with string
depressed at 2nd and 13th frets
exaggerated neck relief
frontblock
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All-Star MUSEBenefit Concert
The All-Star MUSE BenefitConcertat the Shoreline Amphitheater inMountain View California supported Disaster Relief in Japanand Non-Nuclear Groups
Worldwide Featured artists includedCrosby (with his Martin Signature 12-string) Stills amp Nash Jackson BrowneBonnie Raitt Jason Mraz The DoobieBrothers Tom Morello John HallKitaro Sweet Honey in the Rock and
Jonathan Wilson
A R T I S T P R O F I L E S
Hollywood Bowl 2011Dolly Parton with her touring guitaris
Jim Salestrom who is playing hisMartin J-40 Dollyrsquos World Tour
thrilled attendees at the HollywoodBowl Saturday July 23 2011
DonavanFrankenreiterDonavonrsquos fourth studioalbum Glow is describedas ldquowarm organic andoverwhelmingly hopeful Theperfect antidote to trying timesrdquo Hersquos playing his triedand true Martin 000-18 Shawn Colvin
Shawn Colvinrsquos new Live album wasnominated for the Grammy Awardfor Best Contemporary Folk Album
Accompanied with her pristineM3SC Signature Edition findShawnrsquos enduring music on iTunes orat amazoncom
16
oto by Lynn Goldsmith
P
h o t o b y L y nn G ol d s mi t h
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Ron Davies(1946-2003)
A songwriter fromthe pacific northwestRon Davies at 17bought a well worn1956 D-18 Martin
which he put to gooduse writing an entirealbum of songs forthe Seattle band ldquoThe
Wailersrdquo As an artisthe recorded fivealbums during hislifetime but he isbest remembered forhis songwriting
His songs have been covered by a diverse group of artists that include Joan Baez David Bowie (Ziggy Stardust) Long John Baldry Ann Murray Three Dog
Night Nitty Gritty Dirt Band Helen Reddy Jerry Jeff Walker Maria Muldaur Joe Cocker Randy TravisNanci Griffith and the Raconteurs to name a few
In 2011 friends in the pacific northwest cametogether to record ldquoThe Mystery of Ron Daviesrdquo a tribute CD containing eighteen of Ronrsquos songsperformed by artists from his hometown and one by Davies himself Available on iTunes and at CD Baby allof the proceeds will benefit ldquoMusic Caresrdquo
Leslie TuckerLexington Virginia-based singersongwriter Leslie Tuckerrecently received the gift of a Martin D-41 from a legion of her fans and she plans to use her new acquisition in theproduction of a new album project currently in progressalong with a tour of performances when itrsquos released Tune into wwwleslietuckercom for updates
Santa Cruz Blues Fest 2011Some of the worldrsquos finest guitarists including Jonny Lang were on hand to salute guitar legend JimiHendrix at this yearrsquos Santa Cruz Blues Fest 2011
Jonnyrsquos playing his Martin J-40 Jumbo
Sting
17
Early StingFrom Andy Summers groundbreaking book Irsquoll be watching you Insidethe Police 1980-1983 Police guitarist and professional photographer
Andy Summers captured Sting with his Martin D-28 in 1982
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Fast AJ AJ Rubino of SpringfieldMassachusetts has beenperforming folk and country music for nearly fifty years ndash
much of that time with his1975 Martin D-35 slightly customized with fingerboardinlay by luthier Harry BeckerThis photo will grace the cover of AJrsquos forthcoming CD
He is a loyal member of the Martin Ownerrsquos Club andowns several other Martin guitars The tree AJ is standing in front of was destroyed by the tornado that hit WesternMassachusetts in June of 2011 but no one was hurt andall of the Martin guitars survived
A R T I S T P R O F I L E S
The Kingston Trio Fantasy Camp 2011
Winfield KansasFestivalrsquos Martin D-42
Allen Shadd began playing guitar when he was seven years oldacquiring his first Martin guitar -
a 1973 D-35 at the age of tenSince then he has gone on toperform in many bands guitar
workshops recording sessions and in 1997 released his own CDldquoA Cut Aboverdquo Allen also frequently competes in guitarcompetitions and has won some of the most prestigious flatpicking contests that have included Merlefest Rocky Grass and the WayneHenderson guitar competition He brought home this yearrsquos MartinD-42 from the National Flatpicking Championship held in
Winfield Kansas Itrsquos the sixth time Allen has placed in the topthree including his first place finish in 1997
18
wwwkingstontriocom
Caroline JonesThis NYC-based singer songwriterguitarist and producer was trainedclassically by Andy Anselmo Founder
of New Yorkrsquos ldquoThe Singerrsquos ForumrdquoCaroline began singing opera ariascabaret standards and show tunes at agenine Under the management of Tommy Mottola and Chris Apostle shebegan recording her original songs withproducer Chris Toland at Sony and
Avatar studios in New York as a studentat The Professional Childrenrsquos SchoolIn 2008 Caroline began monthlyco-writing trips to Nashville where sherecorded with many of the industryrsquostop talents Since then she has been
performing and recording with herMartin 00-21 Kingston Trio modelthat pays tribute to original KingstonTrio member Dave Guard (1934-1991)
Shown above are Fantasy camp attendees each holding their Martin guitars (plus one banjo)
P h o t o b y J o h n L i n d
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Dierks BentleyReaching deep into acoustic rootsmusic resulted in Dierks Bentleyrsquosnew album Up On The RidgeMore than a bluegrass concept
album with guests Up On TheRidge features Bentley working with some of the finest acousticmusicians in the world including long-time collaborators theDel McCoury Band and a new musical partnership with ChrisThile and the Punch Brothers Asa recent addition to the Martin
Ambassador ranks Dierkrsquos israrely seen without his prizedvintage herringbone D-28
Hawaiirsquos HirsquoikuaIn a culture that honorsthe legacies of the pastthis Hawaiian trio of talented musicians pays
homage to their roots while creating a uniqueand progressive soundthat leaves an indeliblemark upon contemporary Hawaiian music
In a seamlesscontinuous movement we all carry a past while living in thepresent and moving toward a future Hirsquoikuarsquos music reflectsthe belief that without asking the knowledge of our ancestorshas already been placed within us in the hope that we too
will shoulder that responsibility in an unbroken journey intothe future
Their music is composed and performed by Kalehua Krug (left with his Martin 12-string) Kamuela Kimokeo (above andcenter left with his Martin OMC Aura cutaway) and BlakeLeoki-Haili (right with Martin tenor ukulele)
The grouprsquos name derives from the Hawaiian word thatmeans literally ldquoto carry on onersquos backrdquo Hirsquoikua has taken thisresponsibility seriously
ldquoAia I Hirsquoialordquo the long awaited CD from Hirsquoikua featuressix original and six traditional songs
wwwhiikuacom J e r r o l J u l i a n P
h o t o g r a p h y
J e r r o l J u l i a n P
h o t o g r a p h y
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F R O M T H E A R C H I V E S
Waiting for the Sunday Boatrdquo by William Henry Jacksonrdquo Florida circa 1902Martin small-bodied parlor guitar
ldquoAs long as
Irsquove got my guitar
Irsquoll be finerdquo
mdash Willie Nelson referring to Tri
his legendary Martin guitar
HometownCentenarianMary Arletta Hahnis shown (right)
with her 00-1712-fret Martinguitar Mary was inher twenties whenthis picture was
taken (circa 1932)She was born inNazareth andturned 104 this pastSeptember Healthy small town living Shereceived her theology degree from the United
Wesleyan College but she also majored in voicepiano and guitar She would sing and play guitarin her fatherrsquos varied congregations Mary haslived her entire life in and around NazarethToday she lives just one block from where herguitar was made
1883 Advertisement
Gu i tar is t and Mando l in
is t
c irca 18 9 0
Guit ar ist and Mandolinist c ir c a 19 25
20
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Ahh the sound of the Martin Rich and evocative Texture
lifeby strummingorpickingorthe lightesttouchtoteas
harmonicsthesoundmdashlikethehistoryofCF Martinamp C
peopleanda storyofthesensesHearitTasteitFeelitA
artist Robert Goetzl see it Seethe sound of the Martin
FEA TU R E
The Soundand the Story
Thehand drawnsketches (right)illustratethesix-panel seriesofthree-foot byfour-footmuralsthatwillhangintheMartinVisitorrsquos Center
BYSUSAN J BURLINGAME FREELANCE WRITER MARTIN
22
mdashC FMartin IVmdashcalls itldquothe magic ofFrom JohnnyCash to John Mayerand fromElvis Costello manyof historyrsquos mostbrilliantve chosen the Martin sound the Martin magicm the Martin storycontinuesMartin magic is mostprofoundly representedby n in the early1800s on the otherside of theour eyes fora momentand imagine ayoung king browfurrowed in concentration Heods the braces the strings of his firstguitarrtin has traveledfrom his home in Saxonytoe learns the artof guitarmaking as ane of the bestknown guitar shops in Europeg his 37th year C F Martinalong with hisdren sets outfor Americae story as theysayhellipis magicamp Co is still family-ownedmdashbutthe ldquofamilyrdquoh Martins and non-Martins generations of
ed arole in crafting the exquisite acousticrtin has offeredthe world formore than 175ertGoetzl a cousin to Chris Martinhas been create awork of art depicting C F Martin ampamily its sound andits storyeries of three-footby four-footmurals thatwillin Visitorrsquos Center the work says Goetzl is a love Chris Martin thatmuch He wasuential in mylife andthe opportunityto tellyauthentically is extremelymeaningful to merdquonels (pictured here)take viewers on CFfrom Saxonyto Viennato the newworld
ured as the music of the Martin guitar thensionalmdashdone in mixedmedia with collage andreating the firstpanel was forGoetzl the biggest
23
challenge ldquoI realizedthe enormityof the projectmdashnotjust inscope butalso in importance to the familyand to the thousandsof people who wouldbe looking atitrdquoGoetzl labored andsecond-guessedand tweakedand proddedbefore finally unveiling itto Chris Martin andothers at Martin ldquoThe lookson theirfaces toldme I had naileditrdquo Panel numbertwo which illustrates the Martin familyrsquosinitial shopin New York andthe move to NazarethPennsylvania causedGoetzl much less consternation butequallyas much joy he says as will each successive mural ldquoIf this is the endof the roadfor me the lastwork I evercreaterdquosays Goetzl (who surelyhas afew more decades ofcreativityleft) ldquoI wouldbe completely fine with thatrdquo
ldquoRobert has put his heart into
creating something that will
make a tremendous addition
to the Martin experiencerdquo
mdash Dick Boak Artist Relations C F Martin amp Co
Tex Fletcher
SingingcowboyTexFletcher maynot
have become the household name that
other cowboy singers from the 1930s
such as Gene Autry and Roy Rogers had
butdespitesometimes overwhelming
odds hersquosbeen remembered nonetheless
forhis noteworthycontributionsto earlyand
mid-20th century cowboy culture
He was born Geremino Biscegliain 1910 in HarrisonNew York the fifth of eight children of Italian immigrants Michael(astone mason)and Josephine Bisceglia He leftschool afterthethirdgrade to work with his fatherandbrothers He was raisedin a musical householdand he learnedto sing andplay traditional Italian songs accompaniedby accordionsmandolins andviolins
Jerrypicked upa fewguitar chords froma local right-handedguitarist butbeing left-handed he retaughthimself to playhisown right-handedguitarldquobackwards andupside downrdquoas he wouldlater explain with achuckle
He became enamoredwith the silver screen cowboys of theday often sneaking into the local cinemaforshowings of thelatestsilent picture starring TomMix WilliamS Hartand YakimaCanutt
Overthe nextfew years the teenagedcowboy wannabe beganto realize his boyhoodambition as he learnedto handle horseandcattle byday while soaking upcowboy lore andcampfiresongs bynight in effectbecoming aldquorealrdquocowboy Asinging cowboy Unique stuff forthe late 20s He returnedto NewYork in 1931 with aconfidence anda newfoundvoice With saddle bags full of cowboy stories andsongs the cowboysingerwas now going bythe name Tex Fletcher He began entering andwinning localthen regionaltalentshows Fletcherrsquos confidence grewwith each winning purse as was evidencedbyhis every growing wardrobe of
cowboyoutfits andhis first Martin guitar a000-45 He neverplayedanother companyrsquos guitars again believing the leastexpensive Martin guitarwas headand shoulders aboveanyother companyrsquos bestHistory has clearlymade fora compelling argument Itwasnrsquotlongbeforehereceivedan offerofa radiojobas asinging cowboyoverWFASinWhitePlainsNewYorkBy1934 attheheightofsingingcowboycrazeFletcherbegana relationshipthat wouldlastmorethan 25yearsbroadcastingoverWORNew YorkNewJersey(MutualNetwork)Itwas thesameyear thathebeganappearingatthe VillageBarnnightclub(whichwouldlaterbecomeJimiHendrixrsquosElectricLadyland)inGreenwichVillageNYagig thatlastedwell intotheearly1960s
1934 was also the yearTexorderedhis custommade MartinD-42Hersquodadmiredthe pearlygoodlooks and loudtone of Gene Autryrsquos D-45 (the firstD-45) butwanted an instrumentthatw ouldbe uniquelyTexFletcherrsquos guitar But he wasnrsquotthe onlycowboysinger who wantedto follow in Autryrsquos trail Milwaukee -based Jackie ldquoKidrdquoMoore beathimto the punch when he ordered his own D-45 (No 2)fromMartinBut according to authorMartin researcherJohn Woodland amisunderstanding with regardto neck length ledMartin to shelve the unfinished14 fretto the body D-45Moore then optedfor awider OMstyle neck with 12 frets tothe body This D-45 is No3 Then along comes NewYork radio cowboyTexFletcherwithhis own ideaof whatfeatures ldquohisrdquoguitar shouldsportincluding 14 frets to the body which alignedperfectly with the
partiallyconstructed D-45 (No2) buthe wanted all the flashupfront So insteadof proceeding to finish the guitaras aD-45Martin craftsmen changedthe toprsquos bracing to aHigh ldquoXrdquoconfiguration anddesignated this slightlymore modestcousinof the D-45the D-42 So the TexFletchermodel is not only the firstD-42butalso the secondD-45Itremainedthe only example of the D-42 forthe next54 years
Fletcherhadbeenout ofthe musicbusinessforjusta fewyears whenhe wastrackeddownin theearly1970sby then-MartinhistorianMikeLongworthwho convincedthe oldcowboytodonatetheinstrumenttothe MartinMuseumFletcheragreedandthatrsquoswhereitresidesto thisdaydisplayedjusta fewfeetfromitrsquosfirstcousintheGeneAutryD-45 (No1)
21 24
N EW PR O D U CTS
NEW A DDITIONS TO
OUR LINEUP OF
Great Ukuleles
The Martin Standards of Tone and Workmanship Prevail
C1K amp T1K UkulelesMartin has been building the worldrsquos finest ukuleles
from as early as 1916includingthesmallest Soprano
the original model to the larger Concert in 1925 and
the Tenor uke in 1929 Both the concert model and
tenor models havelong been prized for their full-bodied
voiceandgreatervolumeThesenewC1Kconcertand
T1Ktenor modelsfeaturetops backsidesand head-
platesofsolidHawaiianKoaawoodnativeto Hawaii
and a favoriteof island players Both ukes feature solid
Sitkabraces genuinemahoganyblocksand applied
dovetailneckjointsintheMartintraditionNecksare
craftedofselecthardwoodandcappedwithasolid
Morado fingerboardtheconcert has a 15rdquoscalelength
thetenor a 17rdquoscaleBridges arealso ofsolid Morado
with whiteTusqsaddles Open-geared nickel tuners with
whitebuttons ensureprecision Finished in high quality
satinlacquerPadded bagincludedTwo beautifulexam-
ples of why Martin is still the name in superior quality
ukuleles
ldquoAs far as inanimate objects
being friends I think that is right
on the list My Martin ukulele
is a work of art Itrsquos going to live
long after merdquo
mdashEddieVedderPearl JamUkuleleSongs
T1K
C1K
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2446
Clock key mechanism for
adjustingguitar necks on
Martinrsquos earliest guitars
manufactured in New York
ImaginedMartinfamily portrait
CircaSeptember1833mdashat the
timeof theMartinsrsquotransatlantic
journey to the New World
Mappointingto
Markneukirchen the
main town in Germanyrsquos
musicalinstrument-
makingregion
Embellished original
drawingofCF Martinrsquos
residencein
Markneukirchen
Saxony (Germany)
Thesa
carries
North
specta
showe
Harbo
Imagin
CFM
Hudso
Depic
mold
a Mart
glueu
NEL ONE 2 bull PANEL TWO
Rende
home
in Che
Circa1
Portra
presid
when
arrived
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
OM -21 NEW Martinrsquos OM (Orchestra Models)
guitars have always been very
special to fingerstyle guitarists
especially this new OM-21 with its
comfortable 1-34rdquo wide neck at the
nut and highly responsive 14rdquo
scalloped Sitka top braces Elegant in
its simplicity this new version offers a
tasteful upgrade of solid black ebony
fingerboard and 30rsquos style ldquobellyrdquo
bridge with genuine bone saddle and
nut all adding to the rich resonance of this guitar Whatrsquos more wersquove
replaced the standard OM neck with a
slimmer ldquoPerformingrdquo Artistrdquo modified
low oval profile tapered neck and
wider 2-316rdquo bridge string spacing for
faster more comfortable playing The
solid Sitka spruce top with
hand-inlaid 28 style
rosette is joined to a
body of premium
solid East Indian
rosewood bound intortoise colored
18 style binding
Delmar tortoise color
pickguard nickel
open-geared
tuners with
Butterbean
knobs and
polished gloss
lacquer with
aging toner
complete this
beautiful
instrument
Delivered to you in the
new Martin 433 archtop
hardshell case If yoursquore a finger picker this new OM-21 is
the one to pick
D-18 NEW Since its introduction in 1935 the D-18
has been the workhorse of the Martin steel
string acoustic line More plain and less
costly than its D-28 rosewood cousin the
D-18 has none the less established its own
tonal identity ndash balanced crisp midrange
definitive bass and bright clear treble a
favorite of innumerable bluegrass blues and
country performers as well as discerning
studio musicians ndash because it is a great
performing and recording guitar Over the
years the D-18 has seen numerouspermutations ndash the D-18V and D-18P ndash as
well as variations in bindings rosette
fingerboard amp bridge woods bracing
patterns and pickguards And now the
new D-18 brings together
the best features of all of
these great D-18s into
one superb sounding
and playing guitar On
the traditional side backs
and sides are still crafted
of solid genuineMahogany joined with a
solid Sitka spruce top
with forward-shifted
scalloped ldquoXrdquo bracing
The fingerboard
and 1930s style
belly bridge are
fashioned of
solid black
ebony as were
the originals
Whatrsquos new A
lightning fast modified low
oval profile neck with a
1-34rdquo nut width and slimmer 2-18rdquo taper at the 12th fret Itrsquos
the same neck featured on our innovative Performing Artist
series guitars with the same wide 2-316rdquo bridge string
spacing too for greater player comfort and accessibility up
and down the neck The new D-18 The perfect blend of past
and future ndash and great guitar to start the New Year
8102019 Vol_32pdf
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NAMM Show
Specials
N E W P R O D U C T S
2012 Martin Show Special Guitars
The DCPA Koa amp GPCPA Koa They donrsquot get any more beautiful ndash or more
beautiful sounding ndash than these spectacular
dovetail flamed Koa Performing Artist guitars
And with only a total of 30 instruments ndash
combined ndash being offered to dealers at the 2012
NAMM Show they donrsquot get any rarer either Here
wersquove chosen two of our most popular cutaway models in
the Performing Artist series the classic Dreadnought and
the Grand Performance and crafted the backs and sides
of premium Hawaiian flamed Koa a resonant tonewood
indigenous to the Hawaiian islands Koa has long been by
favored by native Hawaiian musicians for guitars and
ukuleles as well as discerning players and collectors
worldwide Martin in particular has built various sized
instruments of Koa from as early as 1850 The tops are of prized solid Adirondack Spruce as are the scalloped
forward-shifted ldquoXrdquo braces in the ldquoGolden Erardquo fashion The
bodies are bound with solid Madagascar rosewood the
top is inlaid in the 42 style with an elegant blue Paua
pearl rosette The backstrip is 45 style marquetry Both
guitars feature our fast and comfortable Performing Artist
modified low oval mahogany neck with ebony
fingerboard and
wide 2-316rdquo string
spacing on the
ebony Performing
Artist belly bridge And the
crowning touch both guitarsare equipped with the new
Fishmanreg F1 Aura + onboard electronics system the
ultimate in acoustic realism and projection as well as
pickup versatility Waverly gold tuners with Ivoroid
buttons complete the package Orders for the DCPA Koa amp
GPCP Koa will be taken solely from dealers in attendance
at the 2012 NAMM Show in Anaheim California
NEW TOOLS
for GREAT TONE
GPCPA Koa
DCPA Koa
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
DCPA1 Madagascar Rosewood ampGPCPA1 Madagascar Rosewood
These two very special dovetail Performing Artist
guitars reflect the best of Martin innovation expert
craftsmanship and selection of superior tonewoods ndash
all in one As PA series models Dreadnought and
Grand Performance they include a unique slim
tapered fast neck for exceptional player comfort in
all positions a smaller and lighter PA ldquobellyrdquo bridge
for greater tonal response and increased string
spacing for easier finger picking They also
include the new state-of-the-art Fishmanreg F1
Aura + onboard electronics system that deliver
striking acoustic realism and projection
Plugged in or pure acoustic these are great
sounding guitars ndash and with good reason The
tops are solid Adirondack spruce pearl inlaid inthe 41 style and driven by 516rdquo Adirondack
scalloped braces forward-shifted in the ldquoGolden Erardquo X
pattern The back sides and headplate are Madagascar
Rosewood selected for its beauty and close acoustic and visual resemblance to
Brazilian Rosewood Solid black ebony is used for the fingerboard and bridge
Details include grained Ivoroid bindings Delmar beveled tortoise color pickguard
special ldquoalternative torchrdquo inspired position inlays gold enclosed tuners bone nut
and saddle The most distinctive Performing Artist production models to date
Fishmanreg F1 Aura + The Fishmanreg F1 Aura + features a newsimplified and intuitive Easy Mode allowing youto quickly get a feel for the tonal possibilities ofthe system while providing the most importantfeatures The Easy Mode offers three custom-blended Aura Image presets tone control and
the option of using the undersaddle pickuponly For the real tone-tweakers wersquove retainedthe original Performance Mode as well givingyou full access to the powerful 3-band EQscompressor and automatic anti-feedback ofthe F1 Aura +
Performing
Artist SeriesDCPA1
Madagascar
Rosewood
GPCPA1
Madagascar
Rosewood
8102019 Vol_32pdf
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N E W P R O D U C T S
Performing
Artist Series
Martin introduces an exciting
new tonewood called Siris
DCPA4 Siris amp
GPCPA4 Siris
With these two new
Performing Artists guitars
Martin introduces an exciting
new tonewood called Siris
adding even more tonal color
and variety to the PA series Siris
delivers excellent bass response
reminiscent of East Indian rosewood as
well as a clear midrange and treble making it an
excellent guitar wood for recording and for playing live Lighter in color
yet denser than rosewood it produces a slightly longer sustain thanrosewood Siris is typically dark orange contrasting beautifully with the
Sitka Spruce tops tortoise colored pickguards grained Ivoroid bindings
and special East Indian rosewood center wedge on both guitarsrsquo 3-piece
backs The DCPA4 Siris and the GPCPA4 Siris are 14-fret cutaway guitars and
have fast comfortable Performing Artist profile necks Hybrid ldquoXrdquo scalloped top
bracing black Richlite fingerboards and bridges and Fishmanreg F1 Analog
onboard electronicsGPCPA4 Siris
DCPA4 Siris
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2946
Over 175 Years of Guitar Building Excellence
The GPCPA4 Sapele is constructed with
FSCreg Certified tonewoods harvested from
ecologically sound and responsibly manag
forests The fingerboard and bridge are
built with FSCreg
Certified Richlitereg
29
GPCPA4 SapeleFirst introduced in 2010 the GPCPA4 is an extraordinary Martin ndash a
big Grand Performance cutaway with a fast comfortable Performing
Artist Series high performance neck But this brand new version ndash
the GPCPA4 Sapele ndash is extra special It rsquos built with FSCreg Certified
tonewoods harvested from ecologically sound and responsibly
managed forests This includes African sapele back and sides
mahogany front and rear blocks cherry side strips Spanish cedar
ribbons and European spruce Hybrid ldquoXrdquo scalloped bracing The top
is FSCreg Certified recycled Sitka spruce produced from old bridge timbers in Canada
Even the fingerboard and bridge are crafted of FSCreg Certified Richlitereg material High
polished gloss top finish with tasteful Cherry red toned back and sides Fishmanreg F1
Analog electronics are included with volume and tone shaping capabilitiesonboard digital tuner and phase control Quite a
package Quite a guitar
8102019 Vol_32pdf
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N E W P R O D U C T S
DCPA5K and GPCPA5K
Advanced guitar design meets high-
tech guitar construction The result
two highly affordable Performing
Artist guitars with excellent tone
playability and durability Back
and sides of the cutaway
Dreadnought and Grand
Performance models are made
of a high-pressure wood fiber
laminate (called HPL) with
Koa grain and texture photo-
imbedded The top is solid Sitkaspruce braced with Martinrsquos Hybrid ldquoXrdquo
scalloped bracing system renowned for its
resonance clear treble and distinct bass The Performing Artist Profile neck is
slim and fast and comfortable made of tough Stratabondreg multi-layered
wood laminate Performing Artist bridge and fingerboard are black Richlite
Chrome enclosed tuners with large buttons and Fishmanreg F1 Analog
onboard electronics included A terrific value with great tone and
environmentally friendly
Performing
Artist Series
The DCPA5K and GPCPA5K
are Performing Artist guitars
with excellent tone playability and durability
GPCPA5K
DCPA5K
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3146
Road Series
31
Over 175 Years of Guitar Building Excellence
Special Edition
DRS2 The latest of Martinrsquos hard-working
great sounding Road Series guitars
the new DRS2 delivers a unique blend
of durability and concert-quality
sound and projection The top is
crafted of solid Sitka spruce and
braced with Martinrsquos A-Frame (X1)
bracing Back and sides are select
solid Sapele similar in look and
tonal qualities to its
close cousin
mahogany As
beautiful as it looks
and sounds the
DRS2 is a serious
working musicianrsquos
guitar built for on
the road durability
without sacrificeof tone The
neck is
constructed
of a multi-
layered
wood
laminate
called
Stratabondtrade
that perfectly
simulates natural
quartersawn wood grain The fingerboard and bridgeare crafted of black Richlite amazingly similar in look
weight and resonance of ebony A Fishmanreg
Sonitone sound reinforcement system completes
this very road ndash and stage ndash worthy Martin
000C NylonIn response to the many Martin players
who chose the limited edition 000CDG
built in memory of Chris Martinrsquos late
brother Doug Greth we have
expanded upon this unique ldquocrossoverrdquo
instrument with the new 000C Nylon It is
truly a hybrid instrument combining features
of a traditional Martin steel-string guitar with
those associated with a classical nylon string
guitar The top is crafted of solid Sitka spruce
and braced with a unique A-Frame ldquoXrdquo brace
system Yet this bracing system is equally
responsive to lighter nylon strings without
inhibiting tone or volume The 12-fret low
profile neck features an 18rdquo radius arched
(versus flat) fingerboard like a steel string
but with a classic width 1-78rdquo at the nut and
2-516rdquo at the 12th fret The bridge is in the
classic style with tie block and drop insaddle Bridge string spacing is a
wider 2-516rdquo as well Even the
000Crsquos headstock is unique ndash
square tapered like the
traditional Martin steel
string style but slotted to
accommodate classical
nylon strings Each guitar is
fitted with onboard Fishmanreg
F1 Analog electronics too
The result A versatile
great sounding andplaying guitar no
matter whether you
play acoustic or
acoustic electric
or both
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3246
D-28M Limited Edition Celebrates
The Enduring Music and Legacy ofThe Mamas and The Papas
The appointments on the D-28M Mamas and ThePapas Custom Artist Edition emulate a circa 1960sD-28 blackwhiteblack top purfling blackwhiteback purfling grained Ivoroid binding and heelcapldquocheckerboardrdquo backstrip mother of pearl dotposition markers chrome Groverreg Rotomatic tunerstortoise-colored pickguard polished gloss lacquerfinish and vintage-inspired aging toner on the topExtra flash comes in the form of a Style 45 abalonepearl rosette and abalone pearl-topped bone bridgeand end pins
The guitarrsquos crowning glory is ndash appropriately ndashon the polished black ebony headplate Above
the nut sheltered by the familiar gold old-styleldquoC F Martin amp Co Est 1833rdquo decal logo is a silhouette of The Mamas and The Papasbeautifully inlaid in mother of pearl Derivedfrom a photo by Henry Diltz the inlay capturesthe group in full performance mode
In the early 1960s the four musicians whobecame The Mamas and Papas were a long way from pop music stardom though all wereinvolved in the East Coast folk music scene
John Phillips was a member of the JourneymenDenny Doherty and Cass Elliot sang with theMugwumps After the Journeymen broke up
John Phillips his wife Michelle Phillips andMarshall Brickman formed the New JourneymenMarshall eventually left the band but went on toco-write Oscar winning screenplays with Woody
Allen and he co-wrote the book that became therecord-breaking play ldquoThe Jersey Boysrdquo
Marshall Brickman was replaced by Denny Doherty and soon Doherty introduced hisbandmates to Elliot The four began harmonizingto the pop songs John was writing and perfectedtheir sound during a Caribbean vacation together
The starting point for The Mamas and the Papasrsquofresh pop sound was the folk music all fourmembers played before they got together as a group Songwriter and leader John Phillipsrsquo well-
worn Martin Dreadnought often provided thestrummed rhythmic underpinning on which TheMamas and Papasrsquo band instrumentation andvocals were layered The combination proved tobe genius and even today The Mamas and thePapas ldquosoundrdquo is instantly recognizable
To celebrate the group and its place in popmusic history C F Martin introduces a very
special D-28M Mamas and The Papas
Custom Artist Edition Limited to just100 instruments this new Custom Artist Edition features rare tonewoodshandsome appointments and aunique headstock inlay to honorthese musical trailblazers
John Phillipsrsquo vintage Martin D-28provides the inspiration for this Custom Artist Edition The tonewoods and top
bracing are a stellar combination thatapproximates those of MartinDreadnoughts from the early 1930sBack and sides are rare Madagascarrosewood similar in appearance andtone to the now endangered Brazilianrosewood The top is Carpathianspruce comparable in power andbrilliance to Adirondack spruce andequally responsive Advanced ldquoXrdquo
516rdquo scalloped bracing provides richresonant tone The 1 1116rdquo (at the
nut) low profile neck with diamondvolute is genuine mahogany while the
fingerboard and belly bridge are black ebony
L M
In the 1960s The Mamas and the Papas were at the epicenter of a musical earthquake
that began in Southern California and sent shockwaves across the country Combining
great songwriting unique arrangements and lush harmonies the group had six ldquoTop
10rdquo singles and four ldquoTop 5rdquo albums from 1965 through 1967 a feat that made them one
of the few groups to challenge the Beatles during that era While The Mamas and the
Papasrsquo original lineup of John Phillips Cass Elliot Denny Doherty and Michelle Phillips
lasted just four years several of the songs they created ndash including ldquoCalifornia Dreaminrsquordquo
ldquoMonday Mondayrdquo ldquoWords of Loverdquo and ldquoTwelve Thirtyrdquo ndash have stood the test of time
32
8102019 Vol_32pdf
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(This story should sound familiar they laterturned it into a hit single ldquoCreeque Alleyrdquo)Eventually the four traveled to Los Angeles
where they auditioned for Dunhill RecordsOwnerProducer Lou Adler Adler signed them tohis label immediately and two days later thegroup had a name The Mamas and the Papas
Released in 1965 The Mamas and The Papasrsquofirst single failed to garner much notice Howeverthe second single ldquoCalifornia Dreamingrdquo co-
written by John and Michelle Phillips reachedNo 4 on the charts The grouprsquos debut album If
You Can Believe Your Eyes and Ears was releasedin early 1966 and rose to No 1 quickly followedby the single ldquoMonday Mondayrdquo which also hitNo 1 and later won a Grammy Award for ldquoBestContemporary Group Performancerdquo
While The Mamas and The Papasrsquo personallives became increasingly turbulent over the nexttwo years their music continued to flourish they recorded three additional albums ndash The Mamasand The Papas Deliver and The Papas and TheMamas ndash that went ldquoTop 20rdquo and in turn yieldedseveral ldquoTop 20rdquo singles
In 1968 bitter infighting between memberscaused the group to disband Due to contractualobligations they reunited briefly in 1971 to makethe People Like Us album and then went theirseparate ways Cass Eliot had a flourishing solocareer that was cut short by her death in 1974
John Phillips continued to write songs and bothhe and Denny Doherty performed and recordedas solo acts In the 1980s and 1990s they occasionally reunited to tour as members of the
New Mamas and Papas John Phillipsdied in 2001 Denny Doherty died in2007 Michelle Phillips enjoyed a successful acting career and today isthe last surviving original memberof the group
Despite the grouprsquos short history TheMamas and The Papasrsquo musical legacy remainsundiminished the group was inducted into theRock amp Roll Hall of Fame in 1998 and received a
Grammy Hall of Fame Award in 2001 In 2003 If You Can Believe Your Eyes and Ears was ranked127 on Rolling Stone magazinersquos list of the 500greatest albums of all time
Delivered in a hardshell case eachD-28M Mamas and The PapasCustom Artist Edition guitar bears a special interior label featuring theldquosun rayrdquo graphic from the RouletteRecords label on which some of TheMamas and The Papasrsquo singles werereissued in the 1970s Each label ispersonally signed by former Mamasand The Papas member MichellePhillips and numbered in sequence
with the edition total Beginning immediately authorized C F Martindealers will accept orders for theD-28M Mamas and The PapasCustom Artist Edition until all 100guitars in the edition are allocatedparticipating Martin dealers willthen be posted on theC F Martin website
wwwmartinguitarcom
33
S A M P L E
8102019 Vol_32pdf
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L O N D O N A C O U S T I C G U I TA R S H O W
Acoustic guitar aficionados attending The London
Acoustic Guitar Show were treated to presentations
that showcased Americarsquos favorite musical instrument
brand and featured musical vignettes by legendary
and influential guitarists Stefan Grossman and
John RenbournThe presentation was given by Dick Boak archivist for Martin
Guitar who offered a graphical and interactive history of the 178-year-old guitar company In addition Dick displayed severalimportant examples in the evolution of Martin acoustic guitarsThe presentation focused on the development of the modern
acoustic guitar Martinrsquos historical contributions to the definitivacoustic guitar design artist signature model collaborations an
an in-depth explanation of specific guitar shapes sizes andtonewoods that lend themselves to particular musical genres JoRenbourn and Stefan Grossman legendary acoustic fingerstyleinnovators demonstrated the tonality of an assortment of Martinstruments including their own Custom Signature models
Martinrsquos UK distributor Westside Management was a primasponsor of the show and the host for the concert stage thatfeatured a stunning live performance by Renbourn and Grossm
Dick Boakrsquos presentation provided a template and proving ground for potential future presentations throughout the UniteStates Europe and Japan
THE LONDON ACOUSTICGUITAR SHOWSaturday and Sunday September 10-11 2011
Olympia Conference Center London
34
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3546
Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3646
M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3746
The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
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M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
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M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
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Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
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M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
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Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
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A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
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C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
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P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
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M A R T I N S T O R I E S
A Silent Servant With No Name We recently received an interesting and compelling messagefrom a lifelong Christian minister who along with his obviousspiritual connection is also a musician and lover of Martinguitars In his own arsenal of Martins he cherishes threeDreadnoughts a D-28 Marquis a D-35 and a D-42 Thestory as he relayed it to us is that three years ago he was toldldquoby Godrdquo to acquire five Martin guitars and gift them to five
special and specific people At the time the minister who inhis humility has suggested to us that his name is notimportant only had enough money for one D-35 Martinguitar which he promptly gifted as instructed He waited formore money to appear and it seemed like it wasnrsquot going tocome He was facing a serious operation and asked his wife if she would finish his mission in the event that he didnrsquot makeit through
He woke up a month later after extensive surgery and couldnot move or walk His daughters told him later that all he
talked aboutin his direstate was Godand Martinguitars butinside he wasdetermined
to get back to normal After a year transpired he was able to walk with a caneMiraculously the money began to come in and he
contacted a prominent Martin dealership eventually buying three more Martin D-35s and a D-16GT
His message thanked us for the beautiful works of art Inthe end five people experienced the ldquobest day of their livesrdquo
He is thankful for ldquobeing chosenrdquo to be the deliveryman forsuch treasures and he wanted us to know that ldquoGodrdquo isMartinrsquos best sales rep
6
Harley-Davidson Motorcycle amp Guitar Again gracing the Martin Ownerrsquos Club event on Friday August 5 2011 was Mark Zickefoosersquos custom Harley-
Davidson complete with matching Custom Martin andmounted road case
Martin MarinesCorporal David M Jones wrote to us on behalf of hisDivision to express his thanks for his LXM LittleMartin that arrived in Afghanistan Since he receivedthe guitar it certainly has made its rounds ndash someoneis always coming to play it or learn to play it He hasactually had great success teaching two Marines toplay David admits that the beginners arenrsquot the bestto listen to but ldquoat least they are having funrdquo Picturedabove are David and a few of his fellow Marines withthe Martin guitar
Inked AdmirationRobert Dutton of Brooklyn New York shared this photograph of his Martin Performing
Artist Guitar tattoo
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We are honored to have received thefollowing Players Choice Awards for 2011
bull GOLD AWARD for BESTDREADNOUGHT GUITAR (D-28)
bull GOLD AWARD for BEST MID-SIZEFLATTOP GUITAR (Eric Clapton
Signature Model)bull SILVER AWARD for GUITAR
OF THE YEAR (D-28)
bull SILVER AWARD for SMALL-BODYFLATTOP (00-15M)
bull SILVER AWARD for JUMBO GUITAR SIX or 12-STRINGS (Grand J12-40E)
bull SILVER AWARD for ACOUSTIC-ELECTRIC GUITAR (GPCPA1)
bull SILVER AWARD for TRAVEL GUITAR (LX1)bull SILVER AWARD for 12-STRING (J12-40E)
bull SILVER AWARD for OTHER STRINGEDINSTRUMENT (OXK UKE)
bull SILVER AWARD for STEEL STRINGS (FX)
Acoustic Guitar Magazine
7
Distorted StringsIt is quite difficult to comeup with ideas for string advertising Guitars are
much more visual MartinrsquosDick Boak (no strangerto illustration)conceptualized thisslightly hyperbolic
pencil drawing Dickrsquossuggested headlineldquoMartin Strings -
Exaggerate Your Tonerdquo
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Let Us In
A special benefit concert was held onNovember 7th at Nashvillersquos legendary
Ryman Auditorium The ldquoLet Us InrdquoNashville benefit was the kick off forNashvillersquos CMA Week Actor musicianand Martin guitarist Jeff Daniels hostedand performed at the event whichfeatured live performances by SarahDarling SHeDAISY Steel Magnolia PhilVassar Cheyenne Kimball Juliana ColeNikki Shannon Fernandez JordynShellhart Chuck Wicks Nancy SirianniSamantha Landrum and Blue Sky RidersEach artist performed an original versionof a Sir Paul McCartney song
Sponsored in part by Martin the event was filmed and recorded for a live DVDas well as a CD bearing cover art by PeterMax that will include extra contributedtracks from Tommy Emmanuel Timothy B Schmidt Mark Hudson Laurence
Juber Denny Seiwell and Ricky SkaggsThe Women and Cancer Fund is a not-
for-profit charity led by Dr Alicia Alvarezand established in the memory of Linda McCartney Sir Paul McCartney has givenhis ldquowhole-hearted blessingrdquo to ldquoLet UsInrdquo Nashville a campaign led by ReviverMusic to raise awareness and proceedsfor this charity which promotesprevention increases lifestyle awarenessenhances available health services andadvocates advanced breast cancer andchildrenrsquos cancer research
A Martin D-28 Dreadnought similarto the D-28 Sir Paul plays was donatedand signed by the participating artists forsubsequent auction to benefit The
Women and Cancer Fund
The Invention of the American Guitar
Peter Szego is spearheading new scholarship into the early history of the American guitar which will culminate in the publication of a book tentatively entitled ldquoC F Martin and the Invention of the American GuitarrdquoIn September 2011 Peter hosted a group from Martin on a tour of hisextensive collection of antique American guitars and banjos (1833-1860)
with a special focus on the earliest Martin guitars The publication of hisbook and the concurrent opening of a major museum exhibition is scheduledin 2013 Stay tuned
8
M A R T I N S T O R I E S
Above left to right) Michael Dickinson Amani Duncan Peter Szego Chris Martinand Charles Peischl Dick Boak is not shown because he took the photo
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Every good guitar like every good son and daughter
periodically goes home ndash or should go home ndash to the
place of its birth For Martin guitars thatrsquos Nazareth
Pennsylvania 18064 and Mother Martin is always gladto see the kids
Kidding aside there truly is a parental attitude at Martintowards every single Martin guitar ever made because nobody knows better than Martin the enormous skill patience andunrelenting adherence to quality standards that goes intobuilding a Martin guitar
Not surprisingly Martin cares as much about how you send yourguitar back to Nazareth as the reason why yoursquore sending it It isimportant to contact the Martin Customer Service Department inadvance to get a Return Authorization (RA) Number Simply call(610) 759-2837 and ask for a Customer Service representative
Irsquove shipped guitars to Martin for years and never damaged a one in the process Not even a scratch Herersquos how I do it
De-tune the strings with just enough tension to keep the bridgepins and saddle securely in their slots If there are electronicsremember to remove any batteries to make sure that they do notbecome loose during shipping Also and very importantly removethe endpin Some people remove strings bridge pins endpin andsaddle (if itrsquos a removable type) put them in an envelope and put theenvelope in the string pocket of the case Thatrsquos fine but make surethat the envelope is securely packed with wadded tissue paper on topof it so that it doesnrsquot shake itself or its contents out of the string pocket and wreak havoc on the guitar
C A R E A N D F E E D I N G
Shipping Your Guitar
Home To Mother
BY BILL BUSH
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Next buy a box of stringed paper tags Print your nameaddress telephone number and e-mail address on one side of the tag on the other side print the Martin model number andserial number Fill out two tags Attach one tag to one of the
tuning machines attach the second tag to the case handle Why If anything happens to the shipping labels in transit thereis a record of you as the owner in two places within the box
Also purchase a package (or two) of plain soft tissue papersheets used for gently wrapping gifts inside a gift box Itrsquos very soft paper and wonrsquot scratch delicate lacquer Do not stuff thecase interior with newspaper
You want to be sure that the guitar is snug in the caseespecially the headstock Wad up enough tissue paper to supportthe headstock ndash top bottom and sides The entire headstock
well of the case should be filled as well as the space above theheadstock (and front of the headstock) You can also tuck tissuepaper on the fretboard near the nut You want to prevent the
headstock from whiplashing forward and backward which ishow a lot of necks get cracked
You also want to gently stuff the sides and lower bout of the guitar(where the back strip is) and around the neck heel so that there is noshifting frontward or backward In short you want to make theguitar inert (motionless) within the case No movement whatsoeverin any direction About the case No guitar should be shipped inanything but a hard case Ever Martin offers a thermoplastic hardcase (which is tough as nails) as well as black vinyl covered plywoodand plush ldquoGeib-stylerdquo hard cases They come in various model sizesand fit quite snugly
Original Geib hard shell plush cases are still floating aroundout there from the 60s as are other vintage Martin hard casesalthough none are as snug as the present variety ndash and snugnessis critical when shipping a guitar
The best shipping box for Martin guitars is the same shippingbox Martin uses to ship their new guitars to dealers Just callyour local Martin dealer and ask if you can have a used Martinshipping box - and do it quickly before itrsquos thrown out or beforesomeone else gets it Theyrsquore good as gold
About packing the case in the shipping box UPS and officesupply stores sell bags of Polystyrene foam shipping ldquopeanutsrdquoSprinkle a layer of peanuts in the bottom of the shipping boxplace the packed guitar case in the box and carefully fill-in arouthe case to the top of the box Like the guitar in the case you
want the guitar case itself to be inert in the shipping box Tapethe top and bottom box flaps with lots of wide Scotch Strappingtape (the strongest) Then use clear Scotch packing tape to cover
handwritten ldquoTo amp Fromrdquo self-sticking label in the corner of thbox top UPS amp Fed Ex have their own self-sticking labels as we
You can cover the address with clear tape but NOT the bar codThe shorter shipping time the better UPS and Fed Ex offer
Next Day Air but itrsquos expensive They also ship Ground but besure you know how many days it takes to arrive in Nazareth andship early in the week so that your guitar does not sit in a hotshipping container or parked truck over the weekend
Lastly make sure you insure your guitar Some shippers willonly insure guitars for a limited amount Others will insure onthe basis of declared value of the instrument Itrsquos not cheap but i
worth it if you love your guitar Mother will approve
De-tune
the strings(and remove
the endpin)
Fill outtwo tags
Purchase a
box of stringed
paper tags
Packing The case
should be completely
filled with tissue paper
About the caseAlways ship in a hard
case No exceptions
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C F Martin amp Co offers guitars to fit every preference and
budget but knows guitar dreams have no limits For
those whose guitar ideal canrsquot be found among the more
than 120 models Martin currently makes and who want toconceive their own unique perfect guitar Martin has
created a special place Itrsquos called the Custom Shop and it
is where guitar dreams come trueSituated on the production floor the Custom Shop is a dedicated
space with several workbenches assorted jigs and a range of racks andshelves for ldquoworks in progressrdquo Here just over a dozen of Martinrsquosmost experienced craftspeople build ndash one at a time and mostly oneof a kind ndash masterpiece acoustic guitars
ldquoThe Custom Shoprsquos goal is simply to build the best acousticguitars in the worldrdquo commented Fred Greene Martin Vice Presidentof Manufacturing ldquoWhether itrsquos an individualrsquos vision of a great
instrument a uniquely appointed model one of our dealers thinks will appeal to his or her clientele or a guitar wersquove conceived toshowcase artisan building each Custom Shop instrument is crafted asif we were making it for ourselvesrdquo
Custom guitars have been an element of Martin productionsince the company was founded in 1833 A number of Martinguitars from the 19th and early 20th century show customfeatures and custom Martins from the 1930s through the 1950shad an ldquoSrdquo suffix on the neck block model number to indicatetheir custom (or ldquospecialrdquo) status In the 1980s and 1990scustom Martinsrsquo neck blocks were simply stamped ldquocustomrdquo But
The Custom Shop
Bringing your
Guitar to LifeBY MARSHALL NEWMAN
Great sounding Custom Shop guitars donrsquot need to be fancy but if
you want to go that route Martin can certainly accommodate you12
C A R E A N D F E E D I N G
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until recently all custom Martins were built on the main shopfloor alongside their non-custom siblings
The concept of a separate stand-alone Custom Shop began to gainmomentum approximately 10 years ago but didnrsquot come tofruition until 2005 ldquoWe had a custom administrator who handledand followed custom orders on the shop floor but knew we could
do morerdquo Greene recalled ldquoIn 2005 I proposed we create a separate custom area with a separate workforce with the capability to handcraft unique instruments using traditional techniques ndash likecarving necks by hand and hide glue construction - that didnrsquot lendthemselves to our standard production process We started theCustom Shop with a staff of five it began by building the Authenticline and slowly took on custom buildingrdquo Today the Custom Shophas a staff of eleven plus three design consultants who work withcustomers dealers and builders to assure Custom Shop instrumentsare everything they can be
ldquoThe number one challenge of the Custom Shop is timerdquoGreene noted ldquoIt takes time to build instruments of the quality Custom Shop customers demand to hand-carve the necks to cut
the pearl to shape the braces and all the rest In the Custom Shop we take whatever time is needed to make these instrumentsexceptional Judging by the number of orders theCustom Shop receives people recognize the value of
what we are crea tingrdquoldquoThe Custom Shop team includes several of
Martinrsquos most experienced builders The average tenure with Martin is 25 years and there are a few who areapproaching the 40-year markrdquo Custom Shop guitarsare built almost entirely by this small staff in theCustom Shop only operations requiring largespecialized equipment ndash like side bending andfinishing - are done on the main shop floor
While all orders for Custom Shop guitarsmust be made through authorized C F Martinamp Co dealers prospective Custom Shopcustomers now have a great tool they can utilizeto design their dream guitar the Custom GuitarConfigurator Accessible on-line at
wwwmartinguitarcom the Custom GuitarConfigurator lets the user ldquovirtuallyrdquo create a guitar from a range of Martinrsquos most popular options see their creation and get a suggestedretail price quote The information then can be printed out for useas a reference during the order process
13
The Custom Shop offers a remarkable range of options(actually more than shown in the Configurator) sizes body styles scale lengths tonewoods neck profiles appointments
inlays and more Are there limits to what the Custom Shop wibuild As they sometimes say in the Custom ShopldquoWe try to never say ‛norsquo we only say ‛how muchrsquordquo In truth
there are some projects Martin wonrsquot tackle among themreplicating a Martin Custom Artist model or SignatureEdition (to respect the artistrsquos vision for hisher guitar) and
building with customer-supplied wood (which may not matchMartin specifications or standards)The Custom Shop even allows customers to come by the factory
to select the specific tonewood set for his or her guitar from Martinextensive inventory ldquoAt first it was just Martin dealers but now weare seeing individuals stop byrdquo observed Greene ldquoThe opportunityto select the set of Madagascar rosewood or flamed mahogany oranother tonewood that will become a Custom Shop guitar makesthat guitar an even more personal statementrdquoDespite its limited production and brief history the Custom
Shop has produced an impressive array of guitars Ordersoften include unusual tonewood combinations special
neck configurations or custom inlays A CustomShop guitar generally takes four to six months tobuild after details have been finalized dependingon the current workload and the complexity of theorder guitars featuring special design elements
andor custom pearlwork can take longer Whetherplain or fancy each completed Custom Shop guitar
is identified by the laser-etched Custom Shop logoon its neck block
In early 2011 the Custom Shop introducedtwo limited-production CS models the first
of a series of Custom Shop instruments that will be available for only one calendar year(or less if demand is overwhelming as wasthe case with the CS-21-11 model) ldquoThe CS
models express C F Martinrsquos spirit of adventurerdquo explained Fred Greene ldquoThese
short exclusive runs of g uitars allow us to introduceexciting new ideas that might eventually be looked upon asclassics At C F Martin amp Co heritage and creativity arenrsquotmutually exclusive and these CS guitars are the proofrdquo Readyto create your one-of-a-kind Martin guitar Good The CustomShop is ready for you
In creating your Custom Shop Martin you may choose from a wide array of tonewoods body sizes appointment levels and customized inlay sty
8102019 Vol_32pdf
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Adjusting the truss rod with a special long Martin Allen wrench
Guitars are made to be played and the easier they are to
play the more pleasure they bring their owners The
action ndash the distance between the strings and the
fingerboard ndash should be just right and thatrsquos the reason
every guitar deserves a good set-upFundamentally guitar set-up is simple geometry adjusting
the guitarrsquos neck nut saddle and (occasionally) frets to put theaction at an ideal level - not so high as to be difficult to fret and notso low as to cause string buzz
C F Martin amp Co sets up every guitar it builds before it leavesthe factory Most Martin guitars built in Nazareth are set up using a PLEKreg Pro machine which scans the nut fingerboard and saddle
with a sensor compares the scan with optimal values and thencuts the nut slots contours thesaddle and polishes the frets toan accuracy of 11000 of aninch If necessary minor saddleand nut touch-up and truss rodadjustment are done by hand
when the guitar is strung A fewMartin guitars - primarily Custom Shop instruments -continue to be set up by hand
Even an acoustic guitar with a
good factory set-up may need tobe set up again within a few years according to Lon WernerMartin Customer RepairManager ldquoThe wood in a guitarcan take up to five years to ‛settleinrsquo under string tension and a change in the action may necessitate a fresh set-uprdquo Theownerrsquos playing style and
The LowdownBY MARSHALL NEWMAN on Set-up
Checking neck relief during final setup
14
C A R E A N D F E E D I N G
8102019 Vol_32pdf
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technique also may dictate whether a fresh set-up isneeded ldquoA fingerstyle player
with a light touch might wantthe action lowered while a flatpicker may need the actionraisedrdquo Indeed an individualrsquosplaying style and technique are
information a repairperson will want to know to do the bestpossible set-up
So can you tell if your guitarneeds a set-up Begin with theobvious If your guitar hasbecome very hard to fret itprobably needs a set-up If thestrings buzz either open orfretted it probably needs a set-up If its intonation is way offit probably needs a set-up
A few simple diagnostic testsalso can help determine
whether a set-up is neededCheck the neck relief by fretting the low E string simultaneously above the firstand below the 13th fret thegap between the string and the6th or 7th fret should beslightly more than the thicknessof a business card Checkaction at the nut by fretting each string between the second
and third fret there shouldbe daylight between eachstring and the first fret a gapapproximately the thicknessof a sheet of paper at thehigh E and slightly more at thelow E Check the height of theaction with a machinistrsquos rulerat the 12th fret the distancebetween the fret and the string should be approximately 232-332 of an inch on the trebleside and 332-432 of an inch
on the bass side A goodelectronic tuner can be used tocheck intonation on eachstring by playing the openstring and then playing theharmonic of the same string atthe 12th fret
A lot of guitarists may betempted to do their own set-upbut Dave Doll of Martinrsquos
Customer Repair Departmentcautions against it ldquoItrsquos like a doctor educating a patient onhow to recognize symptoms thpatient may know he has a problem but he still should goto the doctor to have thatproblem fixedrdquo he commented
ldquoEven a simple set-up can bedaunting unless you know whayou are doing you may well domore harm than goodrdquo Lon
Werner was more specificldquoWhile preliminary evaluationmay suggest a set-up is neededthe symptoms also can beindicative of a much moreserious problem When theMartin Customer RepairDepartment receives a guitar
we give it a thorough going-over from headstock toendpin If the bridge is liftingor a brace has pulled loose orthe neck needs a reset (justthree examples) that is a problem that has to be dealt
with for a set-up to bebeneficialrdquo Not everyonelives so close to Nazareth tohave their Martin guitar
worked on at C F Martin amp Cobut there are more than
150 Martin Service Centersthat can give that guitar thecare ndash whether a set-up orsomething more ndash it deservesShould you happen to visitNazareth or live nearbyC F Martin amp Co offers a very cool opportunity to learnabout guitar maintenance fromsome of the best in thebusiness Every Friday from11 am until noon theCustomer Repair Departmen
hosts a guitar care seminarduring which it demonstratesthe basics of guitar careincluding some of theelements of set-up (like trussrod adjustment) The guitarcare seminar is free noreservation is needed andit is a great way to learnhow to keep your Martinin peak playing condition
15
Checking the relief of the neck
Checking the action at the nut
Checking the action at the 12th fret
Adjusting the truss rod with a long Martin wrench
truss rod wrench
hole in brace
truss rod location
gap between bottom of string
and top of fret at the 12th fret
gap between bottom of string
and top of fret at the 1st fret
with string depressed
gap at the 6th or 7th fret with string
depressed at 2nd and 13th frets
exaggerated neck relief
frontblock
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All-Star MUSEBenefit Concert
The All-Star MUSE BenefitConcertat the Shoreline Amphitheater inMountain View California supported Disaster Relief in Japanand Non-Nuclear Groups
Worldwide Featured artists includedCrosby (with his Martin Signature 12-string) Stills amp Nash Jackson BrowneBonnie Raitt Jason Mraz The DoobieBrothers Tom Morello John HallKitaro Sweet Honey in the Rock and
Jonathan Wilson
A R T I S T P R O F I L E S
Hollywood Bowl 2011Dolly Parton with her touring guitaris
Jim Salestrom who is playing hisMartin J-40 Dollyrsquos World Tour
thrilled attendees at the HollywoodBowl Saturday July 23 2011
DonavanFrankenreiterDonavonrsquos fourth studioalbum Glow is describedas ldquowarm organic andoverwhelmingly hopeful Theperfect antidote to trying timesrdquo Hersquos playing his triedand true Martin 000-18 Shawn Colvin
Shawn Colvinrsquos new Live album wasnominated for the Grammy Awardfor Best Contemporary Folk Album
Accompanied with her pristineM3SC Signature Edition findShawnrsquos enduring music on iTunes orat amazoncom
16
oto by Lynn Goldsmith
P
h o t o b y L y nn G ol d s mi t h
8102019 Vol_32pdf
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Ron Davies(1946-2003)
A songwriter fromthe pacific northwestRon Davies at 17bought a well worn1956 D-18 Martin
which he put to gooduse writing an entirealbum of songs forthe Seattle band ldquoThe
Wailersrdquo As an artisthe recorded fivealbums during hislifetime but he isbest remembered forhis songwriting
His songs have been covered by a diverse group of artists that include Joan Baez David Bowie (Ziggy Stardust) Long John Baldry Ann Murray Three Dog
Night Nitty Gritty Dirt Band Helen Reddy Jerry Jeff Walker Maria Muldaur Joe Cocker Randy TravisNanci Griffith and the Raconteurs to name a few
In 2011 friends in the pacific northwest cametogether to record ldquoThe Mystery of Ron Daviesrdquo a tribute CD containing eighteen of Ronrsquos songsperformed by artists from his hometown and one by Davies himself Available on iTunes and at CD Baby allof the proceeds will benefit ldquoMusic Caresrdquo
Leslie TuckerLexington Virginia-based singersongwriter Leslie Tuckerrecently received the gift of a Martin D-41 from a legion of her fans and she plans to use her new acquisition in theproduction of a new album project currently in progressalong with a tour of performances when itrsquos released Tune into wwwleslietuckercom for updates
Santa Cruz Blues Fest 2011Some of the worldrsquos finest guitarists including Jonny Lang were on hand to salute guitar legend JimiHendrix at this yearrsquos Santa Cruz Blues Fest 2011
Jonnyrsquos playing his Martin J-40 Jumbo
Sting
17
Early StingFrom Andy Summers groundbreaking book Irsquoll be watching you Insidethe Police 1980-1983 Police guitarist and professional photographer
Andy Summers captured Sting with his Martin D-28 in 1982
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Fast AJ AJ Rubino of SpringfieldMassachusetts has beenperforming folk and country music for nearly fifty years ndash
much of that time with his1975 Martin D-35 slightly customized with fingerboardinlay by luthier Harry BeckerThis photo will grace the cover of AJrsquos forthcoming CD
He is a loyal member of the Martin Ownerrsquos Club andowns several other Martin guitars The tree AJ is standing in front of was destroyed by the tornado that hit WesternMassachusetts in June of 2011 but no one was hurt andall of the Martin guitars survived
A R T I S T P R O F I L E S
The Kingston Trio Fantasy Camp 2011
Winfield KansasFestivalrsquos Martin D-42
Allen Shadd began playing guitar when he was seven years oldacquiring his first Martin guitar -
a 1973 D-35 at the age of tenSince then he has gone on toperform in many bands guitar
workshops recording sessions and in 1997 released his own CDldquoA Cut Aboverdquo Allen also frequently competes in guitarcompetitions and has won some of the most prestigious flatpicking contests that have included Merlefest Rocky Grass and the WayneHenderson guitar competition He brought home this yearrsquos MartinD-42 from the National Flatpicking Championship held in
Winfield Kansas Itrsquos the sixth time Allen has placed in the topthree including his first place finish in 1997
18
wwwkingstontriocom
Caroline JonesThis NYC-based singer songwriterguitarist and producer was trainedclassically by Andy Anselmo Founder
of New Yorkrsquos ldquoThe Singerrsquos ForumrdquoCaroline began singing opera ariascabaret standards and show tunes at agenine Under the management of Tommy Mottola and Chris Apostle shebegan recording her original songs withproducer Chris Toland at Sony and
Avatar studios in New York as a studentat The Professional Childrenrsquos SchoolIn 2008 Caroline began monthlyco-writing trips to Nashville where sherecorded with many of the industryrsquostop talents Since then she has been
performing and recording with herMartin 00-21 Kingston Trio modelthat pays tribute to original KingstonTrio member Dave Guard (1934-1991)
Shown above are Fantasy camp attendees each holding their Martin guitars (plus one banjo)
P h o t o b y J o h n L i n d
8102019 Vol_32pdf
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Dierks BentleyReaching deep into acoustic rootsmusic resulted in Dierks Bentleyrsquosnew album Up On The RidgeMore than a bluegrass concept
album with guests Up On TheRidge features Bentley working with some of the finest acousticmusicians in the world including long-time collaborators theDel McCoury Band and a new musical partnership with ChrisThile and the Punch Brothers Asa recent addition to the Martin
Ambassador ranks Dierkrsquos israrely seen without his prizedvintage herringbone D-28
Hawaiirsquos HirsquoikuaIn a culture that honorsthe legacies of the pastthis Hawaiian trio of talented musicians pays
homage to their roots while creating a uniqueand progressive soundthat leaves an indeliblemark upon contemporary Hawaiian music
In a seamlesscontinuous movement we all carry a past while living in thepresent and moving toward a future Hirsquoikuarsquos music reflectsthe belief that without asking the knowledge of our ancestorshas already been placed within us in the hope that we too
will shoulder that responsibility in an unbroken journey intothe future
Their music is composed and performed by Kalehua Krug (left with his Martin 12-string) Kamuela Kimokeo (above andcenter left with his Martin OMC Aura cutaway) and BlakeLeoki-Haili (right with Martin tenor ukulele)
The grouprsquos name derives from the Hawaiian word thatmeans literally ldquoto carry on onersquos backrdquo Hirsquoikua has taken thisresponsibility seriously
ldquoAia I Hirsquoialordquo the long awaited CD from Hirsquoikua featuressix original and six traditional songs
wwwhiikuacom J e r r o l J u l i a n P
h o t o g r a p h y
J e r r o l J u l i a n P
h o t o g r a p h y
8102019 Vol_32pdf
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F R O M T H E A R C H I V E S
Waiting for the Sunday Boatrdquo by William Henry Jacksonrdquo Florida circa 1902Martin small-bodied parlor guitar
ldquoAs long as
Irsquove got my guitar
Irsquoll be finerdquo
mdash Willie Nelson referring to Tri
his legendary Martin guitar
HometownCentenarianMary Arletta Hahnis shown (right)
with her 00-1712-fret Martinguitar Mary was inher twenties whenthis picture was
taken (circa 1932)She was born inNazareth andturned 104 this pastSeptember Healthy small town living Shereceived her theology degree from the United
Wesleyan College but she also majored in voicepiano and guitar She would sing and play guitarin her fatherrsquos varied congregations Mary haslived her entire life in and around NazarethToday she lives just one block from where herguitar was made
1883 Advertisement
Gu i tar is t and Mando l in
is t
c irca 18 9 0
Guit ar ist and Mandolinist c ir c a 19 25
20
8102019 Vol_32pdf
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Ahh the sound of the Martin Rich and evocative Texture
lifeby strummingorpickingorthe lightesttouchtoteas
harmonicsthesoundmdashlikethehistoryofCF Martinamp C
peopleanda storyofthesensesHearitTasteitFeelitA
artist Robert Goetzl see it Seethe sound of the Martin
FEA TU R E
The Soundand the Story
Thehand drawnsketches (right)illustratethesix-panel seriesofthree-foot byfour-footmuralsthatwillhangintheMartinVisitorrsquos Center
BYSUSAN J BURLINGAME FREELANCE WRITER MARTIN
22
mdashC FMartin IVmdashcalls itldquothe magic ofFrom JohnnyCash to John Mayerand fromElvis Costello manyof historyrsquos mostbrilliantve chosen the Martin sound the Martin magicm the Martin storycontinuesMartin magic is mostprofoundly representedby n in the early1800s on the otherside of theour eyes fora momentand imagine ayoung king browfurrowed in concentration Heods the braces the strings of his firstguitarrtin has traveledfrom his home in Saxonytoe learns the artof guitarmaking as ane of the bestknown guitar shops in Europeg his 37th year C F Martinalong with hisdren sets outfor Americae story as theysayhellipis magicamp Co is still family-ownedmdashbutthe ldquofamilyrdquoh Martins and non-Martins generations of
ed arole in crafting the exquisite acousticrtin has offeredthe world formore than 175ertGoetzl a cousin to Chris Martinhas been create awork of art depicting C F Martin ampamily its sound andits storyeries of three-footby four-footmurals thatwillin Visitorrsquos Center the work says Goetzl is a love Chris Martin thatmuch He wasuential in mylife andthe opportunityto tellyauthentically is extremelymeaningful to merdquonels (pictured here)take viewers on CFfrom Saxonyto Viennato the newworld
ured as the music of the Martin guitar thensionalmdashdone in mixedmedia with collage andreating the firstpanel was forGoetzl the biggest
23
challenge ldquoI realizedthe enormityof the projectmdashnotjust inscope butalso in importance to the familyand to the thousandsof people who wouldbe looking atitrdquoGoetzl labored andsecond-guessedand tweakedand proddedbefore finally unveiling itto Chris Martin andothers at Martin ldquoThe lookson theirfaces toldme I had naileditrdquo Panel numbertwo which illustrates the Martin familyrsquosinitial shopin New York andthe move to NazarethPennsylvania causedGoetzl much less consternation butequallyas much joy he says as will each successive mural ldquoIf this is the endof the roadfor me the lastwork I evercreaterdquosays Goetzl (who surelyhas afew more decades ofcreativityleft) ldquoI wouldbe completely fine with thatrdquo
ldquoRobert has put his heart into
creating something that will
make a tremendous addition
to the Martin experiencerdquo
mdash Dick Boak Artist Relations C F Martin amp Co
Tex Fletcher
SingingcowboyTexFletcher maynot
have become the household name that
other cowboy singers from the 1930s
such as Gene Autry and Roy Rogers had
butdespitesometimes overwhelming
odds hersquosbeen remembered nonetheless
forhis noteworthycontributionsto earlyand
mid-20th century cowboy culture
He was born Geremino Biscegliain 1910 in HarrisonNew York the fifth of eight children of Italian immigrants Michael(astone mason)and Josephine Bisceglia He leftschool afterthethirdgrade to work with his fatherandbrothers He was raisedin a musical householdand he learnedto sing andplay traditional Italian songs accompaniedby accordionsmandolins andviolins
Jerrypicked upa fewguitar chords froma local right-handedguitarist butbeing left-handed he retaughthimself to playhisown right-handedguitarldquobackwards andupside downrdquoas he wouldlater explain with achuckle
He became enamoredwith the silver screen cowboys of theday often sneaking into the local cinemaforshowings of thelatestsilent picture starring TomMix WilliamS Hartand YakimaCanutt
Overthe nextfew years the teenagedcowboy wannabe beganto realize his boyhoodambition as he learnedto handle horseandcattle byday while soaking upcowboy lore andcampfiresongs bynight in effectbecoming aldquorealrdquocowboy Asinging cowboy Unique stuff forthe late 20s He returnedto NewYork in 1931 with aconfidence anda newfoundvoice With saddle bags full of cowboy stories andsongs the cowboysingerwas now going bythe name Tex Fletcher He began entering andwinning localthen regionaltalentshows Fletcherrsquos confidence grewwith each winning purse as was evidencedbyhis every growing wardrobe of
cowboyoutfits andhis first Martin guitar a000-45 He neverplayedanother companyrsquos guitars again believing the leastexpensive Martin guitarwas headand shoulders aboveanyother companyrsquos bestHistory has clearlymade fora compelling argument Itwasnrsquotlongbeforehereceivedan offerofa radiojobas asinging cowboyoverWFASinWhitePlainsNewYorkBy1934 attheheightofsingingcowboycrazeFletcherbegana relationshipthat wouldlastmorethan 25yearsbroadcastingoverWORNew YorkNewJersey(MutualNetwork)Itwas thesameyear thathebeganappearingatthe VillageBarnnightclub(whichwouldlaterbecomeJimiHendrixrsquosElectricLadyland)inGreenwichVillageNYagig thatlastedwell intotheearly1960s
1934 was also the yearTexorderedhis custommade MartinD-42Hersquodadmiredthe pearlygoodlooks and loudtone of Gene Autryrsquos D-45 (the firstD-45) butwanted an instrumentthatw ouldbe uniquelyTexFletcherrsquos guitar But he wasnrsquotthe onlycowboysinger who wantedto follow in Autryrsquos trail Milwaukee -based Jackie ldquoKidrdquoMoore beathimto the punch when he ordered his own D-45 (No 2)fromMartinBut according to authorMartin researcherJohn Woodland amisunderstanding with regardto neck length ledMartin to shelve the unfinished14 fretto the body D-45Moore then optedfor awider OMstyle neck with 12 frets tothe body This D-45 is No3 Then along comes NewYork radio cowboyTexFletcherwithhis own ideaof whatfeatures ldquohisrdquoguitar shouldsportincluding 14 frets to the body which alignedperfectly with the
partiallyconstructed D-45 (No2) buthe wanted all the flashupfront So insteadof proceeding to finish the guitaras aD-45Martin craftsmen changedthe toprsquos bracing to aHigh ldquoXrdquoconfiguration anddesignated this slightlymore modestcousinof the D-45the D-42 So the TexFletchermodel is not only the firstD-42butalso the secondD-45Itremainedthe only example of the D-42 forthe next54 years
Fletcherhadbeenout ofthe musicbusinessforjusta fewyears whenhe wastrackeddownin theearly1970sby then-MartinhistorianMikeLongworthwho convincedthe oldcowboytodonatetheinstrumenttothe MartinMuseumFletcheragreedandthatrsquoswhereitresidesto thisdaydisplayedjusta fewfeetfromitrsquosfirstcousintheGeneAutryD-45 (No1)
21 24
N EW PR O D U CTS
NEW A DDITIONS TO
OUR LINEUP OF
Great Ukuleles
The Martin Standards of Tone and Workmanship Prevail
C1K amp T1K UkulelesMartin has been building the worldrsquos finest ukuleles
from as early as 1916includingthesmallest Soprano
the original model to the larger Concert in 1925 and
the Tenor uke in 1929 Both the concert model and
tenor models havelong been prized for their full-bodied
voiceandgreatervolumeThesenewC1Kconcertand
T1Ktenor modelsfeaturetops backsidesand head-
platesofsolidHawaiianKoaawoodnativeto Hawaii
and a favoriteof island players Both ukes feature solid
Sitkabraces genuinemahoganyblocksand applied
dovetailneckjointsintheMartintraditionNecksare
craftedofselecthardwoodandcappedwithasolid
Morado fingerboardtheconcert has a 15rdquoscalelength
thetenor a 17rdquoscaleBridges arealso ofsolid Morado
with whiteTusqsaddles Open-geared nickel tuners with
whitebuttons ensureprecision Finished in high quality
satinlacquerPadded bagincludedTwo beautifulexam-
ples of why Martin is still the name in superior quality
ukuleles
ldquoAs far as inanimate objects
being friends I think that is right
on the list My Martin ukulele
is a work of art Itrsquos going to live
long after merdquo
mdashEddieVedderPearl JamUkuleleSongs
T1K
C1K
8102019 Vol_32pdf
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Clock key mechanism for
adjustingguitar necks on
Martinrsquos earliest guitars
manufactured in New York
ImaginedMartinfamily portrait
CircaSeptember1833mdashat the
timeof theMartinsrsquotransatlantic
journey to the New World
Mappointingto
Markneukirchen the
main town in Germanyrsquos
musicalinstrument-
makingregion
Embellished original
drawingofCF Martinrsquos
residencein
Markneukirchen
Saxony (Germany)
Thesa
carries
North
specta
showe
Harbo
Imagin
CFM
Hudso
Depic
mold
a Mart
glueu
NEL ONE 2 bull PANEL TWO
Rende
home
in Che
Circa1
Portra
presid
when
arrived
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
OM -21 NEW Martinrsquos OM (Orchestra Models)
guitars have always been very
special to fingerstyle guitarists
especially this new OM-21 with its
comfortable 1-34rdquo wide neck at the
nut and highly responsive 14rdquo
scalloped Sitka top braces Elegant in
its simplicity this new version offers a
tasteful upgrade of solid black ebony
fingerboard and 30rsquos style ldquobellyrdquo
bridge with genuine bone saddle and
nut all adding to the rich resonance of this guitar Whatrsquos more wersquove
replaced the standard OM neck with a
slimmer ldquoPerformingrdquo Artistrdquo modified
low oval profile tapered neck and
wider 2-316rdquo bridge string spacing for
faster more comfortable playing The
solid Sitka spruce top with
hand-inlaid 28 style
rosette is joined to a
body of premium
solid East Indian
rosewood bound intortoise colored
18 style binding
Delmar tortoise color
pickguard nickel
open-geared
tuners with
Butterbean
knobs and
polished gloss
lacquer with
aging toner
complete this
beautiful
instrument
Delivered to you in the
new Martin 433 archtop
hardshell case If yoursquore a finger picker this new OM-21 is
the one to pick
D-18 NEW Since its introduction in 1935 the D-18
has been the workhorse of the Martin steel
string acoustic line More plain and less
costly than its D-28 rosewood cousin the
D-18 has none the less established its own
tonal identity ndash balanced crisp midrange
definitive bass and bright clear treble a
favorite of innumerable bluegrass blues and
country performers as well as discerning
studio musicians ndash because it is a great
performing and recording guitar Over the
years the D-18 has seen numerouspermutations ndash the D-18V and D-18P ndash as
well as variations in bindings rosette
fingerboard amp bridge woods bracing
patterns and pickguards And now the
new D-18 brings together
the best features of all of
these great D-18s into
one superb sounding
and playing guitar On
the traditional side backs
and sides are still crafted
of solid genuineMahogany joined with a
solid Sitka spruce top
with forward-shifted
scalloped ldquoXrdquo bracing
The fingerboard
and 1930s style
belly bridge are
fashioned of
solid black
ebony as were
the originals
Whatrsquos new A
lightning fast modified low
oval profile neck with a
1-34rdquo nut width and slimmer 2-18rdquo taper at the 12th fret Itrsquos
the same neck featured on our innovative Performing Artist
series guitars with the same wide 2-316rdquo bridge string
spacing too for greater player comfort and accessibility up
and down the neck The new D-18 The perfect blend of past
and future ndash and great guitar to start the New Year
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2646 26
NAMM Show
Specials
N E W P R O D U C T S
2012 Martin Show Special Guitars
The DCPA Koa amp GPCPA Koa They donrsquot get any more beautiful ndash or more
beautiful sounding ndash than these spectacular
dovetail flamed Koa Performing Artist guitars
And with only a total of 30 instruments ndash
combined ndash being offered to dealers at the 2012
NAMM Show they donrsquot get any rarer either Here
wersquove chosen two of our most popular cutaway models in
the Performing Artist series the classic Dreadnought and
the Grand Performance and crafted the backs and sides
of premium Hawaiian flamed Koa a resonant tonewood
indigenous to the Hawaiian islands Koa has long been by
favored by native Hawaiian musicians for guitars and
ukuleles as well as discerning players and collectors
worldwide Martin in particular has built various sized
instruments of Koa from as early as 1850 The tops are of prized solid Adirondack Spruce as are the scalloped
forward-shifted ldquoXrdquo braces in the ldquoGolden Erardquo fashion The
bodies are bound with solid Madagascar rosewood the
top is inlaid in the 42 style with an elegant blue Paua
pearl rosette The backstrip is 45 style marquetry Both
guitars feature our fast and comfortable Performing Artist
modified low oval mahogany neck with ebony
fingerboard and
wide 2-316rdquo string
spacing on the
ebony Performing
Artist belly bridge And the
crowning touch both guitarsare equipped with the new
Fishmanreg F1 Aura + onboard electronics system the
ultimate in acoustic realism and projection as well as
pickup versatility Waverly gold tuners with Ivoroid
buttons complete the package Orders for the DCPA Koa amp
GPCP Koa will be taken solely from dealers in attendance
at the 2012 NAMM Show in Anaheim California
NEW TOOLS
for GREAT TONE
GPCPA Koa
DCPA Koa
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
DCPA1 Madagascar Rosewood ampGPCPA1 Madagascar Rosewood
These two very special dovetail Performing Artist
guitars reflect the best of Martin innovation expert
craftsmanship and selection of superior tonewoods ndash
all in one As PA series models Dreadnought and
Grand Performance they include a unique slim
tapered fast neck for exceptional player comfort in
all positions a smaller and lighter PA ldquobellyrdquo bridge
for greater tonal response and increased string
spacing for easier finger picking They also
include the new state-of-the-art Fishmanreg F1
Aura + onboard electronics system that deliver
striking acoustic realism and projection
Plugged in or pure acoustic these are great
sounding guitars ndash and with good reason The
tops are solid Adirondack spruce pearl inlaid inthe 41 style and driven by 516rdquo Adirondack
scalloped braces forward-shifted in the ldquoGolden Erardquo X
pattern The back sides and headplate are Madagascar
Rosewood selected for its beauty and close acoustic and visual resemblance to
Brazilian Rosewood Solid black ebony is used for the fingerboard and bridge
Details include grained Ivoroid bindings Delmar beveled tortoise color pickguard
special ldquoalternative torchrdquo inspired position inlays gold enclosed tuners bone nut
and saddle The most distinctive Performing Artist production models to date
Fishmanreg F1 Aura + The Fishmanreg F1 Aura + features a newsimplified and intuitive Easy Mode allowing youto quickly get a feel for the tonal possibilities ofthe system while providing the most importantfeatures The Easy Mode offers three custom-blended Aura Image presets tone control and
the option of using the undersaddle pickuponly For the real tone-tweakers wersquove retainedthe original Performance Mode as well givingyou full access to the powerful 3-band EQscompressor and automatic anti-feedback ofthe F1 Aura +
Performing
Artist SeriesDCPA1
Madagascar
Rosewood
GPCPA1
Madagascar
Rosewood
8102019 Vol_32pdf
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N E W P R O D U C T S
Performing
Artist Series
Martin introduces an exciting
new tonewood called Siris
DCPA4 Siris amp
GPCPA4 Siris
With these two new
Performing Artists guitars
Martin introduces an exciting
new tonewood called Siris
adding even more tonal color
and variety to the PA series Siris
delivers excellent bass response
reminiscent of East Indian rosewood as
well as a clear midrange and treble making it an
excellent guitar wood for recording and for playing live Lighter in color
yet denser than rosewood it produces a slightly longer sustain thanrosewood Siris is typically dark orange contrasting beautifully with the
Sitka Spruce tops tortoise colored pickguards grained Ivoroid bindings
and special East Indian rosewood center wedge on both guitarsrsquo 3-piece
backs The DCPA4 Siris and the GPCPA4 Siris are 14-fret cutaway guitars and
have fast comfortable Performing Artist profile necks Hybrid ldquoXrdquo scalloped top
bracing black Richlite fingerboards and bridges and Fishmanreg F1 Analog
onboard electronicsGPCPA4 Siris
DCPA4 Siris
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Over 175 Years of Guitar Building Excellence
The GPCPA4 Sapele is constructed with
FSCreg Certified tonewoods harvested from
ecologically sound and responsibly manag
forests The fingerboard and bridge are
built with FSCreg
Certified Richlitereg
29
GPCPA4 SapeleFirst introduced in 2010 the GPCPA4 is an extraordinary Martin ndash a
big Grand Performance cutaway with a fast comfortable Performing
Artist Series high performance neck But this brand new version ndash
the GPCPA4 Sapele ndash is extra special It rsquos built with FSCreg Certified
tonewoods harvested from ecologically sound and responsibly
managed forests This includes African sapele back and sides
mahogany front and rear blocks cherry side strips Spanish cedar
ribbons and European spruce Hybrid ldquoXrdquo scalloped bracing The top
is FSCreg Certified recycled Sitka spruce produced from old bridge timbers in Canada
Even the fingerboard and bridge are crafted of FSCreg Certified Richlitereg material High
polished gloss top finish with tasteful Cherry red toned back and sides Fishmanreg F1
Analog electronics are included with volume and tone shaping capabilitiesonboard digital tuner and phase control Quite a
package Quite a guitar
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N E W P R O D U C T S
DCPA5K and GPCPA5K
Advanced guitar design meets high-
tech guitar construction The result
two highly affordable Performing
Artist guitars with excellent tone
playability and durability Back
and sides of the cutaway
Dreadnought and Grand
Performance models are made
of a high-pressure wood fiber
laminate (called HPL) with
Koa grain and texture photo-
imbedded The top is solid Sitkaspruce braced with Martinrsquos Hybrid ldquoXrdquo
scalloped bracing system renowned for its
resonance clear treble and distinct bass The Performing Artist Profile neck is
slim and fast and comfortable made of tough Stratabondreg multi-layered
wood laminate Performing Artist bridge and fingerboard are black Richlite
Chrome enclosed tuners with large buttons and Fishmanreg F1 Analog
onboard electronics included A terrific value with great tone and
environmentally friendly
Performing
Artist Series
The DCPA5K and GPCPA5K
are Performing Artist guitars
with excellent tone playability and durability
GPCPA5K
DCPA5K
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Road Series
31
Over 175 Years of Guitar Building Excellence
Special Edition
DRS2 The latest of Martinrsquos hard-working
great sounding Road Series guitars
the new DRS2 delivers a unique blend
of durability and concert-quality
sound and projection The top is
crafted of solid Sitka spruce and
braced with Martinrsquos A-Frame (X1)
bracing Back and sides are select
solid Sapele similar in look and
tonal qualities to its
close cousin
mahogany As
beautiful as it looks
and sounds the
DRS2 is a serious
working musicianrsquos
guitar built for on
the road durability
without sacrificeof tone The
neck is
constructed
of a multi-
layered
wood
laminate
called
Stratabondtrade
that perfectly
simulates natural
quartersawn wood grain The fingerboard and bridgeare crafted of black Richlite amazingly similar in look
weight and resonance of ebony A Fishmanreg
Sonitone sound reinforcement system completes
this very road ndash and stage ndash worthy Martin
000C NylonIn response to the many Martin players
who chose the limited edition 000CDG
built in memory of Chris Martinrsquos late
brother Doug Greth we have
expanded upon this unique ldquocrossoverrdquo
instrument with the new 000C Nylon It is
truly a hybrid instrument combining features
of a traditional Martin steel-string guitar with
those associated with a classical nylon string
guitar The top is crafted of solid Sitka spruce
and braced with a unique A-Frame ldquoXrdquo brace
system Yet this bracing system is equally
responsive to lighter nylon strings without
inhibiting tone or volume The 12-fret low
profile neck features an 18rdquo radius arched
(versus flat) fingerboard like a steel string
but with a classic width 1-78rdquo at the nut and
2-516rdquo at the 12th fret The bridge is in the
classic style with tie block and drop insaddle Bridge string spacing is a
wider 2-516rdquo as well Even the
000Crsquos headstock is unique ndash
square tapered like the
traditional Martin steel
string style but slotted to
accommodate classical
nylon strings Each guitar is
fitted with onboard Fishmanreg
F1 Analog electronics too
The result A versatile
great sounding andplaying guitar no
matter whether you
play acoustic or
acoustic electric
or both
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D-28M Limited Edition Celebrates
The Enduring Music and Legacy ofThe Mamas and The Papas
The appointments on the D-28M Mamas and ThePapas Custom Artist Edition emulate a circa 1960sD-28 blackwhiteblack top purfling blackwhiteback purfling grained Ivoroid binding and heelcapldquocheckerboardrdquo backstrip mother of pearl dotposition markers chrome Groverreg Rotomatic tunerstortoise-colored pickguard polished gloss lacquerfinish and vintage-inspired aging toner on the topExtra flash comes in the form of a Style 45 abalonepearl rosette and abalone pearl-topped bone bridgeand end pins
The guitarrsquos crowning glory is ndash appropriately ndashon the polished black ebony headplate Above
the nut sheltered by the familiar gold old-styleldquoC F Martin amp Co Est 1833rdquo decal logo is a silhouette of The Mamas and The Papasbeautifully inlaid in mother of pearl Derivedfrom a photo by Henry Diltz the inlay capturesthe group in full performance mode
In the early 1960s the four musicians whobecame The Mamas and Papas were a long way from pop music stardom though all wereinvolved in the East Coast folk music scene
John Phillips was a member of the JourneymenDenny Doherty and Cass Elliot sang with theMugwumps After the Journeymen broke up
John Phillips his wife Michelle Phillips andMarshall Brickman formed the New JourneymenMarshall eventually left the band but went on toco-write Oscar winning screenplays with Woody
Allen and he co-wrote the book that became therecord-breaking play ldquoThe Jersey Boysrdquo
Marshall Brickman was replaced by Denny Doherty and soon Doherty introduced hisbandmates to Elliot The four began harmonizingto the pop songs John was writing and perfectedtheir sound during a Caribbean vacation together
The starting point for The Mamas and the Papasrsquofresh pop sound was the folk music all fourmembers played before they got together as a group Songwriter and leader John Phillipsrsquo well-
worn Martin Dreadnought often provided thestrummed rhythmic underpinning on which TheMamas and Papasrsquo band instrumentation andvocals were layered The combination proved tobe genius and even today The Mamas and thePapas ldquosoundrdquo is instantly recognizable
To celebrate the group and its place in popmusic history C F Martin introduces a very
special D-28M Mamas and The Papas
Custom Artist Edition Limited to just100 instruments this new Custom Artist Edition features rare tonewoodshandsome appointments and aunique headstock inlay to honorthese musical trailblazers
John Phillipsrsquo vintage Martin D-28provides the inspiration for this Custom Artist Edition The tonewoods and top
bracing are a stellar combination thatapproximates those of MartinDreadnoughts from the early 1930sBack and sides are rare Madagascarrosewood similar in appearance andtone to the now endangered Brazilianrosewood The top is Carpathianspruce comparable in power andbrilliance to Adirondack spruce andequally responsive Advanced ldquoXrdquo
516rdquo scalloped bracing provides richresonant tone The 1 1116rdquo (at the
nut) low profile neck with diamondvolute is genuine mahogany while the
fingerboard and belly bridge are black ebony
L M
In the 1960s The Mamas and the Papas were at the epicenter of a musical earthquake
that began in Southern California and sent shockwaves across the country Combining
great songwriting unique arrangements and lush harmonies the group had six ldquoTop
10rdquo singles and four ldquoTop 5rdquo albums from 1965 through 1967 a feat that made them one
of the few groups to challenge the Beatles during that era While The Mamas and the
Papasrsquo original lineup of John Phillips Cass Elliot Denny Doherty and Michelle Phillips
lasted just four years several of the songs they created ndash including ldquoCalifornia Dreaminrsquordquo
ldquoMonday Mondayrdquo ldquoWords of Loverdquo and ldquoTwelve Thirtyrdquo ndash have stood the test of time
32
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(This story should sound familiar they laterturned it into a hit single ldquoCreeque Alleyrdquo)Eventually the four traveled to Los Angeles
where they auditioned for Dunhill RecordsOwnerProducer Lou Adler Adler signed them tohis label immediately and two days later thegroup had a name The Mamas and the Papas
Released in 1965 The Mamas and The Papasrsquofirst single failed to garner much notice Howeverthe second single ldquoCalifornia Dreamingrdquo co-
written by John and Michelle Phillips reachedNo 4 on the charts The grouprsquos debut album If
You Can Believe Your Eyes and Ears was releasedin early 1966 and rose to No 1 quickly followedby the single ldquoMonday Mondayrdquo which also hitNo 1 and later won a Grammy Award for ldquoBestContemporary Group Performancerdquo
While The Mamas and The Papasrsquo personallives became increasingly turbulent over the nexttwo years their music continued to flourish they recorded three additional albums ndash The Mamasand The Papas Deliver and The Papas and TheMamas ndash that went ldquoTop 20rdquo and in turn yieldedseveral ldquoTop 20rdquo singles
In 1968 bitter infighting between memberscaused the group to disband Due to contractualobligations they reunited briefly in 1971 to makethe People Like Us album and then went theirseparate ways Cass Eliot had a flourishing solocareer that was cut short by her death in 1974
John Phillips continued to write songs and bothhe and Denny Doherty performed and recordedas solo acts In the 1980s and 1990s they occasionally reunited to tour as members of the
New Mamas and Papas John Phillipsdied in 2001 Denny Doherty died in2007 Michelle Phillips enjoyed a successful acting career and today isthe last surviving original memberof the group
Despite the grouprsquos short history TheMamas and The Papasrsquo musical legacy remainsundiminished the group was inducted into theRock amp Roll Hall of Fame in 1998 and received a
Grammy Hall of Fame Award in 2001 In 2003 If You Can Believe Your Eyes and Ears was ranked127 on Rolling Stone magazinersquos list of the 500greatest albums of all time
Delivered in a hardshell case eachD-28M Mamas and The PapasCustom Artist Edition guitar bears a special interior label featuring theldquosun rayrdquo graphic from the RouletteRecords label on which some of TheMamas and The Papasrsquo singles werereissued in the 1970s Each label ispersonally signed by former Mamasand The Papas member MichellePhillips and numbered in sequence
with the edition total Beginning immediately authorized C F Martindealers will accept orders for theD-28M Mamas and The PapasCustom Artist Edition until all 100guitars in the edition are allocatedparticipating Martin dealers willthen be posted on theC F Martin website
wwwmartinguitarcom
33
S A M P L E
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L O N D O N A C O U S T I C G U I TA R S H O W
Acoustic guitar aficionados attending The London
Acoustic Guitar Show were treated to presentations
that showcased Americarsquos favorite musical instrument
brand and featured musical vignettes by legendary
and influential guitarists Stefan Grossman and
John RenbournThe presentation was given by Dick Boak archivist for Martin
Guitar who offered a graphical and interactive history of the 178-year-old guitar company In addition Dick displayed severalimportant examples in the evolution of Martin acoustic guitarsThe presentation focused on the development of the modern
acoustic guitar Martinrsquos historical contributions to the definitivacoustic guitar design artist signature model collaborations an
an in-depth explanation of specific guitar shapes sizes andtonewoods that lend themselves to particular musical genres JoRenbourn and Stefan Grossman legendary acoustic fingerstyleinnovators demonstrated the tonality of an assortment of Martinstruments including their own Custom Signature models
Martinrsquos UK distributor Westside Management was a primasponsor of the show and the host for the concert stage thatfeatured a stunning live performance by Renbourn and Grossm
Dick Boakrsquos presentation provided a template and proving ground for potential future presentations throughout the UniteStates Europe and Japan
THE LONDON ACOUSTICGUITAR SHOWSaturday and Sunday September 10-11 2011
Olympia Conference Center London
34
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Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
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M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
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The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
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M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
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M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
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Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
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M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
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Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
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A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
8102019 Vol_32pdf
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C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
8102019 Vol_32pdf
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P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
8102019 Vol_32pdf
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We are honored to have received thefollowing Players Choice Awards for 2011
bull GOLD AWARD for BESTDREADNOUGHT GUITAR (D-28)
bull GOLD AWARD for BEST MID-SIZEFLATTOP GUITAR (Eric Clapton
Signature Model)bull SILVER AWARD for GUITAR
OF THE YEAR (D-28)
bull SILVER AWARD for SMALL-BODYFLATTOP (00-15M)
bull SILVER AWARD for JUMBO GUITAR SIX or 12-STRINGS (Grand J12-40E)
bull SILVER AWARD for ACOUSTIC-ELECTRIC GUITAR (GPCPA1)
bull SILVER AWARD for TRAVEL GUITAR (LX1)bull SILVER AWARD for 12-STRING (J12-40E)
bull SILVER AWARD for OTHER STRINGEDINSTRUMENT (OXK UKE)
bull SILVER AWARD for STEEL STRINGS (FX)
Acoustic Guitar Magazine
7
Distorted StringsIt is quite difficult to comeup with ideas for string advertising Guitars are
much more visual MartinrsquosDick Boak (no strangerto illustration)conceptualized thisslightly hyperbolic
pencil drawing Dickrsquossuggested headlineldquoMartin Strings -
Exaggerate Your Tonerdquo
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Let Us In
A special benefit concert was held onNovember 7th at Nashvillersquos legendary
Ryman Auditorium The ldquoLet Us InrdquoNashville benefit was the kick off forNashvillersquos CMA Week Actor musicianand Martin guitarist Jeff Daniels hostedand performed at the event whichfeatured live performances by SarahDarling SHeDAISY Steel Magnolia PhilVassar Cheyenne Kimball Juliana ColeNikki Shannon Fernandez JordynShellhart Chuck Wicks Nancy SirianniSamantha Landrum and Blue Sky RidersEach artist performed an original versionof a Sir Paul McCartney song
Sponsored in part by Martin the event was filmed and recorded for a live DVDas well as a CD bearing cover art by PeterMax that will include extra contributedtracks from Tommy Emmanuel Timothy B Schmidt Mark Hudson Laurence
Juber Denny Seiwell and Ricky SkaggsThe Women and Cancer Fund is a not-
for-profit charity led by Dr Alicia Alvarezand established in the memory of Linda McCartney Sir Paul McCartney has givenhis ldquowhole-hearted blessingrdquo to ldquoLet UsInrdquo Nashville a campaign led by ReviverMusic to raise awareness and proceedsfor this charity which promotesprevention increases lifestyle awarenessenhances available health services andadvocates advanced breast cancer andchildrenrsquos cancer research
A Martin D-28 Dreadnought similarto the D-28 Sir Paul plays was donatedand signed by the participating artists forsubsequent auction to benefit The
Women and Cancer Fund
The Invention of the American Guitar
Peter Szego is spearheading new scholarship into the early history of the American guitar which will culminate in the publication of a book tentatively entitled ldquoC F Martin and the Invention of the American GuitarrdquoIn September 2011 Peter hosted a group from Martin on a tour of hisextensive collection of antique American guitars and banjos (1833-1860)
with a special focus on the earliest Martin guitars The publication of hisbook and the concurrent opening of a major museum exhibition is scheduledin 2013 Stay tuned
8
M A R T I N S T O R I E S
Above left to right) Michael Dickinson Amani Duncan Peter Szego Chris Martinand Charles Peischl Dick Boak is not shown because he took the photo
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Every good guitar like every good son and daughter
periodically goes home ndash or should go home ndash to the
place of its birth For Martin guitars thatrsquos Nazareth
Pennsylvania 18064 and Mother Martin is always gladto see the kids
Kidding aside there truly is a parental attitude at Martintowards every single Martin guitar ever made because nobody knows better than Martin the enormous skill patience andunrelenting adherence to quality standards that goes intobuilding a Martin guitar
Not surprisingly Martin cares as much about how you send yourguitar back to Nazareth as the reason why yoursquore sending it It isimportant to contact the Martin Customer Service Department inadvance to get a Return Authorization (RA) Number Simply call(610) 759-2837 and ask for a Customer Service representative
Irsquove shipped guitars to Martin for years and never damaged a one in the process Not even a scratch Herersquos how I do it
De-tune the strings with just enough tension to keep the bridgepins and saddle securely in their slots If there are electronicsremember to remove any batteries to make sure that they do notbecome loose during shipping Also and very importantly removethe endpin Some people remove strings bridge pins endpin andsaddle (if itrsquos a removable type) put them in an envelope and put theenvelope in the string pocket of the case Thatrsquos fine but make surethat the envelope is securely packed with wadded tissue paper on topof it so that it doesnrsquot shake itself or its contents out of the string pocket and wreak havoc on the guitar
C A R E A N D F E E D I N G
Shipping Your Guitar
Home To Mother
BY BILL BUSH
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Next buy a box of stringed paper tags Print your nameaddress telephone number and e-mail address on one side of the tag on the other side print the Martin model number andserial number Fill out two tags Attach one tag to one of the
tuning machines attach the second tag to the case handle Why If anything happens to the shipping labels in transit thereis a record of you as the owner in two places within the box
Also purchase a package (or two) of plain soft tissue papersheets used for gently wrapping gifts inside a gift box Itrsquos very soft paper and wonrsquot scratch delicate lacquer Do not stuff thecase interior with newspaper
You want to be sure that the guitar is snug in the caseespecially the headstock Wad up enough tissue paper to supportthe headstock ndash top bottom and sides The entire headstock
well of the case should be filled as well as the space above theheadstock (and front of the headstock) You can also tuck tissuepaper on the fretboard near the nut You want to prevent the
headstock from whiplashing forward and backward which ishow a lot of necks get cracked
You also want to gently stuff the sides and lower bout of the guitar(where the back strip is) and around the neck heel so that there is noshifting frontward or backward In short you want to make theguitar inert (motionless) within the case No movement whatsoeverin any direction About the case No guitar should be shipped inanything but a hard case Ever Martin offers a thermoplastic hardcase (which is tough as nails) as well as black vinyl covered plywoodand plush ldquoGeib-stylerdquo hard cases They come in various model sizesand fit quite snugly
Original Geib hard shell plush cases are still floating aroundout there from the 60s as are other vintage Martin hard casesalthough none are as snug as the present variety ndash and snugnessis critical when shipping a guitar
The best shipping box for Martin guitars is the same shippingbox Martin uses to ship their new guitars to dealers Just callyour local Martin dealer and ask if you can have a used Martinshipping box - and do it quickly before itrsquos thrown out or beforesomeone else gets it Theyrsquore good as gold
About packing the case in the shipping box UPS and officesupply stores sell bags of Polystyrene foam shipping ldquopeanutsrdquoSprinkle a layer of peanuts in the bottom of the shipping boxplace the packed guitar case in the box and carefully fill-in arouthe case to the top of the box Like the guitar in the case you
want the guitar case itself to be inert in the shipping box Tapethe top and bottom box flaps with lots of wide Scotch Strappingtape (the strongest) Then use clear Scotch packing tape to cover
handwritten ldquoTo amp Fromrdquo self-sticking label in the corner of thbox top UPS amp Fed Ex have their own self-sticking labels as we
You can cover the address with clear tape but NOT the bar codThe shorter shipping time the better UPS and Fed Ex offer
Next Day Air but itrsquos expensive They also ship Ground but besure you know how many days it takes to arrive in Nazareth andship early in the week so that your guitar does not sit in a hotshipping container or parked truck over the weekend
Lastly make sure you insure your guitar Some shippers willonly insure guitars for a limited amount Others will insure onthe basis of declared value of the instrument Itrsquos not cheap but i
worth it if you love your guitar Mother will approve
De-tune
the strings(and remove
the endpin)
Fill outtwo tags
Purchase a
box of stringed
paper tags
Packing The case
should be completely
filled with tissue paper
About the caseAlways ship in a hard
case No exceptions
8102019 Vol_32pdf
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C F Martin amp Co offers guitars to fit every preference and
budget but knows guitar dreams have no limits For
those whose guitar ideal canrsquot be found among the more
than 120 models Martin currently makes and who want toconceive their own unique perfect guitar Martin has
created a special place Itrsquos called the Custom Shop and it
is where guitar dreams come trueSituated on the production floor the Custom Shop is a dedicated
space with several workbenches assorted jigs and a range of racks andshelves for ldquoworks in progressrdquo Here just over a dozen of Martinrsquosmost experienced craftspeople build ndash one at a time and mostly oneof a kind ndash masterpiece acoustic guitars
ldquoThe Custom Shoprsquos goal is simply to build the best acousticguitars in the worldrdquo commented Fred Greene Martin Vice Presidentof Manufacturing ldquoWhether itrsquos an individualrsquos vision of a great
instrument a uniquely appointed model one of our dealers thinks will appeal to his or her clientele or a guitar wersquove conceived toshowcase artisan building each Custom Shop instrument is crafted asif we were making it for ourselvesrdquo
Custom guitars have been an element of Martin productionsince the company was founded in 1833 A number of Martinguitars from the 19th and early 20th century show customfeatures and custom Martins from the 1930s through the 1950shad an ldquoSrdquo suffix on the neck block model number to indicatetheir custom (or ldquospecialrdquo) status In the 1980s and 1990scustom Martinsrsquo neck blocks were simply stamped ldquocustomrdquo But
The Custom Shop
Bringing your
Guitar to LifeBY MARSHALL NEWMAN
Great sounding Custom Shop guitars donrsquot need to be fancy but if
you want to go that route Martin can certainly accommodate you12
C A R E A N D F E E D I N G
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until recently all custom Martins were built on the main shopfloor alongside their non-custom siblings
The concept of a separate stand-alone Custom Shop began to gainmomentum approximately 10 years ago but didnrsquot come tofruition until 2005 ldquoWe had a custom administrator who handledand followed custom orders on the shop floor but knew we could
do morerdquo Greene recalled ldquoIn 2005 I proposed we create a separate custom area with a separate workforce with the capability to handcraft unique instruments using traditional techniques ndash likecarving necks by hand and hide glue construction - that didnrsquot lendthemselves to our standard production process We started theCustom Shop with a staff of five it began by building the Authenticline and slowly took on custom buildingrdquo Today the Custom Shophas a staff of eleven plus three design consultants who work withcustomers dealers and builders to assure Custom Shop instrumentsare everything they can be
ldquoThe number one challenge of the Custom Shop is timerdquoGreene noted ldquoIt takes time to build instruments of the quality Custom Shop customers demand to hand-carve the necks to cut
the pearl to shape the braces and all the rest In the Custom Shop we take whatever time is needed to make these instrumentsexceptional Judging by the number of orders theCustom Shop receives people recognize the value of
what we are crea tingrdquoldquoThe Custom Shop team includes several of
Martinrsquos most experienced builders The average tenure with Martin is 25 years and there are a few who areapproaching the 40-year markrdquo Custom Shop guitarsare built almost entirely by this small staff in theCustom Shop only operations requiring largespecialized equipment ndash like side bending andfinishing - are done on the main shop floor
While all orders for Custom Shop guitarsmust be made through authorized C F Martinamp Co dealers prospective Custom Shopcustomers now have a great tool they can utilizeto design their dream guitar the Custom GuitarConfigurator Accessible on-line at
wwwmartinguitarcom the Custom GuitarConfigurator lets the user ldquovirtuallyrdquo create a guitar from a range of Martinrsquos most popular options see their creation and get a suggestedretail price quote The information then can be printed out for useas a reference during the order process
13
The Custom Shop offers a remarkable range of options(actually more than shown in the Configurator) sizes body styles scale lengths tonewoods neck profiles appointments
inlays and more Are there limits to what the Custom Shop wibuild As they sometimes say in the Custom ShopldquoWe try to never say ‛norsquo we only say ‛how muchrsquordquo In truth
there are some projects Martin wonrsquot tackle among themreplicating a Martin Custom Artist model or SignatureEdition (to respect the artistrsquos vision for hisher guitar) and
building with customer-supplied wood (which may not matchMartin specifications or standards)The Custom Shop even allows customers to come by the factory
to select the specific tonewood set for his or her guitar from Martinextensive inventory ldquoAt first it was just Martin dealers but now weare seeing individuals stop byrdquo observed Greene ldquoThe opportunityto select the set of Madagascar rosewood or flamed mahogany oranother tonewood that will become a Custom Shop guitar makesthat guitar an even more personal statementrdquoDespite its limited production and brief history the Custom
Shop has produced an impressive array of guitars Ordersoften include unusual tonewood combinations special
neck configurations or custom inlays A CustomShop guitar generally takes four to six months tobuild after details have been finalized dependingon the current workload and the complexity of theorder guitars featuring special design elements
andor custom pearlwork can take longer Whetherplain or fancy each completed Custom Shop guitar
is identified by the laser-etched Custom Shop logoon its neck block
In early 2011 the Custom Shop introducedtwo limited-production CS models the first
of a series of Custom Shop instruments that will be available for only one calendar year(or less if demand is overwhelming as wasthe case with the CS-21-11 model) ldquoThe CS
models express C F Martinrsquos spirit of adventurerdquo explained Fred Greene ldquoThese
short exclusive runs of g uitars allow us to introduceexciting new ideas that might eventually be looked upon asclassics At C F Martin amp Co heritage and creativity arenrsquotmutually exclusive and these CS guitars are the proofrdquo Readyto create your one-of-a-kind Martin guitar Good The CustomShop is ready for you
In creating your Custom Shop Martin you may choose from a wide array of tonewoods body sizes appointment levels and customized inlay sty
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Adjusting the truss rod with a special long Martin Allen wrench
Guitars are made to be played and the easier they are to
play the more pleasure they bring their owners The
action ndash the distance between the strings and the
fingerboard ndash should be just right and thatrsquos the reason
every guitar deserves a good set-upFundamentally guitar set-up is simple geometry adjusting
the guitarrsquos neck nut saddle and (occasionally) frets to put theaction at an ideal level - not so high as to be difficult to fret and notso low as to cause string buzz
C F Martin amp Co sets up every guitar it builds before it leavesthe factory Most Martin guitars built in Nazareth are set up using a PLEKreg Pro machine which scans the nut fingerboard and saddle
with a sensor compares the scan with optimal values and thencuts the nut slots contours thesaddle and polishes the frets toan accuracy of 11000 of aninch If necessary minor saddleand nut touch-up and truss rodadjustment are done by hand
when the guitar is strung A fewMartin guitars - primarily Custom Shop instruments -continue to be set up by hand
Even an acoustic guitar with a
good factory set-up may need tobe set up again within a few years according to Lon WernerMartin Customer RepairManager ldquoThe wood in a guitarcan take up to five years to ‛settleinrsquo under string tension and a change in the action may necessitate a fresh set-uprdquo Theownerrsquos playing style and
The LowdownBY MARSHALL NEWMAN on Set-up
Checking neck relief during final setup
14
C A R E A N D F E E D I N G
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technique also may dictate whether a fresh set-up isneeded ldquoA fingerstyle player
with a light touch might wantthe action lowered while a flatpicker may need the actionraisedrdquo Indeed an individualrsquosplaying style and technique are
information a repairperson will want to know to do the bestpossible set-up
So can you tell if your guitarneeds a set-up Begin with theobvious If your guitar hasbecome very hard to fret itprobably needs a set-up If thestrings buzz either open orfretted it probably needs a set-up If its intonation is way offit probably needs a set-up
A few simple diagnostic testsalso can help determine
whether a set-up is neededCheck the neck relief by fretting the low E string simultaneously above the firstand below the 13th fret thegap between the string and the6th or 7th fret should beslightly more than the thicknessof a business card Checkaction at the nut by fretting each string between the second
and third fret there shouldbe daylight between eachstring and the first fret a gapapproximately the thicknessof a sheet of paper at thehigh E and slightly more at thelow E Check the height of theaction with a machinistrsquos rulerat the 12th fret the distancebetween the fret and the string should be approximately 232-332 of an inch on the trebleside and 332-432 of an inch
on the bass side A goodelectronic tuner can be used tocheck intonation on eachstring by playing the openstring and then playing theharmonic of the same string atthe 12th fret
A lot of guitarists may betempted to do their own set-upbut Dave Doll of Martinrsquos
Customer Repair Departmentcautions against it ldquoItrsquos like a doctor educating a patient onhow to recognize symptoms thpatient may know he has a problem but he still should goto the doctor to have thatproblem fixedrdquo he commented
ldquoEven a simple set-up can bedaunting unless you know whayou are doing you may well domore harm than goodrdquo Lon
Werner was more specificldquoWhile preliminary evaluationmay suggest a set-up is neededthe symptoms also can beindicative of a much moreserious problem When theMartin Customer RepairDepartment receives a guitar
we give it a thorough going-over from headstock toendpin If the bridge is liftingor a brace has pulled loose orthe neck needs a reset (justthree examples) that is a problem that has to be dealt
with for a set-up to bebeneficialrdquo Not everyonelives so close to Nazareth tohave their Martin guitar
worked on at C F Martin amp Cobut there are more than
150 Martin Service Centersthat can give that guitar thecare ndash whether a set-up orsomething more ndash it deservesShould you happen to visitNazareth or live nearbyC F Martin amp Co offers a very cool opportunity to learnabout guitar maintenance fromsome of the best in thebusiness Every Friday from11 am until noon theCustomer Repair Departmen
hosts a guitar care seminarduring which it demonstratesthe basics of guitar careincluding some of theelements of set-up (like trussrod adjustment) The guitarcare seminar is free noreservation is needed andit is a great way to learnhow to keep your Martinin peak playing condition
15
Checking the relief of the neck
Checking the action at the nut
Checking the action at the 12th fret
Adjusting the truss rod with a long Martin wrench
truss rod wrench
hole in brace
truss rod location
gap between bottom of string
and top of fret at the 12th fret
gap between bottom of string
and top of fret at the 1st fret
with string depressed
gap at the 6th or 7th fret with string
depressed at 2nd and 13th frets
exaggerated neck relief
frontblock
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All-Star MUSEBenefit Concert
The All-Star MUSE BenefitConcertat the Shoreline Amphitheater inMountain View California supported Disaster Relief in Japanand Non-Nuclear Groups
Worldwide Featured artists includedCrosby (with his Martin Signature 12-string) Stills amp Nash Jackson BrowneBonnie Raitt Jason Mraz The DoobieBrothers Tom Morello John HallKitaro Sweet Honey in the Rock and
Jonathan Wilson
A R T I S T P R O F I L E S
Hollywood Bowl 2011Dolly Parton with her touring guitaris
Jim Salestrom who is playing hisMartin J-40 Dollyrsquos World Tour
thrilled attendees at the HollywoodBowl Saturday July 23 2011
DonavanFrankenreiterDonavonrsquos fourth studioalbum Glow is describedas ldquowarm organic andoverwhelmingly hopeful Theperfect antidote to trying timesrdquo Hersquos playing his triedand true Martin 000-18 Shawn Colvin
Shawn Colvinrsquos new Live album wasnominated for the Grammy Awardfor Best Contemporary Folk Album
Accompanied with her pristineM3SC Signature Edition findShawnrsquos enduring music on iTunes orat amazoncom
16
oto by Lynn Goldsmith
P
h o t o b y L y nn G ol d s mi t h
8102019 Vol_32pdf
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Ron Davies(1946-2003)
A songwriter fromthe pacific northwestRon Davies at 17bought a well worn1956 D-18 Martin
which he put to gooduse writing an entirealbum of songs forthe Seattle band ldquoThe
Wailersrdquo As an artisthe recorded fivealbums during hislifetime but he isbest remembered forhis songwriting
His songs have been covered by a diverse group of artists that include Joan Baez David Bowie (Ziggy Stardust) Long John Baldry Ann Murray Three Dog
Night Nitty Gritty Dirt Band Helen Reddy Jerry Jeff Walker Maria Muldaur Joe Cocker Randy TravisNanci Griffith and the Raconteurs to name a few
In 2011 friends in the pacific northwest cametogether to record ldquoThe Mystery of Ron Daviesrdquo a tribute CD containing eighteen of Ronrsquos songsperformed by artists from his hometown and one by Davies himself Available on iTunes and at CD Baby allof the proceeds will benefit ldquoMusic Caresrdquo
Leslie TuckerLexington Virginia-based singersongwriter Leslie Tuckerrecently received the gift of a Martin D-41 from a legion of her fans and she plans to use her new acquisition in theproduction of a new album project currently in progressalong with a tour of performances when itrsquos released Tune into wwwleslietuckercom for updates
Santa Cruz Blues Fest 2011Some of the worldrsquos finest guitarists including Jonny Lang were on hand to salute guitar legend JimiHendrix at this yearrsquos Santa Cruz Blues Fest 2011
Jonnyrsquos playing his Martin J-40 Jumbo
Sting
17
Early StingFrom Andy Summers groundbreaking book Irsquoll be watching you Insidethe Police 1980-1983 Police guitarist and professional photographer
Andy Summers captured Sting with his Martin D-28 in 1982
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Fast AJ AJ Rubino of SpringfieldMassachusetts has beenperforming folk and country music for nearly fifty years ndash
much of that time with his1975 Martin D-35 slightly customized with fingerboardinlay by luthier Harry BeckerThis photo will grace the cover of AJrsquos forthcoming CD
He is a loyal member of the Martin Ownerrsquos Club andowns several other Martin guitars The tree AJ is standing in front of was destroyed by the tornado that hit WesternMassachusetts in June of 2011 but no one was hurt andall of the Martin guitars survived
A R T I S T P R O F I L E S
The Kingston Trio Fantasy Camp 2011
Winfield KansasFestivalrsquos Martin D-42
Allen Shadd began playing guitar when he was seven years oldacquiring his first Martin guitar -
a 1973 D-35 at the age of tenSince then he has gone on toperform in many bands guitar
workshops recording sessions and in 1997 released his own CDldquoA Cut Aboverdquo Allen also frequently competes in guitarcompetitions and has won some of the most prestigious flatpicking contests that have included Merlefest Rocky Grass and the WayneHenderson guitar competition He brought home this yearrsquos MartinD-42 from the National Flatpicking Championship held in
Winfield Kansas Itrsquos the sixth time Allen has placed in the topthree including his first place finish in 1997
18
wwwkingstontriocom
Caroline JonesThis NYC-based singer songwriterguitarist and producer was trainedclassically by Andy Anselmo Founder
of New Yorkrsquos ldquoThe Singerrsquos ForumrdquoCaroline began singing opera ariascabaret standards and show tunes at agenine Under the management of Tommy Mottola and Chris Apostle shebegan recording her original songs withproducer Chris Toland at Sony and
Avatar studios in New York as a studentat The Professional Childrenrsquos SchoolIn 2008 Caroline began monthlyco-writing trips to Nashville where sherecorded with many of the industryrsquostop talents Since then she has been
performing and recording with herMartin 00-21 Kingston Trio modelthat pays tribute to original KingstonTrio member Dave Guard (1934-1991)
Shown above are Fantasy camp attendees each holding their Martin guitars (plus one banjo)
P h o t o b y J o h n L i n d
8102019 Vol_32pdf
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Dierks BentleyReaching deep into acoustic rootsmusic resulted in Dierks Bentleyrsquosnew album Up On The RidgeMore than a bluegrass concept
album with guests Up On TheRidge features Bentley working with some of the finest acousticmusicians in the world including long-time collaborators theDel McCoury Band and a new musical partnership with ChrisThile and the Punch Brothers Asa recent addition to the Martin
Ambassador ranks Dierkrsquos israrely seen without his prizedvintage herringbone D-28
Hawaiirsquos HirsquoikuaIn a culture that honorsthe legacies of the pastthis Hawaiian trio of talented musicians pays
homage to their roots while creating a uniqueand progressive soundthat leaves an indeliblemark upon contemporary Hawaiian music
In a seamlesscontinuous movement we all carry a past while living in thepresent and moving toward a future Hirsquoikuarsquos music reflectsthe belief that without asking the knowledge of our ancestorshas already been placed within us in the hope that we too
will shoulder that responsibility in an unbroken journey intothe future
Their music is composed and performed by Kalehua Krug (left with his Martin 12-string) Kamuela Kimokeo (above andcenter left with his Martin OMC Aura cutaway) and BlakeLeoki-Haili (right with Martin tenor ukulele)
The grouprsquos name derives from the Hawaiian word thatmeans literally ldquoto carry on onersquos backrdquo Hirsquoikua has taken thisresponsibility seriously
ldquoAia I Hirsquoialordquo the long awaited CD from Hirsquoikua featuressix original and six traditional songs
wwwhiikuacom J e r r o l J u l i a n P
h o t o g r a p h y
J e r r o l J u l i a n P
h o t o g r a p h y
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F R O M T H E A R C H I V E S
Waiting for the Sunday Boatrdquo by William Henry Jacksonrdquo Florida circa 1902Martin small-bodied parlor guitar
ldquoAs long as
Irsquove got my guitar
Irsquoll be finerdquo
mdash Willie Nelson referring to Tri
his legendary Martin guitar
HometownCentenarianMary Arletta Hahnis shown (right)
with her 00-1712-fret Martinguitar Mary was inher twenties whenthis picture was
taken (circa 1932)She was born inNazareth andturned 104 this pastSeptember Healthy small town living Shereceived her theology degree from the United
Wesleyan College but she also majored in voicepiano and guitar She would sing and play guitarin her fatherrsquos varied congregations Mary haslived her entire life in and around NazarethToday she lives just one block from where herguitar was made
1883 Advertisement
Gu i tar is t and Mando l in
is t
c irca 18 9 0
Guit ar ist and Mandolinist c ir c a 19 25
20
8102019 Vol_32pdf
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Ahh the sound of the Martin Rich and evocative Texture
lifeby strummingorpickingorthe lightesttouchtoteas
harmonicsthesoundmdashlikethehistoryofCF Martinamp C
peopleanda storyofthesensesHearitTasteitFeelitA
artist Robert Goetzl see it Seethe sound of the Martin
FEA TU R E
The Soundand the Story
Thehand drawnsketches (right)illustratethesix-panel seriesofthree-foot byfour-footmuralsthatwillhangintheMartinVisitorrsquos Center
BYSUSAN J BURLINGAME FREELANCE WRITER MARTIN
22
mdashC FMartin IVmdashcalls itldquothe magic ofFrom JohnnyCash to John Mayerand fromElvis Costello manyof historyrsquos mostbrilliantve chosen the Martin sound the Martin magicm the Martin storycontinuesMartin magic is mostprofoundly representedby n in the early1800s on the otherside of theour eyes fora momentand imagine ayoung king browfurrowed in concentration Heods the braces the strings of his firstguitarrtin has traveledfrom his home in Saxonytoe learns the artof guitarmaking as ane of the bestknown guitar shops in Europeg his 37th year C F Martinalong with hisdren sets outfor Americae story as theysayhellipis magicamp Co is still family-ownedmdashbutthe ldquofamilyrdquoh Martins and non-Martins generations of
ed arole in crafting the exquisite acousticrtin has offeredthe world formore than 175ertGoetzl a cousin to Chris Martinhas been create awork of art depicting C F Martin ampamily its sound andits storyeries of three-footby four-footmurals thatwillin Visitorrsquos Center the work says Goetzl is a love Chris Martin thatmuch He wasuential in mylife andthe opportunityto tellyauthentically is extremelymeaningful to merdquonels (pictured here)take viewers on CFfrom Saxonyto Viennato the newworld
ured as the music of the Martin guitar thensionalmdashdone in mixedmedia with collage andreating the firstpanel was forGoetzl the biggest
23
challenge ldquoI realizedthe enormityof the projectmdashnotjust inscope butalso in importance to the familyand to the thousandsof people who wouldbe looking atitrdquoGoetzl labored andsecond-guessedand tweakedand proddedbefore finally unveiling itto Chris Martin andothers at Martin ldquoThe lookson theirfaces toldme I had naileditrdquo Panel numbertwo which illustrates the Martin familyrsquosinitial shopin New York andthe move to NazarethPennsylvania causedGoetzl much less consternation butequallyas much joy he says as will each successive mural ldquoIf this is the endof the roadfor me the lastwork I evercreaterdquosays Goetzl (who surelyhas afew more decades ofcreativityleft) ldquoI wouldbe completely fine with thatrdquo
ldquoRobert has put his heart into
creating something that will
make a tremendous addition
to the Martin experiencerdquo
mdash Dick Boak Artist Relations C F Martin amp Co
Tex Fletcher
SingingcowboyTexFletcher maynot
have become the household name that
other cowboy singers from the 1930s
such as Gene Autry and Roy Rogers had
butdespitesometimes overwhelming
odds hersquosbeen remembered nonetheless
forhis noteworthycontributionsto earlyand
mid-20th century cowboy culture
He was born Geremino Biscegliain 1910 in HarrisonNew York the fifth of eight children of Italian immigrants Michael(astone mason)and Josephine Bisceglia He leftschool afterthethirdgrade to work with his fatherandbrothers He was raisedin a musical householdand he learnedto sing andplay traditional Italian songs accompaniedby accordionsmandolins andviolins
Jerrypicked upa fewguitar chords froma local right-handedguitarist butbeing left-handed he retaughthimself to playhisown right-handedguitarldquobackwards andupside downrdquoas he wouldlater explain with achuckle
He became enamoredwith the silver screen cowboys of theday often sneaking into the local cinemaforshowings of thelatestsilent picture starring TomMix WilliamS Hartand YakimaCanutt
Overthe nextfew years the teenagedcowboy wannabe beganto realize his boyhoodambition as he learnedto handle horseandcattle byday while soaking upcowboy lore andcampfiresongs bynight in effectbecoming aldquorealrdquocowboy Asinging cowboy Unique stuff forthe late 20s He returnedto NewYork in 1931 with aconfidence anda newfoundvoice With saddle bags full of cowboy stories andsongs the cowboysingerwas now going bythe name Tex Fletcher He began entering andwinning localthen regionaltalentshows Fletcherrsquos confidence grewwith each winning purse as was evidencedbyhis every growing wardrobe of
cowboyoutfits andhis first Martin guitar a000-45 He neverplayedanother companyrsquos guitars again believing the leastexpensive Martin guitarwas headand shoulders aboveanyother companyrsquos bestHistory has clearlymade fora compelling argument Itwasnrsquotlongbeforehereceivedan offerofa radiojobas asinging cowboyoverWFASinWhitePlainsNewYorkBy1934 attheheightofsingingcowboycrazeFletcherbegana relationshipthat wouldlastmorethan 25yearsbroadcastingoverWORNew YorkNewJersey(MutualNetwork)Itwas thesameyear thathebeganappearingatthe VillageBarnnightclub(whichwouldlaterbecomeJimiHendrixrsquosElectricLadyland)inGreenwichVillageNYagig thatlastedwell intotheearly1960s
1934 was also the yearTexorderedhis custommade MartinD-42Hersquodadmiredthe pearlygoodlooks and loudtone of Gene Autryrsquos D-45 (the firstD-45) butwanted an instrumentthatw ouldbe uniquelyTexFletcherrsquos guitar But he wasnrsquotthe onlycowboysinger who wantedto follow in Autryrsquos trail Milwaukee -based Jackie ldquoKidrdquoMoore beathimto the punch when he ordered his own D-45 (No 2)fromMartinBut according to authorMartin researcherJohn Woodland amisunderstanding with regardto neck length ledMartin to shelve the unfinished14 fretto the body D-45Moore then optedfor awider OMstyle neck with 12 frets tothe body This D-45 is No3 Then along comes NewYork radio cowboyTexFletcherwithhis own ideaof whatfeatures ldquohisrdquoguitar shouldsportincluding 14 frets to the body which alignedperfectly with the
partiallyconstructed D-45 (No2) buthe wanted all the flashupfront So insteadof proceeding to finish the guitaras aD-45Martin craftsmen changedthe toprsquos bracing to aHigh ldquoXrdquoconfiguration anddesignated this slightlymore modestcousinof the D-45the D-42 So the TexFletchermodel is not only the firstD-42butalso the secondD-45Itremainedthe only example of the D-42 forthe next54 years
Fletcherhadbeenout ofthe musicbusinessforjusta fewyears whenhe wastrackeddownin theearly1970sby then-MartinhistorianMikeLongworthwho convincedthe oldcowboytodonatetheinstrumenttothe MartinMuseumFletcheragreedandthatrsquoswhereitresidesto thisdaydisplayedjusta fewfeetfromitrsquosfirstcousintheGeneAutryD-45 (No1)
21 24
N EW PR O D U CTS
NEW A DDITIONS TO
OUR LINEUP OF
Great Ukuleles
The Martin Standards of Tone and Workmanship Prevail
C1K amp T1K UkulelesMartin has been building the worldrsquos finest ukuleles
from as early as 1916includingthesmallest Soprano
the original model to the larger Concert in 1925 and
the Tenor uke in 1929 Both the concert model and
tenor models havelong been prized for their full-bodied
voiceandgreatervolumeThesenewC1Kconcertand
T1Ktenor modelsfeaturetops backsidesand head-
platesofsolidHawaiianKoaawoodnativeto Hawaii
and a favoriteof island players Both ukes feature solid
Sitkabraces genuinemahoganyblocksand applied
dovetailneckjointsintheMartintraditionNecksare
craftedofselecthardwoodandcappedwithasolid
Morado fingerboardtheconcert has a 15rdquoscalelength
thetenor a 17rdquoscaleBridges arealso ofsolid Morado
with whiteTusqsaddles Open-geared nickel tuners with
whitebuttons ensureprecision Finished in high quality
satinlacquerPadded bagincludedTwo beautifulexam-
ples of why Martin is still the name in superior quality
ukuleles
ldquoAs far as inanimate objects
being friends I think that is right
on the list My Martin ukulele
is a work of art Itrsquos going to live
long after merdquo
mdashEddieVedderPearl JamUkuleleSongs
T1K
C1K
8102019 Vol_32pdf
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Clock key mechanism for
adjustingguitar necks on
Martinrsquos earliest guitars
manufactured in New York
ImaginedMartinfamily portrait
CircaSeptember1833mdashat the
timeof theMartinsrsquotransatlantic
journey to the New World
Mappointingto
Markneukirchen the
main town in Germanyrsquos
musicalinstrument-
makingregion
Embellished original
drawingofCF Martinrsquos
residencein
Markneukirchen
Saxony (Germany)
Thesa
carries
North
specta
showe
Harbo
Imagin
CFM
Hudso
Depic
mold
a Mart
glueu
NEL ONE 2 bull PANEL TWO
Rende
home
in Che
Circa1
Portra
presid
when
arrived
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
OM -21 NEW Martinrsquos OM (Orchestra Models)
guitars have always been very
special to fingerstyle guitarists
especially this new OM-21 with its
comfortable 1-34rdquo wide neck at the
nut and highly responsive 14rdquo
scalloped Sitka top braces Elegant in
its simplicity this new version offers a
tasteful upgrade of solid black ebony
fingerboard and 30rsquos style ldquobellyrdquo
bridge with genuine bone saddle and
nut all adding to the rich resonance of this guitar Whatrsquos more wersquove
replaced the standard OM neck with a
slimmer ldquoPerformingrdquo Artistrdquo modified
low oval profile tapered neck and
wider 2-316rdquo bridge string spacing for
faster more comfortable playing The
solid Sitka spruce top with
hand-inlaid 28 style
rosette is joined to a
body of premium
solid East Indian
rosewood bound intortoise colored
18 style binding
Delmar tortoise color
pickguard nickel
open-geared
tuners with
Butterbean
knobs and
polished gloss
lacquer with
aging toner
complete this
beautiful
instrument
Delivered to you in the
new Martin 433 archtop
hardshell case If yoursquore a finger picker this new OM-21 is
the one to pick
D-18 NEW Since its introduction in 1935 the D-18
has been the workhorse of the Martin steel
string acoustic line More plain and less
costly than its D-28 rosewood cousin the
D-18 has none the less established its own
tonal identity ndash balanced crisp midrange
definitive bass and bright clear treble a
favorite of innumerable bluegrass blues and
country performers as well as discerning
studio musicians ndash because it is a great
performing and recording guitar Over the
years the D-18 has seen numerouspermutations ndash the D-18V and D-18P ndash as
well as variations in bindings rosette
fingerboard amp bridge woods bracing
patterns and pickguards And now the
new D-18 brings together
the best features of all of
these great D-18s into
one superb sounding
and playing guitar On
the traditional side backs
and sides are still crafted
of solid genuineMahogany joined with a
solid Sitka spruce top
with forward-shifted
scalloped ldquoXrdquo bracing
The fingerboard
and 1930s style
belly bridge are
fashioned of
solid black
ebony as were
the originals
Whatrsquos new A
lightning fast modified low
oval profile neck with a
1-34rdquo nut width and slimmer 2-18rdquo taper at the 12th fret Itrsquos
the same neck featured on our innovative Performing Artist
series guitars with the same wide 2-316rdquo bridge string
spacing too for greater player comfort and accessibility up
and down the neck The new D-18 The perfect blend of past
and future ndash and great guitar to start the New Year
8102019 Vol_32pdf
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NAMM Show
Specials
N E W P R O D U C T S
2012 Martin Show Special Guitars
The DCPA Koa amp GPCPA Koa They donrsquot get any more beautiful ndash or more
beautiful sounding ndash than these spectacular
dovetail flamed Koa Performing Artist guitars
And with only a total of 30 instruments ndash
combined ndash being offered to dealers at the 2012
NAMM Show they donrsquot get any rarer either Here
wersquove chosen two of our most popular cutaway models in
the Performing Artist series the classic Dreadnought and
the Grand Performance and crafted the backs and sides
of premium Hawaiian flamed Koa a resonant tonewood
indigenous to the Hawaiian islands Koa has long been by
favored by native Hawaiian musicians for guitars and
ukuleles as well as discerning players and collectors
worldwide Martin in particular has built various sized
instruments of Koa from as early as 1850 The tops are of prized solid Adirondack Spruce as are the scalloped
forward-shifted ldquoXrdquo braces in the ldquoGolden Erardquo fashion The
bodies are bound with solid Madagascar rosewood the
top is inlaid in the 42 style with an elegant blue Paua
pearl rosette The backstrip is 45 style marquetry Both
guitars feature our fast and comfortable Performing Artist
modified low oval mahogany neck with ebony
fingerboard and
wide 2-316rdquo string
spacing on the
ebony Performing
Artist belly bridge And the
crowning touch both guitarsare equipped with the new
Fishmanreg F1 Aura + onboard electronics system the
ultimate in acoustic realism and projection as well as
pickup versatility Waverly gold tuners with Ivoroid
buttons complete the package Orders for the DCPA Koa amp
GPCP Koa will be taken solely from dealers in attendance
at the 2012 NAMM Show in Anaheim California
NEW TOOLS
for GREAT TONE
GPCPA Koa
DCPA Koa
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
DCPA1 Madagascar Rosewood ampGPCPA1 Madagascar Rosewood
These two very special dovetail Performing Artist
guitars reflect the best of Martin innovation expert
craftsmanship and selection of superior tonewoods ndash
all in one As PA series models Dreadnought and
Grand Performance they include a unique slim
tapered fast neck for exceptional player comfort in
all positions a smaller and lighter PA ldquobellyrdquo bridge
for greater tonal response and increased string
spacing for easier finger picking They also
include the new state-of-the-art Fishmanreg F1
Aura + onboard electronics system that deliver
striking acoustic realism and projection
Plugged in or pure acoustic these are great
sounding guitars ndash and with good reason The
tops are solid Adirondack spruce pearl inlaid inthe 41 style and driven by 516rdquo Adirondack
scalloped braces forward-shifted in the ldquoGolden Erardquo X
pattern The back sides and headplate are Madagascar
Rosewood selected for its beauty and close acoustic and visual resemblance to
Brazilian Rosewood Solid black ebony is used for the fingerboard and bridge
Details include grained Ivoroid bindings Delmar beveled tortoise color pickguard
special ldquoalternative torchrdquo inspired position inlays gold enclosed tuners bone nut
and saddle The most distinctive Performing Artist production models to date
Fishmanreg F1 Aura + The Fishmanreg F1 Aura + features a newsimplified and intuitive Easy Mode allowing youto quickly get a feel for the tonal possibilities ofthe system while providing the most importantfeatures The Easy Mode offers three custom-blended Aura Image presets tone control and
the option of using the undersaddle pickuponly For the real tone-tweakers wersquove retainedthe original Performance Mode as well givingyou full access to the powerful 3-band EQscompressor and automatic anti-feedback ofthe F1 Aura +
Performing
Artist SeriesDCPA1
Madagascar
Rosewood
GPCPA1
Madagascar
Rosewood
8102019 Vol_32pdf
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N E W P R O D U C T S
Performing
Artist Series
Martin introduces an exciting
new tonewood called Siris
DCPA4 Siris amp
GPCPA4 Siris
With these two new
Performing Artists guitars
Martin introduces an exciting
new tonewood called Siris
adding even more tonal color
and variety to the PA series Siris
delivers excellent bass response
reminiscent of East Indian rosewood as
well as a clear midrange and treble making it an
excellent guitar wood for recording and for playing live Lighter in color
yet denser than rosewood it produces a slightly longer sustain thanrosewood Siris is typically dark orange contrasting beautifully with the
Sitka Spruce tops tortoise colored pickguards grained Ivoroid bindings
and special East Indian rosewood center wedge on both guitarsrsquo 3-piece
backs The DCPA4 Siris and the GPCPA4 Siris are 14-fret cutaway guitars and
have fast comfortable Performing Artist profile necks Hybrid ldquoXrdquo scalloped top
bracing black Richlite fingerboards and bridges and Fishmanreg F1 Analog
onboard electronicsGPCPA4 Siris
DCPA4 Siris
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Over 175 Years of Guitar Building Excellence
The GPCPA4 Sapele is constructed with
FSCreg Certified tonewoods harvested from
ecologically sound and responsibly manag
forests The fingerboard and bridge are
built with FSCreg
Certified Richlitereg
29
GPCPA4 SapeleFirst introduced in 2010 the GPCPA4 is an extraordinary Martin ndash a
big Grand Performance cutaway with a fast comfortable Performing
Artist Series high performance neck But this brand new version ndash
the GPCPA4 Sapele ndash is extra special It rsquos built with FSCreg Certified
tonewoods harvested from ecologically sound and responsibly
managed forests This includes African sapele back and sides
mahogany front and rear blocks cherry side strips Spanish cedar
ribbons and European spruce Hybrid ldquoXrdquo scalloped bracing The top
is FSCreg Certified recycled Sitka spruce produced from old bridge timbers in Canada
Even the fingerboard and bridge are crafted of FSCreg Certified Richlitereg material High
polished gloss top finish with tasteful Cherry red toned back and sides Fishmanreg F1
Analog electronics are included with volume and tone shaping capabilitiesonboard digital tuner and phase control Quite a
package Quite a guitar
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N E W P R O D U C T S
DCPA5K and GPCPA5K
Advanced guitar design meets high-
tech guitar construction The result
two highly affordable Performing
Artist guitars with excellent tone
playability and durability Back
and sides of the cutaway
Dreadnought and Grand
Performance models are made
of a high-pressure wood fiber
laminate (called HPL) with
Koa grain and texture photo-
imbedded The top is solid Sitkaspruce braced with Martinrsquos Hybrid ldquoXrdquo
scalloped bracing system renowned for its
resonance clear treble and distinct bass The Performing Artist Profile neck is
slim and fast and comfortable made of tough Stratabondreg multi-layered
wood laminate Performing Artist bridge and fingerboard are black Richlite
Chrome enclosed tuners with large buttons and Fishmanreg F1 Analog
onboard electronics included A terrific value with great tone and
environmentally friendly
Performing
Artist Series
The DCPA5K and GPCPA5K
are Performing Artist guitars
with excellent tone playability and durability
GPCPA5K
DCPA5K
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Road Series
31
Over 175 Years of Guitar Building Excellence
Special Edition
DRS2 The latest of Martinrsquos hard-working
great sounding Road Series guitars
the new DRS2 delivers a unique blend
of durability and concert-quality
sound and projection The top is
crafted of solid Sitka spruce and
braced with Martinrsquos A-Frame (X1)
bracing Back and sides are select
solid Sapele similar in look and
tonal qualities to its
close cousin
mahogany As
beautiful as it looks
and sounds the
DRS2 is a serious
working musicianrsquos
guitar built for on
the road durability
without sacrificeof tone The
neck is
constructed
of a multi-
layered
wood
laminate
called
Stratabondtrade
that perfectly
simulates natural
quartersawn wood grain The fingerboard and bridgeare crafted of black Richlite amazingly similar in look
weight and resonance of ebony A Fishmanreg
Sonitone sound reinforcement system completes
this very road ndash and stage ndash worthy Martin
000C NylonIn response to the many Martin players
who chose the limited edition 000CDG
built in memory of Chris Martinrsquos late
brother Doug Greth we have
expanded upon this unique ldquocrossoverrdquo
instrument with the new 000C Nylon It is
truly a hybrid instrument combining features
of a traditional Martin steel-string guitar with
those associated with a classical nylon string
guitar The top is crafted of solid Sitka spruce
and braced with a unique A-Frame ldquoXrdquo brace
system Yet this bracing system is equally
responsive to lighter nylon strings without
inhibiting tone or volume The 12-fret low
profile neck features an 18rdquo radius arched
(versus flat) fingerboard like a steel string
but with a classic width 1-78rdquo at the nut and
2-516rdquo at the 12th fret The bridge is in the
classic style with tie block and drop insaddle Bridge string spacing is a
wider 2-516rdquo as well Even the
000Crsquos headstock is unique ndash
square tapered like the
traditional Martin steel
string style but slotted to
accommodate classical
nylon strings Each guitar is
fitted with onboard Fishmanreg
F1 Analog electronics too
The result A versatile
great sounding andplaying guitar no
matter whether you
play acoustic or
acoustic electric
or both
8102019 Vol_32pdf
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D-28M Limited Edition Celebrates
The Enduring Music and Legacy ofThe Mamas and The Papas
The appointments on the D-28M Mamas and ThePapas Custom Artist Edition emulate a circa 1960sD-28 blackwhiteblack top purfling blackwhiteback purfling grained Ivoroid binding and heelcapldquocheckerboardrdquo backstrip mother of pearl dotposition markers chrome Groverreg Rotomatic tunerstortoise-colored pickguard polished gloss lacquerfinish and vintage-inspired aging toner on the topExtra flash comes in the form of a Style 45 abalonepearl rosette and abalone pearl-topped bone bridgeand end pins
The guitarrsquos crowning glory is ndash appropriately ndashon the polished black ebony headplate Above
the nut sheltered by the familiar gold old-styleldquoC F Martin amp Co Est 1833rdquo decal logo is a silhouette of The Mamas and The Papasbeautifully inlaid in mother of pearl Derivedfrom a photo by Henry Diltz the inlay capturesthe group in full performance mode
In the early 1960s the four musicians whobecame The Mamas and Papas were a long way from pop music stardom though all wereinvolved in the East Coast folk music scene
John Phillips was a member of the JourneymenDenny Doherty and Cass Elliot sang with theMugwumps After the Journeymen broke up
John Phillips his wife Michelle Phillips andMarshall Brickman formed the New JourneymenMarshall eventually left the band but went on toco-write Oscar winning screenplays with Woody
Allen and he co-wrote the book that became therecord-breaking play ldquoThe Jersey Boysrdquo
Marshall Brickman was replaced by Denny Doherty and soon Doherty introduced hisbandmates to Elliot The four began harmonizingto the pop songs John was writing and perfectedtheir sound during a Caribbean vacation together
The starting point for The Mamas and the Papasrsquofresh pop sound was the folk music all fourmembers played before they got together as a group Songwriter and leader John Phillipsrsquo well-
worn Martin Dreadnought often provided thestrummed rhythmic underpinning on which TheMamas and Papasrsquo band instrumentation andvocals were layered The combination proved tobe genius and even today The Mamas and thePapas ldquosoundrdquo is instantly recognizable
To celebrate the group and its place in popmusic history C F Martin introduces a very
special D-28M Mamas and The Papas
Custom Artist Edition Limited to just100 instruments this new Custom Artist Edition features rare tonewoodshandsome appointments and aunique headstock inlay to honorthese musical trailblazers
John Phillipsrsquo vintage Martin D-28provides the inspiration for this Custom Artist Edition The tonewoods and top
bracing are a stellar combination thatapproximates those of MartinDreadnoughts from the early 1930sBack and sides are rare Madagascarrosewood similar in appearance andtone to the now endangered Brazilianrosewood The top is Carpathianspruce comparable in power andbrilliance to Adirondack spruce andequally responsive Advanced ldquoXrdquo
516rdquo scalloped bracing provides richresonant tone The 1 1116rdquo (at the
nut) low profile neck with diamondvolute is genuine mahogany while the
fingerboard and belly bridge are black ebony
L M
In the 1960s The Mamas and the Papas were at the epicenter of a musical earthquake
that began in Southern California and sent shockwaves across the country Combining
great songwriting unique arrangements and lush harmonies the group had six ldquoTop
10rdquo singles and four ldquoTop 5rdquo albums from 1965 through 1967 a feat that made them one
of the few groups to challenge the Beatles during that era While The Mamas and the
Papasrsquo original lineup of John Phillips Cass Elliot Denny Doherty and Michelle Phillips
lasted just four years several of the songs they created ndash including ldquoCalifornia Dreaminrsquordquo
ldquoMonday Mondayrdquo ldquoWords of Loverdquo and ldquoTwelve Thirtyrdquo ndash have stood the test of time
32
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(This story should sound familiar they laterturned it into a hit single ldquoCreeque Alleyrdquo)Eventually the four traveled to Los Angeles
where they auditioned for Dunhill RecordsOwnerProducer Lou Adler Adler signed them tohis label immediately and two days later thegroup had a name The Mamas and the Papas
Released in 1965 The Mamas and The Papasrsquofirst single failed to garner much notice Howeverthe second single ldquoCalifornia Dreamingrdquo co-
written by John and Michelle Phillips reachedNo 4 on the charts The grouprsquos debut album If
You Can Believe Your Eyes and Ears was releasedin early 1966 and rose to No 1 quickly followedby the single ldquoMonday Mondayrdquo which also hitNo 1 and later won a Grammy Award for ldquoBestContemporary Group Performancerdquo
While The Mamas and The Papasrsquo personallives became increasingly turbulent over the nexttwo years their music continued to flourish they recorded three additional albums ndash The Mamasand The Papas Deliver and The Papas and TheMamas ndash that went ldquoTop 20rdquo and in turn yieldedseveral ldquoTop 20rdquo singles
In 1968 bitter infighting between memberscaused the group to disband Due to contractualobligations they reunited briefly in 1971 to makethe People Like Us album and then went theirseparate ways Cass Eliot had a flourishing solocareer that was cut short by her death in 1974
John Phillips continued to write songs and bothhe and Denny Doherty performed and recordedas solo acts In the 1980s and 1990s they occasionally reunited to tour as members of the
New Mamas and Papas John Phillipsdied in 2001 Denny Doherty died in2007 Michelle Phillips enjoyed a successful acting career and today isthe last surviving original memberof the group
Despite the grouprsquos short history TheMamas and The Papasrsquo musical legacy remainsundiminished the group was inducted into theRock amp Roll Hall of Fame in 1998 and received a
Grammy Hall of Fame Award in 2001 In 2003 If You Can Believe Your Eyes and Ears was ranked127 on Rolling Stone magazinersquos list of the 500greatest albums of all time
Delivered in a hardshell case eachD-28M Mamas and The PapasCustom Artist Edition guitar bears a special interior label featuring theldquosun rayrdquo graphic from the RouletteRecords label on which some of TheMamas and The Papasrsquo singles werereissued in the 1970s Each label ispersonally signed by former Mamasand The Papas member MichellePhillips and numbered in sequence
with the edition total Beginning immediately authorized C F Martindealers will accept orders for theD-28M Mamas and The PapasCustom Artist Edition until all 100guitars in the edition are allocatedparticipating Martin dealers willthen be posted on theC F Martin website
wwwmartinguitarcom
33
S A M P L E
8102019 Vol_32pdf
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L O N D O N A C O U S T I C G U I TA R S H O W
Acoustic guitar aficionados attending The London
Acoustic Guitar Show were treated to presentations
that showcased Americarsquos favorite musical instrument
brand and featured musical vignettes by legendary
and influential guitarists Stefan Grossman and
John RenbournThe presentation was given by Dick Boak archivist for Martin
Guitar who offered a graphical and interactive history of the 178-year-old guitar company In addition Dick displayed severalimportant examples in the evolution of Martin acoustic guitarsThe presentation focused on the development of the modern
acoustic guitar Martinrsquos historical contributions to the definitivacoustic guitar design artist signature model collaborations an
an in-depth explanation of specific guitar shapes sizes andtonewoods that lend themselves to particular musical genres JoRenbourn and Stefan Grossman legendary acoustic fingerstyleinnovators demonstrated the tonality of an assortment of Martinstruments including their own Custom Signature models
Martinrsquos UK distributor Westside Management was a primasponsor of the show and the host for the concert stage thatfeatured a stunning live performance by Renbourn and Grossm
Dick Boakrsquos presentation provided a template and proving ground for potential future presentations throughout the UniteStates Europe and Japan
THE LONDON ACOUSTICGUITAR SHOWSaturday and Sunday September 10-11 2011
Olympia Conference Center London
34
8102019 Vol_32pdf
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Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
8102019 Vol_32pdf
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M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
8102019 Vol_32pdf
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The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
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M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
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M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
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Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
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M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
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Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
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A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
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C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
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P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
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Let Us In
A special benefit concert was held onNovember 7th at Nashvillersquos legendary
Ryman Auditorium The ldquoLet Us InrdquoNashville benefit was the kick off forNashvillersquos CMA Week Actor musicianand Martin guitarist Jeff Daniels hostedand performed at the event whichfeatured live performances by SarahDarling SHeDAISY Steel Magnolia PhilVassar Cheyenne Kimball Juliana ColeNikki Shannon Fernandez JordynShellhart Chuck Wicks Nancy SirianniSamantha Landrum and Blue Sky RidersEach artist performed an original versionof a Sir Paul McCartney song
Sponsored in part by Martin the event was filmed and recorded for a live DVDas well as a CD bearing cover art by PeterMax that will include extra contributedtracks from Tommy Emmanuel Timothy B Schmidt Mark Hudson Laurence
Juber Denny Seiwell and Ricky SkaggsThe Women and Cancer Fund is a not-
for-profit charity led by Dr Alicia Alvarezand established in the memory of Linda McCartney Sir Paul McCartney has givenhis ldquowhole-hearted blessingrdquo to ldquoLet UsInrdquo Nashville a campaign led by ReviverMusic to raise awareness and proceedsfor this charity which promotesprevention increases lifestyle awarenessenhances available health services andadvocates advanced breast cancer andchildrenrsquos cancer research
A Martin D-28 Dreadnought similarto the D-28 Sir Paul plays was donatedand signed by the participating artists forsubsequent auction to benefit The
Women and Cancer Fund
The Invention of the American Guitar
Peter Szego is spearheading new scholarship into the early history of the American guitar which will culminate in the publication of a book tentatively entitled ldquoC F Martin and the Invention of the American GuitarrdquoIn September 2011 Peter hosted a group from Martin on a tour of hisextensive collection of antique American guitars and banjos (1833-1860)
with a special focus on the earliest Martin guitars The publication of hisbook and the concurrent opening of a major museum exhibition is scheduledin 2013 Stay tuned
8
M A R T I N S T O R I E S
Above left to right) Michael Dickinson Amani Duncan Peter Szego Chris Martinand Charles Peischl Dick Boak is not shown because he took the photo
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Every good guitar like every good son and daughter
periodically goes home ndash or should go home ndash to the
place of its birth For Martin guitars thatrsquos Nazareth
Pennsylvania 18064 and Mother Martin is always gladto see the kids
Kidding aside there truly is a parental attitude at Martintowards every single Martin guitar ever made because nobody knows better than Martin the enormous skill patience andunrelenting adherence to quality standards that goes intobuilding a Martin guitar
Not surprisingly Martin cares as much about how you send yourguitar back to Nazareth as the reason why yoursquore sending it It isimportant to contact the Martin Customer Service Department inadvance to get a Return Authorization (RA) Number Simply call(610) 759-2837 and ask for a Customer Service representative
Irsquove shipped guitars to Martin for years and never damaged a one in the process Not even a scratch Herersquos how I do it
De-tune the strings with just enough tension to keep the bridgepins and saddle securely in their slots If there are electronicsremember to remove any batteries to make sure that they do notbecome loose during shipping Also and very importantly removethe endpin Some people remove strings bridge pins endpin andsaddle (if itrsquos a removable type) put them in an envelope and put theenvelope in the string pocket of the case Thatrsquos fine but make surethat the envelope is securely packed with wadded tissue paper on topof it so that it doesnrsquot shake itself or its contents out of the string pocket and wreak havoc on the guitar
C A R E A N D F E E D I N G
Shipping Your Guitar
Home To Mother
BY BILL BUSH
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Next buy a box of stringed paper tags Print your nameaddress telephone number and e-mail address on one side of the tag on the other side print the Martin model number andserial number Fill out two tags Attach one tag to one of the
tuning machines attach the second tag to the case handle Why If anything happens to the shipping labels in transit thereis a record of you as the owner in two places within the box
Also purchase a package (or two) of plain soft tissue papersheets used for gently wrapping gifts inside a gift box Itrsquos very soft paper and wonrsquot scratch delicate lacquer Do not stuff thecase interior with newspaper
You want to be sure that the guitar is snug in the caseespecially the headstock Wad up enough tissue paper to supportthe headstock ndash top bottom and sides The entire headstock
well of the case should be filled as well as the space above theheadstock (and front of the headstock) You can also tuck tissuepaper on the fretboard near the nut You want to prevent the
headstock from whiplashing forward and backward which ishow a lot of necks get cracked
You also want to gently stuff the sides and lower bout of the guitar(where the back strip is) and around the neck heel so that there is noshifting frontward or backward In short you want to make theguitar inert (motionless) within the case No movement whatsoeverin any direction About the case No guitar should be shipped inanything but a hard case Ever Martin offers a thermoplastic hardcase (which is tough as nails) as well as black vinyl covered plywoodand plush ldquoGeib-stylerdquo hard cases They come in various model sizesand fit quite snugly
Original Geib hard shell plush cases are still floating aroundout there from the 60s as are other vintage Martin hard casesalthough none are as snug as the present variety ndash and snugnessis critical when shipping a guitar
The best shipping box for Martin guitars is the same shippingbox Martin uses to ship their new guitars to dealers Just callyour local Martin dealer and ask if you can have a used Martinshipping box - and do it quickly before itrsquos thrown out or beforesomeone else gets it Theyrsquore good as gold
About packing the case in the shipping box UPS and officesupply stores sell bags of Polystyrene foam shipping ldquopeanutsrdquoSprinkle a layer of peanuts in the bottom of the shipping boxplace the packed guitar case in the box and carefully fill-in arouthe case to the top of the box Like the guitar in the case you
want the guitar case itself to be inert in the shipping box Tapethe top and bottom box flaps with lots of wide Scotch Strappingtape (the strongest) Then use clear Scotch packing tape to cover
handwritten ldquoTo amp Fromrdquo self-sticking label in the corner of thbox top UPS amp Fed Ex have their own self-sticking labels as we
You can cover the address with clear tape but NOT the bar codThe shorter shipping time the better UPS and Fed Ex offer
Next Day Air but itrsquos expensive They also ship Ground but besure you know how many days it takes to arrive in Nazareth andship early in the week so that your guitar does not sit in a hotshipping container or parked truck over the weekend
Lastly make sure you insure your guitar Some shippers willonly insure guitars for a limited amount Others will insure onthe basis of declared value of the instrument Itrsquos not cheap but i
worth it if you love your guitar Mother will approve
De-tune
the strings(and remove
the endpin)
Fill outtwo tags
Purchase a
box of stringed
paper tags
Packing The case
should be completely
filled with tissue paper
About the caseAlways ship in a hard
case No exceptions
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C F Martin amp Co offers guitars to fit every preference and
budget but knows guitar dreams have no limits For
those whose guitar ideal canrsquot be found among the more
than 120 models Martin currently makes and who want toconceive their own unique perfect guitar Martin has
created a special place Itrsquos called the Custom Shop and it
is where guitar dreams come trueSituated on the production floor the Custom Shop is a dedicated
space with several workbenches assorted jigs and a range of racks andshelves for ldquoworks in progressrdquo Here just over a dozen of Martinrsquosmost experienced craftspeople build ndash one at a time and mostly oneof a kind ndash masterpiece acoustic guitars
ldquoThe Custom Shoprsquos goal is simply to build the best acousticguitars in the worldrdquo commented Fred Greene Martin Vice Presidentof Manufacturing ldquoWhether itrsquos an individualrsquos vision of a great
instrument a uniquely appointed model one of our dealers thinks will appeal to his or her clientele or a guitar wersquove conceived toshowcase artisan building each Custom Shop instrument is crafted asif we were making it for ourselvesrdquo
Custom guitars have been an element of Martin productionsince the company was founded in 1833 A number of Martinguitars from the 19th and early 20th century show customfeatures and custom Martins from the 1930s through the 1950shad an ldquoSrdquo suffix on the neck block model number to indicatetheir custom (or ldquospecialrdquo) status In the 1980s and 1990scustom Martinsrsquo neck blocks were simply stamped ldquocustomrdquo But
The Custom Shop
Bringing your
Guitar to LifeBY MARSHALL NEWMAN
Great sounding Custom Shop guitars donrsquot need to be fancy but if
you want to go that route Martin can certainly accommodate you12
C A R E A N D F E E D I N G
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until recently all custom Martins were built on the main shopfloor alongside their non-custom siblings
The concept of a separate stand-alone Custom Shop began to gainmomentum approximately 10 years ago but didnrsquot come tofruition until 2005 ldquoWe had a custom administrator who handledand followed custom orders on the shop floor but knew we could
do morerdquo Greene recalled ldquoIn 2005 I proposed we create a separate custom area with a separate workforce with the capability to handcraft unique instruments using traditional techniques ndash likecarving necks by hand and hide glue construction - that didnrsquot lendthemselves to our standard production process We started theCustom Shop with a staff of five it began by building the Authenticline and slowly took on custom buildingrdquo Today the Custom Shophas a staff of eleven plus three design consultants who work withcustomers dealers and builders to assure Custom Shop instrumentsare everything they can be
ldquoThe number one challenge of the Custom Shop is timerdquoGreene noted ldquoIt takes time to build instruments of the quality Custom Shop customers demand to hand-carve the necks to cut
the pearl to shape the braces and all the rest In the Custom Shop we take whatever time is needed to make these instrumentsexceptional Judging by the number of orders theCustom Shop receives people recognize the value of
what we are crea tingrdquoldquoThe Custom Shop team includes several of
Martinrsquos most experienced builders The average tenure with Martin is 25 years and there are a few who areapproaching the 40-year markrdquo Custom Shop guitarsare built almost entirely by this small staff in theCustom Shop only operations requiring largespecialized equipment ndash like side bending andfinishing - are done on the main shop floor
While all orders for Custom Shop guitarsmust be made through authorized C F Martinamp Co dealers prospective Custom Shopcustomers now have a great tool they can utilizeto design their dream guitar the Custom GuitarConfigurator Accessible on-line at
wwwmartinguitarcom the Custom GuitarConfigurator lets the user ldquovirtuallyrdquo create a guitar from a range of Martinrsquos most popular options see their creation and get a suggestedretail price quote The information then can be printed out for useas a reference during the order process
13
The Custom Shop offers a remarkable range of options(actually more than shown in the Configurator) sizes body styles scale lengths tonewoods neck profiles appointments
inlays and more Are there limits to what the Custom Shop wibuild As they sometimes say in the Custom ShopldquoWe try to never say ‛norsquo we only say ‛how muchrsquordquo In truth
there are some projects Martin wonrsquot tackle among themreplicating a Martin Custom Artist model or SignatureEdition (to respect the artistrsquos vision for hisher guitar) and
building with customer-supplied wood (which may not matchMartin specifications or standards)The Custom Shop even allows customers to come by the factory
to select the specific tonewood set for his or her guitar from Martinextensive inventory ldquoAt first it was just Martin dealers but now weare seeing individuals stop byrdquo observed Greene ldquoThe opportunityto select the set of Madagascar rosewood or flamed mahogany oranother tonewood that will become a Custom Shop guitar makesthat guitar an even more personal statementrdquoDespite its limited production and brief history the Custom
Shop has produced an impressive array of guitars Ordersoften include unusual tonewood combinations special
neck configurations or custom inlays A CustomShop guitar generally takes four to six months tobuild after details have been finalized dependingon the current workload and the complexity of theorder guitars featuring special design elements
andor custom pearlwork can take longer Whetherplain or fancy each completed Custom Shop guitar
is identified by the laser-etched Custom Shop logoon its neck block
In early 2011 the Custom Shop introducedtwo limited-production CS models the first
of a series of Custom Shop instruments that will be available for only one calendar year(or less if demand is overwhelming as wasthe case with the CS-21-11 model) ldquoThe CS
models express C F Martinrsquos spirit of adventurerdquo explained Fred Greene ldquoThese
short exclusive runs of g uitars allow us to introduceexciting new ideas that might eventually be looked upon asclassics At C F Martin amp Co heritage and creativity arenrsquotmutually exclusive and these CS guitars are the proofrdquo Readyto create your one-of-a-kind Martin guitar Good The CustomShop is ready for you
In creating your Custom Shop Martin you may choose from a wide array of tonewoods body sizes appointment levels and customized inlay sty
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Adjusting the truss rod with a special long Martin Allen wrench
Guitars are made to be played and the easier they are to
play the more pleasure they bring their owners The
action ndash the distance between the strings and the
fingerboard ndash should be just right and thatrsquos the reason
every guitar deserves a good set-upFundamentally guitar set-up is simple geometry adjusting
the guitarrsquos neck nut saddle and (occasionally) frets to put theaction at an ideal level - not so high as to be difficult to fret and notso low as to cause string buzz
C F Martin amp Co sets up every guitar it builds before it leavesthe factory Most Martin guitars built in Nazareth are set up using a PLEKreg Pro machine which scans the nut fingerboard and saddle
with a sensor compares the scan with optimal values and thencuts the nut slots contours thesaddle and polishes the frets toan accuracy of 11000 of aninch If necessary minor saddleand nut touch-up and truss rodadjustment are done by hand
when the guitar is strung A fewMartin guitars - primarily Custom Shop instruments -continue to be set up by hand
Even an acoustic guitar with a
good factory set-up may need tobe set up again within a few years according to Lon WernerMartin Customer RepairManager ldquoThe wood in a guitarcan take up to five years to ‛settleinrsquo under string tension and a change in the action may necessitate a fresh set-uprdquo Theownerrsquos playing style and
The LowdownBY MARSHALL NEWMAN on Set-up
Checking neck relief during final setup
14
C A R E A N D F E E D I N G
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technique also may dictate whether a fresh set-up isneeded ldquoA fingerstyle player
with a light touch might wantthe action lowered while a flatpicker may need the actionraisedrdquo Indeed an individualrsquosplaying style and technique are
information a repairperson will want to know to do the bestpossible set-up
So can you tell if your guitarneeds a set-up Begin with theobvious If your guitar hasbecome very hard to fret itprobably needs a set-up If thestrings buzz either open orfretted it probably needs a set-up If its intonation is way offit probably needs a set-up
A few simple diagnostic testsalso can help determine
whether a set-up is neededCheck the neck relief by fretting the low E string simultaneously above the firstand below the 13th fret thegap between the string and the6th or 7th fret should beslightly more than the thicknessof a business card Checkaction at the nut by fretting each string between the second
and third fret there shouldbe daylight between eachstring and the first fret a gapapproximately the thicknessof a sheet of paper at thehigh E and slightly more at thelow E Check the height of theaction with a machinistrsquos rulerat the 12th fret the distancebetween the fret and the string should be approximately 232-332 of an inch on the trebleside and 332-432 of an inch
on the bass side A goodelectronic tuner can be used tocheck intonation on eachstring by playing the openstring and then playing theharmonic of the same string atthe 12th fret
A lot of guitarists may betempted to do their own set-upbut Dave Doll of Martinrsquos
Customer Repair Departmentcautions against it ldquoItrsquos like a doctor educating a patient onhow to recognize symptoms thpatient may know he has a problem but he still should goto the doctor to have thatproblem fixedrdquo he commented
ldquoEven a simple set-up can bedaunting unless you know whayou are doing you may well domore harm than goodrdquo Lon
Werner was more specificldquoWhile preliminary evaluationmay suggest a set-up is neededthe symptoms also can beindicative of a much moreserious problem When theMartin Customer RepairDepartment receives a guitar
we give it a thorough going-over from headstock toendpin If the bridge is liftingor a brace has pulled loose orthe neck needs a reset (justthree examples) that is a problem that has to be dealt
with for a set-up to bebeneficialrdquo Not everyonelives so close to Nazareth tohave their Martin guitar
worked on at C F Martin amp Cobut there are more than
150 Martin Service Centersthat can give that guitar thecare ndash whether a set-up orsomething more ndash it deservesShould you happen to visitNazareth or live nearbyC F Martin amp Co offers a very cool opportunity to learnabout guitar maintenance fromsome of the best in thebusiness Every Friday from11 am until noon theCustomer Repair Departmen
hosts a guitar care seminarduring which it demonstratesthe basics of guitar careincluding some of theelements of set-up (like trussrod adjustment) The guitarcare seminar is free noreservation is needed andit is a great way to learnhow to keep your Martinin peak playing condition
15
Checking the relief of the neck
Checking the action at the nut
Checking the action at the 12th fret
Adjusting the truss rod with a long Martin wrench
truss rod wrench
hole in brace
truss rod location
gap between bottom of string
and top of fret at the 12th fret
gap between bottom of string
and top of fret at the 1st fret
with string depressed
gap at the 6th or 7th fret with string
depressed at 2nd and 13th frets
exaggerated neck relief
frontblock
8102019 Vol_32pdf
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All-Star MUSEBenefit Concert
The All-Star MUSE BenefitConcertat the Shoreline Amphitheater inMountain View California supported Disaster Relief in Japanand Non-Nuclear Groups
Worldwide Featured artists includedCrosby (with his Martin Signature 12-string) Stills amp Nash Jackson BrowneBonnie Raitt Jason Mraz The DoobieBrothers Tom Morello John HallKitaro Sweet Honey in the Rock and
Jonathan Wilson
A R T I S T P R O F I L E S
Hollywood Bowl 2011Dolly Parton with her touring guitaris
Jim Salestrom who is playing hisMartin J-40 Dollyrsquos World Tour
thrilled attendees at the HollywoodBowl Saturday July 23 2011
DonavanFrankenreiterDonavonrsquos fourth studioalbum Glow is describedas ldquowarm organic andoverwhelmingly hopeful Theperfect antidote to trying timesrdquo Hersquos playing his triedand true Martin 000-18 Shawn Colvin
Shawn Colvinrsquos new Live album wasnominated for the Grammy Awardfor Best Contemporary Folk Album
Accompanied with her pristineM3SC Signature Edition findShawnrsquos enduring music on iTunes orat amazoncom
16
oto by Lynn Goldsmith
P
h o t o b y L y nn G ol d s mi t h
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 1946
Ron Davies(1946-2003)
A songwriter fromthe pacific northwestRon Davies at 17bought a well worn1956 D-18 Martin
which he put to gooduse writing an entirealbum of songs forthe Seattle band ldquoThe
Wailersrdquo As an artisthe recorded fivealbums during hislifetime but he isbest remembered forhis songwriting
His songs have been covered by a diverse group of artists that include Joan Baez David Bowie (Ziggy Stardust) Long John Baldry Ann Murray Three Dog
Night Nitty Gritty Dirt Band Helen Reddy Jerry Jeff Walker Maria Muldaur Joe Cocker Randy TravisNanci Griffith and the Raconteurs to name a few
In 2011 friends in the pacific northwest cametogether to record ldquoThe Mystery of Ron Daviesrdquo a tribute CD containing eighteen of Ronrsquos songsperformed by artists from his hometown and one by Davies himself Available on iTunes and at CD Baby allof the proceeds will benefit ldquoMusic Caresrdquo
Leslie TuckerLexington Virginia-based singersongwriter Leslie Tuckerrecently received the gift of a Martin D-41 from a legion of her fans and she plans to use her new acquisition in theproduction of a new album project currently in progressalong with a tour of performances when itrsquos released Tune into wwwleslietuckercom for updates
Santa Cruz Blues Fest 2011Some of the worldrsquos finest guitarists including Jonny Lang were on hand to salute guitar legend JimiHendrix at this yearrsquos Santa Cruz Blues Fest 2011
Jonnyrsquos playing his Martin J-40 Jumbo
Sting
17
Early StingFrom Andy Summers groundbreaking book Irsquoll be watching you Insidethe Police 1980-1983 Police guitarist and professional photographer
Andy Summers captured Sting with his Martin D-28 in 1982
8102019 Vol_32pdf
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Fast AJ AJ Rubino of SpringfieldMassachusetts has beenperforming folk and country music for nearly fifty years ndash
much of that time with his1975 Martin D-35 slightly customized with fingerboardinlay by luthier Harry BeckerThis photo will grace the cover of AJrsquos forthcoming CD
He is a loyal member of the Martin Ownerrsquos Club andowns several other Martin guitars The tree AJ is standing in front of was destroyed by the tornado that hit WesternMassachusetts in June of 2011 but no one was hurt andall of the Martin guitars survived
A R T I S T P R O F I L E S
The Kingston Trio Fantasy Camp 2011
Winfield KansasFestivalrsquos Martin D-42
Allen Shadd began playing guitar when he was seven years oldacquiring his first Martin guitar -
a 1973 D-35 at the age of tenSince then he has gone on toperform in many bands guitar
workshops recording sessions and in 1997 released his own CDldquoA Cut Aboverdquo Allen also frequently competes in guitarcompetitions and has won some of the most prestigious flatpicking contests that have included Merlefest Rocky Grass and the WayneHenderson guitar competition He brought home this yearrsquos MartinD-42 from the National Flatpicking Championship held in
Winfield Kansas Itrsquos the sixth time Allen has placed in the topthree including his first place finish in 1997
18
wwwkingstontriocom
Caroline JonesThis NYC-based singer songwriterguitarist and producer was trainedclassically by Andy Anselmo Founder
of New Yorkrsquos ldquoThe Singerrsquos ForumrdquoCaroline began singing opera ariascabaret standards and show tunes at agenine Under the management of Tommy Mottola and Chris Apostle shebegan recording her original songs withproducer Chris Toland at Sony and
Avatar studios in New York as a studentat The Professional Childrenrsquos SchoolIn 2008 Caroline began monthlyco-writing trips to Nashville where sherecorded with many of the industryrsquostop talents Since then she has been
performing and recording with herMartin 00-21 Kingston Trio modelthat pays tribute to original KingstonTrio member Dave Guard (1934-1991)
Shown above are Fantasy camp attendees each holding their Martin guitars (plus one banjo)
P h o t o b y J o h n L i n d
8102019 Vol_32pdf
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Dierks BentleyReaching deep into acoustic rootsmusic resulted in Dierks Bentleyrsquosnew album Up On The RidgeMore than a bluegrass concept
album with guests Up On TheRidge features Bentley working with some of the finest acousticmusicians in the world including long-time collaborators theDel McCoury Band and a new musical partnership with ChrisThile and the Punch Brothers Asa recent addition to the Martin
Ambassador ranks Dierkrsquos israrely seen without his prizedvintage herringbone D-28
Hawaiirsquos HirsquoikuaIn a culture that honorsthe legacies of the pastthis Hawaiian trio of talented musicians pays
homage to their roots while creating a uniqueand progressive soundthat leaves an indeliblemark upon contemporary Hawaiian music
In a seamlesscontinuous movement we all carry a past while living in thepresent and moving toward a future Hirsquoikuarsquos music reflectsthe belief that without asking the knowledge of our ancestorshas already been placed within us in the hope that we too
will shoulder that responsibility in an unbroken journey intothe future
Their music is composed and performed by Kalehua Krug (left with his Martin 12-string) Kamuela Kimokeo (above andcenter left with his Martin OMC Aura cutaway) and BlakeLeoki-Haili (right with Martin tenor ukulele)
The grouprsquos name derives from the Hawaiian word thatmeans literally ldquoto carry on onersquos backrdquo Hirsquoikua has taken thisresponsibility seriously
ldquoAia I Hirsquoialordquo the long awaited CD from Hirsquoikua featuressix original and six traditional songs
wwwhiikuacom J e r r o l J u l i a n P
h o t o g r a p h y
J e r r o l J u l i a n P
h o t o g r a p h y
8102019 Vol_32pdf
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F R O M T H E A R C H I V E S
Waiting for the Sunday Boatrdquo by William Henry Jacksonrdquo Florida circa 1902Martin small-bodied parlor guitar
ldquoAs long as
Irsquove got my guitar
Irsquoll be finerdquo
mdash Willie Nelson referring to Tri
his legendary Martin guitar
HometownCentenarianMary Arletta Hahnis shown (right)
with her 00-1712-fret Martinguitar Mary was inher twenties whenthis picture was
taken (circa 1932)She was born inNazareth andturned 104 this pastSeptember Healthy small town living Shereceived her theology degree from the United
Wesleyan College but she also majored in voicepiano and guitar She would sing and play guitarin her fatherrsquos varied congregations Mary haslived her entire life in and around NazarethToday she lives just one block from where herguitar was made
1883 Advertisement
Gu i tar is t and Mando l in
is t
c irca 18 9 0
Guit ar ist and Mandolinist c ir c a 19 25
20
8102019 Vol_32pdf
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Ahh the sound of the Martin Rich and evocative Texture
lifeby strummingorpickingorthe lightesttouchtoteas
harmonicsthesoundmdashlikethehistoryofCF Martinamp C
peopleanda storyofthesensesHearitTasteitFeelitA
artist Robert Goetzl see it Seethe sound of the Martin
FEA TU R E
The Soundand the Story
Thehand drawnsketches (right)illustratethesix-panel seriesofthree-foot byfour-footmuralsthatwillhangintheMartinVisitorrsquos Center
BYSUSAN J BURLINGAME FREELANCE WRITER MARTIN
22
mdashC FMartin IVmdashcalls itldquothe magic ofFrom JohnnyCash to John Mayerand fromElvis Costello manyof historyrsquos mostbrilliantve chosen the Martin sound the Martin magicm the Martin storycontinuesMartin magic is mostprofoundly representedby n in the early1800s on the otherside of theour eyes fora momentand imagine ayoung king browfurrowed in concentration Heods the braces the strings of his firstguitarrtin has traveledfrom his home in Saxonytoe learns the artof guitarmaking as ane of the bestknown guitar shops in Europeg his 37th year C F Martinalong with hisdren sets outfor Americae story as theysayhellipis magicamp Co is still family-ownedmdashbutthe ldquofamilyrdquoh Martins and non-Martins generations of
ed arole in crafting the exquisite acousticrtin has offeredthe world formore than 175ertGoetzl a cousin to Chris Martinhas been create awork of art depicting C F Martin ampamily its sound andits storyeries of three-footby four-footmurals thatwillin Visitorrsquos Center the work says Goetzl is a love Chris Martin thatmuch He wasuential in mylife andthe opportunityto tellyauthentically is extremelymeaningful to merdquonels (pictured here)take viewers on CFfrom Saxonyto Viennato the newworld
ured as the music of the Martin guitar thensionalmdashdone in mixedmedia with collage andreating the firstpanel was forGoetzl the biggest
23
challenge ldquoI realizedthe enormityof the projectmdashnotjust inscope butalso in importance to the familyand to the thousandsof people who wouldbe looking atitrdquoGoetzl labored andsecond-guessedand tweakedand proddedbefore finally unveiling itto Chris Martin andothers at Martin ldquoThe lookson theirfaces toldme I had naileditrdquo Panel numbertwo which illustrates the Martin familyrsquosinitial shopin New York andthe move to NazarethPennsylvania causedGoetzl much less consternation butequallyas much joy he says as will each successive mural ldquoIf this is the endof the roadfor me the lastwork I evercreaterdquosays Goetzl (who surelyhas afew more decades ofcreativityleft) ldquoI wouldbe completely fine with thatrdquo
ldquoRobert has put his heart into
creating something that will
make a tremendous addition
to the Martin experiencerdquo
mdash Dick Boak Artist Relations C F Martin amp Co
Tex Fletcher
SingingcowboyTexFletcher maynot
have become the household name that
other cowboy singers from the 1930s
such as Gene Autry and Roy Rogers had
butdespitesometimes overwhelming
odds hersquosbeen remembered nonetheless
forhis noteworthycontributionsto earlyand
mid-20th century cowboy culture
He was born Geremino Biscegliain 1910 in HarrisonNew York the fifth of eight children of Italian immigrants Michael(astone mason)and Josephine Bisceglia He leftschool afterthethirdgrade to work with his fatherandbrothers He was raisedin a musical householdand he learnedto sing andplay traditional Italian songs accompaniedby accordionsmandolins andviolins
Jerrypicked upa fewguitar chords froma local right-handedguitarist butbeing left-handed he retaughthimself to playhisown right-handedguitarldquobackwards andupside downrdquoas he wouldlater explain with achuckle
He became enamoredwith the silver screen cowboys of theday often sneaking into the local cinemaforshowings of thelatestsilent picture starring TomMix WilliamS Hartand YakimaCanutt
Overthe nextfew years the teenagedcowboy wannabe beganto realize his boyhoodambition as he learnedto handle horseandcattle byday while soaking upcowboy lore andcampfiresongs bynight in effectbecoming aldquorealrdquocowboy Asinging cowboy Unique stuff forthe late 20s He returnedto NewYork in 1931 with aconfidence anda newfoundvoice With saddle bags full of cowboy stories andsongs the cowboysingerwas now going bythe name Tex Fletcher He began entering andwinning localthen regionaltalentshows Fletcherrsquos confidence grewwith each winning purse as was evidencedbyhis every growing wardrobe of
cowboyoutfits andhis first Martin guitar a000-45 He neverplayedanother companyrsquos guitars again believing the leastexpensive Martin guitarwas headand shoulders aboveanyother companyrsquos bestHistory has clearlymade fora compelling argument Itwasnrsquotlongbeforehereceivedan offerofa radiojobas asinging cowboyoverWFASinWhitePlainsNewYorkBy1934 attheheightofsingingcowboycrazeFletcherbegana relationshipthat wouldlastmorethan 25yearsbroadcastingoverWORNew YorkNewJersey(MutualNetwork)Itwas thesameyear thathebeganappearingatthe VillageBarnnightclub(whichwouldlaterbecomeJimiHendrixrsquosElectricLadyland)inGreenwichVillageNYagig thatlastedwell intotheearly1960s
1934 was also the yearTexorderedhis custommade MartinD-42Hersquodadmiredthe pearlygoodlooks and loudtone of Gene Autryrsquos D-45 (the firstD-45) butwanted an instrumentthatw ouldbe uniquelyTexFletcherrsquos guitar But he wasnrsquotthe onlycowboysinger who wantedto follow in Autryrsquos trail Milwaukee -based Jackie ldquoKidrdquoMoore beathimto the punch when he ordered his own D-45 (No 2)fromMartinBut according to authorMartin researcherJohn Woodland amisunderstanding with regardto neck length ledMartin to shelve the unfinished14 fretto the body D-45Moore then optedfor awider OMstyle neck with 12 frets tothe body This D-45 is No3 Then along comes NewYork radio cowboyTexFletcherwithhis own ideaof whatfeatures ldquohisrdquoguitar shouldsportincluding 14 frets to the body which alignedperfectly with the
partiallyconstructed D-45 (No2) buthe wanted all the flashupfront So insteadof proceeding to finish the guitaras aD-45Martin craftsmen changedthe toprsquos bracing to aHigh ldquoXrdquoconfiguration anddesignated this slightlymore modestcousinof the D-45the D-42 So the TexFletchermodel is not only the firstD-42butalso the secondD-45Itremainedthe only example of the D-42 forthe next54 years
Fletcherhadbeenout ofthe musicbusinessforjusta fewyears whenhe wastrackeddownin theearly1970sby then-MartinhistorianMikeLongworthwho convincedthe oldcowboytodonatetheinstrumenttothe MartinMuseumFletcheragreedandthatrsquoswhereitresidesto thisdaydisplayedjusta fewfeetfromitrsquosfirstcousintheGeneAutryD-45 (No1)
21 24
N EW PR O D U CTS
NEW A DDITIONS TO
OUR LINEUP OF
Great Ukuleles
The Martin Standards of Tone and Workmanship Prevail
C1K amp T1K UkulelesMartin has been building the worldrsquos finest ukuleles
from as early as 1916includingthesmallest Soprano
the original model to the larger Concert in 1925 and
the Tenor uke in 1929 Both the concert model and
tenor models havelong been prized for their full-bodied
voiceandgreatervolumeThesenewC1Kconcertand
T1Ktenor modelsfeaturetops backsidesand head-
platesofsolidHawaiianKoaawoodnativeto Hawaii
and a favoriteof island players Both ukes feature solid
Sitkabraces genuinemahoganyblocksand applied
dovetailneckjointsintheMartintraditionNecksare
craftedofselecthardwoodandcappedwithasolid
Morado fingerboardtheconcert has a 15rdquoscalelength
thetenor a 17rdquoscaleBridges arealso ofsolid Morado
with whiteTusqsaddles Open-geared nickel tuners with
whitebuttons ensureprecision Finished in high quality
satinlacquerPadded bagincludedTwo beautifulexam-
ples of why Martin is still the name in superior quality
ukuleles
ldquoAs far as inanimate objects
being friends I think that is right
on the list My Martin ukulele
is a work of art Itrsquos going to live
long after merdquo
mdashEddieVedderPearl JamUkuleleSongs
T1K
C1K
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2446
Clock key mechanism for
adjustingguitar necks on
Martinrsquos earliest guitars
manufactured in New York
ImaginedMartinfamily portrait
CircaSeptember1833mdashat the
timeof theMartinsrsquotransatlantic
journey to the New World
Mappointingto
Markneukirchen the
main town in Germanyrsquos
musicalinstrument-
makingregion
Embellished original
drawingofCF Martinrsquos
residencein
Markneukirchen
Saxony (Germany)
Thesa
carries
North
specta
showe
Harbo
Imagin
CFM
Hudso
Depic
mold
a Mart
glueu
NEL ONE 2 bull PANEL TWO
Rende
home
in Che
Circa1
Portra
presid
when
arrived
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
OM -21 NEW Martinrsquos OM (Orchestra Models)
guitars have always been very
special to fingerstyle guitarists
especially this new OM-21 with its
comfortable 1-34rdquo wide neck at the
nut and highly responsive 14rdquo
scalloped Sitka top braces Elegant in
its simplicity this new version offers a
tasteful upgrade of solid black ebony
fingerboard and 30rsquos style ldquobellyrdquo
bridge with genuine bone saddle and
nut all adding to the rich resonance of this guitar Whatrsquos more wersquove
replaced the standard OM neck with a
slimmer ldquoPerformingrdquo Artistrdquo modified
low oval profile tapered neck and
wider 2-316rdquo bridge string spacing for
faster more comfortable playing The
solid Sitka spruce top with
hand-inlaid 28 style
rosette is joined to a
body of premium
solid East Indian
rosewood bound intortoise colored
18 style binding
Delmar tortoise color
pickguard nickel
open-geared
tuners with
Butterbean
knobs and
polished gloss
lacquer with
aging toner
complete this
beautiful
instrument
Delivered to you in the
new Martin 433 archtop
hardshell case If yoursquore a finger picker this new OM-21 is
the one to pick
D-18 NEW Since its introduction in 1935 the D-18
has been the workhorse of the Martin steel
string acoustic line More plain and less
costly than its D-28 rosewood cousin the
D-18 has none the less established its own
tonal identity ndash balanced crisp midrange
definitive bass and bright clear treble a
favorite of innumerable bluegrass blues and
country performers as well as discerning
studio musicians ndash because it is a great
performing and recording guitar Over the
years the D-18 has seen numerouspermutations ndash the D-18V and D-18P ndash as
well as variations in bindings rosette
fingerboard amp bridge woods bracing
patterns and pickguards And now the
new D-18 brings together
the best features of all of
these great D-18s into
one superb sounding
and playing guitar On
the traditional side backs
and sides are still crafted
of solid genuineMahogany joined with a
solid Sitka spruce top
with forward-shifted
scalloped ldquoXrdquo bracing
The fingerboard
and 1930s style
belly bridge are
fashioned of
solid black
ebony as were
the originals
Whatrsquos new A
lightning fast modified low
oval profile neck with a
1-34rdquo nut width and slimmer 2-18rdquo taper at the 12th fret Itrsquos
the same neck featured on our innovative Performing Artist
series guitars with the same wide 2-316rdquo bridge string
spacing too for greater player comfort and accessibility up
and down the neck The new D-18 The perfect blend of past
and future ndash and great guitar to start the New Year
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2646 26
NAMM Show
Specials
N E W P R O D U C T S
2012 Martin Show Special Guitars
The DCPA Koa amp GPCPA Koa They donrsquot get any more beautiful ndash or more
beautiful sounding ndash than these spectacular
dovetail flamed Koa Performing Artist guitars
And with only a total of 30 instruments ndash
combined ndash being offered to dealers at the 2012
NAMM Show they donrsquot get any rarer either Here
wersquove chosen two of our most popular cutaway models in
the Performing Artist series the classic Dreadnought and
the Grand Performance and crafted the backs and sides
of premium Hawaiian flamed Koa a resonant tonewood
indigenous to the Hawaiian islands Koa has long been by
favored by native Hawaiian musicians for guitars and
ukuleles as well as discerning players and collectors
worldwide Martin in particular has built various sized
instruments of Koa from as early as 1850 The tops are of prized solid Adirondack Spruce as are the scalloped
forward-shifted ldquoXrdquo braces in the ldquoGolden Erardquo fashion The
bodies are bound with solid Madagascar rosewood the
top is inlaid in the 42 style with an elegant blue Paua
pearl rosette The backstrip is 45 style marquetry Both
guitars feature our fast and comfortable Performing Artist
modified low oval mahogany neck with ebony
fingerboard and
wide 2-316rdquo string
spacing on the
ebony Performing
Artist belly bridge And the
crowning touch both guitarsare equipped with the new
Fishmanreg F1 Aura + onboard electronics system the
ultimate in acoustic realism and projection as well as
pickup versatility Waverly gold tuners with Ivoroid
buttons complete the package Orders for the DCPA Koa amp
GPCP Koa will be taken solely from dealers in attendance
at the 2012 NAMM Show in Anaheim California
NEW TOOLS
for GREAT TONE
GPCPA Koa
DCPA Koa
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
DCPA1 Madagascar Rosewood ampGPCPA1 Madagascar Rosewood
These two very special dovetail Performing Artist
guitars reflect the best of Martin innovation expert
craftsmanship and selection of superior tonewoods ndash
all in one As PA series models Dreadnought and
Grand Performance they include a unique slim
tapered fast neck for exceptional player comfort in
all positions a smaller and lighter PA ldquobellyrdquo bridge
for greater tonal response and increased string
spacing for easier finger picking They also
include the new state-of-the-art Fishmanreg F1
Aura + onboard electronics system that deliver
striking acoustic realism and projection
Plugged in or pure acoustic these are great
sounding guitars ndash and with good reason The
tops are solid Adirondack spruce pearl inlaid inthe 41 style and driven by 516rdquo Adirondack
scalloped braces forward-shifted in the ldquoGolden Erardquo X
pattern The back sides and headplate are Madagascar
Rosewood selected for its beauty and close acoustic and visual resemblance to
Brazilian Rosewood Solid black ebony is used for the fingerboard and bridge
Details include grained Ivoroid bindings Delmar beveled tortoise color pickguard
special ldquoalternative torchrdquo inspired position inlays gold enclosed tuners bone nut
and saddle The most distinctive Performing Artist production models to date
Fishmanreg F1 Aura + The Fishmanreg F1 Aura + features a newsimplified and intuitive Easy Mode allowing youto quickly get a feel for the tonal possibilities ofthe system while providing the most importantfeatures The Easy Mode offers three custom-blended Aura Image presets tone control and
the option of using the undersaddle pickuponly For the real tone-tweakers wersquove retainedthe original Performance Mode as well givingyou full access to the powerful 3-band EQscompressor and automatic anti-feedback ofthe F1 Aura +
Performing
Artist SeriesDCPA1
Madagascar
Rosewood
GPCPA1
Madagascar
Rosewood
8102019 Vol_32pdf
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N E W P R O D U C T S
Performing
Artist Series
Martin introduces an exciting
new tonewood called Siris
DCPA4 Siris amp
GPCPA4 Siris
With these two new
Performing Artists guitars
Martin introduces an exciting
new tonewood called Siris
adding even more tonal color
and variety to the PA series Siris
delivers excellent bass response
reminiscent of East Indian rosewood as
well as a clear midrange and treble making it an
excellent guitar wood for recording and for playing live Lighter in color
yet denser than rosewood it produces a slightly longer sustain thanrosewood Siris is typically dark orange contrasting beautifully with the
Sitka Spruce tops tortoise colored pickguards grained Ivoroid bindings
and special East Indian rosewood center wedge on both guitarsrsquo 3-piece
backs The DCPA4 Siris and the GPCPA4 Siris are 14-fret cutaway guitars and
have fast comfortable Performing Artist profile necks Hybrid ldquoXrdquo scalloped top
bracing black Richlite fingerboards and bridges and Fishmanreg F1 Analog
onboard electronicsGPCPA4 Siris
DCPA4 Siris
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2946
Over 175 Years of Guitar Building Excellence
The GPCPA4 Sapele is constructed with
FSCreg Certified tonewoods harvested from
ecologically sound and responsibly manag
forests The fingerboard and bridge are
built with FSCreg
Certified Richlitereg
29
GPCPA4 SapeleFirst introduced in 2010 the GPCPA4 is an extraordinary Martin ndash a
big Grand Performance cutaway with a fast comfortable Performing
Artist Series high performance neck But this brand new version ndash
the GPCPA4 Sapele ndash is extra special It rsquos built with FSCreg Certified
tonewoods harvested from ecologically sound and responsibly
managed forests This includes African sapele back and sides
mahogany front and rear blocks cherry side strips Spanish cedar
ribbons and European spruce Hybrid ldquoXrdquo scalloped bracing The top
is FSCreg Certified recycled Sitka spruce produced from old bridge timbers in Canada
Even the fingerboard and bridge are crafted of FSCreg Certified Richlitereg material High
polished gloss top finish with tasteful Cherry red toned back and sides Fishmanreg F1
Analog electronics are included with volume and tone shaping capabilitiesonboard digital tuner and phase control Quite a
package Quite a guitar
8102019 Vol_32pdf
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N E W P R O D U C T S
DCPA5K and GPCPA5K
Advanced guitar design meets high-
tech guitar construction The result
two highly affordable Performing
Artist guitars with excellent tone
playability and durability Back
and sides of the cutaway
Dreadnought and Grand
Performance models are made
of a high-pressure wood fiber
laminate (called HPL) with
Koa grain and texture photo-
imbedded The top is solid Sitkaspruce braced with Martinrsquos Hybrid ldquoXrdquo
scalloped bracing system renowned for its
resonance clear treble and distinct bass The Performing Artist Profile neck is
slim and fast and comfortable made of tough Stratabondreg multi-layered
wood laminate Performing Artist bridge and fingerboard are black Richlite
Chrome enclosed tuners with large buttons and Fishmanreg F1 Analog
onboard electronics included A terrific value with great tone and
environmentally friendly
Performing
Artist Series
The DCPA5K and GPCPA5K
are Performing Artist guitars
with excellent tone playability and durability
GPCPA5K
DCPA5K
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3146
Road Series
31
Over 175 Years of Guitar Building Excellence
Special Edition
DRS2 The latest of Martinrsquos hard-working
great sounding Road Series guitars
the new DRS2 delivers a unique blend
of durability and concert-quality
sound and projection The top is
crafted of solid Sitka spruce and
braced with Martinrsquos A-Frame (X1)
bracing Back and sides are select
solid Sapele similar in look and
tonal qualities to its
close cousin
mahogany As
beautiful as it looks
and sounds the
DRS2 is a serious
working musicianrsquos
guitar built for on
the road durability
without sacrificeof tone The
neck is
constructed
of a multi-
layered
wood
laminate
called
Stratabondtrade
that perfectly
simulates natural
quartersawn wood grain The fingerboard and bridgeare crafted of black Richlite amazingly similar in look
weight and resonance of ebony A Fishmanreg
Sonitone sound reinforcement system completes
this very road ndash and stage ndash worthy Martin
000C NylonIn response to the many Martin players
who chose the limited edition 000CDG
built in memory of Chris Martinrsquos late
brother Doug Greth we have
expanded upon this unique ldquocrossoverrdquo
instrument with the new 000C Nylon It is
truly a hybrid instrument combining features
of a traditional Martin steel-string guitar with
those associated with a classical nylon string
guitar The top is crafted of solid Sitka spruce
and braced with a unique A-Frame ldquoXrdquo brace
system Yet this bracing system is equally
responsive to lighter nylon strings without
inhibiting tone or volume The 12-fret low
profile neck features an 18rdquo radius arched
(versus flat) fingerboard like a steel string
but with a classic width 1-78rdquo at the nut and
2-516rdquo at the 12th fret The bridge is in the
classic style with tie block and drop insaddle Bridge string spacing is a
wider 2-516rdquo as well Even the
000Crsquos headstock is unique ndash
square tapered like the
traditional Martin steel
string style but slotted to
accommodate classical
nylon strings Each guitar is
fitted with onboard Fishmanreg
F1 Analog electronics too
The result A versatile
great sounding andplaying guitar no
matter whether you
play acoustic or
acoustic electric
or both
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D-28M Limited Edition Celebrates
The Enduring Music and Legacy ofThe Mamas and The Papas
The appointments on the D-28M Mamas and ThePapas Custom Artist Edition emulate a circa 1960sD-28 blackwhiteblack top purfling blackwhiteback purfling grained Ivoroid binding and heelcapldquocheckerboardrdquo backstrip mother of pearl dotposition markers chrome Groverreg Rotomatic tunerstortoise-colored pickguard polished gloss lacquerfinish and vintage-inspired aging toner on the topExtra flash comes in the form of a Style 45 abalonepearl rosette and abalone pearl-topped bone bridgeand end pins
The guitarrsquos crowning glory is ndash appropriately ndashon the polished black ebony headplate Above
the nut sheltered by the familiar gold old-styleldquoC F Martin amp Co Est 1833rdquo decal logo is a silhouette of The Mamas and The Papasbeautifully inlaid in mother of pearl Derivedfrom a photo by Henry Diltz the inlay capturesthe group in full performance mode
In the early 1960s the four musicians whobecame The Mamas and Papas were a long way from pop music stardom though all wereinvolved in the East Coast folk music scene
John Phillips was a member of the JourneymenDenny Doherty and Cass Elliot sang with theMugwumps After the Journeymen broke up
John Phillips his wife Michelle Phillips andMarshall Brickman formed the New JourneymenMarshall eventually left the band but went on toco-write Oscar winning screenplays with Woody
Allen and he co-wrote the book that became therecord-breaking play ldquoThe Jersey Boysrdquo
Marshall Brickman was replaced by Denny Doherty and soon Doherty introduced hisbandmates to Elliot The four began harmonizingto the pop songs John was writing and perfectedtheir sound during a Caribbean vacation together
The starting point for The Mamas and the Papasrsquofresh pop sound was the folk music all fourmembers played before they got together as a group Songwriter and leader John Phillipsrsquo well-
worn Martin Dreadnought often provided thestrummed rhythmic underpinning on which TheMamas and Papasrsquo band instrumentation andvocals were layered The combination proved tobe genius and even today The Mamas and thePapas ldquosoundrdquo is instantly recognizable
To celebrate the group and its place in popmusic history C F Martin introduces a very
special D-28M Mamas and The Papas
Custom Artist Edition Limited to just100 instruments this new Custom Artist Edition features rare tonewoodshandsome appointments and aunique headstock inlay to honorthese musical trailblazers
John Phillipsrsquo vintage Martin D-28provides the inspiration for this Custom Artist Edition The tonewoods and top
bracing are a stellar combination thatapproximates those of MartinDreadnoughts from the early 1930sBack and sides are rare Madagascarrosewood similar in appearance andtone to the now endangered Brazilianrosewood The top is Carpathianspruce comparable in power andbrilliance to Adirondack spruce andequally responsive Advanced ldquoXrdquo
516rdquo scalloped bracing provides richresonant tone The 1 1116rdquo (at the
nut) low profile neck with diamondvolute is genuine mahogany while the
fingerboard and belly bridge are black ebony
L M
In the 1960s The Mamas and the Papas were at the epicenter of a musical earthquake
that began in Southern California and sent shockwaves across the country Combining
great songwriting unique arrangements and lush harmonies the group had six ldquoTop
10rdquo singles and four ldquoTop 5rdquo albums from 1965 through 1967 a feat that made them one
of the few groups to challenge the Beatles during that era While The Mamas and the
Papasrsquo original lineup of John Phillips Cass Elliot Denny Doherty and Michelle Phillips
lasted just four years several of the songs they created ndash including ldquoCalifornia Dreaminrsquordquo
ldquoMonday Mondayrdquo ldquoWords of Loverdquo and ldquoTwelve Thirtyrdquo ndash have stood the test of time
32
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(This story should sound familiar they laterturned it into a hit single ldquoCreeque Alleyrdquo)Eventually the four traveled to Los Angeles
where they auditioned for Dunhill RecordsOwnerProducer Lou Adler Adler signed them tohis label immediately and two days later thegroup had a name The Mamas and the Papas
Released in 1965 The Mamas and The Papasrsquofirst single failed to garner much notice Howeverthe second single ldquoCalifornia Dreamingrdquo co-
written by John and Michelle Phillips reachedNo 4 on the charts The grouprsquos debut album If
You Can Believe Your Eyes and Ears was releasedin early 1966 and rose to No 1 quickly followedby the single ldquoMonday Mondayrdquo which also hitNo 1 and later won a Grammy Award for ldquoBestContemporary Group Performancerdquo
While The Mamas and The Papasrsquo personallives became increasingly turbulent over the nexttwo years their music continued to flourish they recorded three additional albums ndash The Mamasand The Papas Deliver and The Papas and TheMamas ndash that went ldquoTop 20rdquo and in turn yieldedseveral ldquoTop 20rdquo singles
In 1968 bitter infighting between memberscaused the group to disband Due to contractualobligations they reunited briefly in 1971 to makethe People Like Us album and then went theirseparate ways Cass Eliot had a flourishing solocareer that was cut short by her death in 1974
John Phillips continued to write songs and bothhe and Denny Doherty performed and recordedas solo acts In the 1980s and 1990s they occasionally reunited to tour as members of the
New Mamas and Papas John Phillipsdied in 2001 Denny Doherty died in2007 Michelle Phillips enjoyed a successful acting career and today isthe last surviving original memberof the group
Despite the grouprsquos short history TheMamas and The Papasrsquo musical legacy remainsundiminished the group was inducted into theRock amp Roll Hall of Fame in 1998 and received a
Grammy Hall of Fame Award in 2001 In 2003 If You Can Believe Your Eyes and Ears was ranked127 on Rolling Stone magazinersquos list of the 500greatest albums of all time
Delivered in a hardshell case eachD-28M Mamas and The PapasCustom Artist Edition guitar bears a special interior label featuring theldquosun rayrdquo graphic from the RouletteRecords label on which some of TheMamas and The Papasrsquo singles werereissued in the 1970s Each label ispersonally signed by former Mamasand The Papas member MichellePhillips and numbered in sequence
with the edition total Beginning immediately authorized C F Martindealers will accept orders for theD-28M Mamas and The PapasCustom Artist Edition until all 100guitars in the edition are allocatedparticipating Martin dealers willthen be posted on theC F Martin website
wwwmartinguitarcom
33
S A M P L E
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L O N D O N A C O U S T I C G U I TA R S H O W
Acoustic guitar aficionados attending The London
Acoustic Guitar Show were treated to presentations
that showcased Americarsquos favorite musical instrument
brand and featured musical vignettes by legendary
and influential guitarists Stefan Grossman and
John RenbournThe presentation was given by Dick Boak archivist for Martin
Guitar who offered a graphical and interactive history of the 178-year-old guitar company In addition Dick displayed severalimportant examples in the evolution of Martin acoustic guitarsThe presentation focused on the development of the modern
acoustic guitar Martinrsquos historical contributions to the definitivacoustic guitar design artist signature model collaborations an
an in-depth explanation of specific guitar shapes sizes andtonewoods that lend themselves to particular musical genres JoRenbourn and Stefan Grossman legendary acoustic fingerstyleinnovators demonstrated the tonality of an assortment of Martinstruments including their own Custom Signature models
Martinrsquos UK distributor Westside Management was a primasponsor of the show and the host for the concert stage thatfeatured a stunning live performance by Renbourn and Grossm
Dick Boakrsquos presentation provided a template and proving ground for potential future presentations throughout the UniteStates Europe and Japan
THE LONDON ACOUSTICGUITAR SHOWSaturday and Sunday September 10-11 2011
Olympia Conference Center London
34
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Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
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M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
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The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
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M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
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M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
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Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
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M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
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Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
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A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
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C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
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P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
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Every good guitar like every good son and daughter
periodically goes home ndash or should go home ndash to the
place of its birth For Martin guitars thatrsquos Nazareth
Pennsylvania 18064 and Mother Martin is always gladto see the kids
Kidding aside there truly is a parental attitude at Martintowards every single Martin guitar ever made because nobody knows better than Martin the enormous skill patience andunrelenting adherence to quality standards that goes intobuilding a Martin guitar
Not surprisingly Martin cares as much about how you send yourguitar back to Nazareth as the reason why yoursquore sending it It isimportant to contact the Martin Customer Service Department inadvance to get a Return Authorization (RA) Number Simply call(610) 759-2837 and ask for a Customer Service representative
Irsquove shipped guitars to Martin for years and never damaged a one in the process Not even a scratch Herersquos how I do it
De-tune the strings with just enough tension to keep the bridgepins and saddle securely in their slots If there are electronicsremember to remove any batteries to make sure that they do notbecome loose during shipping Also and very importantly removethe endpin Some people remove strings bridge pins endpin andsaddle (if itrsquos a removable type) put them in an envelope and put theenvelope in the string pocket of the case Thatrsquos fine but make surethat the envelope is securely packed with wadded tissue paper on topof it so that it doesnrsquot shake itself or its contents out of the string pocket and wreak havoc on the guitar
C A R E A N D F E E D I N G
Shipping Your Guitar
Home To Mother
BY BILL BUSH
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Next buy a box of stringed paper tags Print your nameaddress telephone number and e-mail address on one side of the tag on the other side print the Martin model number andserial number Fill out two tags Attach one tag to one of the
tuning machines attach the second tag to the case handle Why If anything happens to the shipping labels in transit thereis a record of you as the owner in two places within the box
Also purchase a package (or two) of plain soft tissue papersheets used for gently wrapping gifts inside a gift box Itrsquos very soft paper and wonrsquot scratch delicate lacquer Do not stuff thecase interior with newspaper
You want to be sure that the guitar is snug in the caseespecially the headstock Wad up enough tissue paper to supportthe headstock ndash top bottom and sides The entire headstock
well of the case should be filled as well as the space above theheadstock (and front of the headstock) You can also tuck tissuepaper on the fretboard near the nut You want to prevent the
headstock from whiplashing forward and backward which ishow a lot of necks get cracked
You also want to gently stuff the sides and lower bout of the guitar(where the back strip is) and around the neck heel so that there is noshifting frontward or backward In short you want to make theguitar inert (motionless) within the case No movement whatsoeverin any direction About the case No guitar should be shipped inanything but a hard case Ever Martin offers a thermoplastic hardcase (which is tough as nails) as well as black vinyl covered plywoodand plush ldquoGeib-stylerdquo hard cases They come in various model sizesand fit quite snugly
Original Geib hard shell plush cases are still floating aroundout there from the 60s as are other vintage Martin hard casesalthough none are as snug as the present variety ndash and snugnessis critical when shipping a guitar
The best shipping box for Martin guitars is the same shippingbox Martin uses to ship their new guitars to dealers Just callyour local Martin dealer and ask if you can have a used Martinshipping box - and do it quickly before itrsquos thrown out or beforesomeone else gets it Theyrsquore good as gold
About packing the case in the shipping box UPS and officesupply stores sell bags of Polystyrene foam shipping ldquopeanutsrdquoSprinkle a layer of peanuts in the bottom of the shipping boxplace the packed guitar case in the box and carefully fill-in arouthe case to the top of the box Like the guitar in the case you
want the guitar case itself to be inert in the shipping box Tapethe top and bottom box flaps with lots of wide Scotch Strappingtape (the strongest) Then use clear Scotch packing tape to cover
handwritten ldquoTo amp Fromrdquo self-sticking label in the corner of thbox top UPS amp Fed Ex have their own self-sticking labels as we
You can cover the address with clear tape but NOT the bar codThe shorter shipping time the better UPS and Fed Ex offer
Next Day Air but itrsquos expensive They also ship Ground but besure you know how many days it takes to arrive in Nazareth andship early in the week so that your guitar does not sit in a hotshipping container or parked truck over the weekend
Lastly make sure you insure your guitar Some shippers willonly insure guitars for a limited amount Others will insure onthe basis of declared value of the instrument Itrsquos not cheap but i
worth it if you love your guitar Mother will approve
De-tune
the strings(and remove
the endpin)
Fill outtwo tags
Purchase a
box of stringed
paper tags
Packing The case
should be completely
filled with tissue paper
About the caseAlways ship in a hard
case No exceptions
8102019 Vol_32pdf
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C F Martin amp Co offers guitars to fit every preference and
budget but knows guitar dreams have no limits For
those whose guitar ideal canrsquot be found among the more
than 120 models Martin currently makes and who want toconceive their own unique perfect guitar Martin has
created a special place Itrsquos called the Custom Shop and it
is where guitar dreams come trueSituated on the production floor the Custom Shop is a dedicated
space with several workbenches assorted jigs and a range of racks andshelves for ldquoworks in progressrdquo Here just over a dozen of Martinrsquosmost experienced craftspeople build ndash one at a time and mostly oneof a kind ndash masterpiece acoustic guitars
ldquoThe Custom Shoprsquos goal is simply to build the best acousticguitars in the worldrdquo commented Fred Greene Martin Vice Presidentof Manufacturing ldquoWhether itrsquos an individualrsquos vision of a great
instrument a uniquely appointed model one of our dealers thinks will appeal to his or her clientele or a guitar wersquove conceived toshowcase artisan building each Custom Shop instrument is crafted asif we were making it for ourselvesrdquo
Custom guitars have been an element of Martin productionsince the company was founded in 1833 A number of Martinguitars from the 19th and early 20th century show customfeatures and custom Martins from the 1930s through the 1950shad an ldquoSrdquo suffix on the neck block model number to indicatetheir custom (or ldquospecialrdquo) status In the 1980s and 1990scustom Martinsrsquo neck blocks were simply stamped ldquocustomrdquo But
The Custom Shop
Bringing your
Guitar to LifeBY MARSHALL NEWMAN
Great sounding Custom Shop guitars donrsquot need to be fancy but if
you want to go that route Martin can certainly accommodate you12
C A R E A N D F E E D I N G
8102019 Vol_32pdf
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until recently all custom Martins were built on the main shopfloor alongside their non-custom siblings
The concept of a separate stand-alone Custom Shop began to gainmomentum approximately 10 years ago but didnrsquot come tofruition until 2005 ldquoWe had a custom administrator who handledand followed custom orders on the shop floor but knew we could
do morerdquo Greene recalled ldquoIn 2005 I proposed we create a separate custom area with a separate workforce with the capability to handcraft unique instruments using traditional techniques ndash likecarving necks by hand and hide glue construction - that didnrsquot lendthemselves to our standard production process We started theCustom Shop with a staff of five it began by building the Authenticline and slowly took on custom buildingrdquo Today the Custom Shophas a staff of eleven plus three design consultants who work withcustomers dealers and builders to assure Custom Shop instrumentsare everything they can be
ldquoThe number one challenge of the Custom Shop is timerdquoGreene noted ldquoIt takes time to build instruments of the quality Custom Shop customers demand to hand-carve the necks to cut
the pearl to shape the braces and all the rest In the Custom Shop we take whatever time is needed to make these instrumentsexceptional Judging by the number of orders theCustom Shop receives people recognize the value of
what we are crea tingrdquoldquoThe Custom Shop team includes several of
Martinrsquos most experienced builders The average tenure with Martin is 25 years and there are a few who areapproaching the 40-year markrdquo Custom Shop guitarsare built almost entirely by this small staff in theCustom Shop only operations requiring largespecialized equipment ndash like side bending andfinishing - are done on the main shop floor
While all orders for Custom Shop guitarsmust be made through authorized C F Martinamp Co dealers prospective Custom Shopcustomers now have a great tool they can utilizeto design their dream guitar the Custom GuitarConfigurator Accessible on-line at
wwwmartinguitarcom the Custom GuitarConfigurator lets the user ldquovirtuallyrdquo create a guitar from a range of Martinrsquos most popular options see their creation and get a suggestedretail price quote The information then can be printed out for useas a reference during the order process
13
The Custom Shop offers a remarkable range of options(actually more than shown in the Configurator) sizes body styles scale lengths tonewoods neck profiles appointments
inlays and more Are there limits to what the Custom Shop wibuild As they sometimes say in the Custom ShopldquoWe try to never say ‛norsquo we only say ‛how muchrsquordquo In truth
there are some projects Martin wonrsquot tackle among themreplicating a Martin Custom Artist model or SignatureEdition (to respect the artistrsquos vision for hisher guitar) and
building with customer-supplied wood (which may not matchMartin specifications or standards)The Custom Shop even allows customers to come by the factory
to select the specific tonewood set for his or her guitar from Martinextensive inventory ldquoAt first it was just Martin dealers but now weare seeing individuals stop byrdquo observed Greene ldquoThe opportunityto select the set of Madagascar rosewood or flamed mahogany oranother tonewood that will become a Custom Shop guitar makesthat guitar an even more personal statementrdquoDespite its limited production and brief history the Custom
Shop has produced an impressive array of guitars Ordersoften include unusual tonewood combinations special
neck configurations or custom inlays A CustomShop guitar generally takes four to six months tobuild after details have been finalized dependingon the current workload and the complexity of theorder guitars featuring special design elements
andor custom pearlwork can take longer Whetherplain or fancy each completed Custom Shop guitar
is identified by the laser-etched Custom Shop logoon its neck block
In early 2011 the Custom Shop introducedtwo limited-production CS models the first
of a series of Custom Shop instruments that will be available for only one calendar year(or less if demand is overwhelming as wasthe case with the CS-21-11 model) ldquoThe CS
models express C F Martinrsquos spirit of adventurerdquo explained Fred Greene ldquoThese
short exclusive runs of g uitars allow us to introduceexciting new ideas that might eventually be looked upon asclassics At C F Martin amp Co heritage and creativity arenrsquotmutually exclusive and these CS guitars are the proofrdquo Readyto create your one-of-a-kind Martin guitar Good The CustomShop is ready for you
In creating your Custom Shop Martin you may choose from a wide array of tonewoods body sizes appointment levels and customized inlay sty
8102019 Vol_32pdf
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Adjusting the truss rod with a special long Martin Allen wrench
Guitars are made to be played and the easier they are to
play the more pleasure they bring their owners The
action ndash the distance between the strings and the
fingerboard ndash should be just right and thatrsquos the reason
every guitar deserves a good set-upFundamentally guitar set-up is simple geometry adjusting
the guitarrsquos neck nut saddle and (occasionally) frets to put theaction at an ideal level - not so high as to be difficult to fret and notso low as to cause string buzz
C F Martin amp Co sets up every guitar it builds before it leavesthe factory Most Martin guitars built in Nazareth are set up using a PLEKreg Pro machine which scans the nut fingerboard and saddle
with a sensor compares the scan with optimal values and thencuts the nut slots contours thesaddle and polishes the frets toan accuracy of 11000 of aninch If necessary minor saddleand nut touch-up and truss rodadjustment are done by hand
when the guitar is strung A fewMartin guitars - primarily Custom Shop instruments -continue to be set up by hand
Even an acoustic guitar with a
good factory set-up may need tobe set up again within a few years according to Lon WernerMartin Customer RepairManager ldquoThe wood in a guitarcan take up to five years to ‛settleinrsquo under string tension and a change in the action may necessitate a fresh set-uprdquo Theownerrsquos playing style and
The LowdownBY MARSHALL NEWMAN on Set-up
Checking neck relief during final setup
14
C A R E A N D F E E D I N G
8102019 Vol_32pdf
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technique also may dictate whether a fresh set-up isneeded ldquoA fingerstyle player
with a light touch might wantthe action lowered while a flatpicker may need the actionraisedrdquo Indeed an individualrsquosplaying style and technique are
information a repairperson will want to know to do the bestpossible set-up
So can you tell if your guitarneeds a set-up Begin with theobvious If your guitar hasbecome very hard to fret itprobably needs a set-up If thestrings buzz either open orfretted it probably needs a set-up If its intonation is way offit probably needs a set-up
A few simple diagnostic testsalso can help determine
whether a set-up is neededCheck the neck relief by fretting the low E string simultaneously above the firstand below the 13th fret thegap between the string and the6th or 7th fret should beslightly more than the thicknessof a business card Checkaction at the nut by fretting each string between the second
and third fret there shouldbe daylight between eachstring and the first fret a gapapproximately the thicknessof a sheet of paper at thehigh E and slightly more at thelow E Check the height of theaction with a machinistrsquos rulerat the 12th fret the distancebetween the fret and the string should be approximately 232-332 of an inch on the trebleside and 332-432 of an inch
on the bass side A goodelectronic tuner can be used tocheck intonation on eachstring by playing the openstring and then playing theharmonic of the same string atthe 12th fret
A lot of guitarists may betempted to do their own set-upbut Dave Doll of Martinrsquos
Customer Repair Departmentcautions against it ldquoItrsquos like a doctor educating a patient onhow to recognize symptoms thpatient may know he has a problem but he still should goto the doctor to have thatproblem fixedrdquo he commented
ldquoEven a simple set-up can bedaunting unless you know whayou are doing you may well domore harm than goodrdquo Lon
Werner was more specificldquoWhile preliminary evaluationmay suggest a set-up is neededthe symptoms also can beindicative of a much moreserious problem When theMartin Customer RepairDepartment receives a guitar
we give it a thorough going-over from headstock toendpin If the bridge is liftingor a brace has pulled loose orthe neck needs a reset (justthree examples) that is a problem that has to be dealt
with for a set-up to bebeneficialrdquo Not everyonelives so close to Nazareth tohave their Martin guitar
worked on at C F Martin amp Cobut there are more than
150 Martin Service Centersthat can give that guitar thecare ndash whether a set-up orsomething more ndash it deservesShould you happen to visitNazareth or live nearbyC F Martin amp Co offers a very cool opportunity to learnabout guitar maintenance fromsome of the best in thebusiness Every Friday from11 am until noon theCustomer Repair Departmen
hosts a guitar care seminarduring which it demonstratesthe basics of guitar careincluding some of theelements of set-up (like trussrod adjustment) The guitarcare seminar is free noreservation is needed andit is a great way to learnhow to keep your Martinin peak playing condition
15
Checking the relief of the neck
Checking the action at the nut
Checking the action at the 12th fret
Adjusting the truss rod with a long Martin wrench
truss rod wrench
hole in brace
truss rod location
gap between bottom of string
and top of fret at the 12th fret
gap between bottom of string
and top of fret at the 1st fret
with string depressed
gap at the 6th or 7th fret with string
depressed at 2nd and 13th frets
exaggerated neck relief
frontblock
8102019 Vol_32pdf
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All-Star MUSEBenefit Concert
The All-Star MUSE BenefitConcertat the Shoreline Amphitheater inMountain View California supported Disaster Relief in Japanand Non-Nuclear Groups
Worldwide Featured artists includedCrosby (with his Martin Signature 12-string) Stills amp Nash Jackson BrowneBonnie Raitt Jason Mraz The DoobieBrothers Tom Morello John HallKitaro Sweet Honey in the Rock and
Jonathan Wilson
A R T I S T P R O F I L E S
Hollywood Bowl 2011Dolly Parton with her touring guitaris
Jim Salestrom who is playing hisMartin J-40 Dollyrsquos World Tour
thrilled attendees at the HollywoodBowl Saturday July 23 2011
DonavanFrankenreiterDonavonrsquos fourth studioalbum Glow is describedas ldquowarm organic andoverwhelmingly hopeful Theperfect antidote to trying timesrdquo Hersquos playing his triedand true Martin 000-18 Shawn Colvin
Shawn Colvinrsquos new Live album wasnominated for the Grammy Awardfor Best Contemporary Folk Album
Accompanied with her pristineM3SC Signature Edition findShawnrsquos enduring music on iTunes orat amazoncom
16
oto by Lynn Goldsmith
P
h o t o b y L y nn G ol d s mi t h
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 1946
Ron Davies(1946-2003)
A songwriter fromthe pacific northwestRon Davies at 17bought a well worn1956 D-18 Martin
which he put to gooduse writing an entirealbum of songs forthe Seattle band ldquoThe
Wailersrdquo As an artisthe recorded fivealbums during hislifetime but he isbest remembered forhis songwriting
His songs have been covered by a diverse group of artists that include Joan Baez David Bowie (Ziggy Stardust) Long John Baldry Ann Murray Three Dog
Night Nitty Gritty Dirt Band Helen Reddy Jerry Jeff Walker Maria Muldaur Joe Cocker Randy TravisNanci Griffith and the Raconteurs to name a few
In 2011 friends in the pacific northwest cametogether to record ldquoThe Mystery of Ron Daviesrdquo a tribute CD containing eighteen of Ronrsquos songsperformed by artists from his hometown and one by Davies himself Available on iTunes and at CD Baby allof the proceeds will benefit ldquoMusic Caresrdquo
Leslie TuckerLexington Virginia-based singersongwriter Leslie Tuckerrecently received the gift of a Martin D-41 from a legion of her fans and she plans to use her new acquisition in theproduction of a new album project currently in progressalong with a tour of performances when itrsquos released Tune into wwwleslietuckercom for updates
Santa Cruz Blues Fest 2011Some of the worldrsquos finest guitarists including Jonny Lang were on hand to salute guitar legend JimiHendrix at this yearrsquos Santa Cruz Blues Fest 2011
Jonnyrsquos playing his Martin J-40 Jumbo
Sting
17
Early StingFrom Andy Summers groundbreaking book Irsquoll be watching you Insidethe Police 1980-1983 Police guitarist and professional photographer
Andy Summers captured Sting with his Martin D-28 in 1982
8102019 Vol_32pdf
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Fast AJ AJ Rubino of SpringfieldMassachusetts has beenperforming folk and country music for nearly fifty years ndash
much of that time with his1975 Martin D-35 slightly customized with fingerboardinlay by luthier Harry BeckerThis photo will grace the cover of AJrsquos forthcoming CD
He is a loyal member of the Martin Ownerrsquos Club andowns several other Martin guitars The tree AJ is standing in front of was destroyed by the tornado that hit WesternMassachusetts in June of 2011 but no one was hurt andall of the Martin guitars survived
A R T I S T P R O F I L E S
The Kingston Trio Fantasy Camp 2011
Winfield KansasFestivalrsquos Martin D-42
Allen Shadd began playing guitar when he was seven years oldacquiring his first Martin guitar -
a 1973 D-35 at the age of tenSince then he has gone on toperform in many bands guitar
workshops recording sessions and in 1997 released his own CDldquoA Cut Aboverdquo Allen also frequently competes in guitarcompetitions and has won some of the most prestigious flatpicking contests that have included Merlefest Rocky Grass and the WayneHenderson guitar competition He brought home this yearrsquos MartinD-42 from the National Flatpicking Championship held in
Winfield Kansas Itrsquos the sixth time Allen has placed in the topthree including his first place finish in 1997
18
wwwkingstontriocom
Caroline JonesThis NYC-based singer songwriterguitarist and producer was trainedclassically by Andy Anselmo Founder
of New Yorkrsquos ldquoThe Singerrsquos ForumrdquoCaroline began singing opera ariascabaret standards and show tunes at agenine Under the management of Tommy Mottola and Chris Apostle shebegan recording her original songs withproducer Chris Toland at Sony and
Avatar studios in New York as a studentat The Professional Childrenrsquos SchoolIn 2008 Caroline began monthlyco-writing trips to Nashville where sherecorded with many of the industryrsquostop talents Since then she has been
performing and recording with herMartin 00-21 Kingston Trio modelthat pays tribute to original KingstonTrio member Dave Guard (1934-1991)
Shown above are Fantasy camp attendees each holding their Martin guitars (plus one banjo)
P h o t o b y J o h n L i n d
8102019 Vol_32pdf
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Dierks BentleyReaching deep into acoustic rootsmusic resulted in Dierks Bentleyrsquosnew album Up On The RidgeMore than a bluegrass concept
album with guests Up On TheRidge features Bentley working with some of the finest acousticmusicians in the world including long-time collaborators theDel McCoury Band and a new musical partnership with ChrisThile and the Punch Brothers Asa recent addition to the Martin
Ambassador ranks Dierkrsquos israrely seen without his prizedvintage herringbone D-28
Hawaiirsquos HirsquoikuaIn a culture that honorsthe legacies of the pastthis Hawaiian trio of talented musicians pays
homage to their roots while creating a uniqueand progressive soundthat leaves an indeliblemark upon contemporary Hawaiian music
In a seamlesscontinuous movement we all carry a past while living in thepresent and moving toward a future Hirsquoikuarsquos music reflectsthe belief that without asking the knowledge of our ancestorshas already been placed within us in the hope that we too
will shoulder that responsibility in an unbroken journey intothe future
Their music is composed and performed by Kalehua Krug (left with his Martin 12-string) Kamuela Kimokeo (above andcenter left with his Martin OMC Aura cutaway) and BlakeLeoki-Haili (right with Martin tenor ukulele)
The grouprsquos name derives from the Hawaiian word thatmeans literally ldquoto carry on onersquos backrdquo Hirsquoikua has taken thisresponsibility seriously
ldquoAia I Hirsquoialordquo the long awaited CD from Hirsquoikua featuressix original and six traditional songs
wwwhiikuacom J e r r o l J u l i a n P
h o t o g r a p h y
J e r r o l J u l i a n P
h o t o g r a p h y
8102019 Vol_32pdf
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F R O M T H E A R C H I V E S
Waiting for the Sunday Boatrdquo by William Henry Jacksonrdquo Florida circa 1902Martin small-bodied parlor guitar
ldquoAs long as
Irsquove got my guitar
Irsquoll be finerdquo
mdash Willie Nelson referring to Tri
his legendary Martin guitar
HometownCentenarianMary Arletta Hahnis shown (right)
with her 00-1712-fret Martinguitar Mary was inher twenties whenthis picture was
taken (circa 1932)She was born inNazareth andturned 104 this pastSeptember Healthy small town living Shereceived her theology degree from the United
Wesleyan College but she also majored in voicepiano and guitar She would sing and play guitarin her fatherrsquos varied congregations Mary haslived her entire life in and around NazarethToday she lives just one block from where herguitar was made
1883 Advertisement
Gu i tar is t and Mando l in
is t
c irca 18 9 0
Guit ar ist and Mandolinist c ir c a 19 25
20
8102019 Vol_32pdf
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Ahh the sound of the Martin Rich and evocative Texture
lifeby strummingorpickingorthe lightesttouchtoteas
harmonicsthesoundmdashlikethehistoryofCF Martinamp C
peopleanda storyofthesensesHearitTasteitFeelitA
artist Robert Goetzl see it Seethe sound of the Martin
FEA TU R E
The Soundand the Story
Thehand drawnsketches (right)illustratethesix-panel seriesofthree-foot byfour-footmuralsthatwillhangintheMartinVisitorrsquos Center
BYSUSAN J BURLINGAME FREELANCE WRITER MARTIN
22
mdashC FMartin IVmdashcalls itldquothe magic ofFrom JohnnyCash to John Mayerand fromElvis Costello manyof historyrsquos mostbrilliantve chosen the Martin sound the Martin magicm the Martin storycontinuesMartin magic is mostprofoundly representedby n in the early1800s on the otherside of theour eyes fora momentand imagine ayoung king browfurrowed in concentration Heods the braces the strings of his firstguitarrtin has traveledfrom his home in Saxonytoe learns the artof guitarmaking as ane of the bestknown guitar shops in Europeg his 37th year C F Martinalong with hisdren sets outfor Americae story as theysayhellipis magicamp Co is still family-ownedmdashbutthe ldquofamilyrdquoh Martins and non-Martins generations of
ed arole in crafting the exquisite acousticrtin has offeredthe world formore than 175ertGoetzl a cousin to Chris Martinhas been create awork of art depicting C F Martin ampamily its sound andits storyeries of three-footby four-footmurals thatwillin Visitorrsquos Center the work says Goetzl is a love Chris Martin thatmuch He wasuential in mylife andthe opportunityto tellyauthentically is extremelymeaningful to merdquonels (pictured here)take viewers on CFfrom Saxonyto Viennato the newworld
ured as the music of the Martin guitar thensionalmdashdone in mixedmedia with collage andreating the firstpanel was forGoetzl the biggest
23
challenge ldquoI realizedthe enormityof the projectmdashnotjust inscope butalso in importance to the familyand to the thousandsof people who wouldbe looking atitrdquoGoetzl labored andsecond-guessedand tweakedand proddedbefore finally unveiling itto Chris Martin andothers at Martin ldquoThe lookson theirfaces toldme I had naileditrdquo Panel numbertwo which illustrates the Martin familyrsquosinitial shopin New York andthe move to NazarethPennsylvania causedGoetzl much less consternation butequallyas much joy he says as will each successive mural ldquoIf this is the endof the roadfor me the lastwork I evercreaterdquosays Goetzl (who surelyhas afew more decades ofcreativityleft) ldquoI wouldbe completely fine with thatrdquo
ldquoRobert has put his heart into
creating something that will
make a tremendous addition
to the Martin experiencerdquo
mdash Dick Boak Artist Relations C F Martin amp Co
Tex Fletcher
SingingcowboyTexFletcher maynot
have become the household name that
other cowboy singers from the 1930s
such as Gene Autry and Roy Rogers had
butdespitesometimes overwhelming
odds hersquosbeen remembered nonetheless
forhis noteworthycontributionsto earlyand
mid-20th century cowboy culture
He was born Geremino Biscegliain 1910 in HarrisonNew York the fifth of eight children of Italian immigrants Michael(astone mason)and Josephine Bisceglia He leftschool afterthethirdgrade to work with his fatherandbrothers He was raisedin a musical householdand he learnedto sing andplay traditional Italian songs accompaniedby accordionsmandolins andviolins
Jerrypicked upa fewguitar chords froma local right-handedguitarist butbeing left-handed he retaughthimself to playhisown right-handedguitarldquobackwards andupside downrdquoas he wouldlater explain with achuckle
He became enamoredwith the silver screen cowboys of theday often sneaking into the local cinemaforshowings of thelatestsilent picture starring TomMix WilliamS Hartand YakimaCanutt
Overthe nextfew years the teenagedcowboy wannabe beganto realize his boyhoodambition as he learnedto handle horseandcattle byday while soaking upcowboy lore andcampfiresongs bynight in effectbecoming aldquorealrdquocowboy Asinging cowboy Unique stuff forthe late 20s He returnedto NewYork in 1931 with aconfidence anda newfoundvoice With saddle bags full of cowboy stories andsongs the cowboysingerwas now going bythe name Tex Fletcher He began entering andwinning localthen regionaltalentshows Fletcherrsquos confidence grewwith each winning purse as was evidencedbyhis every growing wardrobe of
cowboyoutfits andhis first Martin guitar a000-45 He neverplayedanother companyrsquos guitars again believing the leastexpensive Martin guitarwas headand shoulders aboveanyother companyrsquos bestHistory has clearlymade fora compelling argument Itwasnrsquotlongbeforehereceivedan offerofa radiojobas asinging cowboyoverWFASinWhitePlainsNewYorkBy1934 attheheightofsingingcowboycrazeFletcherbegana relationshipthat wouldlastmorethan 25yearsbroadcastingoverWORNew YorkNewJersey(MutualNetwork)Itwas thesameyear thathebeganappearingatthe VillageBarnnightclub(whichwouldlaterbecomeJimiHendrixrsquosElectricLadyland)inGreenwichVillageNYagig thatlastedwell intotheearly1960s
1934 was also the yearTexorderedhis custommade MartinD-42Hersquodadmiredthe pearlygoodlooks and loudtone of Gene Autryrsquos D-45 (the firstD-45) butwanted an instrumentthatw ouldbe uniquelyTexFletcherrsquos guitar But he wasnrsquotthe onlycowboysinger who wantedto follow in Autryrsquos trail Milwaukee -based Jackie ldquoKidrdquoMoore beathimto the punch when he ordered his own D-45 (No 2)fromMartinBut according to authorMartin researcherJohn Woodland amisunderstanding with regardto neck length ledMartin to shelve the unfinished14 fretto the body D-45Moore then optedfor awider OMstyle neck with 12 frets tothe body This D-45 is No3 Then along comes NewYork radio cowboyTexFletcherwithhis own ideaof whatfeatures ldquohisrdquoguitar shouldsportincluding 14 frets to the body which alignedperfectly with the
partiallyconstructed D-45 (No2) buthe wanted all the flashupfront So insteadof proceeding to finish the guitaras aD-45Martin craftsmen changedthe toprsquos bracing to aHigh ldquoXrdquoconfiguration anddesignated this slightlymore modestcousinof the D-45the D-42 So the TexFletchermodel is not only the firstD-42butalso the secondD-45Itremainedthe only example of the D-42 forthe next54 years
Fletcherhadbeenout ofthe musicbusinessforjusta fewyears whenhe wastrackeddownin theearly1970sby then-MartinhistorianMikeLongworthwho convincedthe oldcowboytodonatetheinstrumenttothe MartinMuseumFletcheragreedandthatrsquoswhereitresidesto thisdaydisplayedjusta fewfeetfromitrsquosfirstcousintheGeneAutryD-45 (No1)
21 24
N EW PR O D U CTS
NEW A DDITIONS TO
OUR LINEUP OF
Great Ukuleles
The Martin Standards of Tone and Workmanship Prevail
C1K amp T1K UkulelesMartin has been building the worldrsquos finest ukuleles
from as early as 1916includingthesmallest Soprano
the original model to the larger Concert in 1925 and
the Tenor uke in 1929 Both the concert model and
tenor models havelong been prized for their full-bodied
voiceandgreatervolumeThesenewC1Kconcertand
T1Ktenor modelsfeaturetops backsidesand head-
platesofsolidHawaiianKoaawoodnativeto Hawaii
and a favoriteof island players Both ukes feature solid
Sitkabraces genuinemahoganyblocksand applied
dovetailneckjointsintheMartintraditionNecksare
craftedofselecthardwoodandcappedwithasolid
Morado fingerboardtheconcert has a 15rdquoscalelength
thetenor a 17rdquoscaleBridges arealso ofsolid Morado
with whiteTusqsaddles Open-geared nickel tuners with
whitebuttons ensureprecision Finished in high quality
satinlacquerPadded bagincludedTwo beautifulexam-
ples of why Martin is still the name in superior quality
ukuleles
ldquoAs far as inanimate objects
being friends I think that is right
on the list My Martin ukulele
is a work of art Itrsquos going to live
long after merdquo
mdashEddieVedderPearl JamUkuleleSongs
T1K
C1K
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2446
Clock key mechanism for
adjustingguitar necks on
Martinrsquos earliest guitars
manufactured in New York
ImaginedMartinfamily portrait
CircaSeptember1833mdashat the
timeof theMartinsrsquotransatlantic
journey to the New World
Mappointingto
Markneukirchen the
main town in Germanyrsquos
musicalinstrument-
makingregion
Embellished original
drawingofCF Martinrsquos
residencein
Markneukirchen
Saxony (Germany)
Thesa
carries
North
specta
showe
Harbo
Imagin
CFM
Hudso
Depic
mold
a Mart
glueu
NEL ONE 2 bull PANEL TWO
Rende
home
in Che
Circa1
Portra
presid
when
arrived
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2546 25
Over 175 Years of Guitar Building Excellence
OM -21 NEW Martinrsquos OM (Orchestra Models)
guitars have always been very
special to fingerstyle guitarists
especially this new OM-21 with its
comfortable 1-34rdquo wide neck at the
nut and highly responsive 14rdquo
scalloped Sitka top braces Elegant in
its simplicity this new version offers a
tasteful upgrade of solid black ebony
fingerboard and 30rsquos style ldquobellyrdquo
bridge with genuine bone saddle and
nut all adding to the rich resonance of this guitar Whatrsquos more wersquove
replaced the standard OM neck with a
slimmer ldquoPerformingrdquo Artistrdquo modified
low oval profile tapered neck and
wider 2-316rdquo bridge string spacing for
faster more comfortable playing The
solid Sitka spruce top with
hand-inlaid 28 style
rosette is joined to a
body of premium
solid East Indian
rosewood bound intortoise colored
18 style binding
Delmar tortoise color
pickguard nickel
open-geared
tuners with
Butterbean
knobs and
polished gloss
lacquer with
aging toner
complete this
beautiful
instrument
Delivered to you in the
new Martin 433 archtop
hardshell case If yoursquore a finger picker this new OM-21 is
the one to pick
D-18 NEW Since its introduction in 1935 the D-18
has been the workhorse of the Martin steel
string acoustic line More plain and less
costly than its D-28 rosewood cousin the
D-18 has none the less established its own
tonal identity ndash balanced crisp midrange
definitive bass and bright clear treble a
favorite of innumerable bluegrass blues and
country performers as well as discerning
studio musicians ndash because it is a great
performing and recording guitar Over the
years the D-18 has seen numerouspermutations ndash the D-18V and D-18P ndash as
well as variations in bindings rosette
fingerboard amp bridge woods bracing
patterns and pickguards And now the
new D-18 brings together
the best features of all of
these great D-18s into
one superb sounding
and playing guitar On
the traditional side backs
and sides are still crafted
of solid genuineMahogany joined with a
solid Sitka spruce top
with forward-shifted
scalloped ldquoXrdquo bracing
The fingerboard
and 1930s style
belly bridge are
fashioned of
solid black
ebony as were
the originals
Whatrsquos new A
lightning fast modified low
oval profile neck with a
1-34rdquo nut width and slimmer 2-18rdquo taper at the 12th fret Itrsquos
the same neck featured on our innovative Performing Artist
series guitars with the same wide 2-316rdquo bridge string
spacing too for greater player comfort and accessibility up
and down the neck The new D-18 The perfect blend of past
and future ndash and great guitar to start the New Year
8102019 Vol_32pdf
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NAMM Show
Specials
N E W P R O D U C T S
2012 Martin Show Special Guitars
The DCPA Koa amp GPCPA Koa They donrsquot get any more beautiful ndash or more
beautiful sounding ndash than these spectacular
dovetail flamed Koa Performing Artist guitars
And with only a total of 30 instruments ndash
combined ndash being offered to dealers at the 2012
NAMM Show they donrsquot get any rarer either Here
wersquove chosen two of our most popular cutaway models in
the Performing Artist series the classic Dreadnought and
the Grand Performance and crafted the backs and sides
of premium Hawaiian flamed Koa a resonant tonewood
indigenous to the Hawaiian islands Koa has long been by
favored by native Hawaiian musicians for guitars and
ukuleles as well as discerning players and collectors
worldwide Martin in particular has built various sized
instruments of Koa from as early as 1850 The tops are of prized solid Adirondack Spruce as are the scalloped
forward-shifted ldquoXrdquo braces in the ldquoGolden Erardquo fashion The
bodies are bound with solid Madagascar rosewood the
top is inlaid in the 42 style with an elegant blue Paua
pearl rosette The backstrip is 45 style marquetry Both
guitars feature our fast and comfortable Performing Artist
modified low oval mahogany neck with ebony
fingerboard and
wide 2-316rdquo string
spacing on the
ebony Performing
Artist belly bridge And the
crowning touch both guitarsare equipped with the new
Fishmanreg F1 Aura + onboard electronics system the
ultimate in acoustic realism and projection as well as
pickup versatility Waverly gold tuners with Ivoroid
buttons complete the package Orders for the DCPA Koa amp
GPCP Koa will be taken solely from dealers in attendance
at the 2012 NAMM Show in Anaheim California
NEW TOOLS
for GREAT TONE
GPCPA Koa
DCPA Koa
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Over 175 Years of Guitar Building Excellence
DCPA1 Madagascar Rosewood ampGPCPA1 Madagascar Rosewood
These two very special dovetail Performing Artist
guitars reflect the best of Martin innovation expert
craftsmanship and selection of superior tonewoods ndash
all in one As PA series models Dreadnought and
Grand Performance they include a unique slim
tapered fast neck for exceptional player comfort in
all positions a smaller and lighter PA ldquobellyrdquo bridge
for greater tonal response and increased string
spacing for easier finger picking They also
include the new state-of-the-art Fishmanreg F1
Aura + onboard electronics system that deliver
striking acoustic realism and projection
Plugged in or pure acoustic these are great
sounding guitars ndash and with good reason The
tops are solid Adirondack spruce pearl inlaid inthe 41 style and driven by 516rdquo Adirondack
scalloped braces forward-shifted in the ldquoGolden Erardquo X
pattern The back sides and headplate are Madagascar
Rosewood selected for its beauty and close acoustic and visual resemblance to
Brazilian Rosewood Solid black ebony is used for the fingerboard and bridge
Details include grained Ivoroid bindings Delmar beveled tortoise color pickguard
special ldquoalternative torchrdquo inspired position inlays gold enclosed tuners bone nut
and saddle The most distinctive Performing Artist production models to date
Fishmanreg F1 Aura + The Fishmanreg F1 Aura + features a newsimplified and intuitive Easy Mode allowing youto quickly get a feel for the tonal possibilities ofthe system while providing the most importantfeatures The Easy Mode offers three custom-blended Aura Image presets tone control and
the option of using the undersaddle pickuponly For the real tone-tweakers wersquove retainedthe original Performance Mode as well givingyou full access to the powerful 3-band EQscompressor and automatic anti-feedback ofthe F1 Aura +
Performing
Artist SeriesDCPA1
Madagascar
Rosewood
GPCPA1
Madagascar
Rosewood
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N E W P R O D U C T S
Performing
Artist Series
Martin introduces an exciting
new tonewood called Siris
DCPA4 Siris amp
GPCPA4 Siris
With these two new
Performing Artists guitars
Martin introduces an exciting
new tonewood called Siris
adding even more tonal color
and variety to the PA series Siris
delivers excellent bass response
reminiscent of East Indian rosewood as
well as a clear midrange and treble making it an
excellent guitar wood for recording and for playing live Lighter in color
yet denser than rosewood it produces a slightly longer sustain thanrosewood Siris is typically dark orange contrasting beautifully with the
Sitka Spruce tops tortoise colored pickguards grained Ivoroid bindings
and special East Indian rosewood center wedge on both guitarsrsquo 3-piece
backs The DCPA4 Siris and the GPCPA4 Siris are 14-fret cutaway guitars and
have fast comfortable Performing Artist profile necks Hybrid ldquoXrdquo scalloped top
bracing black Richlite fingerboards and bridges and Fishmanreg F1 Analog
onboard electronicsGPCPA4 Siris
DCPA4 Siris
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Over 175 Years of Guitar Building Excellence
The GPCPA4 Sapele is constructed with
FSCreg Certified tonewoods harvested from
ecologically sound and responsibly manag
forests The fingerboard and bridge are
built with FSCreg
Certified Richlitereg
29
GPCPA4 SapeleFirst introduced in 2010 the GPCPA4 is an extraordinary Martin ndash a
big Grand Performance cutaway with a fast comfortable Performing
Artist Series high performance neck But this brand new version ndash
the GPCPA4 Sapele ndash is extra special It rsquos built with FSCreg Certified
tonewoods harvested from ecologically sound and responsibly
managed forests This includes African sapele back and sides
mahogany front and rear blocks cherry side strips Spanish cedar
ribbons and European spruce Hybrid ldquoXrdquo scalloped bracing The top
is FSCreg Certified recycled Sitka spruce produced from old bridge timbers in Canada
Even the fingerboard and bridge are crafted of FSCreg Certified Richlitereg material High
polished gloss top finish with tasteful Cherry red toned back and sides Fishmanreg F1
Analog electronics are included with volume and tone shaping capabilitiesonboard digital tuner and phase control Quite a
package Quite a guitar
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N E W P R O D U C T S
DCPA5K and GPCPA5K
Advanced guitar design meets high-
tech guitar construction The result
two highly affordable Performing
Artist guitars with excellent tone
playability and durability Back
and sides of the cutaway
Dreadnought and Grand
Performance models are made
of a high-pressure wood fiber
laminate (called HPL) with
Koa grain and texture photo-
imbedded The top is solid Sitkaspruce braced with Martinrsquos Hybrid ldquoXrdquo
scalloped bracing system renowned for its
resonance clear treble and distinct bass The Performing Artist Profile neck is
slim and fast and comfortable made of tough Stratabondreg multi-layered
wood laminate Performing Artist bridge and fingerboard are black Richlite
Chrome enclosed tuners with large buttons and Fishmanreg F1 Analog
onboard electronics included A terrific value with great tone and
environmentally friendly
Performing
Artist Series
The DCPA5K and GPCPA5K
are Performing Artist guitars
with excellent tone playability and durability
GPCPA5K
DCPA5K
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Road Series
31
Over 175 Years of Guitar Building Excellence
Special Edition
DRS2 The latest of Martinrsquos hard-working
great sounding Road Series guitars
the new DRS2 delivers a unique blend
of durability and concert-quality
sound and projection The top is
crafted of solid Sitka spruce and
braced with Martinrsquos A-Frame (X1)
bracing Back and sides are select
solid Sapele similar in look and
tonal qualities to its
close cousin
mahogany As
beautiful as it looks
and sounds the
DRS2 is a serious
working musicianrsquos
guitar built for on
the road durability
without sacrificeof tone The
neck is
constructed
of a multi-
layered
wood
laminate
called
Stratabondtrade
that perfectly
simulates natural
quartersawn wood grain The fingerboard and bridgeare crafted of black Richlite amazingly similar in look
weight and resonance of ebony A Fishmanreg
Sonitone sound reinforcement system completes
this very road ndash and stage ndash worthy Martin
000C NylonIn response to the many Martin players
who chose the limited edition 000CDG
built in memory of Chris Martinrsquos late
brother Doug Greth we have
expanded upon this unique ldquocrossoverrdquo
instrument with the new 000C Nylon It is
truly a hybrid instrument combining features
of a traditional Martin steel-string guitar with
those associated with a classical nylon string
guitar The top is crafted of solid Sitka spruce
and braced with a unique A-Frame ldquoXrdquo brace
system Yet this bracing system is equally
responsive to lighter nylon strings without
inhibiting tone or volume The 12-fret low
profile neck features an 18rdquo radius arched
(versus flat) fingerboard like a steel string
but with a classic width 1-78rdquo at the nut and
2-516rdquo at the 12th fret The bridge is in the
classic style with tie block and drop insaddle Bridge string spacing is a
wider 2-516rdquo as well Even the
000Crsquos headstock is unique ndash
square tapered like the
traditional Martin steel
string style but slotted to
accommodate classical
nylon strings Each guitar is
fitted with onboard Fishmanreg
F1 Analog electronics too
The result A versatile
great sounding andplaying guitar no
matter whether you
play acoustic or
acoustic electric
or both
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D-28M Limited Edition Celebrates
The Enduring Music and Legacy ofThe Mamas and The Papas
The appointments on the D-28M Mamas and ThePapas Custom Artist Edition emulate a circa 1960sD-28 blackwhiteblack top purfling blackwhiteback purfling grained Ivoroid binding and heelcapldquocheckerboardrdquo backstrip mother of pearl dotposition markers chrome Groverreg Rotomatic tunerstortoise-colored pickguard polished gloss lacquerfinish and vintage-inspired aging toner on the topExtra flash comes in the form of a Style 45 abalonepearl rosette and abalone pearl-topped bone bridgeand end pins
The guitarrsquos crowning glory is ndash appropriately ndashon the polished black ebony headplate Above
the nut sheltered by the familiar gold old-styleldquoC F Martin amp Co Est 1833rdquo decal logo is a silhouette of The Mamas and The Papasbeautifully inlaid in mother of pearl Derivedfrom a photo by Henry Diltz the inlay capturesthe group in full performance mode
In the early 1960s the four musicians whobecame The Mamas and Papas were a long way from pop music stardom though all wereinvolved in the East Coast folk music scene
John Phillips was a member of the JourneymenDenny Doherty and Cass Elliot sang with theMugwumps After the Journeymen broke up
John Phillips his wife Michelle Phillips andMarshall Brickman formed the New JourneymenMarshall eventually left the band but went on toco-write Oscar winning screenplays with Woody
Allen and he co-wrote the book that became therecord-breaking play ldquoThe Jersey Boysrdquo
Marshall Brickman was replaced by Denny Doherty and soon Doherty introduced hisbandmates to Elliot The four began harmonizingto the pop songs John was writing and perfectedtheir sound during a Caribbean vacation together
The starting point for The Mamas and the Papasrsquofresh pop sound was the folk music all fourmembers played before they got together as a group Songwriter and leader John Phillipsrsquo well-
worn Martin Dreadnought often provided thestrummed rhythmic underpinning on which TheMamas and Papasrsquo band instrumentation andvocals were layered The combination proved tobe genius and even today The Mamas and thePapas ldquosoundrdquo is instantly recognizable
To celebrate the group and its place in popmusic history C F Martin introduces a very
special D-28M Mamas and The Papas
Custom Artist Edition Limited to just100 instruments this new Custom Artist Edition features rare tonewoodshandsome appointments and aunique headstock inlay to honorthese musical trailblazers
John Phillipsrsquo vintage Martin D-28provides the inspiration for this Custom Artist Edition The tonewoods and top
bracing are a stellar combination thatapproximates those of MartinDreadnoughts from the early 1930sBack and sides are rare Madagascarrosewood similar in appearance andtone to the now endangered Brazilianrosewood The top is Carpathianspruce comparable in power andbrilliance to Adirondack spruce andequally responsive Advanced ldquoXrdquo
516rdquo scalloped bracing provides richresonant tone The 1 1116rdquo (at the
nut) low profile neck with diamondvolute is genuine mahogany while the
fingerboard and belly bridge are black ebony
L M
In the 1960s The Mamas and the Papas were at the epicenter of a musical earthquake
that began in Southern California and sent shockwaves across the country Combining
great songwriting unique arrangements and lush harmonies the group had six ldquoTop
10rdquo singles and four ldquoTop 5rdquo albums from 1965 through 1967 a feat that made them one
of the few groups to challenge the Beatles during that era While The Mamas and the
Papasrsquo original lineup of John Phillips Cass Elliot Denny Doherty and Michelle Phillips
lasted just four years several of the songs they created ndash including ldquoCalifornia Dreaminrsquordquo
ldquoMonday Mondayrdquo ldquoWords of Loverdquo and ldquoTwelve Thirtyrdquo ndash have stood the test of time
32
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(This story should sound familiar they laterturned it into a hit single ldquoCreeque Alleyrdquo)Eventually the four traveled to Los Angeles
where they auditioned for Dunhill RecordsOwnerProducer Lou Adler Adler signed them tohis label immediately and two days later thegroup had a name The Mamas and the Papas
Released in 1965 The Mamas and The Papasrsquofirst single failed to garner much notice Howeverthe second single ldquoCalifornia Dreamingrdquo co-
written by John and Michelle Phillips reachedNo 4 on the charts The grouprsquos debut album If
You Can Believe Your Eyes and Ears was releasedin early 1966 and rose to No 1 quickly followedby the single ldquoMonday Mondayrdquo which also hitNo 1 and later won a Grammy Award for ldquoBestContemporary Group Performancerdquo
While The Mamas and The Papasrsquo personallives became increasingly turbulent over the nexttwo years their music continued to flourish they recorded three additional albums ndash The Mamasand The Papas Deliver and The Papas and TheMamas ndash that went ldquoTop 20rdquo and in turn yieldedseveral ldquoTop 20rdquo singles
In 1968 bitter infighting between memberscaused the group to disband Due to contractualobligations they reunited briefly in 1971 to makethe People Like Us album and then went theirseparate ways Cass Eliot had a flourishing solocareer that was cut short by her death in 1974
John Phillips continued to write songs and bothhe and Denny Doherty performed and recordedas solo acts In the 1980s and 1990s they occasionally reunited to tour as members of the
New Mamas and Papas John Phillipsdied in 2001 Denny Doherty died in2007 Michelle Phillips enjoyed a successful acting career and today isthe last surviving original memberof the group
Despite the grouprsquos short history TheMamas and The Papasrsquo musical legacy remainsundiminished the group was inducted into theRock amp Roll Hall of Fame in 1998 and received a
Grammy Hall of Fame Award in 2001 In 2003 If You Can Believe Your Eyes and Ears was ranked127 on Rolling Stone magazinersquos list of the 500greatest albums of all time
Delivered in a hardshell case eachD-28M Mamas and The PapasCustom Artist Edition guitar bears a special interior label featuring theldquosun rayrdquo graphic from the RouletteRecords label on which some of TheMamas and The Papasrsquo singles werereissued in the 1970s Each label ispersonally signed by former Mamasand The Papas member MichellePhillips and numbered in sequence
with the edition total Beginning immediately authorized C F Martindealers will accept orders for theD-28M Mamas and The PapasCustom Artist Edition until all 100guitars in the edition are allocatedparticipating Martin dealers willthen be posted on theC F Martin website
wwwmartinguitarcom
33
S A M P L E
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L O N D O N A C O U S T I C G U I TA R S H O W
Acoustic guitar aficionados attending The London
Acoustic Guitar Show were treated to presentations
that showcased Americarsquos favorite musical instrument
brand and featured musical vignettes by legendary
and influential guitarists Stefan Grossman and
John RenbournThe presentation was given by Dick Boak archivist for Martin
Guitar who offered a graphical and interactive history of the 178-year-old guitar company In addition Dick displayed severalimportant examples in the evolution of Martin acoustic guitarsThe presentation focused on the development of the modern
acoustic guitar Martinrsquos historical contributions to the definitivacoustic guitar design artist signature model collaborations an
an in-depth explanation of specific guitar shapes sizes andtonewoods that lend themselves to particular musical genres JoRenbourn and Stefan Grossman legendary acoustic fingerstyleinnovators demonstrated the tonality of an assortment of Martinstruments including their own Custom Signature models
Martinrsquos UK distributor Westside Management was a primasponsor of the show and the host for the concert stage thatfeatured a stunning live performance by Renbourn and Grossm
Dick Boakrsquos presentation provided a template and proving ground for potential future presentations throughout the UniteStates Europe and Japan
THE LONDON ACOUSTICGUITAR SHOWSaturday and Sunday September 10-11 2011
Olympia Conference Center London
34
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Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
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M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
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The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
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M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
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M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
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Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
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M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
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Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
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A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
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C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
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P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
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Every good guitar like every good son and daughter
periodically goes home ndash or should go home ndash to the
place of its birth For Martin guitars thatrsquos Nazareth
Pennsylvania 18064 and Mother Martin is always gladto see the kids
Kidding aside there truly is a parental attitude at Martintowards every single Martin guitar ever made because nobody knows better than Martin the enormous skill patience andunrelenting adherence to quality standards that goes intobuilding a Martin guitar
Not surprisingly Martin cares as much about how you send yourguitar back to Nazareth as the reason why yoursquore sending it It isimportant to contact the Martin Customer Service Department inadvance to get a Return Authorization (RA) Number Simply call(610) 759-2837 and ask for a Customer Service representative
Irsquove shipped guitars to Martin for years and never damaged a one in the process Not even a scratch Herersquos how I do it
De-tune the strings with just enough tension to keep the bridgepins and saddle securely in their slots If there are electronicsremember to remove any batteries to make sure that they do notbecome loose during shipping Also and very importantly removethe endpin Some people remove strings bridge pins endpin andsaddle (if itrsquos a removable type) put them in an envelope and put theenvelope in the string pocket of the case Thatrsquos fine but make surethat the envelope is securely packed with wadded tissue paper on topof it so that it doesnrsquot shake itself or its contents out of the string pocket and wreak havoc on the guitar
C A R E A N D F E E D I N G
Shipping Your Guitar
Home To Mother
BY BILL BUSH
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Next buy a box of stringed paper tags Print your nameaddress telephone number and e-mail address on one side of the tag on the other side print the Martin model number andserial number Fill out two tags Attach one tag to one of the
tuning machines attach the second tag to the case handle Why If anything happens to the shipping labels in transit thereis a record of you as the owner in two places within the box
Also purchase a package (or two) of plain soft tissue papersheets used for gently wrapping gifts inside a gift box Itrsquos very soft paper and wonrsquot scratch delicate lacquer Do not stuff thecase interior with newspaper
You want to be sure that the guitar is snug in the caseespecially the headstock Wad up enough tissue paper to supportthe headstock ndash top bottom and sides The entire headstock
well of the case should be filled as well as the space above theheadstock (and front of the headstock) You can also tuck tissuepaper on the fretboard near the nut You want to prevent the
headstock from whiplashing forward and backward which ishow a lot of necks get cracked
You also want to gently stuff the sides and lower bout of the guitar(where the back strip is) and around the neck heel so that there is noshifting frontward or backward In short you want to make theguitar inert (motionless) within the case No movement whatsoeverin any direction About the case No guitar should be shipped inanything but a hard case Ever Martin offers a thermoplastic hardcase (which is tough as nails) as well as black vinyl covered plywoodand plush ldquoGeib-stylerdquo hard cases They come in various model sizesand fit quite snugly
Original Geib hard shell plush cases are still floating aroundout there from the 60s as are other vintage Martin hard casesalthough none are as snug as the present variety ndash and snugnessis critical when shipping a guitar
The best shipping box for Martin guitars is the same shippingbox Martin uses to ship their new guitars to dealers Just callyour local Martin dealer and ask if you can have a used Martinshipping box - and do it quickly before itrsquos thrown out or beforesomeone else gets it Theyrsquore good as gold
About packing the case in the shipping box UPS and officesupply stores sell bags of Polystyrene foam shipping ldquopeanutsrdquoSprinkle a layer of peanuts in the bottom of the shipping boxplace the packed guitar case in the box and carefully fill-in arouthe case to the top of the box Like the guitar in the case you
want the guitar case itself to be inert in the shipping box Tapethe top and bottom box flaps with lots of wide Scotch Strappingtape (the strongest) Then use clear Scotch packing tape to cover
handwritten ldquoTo amp Fromrdquo self-sticking label in the corner of thbox top UPS amp Fed Ex have their own self-sticking labels as we
You can cover the address with clear tape but NOT the bar codThe shorter shipping time the better UPS and Fed Ex offer
Next Day Air but itrsquos expensive They also ship Ground but besure you know how many days it takes to arrive in Nazareth andship early in the week so that your guitar does not sit in a hotshipping container or parked truck over the weekend
Lastly make sure you insure your guitar Some shippers willonly insure guitars for a limited amount Others will insure onthe basis of declared value of the instrument Itrsquos not cheap but i
worth it if you love your guitar Mother will approve
De-tune
the strings(and remove
the endpin)
Fill outtwo tags
Purchase a
box of stringed
paper tags
Packing The case
should be completely
filled with tissue paper
About the caseAlways ship in a hard
case No exceptions
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C F Martin amp Co offers guitars to fit every preference and
budget but knows guitar dreams have no limits For
those whose guitar ideal canrsquot be found among the more
than 120 models Martin currently makes and who want toconceive their own unique perfect guitar Martin has
created a special place Itrsquos called the Custom Shop and it
is where guitar dreams come trueSituated on the production floor the Custom Shop is a dedicated
space with several workbenches assorted jigs and a range of racks andshelves for ldquoworks in progressrdquo Here just over a dozen of Martinrsquosmost experienced craftspeople build ndash one at a time and mostly oneof a kind ndash masterpiece acoustic guitars
ldquoThe Custom Shoprsquos goal is simply to build the best acousticguitars in the worldrdquo commented Fred Greene Martin Vice Presidentof Manufacturing ldquoWhether itrsquos an individualrsquos vision of a great
instrument a uniquely appointed model one of our dealers thinks will appeal to his or her clientele or a guitar wersquove conceived toshowcase artisan building each Custom Shop instrument is crafted asif we were making it for ourselvesrdquo
Custom guitars have been an element of Martin productionsince the company was founded in 1833 A number of Martinguitars from the 19th and early 20th century show customfeatures and custom Martins from the 1930s through the 1950shad an ldquoSrdquo suffix on the neck block model number to indicatetheir custom (or ldquospecialrdquo) status In the 1980s and 1990scustom Martinsrsquo neck blocks were simply stamped ldquocustomrdquo But
The Custom Shop
Bringing your
Guitar to LifeBY MARSHALL NEWMAN
Great sounding Custom Shop guitars donrsquot need to be fancy but if
you want to go that route Martin can certainly accommodate you12
C A R E A N D F E E D I N G
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until recently all custom Martins were built on the main shopfloor alongside their non-custom siblings
The concept of a separate stand-alone Custom Shop began to gainmomentum approximately 10 years ago but didnrsquot come tofruition until 2005 ldquoWe had a custom administrator who handledand followed custom orders on the shop floor but knew we could
do morerdquo Greene recalled ldquoIn 2005 I proposed we create a separate custom area with a separate workforce with the capability to handcraft unique instruments using traditional techniques ndash likecarving necks by hand and hide glue construction - that didnrsquot lendthemselves to our standard production process We started theCustom Shop with a staff of five it began by building the Authenticline and slowly took on custom buildingrdquo Today the Custom Shophas a staff of eleven plus three design consultants who work withcustomers dealers and builders to assure Custom Shop instrumentsare everything they can be
ldquoThe number one challenge of the Custom Shop is timerdquoGreene noted ldquoIt takes time to build instruments of the quality Custom Shop customers demand to hand-carve the necks to cut
the pearl to shape the braces and all the rest In the Custom Shop we take whatever time is needed to make these instrumentsexceptional Judging by the number of orders theCustom Shop receives people recognize the value of
what we are crea tingrdquoldquoThe Custom Shop team includes several of
Martinrsquos most experienced builders The average tenure with Martin is 25 years and there are a few who areapproaching the 40-year markrdquo Custom Shop guitarsare built almost entirely by this small staff in theCustom Shop only operations requiring largespecialized equipment ndash like side bending andfinishing - are done on the main shop floor
While all orders for Custom Shop guitarsmust be made through authorized C F Martinamp Co dealers prospective Custom Shopcustomers now have a great tool they can utilizeto design their dream guitar the Custom GuitarConfigurator Accessible on-line at
wwwmartinguitarcom the Custom GuitarConfigurator lets the user ldquovirtuallyrdquo create a guitar from a range of Martinrsquos most popular options see their creation and get a suggestedretail price quote The information then can be printed out for useas a reference during the order process
13
The Custom Shop offers a remarkable range of options(actually more than shown in the Configurator) sizes body styles scale lengths tonewoods neck profiles appointments
inlays and more Are there limits to what the Custom Shop wibuild As they sometimes say in the Custom ShopldquoWe try to never say ‛norsquo we only say ‛how muchrsquordquo In truth
there are some projects Martin wonrsquot tackle among themreplicating a Martin Custom Artist model or SignatureEdition (to respect the artistrsquos vision for hisher guitar) and
building with customer-supplied wood (which may not matchMartin specifications or standards)The Custom Shop even allows customers to come by the factory
to select the specific tonewood set for his or her guitar from Martinextensive inventory ldquoAt first it was just Martin dealers but now weare seeing individuals stop byrdquo observed Greene ldquoThe opportunityto select the set of Madagascar rosewood or flamed mahogany oranother tonewood that will become a Custom Shop guitar makesthat guitar an even more personal statementrdquoDespite its limited production and brief history the Custom
Shop has produced an impressive array of guitars Ordersoften include unusual tonewood combinations special
neck configurations or custom inlays A CustomShop guitar generally takes four to six months tobuild after details have been finalized dependingon the current workload and the complexity of theorder guitars featuring special design elements
andor custom pearlwork can take longer Whetherplain or fancy each completed Custom Shop guitar
is identified by the laser-etched Custom Shop logoon its neck block
In early 2011 the Custom Shop introducedtwo limited-production CS models the first
of a series of Custom Shop instruments that will be available for only one calendar year(or less if demand is overwhelming as wasthe case with the CS-21-11 model) ldquoThe CS
models express C F Martinrsquos spirit of adventurerdquo explained Fred Greene ldquoThese
short exclusive runs of g uitars allow us to introduceexciting new ideas that might eventually be looked upon asclassics At C F Martin amp Co heritage and creativity arenrsquotmutually exclusive and these CS guitars are the proofrdquo Readyto create your one-of-a-kind Martin guitar Good The CustomShop is ready for you
In creating your Custom Shop Martin you may choose from a wide array of tonewoods body sizes appointment levels and customized inlay sty
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Adjusting the truss rod with a special long Martin Allen wrench
Guitars are made to be played and the easier they are to
play the more pleasure they bring their owners The
action ndash the distance between the strings and the
fingerboard ndash should be just right and thatrsquos the reason
every guitar deserves a good set-upFundamentally guitar set-up is simple geometry adjusting
the guitarrsquos neck nut saddle and (occasionally) frets to put theaction at an ideal level - not so high as to be difficult to fret and notso low as to cause string buzz
C F Martin amp Co sets up every guitar it builds before it leavesthe factory Most Martin guitars built in Nazareth are set up using a PLEKreg Pro machine which scans the nut fingerboard and saddle
with a sensor compares the scan with optimal values and thencuts the nut slots contours thesaddle and polishes the frets toan accuracy of 11000 of aninch If necessary minor saddleand nut touch-up and truss rodadjustment are done by hand
when the guitar is strung A fewMartin guitars - primarily Custom Shop instruments -continue to be set up by hand
Even an acoustic guitar with a
good factory set-up may need tobe set up again within a few years according to Lon WernerMartin Customer RepairManager ldquoThe wood in a guitarcan take up to five years to ‛settleinrsquo under string tension and a change in the action may necessitate a fresh set-uprdquo Theownerrsquos playing style and
The LowdownBY MARSHALL NEWMAN on Set-up
Checking neck relief during final setup
14
C A R E A N D F E E D I N G
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technique also may dictate whether a fresh set-up isneeded ldquoA fingerstyle player
with a light touch might wantthe action lowered while a flatpicker may need the actionraisedrdquo Indeed an individualrsquosplaying style and technique are
information a repairperson will want to know to do the bestpossible set-up
So can you tell if your guitarneeds a set-up Begin with theobvious If your guitar hasbecome very hard to fret itprobably needs a set-up If thestrings buzz either open orfretted it probably needs a set-up If its intonation is way offit probably needs a set-up
A few simple diagnostic testsalso can help determine
whether a set-up is neededCheck the neck relief by fretting the low E string simultaneously above the firstand below the 13th fret thegap between the string and the6th or 7th fret should beslightly more than the thicknessof a business card Checkaction at the nut by fretting each string between the second
and third fret there shouldbe daylight between eachstring and the first fret a gapapproximately the thicknessof a sheet of paper at thehigh E and slightly more at thelow E Check the height of theaction with a machinistrsquos rulerat the 12th fret the distancebetween the fret and the string should be approximately 232-332 of an inch on the trebleside and 332-432 of an inch
on the bass side A goodelectronic tuner can be used tocheck intonation on eachstring by playing the openstring and then playing theharmonic of the same string atthe 12th fret
A lot of guitarists may betempted to do their own set-upbut Dave Doll of Martinrsquos
Customer Repair Departmentcautions against it ldquoItrsquos like a doctor educating a patient onhow to recognize symptoms thpatient may know he has a problem but he still should goto the doctor to have thatproblem fixedrdquo he commented
ldquoEven a simple set-up can bedaunting unless you know whayou are doing you may well domore harm than goodrdquo Lon
Werner was more specificldquoWhile preliminary evaluationmay suggest a set-up is neededthe symptoms also can beindicative of a much moreserious problem When theMartin Customer RepairDepartment receives a guitar
we give it a thorough going-over from headstock toendpin If the bridge is liftingor a brace has pulled loose orthe neck needs a reset (justthree examples) that is a problem that has to be dealt
with for a set-up to bebeneficialrdquo Not everyonelives so close to Nazareth tohave their Martin guitar
worked on at C F Martin amp Cobut there are more than
150 Martin Service Centersthat can give that guitar thecare ndash whether a set-up orsomething more ndash it deservesShould you happen to visitNazareth or live nearbyC F Martin amp Co offers a very cool opportunity to learnabout guitar maintenance fromsome of the best in thebusiness Every Friday from11 am until noon theCustomer Repair Departmen
hosts a guitar care seminarduring which it demonstratesthe basics of guitar careincluding some of theelements of set-up (like trussrod adjustment) The guitarcare seminar is free noreservation is needed andit is a great way to learnhow to keep your Martinin peak playing condition
15
Checking the relief of the neck
Checking the action at the nut
Checking the action at the 12th fret
Adjusting the truss rod with a long Martin wrench
truss rod wrench
hole in brace
truss rod location
gap between bottom of string
and top of fret at the 12th fret
gap between bottom of string
and top of fret at the 1st fret
with string depressed
gap at the 6th or 7th fret with string
depressed at 2nd and 13th frets
exaggerated neck relief
frontblock
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All-Star MUSEBenefit Concert
The All-Star MUSE BenefitConcertat the Shoreline Amphitheater inMountain View California supported Disaster Relief in Japanand Non-Nuclear Groups
Worldwide Featured artists includedCrosby (with his Martin Signature 12-string) Stills amp Nash Jackson BrowneBonnie Raitt Jason Mraz The DoobieBrothers Tom Morello John HallKitaro Sweet Honey in the Rock and
Jonathan Wilson
A R T I S T P R O F I L E S
Hollywood Bowl 2011Dolly Parton with her touring guitaris
Jim Salestrom who is playing hisMartin J-40 Dollyrsquos World Tour
thrilled attendees at the HollywoodBowl Saturday July 23 2011
DonavanFrankenreiterDonavonrsquos fourth studioalbum Glow is describedas ldquowarm organic andoverwhelmingly hopeful Theperfect antidote to trying timesrdquo Hersquos playing his triedand true Martin 000-18 Shawn Colvin
Shawn Colvinrsquos new Live album wasnominated for the Grammy Awardfor Best Contemporary Folk Album
Accompanied with her pristineM3SC Signature Edition findShawnrsquos enduring music on iTunes orat amazoncom
16
oto by Lynn Goldsmith
P
h o t o b y L y nn G ol d s mi t h
8102019 Vol_32pdf
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Ron Davies(1946-2003)
A songwriter fromthe pacific northwestRon Davies at 17bought a well worn1956 D-18 Martin
which he put to gooduse writing an entirealbum of songs forthe Seattle band ldquoThe
Wailersrdquo As an artisthe recorded fivealbums during hislifetime but he isbest remembered forhis songwriting
His songs have been covered by a diverse group of artists that include Joan Baez David Bowie (Ziggy Stardust) Long John Baldry Ann Murray Three Dog
Night Nitty Gritty Dirt Band Helen Reddy Jerry Jeff Walker Maria Muldaur Joe Cocker Randy TravisNanci Griffith and the Raconteurs to name a few
In 2011 friends in the pacific northwest cametogether to record ldquoThe Mystery of Ron Daviesrdquo a tribute CD containing eighteen of Ronrsquos songsperformed by artists from his hometown and one by Davies himself Available on iTunes and at CD Baby allof the proceeds will benefit ldquoMusic Caresrdquo
Leslie TuckerLexington Virginia-based singersongwriter Leslie Tuckerrecently received the gift of a Martin D-41 from a legion of her fans and she plans to use her new acquisition in theproduction of a new album project currently in progressalong with a tour of performances when itrsquos released Tune into wwwleslietuckercom for updates
Santa Cruz Blues Fest 2011Some of the worldrsquos finest guitarists including Jonny Lang were on hand to salute guitar legend JimiHendrix at this yearrsquos Santa Cruz Blues Fest 2011
Jonnyrsquos playing his Martin J-40 Jumbo
Sting
17
Early StingFrom Andy Summers groundbreaking book Irsquoll be watching you Insidethe Police 1980-1983 Police guitarist and professional photographer
Andy Summers captured Sting with his Martin D-28 in 1982
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Fast AJ AJ Rubino of SpringfieldMassachusetts has beenperforming folk and country music for nearly fifty years ndash
much of that time with his1975 Martin D-35 slightly customized with fingerboardinlay by luthier Harry BeckerThis photo will grace the cover of AJrsquos forthcoming CD
He is a loyal member of the Martin Ownerrsquos Club andowns several other Martin guitars The tree AJ is standing in front of was destroyed by the tornado that hit WesternMassachusetts in June of 2011 but no one was hurt andall of the Martin guitars survived
A R T I S T P R O F I L E S
The Kingston Trio Fantasy Camp 2011
Winfield KansasFestivalrsquos Martin D-42
Allen Shadd began playing guitar when he was seven years oldacquiring his first Martin guitar -
a 1973 D-35 at the age of tenSince then he has gone on toperform in many bands guitar
workshops recording sessions and in 1997 released his own CDldquoA Cut Aboverdquo Allen also frequently competes in guitarcompetitions and has won some of the most prestigious flatpicking contests that have included Merlefest Rocky Grass and the WayneHenderson guitar competition He brought home this yearrsquos MartinD-42 from the National Flatpicking Championship held in
Winfield Kansas Itrsquos the sixth time Allen has placed in the topthree including his first place finish in 1997
18
wwwkingstontriocom
Caroline JonesThis NYC-based singer songwriterguitarist and producer was trainedclassically by Andy Anselmo Founder
of New Yorkrsquos ldquoThe Singerrsquos ForumrdquoCaroline began singing opera ariascabaret standards and show tunes at agenine Under the management of Tommy Mottola and Chris Apostle shebegan recording her original songs withproducer Chris Toland at Sony and
Avatar studios in New York as a studentat The Professional Childrenrsquos SchoolIn 2008 Caroline began monthlyco-writing trips to Nashville where sherecorded with many of the industryrsquostop talents Since then she has been
performing and recording with herMartin 00-21 Kingston Trio modelthat pays tribute to original KingstonTrio member Dave Guard (1934-1991)
Shown above are Fantasy camp attendees each holding their Martin guitars (plus one banjo)
P h o t o b y J o h n L i n d
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Dierks BentleyReaching deep into acoustic rootsmusic resulted in Dierks Bentleyrsquosnew album Up On The RidgeMore than a bluegrass concept
album with guests Up On TheRidge features Bentley working with some of the finest acousticmusicians in the world including long-time collaborators theDel McCoury Band and a new musical partnership with ChrisThile and the Punch Brothers Asa recent addition to the Martin
Ambassador ranks Dierkrsquos israrely seen without his prizedvintage herringbone D-28
Hawaiirsquos HirsquoikuaIn a culture that honorsthe legacies of the pastthis Hawaiian trio of talented musicians pays
homage to their roots while creating a uniqueand progressive soundthat leaves an indeliblemark upon contemporary Hawaiian music
In a seamlesscontinuous movement we all carry a past while living in thepresent and moving toward a future Hirsquoikuarsquos music reflectsthe belief that without asking the knowledge of our ancestorshas already been placed within us in the hope that we too
will shoulder that responsibility in an unbroken journey intothe future
Their music is composed and performed by Kalehua Krug (left with his Martin 12-string) Kamuela Kimokeo (above andcenter left with his Martin OMC Aura cutaway) and BlakeLeoki-Haili (right with Martin tenor ukulele)
The grouprsquos name derives from the Hawaiian word thatmeans literally ldquoto carry on onersquos backrdquo Hirsquoikua has taken thisresponsibility seriously
ldquoAia I Hirsquoialordquo the long awaited CD from Hirsquoikua featuressix original and six traditional songs
wwwhiikuacom J e r r o l J u l i a n P
h o t o g r a p h y
J e r r o l J u l i a n P
h o t o g r a p h y
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F R O M T H E A R C H I V E S
Waiting for the Sunday Boatrdquo by William Henry Jacksonrdquo Florida circa 1902Martin small-bodied parlor guitar
ldquoAs long as
Irsquove got my guitar
Irsquoll be finerdquo
mdash Willie Nelson referring to Tri
his legendary Martin guitar
HometownCentenarianMary Arletta Hahnis shown (right)
with her 00-1712-fret Martinguitar Mary was inher twenties whenthis picture was
taken (circa 1932)She was born inNazareth andturned 104 this pastSeptember Healthy small town living Shereceived her theology degree from the United
Wesleyan College but she also majored in voicepiano and guitar She would sing and play guitarin her fatherrsquos varied congregations Mary haslived her entire life in and around NazarethToday she lives just one block from where herguitar was made
1883 Advertisement
Gu i tar is t and Mando l in
is t
c irca 18 9 0
Guit ar ist and Mandolinist c ir c a 19 25
20
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2346
Ahh the sound of the Martin Rich and evocative Texture
lifeby strummingorpickingorthe lightesttouchtoteas
harmonicsthesoundmdashlikethehistoryofCF Martinamp C
peopleanda storyofthesensesHearitTasteitFeelitA
artist Robert Goetzl see it Seethe sound of the Martin
FEA TU R E
The Soundand the Story
Thehand drawnsketches (right)illustratethesix-panel seriesofthree-foot byfour-footmuralsthatwillhangintheMartinVisitorrsquos Center
BYSUSAN J BURLINGAME FREELANCE WRITER MARTIN
22
mdashC FMartin IVmdashcalls itldquothe magic ofFrom JohnnyCash to John Mayerand fromElvis Costello manyof historyrsquos mostbrilliantve chosen the Martin sound the Martin magicm the Martin storycontinuesMartin magic is mostprofoundly representedby n in the early1800s on the otherside of theour eyes fora momentand imagine ayoung king browfurrowed in concentration Heods the braces the strings of his firstguitarrtin has traveledfrom his home in Saxonytoe learns the artof guitarmaking as ane of the bestknown guitar shops in Europeg his 37th year C F Martinalong with hisdren sets outfor Americae story as theysayhellipis magicamp Co is still family-ownedmdashbutthe ldquofamilyrdquoh Martins and non-Martins generations of
ed arole in crafting the exquisite acousticrtin has offeredthe world formore than 175ertGoetzl a cousin to Chris Martinhas been create awork of art depicting C F Martin ampamily its sound andits storyeries of three-footby four-footmurals thatwillin Visitorrsquos Center the work says Goetzl is a love Chris Martin thatmuch He wasuential in mylife andthe opportunityto tellyauthentically is extremelymeaningful to merdquonels (pictured here)take viewers on CFfrom Saxonyto Viennato the newworld
ured as the music of the Martin guitar thensionalmdashdone in mixedmedia with collage andreating the firstpanel was forGoetzl the biggest
23
challenge ldquoI realizedthe enormityof the projectmdashnotjust inscope butalso in importance to the familyand to the thousandsof people who wouldbe looking atitrdquoGoetzl labored andsecond-guessedand tweakedand proddedbefore finally unveiling itto Chris Martin andothers at Martin ldquoThe lookson theirfaces toldme I had naileditrdquo Panel numbertwo which illustrates the Martin familyrsquosinitial shopin New York andthe move to NazarethPennsylvania causedGoetzl much less consternation butequallyas much joy he says as will each successive mural ldquoIf this is the endof the roadfor me the lastwork I evercreaterdquosays Goetzl (who surelyhas afew more decades ofcreativityleft) ldquoI wouldbe completely fine with thatrdquo
ldquoRobert has put his heart into
creating something that will
make a tremendous addition
to the Martin experiencerdquo
mdash Dick Boak Artist Relations C F Martin amp Co
Tex Fletcher
SingingcowboyTexFletcher maynot
have become the household name that
other cowboy singers from the 1930s
such as Gene Autry and Roy Rogers had
butdespitesometimes overwhelming
odds hersquosbeen remembered nonetheless
forhis noteworthycontributionsto earlyand
mid-20th century cowboy culture
He was born Geremino Biscegliain 1910 in HarrisonNew York the fifth of eight children of Italian immigrants Michael(astone mason)and Josephine Bisceglia He leftschool afterthethirdgrade to work with his fatherandbrothers He was raisedin a musical householdand he learnedto sing andplay traditional Italian songs accompaniedby accordionsmandolins andviolins
Jerrypicked upa fewguitar chords froma local right-handedguitarist butbeing left-handed he retaughthimself to playhisown right-handedguitarldquobackwards andupside downrdquoas he wouldlater explain with achuckle
He became enamoredwith the silver screen cowboys of theday often sneaking into the local cinemaforshowings of thelatestsilent picture starring TomMix WilliamS Hartand YakimaCanutt
Overthe nextfew years the teenagedcowboy wannabe beganto realize his boyhoodambition as he learnedto handle horseandcattle byday while soaking upcowboy lore andcampfiresongs bynight in effectbecoming aldquorealrdquocowboy Asinging cowboy Unique stuff forthe late 20s He returnedto NewYork in 1931 with aconfidence anda newfoundvoice With saddle bags full of cowboy stories andsongs the cowboysingerwas now going bythe name Tex Fletcher He began entering andwinning localthen regionaltalentshows Fletcherrsquos confidence grewwith each winning purse as was evidencedbyhis every growing wardrobe of
cowboyoutfits andhis first Martin guitar a000-45 He neverplayedanother companyrsquos guitars again believing the leastexpensive Martin guitarwas headand shoulders aboveanyother companyrsquos bestHistory has clearlymade fora compelling argument Itwasnrsquotlongbeforehereceivedan offerofa radiojobas asinging cowboyoverWFASinWhitePlainsNewYorkBy1934 attheheightofsingingcowboycrazeFletcherbegana relationshipthat wouldlastmorethan 25yearsbroadcastingoverWORNew YorkNewJersey(MutualNetwork)Itwas thesameyear thathebeganappearingatthe VillageBarnnightclub(whichwouldlaterbecomeJimiHendrixrsquosElectricLadyland)inGreenwichVillageNYagig thatlastedwell intotheearly1960s
1934 was also the yearTexorderedhis custommade MartinD-42Hersquodadmiredthe pearlygoodlooks and loudtone of Gene Autryrsquos D-45 (the firstD-45) butwanted an instrumentthatw ouldbe uniquelyTexFletcherrsquos guitar But he wasnrsquotthe onlycowboysinger who wantedto follow in Autryrsquos trail Milwaukee -based Jackie ldquoKidrdquoMoore beathimto the punch when he ordered his own D-45 (No 2)fromMartinBut according to authorMartin researcherJohn Woodland amisunderstanding with regardto neck length ledMartin to shelve the unfinished14 fretto the body D-45Moore then optedfor awider OMstyle neck with 12 frets tothe body This D-45 is No3 Then along comes NewYork radio cowboyTexFletcherwithhis own ideaof whatfeatures ldquohisrdquoguitar shouldsportincluding 14 frets to the body which alignedperfectly with the
partiallyconstructed D-45 (No2) buthe wanted all the flashupfront So insteadof proceeding to finish the guitaras aD-45Martin craftsmen changedthe toprsquos bracing to aHigh ldquoXrdquoconfiguration anddesignated this slightlymore modestcousinof the D-45the D-42 So the TexFletchermodel is not only the firstD-42butalso the secondD-45Itremainedthe only example of the D-42 forthe next54 years
Fletcherhadbeenout ofthe musicbusinessforjusta fewyears whenhe wastrackeddownin theearly1970sby then-MartinhistorianMikeLongworthwho convincedthe oldcowboytodonatetheinstrumenttothe MartinMuseumFletcheragreedandthatrsquoswhereitresidesto thisdaydisplayedjusta fewfeetfromitrsquosfirstcousintheGeneAutryD-45 (No1)
21 24
N EW PR O D U CTS
NEW A DDITIONS TO
OUR LINEUP OF
Great Ukuleles
The Martin Standards of Tone and Workmanship Prevail
C1K amp T1K UkulelesMartin has been building the worldrsquos finest ukuleles
from as early as 1916includingthesmallest Soprano
the original model to the larger Concert in 1925 and
the Tenor uke in 1929 Both the concert model and
tenor models havelong been prized for their full-bodied
voiceandgreatervolumeThesenewC1Kconcertand
T1Ktenor modelsfeaturetops backsidesand head-
platesofsolidHawaiianKoaawoodnativeto Hawaii
and a favoriteof island players Both ukes feature solid
Sitkabraces genuinemahoganyblocksand applied
dovetailneckjointsintheMartintraditionNecksare
craftedofselecthardwoodandcappedwithasolid
Morado fingerboardtheconcert has a 15rdquoscalelength
thetenor a 17rdquoscaleBridges arealso ofsolid Morado
with whiteTusqsaddles Open-geared nickel tuners with
whitebuttons ensureprecision Finished in high quality
satinlacquerPadded bagincludedTwo beautifulexam-
ples of why Martin is still the name in superior quality
ukuleles
ldquoAs far as inanimate objects
being friends I think that is right
on the list My Martin ukulele
is a work of art Itrsquos going to live
long after merdquo
mdashEddieVedderPearl JamUkuleleSongs
T1K
C1K
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2446
Clock key mechanism for
adjustingguitar necks on
Martinrsquos earliest guitars
manufactured in New York
ImaginedMartinfamily portrait
CircaSeptember1833mdashat the
timeof theMartinsrsquotransatlantic
journey to the New World
Mappointingto
Markneukirchen the
main town in Germanyrsquos
musicalinstrument-
makingregion
Embellished original
drawingofCF Martinrsquos
residencein
Markneukirchen
Saxony (Germany)
Thesa
carries
North
specta
showe
Harbo
Imagin
CFM
Hudso
Depic
mold
a Mart
glueu
NEL ONE 2 bull PANEL TWO
Rende
home
in Che
Circa1
Portra
presid
when
arrived
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
OM -21 NEW Martinrsquos OM (Orchestra Models)
guitars have always been very
special to fingerstyle guitarists
especially this new OM-21 with its
comfortable 1-34rdquo wide neck at the
nut and highly responsive 14rdquo
scalloped Sitka top braces Elegant in
its simplicity this new version offers a
tasteful upgrade of solid black ebony
fingerboard and 30rsquos style ldquobellyrdquo
bridge with genuine bone saddle and
nut all adding to the rich resonance of this guitar Whatrsquos more wersquove
replaced the standard OM neck with a
slimmer ldquoPerformingrdquo Artistrdquo modified
low oval profile tapered neck and
wider 2-316rdquo bridge string spacing for
faster more comfortable playing The
solid Sitka spruce top with
hand-inlaid 28 style
rosette is joined to a
body of premium
solid East Indian
rosewood bound intortoise colored
18 style binding
Delmar tortoise color
pickguard nickel
open-geared
tuners with
Butterbean
knobs and
polished gloss
lacquer with
aging toner
complete this
beautiful
instrument
Delivered to you in the
new Martin 433 archtop
hardshell case If yoursquore a finger picker this new OM-21 is
the one to pick
D-18 NEW Since its introduction in 1935 the D-18
has been the workhorse of the Martin steel
string acoustic line More plain and less
costly than its D-28 rosewood cousin the
D-18 has none the less established its own
tonal identity ndash balanced crisp midrange
definitive bass and bright clear treble a
favorite of innumerable bluegrass blues and
country performers as well as discerning
studio musicians ndash because it is a great
performing and recording guitar Over the
years the D-18 has seen numerouspermutations ndash the D-18V and D-18P ndash as
well as variations in bindings rosette
fingerboard amp bridge woods bracing
patterns and pickguards And now the
new D-18 brings together
the best features of all of
these great D-18s into
one superb sounding
and playing guitar On
the traditional side backs
and sides are still crafted
of solid genuineMahogany joined with a
solid Sitka spruce top
with forward-shifted
scalloped ldquoXrdquo bracing
The fingerboard
and 1930s style
belly bridge are
fashioned of
solid black
ebony as were
the originals
Whatrsquos new A
lightning fast modified low
oval profile neck with a
1-34rdquo nut width and slimmer 2-18rdquo taper at the 12th fret Itrsquos
the same neck featured on our innovative Performing Artist
series guitars with the same wide 2-316rdquo bridge string
spacing too for greater player comfort and accessibility up
and down the neck The new D-18 The perfect blend of past
and future ndash and great guitar to start the New Year
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2646 26
NAMM Show
Specials
N E W P R O D U C T S
2012 Martin Show Special Guitars
The DCPA Koa amp GPCPA Koa They donrsquot get any more beautiful ndash or more
beautiful sounding ndash than these spectacular
dovetail flamed Koa Performing Artist guitars
And with only a total of 30 instruments ndash
combined ndash being offered to dealers at the 2012
NAMM Show they donrsquot get any rarer either Here
wersquove chosen two of our most popular cutaway models in
the Performing Artist series the classic Dreadnought and
the Grand Performance and crafted the backs and sides
of premium Hawaiian flamed Koa a resonant tonewood
indigenous to the Hawaiian islands Koa has long been by
favored by native Hawaiian musicians for guitars and
ukuleles as well as discerning players and collectors
worldwide Martin in particular has built various sized
instruments of Koa from as early as 1850 The tops are of prized solid Adirondack Spruce as are the scalloped
forward-shifted ldquoXrdquo braces in the ldquoGolden Erardquo fashion The
bodies are bound with solid Madagascar rosewood the
top is inlaid in the 42 style with an elegant blue Paua
pearl rosette The backstrip is 45 style marquetry Both
guitars feature our fast and comfortable Performing Artist
modified low oval mahogany neck with ebony
fingerboard and
wide 2-316rdquo string
spacing on the
ebony Performing
Artist belly bridge And the
crowning touch both guitarsare equipped with the new
Fishmanreg F1 Aura + onboard electronics system the
ultimate in acoustic realism and projection as well as
pickup versatility Waverly gold tuners with Ivoroid
buttons complete the package Orders for the DCPA Koa amp
GPCP Koa will be taken solely from dealers in attendance
at the 2012 NAMM Show in Anaheim California
NEW TOOLS
for GREAT TONE
GPCPA Koa
DCPA Koa
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
DCPA1 Madagascar Rosewood ampGPCPA1 Madagascar Rosewood
These two very special dovetail Performing Artist
guitars reflect the best of Martin innovation expert
craftsmanship and selection of superior tonewoods ndash
all in one As PA series models Dreadnought and
Grand Performance they include a unique slim
tapered fast neck for exceptional player comfort in
all positions a smaller and lighter PA ldquobellyrdquo bridge
for greater tonal response and increased string
spacing for easier finger picking They also
include the new state-of-the-art Fishmanreg F1
Aura + onboard electronics system that deliver
striking acoustic realism and projection
Plugged in or pure acoustic these are great
sounding guitars ndash and with good reason The
tops are solid Adirondack spruce pearl inlaid inthe 41 style and driven by 516rdquo Adirondack
scalloped braces forward-shifted in the ldquoGolden Erardquo X
pattern The back sides and headplate are Madagascar
Rosewood selected for its beauty and close acoustic and visual resemblance to
Brazilian Rosewood Solid black ebony is used for the fingerboard and bridge
Details include grained Ivoroid bindings Delmar beveled tortoise color pickguard
special ldquoalternative torchrdquo inspired position inlays gold enclosed tuners bone nut
and saddle The most distinctive Performing Artist production models to date
Fishmanreg F1 Aura + The Fishmanreg F1 Aura + features a newsimplified and intuitive Easy Mode allowing youto quickly get a feel for the tonal possibilities ofthe system while providing the most importantfeatures The Easy Mode offers three custom-blended Aura Image presets tone control and
the option of using the undersaddle pickuponly For the real tone-tweakers wersquove retainedthe original Performance Mode as well givingyou full access to the powerful 3-band EQscompressor and automatic anti-feedback ofthe F1 Aura +
Performing
Artist SeriesDCPA1
Madagascar
Rosewood
GPCPA1
Madagascar
Rosewood
8102019 Vol_32pdf
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N E W P R O D U C T S
Performing
Artist Series
Martin introduces an exciting
new tonewood called Siris
DCPA4 Siris amp
GPCPA4 Siris
With these two new
Performing Artists guitars
Martin introduces an exciting
new tonewood called Siris
adding even more tonal color
and variety to the PA series Siris
delivers excellent bass response
reminiscent of East Indian rosewood as
well as a clear midrange and treble making it an
excellent guitar wood for recording and for playing live Lighter in color
yet denser than rosewood it produces a slightly longer sustain thanrosewood Siris is typically dark orange contrasting beautifully with the
Sitka Spruce tops tortoise colored pickguards grained Ivoroid bindings
and special East Indian rosewood center wedge on both guitarsrsquo 3-piece
backs The DCPA4 Siris and the GPCPA4 Siris are 14-fret cutaway guitars and
have fast comfortable Performing Artist profile necks Hybrid ldquoXrdquo scalloped top
bracing black Richlite fingerboards and bridges and Fishmanreg F1 Analog
onboard electronicsGPCPA4 Siris
DCPA4 Siris
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2946
Over 175 Years of Guitar Building Excellence
The GPCPA4 Sapele is constructed with
FSCreg Certified tonewoods harvested from
ecologically sound and responsibly manag
forests The fingerboard and bridge are
built with FSCreg
Certified Richlitereg
29
GPCPA4 SapeleFirst introduced in 2010 the GPCPA4 is an extraordinary Martin ndash a
big Grand Performance cutaway with a fast comfortable Performing
Artist Series high performance neck But this brand new version ndash
the GPCPA4 Sapele ndash is extra special It rsquos built with FSCreg Certified
tonewoods harvested from ecologically sound and responsibly
managed forests This includes African sapele back and sides
mahogany front and rear blocks cherry side strips Spanish cedar
ribbons and European spruce Hybrid ldquoXrdquo scalloped bracing The top
is FSCreg Certified recycled Sitka spruce produced from old bridge timbers in Canada
Even the fingerboard and bridge are crafted of FSCreg Certified Richlitereg material High
polished gloss top finish with tasteful Cherry red toned back and sides Fishmanreg F1
Analog electronics are included with volume and tone shaping capabilitiesonboard digital tuner and phase control Quite a
package Quite a guitar
8102019 Vol_32pdf
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N E W P R O D U C T S
DCPA5K and GPCPA5K
Advanced guitar design meets high-
tech guitar construction The result
two highly affordable Performing
Artist guitars with excellent tone
playability and durability Back
and sides of the cutaway
Dreadnought and Grand
Performance models are made
of a high-pressure wood fiber
laminate (called HPL) with
Koa grain and texture photo-
imbedded The top is solid Sitkaspruce braced with Martinrsquos Hybrid ldquoXrdquo
scalloped bracing system renowned for its
resonance clear treble and distinct bass The Performing Artist Profile neck is
slim and fast and comfortable made of tough Stratabondreg multi-layered
wood laminate Performing Artist bridge and fingerboard are black Richlite
Chrome enclosed tuners with large buttons and Fishmanreg F1 Analog
onboard electronics included A terrific value with great tone and
environmentally friendly
Performing
Artist Series
The DCPA5K and GPCPA5K
are Performing Artist guitars
with excellent tone playability and durability
GPCPA5K
DCPA5K
8102019 Vol_32pdf
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Road Series
31
Over 175 Years of Guitar Building Excellence
Special Edition
DRS2 The latest of Martinrsquos hard-working
great sounding Road Series guitars
the new DRS2 delivers a unique blend
of durability and concert-quality
sound and projection The top is
crafted of solid Sitka spruce and
braced with Martinrsquos A-Frame (X1)
bracing Back and sides are select
solid Sapele similar in look and
tonal qualities to its
close cousin
mahogany As
beautiful as it looks
and sounds the
DRS2 is a serious
working musicianrsquos
guitar built for on
the road durability
without sacrificeof tone The
neck is
constructed
of a multi-
layered
wood
laminate
called
Stratabondtrade
that perfectly
simulates natural
quartersawn wood grain The fingerboard and bridgeare crafted of black Richlite amazingly similar in look
weight and resonance of ebony A Fishmanreg
Sonitone sound reinforcement system completes
this very road ndash and stage ndash worthy Martin
000C NylonIn response to the many Martin players
who chose the limited edition 000CDG
built in memory of Chris Martinrsquos late
brother Doug Greth we have
expanded upon this unique ldquocrossoverrdquo
instrument with the new 000C Nylon It is
truly a hybrid instrument combining features
of a traditional Martin steel-string guitar with
those associated with a classical nylon string
guitar The top is crafted of solid Sitka spruce
and braced with a unique A-Frame ldquoXrdquo brace
system Yet this bracing system is equally
responsive to lighter nylon strings without
inhibiting tone or volume The 12-fret low
profile neck features an 18rdquo radius arched
(versus flat) fingerboard like a steel string
but with a classic width 1-78rdquo at the nut and
2-516rdquo at the 12th fret The bridge is in the
classic style with tie block and drop insaddle Bridge string spacing is a
wider 2-516rdquo as well Even the
000Crsquos headstock is unique ndash
square tapered like the
traditional Martin steel
string style but slotted to
accommodate classical
nylon strings Each guitar is
fitted with onboard Fishmanreg
F1 Analog electronics too
The result A versatile
great sounding andplaying guitar no
matter whether you
play acoustic or
acoustic electric
or both
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3246
D-28M Limited Edition Celebrates
The Enduring Music and Legacy ofThe Mamas and The Papas
The appointments on the D-28M Mamas and ThePapas Custom Artist Edition emulate a circa 1960sD-28 blackwhiteblack top purfling blackwhiteback purfling grained Ivoroid binding and heelcapldquocheckerboardrdquo backstrip mother of pearl dotposition markers chrome Groverreg Rotomatic tunerstortoise-colored pickguard polished gloss lacquerfinish and vintage-inspired aging toner on the topExtra flash comes in the form of a Style 45 abalonepearl rosette and abalone pearl-topped bone bridgeand end pins
The guitarrsquos crowning glory is ndash appropriately ndashon the polished black ebony headplate Above
the nut sheltered by the familiar gold old-styleldquoC F Martin amp Co Est 1833rdquo decal logo is a silhouette of The Mamas and The Papasbeautifully inlaid in mother of pearl Derivedfrom a photo by Henry Diltz the inlay capturesthe group in full performance mode
In the early 1960s the four musicians whobecame The Mamas and Papas were a long way from pop music stardom though all wereinvolved in the East Coast folk music scene
John Phillips was a member of the JourneymenDenny Doherty and Cass Elliot sang with theMugwumps After the Journeymen broke up
John Phillips his wife Michelle Phillips andMarshall Brickman formed the New JourneymenMarshall eventually left the band but went on toco-write Oscar winning screenplays with Woody
Allen and he co-wrote the book that became therecord-breaking play ldquoThe Jersey Boysrdquo
Marshall Brickman was replaced by Denny Doherty and soon Doherty introduced hisbandmates to Elliot The four began harmonizingto the pop songs John was writing and perfectedtheir sound during a Caribbean vacation together
The starting point for The Mamas and the Papasrsquofresh pop sound was the folk music all fourmembers played before they got together as a group Songwriter and leader John Phillipsrsquo well-
worn Martin Dreadnought often provided thestrummed rhythmic underpinning on which TheMamas and Papasrsquo band instrumentation andvocals were layered The combination proved tobe genius and even today The Mamas and thePapas ldquosoundrdquo is instantly recognizable
To celebrate the group and its place in popmusic history C F Martin introduces a very
special D-28M Mamas and The Papas
Custom Artist Edition Limited to just100 instruments this new Custom Artist Edition features rare tonewoodshandsome appointments and aunique headstock inlay to honorthese musical trailblazers
John Phillipsrsquo vintage Martin D-28provides the inspiration for this Custom Artist Edition The tonewoods and top
bracing are a stellar combination thatapproximates those of MartinDreadnoughts from the early 1930sBack and sides are rare Madagascarrosewood similar in appearance andtone to the now endangered Brazilianrosewood The top is Carpathianspruce comparable in power andbrilliance to Adirondack spruce andequally responsive Advanced ldquoXrdquo
516rdquo scalloped bracing provides richresonant tone The 1 1116rdquo (at the
nut) low profile neck with diamondvolute is genuine mahogany while the
fingerboard and belly bridge are black ebony
L M
In the 1960s The Mamas and the Papas were at the epicenter of a musical earthquake
that began in Southern California and sent shockwaves across the country Combining
great songwriting unique arrangements and lush harmonies the group had six ldquoTop
10rdquo singles and four ldquoTop 5rdquo albums from 1965 through 1967 a feat that made them one
of the few groups to challenge the Beatles during that era While The Mamas and the
Papasrsquo original lineup of John Phillips Cass Elliot Denny Doherty and Michelle Phillips
lasted just four years several of the songs they created ndash including ldquoCalifornia Dreaminrsquordquo
ldquoMonday Mondayrdquo ldquoWords of Loverdquo and ldquoTwelve Thirtyrdquo ndash have stood the test of time
32
8102019 Vol_32pdf
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(This story should sound familiar they laterturned it into a hit single ldquoCreeque Alleyrdquo)Eventually the four traveled to Los Angeles
where they auditioned for Dunhill RecordsOwnerProducer Lou Adler Adler signed them tohis label immediately and two days later thegroup had a name The Mamas and the Papas
Released in 1965 The Mamas and The Papasrsquofirst single failed to garner much notice Howeverthe second single ldquoCalifornia Dreamingrdquo co-
written by John and Michelle Phillips reachedNo 4 on the charts The grouprsquos debut album If
You Can Believe Your Eyes and Ears was releasedin early 1966 and rose to No 1 quickly followedby the single ldquoMonday Mondayrdquo which also hitNo 1 and later won a Grammy Award for ldquoBestContemporary Group Performancerdquo
While The Mamas and The Papasrsquo personallives became increasingly turbulent over the nexttwo years their music continued to flourish they recorded three additional albums ndash The Mamasand The Papas Deliver and The Papas and TheMamas ndash that went ldquoTop 20rdquo and in turn yieldedseveral ldquoTop 20rdquo singles
In 1968 bitter infighting between memberscaused the group to disband Due to contractualobligations they reunited briefly in 1971 to makethe People Like Us album and then went theirseparate ways Cass Eliot had a flourishing solocareer that was cut short by her death in 1974
John Phillips continued to write songs and bothhe and Denny Doherty performed and recordedas solo acts In the 1980s and 1990s they occasionally reunited to tour as members of the
New Mamas and Papas John Phillipsdied in 2001 Denny Doherty died in2007 Michelle Phillips enjoyed a successful acting career and today isthe last surviving original memberof the group
Despite the grouprsquos short history TheMamas and The Papasrsquo musical legacy remainsundiminished the group was inducted into theRock amp Roll Hall of Fame in 1998 and received a
Grammy Hall of Fame Award in 2001 In 2003 If You Can Believe Your Eyes and Ears was ranked127 on Rolling Stone magazinersquos list of the 500greatest albums of all time
Delivered in a hardshell case eachD-28M Mamas and The PapasCustom Artist Edition guitar bears a special interior label featuring theldquosun rayrdquo graphic from the RouletteRecords label on which some of TheMamas and The Papasrsquo singles werereissued in the 1970s Each label ispersonally signed by former Mamasand The Papas member MichellePhillips and numbered in sequence
with the edition total Beginning immediately authorized C F Martindealers will accept orders for theD-28M Mamas and The PapasCustom Artist Edition until all 100guitars in the edition are allocatedparticipating Martin dealers willthen be posted on theC F Martin website
wwwmartinguitarcom
33
S A M P L E
8102019 Vol_32pdf
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L O N D O N A C O U S T I C G U I TA R S H O W
Acoustic guitar aficionados attending The London
Acoustic Guitar Show were treated to presentations
that showcased Americarsquos favorite musical instrument
brand and featured musical vignettes by legendary
and influential guitarists Stefan Grossman and
John RenbournThe presentation was given by Dick Boak archivist for Martin
Guitar who offered a graphical and interactive history of the 178-year-old guitar company In addition Dick displayed severalimportant examples in the evolution of Martin acoustic guitarsThe presentation focused on the development of the modern
acoustic guitar Martinrsquos historical contributions to the definitivacoustic guitar design artist signature model collaborations an
an in-depth explanation of specific guitar shapes sizes andtonewoods that lend themselves to particular musical genres JoRenbourn and Stefan Grossman legendary acoustic fingerstyleinnovators demonstrated the tonality of an assortment of Martinstruments including their own Custom Signature models
Martinrsquos UK distributor Westside Management was a primasponsor of the show and the host for the concert stage thatfeatured a stunning live performance by Renbourn and Grossm
Dick Boakrsquos presentation provided a template and proving ground for potential future presentations throughout the UniteStates Europe and Japan
THE LONDON ACOUSTICGUITAR SHOWSaturday and Sunday September 10-11 2011
Olympia Conference Center London
34
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3546
Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
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M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
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The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
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M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
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M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
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Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
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M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
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Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
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A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
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C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
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P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
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Next buy a box of stringed paper tags Print your nameaddress telephone number and e-mail address on one side of the tag on the other side print the Martin model number andserial number Fill out two tags Attach one tag to one of the
tuning machines attach the second tag to the case handle Why If anything happens to the shipping labels in transit thereis a record of you as the owner in two places within the box
Also purchase a package (or two) of plain soft tissue papersheets used for gently wrapping gifts inside a gift box Itrsquos very soft paper and wonrsquot scratch delicate lacquer Do not stuff thecase interior with newspaper
You want to be sure that the guitar is snug in the caseespecially the headstock Wad up enough tissue paper to supportthe headstock ndash top bottom and sides The entire headstock
well of the case should be filled as well as the space above theheadstock (and front of the headstock) You can also tuck tissuepaper on the fretboard near the nut You want to prevent the
headstock from whiplashing forward and backward which ishow a lot of necks get cracked
You also want to gently stuff the sides and lower bout of the guitar(where the back strip is) and around the neck heel so that there is noshifting frontward or backward In short you want to make theguitar inert (motionless) within the case No movement whatsoeverin any direction About the case No guitar should be shipped inanything but a hard case Ever Martin offers a thermoplastic hardcase (which is tough as nails) as well as black vinyl covered plywoodand plush ldquoGeib-stylerdquo hard cases They come in various model sizesand fit quite snugly
Original Geib hard shell plush cases are still floating aroundout there from the 60s as are other vintage Martin hard casesalthough none are as snug as the present variety ndash and snugnessis critical when shipping a guitar
The best shipping box for Martin guitars is the same shippingbox Martin uses to ship their new guitars to dealers Just callyour local Martin dealer and ask if you can have a used Martinshipping box - and do it quickly before itrsquos thrown out or beforesomeone else gets it Theyrsquore good as gold
About packing the case in the shipping box UPS and officesupply stores sell bags of Polystyrene foam shipping ldquopeanutsrdquoSprinkle a layer of peanuts in the bottom of the shipping boxplace the packed guitar case in the box and carefully fill-in arouthe case to the top of the box Like the guitar in the case you
want the guitar case itself to be inert in the shipping box Tapethe top and bottom box flaps with lots of wide Scotch Strappingtape (the strongest) Then use clear Scotch packing tape to cover
handwritten ldquoTo amp Fromrdquo self-sticking label in the corner of thbox top UPS amp Fed Ex have their own self-sticking labels as we
You can cover the address with clear tape but NOT the bar codThe shorter shipping time the better UPS and Fed Ex offer
Next Day Air but itrsquos expensive They also ship Ground but besure you know how many days it takes to arrive in Nazareth andship early in the week so that your guitar does not sit in a hotshipping container or parked truck over the weekend
Lastly make sure you insure your guitar Some shippers willonly insure guitars for a limited amount Others will insure onthe basis of declared value of the instrument Itrsquos not cheap but i
worth it if you love your guitar Mother will approve
De-tune
the strings(and remove
the endpin)
Fill outtwo tags
Purchase a
box of stringed
paper tags
Packing The case
should be completely
filled with tissue paper
About the caseAlways ship in a hard
case No exceptions
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C F Martin amp Co offers guitars to fit every preference and
budget but knows guitar dreams have no limits For
those whose guitar ideal canrsquot be found among the more
than 120 models Martin currently makes and who want toconceive their own unique perfect guitar Martin has
created a special place Itrsquos called the Custom Shop and it
is where guitar dreams come trueSituated on the production floor the Custom Shop is a dedicated
space with several workbenches assorted jigs and a range of racks andshelves for ldquoworks in progressrdquo Here just over a dozen of Martinrsquosmost experienced craftspeople build ndash one at a time and mostly oneof a kind ndash masterpiece acoustic guitars
ldquoThe Custom Shoprsquos goal is simply to build the best acousticguitars in the worldrdquo commented Fred Greene Martin Vice Presidentof Manufacturing ldquoWhether itrsquos an individualrsquos vision of a great
instrument a uniquely appointed model one of our dealers thinks will appeal to his or her clientele or a guitar wersquove conceived toshowcase artisan building each Custom Shop instrument is crafted asif we were making it for ourselvesrdquo
Custom guitars have been an element of Martin productionsince the company was founded in 1833 A number of Martinguitars from the 19th and early 20th century show customfeatures and custom Martins from the 1930s through the 1950shad an ldquoSrdquo suffix on the neck block model number to indicatetheir custom (or ldquospecialrdquo) status In the 1980s and 1990scustom Martinsrsquo neck blocks were simply stamped ldquocustomrdquo But
The Custom Shop
Bringing your
Guitar to LifeBY MARSHALL NEWMAN
Great sounding Custom Shop guitars donrsquot need to be fancy but if
you want to go that route Martin can certainly accommodate you12
C A R E A N D F E E D I N G
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until recently all custom Martins were built on the main shopfloor alongside their non-custom siblings
The concept of a separate stand-alone Custom Shop began to gainmomentum approximately 10 years ago but didnrsquot come tofruition until 2005 ldquoWe had a custom administrator who handledand followed custom orders on the shop floor but knew we could
do morerdquo Greene recalled ldquoIn 2005 I proposed we create a separate custom area with a separate workforce with the capability to handcraft unique instruments using traditional techniques ndash likecarving necks by hand and hide glue construction - that didnrsquot lendthemselves to our standard production process We started theCustom Shop with a staff of five it began by building the Authenticline and slowly took on custom buildingrdquo Today the Custom Shophas a staff of eleven plus three design consultants who work withcustomers dealers and builders to assure Custom Shop instrumentsare everything they can be
ldquoThe number one challenge of the Custom Shop is timerdquoGreene noted ldquoIt takes time to build instruments of the quality Custom Shop customers demand to hand-carve the necks to cut
the pearl to shape the braces and all the rest In the Custom Shop we take whatever time is needed to make these instrumentsexceptional Judging by the number of orders theCustom Shop receives people recognize the value of
what we are crea tingrdquoldquoThe Custom Shop team includes several of
Martinrsquos most experienced builders The average tenure with Martin is 25 years and there are a few who areapproaching the 40-year markrdquo Custom Shop guitarsare built almost entirely by this small staff in theCustom Shop only operations requiring largespecialized equipment ndash like side bending andfinishing - are done on the main shop floor
While all orders for Custom Shop guitarsmust be made through authorized C F Martinamp Co dealers prospective Custom Shopcustomers now have a great tool they can utilizeto design their dream guitar the Custom GuitarConfigurator Accessible on-line at
wwwmartinguitarcom the Custom GuitarConfigurator lets the user ldquovirtuallyrdquo create a guitar from a range of Martinrsquos most popular options see their creation and get a suggestedretail price quote The information then can be printed out for useas a reference during the order process
13
The Custom Shop offers a remarkable range of options(actually more than shown in the Configurator) sizes body styles scale lengths tonewoods neck profiles appointments
inlays and more Are there limits to what the Custom Shop wibuild As they sometimes say in the Custom ShopldquoWe try to never say ‛norsquo we only say ‛how muchrsquordquo In truth
there are some projects Martin wonrsquot tackle among themreplicating a Martin Custom Artist model or SignatureEdition (to respect the artistrsquos vision for hisher guitar) and
building with customer-supplied wood (which may not matchMartin specifications or standards)The Custom Shop even allows customers to come by the factory
to select the specific tonewood set for his or her guitar from Martinextensive inventory ldquoAt first it was just Martin dealers but now weare seeing individuals stop byrdquo observed Greene ldquoThe opportunityto select the set of Madagascar rosewood or flamed mahogany oranother tonewood that will become a Custom Shop guitar makesthat guitar an even more personal statementrdquoDespite its limited production and brief history the Custom
Shop has produced an impressive array of guitars Ordersoften include unusual tonewood combinations special
neck configurations or custom inlays A CustomShop guitar generally takes four to six months tobuild after details have been finalized dependingon the current workload and the complexity of theorder guitars featuring special design elements
andor custom pearlwork can take longer Whetherplain or fancy each completed Custom Shop guitar
is identified by the laser-etched Custom Shop logoon its neck block
In early 2011 the Custom Shop introducedtwo limited-production CS models the first
of a series of Custom Shop instruments that will be available for only one calendar year(or less if demand is overwhelming as wasthe case with the CS-21-11 model) ldquoThe CS
models express C F Martinrsquos spirit of adventurerdquo explained Fred Greene ldquoThese
short exclusive runs of g uitars allow us to introduceexciting new ideas that might eventually be looked upon asclassics At C F Martin amp Co heritage and creativity arenrsquotmutually exclusive and these CS guitars are the proofrdquo Readyto create your one-of-a-kind Martin guitar Good The CustomShop is ready for you
In creating your Custom Shop Martin you may choose from a wide array of tonewoods body sizes appointment levels and customized inlay sty
8102019 Vol_32pdf
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Adjusting the truss rod with a special long Martin Allen wrench
Guitars are made to be played and the easier they are to
play the more pleasure they bring their owners The
action ndash the distance between the strings and the
fingerboard ndash should be just right and thatrsquos the reason
every guitar deserves a good set-upFundamentally guitar set-up is simple geometry adjusting
the guitarrsquos neck nut saddle and (occasionally) frets to put theaction at an ideal level - not so high as to be difficult to fret and notso low as to cause string buzz
C F Martin amp Co sets up every guitar it builds before it leavesthe factory Most Martin guitars built in Nazareth are set up using a PLEKreg Pro machine which scans the nut fingerboard and saddle
with a sensor compares the scan with optimal values and thencuts the nut slots contours thesaddle and polishes the frets toan accuracy of 11000 of aninch If necessary minor saddleand nut touch-up and truss rodadjustment are done by hand
when the guitar is strung A fewMartin guitars - primarily Custom Shop instruments -continue to be set up by hand
Even an acoustic guitar with a
good factory set-up may need tobe set up again within a few years according to Lon WernerMartin Customer RepairManager ldquoThe wood in a guitarcan take up to five years to ‛settleinrsquo under string tension and a change in the action may necessitate a fresh set-uprdquo Theownerrsquos playing style and
The LowdownBY MARSHALL NEWMAN on Set-up
Checking neck relief during final setup
14
C A R E A N D F E E D I N G
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technique also may dictate whether a fresh set-up isneeded ldquoA fingerstyle player
with a light touch might wantthe action lowered while a flatpicker may need the actionraisedrdquo Indeed an individualrsquosplaying style and technique are
information a repairperson will want to know to do the bestpossible set-up
So can you tell if your guitarneeds a set-up Begin with theobvious If your guitar hasbecome very hard to fret itprobably needs a set-up If thestrings buzz either open orfretted it probably needs a set-up If its intonation is way offit probably needs a set-up
A few simple diagnostic testsalso can help determine
whether a set-up is neededCheck the neck relief by fretting the low E string simultaneously above the firstand below the 13th fret thegap between the string and the6th or 7th fret should beslightly more than the thicknessof a business card Checkaction at the nut by fretting each string between the second
and third fret there shouldbe daylight between eachstring and the first fret a gapapproximately the thicknessof a sheet of paper at thehigh E and slightly more at thelow E Check the height of theaction with a machinistrsquos rulerat the 12th fret the distancebetween the fret and the string should be approximately 232-332 of an inch on the trebleside and 332-432 of an inch
on the bass side A goodelectronic tuner can be used tocheck intonation on eachstring by playing the openstring and then playing theharmonic of the same string atthe 12th fret
A lot of guitarists may betempted to do their own set-upbut Dave Doll of Martinrsquos
Customer Repair Departmentcautions against it ldquoItrsquos like a doctor educating a patient onhow to recognize symptoms thpatient may know he has a problem but he still should goto the doctor to have thatproblem fixedrdquo he commented
ldquoEven a simple set-up can bedaunting unless you know whayou are doing you may well domore harm than goodrdquo Lon
Werner was more specificldquoWhile preliminary evaluationmay suggest a set-up is neededthe symptoms also can beindicative of a much moreserious problem When theMartin Customer RepairDepartment receives a guitar
we give it a thorough going-over from headstock toendpin If the bridge is liftingor a brace has pulled loose orthe neck needs a reset (justthree examples) that is a problem that has to be dealt
with for a set-up to bebeneficialrdquo Not everyonelives so close to Nazareth tohave their Martin guitar
worked on at C F Martin amp Cobut there are more than
150 Martin Service Centersthat can give that guitar thecare ndash whether a set-up orsomething more ndash it deservesShould you happen to visitNazareth or live nearbyC F Martin amp Co offers a very cool opportunity to learnabout guitar maintenance fromsome of the best in thebusiness Every Friday from11 am until noon theCustomer Repair Departmen
hosts a guitar care seminarduring which it demonstratesthe basics of guitar careincluding some of theelements of set-up (like trussrod adjustment) The guitarcare seminar is free noreservation is needed andit is a great way to learnhow to keep your Martinin peak playing condition
15
Checking the relief of the neck
Checking the action at the nut
Checking the action at the 12th fret
Adjusting the truss rod with a long Martin wrench
truss rod wrench
hole in brace
truss rod location
gap between bottom of string
and top of fret at the 12th fret
gap between bottom of string
and top of fret at the 1st fret
with string depressed
gap at the 6th or 7th fret with string
depressed at 2nd and 13th frets
exaggerated neck relief
frontblock
8102019 Vol_32pdf
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All-Star MUSEBenefit Concert
The All-Star MUSE BenefitConcertat the Shoreline Amphitheater inMountain View California supported Disaster Relief in Japanand Non-Nuclear Groups
Worldwide Featured artists includedCrosby (with his Martin Signature 12-string) Stills amp Nash Jackson BrowneBonnie Raitt Jason Mraz The DoobieBrothers Tom Morello John HallKitaro Sweet Honey in the Rock and
Jonathan Wilson
A R T I S T P R O F I L E S
Hollywood Bowl 2011Dolly Parton with her touring guitaris
Jim Salestrom who is playing hisMartin J-40 Dollyrsquos World Tour
thrilled attendees at the HollywoodBowl Saturday July 23 2011
DonavanFrankenreiterDonavonrsquos fourth studioalbum Glow is describedas ldquowarm organic andoverwhelmingly hopeful Theperfect antidote to trying timesrdquo Hersquos playing his triedand true Martin 000-18 Shawn Colvin
Shawn Colvinrsquos new Live album wasnominated for the Grammy Awardfor Best Contemporary Folk Album
Accompanied with her pristineM3SC Signature Edition findShawnrsquos enduring music on iTunes orat amazoncom
16
oto by Lynn Goldsmith
P
h o t o b y L y nn G ol d s mi t h
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 1946
Ron Davies(1946-2003)
A songwriter fromthe pacific northwestRon Davies at 17bought a well worn1956 D-18 Martin
which he put to gooduse writing an entirealbum of songs forthe Seattle band ldquoThe
Wailersrdquo As an artisthe recorded fivealbums during hislifetime but he isbest remembered forhis songwriting
His songs have been covered by a diverse group of artists that include Joan Baez David Bowie (Ziggy Stardust) Long John Baldry Ann Murray Three Dog
Night Nitty Gritty Dirt Band Helen Reddy Jerry Jeff Walker Maria Muldaur Joe Cocker Randy TravisNanci Griffith and the Raconteurs to name a few
In 2011 friends in the pacific northwest cametogether to record ldquoThe Mystery of Ron Daviesrdquo a tribute CD containing eighteen of Ronrsquos songsperformed by artists from his hometown and one by Davies himself Available on iTunes and at CD Baby allof the proceeds will benefit ldquoMusic Caresrdquo
Leslie TuckerLexington Virginia-based singersongwriter Leslie Tuckerrecently received the gift of a Martin D-41 from a legion of her fans and she plans to use her new acquisition in theproduction of a new album project currently in progressalong with a tour of performances when itrsquos released Tune into wwwleslietuckercom for updates
Santa Cruz Blues Fest 2011Some of the worldrsquos finest guitarists including Jonny Lang were on hand to salute guitar legend JimiHendrix at this yearrsquos Santa Cruz Blues Fest 2011
Jonnyrsquos playing his Martin J-40 Jumbo
Sting
17
Early StingFrom Andy Summers groundbreaking book Irsquoll be watching you Insidethe Police 1980-1983 Police guitarist and professional photographer
Andy Summers captured Sting with his Martin D-28 in 1982
8102019 Vol_32pdf
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Fast AJ AJ Rubino of SpringfieldMassachusetts has beenperforming folk and country music for nearly fifty years ndash
much of that time with his1975 Martin D-35 slightly customized with fingerboardinlay by luthier Harry BeckerThis photo will grace the cover of AJrsquos forthcoming CD
He is a loyal member of the Martin Ownerrsquos Club andowns several other Martin guitars The tree AJ is standing in front of was destroyed by the tornado that hit WesternMassachusetts in June of 2011 but no one was hurt andall of the Martin guitars survived
A R T I S T P R O F I L E S
The Kingston Trio Fantasy Camp 2011
Winfield KansasFestivalrsquos Martin D-42
Allen Shadd began playing guitar when he was seven years oldacquiring his first Martin guitar -
a 1973 D-35 at the age of tenSince then he has gone on toperform in many bands guitar
workshops recording sessions and in 1997 released his own CDldquoA Cut Aboverdquo Allen also frequently competes in guitarcompetitions and has won some of the most prestigious flatpicking contests that have included Merlefest Rocky Grass and the WayneHenderson guitar competition He brought home this yearrsquos MartinD-42 from the National Flatpicking Championship held in
Winfield Kansas Itrsquos the sixth time Allen has placed in the topthree including his first place finish in 1997
18
wwwkingstontriocom
Caroline JonesThis NYC-based singer songwriterguitarist and producer was trainedclassically by Andy Anselmo Founder
of New Yorkrsquos ldquoThe Singerrsquos ForumrdquoCaroline began singing opera ariascabaret standards and show tunes at agenine Under the management of Tommy Mottola and Chris Apostle shebegan recording her original songs withproducer Chris Toland at Sony and
Avatar studios in New York as a studentat The Professional Childrenrsquos SchoolIn 2008 Caroline began monthlyco-writing trips to Nashville where sherecorded with many of the industryrsquostop talents Since then she has been
performing and recording with herMartin 00-21 Kingston Trio modelthat pays tribute to original KingstonTrio member Dave Guard (1934-1991)
Shown above are Fantasy camp attendees each holding their Martin guitars (plus one banjo)
P h o t o b y J o h n L i n d
8102019 Vol_32pdf
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Dierks BentleyReaching deep into acoustic rootsmusic resulted in Dierks Bentleyrsquosnew album Up On The RidgeMore than a bluegrass concept
album with guests Up On TheRidge features Bentley working with some of the finest acousticmusicians in the world including long-time collaborators theDel McCoury Band and a new musical partnership with ChrisThile and the Punch Brothers Asa recent addition to the Martin
Ambassador ranks Dierkrsquos israrely seen without his prizedvintage herringbone D-28
Hawaiirsquos HirsquoikuaIn a culture that honorsthe legacies of the pastthis Hawaiian trio of talented musicians pays
homage to their roots while creating a uniqueand progressive soundthat leaves an indeliblemark upon contemporary Hawaiian music
In a seamlesscontinuous movement we all carry a past while living in thepresent and moving toward a future Hirsquoikuarsquos music reflectsthe belief that without asking the knowledge of our ancestorshas already been placed within us in the hope that we too
will shoulder that responsibility in an unbroken journey intothe future
Their music is composed and performed by Kalehua Krug (left with his Martin 12-string) Kamuela Kimokeo (above andcenter left with his Martin OMC Aura cutaway) and BlakeLeoki-Haili (right with Martin tenor ukulele)
The grouprsquos name derives from the Hawaiian word thatmeans literally ldquoto carry on onersquos backrdquo Hirsquoikua has taken thisresponsibility seriously
ldquoAia I Hirsquoialordquo the long awaited CD from Hirsquoikua featuressix original and six traditional songs
wwwhiikuacom J e r r o l J u l i a n P
h o t o g r a p h y
J e r r o l J u l i a n P
h o t o g r a p h y
8102019 Vol_32pdf
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F R O M T H E A R C H I V E S
Waiting for the Sunday Boatrdquo by William Henry Jacksonrdquo Florida circa 1902Martin small-bodied parlor guitar
ldquoAs long as
Irsquove got my guitar
Irsquoll be finerdquo
mdash Willie Nelson referring to Tri
his legendary Martin guitar
HometownCentenarianMary Arletta Hahnis shown (right)
with her 00-1712-fret Martinguitar Mary was inher twenties whenthis picture was
taken (circa 1932)She was born inNazareth andturned 104 this pastSeptember Healthy small town living Shereceived her theology degree from the United
Wesleyan College but she also majored in voicepiano and guitar She would sing and play guitarin her fatherrsquos varied congregations Mary haslived her entire life in and around NazarethToday she lives just one block from where herguitar was made
1883 Advertisement
Gu i tar is t and Mando l in
is t
c irca 18 9 0
Guit ar ist and Mandolinist c ir c a 19 25
20
8102019 Vol_32pdf
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Ahh the sound of the Martin Rich and evocative Texture
lifeby strummingorpickingorthe lightesttouchtoteas
harmonicsthesoundmdashlikethehistoryofCF Martinamp C
peopleanda storyofthesensesHearitTasteitFeelitA
artist Robert Goetzl see it Seethe sound of the Martin
FEA TU R E
The Soundand the Story
Thehand drawnsketches (right)illustratethesix-panel seriesofthree-foot byfour-footmuralsthatwillhangintheMartinVisitorrsquos Center
BYSUSAN J BURLINGAME FREELANCE WRITER MARTIN
22
mdashC FMartin IVmdashcalls itldquothe magic ofFrom JohnnyCash to John Mayerand fromElvis Costello manyof historyrsquos mostbrilliantve chosen the Martin sound the Martin magicm the Martin storycontinuesMartin magic is mostprofoundly representedby n in the early1800s on the otherside of theour eyes fora momentand imagine ayoung king browfurrowed in concentration Heods the braces the strings of his firstguitarrtin has traveledfrom his home in Saxonytoe learns the artof guitarmaking as ane of the bestknown guitar shops in Europeg his 37th year C F Martinalong with hisdren sets outfor Americae story as theysayhellipis magicamp Co is still family-ownedmdashbutthe ldquofamilyrdquoh Martins and non-Martins generations of
ed arole in crafting the exquisite acousticrtin has offeredthe world formore than 175ertGoetzl a cousin to Chris Martinhas been create awork of art depicting C F Martin ampamily its sound andits storyeries of three-footby four-footmurals thatwillin Visitorrsquos Center the work says Goetzl is a love Chris Martin thatmuch He wasuential in mylife andthe opportunityto tellyauthentically is extremelymeaningful to merdquonels (pictured here)take viewers on CFfrom Saxonyto Viennato the newworld
ured as the music of the Martin guitar thensionalmdashdone in mixedmedia with collage andreating the firstpanel was forGoetzl the biggest
23
challenge ldquoI realizedthe enormityof the projectmdashnotjust inscope butalso in importance to the familyand to the thousandsof people who wouldbe looking atitrdquoGoetzl labored andsecond-guessedand tweakedand proddedbefore finally unveiling itto Chris Martin andothers at Martin ldquoThe lookson theirfaces toldme I had naileditrdquo Panel numbertwo which illustrates the Martin familyrsquosinitial shopin New York andthe move to NazarethPennsylvania causedGoetzl much less consternation butequallyas much joy he says as will each successive mural ldquoIf this is the endof the roadfor me the lastwork I evercreaterdquosays Goetzl (who surelyhas afew more decades ofcreativityleft) ldquoI wouldbe completely fine with thatrdquo
ldquoRobert has put his heart into
creating something that will
make a tremendous addition
to the Martin experiencerdquo
mdash Dick Boak Artist Relations C F Martin amp Co
Tex Fletcher
SingingcowboyTexFletcher maynot
have become the household name that
other cowboy singers from the 1930s
such as Gene Autry and Roy Rogers had
butdespitesometimes overwhelming
odds hersquosbeen remembered nonetheless
forhis noteworthycontributionsto earlyand
mid-20th century cowboy culture
He was born Geremino Biscegliain 1910 in HarrisonNew York the fifth of eight children of Italian immigrants Michael(astone mason)and Josephine Bisceglia He leftschool afterthethirdgrade to work with his fatherandbrothers He was raisedin a musical householdand he learnedto sing andplay traditional Italian songs accompaniedby accordionsmandolins andviolins
Jerrypicked upa fewguitar chords froma local right-handedguitarist butbeing left-handed he retaughthimself to playhisown right-handedguitarldquobackwards andupside downrdquoas he wouldlater explain with achuckle
He became enamoredwith the silver screen cowboys of theday often sneaking into the local cinemaforshowings of thelatestsilent picture starring TomMix WilliamS Hartand YakimaCanutt
Overthe nextfew years the teenagedcowboy wannabe beganto realize his boyhoodambition as he learnedto handle horseandcattle byday while soaking upcowboy lore andcampfiresongs bynight in effectbecoming aldquorealrdquocowboy Asinging cowboy Unique stuff forthe late 20s He returnedto NewYork in 1931 with aconfidence anda newfoundvoice With saddle bags full of cowboy stories andsongs the cowboysingerwas now going bythe name Tex Fletcher He began entering andwinning localthen regionaltalentshows Fletcherrsquos confidence grewwith each winning purse as was evidencedbyhis every growing wardrobe of
cowboyoutfits andhis first Martin guitar a000-45 He neverplayedanother companyrsquos guitars again believing the leastexpensive Martin guitarwas headand shoulders aboveanyother companyrsquos bestHistory has clearlymade fora compelling argument Itwasnrsquotlongbeforehereceivedan offerofa radiojobas asinging cowboyoverWFASinWhitePlainsNewYorkBy1934 attheheightofsingingcowboycrazeFletcherbegana relationshipthat wouldlastmorethan 25yearsbroadcastingoverWORNew YorkNewJersey(MutualNetwork)Itwas thesameyear thathebeganappearingatthe VillageBarnnightclub(whichwouldlaterbecomeJimiHendrixrsquosElectricLadyland)inGreenwichVillageNYagig thatlastedwell intotheearly1960s
1934 was also the yearTexorderedhis custommade MartinD-42Hersquodadmiredthe pearlygoodlooks and loudtone of Gene Autryrsquos D-45 (the firstD-45) butwanted an instrumentthatw ouldbe uniquelyTexFletcherrsquos guitar But he wasnrsquotthe onlycowboysinger who wantedto follow in Autryrsquos trail Milwaukee -based Jackie ldquoKidrdquoMoore beathimto the punch when he ordered his own D-45 (No 2)fromMartinBut according to authorMartin researcherJohn Woodland amisunderstanding with regardto neck length ledMartin to shelve the unfinished14 fretto the body D-45Moore then optedfor awider OMstyle neck with 12 frets tothe body This D-45 is No3 Then along comes NewYork radio cowboyTexFletcherwithhis own ideaof whatfeatures ldquohisrdquoguitar shouldsportincluding 14 frets to the body which alignedperfectly with the
partiallyconstructed D-45 (No2) buthe wanted all the flashupfront So insteadof proceeding to finish the guitaras aD-45Martin craftsmen changedthe toprsquos bracing to aHigh ldquoXrdquoconfiguration anddesignated this slightlymore modestcousinof the D-45the D-42 So the TexFletchermodel is not only the firstD-42butalso the secondD-45Itremainedthe only example of the D-42 forthe next54 years
Fletcherhadbeenout ofthe musicbusinessforjusta fewyears whenhe wastrackeddownin theearly1970sby then-MartinhistorianMikeLongworthwho convincedthe oldcowboytodonatetheinstrumenttothe MartinMuseumFletcheragreedandthatrsquoswhereitresidesto thisdaydisplayedjusta fewfeetfromitrsquosfirstcousintheGeneAutryD-45 (No1)
21 24
N EW PR O D U CTS
NEW A DDITIONS TO
OUR LINEUP OF
Great Ukuleles
The Martin Standards of Tone and Workmanship Prevail
C1K amp T1K UkulelesMartin has been building the worldrsquos finest ukuleles
from as early as 1916includingthesmallest Soprano
the original model to the larger Concert in 1925 and
the Tenor uke in 1929 Both the concert model and
tenor models havelong been prized for their full-bodied
voiceandgreatervolumeThesenewC1Kconcertand
T1Ktenor modelsfeaturetops backsidesand head-
platesofsolidHawaiianKoaawoodnativeto Hawaii
and a favoriteof island players Both ukes feature solid
Sitkabraces genuinemahoganyblocksand applied
dovetailneckjointsintheMartintraditionNecksare
craftedofselecthardwoodandcappedwithasolid
Morado fingerboardtheconcert has a 15rdquoscalelength
thetenor a 17rdquoscaleBridges arealso ofsolid Morado
with whiteTusqsaddles Open-geared nickel tuners with
whitebuttons ensureprecision Finished in high quality
satinlacquerPadded bagincludedTwo beautifulexam-
ples of why Martin is still the name in superior quality
ukuleles
ldquoAs far as inanimate objects
being friends I think that is right
on the list My Martin ukulele
is a work of art Itrsquos going to live
long after merdquo
mdashEddieVedderPearl JamUkuleleSongs
T1K
C1K
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2446
Clock key mechanism for
adjustingguitar necks on
Martinrsquos earliest guitars
manufactured in New York
ImaginedMartinfamily portrait
CircaSeptember1833mdashat the
timeof theMartinsrsquotransatlantic
journey to the New World
Mappointingto
Markneukirchen the
main town in Germanyrsquos
musicalinstrument-
makingregion
Embellished original
drawingofCF Martinrsquos
residencein
Markneukirchen
Saxony (Germany)
Thesa
carries
North
specta
showe
Harbo
Imagin
CFM
Hudso
Depic
mold
a Mart
glueu
NEL ONE 2 bull PANEL TWO
Rende
home
in Che
Circa1
Portra
presid
when
arrived
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
OM -21 NEW Martinrsquos OM (Orchestra Models)
guitars have always been very
special to fingerstyle guitarists
especially this new OM-21 with its
comfortable 1-34rdquo wide neck at the
nut and highly responsive 14rdquo
scalloped Sitka top braces Elegant in
its simplicity this new version offers a
tasteful upgrade of solid black ebony
fingerboard and 30rsquos style ldquobellyrdquo
bridge with genuine bone saddle and
nut all adding to the rich resonance of this guitar Whatrsquos more wersquove
replaced the standard OM neck with a
slimmer ldquoPerformingrdquo Artistrdquo modified
low oval profile tapered neck and
wider 2-316rdquo bridge string spacing for
faster more comfortable playing The
solid Sitka spruce top with
hand-inlaid 28 style
rosette is joined to a
body of premium
solid East Indian
rosewood bound intortoise colored
18 style binding
Delmar tortoise color
pickguard nickel
open-geared
tuners with
Butterbean
knobs and
polished gloss
lacquer with
aging toner
complete this
beautiful
instrument
Delivered to you in the
new Martin 433 archtop
hardshell case If yoursquore a finger picker this new OM-21 is
the one to pick
D-18 NEW Since its introduction in 1935 the D-18
has been the workhorse of the Martin steel
string acoustic line More plain and less
costly than its D-28 rosewood cousin the
D-18 has none the less established its own
tonal identity ndash balanced crisp midrange
definitive bass and bright clear treble a
favorite of innumerable bluegrass blues and
country performers as well as discerning
studio musicians ndash because it is a great
performing and recording guitar Over the
years the D-18 has seen numerouspermutations ndash the D-18V and D-18P ndash as
well as variations in bindings rosette
fingerboard amp bridge woods bracing
patterns and pickguards And now the
new D-18 brings together
the best features of all of
these great D-18s into
one superb sounding
and playing guitar On
the traditional side backs
and sides are still crafted
of solid genuineMahogany joined with a
solid Sitka spruce top
with forward-shifted
scalloped ldquoXrdquo bracing
The fingerboard
and 1930s style
belly bridge are
fashioned of
solid black
ebony as were
the originals
Whatrsquos new A
lightning fast modified low
oval profile neck with a
1-34rdquo nut width and slimmer 2-18rdquo taper at the 12th fret Itrsquos
the same neck featured on our innovative Performing Artist
series guitars with the same wide 2-316rdquo bridge string
spacing too for greater player comfort and accessibility up
and down the neck The new D-18 The perfect blend of past
and future ndash and great guitar to start the New Year
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2646 26
NAMM Show
Specials
N E W P R O D U C T S
2012 Martin Show Special Guitars
The DCPA Koa amp GPCPA Koa They donrsquot get any more beautiful ndash or more
beautiful sounding ndash than these spectacular
dovetail flamed Koa Performing Artist guitars
And with only a total of 30 instruments ndash
combined ndash being offered to dealers at the 2012
NAMM Show they donrsquot get any rarer either Here
wersquove chosen two of our most popular cutaway models in
the Performing Artist series the classic Dreadnought and
the Grand Performance and crafted the backs and sides
of premium Hawaiian flamed Koa a resonant tonewood
indigenous to the Hawaiian islands Koa has long been by
favored by native Hawaiian musicians for guitars and
ukuleles as well as discerning players and collectors
worldwide Martin in particular has built various sized
instruments of Koa from as early as 1850 The tops are of prized solid Adirondack Spruce as are the scalloped
forward-shifted ldquoXrdquo braces in the ldquoGolden Erardquo fashion The
bodies are bound with solid Madagascar rosewood the
top is inlaid in the 42 style with an elegant blue Paua
pearl rosette The backstrip is 45 style marquetry Both
guitars feature our fast and comfortable Performing Artist
modified low oval mahogany neck with ebony
fingerboard and
wide 2-316rdquo string
spacing on the
ebony Performing
Artist belly bridge And the
crowning touch both guitarsare equipped with the new
Fishmanreg F1 Aura + onboard electronics system the
ultimate in acoustic realism and projection as well as
pickup versatility Waverly gold tuners with Ivoroid
buttons complete the package Orders for the DCPA Koa amp
GPCP Koa will be taken solely from dealers in attendance
at the 2012 NAMM Show in Anaheim California
NEW TOOLS
for GREAT TONE
GPCPA Koa
DCPA Koa
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
DCPA1 Madagascar Rosewood ampGPCPA1 Madagascar Rosewood
These two very special dovetail Performing Artist
guitars reflect the best of Martin innovation expert
craftsmanship and selection of superior tonewoods ndash
all in one As PA series models Dreadnought and
Grand Performance they include a unique slim
tapered fast neck for exceptional player comfort in
all positions a smaller and lighter PA ldquobellyrdquo bridge
for greater tonal response and increased string
spacing for easier finger picking They also
include the new state-of-the-art Fishmanreg F1
Aura + onboard electronics system that deliver
striking acoustic realism and projection
Plugged in or pure acoustic these are great
sounding guitars ndash and with good reason The
tops are solid Adirondack spruce pearl inlaid inthe 41 style and driven by 516rdquo Adirondack
scalloped braces forward-shifted in the ldquoGolden Erardquo X
pattern The back sides and headplate are Madagascar
Rosewood selected for its beauty and close acoustic and visual resemblance to
Brazilian Rosewood Solid black ebony is used for the fingerboard and bridge
Details include grained Ivoroid bindings Delmar beveled tortoise color pickguard
special ldquoalternative torchrdquo inspired position inlays gold enclosed tuners bone nut
and saddle The most distinctive Performing Artist production models to date
Fishmanreg F1 Aura + The Fishmanreg F1 Aura + features a newsimplified and intuitive Easy Mode allowing youto quickly get a feel for the tonal possibilities ofthe system while providing the most importantfeatures The Easy Mode offers three custom-blended Aura Image presets tone control and
the option of using the undersaddle pickuponly For the real tone-tweakers wersquove retainedthe original Performance Mode as well givingyou full access to the powerful 3-band EQscompressor and automatic anti-feedback ofthe F1 Aura +
Performing
Artist SeriesDCPA1
Madagascar
Rosewood
GPCPA1
Madagascar
Rosewood
8102019 Vol_32pdf
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N E W P R O D U C T S
Performing
Artist Series
Martin introduces an exciting
new tonewood called Siris
DCPA4 Siris amp
GPCPA4 Siris
With these two new
Performing Artists guitars
Martin introduces an exciting
new tonewood called Siris
adding even more tonal color
and variety to the PA series Siris
delivers excellent bass response
reminiscent of East Indian rosewood as
well as a clear midrange and treble making it an
excellent guitar wood for recording and for playing live Lighter in color
yet denser than rosewood it produces a slightly longer sustain thanrosewood Siris is typically dark orange contrasting beautifully with the
Sitka Spruce tops tortoise colored pickguards grained Ivoroid bindings
and special East Indian rosewood center wedge on both guitarsrsquo 3-piece
backs The DCPA4 Siris and the GPCPA4 Siris are 14-fret cutaway guitars and
have fast comfortable Performing Artist profile necks Hybrid ldquoXrdquo scalloped top
bracing black Richlite fingerboards and bridges and Fishmanreg F1 Analog
onboard electronicsGPCPA4 Siris
DCPA4 Siris
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
The GPCPA4 Sapele is constructed with
FSCreg Certified tonewoods harvested from
ecologically sound and responsibly manag
forests The fingerboard and bridge are
built with FSCreg
Certified Richlitereg
29
GPCPA4 SapeleFirst introduced in 2010 the GPCPA4 is an extraordinary Martin ndash a
big Grand Performance cutaway with a fast comfortable Performing
Artist Series high performance neck But this brand new version ndash
the GPCPA4 Sapele ndash is extra special It rsquos built with FSCreg Certified
tonewoods harvested from ecologically sound and responsibly
managed forests This includes African sapele back and sides
mahogany front and rear blocks cherry side strips Spanish cedar
ribbons and European spruce Hybrid ldquoXrdquo scalloped bracing The top
is FSCreg Certified recycled Sitka spruce produced from old bridge timbers in Canada
Even the fingerboard and bridge are crafted of FSCreg Certified Richlitereg material High
polished gloss top finish with tasteful Cherry red toned back and sides Fishmanreg F1
Analog electronics are included with volume and tone shaping capabilitiesonboard digital tuner and phase control Quite a
package Quite a guitar
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 304630
N E W P R O D U C T S
DCPA5K and GPCPA5K
Advanced guitar design meets high-
tech guitar construction The result
two highly affordable Performing
Artist guitars with excellent tone
playability and durability Back
and sides of the cutaway
Dreadnought and Grand
Performance models are made
of a high-pressure wood fiber
laminate (called HPL) with
Koa grain and texture photo-
imbedded The top is solid Sitkaspruce braced with Martinrsquos Hybrid ldquoXrdquo
scalloped bracing system renowned for its
resonance clear treble and distinct bass The Performing Artist Profile neck is
slim and fast and comfortable made of tough Stratabondreg multi-layered
wood laminate Performing Artist bridge and fingerboard are black Richlite
Chrome enclosed tuners with large buttons and Fishmanreg F1 Analog
onboard electronics included A terrific value with great tone and
environmentally friendly
Performing
Artist Series
The DCPA5K and GPCPA5K
are Performing Artist guitars
with excellent tone playability and durability
GPCPA5K
DCPA5K
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3146
Road Series
31
Over 175 Years of Guitar Building Excellence
Special Edition
DRS2 The latest of Martinrsquos hard-working
great sounding Road Series guitars
the new DRS2 delivers a unique blend
of durability and concert-quality
sound and projection The top is
crafted of solid Sitka spruce and
braced with Martinrsquos A-Frame (X1)
bracing Back and sides are select
solid Sapele similar in look and
tonal qualities to its
close cousin
mahogany As
beautiful as it looks
and sounds the
DRS2 is a serious
working musicianrsquos
guitar built for on
the road durability
without sacrificeof tone The
neck is
constructed
of a multi-
layered
wood
laminate
called
Stratabondtrade
that perfectly
simulates natural
quartersawn wood grain The fingerboard and bridgeare crafted of black Richlite amazingly similar in look
weight and resonance of ebony A Fishmanreg
Sonitone sound reinforcement system completes
this very road ndash and stage ndash worthy Martin
000C NylonIn response to the many Martin players
who chose the limited edition 000CDG
built in memory of Chris Martinrsquos late
brother Doug Greth we have
expanded upon this unique ldquocrossoverrdquo
instrument with the new 000C Nylon It is
truly a hybrid instrument combining features
of a traditional Martin steel-string guitar with
those associated with a classical nylon string
guitar The top is crafted of solid Sitka spruce
and braced with a unique A-Frame ldquoXrdquo brace
system Yet this bracing system is equally
responsive to lighter nylon strings without
inhibiting tone or volume The 12-fret low
profile neck features an 18rdquo radius arched
(versus flat) fingerboard like a steel string
but with a classic width 1-78rdquo at the nut and
2-516rdquo at the 12th fret The bridge is in the
classic style with tie block and drop insaddle Bridge string spacing is a
wider 2-516rdquo as well Even the
000Crsquos headstock is unique ndash
square tapered like the
traditional Martin steel
string style but slotted to
accommodate classical
nylon strings Each guitar is
fitted with onboard Fishmanreg
F1 Analog electronics too
The result A versatile
great sounding andplaying guitar no
matter whether you
play acoustic or
acoustic electric
or both
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D-28M Limited Edition Celebrates
The Enduring Music and Legacy ofThe Mamas and The Papas
The appointments on the D-28M Mamas and ThePapas Custom Artist Edition emulate a circa 1960sD-28 blackwhiteblack top purfling blackwhiteback purfling grained Ivoroid binding and heelcapldquocheckerboardrdquo backstrip mother of pearl dotposition markers chrome Groverreg Rotomatic tunerstortoise-colored pickguard polished gloss lacquerfinish and vintage-inspired aging toner on the topExtra flash comes in the form of a Style 45 abalonepearl rosette and abalone pearl-topped bone bridgeand end pins
The guitarrsquos crowning glory is ndash appropriately ndashon the polished black ebony headplate Above
the nut sheltered by the familiar gold old-styleldquoC F Martin amp Co Est 1833rdquo decal logo is a silhouette of The Mamas and The Papasbeautifully inlaid in mother of pearl Derivedfrom a photo by Henry Diltz the inlay capturesthe group in full performance mode
In the early 1960s the four musicians whobecame The Mamas and Papas were a long way from pop music stardom though all wereinvolved in the East Coast folk music scene
John Phillips was a member of the JourneymenDenny Doherty and Cass Elliot sang with theMugwumps After the Journeymen broke up
John Phillips his wife Michelle Phillips andMarshall Brickman formed the New JourneymenMarshall eventually left the band but went on toco-write Oscar winning screenplays with Woody
Allen and he co-wrote the book that became therecord-breaking play ldquoThe Jersey Boysrdquo
Marshall Brickman was replaced by Denny Doherty and soon Doherty introduced hisbandmates to Elliot The four began harmonizingto the pop songs John was writing and perfectedtheir sound during a Caribbean vacation together
The starting point for The Mamas and the Papasrsquofresh pop sound was the folk music all fourmembers played before they got together as a group Songwriter and leader John Phillipsrsquo well-
worn Martin Dreadnought often provided thestrummed rhythmic underpinning on which TheMamas and Papasrsquo band instrumentation andvocals were layered The combination proved tobe genius and even today The Mamas and thePapas ldquosoundrdquo is instantly recognizable
To celebrate the group and its place in popmusic history C F Martin introduces a very
special D-28M Mamas and The Papas
Custom Artist Edition Limited to just100 instruments this new Custom Artist Edition features rare tonewoodshandsome appointments and aunique headstock inlay to honorthese musical trailblazers
John Phillipsrsquo vintage Martin D-28provides the inspiration for this Custom Artist Edition The tonewoods and top
bracing are a stellar combination thatapproximates those of MartinDreadnoughts from the early 1930sBack and sides are rare Madagascarrosewood similar in appearance andtone to the now endangered Brazilianrosewood The top is Carpathianspruce comparable in power andbrilliance to Adirondack spruce andequally responsive Advanced ldquoXrdquo
516rdquo scalloped bracing provides richresonant tone The 1 1116rdquo (at the
nut) low profile neck with diamondvolute is genuine mahogany while the
fingerboard and belly bridge are black ebony
L M
In the 1960s The Mamas and the Papas were at the epicenter of a musical earthquake
that began in Southern California and sent shockwaves across the country Combining
great songwriting unique arrangements and lush harmonies the group had six ldquoTop
10rdquo singles and four ldquoTop 5rdquo albums from 1965 through 1967 a feat that made them one
of the few groups to challenge the Beatles during that era While The Mamas and the
Papasrsquo original lineup of John Phillips Cass Elliot Denny Doherty and Michelle Phillips
lasted just four years several of the songs they created ndash including ldquoCalifornia Dreaminrsquordquo
ldquoMonday Mondayrdquo ldquoWords of Loverdquo and ldquoTwelve Thirtyrdquo ndash have stood the test of time
32
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(This story should sound familiar they laterturned it into a hit single ldquoCreeque Alleyrdquo)Eventually the four traveled to Los Angeles
where they auditioned for Dunhill RecordsOwnerProducer Lou Adler Adler signed them tohis label immediately and two days later thegroup had a name The Mamas and the Papas
Released in 1965 The Mamas and The Papasrsquofirst single failed to garner much notice Howeverthe second single ldquoCalifornia Dreamingrdquo co-
written by John and Michelle Phillips reachedNo 4 on the charts The grouprsquos debut album If
You Can Believe Your Eyes and Ears was releasedin early 1966 and rose to No 1 quickly followedby the single ldquoMonday Mondayrdquo which also hitNo 1 and later won a Grammy Award for ldquoBestContemporary Group Performancerdquo
While The Mamas and The Papasrsquo personallives became increasingly turbulent over the nexttwo years their music continued to flourish they recorded three additional albums ndash The Mamasand The Papas Deliver and The Papas and TheMamas ndash that went ldquoTop 20rdquo and in turn yieldedseveral ldquoTop 20rdquo singles
In 1968 bitter infighting between memberscaused the group to disband Due to contractualobligations they reunited briefly in 1971 to makethe People Like Us album and then went theirseparate ways Cass Eliot had a flourishing solocareer that was cut short by her death in 1974
John Phillips continued to write songs and bothhe and Denny Doherty performed and recordedas solo acts In the 1980s and 1990s they occasionally reunited to tour as members of the
New Mamas and Papas John Phillipsdied in 2001 Denny Doherty died in2007 Michelle Phillips enjoyed a successful acting career and today isthe last surviving original memberof the group
Despite the grouprsquos short history TheMamas and The Papasrsquo musical legacy remainsundiminished the group was inducted into theRock amp Roll Hall of Fame in 1998 and received a
Grammy Hall of Fame Award in 2001 In 2003 If You Can Believe Your Eyes and Ears was ranked127 on Rolling Stone magazinersquos list of the 500greatest albums of all time
Delivered in a hardshell case eachD-28M Mamas and The PapasCustom Artist Edition guitar bears a special interior label featuring theldquosun rayrdquo graphic from the RouletteRecords label on which some of TheMamas and The Papasrsquo singles werereissued in the 1970s Each label ispersonally signed by former Mamasand The Papas member MichellePhillips and numbered in sequence
with the edition total Beginning immediately authorized C F Martindealers will accept orders for theD-28M Mamas and The PapasCustom Artist Edition until all 100guitars in the edition are allocatedparticipating Martin dealers willthen be posted on theC F Martin website
wwwmartinguitarcom
33
S A M P L E
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L O N D O N A C O U S T I C G U I TA R S H O W
Acoustic guitar aficionados attending The London
Acoustic Guitar Show were treated to presentations
that showcased Americarsquos favorite musical instrument
brand and featured musical vignettes by legendary
and influential guitarists Stefan Grossman and
John RenbournThe presentation was given by Dick Boak archivist for Martin
Guitar who offered a graphical and interactive history of the 178-year-old guitar company In addition Dick displayed severalimportant examples in the evolution of Martin acoustic guitarsThe presentation focused on the development of the modern
acoustic guitar Martinrsquos historical contributions to the definitivacoustic guitar design artist signature model collaborations an
an in-depth explanation of specific guitar shapes sizes andtonewoods that lend themselves to particular musical genres JoRenbourn and Stefan Grossman legendary acoustic fingerstyleinnovators demonstrated the tonality of an assortment of Martinstruments including their own Custom Signature models
Martinrsquos UK distributor Westside Management was a primasponsor of the show and the host for the concert stage thatfeatured a stunning live performance by Renbourn and Grossm
Dick Boakrsquos presentation provided a template and proving ground for potential future presentations throughout the UniteStates Europe and Japan
THE LONDON ACOUSTICGUITAR SHOWSaturday and Sunday September 10-11 2011
Olympia Conference Center London
34
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Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
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M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
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The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
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M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
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M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
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Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
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M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
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Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
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A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
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C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
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P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
8102019 Vol_32pdf
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C F Martin amp Co offers guitars to fit every preference and
budget but knows guitar dreams have no limits For
those whose guitar ideal canrsquot be found among the more
than 120 models Martin currently makes and who want toconceive their own unique perfect guitar Martin has
created a special place Itrsquos called the Custom Shop and it
is where guitar dreams come trueSituated on the production floor the Custom Shop is a dedicated
space with several workbenches assorted jigs and a range of racks andshelves for ldquoworks in progressrdquo Here just over a dozen of Martinrsquosmost experienced craftspeople build ndash one at a time and mostly oneof a kind ndash masterpiece acoustic guitars
ldquoThe Custom Shoprsquos goal is simply to build the best acousticguitars in the worldrdquo commented Fred Greene Martin Vice Presidentof Manufacturing ldquoWhether itrsquos an individualrsquos vision of a great
instrument a uniquely appointed model one of our dealers thinks will appeal to his or her clientele or a guitar wersquove conceived toshowcase artisan building each Custom Shop instrument is crafted asif we were making it for ourselvesrdquo
Custom guitars have been an element of Martin productionsince the company was founded in 1833 A number of Martinguitars from the 19th and early 20th century show customfeatures and custom Martins from the 1930s through the 1950shad an ldquoSrdquo suffix on the neck block model number to indicatetheir custom (or ldquospecialrdquo) status In the 1980s and 1990scustom Martinsrsquo neck blocks were simply stamped ldquocustomrdquo But
The Custom Shop
Bringing your
Guitar to LifeBY MARSHALL NEWMAN
Great sounding Custom Shop guitars donrsquot need to be fancy but if
you want to go that route Martin can certainly accommodate you12
C A R E A N D F E E D I N G
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until recently all custom Martins were built on the main shopfloor alongside their non-custom siblings
The concept of a separate stand-alone Custom Shop began to gainmomentum approximately 10 years ago but didnrsquot come tofruition until 2005 ldquoWe had a custom administrator who handledand followed custom orders on the shop floor but knew we could
do morerdquo Greene recalled ldquoIn 2005 I proposed we create a separate custom area with a separate workforce with the capability to handcraft unique instruments using traditional techniques ndash likecarving necks by hand and hide glue construction - that didnrsquot lendthemselves to our standard production process We started theCustom Shop with a staff of five it began by building the Authenticline and slowly took on custom buildingrdquo Today the Custom Shophas a staff of eleven plus three design consultants who work withcustomers dealers and builders to assure Custom Shop instrumentsare everything they can be
ldquoThe number one challenge of the Custom Shop is timerdquoGreene noted ldquoIt takes time to build instruments of the quality Custom Shop customers demand to hand-carve the necks to cut
the pearl to shape the braces and all the rest In the Custom Shop we take whatever time is needed to make these instrumentsexceptional Judging by the number of orders theCustom Shop receives people recognize the value of
what we are crea tingrdquoldquoThe Custom Shop team includes several of
Martinrsquos most experienced builders The average tenure with Martin is 25 years and there are a few who areapproaching the 40-year markrdquo Custom Shop guitarsare built almost entirely by this small staff in theCustom Shop only operations requiring largespecialized equipment ndash like side bending andfinishing - are done on the main shop floor
While all orders for Custom Shop guitarsmust be made through authorized C F Martinamp Co dealers prospective Custom Shopcustomers now have a great tool they can utilizeto design their dream guitar the Custom GuitarConfigurator Accessible on-line at
wwwmartinguitarcom the Custom GuitarConfigurator lets the user ldquovirtuallyrdquo create a guitar from a range of Martinrsquos most popular options see their creation and get a suggestedretail price quote The information then can be printed out for useas a reference during the order process
13
The Custom Shop offers a remarkable range of options(actually more than shown in the Configurator) sizes body styles scale lengths tonewoods neck profiles appointments
inlays and more Are there limits to what the Custom Shop wibuild As they sometimes say in the Custom ShopldquoWe try to never say ‛norsquo we only say ‛how muchrsquordquo In truth
there are some projects Martin wonrsquot tackle among themreplicating a Martin Custom Artist model or SignatureEdition (to respect the artistrsquos vision for hisher guitar) and
building with customer-supplied wood (which may not matchMartin specifications or standards)The Custom Shop even allows customers to come by the factory
to select the specific tonewood set for his or her guitar from Martinextensive inventory ldquoAt first it was just Martin dealers but now weare seeing individuals stop byrdquo observed Greene ldquoThe opportunityto select the set of Madagascar rosewood or flamed mahogany oranother tonewood that will become a Custom Shop guitar makesthat guitar an even more personal statementrdquoDespite its limited production and brief history the Custom
Shop has produced an impressive array of guitars Ordersoften include unusual tonewood combinations special
neck configurations or custom inlays A CustomShop guitar generally takes four to six months tobuild after details have been finalized dependingon the current workload and the complexity of theorder guitars featuring special design elements
andor custom pearlwork can take longer Whetherplain or fancy each completed Custom Shop guitar
is identified by the laser-etched Custom Shop logoon its neck block
In early 2011 the Custom Shop introducedtwo limited-production CS models the first
of a series of Custom Shop instruments that will be available for only one calendar year(or less if demand is overwhelming as wasthe case with the CS-21-11 model) ldquoThe CS
models express C F Martinrsquos spirit of adventurerdquo explained Fred Greene ldquoThese
short exclusive runs of g uitars allow us to introduceexciting new ideas that might eventually be looked upon asclassics At C F Martin amp Co heritage and creativity arenrsquotmutually exclusive and these CS guitars are the proofrdquo Readyto create your one-of-a-kind Martin guitar Good The CustomShop is ready for you
In creating your Custom Shop Martin you may choose from a wide array of tonewoods body sizes appointment levels and customized inlay sty
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Adjusting the truss rod with a special long Martin Allen wrench
Guitars are made to be played and the easier they are to
play the more pleasure they bring their owners The
action ndash the distance between the strings and the
fingerboard ndash should be just right and thatrsquos the reason
every guitar deserves a good set-upFundamentally guitar set-up is simple geometry adjusting
the guitarrsquos neck nut saddle and (occasionally) frets to put theaction at an ideal level - not so high as to be difficult to fret and notso low as to cause string buzz
C F Martin amp Co sets up every guitar it builds before it leavesthe factory Most Martin guitars built in Nazareth are set up using a PLEKreg Pro machine which scans the nut fingerboard and saddle
with a sensor compares the scan with optimal values and thencuts the nut slots contours thesaddle and polishes the frets toan accuracy of 11000 of aninch If necessary minor saddleand nut touch-up and truss rodadjustment are done by hand
when the guitar is strung A fewMartin guitars - primarily Custom Shop instruments -continue to be set up by hand
Even an acoustic guitar with a
good factory set-up may need tobe set up again within a few years according to Lon WernerMartin Customer RepairManager ldquoThe wood in a guitarcan take up to five years to ‛settleinrsquo under string tension and a change in the action may necessitate a fresh set-uprdquo Theownerrsquos playing style and
The LowdownBY MARSHALL NEWMAN on Set-up
Checking neck relief during final setup
14
C A R E A N D F E E D I N G
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technique also may dictate whether a fresh set-up isneeded ldquoA fingerstyle player
with a light touch might wantthe action lowered while a flatpicker may need the actionraisedrdquo Indeed an individualrsquosplaying style and technique are
information a repairperson will want to know to do the bestpossible set-up
So can you tell if your guitarneeds a set-up Begin with theobvious If your guitar hasbecome very hard to fret itprobably needs a set-up If thestrings buzz either open orfretted it probably needs a set-up If its intonation is way offit probably needs a set-up
A few simple diagnostic testsalso can help determine
whether a set-up is neededCheck the neck relief by fretting the low E string simultaneously above the firstand below the 13th fret thegap between the string and the6th or 7th fret should beslightly more than the thicknessof a business card Checkaction at the nut by fretting each string between the second
and third fret there shouldbe daylight between eachstring and the first fret a gapapproximately the thicknessof a sheet of paper at thehigh E and slightly more at thelow E Check the height of theaction with a machinistrsquos rulerat the 12th fret the distancebetween the fret and the string should be approximately 232-332 of an inch on the trebleside and 332-432 of an inch
on the bass side A goodelectronic tuner can be used tocheck intonation on eachstring by playing the openstring and then playing theharmonic of the same string atthe 12th fret
A lot of guitarists may betempted to do their own set-upbut Dave Doll of Martinrsquos
Customer Repair Departmentcautions against it ldquoItrsquos like a doctor educating a patient onhow to recognize symptoms thpatient may know he has a problem but he still should goto the doctor to have thatproblem fixedrdquo he commented
ldquoEven a simple set-up can bedaunting unless you know whayou are doing you may well domore harm than goodrdquo Lon
Werner was more specificldquoWhile preliminary evaluationmay suggest a set-up is neededthe symptoms also can beindicative of a much moreserious problem When theMartin Customer RepairDepartment receives a guitar
we give it a thorough going-over from headstock toendpin If the bridge is liftingor a brace has pulled loose orthe neck needs a reset (justthree examples) that is a problem that has to be dealt
with for a set-up to bebeneficialrdquo Not everyonelives so close to Nazareth tohave their Martin guitar
worked on at C F Martin amp Cobut there are more than
150 Martin Service Centersthat can give that guitar thecare ndash whether a set-up orsomething more ndash it deservesShould you happen to visitNazareth or live nearbyC F Martin amp Co offers a very cool opportunity to learnabout guitar maintenance fromsome of the best in thebusiness Every Friday from11 am until noon theCustomer Repair Departmen
hosts a guitar care seminarduring which it demonstratesthe basics of guitar careincluding some of theelements of set-up (like trussrod adjustment) The guitarcare seminar is free noreservation is needed andit is a great way to learnhow to keep your Martinin peak playing condition
15
Checking the relief of the neck
Checking the action at the nut
Checking the action at the 12th fret
Adjusting the truss rod with a long Martin wrench
truss rod wrench
hole in brace
truss rod location
gap between bottom of string
and top of fret at the 12th fret
gap between bottom of string
and top of fret at the 1st fret
with string depressed
gap at the 6th or 7th fret with string
depressed at 2nd and 13th frets
exaggerated neck relief
frontblock
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All-Star MUSEBenefit Concert
The All-Star MUSE BenefitConcertat the Shoreline Amphitheater inMountain View California supported Disaster Relief in Japanand Non-Nuclear Groups
Worldwide Featured artists includedCrosby (with his Martin Signature 12-string) Stills amp Nash Jackson BrowneBonnie Raitt Jason Mraz The DoobieBrothers Tom Morello John HallKitaro Sweet Honey in the Rock and
Jonathan Wilson
A R T I S T P R O F I L E S
Hollywood Bowl 2011Dolly Parton with her touring guitaris
Jim Salestrom who is playing hisMartin J-40 Dollyrsquos World Tour
thrilled attendees at the HollywoodBowl Saturday July 23 2011
DonavanFrankenreiterDonavonrsquos fourth studioalbum Glow is describedas ldquowarm organic andoverwhelmingly hopeful Theperfect antidote to trying timesrdquo Hersquos playing his triedand true Martin 000-18 Shawn Colvin
Shawn Colvinrsquos new Live album wasnominated for the Grammy Awardfor Best Contemporary Folk Album
Accompanied with her pristineM3SC Signature Edition findShawnrsquos enduring music on iTunes orat amazoncom
16
oto by Lynn Goldsmith
P
h o t o b y L y nn G ol d s mi t h
8102019 Vol_32pdf
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Ron Davies(1946-2003)
A songwriter fromthe pacific northwestRon Davies at 17bought a well worn1956 D-18 Martin
which he put to gooduse writing an entirealbum of songs forthe Seattle band ldquoThe
Wailersrdquo As an artisthe recorded fivealbums during hislifetime but he isbest remembered forhis songwriting
His songs have been covered by a diverse group of artists that include Joan Baez David Bowie (Ziggy Stardust) Long John Baldry Ann Murray Three Dog
Night Nitty Gritty Dirt Band Helen Reddy Jerry Jeff Walker Maria Muldaur Joe Cocker Randy TravisNanci Griffith and the Raconteurs to name a few
In 2011 friends in the pacific northwest cametogether to record ldquoThe Mystery of Ron Daviesrdquo a tribute CD containing eighteen of Ronrsquos songsperformed by artists from his hometown and one by Davies himself Available on iTunes and at CD Baby allof the proceeds will benefit ldquoMusic Caresrdquo
Leslie TuckerLexington Virginia-based singersongwriter Leslie Tuckerrecently received the gift of a Martin D-41 from a legion of her fans and she plans to use her new acquisition in theproduction of a new album project currently in progressalong with a tour of performances when itrsquos released Tune into wwwleslietuckercom for updates
Santa Cruz Blues Fest 2011Some of the worldrsquos finest guitarists including Jonny Lang were on hand to salute guitar legend JimiHendrix at this yearrsquos Santa Cruz Blues Fest 2011
Jonnyrsquos playing his Martin J-40 Jumbo
Sting
17
Early StingFrom Andy Summers groundbreaking book Irsquoll be watching you Insidethe Police 1980-1983 Police guitarist and professional photographer
Andy Summers captured Sting with his Martin D-28 in 1982
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Fast AJ AJ Rubino of SpringfieldMassachusetts has beenperforming folk and country music for nearly fifty years ndash
much of that time with his1975 Martin D-35 slightly customized with fingerboardinlay by luthier Harry BeckerThis photo will grace the cover of AJrsquos forthcoming CD
He is a loyal member of the Martin Ownerrsquos Club andowns several other Martin guitars The tree AJ is standing in front of was destroyed by the tornado that hit WesternMassachusetts in June of 2011 but no one was hurt andall of the Martin guitars survived
A R T I S T P R O F I L E S
The Kingston Trio Fantasy Camp 2011
Winfield KansasFestivalrsquos Martin D-42
Allen Shadd began playing guitar when he was seven years oldacquiring his first Martin guitar -
a 1973 D-35 at the age of tenSince then he has gone on toperform in many bands guitar
workshops recording sessions and in 1997 released his own CDldquoA Cut Aboverdquo Allen also frequently competes in guitarcompetitions and has won some of the most prestigious flatpicking contests that have included Merlefest Rocky Grass and the WayneHenderson guitar competition He brought home this yearrsquos MartinD-42 from the National Flatpicking Championship held in
Winfield Kansas Itrsquos the sixth time Allen has placed in the topthree including his first place finish in 1997
18
wwwkingstontriocom
Caroline JonesThis NYC-based singer songwriterguitarist and producer was trainedclassically by Andy Anselmo Founder
of New Yorkrsquos ldquoThe Singerrsquos ForumrdquoCaroline began singing opera ariascabaret standards and show tunes at agenine Under the management of Tommy Mottola and Chris Apostle shebegan recording her original songs withproducer Chris Toland at Sony and
Avatar studios in New York as a studentat The Professional Childrenrsquos SchoolIn 2008 Caroline began monthlyco-writing trips to Nashville where sherecorded with many of the industryrsquostop talents Since then she has been
performing and recording with herMartin 00-21 Kingston Trio modelthat pays tribute to original KingstonTrio member Dave Guard (1934-1991)
Shown above are Fantasy camp attendees each holding their Martin guitars (plus one banjo)
P h o t o b y J o h n L i n d
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Dierks BentleyReaching deep into acoustic rootsmusic resulted in Dierks Bentleyrsquosnew album Up On The RidgeMore than a bluegrass concept
album with guests Up On TheRidge features Bentley working with some of the finest acousticmusicians in the world including long-time collaborators theDel McCoury Band and a new musical partnership with ChrisThile and the Punch Brothers Asa recent addition to the Martin
Ambassador ranks Dierkrsquos israrely seen without his prizedvintage herringbone D-28
Hawaiirsquos HirsquoikuaIn a culture that honorsthe legacies of the pastthis Hawaiian trio of talented musicians pays
homage to their roots while creating a uniqueand progressive soundthat leaves an indeliblemark upon contemporary Hawaiian music
In a seamlesscontinuous movement we all carry a past while living in thepresent and moving toward a future Hirsquoikuarsquos music reflectsthe belief that without asking the knowledge of our ancestorshas already been placed within us in the hope that we too
will shoulder that responsibility in an unbroken journey intothe future
Their music is composed and performed by Kalehua Krug (left with his Martin 12-string) Kamuela Kimokeo (above andcenter left with his Martin OMC Aura cutaway) and BlakeLeoki-Haili (right with Martin tenor ukulele)
The grouprsquos name derives from the Hawaiian word thatmeans literally ldquoto carry on onersquos backrdquo Hirsquoikua has taken thisresponsibility seriously
ldquoAia I Hirsquoialordquo the long awaited CD from Hirsquoikua featuressix original and six traditional songs
wwwhiikuacom J e r r o l J u l i a n P
h o t o g r a p h y
J e r r o l J u l i a n P
h o t o g r a p h y
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F R O M T H E A R C H I V E S
Waiting for the Sunday Boatrdquo by William Henry Jacksonrdquo Florida circa 1902Martin small-bodied parlor guitar
ldquoAs long as
Irsquove got my guitar
Irsquoll be finerdquo
mdash Willie Nelson referring to Tri
his legendary Martin guitar
HometownCentenarianMary Arletta Hahnis shown (right)
with her 00-1712-fret Martinguitar Mary was inher twenties whenthis picture was
taken (circa 1932)She was born inNazareth andturned 104 this pastSeptember Healthy small town living Shereceived her theology degree from the United
Wesleyan College but she also majored in voicepiano and guitar She would sing and play guitarin her fatherrsquos varied congregations Mary haslived her entire life in and around NazarethToday she lives just one block from where herguitar was made
1883 Advertisement
Gu i tar is t and Mando l in
is t
c irca 18 9 0
Guit ar ist and Mandolinist c ir c a 19 25
20
8102019 Vol_32pdf
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Ahh the sound of the Martin Rich and evocative Texture
lifeby strummingorpickingorthe lightesttouchtoteas
harmonicsthesoundmdashlikethehistoryofCF Martinamp C
peopleanda storyofthesensesHearitTasteitFeelitA
artist Robert Goetzl see it Seethe sound of the Martin
FEA TU R E
The Soundand the Story
Thehand drawnsketches (right)illustratethesix-panel seriesofthree-foot byfour-footmuralsthatwillhangintheMartinVisitorrsquos Center
BYSUSAN J BURLINGAME FREELANCE WRITER MARTIN
22
mdashC FMartin IVmdashcalls itldquothe magic ofFrom JohnnyCash to John Mayerand fromElvis Costello manyof historyrsquos mostbrilliantve chosen the Martin sound the Martin magicm the Martin storycontinuesMartin magic is mostprofoundly representedby n in the early1800s on the otherside of theour eyes fora momentand imagine ayoung king browfurrowed in concentration Heods the braces the strings of his firstguitarrtin has traveledfrom his home in Saxonytoe learns the artof guitarmaking as ane of the bestknown guitar shops in Europeg his 37th year C F Martinalong with hisdren sets outfor Americae story as theysayhellipis magicamp Co is still family-ownedmdashbutthe ldquofamilyrdquoh Martins and non-Martins generations of
ed arole in crafting the exquisite acousticrtin has offeredthe world formore than 175ertGoetzl a cousin to Chris Martinhas been create awork of art depicting C F Martin ampamily its sound andits storyeries of three-footby four-footmurals thatwillin Visitorrsquos Center the work says Goetzl is a love Chris Martin thatmuch He wasuential in mylife andthe opportunityto tellyauthentically is extremelymeaningful to merdquonels (pictured here)take viewers on CFfrom Saxonyto Viennato the newworld
ured as the music of the Martin guitar thensionalmdashdone in mixedmedia with collage andreating the firstpanel was forGoetzl the biggest
23
challenge ldquoI realizedthe enormityof the projectmdashnotjust inscope butalso in importance to the familyand to the thousandsof people who wouldbe looking atitrdquoGoetzl labored andsecond-guessedand tweakedand proddedbefore finally unveiling itto Chris Martin andothers at Martin ldquoThe lookson theirfaces toldme I had naileditrdquo Panel numbertwo which illustrates the Martin familyrsquosinitial shopin New York andthe move to NazarethPennsylvania causedGoetzl much less consternation butequallyas much joy he says as will each successive mural ldquoIf this is the endof the roadfor me the lastwork I evercreaterdquosays Goetzl (who surelyhas afew more decades ofcreativityleft) ldquoI wouldbe completely fine with thatrdquo
ldquoRobert has put his heart into
creating something that will
make a tremendous addition
to the Martin experiencerdquo
mdash Dick Boak Artist Relations C F Martin amp Co
Tex Fletcher
SingingcowboyTexFletcher maynot
have become the household name that
other cowboy singers from the 1930s
such as Gene Autry and Roy Rogers had
butdespitesometimes overwhelming
odds hersquosbeen remembered nonetheless
forhis noteworthycontributionsto earlyand
mid-20th century cowboy culture
He was born Geremino Biscegliain 1910 in HarrisonNew York the fifth of eight children of Italian immigrants Michael(astone mason)and Josephine Bisceglia He leftschool afterthethirdgrade to work with his fatherandbrothers He was raisedin a musical householdand he learnedto sing andplay traditional Italian songs accompaniedby accordionsmandolins andviolins
Jerrypicked upa fewguitar chords froma local right-handedguitarist butbeing left-handed he retaughthimself to playhisown right-handedguitarldquobackwards andupside downrdquoas he wouldlater explain with achuckle
He became enamoredwith the silver screen cowboys of theday often sneaking into the local cinemaforshowings of thelatestsilent picture starring TomMix WilliamS Hartand YakimaCanutt
Overthe nextfew years the teenagedcowboy wannabe beganto realize his boyhoodambition as he learnedto handle horseandcattle byday while soaking upcowboy lore andcampfiresongs bynight in effectbecoming aldquorealrdquocowboy Asinging cowboy Unique stuff forthe late 20s He returnedto NewYork in 1931 with aconfidence anda newfoundvoice With saddle bags full of cowboy stories andsongs the cowboysingerwas now going bythe name Tex Fletcher He began entering andwinning localthen regionaltalentshows Fletcherrsquos confidence grewwith each winning purse as was evidencedbyhis every growing wardrobe of
cowboyoutfits andhis first Martin guitar a000-45 He neverplayedanother companyrsquos guitars again believing the leastexpensive Martin guitarwas headand shoulders aboveanyother companyrsquos bestHistory has clearlymade fora compelling argument Itwasnrsquotlongbeforehereceivedan offerofa radiojobas asinging cowboyoverWFASinWhitePlainsNewYorkBy1934 attheheightofsingingcowboycrazeFletcherbegana relationshipthat wouldlastmorethan 25yearsbroadcastingoverWORNew YorkNewJersey(MutualNetwork)Itwas thesameyear thathebeganappearingatthe VillageBarnnightclub(whichwouldlaterbecomeJimiHendrixrsquosElectricLadyland)inGreenwichVillageNYagig thatlastedwell intotheearly1960s
1934 was also the yearTexorderedhis custommade MartinD-42Hersquodadmiredthe pearlygoodlooks and loudtone of Gene Autryrsquos D-45 (the firstD-45) butwanted an instrumentthatw ouldbe uniquelyTexFletcherrsquos guitar But he wasnrsquotthe onlycowboysinger who wantedto follow in Autryrsquos trail Milwaukee -based Jackie ldquoKidrdquoMoore beathimto the punch when he ordered his own D-45 (No 2)fromMartinBut according to authorMartin researcherJohn Woodland amisunderstanding with regardto neck length ledMartin to shelve the unfinished14 fretto the body D-45Moore then optedfor awider OMstyle neck with 12 frets tothe body This D-45 is No3 Then along comes NewYork radio cowboyTexFletcherwithhis own ideaof whatfeatures ldquohisrdquoguitar shouldsportincluding 14 frets to the body which alignedperfectly with the
partiallyconstructed D-45 (No2) buthe wanted all the flashupfront So insteadof proceeding to finish the guitaras aD-45Martin craftsmen changedthe toprsquos bracing to aHigh ldquoXrdquoconfiguration anddesignated this slightlymore modestcousinof the D-45the D-42 So the TexFletchermodel is not only the firstD-42butalso the secondD-45Itremainedthe only example of the D-42 forthe next54 years
Fletcherhadbeenout ofthe musicbusinessforjusta fewyears whenhe wastrackeddownin theearly1970sby then-MartinhistorianMikeLongworthwho convincedthe oldcowboytodonatetheinstrumenttothe MartinMuseumFletcheragreedandthatrsquoswhereitresidesto thisdaydisplayedjusta fewfeetfromitrsquosfirstcousintheGeneAutryD-45 (No1)
21 24
N EW PR O D U CTS
NEW A DDITIONS TO
OUR LINEUP OF
Great Ukuleles
The Martin Standards of Tone and Workmanship Prevail
C1K amp T1K UkulelesMartin has been building the worldrsquos finest ukuleles
from as early as 1916includingthesmallest Soprano
the original model to the larger Concert in 1925 and
the Tenor uke in 1929 Both the concert model and
tenor models havelong been prized for their full-bodied
voiceandgreatervolumeThesenewC1Kconcertand
T1Ktenor modelsfeaturetops backsidesand head-
platesofsolidHawaiianKoaawoodnativeto Hawaii
and a favoriteof island players Both ukes feature solid
Sitkabraces genuinemahoganyblocksand applied
dovetailneckjointsintheMartintraditionNecksare
craftedofselecthardwoodandcappedwithasolid
Morado fingerboardtheconcert has a 15rdquoscalelength
thetenor a 17rdquoscaleBridges arealso ofsolid Morado
with whiteTusqsaddles Open-geared nickel tuners with
whitebuttons ensureprecision Finished in high quality
satinlacquerPadded bagincludedTwo beautifulexam-
ples of why Martin is still the name in superior quality
ukuleles
ldquoAs far as inanimate objects
being friends I think that is right
on the list My Martin ukulele
is a work of art Itrsquos going to live
long after merdquo
mdashEddieVedderPearl JamUkuleleSongs
T1K
C1K
8102019 Vol_32pdf
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Clock key mechanism for
adjustingguitar necks on
Martinrsquos earliest guitars
manufactured in New York
ImaginedMartinfamily portrait
CircaSeptember1833mdashat the
timeof theMartinsrsquotransatlantic
journey to the New World
Mappointingto
Markneukirchen the
main town in Germanyrsquos
musicalinstrument-
makingregion
Embellished original
drawingofCF Martinrsquos
residencein
Markneukirchen
Saxony (Germany)
Thesa
carries
North
specta
showe
Harbo
Imagin
CFM
Hudso
Depic
mold
a Mart
glueu
NEL ONE 2 bull PANEL TWO
Rende
home
in Che
Circa1
Portra
presid
when
arrived
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
OM -21 NEW Martinrsquos OM (Orchestra Models)
guitars have always been very
special to fingerstyle guitarists
especially this new OM-21 with its
comfortable 1-34rdquo wide neck at the
nut and highly responsive 14rdquo
scalloped Sitka top braces Elegant in
its simplicity this new version offers a
tasteful upgrade of solid black ebony
fingerboard and 30rsquos style ldquobellyrdquo
bridge with genuine bone saddle and
nut all adding to the rich resonance of this guitar Whatrsquos more wersquove
replaced the standard OM neck with a
slimmer ldquoPerformingrdquo Artistrdquo modified
low oval profile tapered neck and
wider 2-316rdquo bridge string spacing for
faster more comfortable playing The
solid Sitka spruce top with
hand-inlaid 28 style
rosette is joined to a
body of premium
solid East Indian
rosewood bound intortoise colored
18 style binding
Delmar tortoise color
pickguard nickel
open-geared
tuners with
Butterbean
knobs and
polished gloss
lacquer with
aging toner
complete this
beautiful
instrument
Delivered to you in the
new Martin 433 archtop
hardshell case If yoursquore a finger picker this new OM-21 is
the one to pick
D-18 NEW Since its introduction in 1935 the D-18
has been the workhorse of the Martin steel
string acoustic line More plain and less
costly than its D-28 rosewood cousin the
D-18 has none the less established its own
tonal identity ndash balanced crisp midrange
definitive bass and bright clear treble a
favorite of innumerable bluegrass blues and
country performers as well as discerning
studio musicians ndash because it is a great
performing and recording guitar Over the
years the D-18 has seen numerouspermutations ndash the D-18V and D-18P ndash as
well as variations in bindings rosette
fingerboard amp bridge woods bracing
patterns and pickguards And now the
new D-18 brings together
the best features of all of
these great D-18s into
one superb sounding
and playing guitar On
the traditional side backs
and sides are still crafted
of solid genuineMahogany joined with a
solid Sitka spruce top
with forward-shifted
scalloped ldquoXrdquo bracing
The fingerboard
and 1930s style
belly bridge are
fashioned of
solid black
ebony as were
the originals
Whatrsquos new A
lightning fast modified low
oval profile neck with a
1-34rdquo nut width and slimmer 2-18rdquo taper at the 12th fret Itrsquos
the same neck featured on our innovative Performing Artist
series guitars with the same wide 2-316rdquo bridge string
spacing too for greater player comfort and accessibility up
and down the neck The new D-18 The perfect blend of past
and future ndash and great guitar to start the New Year
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2646 26
NAMM Show
Specials
N E W P R O D U C T S
2012 Martin Show Special Guitars
The DCPA Koa amp GPCPA Koa They donrsquot get any more beautiful ndash or more
beautiful sounding ndash than these spectacular
dovetail flamed Koa Performing Artist guitars
And with only a total of 30 instruments ndash
combined ndash being offered to dealers at the 2012
NAMM Show they donrsquot get any rarer either Here
wersquove chosen two of our most popular cutaway models in
the Performing Artist series the classic Dreadnought and
the Grand Performance and crafted the backs and sides
of premium Hawaiian flamed Koa a resonant tonewood
indigenous to the Hawaiian islands Koa has long been by
favored by native Hawaiian musicians for guitars and
ukuleles as well as discerning players and collectors
worldwide Martin in particular has built various sized
instruments of Koa from as early as 1850 The tops are of prized solid Adirondack Spruce as are the scalloped
forward-shifted ldquoXrdquo braces in the ldquoGolden Erardquo fashion The
bodies are bound with solid Madagascar rosewood the
top is inlaid in the 42 style with an elegant blue Paua
pearl rosette The backstrip is 45 style marquetry Both
guitars feature our fast and comfortable Performing Artist
modified low oval mahogany neck with ebony
fingerboard and
wide 2-316rdquo string
spacing on the
ebony Performing
Artist belly bridge And the
crowning touch both guitarsare equipped with the new
Fishmanreg F1 Aura + onboard electronics system the
ultimate in acoustic realism and projection as well as
pickup versatility Waverly gold tuners with Ivoroid
buttons complete the package Orders for the DCPA Koa amp
GPCP Koa will be taken solely from dealers in attendance
at the 2012 NAMM Show in Anaheim California
NEW TOOLS
for GREAT TONE
GPCPA Koa
DCPA Koa
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
DCPA1 Madagascar Rosewood ampGPCPA1 Madagascar Rosewood
These two very special dovetail Performing Artist
guitars reflect the best of Martin innovation expert
craftsmanship and selection of superior tonewoods ndash
all in one As PA series models Dreadnought and
Grand Performance they include a unique slim
tapered fast neck for exceptional player comfort in
all positions a smaller and lighter PA ldquobellyrdquo bridge
for greater tonal response and increased string
spacing for easier finger picking They also
include the new state-of-the-art Fishmanreg F1
Aura + onboard electronics system that deliver
striking acoustic realism and projection
Plugged in or pure acoustic these are great
sounding guitars ndash and with good reason The
tops are solid Adirondack spruce pearl inlaid inthe 41 style and driven by 516rdquo Adirondack
scalloped braces forward-shifted in the ldquoGolden Erardquo X
pattern The back sides and headplate are Madagascar
Rosewood selected for its beauty and close acoustic and visual resemblance to
Brazilian Rosewood Solid black ebony is used for the fingerboard and bridge
Details include grained Ivoroid bindings Delmar beveled tortoise color pickguard
special ldquoalternative torchrdquo inspired position inlays gold enclosed tuners bone nut
and saddle The most distinctive Performing Artist production models to date
Fishmanreg F1 Aura + The Fishmanreg F1 Aura + features a newsimplified and intuitive Easy Mode allowing youto quickly get a feel for the tonal possibilities ofthe system while providing the most importantfeatures The Easy Mode offers three custom-blended Aura Image presets tone control and
the option of using the undersaddle pickuponly For the real tone-tweakers wersquove retainedthe original Performance Mode as well givingyou full access to the powerful 3-band EQscompressor and automatic anti-feedback ofthe F1 Aura +
Performing
Artist SeriesDCPA1
Madagascar
Rosewood
GPCPA1
Madagascar
Rosewood
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N E W P R O D U C T S
Performing
Artist Series
Martin introduces an exciting
new tonewood called Siris
DCPA4 Siris amp
GPCPA4 Siris
With these two new
Performing Artists guitars
Martin introduces an exciting
new tonewood called Siris
adding even more tonal color
and variety to the PA series Siris
delivers excellent bass response
reminiscent of East Indian rosewood as
well as a clear midrange and treble making it an
excellent guitar wood for recording and for playing live Lighter in color
yet denser than rosewood it produces a slightly longer sustain thanrosewood Siris is typically dark orange contrasting beautifully with the
Sitka Spruce tops tortoise colored pickguards grained Ivoroid bindings
and special East Indian rosewood center wedge on both guitarsrsquo 3-piece
backs The DCPA4 Siris and the GPCPA4 Siris are 14-fret cutaway guitars and
have fast comfortable Performing Artist profile necks Hybrid ldquoXrdquo scalloped top
bracing black Richlite fingerboards and bridges and Fishmanreg F1 Analog
onboard electronicsGPCPA4 Siris
DCPA4 Siris
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Over 175 Years of Guitar Building Excellence
The GPCPA4 Sapele is constructed with
FSCreg Certified tonewoods harvested from
ecologically sound and responsibly manag
forests The fingerboard and bridge are
built with FSCreg
Certified Richlitereg
29
GPCPA4 SapeleFirst introduced in 2010 the GPCPA4 is an extraordinary Martin ndash a
big Grand Performance cutaway with a fast comfortable Performing
Artist Series high performance neck But this brand new version ndash
the GPCPA4 Sapele ndash is extra special It rsquos built with FSCreg Certified
tonewoods harvested from ecologically sound and responsibly
managed forests This includes African sapele back and sides
mahogany front and rear blocks cherry side strips Spanish cedar
ribbons and European spruce Hybrid ldquoXrdquo scalloped bracing The top
is FSCreg Certified recycled Sitka spruce produced from old bridge timbers in Canada
Even the fingerboard and bridge are crafted of FSCreg Certified Richlitereg material High
polished gloss top finish with tasteful Cherry red toned back and sides Fishmanreg F1
Analog electronics are included with volume and tone shaping capabilitiesonboard digital tuner and phase control Quite a
package Quite a guitar
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N E W P R O D U C T S
DCPA5K and GPCPA5K
Advanced guitar design meets high-
tech guitar construction The result
two highly affordable Performing
Artist guitars with excellent tone
playability and durability Back
and sides of the cutaway
Dreadnought and Grand
Performance models are made
of a high-pressure wood fiber
laminate (called HPL) with
Koa grain and texture photo-
imbedded The top is solid Sitkaspruce braced with Martinrsquos Hybrid ldquoXrdquo
scalloped bracing system renowned for its
resonance clear treble and distinct bass The Performing Artist Profile neck is
slim and fast and comfortable made of tough Stratabondreg multi-layered
wood laminate Performing Artist bridge and fingerboard are black Richlite
Chrome enclosed tuners with large buttons and Fishmanreg F1 Analog
onboard electronics included A terrific value with great tone and
environmentally friendly
Performing
Artist Series
The DCPA5K and GPCPA5K
are Performing Artist guitars
with excellent tone playability and durability
GPCPA5K
DCPA5K
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Road Series
31
Over 175 Years of Guitar Building Excellence
Special Edition
DRS2 The latest of Martinrsquos hard-working
great sounding Road Series guitars
the new DRS2 delivers a unique blend
of durability and concert-quality
sound and projection The top is
crafted of solid Sitka spruce and
braced with Martinrsquos A-Frame (X1)
bracing Back and sides are select
solid Sapele similar in look and
tonal qualities to its
close cousin
mahogany As
beautiful as it looks
and sounds the
DRS2 is a serious
working musicianrsquos
guitar built for on
the road durability
without sacrificeof tone The
neck is
constructed
of a multi-
layered
wood
laminate
called
Stratabondtrade
that perfectly
simulates natural
quartersawn wood grain The fingerboard and bridgeare crafted of black Richlite amazingly similar in look
weight and resonance of ebony A Fishmanreg
Sonitone sound reinforcement system completes
this very road ndash and stage ndash worthy Martin
000C NylonIn response to the many Martin players
who chose the limited edition 000CDG
built in memory of Chris Martinrsquos late
brother Doug Greth we have
expanded upon this unique ldquocrossoverrdquo
instrument with the new 000C Nylon It is
truly a hybrid instrument combining features
of a traditional Martin steel-string guitar with
those associated with a classical nylon string
guitar The top is crafted of solid Sitka spruce
and braced with a unique A-Frame ldquoXrdquo brace
system Yet this bracing system is equally
responsive to lighter nylon strings without
inhibiting tone or volume The 12-fret low
profile neck features an 18rdquo radius arched
(versus flat) fingerboard like a steel string
but with a classic width 1-78rdquo at the nut and
2-516rdquo at the 12th fret The bridge is in the
classic style with tie block and drop insaddle Bridge string spacing is a
wider 2-516rdquo as well Even the
000Crsquos headstock is unique ndash
square tapered like the
traditional Martin steel
string style but slotted to
accommodate classical
nylon strings Each guitar is
fitted with onboard Fishmanreg
F1 Analog electronics too
The result A versatile
great sounding andplaying guitar no
matter whether you
play acoustic or
acoustic electric
or both
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D-28M Limited Edition Celebrates
The Enduring Music and Legacy ofThe Mamas and The Papas
The appointments on the D-28M Mamas and ThePapas Custom Artist Edition emulate a circa 1960sD-28 blackwhiteblack top purfling blackwhiteback purfling grained Ivoroid binding and heelcapldquocheckerboardrdquo backstrip mother of pearl dotposition markers chrome Groverreg Rotomatic tunerstortoise-colored pickguard polished gloss lacquerfinish and vintage-inspired aging toner on the topExtra flash comes in the form of a Style 45 abalonepearl rosette and abalone pearl-topped bone bridgeand end pins
The guitarrsquos crowning glory is ndash appropriately ndashon the polished black ebony headplate Above
the nut sheltered by the familiar gold old-styleldquoC F Martin amp Co Est 1833rdquo decal logo is a silhouette of The Mamas and The Papasbeautifully inlaid in mother of pearl Derivedfrom a photo by Henry Diltz the inlay capturesthe group in full performance mode
In the early 1960s the four musicians whobecame The Mamas and Papas were a long way from pop music stardom though all wereinvolved in the East Coast folk music scene
John Phillips was a member of the JourneymenDenny Doherty and Cass Elliot sang with theMugwumps After the Journeymen broke up
John Phillips his wife Michelle Phillips andMarshall Brickman formed the New JourneymenMarshall eventually left the band but went on toco-write Oscar winning screenplays with Woody
Allen and he co-wrote the book that became therecord-breaking play ldquoThe Jersey Boysrdquo
Marshall Brickman was replaced by Denny Doherty and soon Doherty introduced hisbandmates to Elliot The four began harmonizingto the pop songs John was writing and perfectedtheir sound during a Caribbean vacation together
The starting point for The Mamas and the Papasrsquofresh pop sound was the folk music all fourmembers played before they got together as a group Songwriter and leader John Phillipsrsquo well-
worn Martin Dreadnought often provided thestrummed rhythmic underpinning on which TheMamas and Papasrsquo band instrumentation andvocals were layered The combination proved tobe genius and even today The Mamas and thePapas ldquosoundrdquo is instantly recognizable
To celebrate the group and its place in popmusic history C F Martin introduces a very
special D-28M Mamas and The Papas
Custom Artist Edition Limited to just100 instruments this new Custom Artist Edition features rare tonewoodshandsome appointments and aunique headstock inlay to honorthese musical trailblazers
John Phillipsrsquo vintage Martin D-28provides the inspiration for this Custom Artist Edition The tonewoods and top
bracing are a stellar combination thatapproximates those of MartinDreadnoughts from the early 1930sBack and sides are rare Madagascarrosewood similar in appearance andtone to the now endangered Brazilianrosewood The top is Carpathianspruce comparable in power andbrilliance to Adirondack spruce andequally responsive Advanced ldquoXrdquo
516rdquo scalloped bracing provides richresonant tone The 1 1116rdquo (at the
nut) low profile neck with diamondvolute is genuine mahogany while the
fingerboard and belly bridge are black ebony
L M
In the 1960s The Mamas and the Papas were at the epicenter of a musical earthquake
that began in Southern California and sent shockwaves across the country Combining
great songwriting unique arrangements and lush harmonies the group had six ldquoTop
10rdquo singles and four ldquoTop 5rdquo albums from 1965 through 1967 a feat that made them one
of the few groups to challenge the Beatles during that era While The Mamas and the
Papasrsquo original lineup of John Phillips Cass Elliot Denny Doherty and Michelle Phillips
lasted just four years several of the songs they created ndash including ldquoCalifornia Dreaminrsquordquo
ldquoMonday Mondayrdquo ldquoWords of Loverdquo and ldquoTwelve Thirtyrdquo ndash have stood the test of time
32
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(This story should sound familiar they laterturned it into a hit single ldquoCreeque Alleyrdquo)Eventually the four traveled to Los Angeles
where they auditioned for Dunhill RecordsOwnerProducer Lou Adler Adler signed them tohis label immediately and two days later thegroup had a name The Mamas and the Papas
Released in 1965 The Mamas and The Papasrsquofirst single failed to garner much notice Howeverthe second single ldquoCalifornia Dreamingrdquo co-
written by John and Michelle Phillips reachedNo 4 on the charts The grouprsquos debut album If
You Can Believe Your Eyes and Ears was releasedin early 1966 and rose to No 1 quickly followedby the single ldquoMonday Mondayrdquo which also hitNo 1 and later won a Grammy Award for ldquoBestContemporary Group Performancerdquo
While The Mamas and The Papasrsquo personallives became increasingly turbulent over the nexttwo years their music continued to flourish they recorded three additional albums ndash The Mamasand The Papas Deliver and The Papas and TheMamas ndash that went ldquoTop 20rdquo and in turn yieldedseveral ldquoTop 20rdquo singles
In 1968 bitter infighting between memberscaused the group to disband Due to contractualobligations they reunited briefly in 1971 to makethe People Like Us album and then went theirseparate ways Cass Eliot had a flourishing solocareer that was cut short by her death in 1974
John Phillips continued to write songs and bothhe and Denny Doherty performed and recordedas solo acts In the 1980s and 1990s they occasionally reunited to tour as members of the
New Mamas and Papas John Phillipsdied in 2001 Denny Doherty died in2007 Michelle Phillips enjoyed a successful acting career and today isthe last surviving original memberof the group
Despite the grouprsquos short history TheMamas and The Papasrsquo musical legacy remainsundiminished the group was inducted into theRock amp Roll Hall of Fame in 1998 and received a
Grammy Hall of Fame Award in 2001 In 2003 If You Can Believe Your Eyes and Ears was ranked127 on Rolling Stone magazinersquos list of the 500greatest albums of all time
Delivered in a hardshell case eachD-28M Mamas and The PapasCustom Artist Edition guitar bears a special interior label featuring theldquosun rayrdquo graphic from the RouletteRecords label on which some of TheMamas and The Papasrsquo singles werereissued in the 1970s Each label ispersonally signed by former Mamasand The Papas member MichellePhillips and numbered in sequence
with the edition total Beginning immediately authorized C F Martindealers will accept orders for theD-28M Mamas and The PapasCustom Artist Edition until all 100guitars in the edition are allocatedparticipating Martin dealers willthen be posted on theC F Martin website
wwwmartinguitarcom
33
S A M P L E
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L O N D O N A C O U S T I C G U I TA R S H O W
Acoustic guitar aficionados attending The London
Acoustic Guitar Show were treated to presentations
that showcased Americarsquos favorite musical instrument
brand and featured musical vignettes by legendary
and influential guitarists Stefan Grossman and
John RenbournThe presentation was given by Dick Boak archivist for Martin
Guitar who offered a graphical and interactive history of the 178-year-old guitar company In addition Dick displayed severalimportant examples in the evolution of Martin acoustic guitarsThe presentation focused on the development of the modern
acoustic guitar Martinrsquos historical contributions to the definitivacoustic guitar design artist signature model collaborations an
an in-depth explanation of specific guitar shapes sizes andtonewoods that lend themselves to particular musical genres JoRenbourn and Stefan Grossman legendary acoustic fingerstyleinnovators demonstrated the tonality of an assortment of Martinstruments including their own Custom Signature models
Martinrsquos UK distributor Westside Management was a primasponsor of the show and the host for the concert stage thatfeatured a stunning live performance by Renbourn and Grossm
Dick Boakrsquos presentation provided a template and proving ground for potential future presentations throughout the UniteStates Europe and Japan
THE LONDON ACOUSTICGUITAR SHOWSaturday and Sunday September 10-11 2011
Olympia Conference Center London
34
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Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
8102019 Vol_32pdf
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M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
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The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
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M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
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M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
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Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
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M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
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Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
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A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
8102019 Vol_32pdf
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C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
8102019 Vol_32pdf
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P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
8102019 Vol_32pdf
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until recently all custom Martins were built on the main shopfloor alongside their non-custom siblings
The concept of a separate stand-alone Custom Shop began to gainmomentum approximately 10 years ago but didnrsquot come tofruition until 2005 ldquoWe had a custom administrator who handledand followed custom orders on the shop floor but knew we could
do morerdquo Greene recalled ldquoIn 2005 I proposed we create a separate custom area with a separate workforce with the capability to handcraft unique instruments using traditional techniques ndash likecarving necks by hand and hide glue construction - that didnrsquot lendthemselves to our standard production process We started theCustom Shop with a staff of five it began by building the Authenticline and slowly took on custom buildingrdquo Today the Custom Shophas a staff of eleven plus three design consultants who work withcustomers dealers and builders to assure Custom Shop instrumentsare everything they can be
ldquoThe number one challenge of the Custom Shop is timerdquoGreene noted ldquoIt takes time to build instruments of the quality Custom Shop customers demand to hand-carve the necks to cut
the pearl to shape the braces and all the rest In the Custom Shop we take whatever time is needed to make these instrumentsexceptional Judging by the number of orders theCustom Shop receives people recognize the value of
what we are crea tingrdquoldquoThe Custom Shop team includes several of
Martinrsquos most experienced builders The average tenure with Martin is 25 years and there are a few who areapproaching the 40-year markrdquo Custom Shop guitarsare built almost entirely by this small staff in theCustom Shop only operations requiring largespecialized equipment ndash like side bending andfinishing - are done on the main shop floor
While all orders for Custom Shop guitarsmust be made through authorized C F Martinamp Co dealers prospective Custom Shopcustomers now have a great tool they can utilizeto design their dream guitar the Custom GuitarConfigurator Accessible on-line at
wwwmartinguitarcom the Custom GuitarConfigurator lets the user ldquovirtuallyrdquo create a guitar from a range of Martinrsquos most popular options see their creation and get a suggestedretail price quote The information then can be printed out for useas a reference during the order process
13
The Custom Shop offers a remarkable range of options(actually more than shown in the Configurator) sizes body styles scale lengths tonewoods neck profiles appointments
inlays and more Are there limits to what the Custom Shop wibuild As they sometimes say in the Custom ShopldquoWe try to never say ‛norsquo we only say ‛how muchrsquordquo In truth
there are some projects Martin wonrsquot tackle among themreplicating a Martin Custom Artist model or SignatureEdition (to respect the artistrsquos vision for hisher guitar) and
building with customer-supplied wood (which may not matchMartin specifications or standards)The Custom Shop even allows customers to come by the factory
to select the specific tonewood set for his or her guitar from Martinextensive inventory ldquoAt first it was just Martin dealers but now weare seeing individuals stop byrdquo observed Greene ldquoThe opportunityto select the set of Madagascar rosewood or flamed mahogany oranother tonewood that will become a Custom Shop guitar makesthat guitar an even more personal statementrdquoDespite its limited production and brief history the Custom
Shop has produced an impressive array of guitars Ordersoften include unusual tonewood combinations special
neck configurations or custom inlays A CustomShop guitar generally takes four to six months tobuild after details have been finalized dependingon the current workload and the complexity of theorder guitars featuring special design elements
andor custom pearlwork can take longer Whetherplain or fancy each completed Custom Shop guitar
is identified by the laser-etched Custom Shop logoon its neck block
In early 2011 the Custom Shop introducedtwo limited-production CS models the first
of a series of Custom Shop instruments that will be available for only one calendar year(or less if demand is overwhelming as wasthe case with the CS-21-11 model) ldquoThe CS
models express C F Martinrsquos spirit of adventurerdquo explained Fred Greene ldquoThese
short exclusive runs of g uitars allow us to introduceexciting new ideas that might eventually be looked upon asclassics At C F Martin amp Co heritage and creativity arenrsquotmutually exclusive and these CS guitars are the proofrdquo Readyto create your one-of-a-kind Martin guitar Good The CustomShop is ready for you
In creating your Custom Shop Martin you may choose from a wide array of tonewoods body sizes appointment levels and customized inlay sty
8102019 Vol_32pdf
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Adjusting the truss rod with a special long Martin Allen wrench
Guitars are made to be played and the easier they are to
play the more pleasure they bring their owners The
action ndash the distance between the strings and the
fingerboard ndash should be just right and thatrsquos the reason
every guitar deserves a good set-upFundamentally guitar set-up is simple geometry adjusting
the guitarrsquos neck nut saddle and (occasionally) frets to put theaction at an ideal level - not so high as to be difficult to fret and notso low as to cause string buzz
C F Martin amp Co sets up every guitar it builds before it leavesthe factory Most Martin guitars built in Nazareth are set up using a PLEKreg Pro machine which scans the nut fingerboard and saddle
with a sensor compares the scan with optimal values and thencuts the nut slots contours thesaddle and polishes the frets toan accuracy of 11000 of aninch If necessary minor saddleand nut touch-up and truss rodadjustment are done by hand
when the guitar is strung A fewMartin guitars - primarily Custom Shop instruments -continue to be set up by hand
Even an acoustic guitar with a
good factory set-up may need tobe set up again within a few years according to Lon WernerMartin Customer RepairManager ldquoThe wood in a guitarcan take up to five years to ‛settleinrsquo under string tension and a change in the action may necessitate a fresh set-uprdquo Theownerrsquos playing style and
The LowdownBY MARSHALL NEWMAN on Set-up
Checking neck relief during final setup
14
C A R E A N D F E E D I N G
8102019 Vol_32pdf
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technique also may dictate whether a fresh set-up isneeded ldquoA fingerstyle player
with a light touch might wantthe action lowered while a flatpicker may need the actionraisedrdquo Indeed an individualrsquosplaying style and technique are
information a repairperson will want to know to do the bestpossible set-up
So can you tell if your guitarneeds a set-up Begin with theobvious If your guitar hasbecome very hard to fret itprobably needs a set-up If thestrings buzz either open orfretted it probably needs a set-up If its intonation is way offit probably needs a set-up
A few simple diagnostic testsalso can help determine
whether a set-up is neededCheck the neck relief by fretting the low E string simultaneously above the firstand below the 13th fret thegap between the string and the6th or 7th fret should beslightly more than the thicknessof a business card Checkaction at the nut by fretting each string between the second
and third fret there shouldbe daylight between eachstring and the first fret a gapapproximately the thicknessof a sheet of paper at thehigh E and slightly more at thelow E Check the height of theaction with a machinistrsquos rulerat the 12th fret the distancebetween the fret and the string should be approximately 232-332 of an inch on the trebleside and 332-432 of an inch
on the bass side A goodelectronic tuner can be used tocheck intonation on eachstring by playing the openstring and then playing theharmonic of the same string atthe 12th fret
A lot of guitarists may betempted to do their own set-upbut Dave Doll of Martinrsquos
Customer Repair Departmentcautions against it ldquoItrsquos like a doctor educating a patient onhow to recognize symptoms thpatient may know he has a problem but he still should goto the doctor to have thatproblem fixedrdquo he commented
ldquoEven a simple set-up can bedaunting unless you know whayou are doing you may well domore harm than goodrdquo Lon
Werner was more specificldquoWhile preliminary evaluationmay suggest a set-up is neededthe symptoms also can beindicative of a much moreserious problem When theMartin Customer RepairDepartment receives a guitar
we give it a thorough going-over from headstock toendpin If the bridge is liftingor a brace has pulled loose orthe neck needs a reset (justthree examples) that is a problem that has to be dealt
with for a set-up to bebeneficialrdquo Not everyonelives so close to Nazareth tohave their Martin guitar
worked on at C F Martin amp Cobut there are more than
150 Martin Service Centersthat can give that guitar thecare ndash whether a set-up orsomething more ndash it deservesShould you happen to visitNazareth or live nearbyC F Martin amp Co offers a very cool opportunity to learnabout guitar maintenance fromsome of the best in thebusiness Every Friday from11 am until noon theCustomer Repair Departmen
hosts a guitar care seminarduring which it demonstratesthe basics of guitar careincluding some of theelements of set-up (like trussrod adjustment) The guitarcare seminar is free noreservation is needed andit is a great way to learnhow to keep your Martinin peak playing condition
15
Checking the relief of the neck
Checking the action at the nut
Checking the action at the 12th fret
Adjusting the truss rod with a long Martin wrench
truss rod wrench
hole in brace
truss rod location
gap between bottom of string
and top of fret at the 12th fret
gap between bottom of string
and top of fret at the 1st fret
with string depressed
gap at the 6th or 7th fret with string
depressed at 2nd and 13th frets
exaggerated neck relief
frontblock
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All-Star MUSEBenefit Concert
The All-Star MUSE BenefitConcertat the Shoreline Amphitheater inMountain View California supported Disaster Relief in Japanand Non-Nuclear Groups
Worldwide Featured artists includedCrosby (with his Martin Signature 12-string) Stills amp Nash Jackson BrowneBonnie Raitt Jason Mraz The DoobieBrothers Tom Morello John HallKitaro Sweet Honey in the Rock and
Jonathan Wilson
A R T I S T P R O F I L E S
Hollywood Bowl 2011Dolly Parton with her touring guitaris
Jim Salestrom who is playing hisMartin J-40 Dollyrsquos World Tour
thrilled attendees at the HollywoodBowl Saturday July 23 2011
DonavanFrankenreiterDonavonrsquos fourth studioalbum Glow is describedas ldquowarm organic andoverwhelmingly hopeful Theperfect antidote to trying timesrdquo Hersquos playing his triedand true Martin 000-18 Shawn Colvin
Shawn Colvinrsquos new Live album wasnominated for the Grammy Awardfor Best Contemporary Folk Album
Accompanied with her pristineM3SC Signature Edition findShawnrsquos enduring music on iTunes orat amazoncom
16
oto by Lynn Goldsmith
P
h o t o b y L y nn G ol d s mi t h
8102019 Vol_32pdf
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Ron Davies(1946-2003)
A songwriter fromthe pacific northwestRon Davies at 17bought a well worn1956 D-18 Martin
which he put to gooduse writing an entirealbum of songs forthe Seattle band ldquoThe
Wailersrdquo As an artisthe recorded fivealbums during hislifetime but he isbest remembered forhis songwriting
His songs have been covered by a diverse group of artists that include Joan Baez David Bowie (Ziggy Stardust) Long John Baldry Ann Murray Three Dog
Night Nitty Gritty Dirt Band Helen Reddy Jerry Jeff Walker Maria Muldaur Joe Cocker Randy TravisNanci Griffith and the Raconteurs to name a few
In 2011 friends in the pacific northwest cametogether to record ldquoThe Mystery of Ron Daviesrdquo a tribute CD containing eighteen of Ronrsquos songsperformed by artists from his hometown and one by Davies himself Available on iTunes and at CD Baby allof the proceeds will benefit ldquoMusic Caresrdquo
Leslie TuckerLexington Virginia-based singersongwriter Leslie Tuckerrecently received the gift of a Martin D-41 from a legion of her fans and she plans to use her new acquisition in theproduction of a new album project currently in progressalong with a tour of performances when itrsquos released Tune into wwwleslietuckercom for updates
Santa Cruz Blues Fest 2011Some of the worldrsquos finest guitarists including Jonny Lang were on hand to salute guitar legend JimiHendrix at this yearrsquos Santa Cruz Blues Fest 2011
Jonnyrsquos playing his Martin J-40 Jumbo
Sting
17
Early StingFrom Andy Summers groundbreaking book Irsquoll be watching you Insidethe Police 1980-1983 Police guitarist and professional photographer
Andy Summers captured Sting with his Martin D-28 in 1982
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Fast AJ AJ Rubino of SpringfieldMassachusetts has beenperforming folk and country music for nearly fifty years ndash
much of that time with his1975 Martin D-35 slightly customized with fingerboardinlay by luthier Harry BeckerThis photo will grace the cover of AJrsquos forthcoming CD
He is a loyal member of the Martin Ownerrsquos Club andowns several other Martin guitars The tree AJ is standing in front of was destroyed by the tornado that hit WesternMassachusetts in June of 2011 but no one was hurt andall of the Martin guitars survived
A R T I S T P R O F I L E S
The Kingston Trio Fantasy Camp 2011
Winfield KansasFestivalrsquos Martin D-42
Allen Shadd began playing guitar when he was seven years oldacquiring his first Martin guitar -
a 1973 D-35 at the age of tenSince then he has gone on toperform in many bands guitar
workshops recording sessions and in 1997 released his own CDldquoA Cut Aboverdquo Allen also frequently competes in guitarcompetitions and has won some of the most prestigious flatpicking contests that have included Merlefest Rocky Grass and the WayneHenderson guitar competition He brought home this yearrsquos MartinD-42 from the National Flatpicking Championship held in
Winfield Kansas Itrsquos the sixth time Allen has placed in the topthree including his first place finish in 1997
18
wwwkingstontriocom
Caroline JonesThis NYC-based singer songwriterguitarist and producer was trainedclassically by Andy Anselmo Founder
of New Yorkrsquos ldquoThe Singerrsquos ForumrdquoCaroline began singing opera ariascabaret standards and show tunes at agenine Under the management of Tommy Mottola and Chris Apostle shebegan recording her original songs withproducer Chris Toland at Sony and
Avatar studios in New York as a studentat The Professional Childrenrsquos SchoolIn 2008 Caroline began monthlyco-writing trips to Nashville where sherecorded with many of the industryrsquostop talents Since then she has been
performing and recording with herMartin 00-21 Kingston Trio modelthat pays tribute to original KingstonTrio member Dave Guard (1934-1991)
Shown above are Fantasy camp attendees each holding their Martin guitars (plus one banjo)
P h o t o b y J o h n L i n d
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Dierks BentleyReaching deep into acoustic rootsmusic resulted in Dierks Bentleyrsquosnew album Up On The RidgeMore than a bluegrass concept
album with guests Up On TheRidge features Bentley working with some of the finest acousticmusicians in the world including long-time collaborators theDel McCoury Band and a new musical partnership with ChrisThile and the Punch Brothers Asa recent addition to the Martin
Ambassador ranks Dierkrsquos israrely seen without his prizedvintage herringbone D-28
Hawaiirsquos HirsquoikuaIn a culture that honorsthe legacies of the pastthis Hawaiian trio of talented musicians pays
homage to their roots while creating a uniqueand progressive soundthat leaves an indeliblemark upon contemporary Hawaiian music
In a seamlesscontinuous movement we all carry a past while living in thepresent and moving toward a future Hirsquoikuarsquos music reflectsthe belief that without asking the knowledge of our ancestorshas already been placed within us in the hope that we too
will shoulder that responsibility in an unbroken journey intothe future
Their music is composed and performed by Kalehua Krug (left with his Martin 12-string) Kamuela Kimokeo (above andcenter left with his Martin OMC Aura cutaway) and BlakeLeoki-Haili (right with Martin tenor ukulele)
The grouprsquos name derives from the Hawaiian word thatmeans literally ldquoto carry on onersquos backrdquo Hirsquoikua has taken thisresponsibility seriously
ldquoAia I Hirsquoialordquo the long awaited CD from Hirsquoikua featuressix original and six traditional songs
wwwhiikuacom J e r r o l J u l i a n P
h o t o g r a p h y
J e r r o l J u l i a n P
h o t o g r a p h y
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F R O M T H E A R C H I V E S
Waiting for the Sunday Boatrdquo by William Henry Jacksonrdquo Florida circa 1902Martin small-bodied parlor guitar
ldquoAs long as
Irsquove got my guitar
Irsquoll be finerdquo
mdash Willie Nelson referring to Tri
his legendary Martin guitar
HometownCentenarianMary Arletta Hahnis shown (right)
with her 00-1712-fret Martinguitar Mary was inher twenties whenthis picture was
taken (circa 1932)She was born inNazareth andturned 104 this pastSeptember Healthy small town living Shereceived her theology degree from the United
Wesleyan College but she also majored in voicepiano and guitar She would sing and play guitarin her fatherrsquos varied congregations Mary haslived her entire life in and around NazarethToday she lives just one block from where herguitar was made
1883 Advertisement
Gu i tar is t and Mando l in
is t
c irca 18 9 0
Guit ar ist and Mandolinist c ir c a 19 25
20
8102019 Vol_32pdf
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Ahh the sound of the Martin Rich and evocative Texture
lifeby strummingorpickingorthe lightesttouchtoteas
harmonicsthesoundmdashlikethehistoryofCF Martinamp C
peopleanda storyofthesensesHearitTasteitFeelitA
artist Robert Goetzl see it Seethe sound of the Martin
FEA TU R E
The Soundand the Story
Thehand drawnsketches (right)illustratethesix-panel seriesofthree-foot byfour-footmuralsthatwillhangintheMartinVisitorrsquos Center
BYSUSAN J BURLINGAME FREELANCE WRITER MARTIN
22
mdashC FMartin IVmdashcalls itldquothe magic ofFrom JohnnyCash to John Mayerand fromElvis Costello manyof historyrsquos mostbrilliantve chosen the Martin sound the Martin magicm the Martin storycontinuesMartin magic is mostprofoundly representedby n in the early1800s on the otherside of theour eyes fora momentand imagine ayoung king browfurrowed in concentration Heods the braces the strings of his firstguitarrtin has traveledfrom his home in Saxonytoe learns the artof guitarmaking as ane of the bestknown guitar shops in Europeg his 37th year C F Martinalong with hisdren sets outfor Americae story as theysayhellipis magicamp Co is still family-ownedmdashbutthe ldquofamilyrdquoh Martins and non-Martins generations of
ed arole in crafting the exquisite acousticrtin has offeredthe world formore than 175ertGoetzl a cousin to Chris Martinhas been create awork of art depicting C F Martin ampamily its sound andits storyeries of three-footby four-footmurals thatwillin Visitorrsquos Center the work says Goetzl is a love Chris Martin thatmuch He wasuential in mylife andthe opportunityto tellyauthentically is extremelymeaningful to merdquonels (pictured here)take viewers on CFfrom Saxonyto Viennato the newworld
ured as the music of the Martin guitar thensionalmdashdone in mixedmedia with collage andreating the firstpanel was forGoetzl the biggest
23
challenge ldquoI realizedthe enormityof the projectmdashnotjust inscope butalso in importance to the familyand to the thousandsof people who wouldbe looking atitrdquoGoetzl labored andsecond-guessedand tweakedand proddedbefore finally unveiling itto Chris Martin andothers at Martin ldquoThe lookson theirfaces toldme I had naileditrdquo Panel numbertwo which illustrates the Martin familyrsquosinitial shopin New York andthe move to NazarethPennsylvania causedGoetzl much less consternation butequallyas much joy he says as will each successive mural ldquoIf this is the endof the roadfor me the lastwork I evercreaterdquosays Goetzl (who surelyhas afew more decades ofcreativityleft) ldquoI wouldbe completely fine with thatrdquo
ldquoRobert has put his heart into
creating something that will
make a tremendous addition
to the Martin experiencerdquo
mdash Dick Boak Artist Relations C F Martin amp Co
Tex Fletcher
SingingcowboyTexFletcher maynot
have become the household name that
other cowboy singers from the 1930s
such as Gene Autry and Roy Rogers had
butdespitesometimes overwhelming
odds hersquosbeen remembered nonetheless
forhis noteworthycontributionsto earlyand
mid-20th century cowboy culture
He was born Geremino Biscegliain 1910 in HarrisonNew York the fifth of eight children of Italian immigrants Michael(astone mason)and Josephine Bisceglia He leftschool afterthethirdgrade to work with his fatherandbrothers He was raisedin a musical householdand he learnedto sing andplay traditional Italian songs accompaniedby accordionsmandolins andviolins
Jerrypicked upa fewguitar chords froma local right-handedguitarist butbeing left-handed he retaughthimself to playhisown right-handedguitarldquobackwards andupside downrdquoas he wouldlater explain with achuckle
He became enamoredwith the silver screen cowboys of theday often sneaking into the local cinemaforshowings of thelatestsilent picture starring TomMix WilliamS Hartand YakimaCanutt
Overthe nextfew years the teenagedcowboy wannabe beganto realize his boyhoodambition as he learnedto handle horseandcattle byday while soaking upcowboy lore andcampfiresongs bynight in effectbecoming aldquorealrdquocowboy Asinging cowboy Unique stuff forthe late 20s He returnedto NewYork in 1931 with aconfidence anda newfoundvoice With saddle bags full of cowboy stories andsongs the cowboysingerwas now going bythe name Tex Fletcher He began entering andwinning localthen regionaltalentshows Fletcherrsquos confidence grewwith each winning purse as was evidencedbyhis every growing wardrobe of
cowboyoutfits andhis first Martin guitar a000-45 He neverplayedanother companyrsquos guitars again believing the leastexpensive Martin guitarwas headand shoulders aboveanyother companyrsquos bestHistory has clearlymade fora compelling argument Itwasnrsquotlongbeforehereceivedan offerofa radiojobas asinging cowboyoverWFASinWhitePlainsNewYorkBy1934 attheheightofsingingcowboycrazeFletcherbegana relationshipthat wouldlastmorethan 25yearsbroadcastingoverWORNew YorkNewJersey(MutualNetwork)Itwas thesameyear thathebeganappearingatthe VillageBarnnightclub(whichwouldlaterbecomeJimiHendrixrsquosElectricLadyland)inGreenwichVillageNYagig thatlastedwell intotheearly1960s
1934 was also the yearTexorderedhis custommade MartinD-42Hersquodadmiredthe pearlygoodlooks and loudtone of Gene Autryrsquos D-45 (the firstD-45) butwanted an instrumentthatw ouldbe uniquelyTexFletcherrsquos guitar But he wasnrsquotthe onlycowboysinger who wantedto follow in Autryrsquos trail Milwaukee -based Jackie ldquoKidrdquoMoore beathimto the punch when he ordered his own D-45 (No 2)fromMartinBut according to authorMartin researcherJohn Woodland amisunderstanding with regardto neck length ledMartin to shelve the unfinished14 fretto the body D-45Moore then optedfor awider OMstyle neck with 12 frets tothe body This D-45 is No3 Then along comes NewYork radio cowboyTexFletcherwithhis own ideaof whatfeatures ldquohisrdquoguitar shouldsportincluding 14 frets to the body which alignedperfectly with the
partiallyconstructed D-45 (No2) buthe wanted all the flashupfront So insteadof proceeding to finish the guitaras aD-45Martin craftsmen changedthe toprsquos bracing to aHigh ldquoXrdquoconfiguration anddesignated this slightlymore modestcousinof the D-45the D-42 So the TexFletchermodel is not only the firstD-42butalso the secondD-45Itremainedthe only example of the D-42 forthe next54 years
Fletcherhadbeenout ofthe musicbusinessforjusta fewyears whenhe wastrackeddownin theearly1970sby then-MartinhistorianMikeLongworthwho convincedthe oldcowboytodonatetheinstrumenttothe MartinMuseumFletcheragreedandthatrsquoswhereitresidesto thisdaydisplayedjusta fewfeetfromitrsquosfirstcousintheGeneAutryD-45 (No1)
21 24
N EW PR O D U CTS
NEW A DDITIONS TO
OUR LINEUP OF
Great Ukuleles
The Martin Standards of Tone and Workmanship Prevail
C1K amp T1K UkulelesMartin has been building the worldrsquos finest ukuleles
from as early as 1916includingthesmallest Soprano
the original model to the larger Concert in 1925 and
the Tenor uke in 1929 Both the concert model and
tenor models havelong been prized for their full-bodied
voiceandgreatervolumeThesenewC1Kconcertand
T1Ktenor modelsfeaturetops backsidesand head-
platesofsolidHawaiianKoaawoodnativeto Hawaii
and a favoriteof island players Both ukes feature solid
Sitkabraces genuinemahoganyblocksand applied
dovetailneckjointsintheMartintraditionNecksare
craftedofselecthardwoodandcappedwithasolid
Morado fingerboardtheconcert has a 15rdquoscalelength
thetenor a 17rdquoscaleBridges arealso ofsolid Morado
with whiteTusqsaddles Open-geared nickel tuners with
whitebuttons ensureprecision Finished in high quality
satinlacquerPadded bagincludedTwo beautifulexam-
ples of why Martin is still the name in superior quality
ukuleles
ldquoAs far as inanimate objects
being friends I think that is right
on the list My Martin ukulele
is a work of art Itrsquos going to live
long after merdquo
mdashEddieVedderPearl JamUkuleleSongs
T1K
C1K
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2446
Clock key mechanism for
adjustingguitar necks on
Martinrsquos earliest guitars
manufactured in New York
ImaginedMartinfamily portrait
CircaSeptember1833mdashat the
timeof theMartinsrsquotransatlantic
journey to the New World
Mappointingto
Markneukirchen the
main town in Germanyrsquos
musicalinstrument-
makingregion
Embellished original
drawingofCF Martinrsquos
residencein
Markneukirchen
Saxony (Germany)
Thesa
carries
North
specta
showe
Harbo
Imagin
CFM
Hudso
Depic
mold
a Mart
glueu
NEL ONE 2 bull PANEL TWO
Rende
home
in Che
Circa1
Portra
presid
when
arrived
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2546 25
Over 175 Years of Guitar Building Excellence
OM -21 NEW Martinrsquos OM (Orchestra Models)
guitars have always been very
special to fingerstyle guitarists
especially this new OM-21 with its
comfortable 1-34rdquo wide neck at the
nut and highly responsive 14rdquo
scalloped Sitka top braces Elegant in
its simplicity this new version offers a
tasteful upgrade of solid black ebony
fingerboard and 30rsquos style ldquobellyrdquo
bridge with genuine bone saddle and
nut all adding to the rich resonance of this guitar Whatrsquos more wersquove
replaced the standard OM neck with a
slimmer ldquoPerformingrdquo Artistrdquo modified
low oval profile tapered neck and
wider 2-316rdquo bridge string spacing for
faster more comfortable playing The
solid Sitka spruce top with
hand-inlaid 28 style
rosette is joined to a
body of premium
solid East Indian
rosewood bound intortoise colored
18 style binding
Delmar tortoise color
pickguard nickel
open-geared
tuners with
Butterbean
knobs and
polished gloss
lacquer with
aging toner
complete this
beautiful
instrument
Delivered to you in the
new Martin 433 archtop
hardshell case If yoursquore a finger picker this new OM-21 is
the one to pick
D-18 NEW Since its introduction in 1935 the D-18
has been the workhorse of the Martin steel
string acoustic line More plain and less
costly than its D-28 rosewood cousin the
D-18 has none the less established its own
tonal identity ndash balanced crisp midrange
definitive bass and bright clear treble a
favorite of innumerable bluegrass blues and
country performers as well as discerning
studio musicians ndash because it is a great
performing and recording guitar Over the
years the D-18 has seen numerouspermutations ndash the D-18V and D-18P ndash as
well as variations in bindings rosette
fingerboard amp bridge woods bracing
patterns and pickguards And now the
new D-18 brings together
the best features of all of
these great D-18s into
one superb sounding
and playing guitar On
the traditional side backs
and sides are still crafted
of solid genuineMahogany joined with a
solid Sitka spruce top
with forward-shifted
scalloped ldquoXrdquo bracing
The fingerboard
and 1930s style
belly bridge are
fashioned of
solid black
ebony as were
the originals
Whatrsquos new A
lightning fast modified low
oval profile neck with a
1-34rdquo nut width and slimmer 2-18rdquo taper at the 12th fret Itrsquos
the same neck featured on our innovative Performing Artist
series guitars with the same wide 2-316rdquo bridge string
spacing too for greater player comfort and accessibility up
and down the neck The new D-18 The perfect blend of past
and future ndash and great guitar to start the New Year
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NAMM Show
Specials
N E W P R O D U C T S
2012 Martin Show Special Guitars
The DCPA Koa amp GPCPA Koa They donrsquot get any more beautiful ndash or more
beautiful sounding ndash than these spectacular
dovetail flamed Koa Performing Artist guitars
And with only a total of 30 instruments ndash
combined ndash being offered to dealers at the 2012
NAMM Show they donrsquot get any rarer either Here
wersquove chosen two of our most popular cutaway models in
the Performing Artist series the classic Dreadnought and
the Grand Performance and crafted the backs and sides
of premium Hawaiian flamed Koa a resonant tonewood
indigenous to the Hawaiian islands Koa has long been by
favored by native Hawaiian musicians for guitars and
ukuleles as well as discerning players and collectors
worldwide Martin in particular has built various sized
instruments of Koa from as early as 1850 The tops are of prized solid Adirondack Spruce as are the scalloped
forward-shifted ldquoXrdquo braces in the ldquoGolden Erardquo fashion The
bodies are bound with solid Madagascar rosewood the
top is inlaid in the 42 style with an elegant blue Paua
pearl rosette The backstrip is 45 style marquetry Both
guitars feature our fast and comfortable Performing Artist
modified low oval mahogany neck with ebony
fingerboard and
wide 2-316rdquo string
spacing on the
ebony Performing
Artist belly bridge And the
crowning touch both guitarsare equipped with the new
Fishmanreg F1 Aura + onboard electronics system the
ultimate in acoustic realism and projection as well as
pickup versatility Waverly gold tuners with Ivoroid
buttons complete the package Orders for the DCPA Koa amp
GPCP Koa will be taken solely from dealers in attendance
at the 2012 NAMM Show in Anaheim California
NEW TOOLS
for GREAT TONE
GPCPA Koa
DCPA Koa
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Over 175 Years of Guitar Building Excellence
DCPA1 Madagascar Rosewood ampGPCPA1 Madagascar Rosewood
These two very special dovetail Performing Artist
guitars reflect the best of Martin innovation expert
craftsmanship and selection of superior tonewoods ndash
all in one As PA series models Dreadnought and
Grand Performance they include a unique slim
tapered fast neck for exceptional player comfort in
all positions a smaller and lighter PA ldquobellyrdquo bridge
for greater tonal response and increased string
spacing for easier finger picking They also
include the new state-of-the-art Fishmanreg F1
Aura + onboard electronics system that deliver
striking acoustic realism and projection
Plugged in or pure acoustic these are great
sounding guitars ndash and with good reason The
tops are solid Adirondack spruce pearl inlaid inthe 41 style and driven by 516rdquo Adirondack
scalloped braces forward-shifted in the ldquoGolden Erardquo X
pattern The back sides and headplate are Madagascar
Rosewood selected for its beauty and close acoustic and visual resemblance to
Brazilian Rosewood Solid black ebony is used for the fingerboard and bridge
Details include grained Ivoroid bindings Delmar beveled tortoise color pickguard
special ldquoalternative torchrdquo inspired position inlays gold enclosed tuners bone nut
and saddle The most distinctive Performing Artist production models to date
Fishmanreg F1 Aura + The Fishmanreg F1 Aura + features a newsimplified and intuitive Easy Mode allowing youto quickly get a feel for the tonal possibilities ofthe system while providing the most importantfeatures The Easy Mode offers three custom-blended Aura Image presets tone control and
the option of using the undersaddle pickuponly For the real tone-tweakers wersquove retainedthe original Performance Mode as well givingyou full access to the powerful 3-band EQscompressor and automatic anti-feedback ofthe F1 Aura +
Performing
Artist SeriesDCPA1
Madagascar
Rosewood
GPCPA1
Madagascar
Rosewood
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N E W P R O D U C T S
Performing
Artist Series
Martin introduces an exciting
new tonewood called Siris
DCPA4 Siris amp
GPCPA4 Siris
With these two new
Performing Artists guitars
Martin introduces an exciting
new tonewood called Siris
adding even more tonal color
and variety to the PA series Siris
delivers excellent bass response
reminiscent of East Indian rosewood as
well as a clear midrange and treble making it an
excellent guitar wood for recording and for playing live Lighter in color
yet denser than rosewood it produces a slightly longer sustain thanrosewood Siris is typically dark orange contrasting beautifully with the
Sitka Spruce tops tortoise colored pickguards grained Ivoroid bindings
and special East Indian rosewood center wedge on both guitarsrsquo 3-piece
backs The DCPA4 Siris and the GPCPA4 Siris are 14-fret cutaway guitars and
have fast comfortable Performing Artist profile necks Hybrid ldquoXrdquo scalloped top
bracing black Richlite fingerboards and bridges and Fishmanreg F1 Analog
onboard electronicsGPCPA4 Siris
DCPA4 Siris
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Over 175 Years of Guitar Building Excellence
The GPCPA4 Sapele is constructed with
FSCreg Certified tonewoods harvested from
ecologically sound and responsibly manag
forests The fingerboard and bridge are
built with FSCreg
Certified Richlitereg
29
GPCPA4 SapeleFirst introduced in 2010 the GPCPA4 is an extraordinary Martin ndash a
big Grand Performance cutaway with a fast comfortable Performing
Artist Series high performance neck But this brand new version ndash
the GPCPA4 Sapele ndash is extra special It rsquos built with FSCreg Certified
tonewoods harvested from ecologically sound and responsibly
managed forests This includes African sapele back and sides
mahogany front and rear blocks cherry side strips Spanish cedar
ribbons and European spruce Hybrid ldquoXrdquo scalloped bracing The top
is FSCreg Certified recycled Sitka spruce produced from old bridge timbers in Canada
Even the fingerboard and bridge are crafted of FSCreg Certified Richlitereg material High
polished gloss top finish with tasteful Cherry red toned back and sides Fishmanreg F1
Analog electronics are included with volume and tone shaping capabilitiesonboard digital tuner and phase control Quite a
package Quite a guitar
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N E W P R O D U C T S
DCPA5K and GPCPA5K
Advanced guitar design meets high-
tech guitar construction The result
two highly affordable Performing
Artist guitars with excellent tone
playability and durability Back
and sides of the cutaway
Dreadnought and Grand
Performance models are made
of a high-pressure wood fiber
laminate (called HPL) with
Koa grain and texture photo-
imbedded The top is solid Sitkaspruce braced with Martinrsquos Hybrid ldquoXrdquo
scalloped bracing system renowned for its
resonance clear treble and distinct bass The Performing Artist Profile neck is
slim and fast and comfortable made of tough Stratabondreg multi-layered
wood laminate Performing Artist bridge and fingerboard are black Richlite
Chrome enclosed tuners with large buttons and Fishmanreg F1 Analog
onboard electronics included A terrific value with great tone and
environmentally friendly
Performing
Artist Series
The DCPA5K and GPCPA5K
are Performing Artist guitars
with excellent tone playability and durability
GPCPA5K
DCPA5K
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Road Series
31
Over 175 Years of Guitar Building Excellence
Special Edition
DRS2 The latest of Martinrsquos hard-working
great sounding Road Series guitars
the new DRS2 delivers a unique blend
of durability and concert-quality
sound and projection The top is
crafted of solid Sitka spruce and
braced with Martinrsquos A-Frame (X1)
bracing Back and sides are select
solid Sapele similar in look and
tonal qualities to its
close cousin
mahogany As
beautiful as it looks
and sounds the
DRS2 is a serious
working musicianrsquos
guitar built for on
the road durability
without sacrificeof tone The
neck is
constructed
of a multi-
layered
wood
laminate
called
Stratabondtrade
that perfectly
simulates natural
quartersawn wood grain The fingerboard and bridgeare crafted of black Richlite amazingly similar in look
weight and resonance of ebony A Fishmanreg
Sonitone sound reinforcement system completes
this very road ndash and stage ndash worthy Martin
000C NylonIn response to the many Martin players
who chose the limited edition 000CDG
built in memory of Chris Martinrsquos late
brother Doug Greth we have
expanded upon this unique ldquocrossoverrdquo
instrument with the new 000C Nylon It is
truly a hybrid instrument combining features
of a traditional Martin steel-string guitar with
those associated with a classical nylon string
guitar The top is crafted of solid Sitka spruce
and braced with a unique A-Frame ldquoXrdquo brace
system Yet this bracing system is equally
responsive to lighter nylon strings without
inhibiting tone or volume The 12-fret low
profile neck features an 18rdquo radius arched
(versus flat) fingerboard like a steel string
but with a classic width 1-78rdquo at the nut and
2-516rdquo at the 12th fret The bridge is in the
classic style with tie block and drop insaddle Bridge string spacing is a
wider 2-516rdquo as well Even the
000Crsquos headstock is unique ndash
square tapered like the
traditional Martin steel
string style but slotted to
accommodate classical
nylon strings Each guitar is
fitted with onboard Fishmanreg
F1 Analog electronics too
The result A versatile
great sounding andplaying guitar no
matter whether you
play acoustic or
acoustic electric
or both
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D-28M Limited Edition Celebrates
The Enduring Music and Legacy ofThe Mamas and The Papas
The appointments on the D-28M Mamas and ThePapas Custom Artist Edition emulate a circa 1960sD-28 blackwhiteblack top purfling blackwhiteback purfling grained Ivoroid binding and heelcapldquocheckerboardrdquo backstrip mother of pearl dotposition markers chrome Groverreg Rotomatic tunerstortoise-colored pickguard polished gloss lacquerfinish and vintage-inspired aging toner on the topExtra flash comes in the form of a Style 45 abalonepearl rosette and abalone pearl-topped bone bridgeand end pins
The guitarrsquos crowning glory is ndash appropriately ndashon the polished black ebony headplate Above
the nut sheltered by the familiar gold old-styleldquoC F Martin amp Co Est 1833rdquo decal logo is a silhouette of The Mamas and The Papasbeautifully inlaid in mother of pearl Derivedfrom a photo by Henry Diltz the inlay capturesthe group in full performance mode
In the early 1960s the four musicians whobecame The Mamas and Papas were a long way from pop music stardom though all wereinvolved in the East Coast folk music scene
John Phillips was a member of the JourneymenDenny Doherty and Cass Elliot sang with theMugwumps After the Journeymen broke up
John Phillips his wife Michelle Phillips andMarshall Brickman formed the New JourneymenMarshall eventually left the band but went on toco-write Oscar winning screenplays with Woody
Allen and he co-wrote the book that became therecord-breaking play ldquoThe Jersey Boysrdquo
Marshall Brickman was replaced by Denny Doherty and soon Doherty introduced hisbandmates to Elliot The four began harmonizingto the pop songs John was writing and perfectedtheir sound during a Caribbean vacation together
The starting point for The Mamas and the Papasrsquofresh pop sound was the folk music all fourmembers played before they got together as a group Songwriter and leader John Phillipsrsquo well-
worn Martin Dreadnought often provided thestrummed rhythmic underpinning on which TheMamas and Papasrsquo band instrumentation andvocals were layered The combination proved tobe genius and even today The Mamas and thePapas ldquosoundrdquo is instantly recognizable
To celebrate the group and its place in popmusic history C F Martin introduces a very
special D-28M Mamas and The Papas
Custom Artist Edition Limited to just100 instruments this new Custom Artist Edition features rare tonewoodshandsome appointments and aunique headstock inlay to honorthese musical trailblazers
John Phillipsrsquo vintage Martin D-28provides the inspiration for this Custom Artist Edition The tonewoods and top
bracing are a stellar combination thatapproximates those of MartinDreadnoughts from the early 1930sBack and sides are rare Madagascarrosewood similar in appearance andtone to the now endangered Brazilianrosewood The top is Carpathianspruce comparable in power andbrilliance to Adirondack spruce andequally responsive Advanced ldquoXrdquo
516rdquo scalloped bracing provides richresonant tone The 1 1116rdquo (at the
nut) low profile neck with diamondvolute is genuine mahogany while the
fingerboard and belly bridge are black ebony
L M
In the 1960s The Mamas and the Papas were at the epicenter of a musical earthquake
that began in Southern California and sent shockwaves across the country Combining
great songwriting unique arrangements and lush harmonies the group had six ldquoTop
10rdquo singles and four ldquoTop 5rdquo albums from 1965 through 1967 a feat that made them one
of the few groups to challenge the Beatles during that era While The Mamas and the
Papasrsquo original lineup of John Phillips Cass Elliot Denny Doherty and Michelle Phillips
lasted just four years several of the songs they created ndash including ldquoCalifornia Dreaminrsquordquo
ldquoMonday Mondayrdquo ldquoWords of Loverdquo and ldquoTwelve Thirtyrdquo ndash have stood the test of time
32
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(This story should sound familiar they laterturned it into a hit single ldquoCreeque Alleyrdquo)Eventually the four traveled to Los Angeles
where they auditioned for Dunhill RecordsOwnerProducer Lou Adler Adler signed them tohis label immediately and two days later thegroup had a name The Mamas and the Papas
Released in 1965 The Mamas and The Papasrsquofirst single failed to garner much notice Howeverthe second single ldquoCalifornia Dreamingrdquo co-
written by John and Michelle Phillips reachedNo 4 on the charts The grouprsquos debut album If
You Can Believe Your Eyes and Ears was releasedin early 1966 and rose to No 1 quickly followedby the single ldquoMonday Mondayrdquo which also hitNo 1 and later won a Grammy Award for ldquoBestContemporary Group Performancerdquo
While The Mamas and The Papasrsquo personallives became increasingly turbulent over the nexttwo years their music continued to flourish they recorded three additional albums ndash The Mamasand The Papas Deliver and The Papas and TheMamas ndash that went ldquoTop 20rdquo and in turn yieldedseveral ldquoTop 20rdquo singles
In 1968 bitter infighting between memberscaused the group to disband Due to contractualobligations they reunited briefly in 1971 to makethe People Like Us album and then went theirseparate ways Cass Eliot had a flourishing solocareer that was cut short by her death in 1974
John Phillips continued to write songs and bothhe and Denny Doherty performed and recordedas solo acts In the 1980s and 1990s they occasionally reunited to tour as members of the
New Mamas and Papas John Phillipsdied in 2001 Denny Doherty died in2007 Michelle Phillips enjoyed a successful acting career and today isthe last surviving original memberof the group
Despite the grouprsquos short history TheMamas and The Papasrsquo musical legacy remainsundiminished the group was inducted into theRock amp Roll Hall of Fame in 1998 and received a
Grammy Hall of Fame Award in 2001 In 2003 If You Can Believe Your Eyes and Ears was ranked127 on Rolling Stone magazinersquos list of the 500greatest albums of all time
Delivered in a hardshell case eachD-28M Mamas and The PapasCustom Artist Edition guitar bears a special interior label featuring theldquosun rayrdquo graphic from the RouletteRecords label on which some of TheMamas and The Papasrsquo singles werereissued in the 1970s Each label ispersonally signed by former Mamasand The Papas member MichellePhillips and numbered in sequence
with the edition total Beginning immediately authorized C F Martindealers will accept orders for theD-28M Mamas and The PapasCustom Artist Edition until all 100guitars in the edition are allocatedparticipating Martin dealers willthen be posted on theC F Martin website
wwwmartinguitarcom
33
S A M P L E
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L O N D O N A C O U S T I C G U I TA R S H O W
Acoustic guitar aficionados attending The London
Acoustic Guitar Show were treated to presentations
that showcased Americarsquos favorite musical instrument
brand and featured musical vignettes by legendary
and influential guitarists Stefan Grossman and
John RenbournThe presentation was given by Dick Boak archivist for Martin
Guitar who offered a graphical and interactive history of the 178-year-old guitar company In addition Dick displayed severalimportant examples in the evolution of Martin acoustic guitarsThe presentation focused on the development of the modern
acoustic guitar Martinrsquos historical contributions to the definitivacoustic guitar design artist signature model collaborations an
an in-depth explanation of specific guitar shapes sizes andtonewoods that lend themselves to particular musical genres JoRenbourn and Stefan Grossman legendary acoustic fingerstyleinnovators demonstrated the tonality of an assortment of Martinstruments including their own Custom Signature models
Martinrsquos UK distributor Westside Management was a primasponsor of the show and the host for the concert stage thatfeatured a stunning live performance by Renbourn and Grossm
Dick Boakrsquos presentation provided a template and proving ground for potential future presentations throughout the UniteStates Europe and Japan
THE LONDON ACOUSTICGUITAR SHOWSaturday and Sunday September 10-11 2011
Olympia Conference Center London
34
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Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
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M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
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The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
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M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
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M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
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Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
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M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
8102019 Vol_32pdf
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Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
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A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4546
C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4646
P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
8102019 Vol_32pdf
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Adjusting the truss rod with a special long Martin Allen wrench
Guitars are made to be played and the easier they are to
play the more pleasure they bring their owners The
action ndash the distance between the strings and the
fingerboard ndash should be just right and thatrsquos the reason
every guitar deserves a good set-upFundamentally guitar set-up is simple geometry adjusting
the guitarrsquos neck nut saddle and (occasionally) frets to put theaction at an ideal level - not so high as to be difficult to fret and notso low as to cause string buzz
C F Martin amp Co sets up every guitar it builds before it leavesthe factory Most Martin guitars built in Nazareth are set up using a PLEKreg Pro machine which scans the nut fingerboard and saddle
with a sensor compares the scan with optimal values and thencuts the nut slots contours thesaddle and polishes the frets toan accuracy of 11000 of aninch If necessary minor saddleand nut touch-up and truss rodadjustment are done by hand
when the guitar is strung A fewMartin guitars - primarily Custom Shop instruments -continue to be set up by hand
Even an acoustic guitar with a
good factory set-up may need tobe set up again within a few years according to Lon WernerMartin Customer RepairManager ldquoThe wood in a guitarcan take up to five years to ‛settleinrsquo under string tension and a change in the action may necessitate a fresh set-uprdquo Theownerrsquos playing style and
The LowdownBY MARSHALL NEWMAN on Set-up
Checking neck relief during final setup
14
C A R E A N D F E E D I N G
8102019 Vol_32pdf
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technique also may dictate whether a fresh set-up isneeded ldquoA fingerstyle player
with a light touch might wantthe action lowered while a flatpicker may need the actionraisedrdquo Indeed an individualrsquosplaying style and technique are
information a repairperson will want to know to do the bestpossible set-up
So can you tell if your guitarneeds a set-up Begin with theobvious If your guitar hasbecome very hard to fret itprobably needs a set-up If thestrings buzz either open orfretted it probably needs a set-up If its intonation is way offit probably needs a set-up
A few simple diagnostic testsalso can help determine
whether a set-up is neededCheck the neck relief by fretting the low E string simultaneously above the firstand below the 13th fret thegap between the string and the6th or 7th fret should beslightly more than the thicknessof a business card Checkaction at the nut by fretting each string between the second
and third fret there shouldbe daylight between eachstring and the first fret a gapapproximately the thicknessof a sheet of paper at thehigh E and slightly more at thelow E Check the height of theaction with a machinistrsquos rulerat the 12th fret the distancebetween the fret and the string should be approximately 232-332 of an inch on the trebleside and 332-432 of an inch
on the bass side A goodelectronic tuner can be used tocheck intonation on eachstring by playing the openstring and then playing theharmonic of the same string atthe 12th fret
A lot of guitarists may betempted to do their own set-upbut Dave Doll of Martinrsquos
Customer Repair Departmentcautions against it ldquoItrsquos like a doctor educating a patient onhow to recognize symptoms thpatient may know he has a problem but he still should goto the doctor to have thatproblem fixedrdquo he commented
ldquoEven a simple set-up can bedaunting unless you know whayou are doing you may well domore harm than goodrdquo Lon
Werner was more specificldquoWhile preliminary evaluationmay suggest a set-up is neededthe symptoms also can beindicative of a much moreserious problem When theMartin Customer RepairDepartment receives a guitar
we give it a thorough going-over from headstock toendpin If the bridge is liftingor a brace has pulled loose orthe neck needs a reset (justthree examples) that is a problem that has to be dealt
with for a set-up to bebeneficialrdquo Not everyonelives so close to Nazareth tohave their Martin guitar
worked on at C F Martin amp Cobut there are more than
150 Martin Service Centersthat can give that guitar thecare ndash whether a set-up orsomething more ndash it deservesShould you happen to visitNazareth or live nearbyC F Martin amp Co offers a very cool opportunity to learnabout guitar maintenance fromsome of the best in thebusiness Every Friday from11 am until noon theCustomer Repair Departmen
hosts a guitar care seminarduring which it demonstratesthe basics of guitar careincluding some of theelements of set-up (like trussrod adjustment) The guitarcare seminar is free noreservation is needed andit is a great way to learnhow to keep your Martinin peak playing condition
15
Checking the relief of the neck
Checking the action at the nut
Checking the action at the 12th fret
Adjusting the truss rod with a long Martin wrench
truss rod wrench
hole in brace
truss rod location
gap between bottom of string
and top of fret at the 12th fret
gap between bottom of string
and top of fret at the 1st fret
with string depressed
gap at the 6th or 7th fret with string
depressed at 2nd and 13th frets
exaggerated neck relief
frontblock
8102019 Vol_32pdf
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All-Star MUSEBenefit Concert
The All-Star MUSE BenefitConcertat the Shoreline Amphitheater inMountain View California supported Disaster Relief in Japanand Non-Nuclear Groups
Worldwide Featured artists includedCrosby (with his Martin Signature 12-string) Stills amp Nash Jackson BrowneBonnie Raitt Jason Mraz The DoobieBrothers Tom Morello John HallKitaro Sweet Honey in the Rock and
Jonathan Wilson
A R T I S T P R O F I L E S
Hollywood Bowl 2011Dolly Parton with her touring guitaris
Jim Salestrom who is playing hisMartin J-40 Dollyrsquos World Tour
thrilled attendees at the HollywoodBowl Saturday July 23 2011
DonavanFrankenreiterDonavonrsquos fourth studioalbum Glow is describedas ldquowarm organic andoverwhelmingly hopeful Theperfect antidote to trying timesrdquo Hersquos playing his triedand true Martin 000-18 Shawn Colvin
Shawn Colvinrsquos new Live album wasnominated for the Grammy Awardfor Best Contemporary Folk Album
Accompanied with her pristineM3SC Signature Edition findShawnrsquos enduring music on iTunes orat amazoncom
16
oto by Lynn Goldsmith
P
h o t o b y L y nn G ol d s mi t h
8102019 Vol_32pdf
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Ron Davies(1946-2003)
A songwriter fromthe pacific northwestRon Davies at 17bought a well worn1956 D-18 Martin
which he put to gooduse writing an entirealbum of songs forthe Seattle band ldquoThe
Wailersrdquo As an artisthe recorded fivealbums during hislifetime but he isbest remembered forhis songwriting
His songs have been covered by a diverse group of artists that include Joan Baez David Bowie (Ziggy Stardust) Long John Baldry Ann Murray Three Dog
Night Nitty Gritty Dirt Band Helen Reddy Jerry Jeff Walker Maria Muldaur Joe Cocker Randy TravisNanci Griffith and the Raconteurs to name a few
In 2011 friends in the pacific northwest cametogether to record ldquoThe Mystery of Ron Daviesrdquo a tribute CD containing eighteen of Ronrsquos songsperformed by artists from his hometown and one by Davies himself Available on iTunes and at CD Baby allof the proceeds will benefit ldquoMusic Caresrdquo
Leslie TuckerLexington Virginia-based singersongwriter Leslie Tuckerrecently received the gift of a Martin D-41 from a legion of her fans and she plans to use her new acquisition in theproduction of a new album project currently in progressalong with a tour of performances when itrsquos released Tune into wwwleslietuckercom for updates
Santa Cruz Blues Fest 2011Some of the worldrsquos finest guitarists including Jonny Lang were on hand to salute guitar legend JimiHendrix at this yearrsquos Santa Cruz Blues Fest 2011
Jonnyrsquos playing his Martin J-40 Jumbo
Sting
17
Early StingFrom Andy Summers groundbreaking book Irsquoll be watching you Insidethe Police 1980-1983 Police guitarist and professional photographer
Andy Summers captured Sting with his Martin D-28 in 1982
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Fast AJ AJ Rubino of SpringfieldMassachusetts has beenperforming folk and country music for nearly fifty years ndash
much of that time with his1975 Martin D-35 slightly customized with fingerboardinlay by luthier Harry BeckerThis photo will grace the cover of AJrsquos forthcoming CD
He is a loyal member of the Martin Ownerrsquos Club andowns several other Martin guitars The tree AJ is standing in front of was destroyed by the tornado that hit WesternMassachusetts in June of 2011 but no one was hurt andall of the Martin guitars survived
A R T I S T P R O F I L E S
The Kingston Trio Fantasy Camp 2011
Winfield KansasFestivalrsquos Martin D-42
Allen Shadd began playing guitar when he was seven years oldacquiring his first Martin guitar -
a 1973 D-35 at the age of tenSince then he has gone on toperform in many bands guitar
workshops recording sessions and in 1997 released his own CDldquoA Cut Aboverdquo Allen also frequently competes in guitarcompetitions and has won some of the most prestigious flatpicking contests that have included Merlefest Rocky Grass and the WayneHenderson guitar competition He brought home this yearrsquos MartinD-42 from the National Flatpicking Championship held in
Winfield Kansas Itrsquos the sixth time Allen has placed in the topthree including his first place finish in 1997
18
wwwkingstontriocom
Caroline JonesThis NYC-based singer songwriterguitarist and producer was trainedclassically by Andy Anselmo Founder
of New Yorkrsquos ldquoThe Singerrsquos ForumrdquoCaroline began singing opera ariascabaret standards and show tunes at agenine Under the management of Tommy Mottola and Chris Apostle shebegan recording her original songs withproducer Chris Toland at Sony and
Avatar studios in New York as a studentat The Professional Childrenrsquos SchoolIn 2008 Caroline began monthlyco-writing trips to Nashville where sherecorded with many of the industryrsquostop talents Since then she has been
performing and recording with herMartin 00-21 Kingston Trio modelthat pays tribute to original KingstonTrio member Dave Guard (1934-1991)
Shown above are Fantasy camp attendees each holding their Martin guitars (plus one banjo)
P h o t o b y J o h n L i n d
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Dierks BentleyReaching deep into acoustic rootsmusic resulted in Dierks Bentleyrsquosnew album Up On The RidgeMore than a bluegrass concept
album with guests Up On TheRidge features Bentley working with some of the finest acousticmusicians in the world including long-time collaborators theDel McCoury Band and a new musical partnership with ChrisThile and the Punch Brothers Asa recent addition to the Martin
Ambassador ranks Dierkrsquos israrely seen without his prizedvintage herringbone D-28
Hawaiirsquos HirsquoikuaIn a culture that honorsthe legacies of the pastthis Hawaiian trio of talented musicians pays
homage to their roots while creating a uniqueand progressive soundthat leaves an indeliblemark upon contemporary Hawaiian music
In a seamlesscontinuous movement we all carry a past while living in thepresent and moving toward a future Hirsquoikuarsquos music reflectsthe belief that without asking the knowledge of our ancestorshas already been placed within us in the hope that we too
will shoulder that responsibility in an unbroken journey intothe future
Their music is composed and performed by Kalehua Krug (left with his Martin 12-string) Kamuela Kimokeo (above andcenter left with his Martin OMC Aura cutaway) and BlakeLeoki-Haili (right with Martin tenor ukulele)
The grouprsquos name derives from the Hawaiian word thatmeans literally ldquoto carry on onersquos backrdquo Hirsquoikua has taken thisresponsibility seriously
ldquoAia I Hirsquoialordquo the long awaited CD from Hirsquoikua featuressix original and six traditional songs
wwwhiikuacom J e r r o l J u l i a n P
h o t o g r a p h y
J e r r o l J u l i a n P
h o t o g r a p h y
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F R O M T H E A R C H I V E S
Waiting for the Sunday Boatrdquo by William Henry Jacksonrdquo Florida circa 1902Martin small-bodied parlor guitar
ldquoAs long as
Irsquove got my guitar
Irsquoll be finerdquo
mdash Willie Nelson referring to Tri
his legendary Martin guitar
HometownCentenarianMary Arletta Hahnis shown (right)
with her 00-1712-fret Martinguitar Mary was inher twenties whenthis picture was
taken (circa 1932)She was born inNazareth andturned 104 this pastSeptember Healthy small town living Shereceived her theology degree from the United
Wesleyan College but she also majored in voicepiano and guitar She would sing and play guitarin her fatherrsquos varied congregations Mary haslived her entire life in and around NazarethToday she lives just one block from where herguitar was made
1883 Advertisement
Gu i tar is t and Mando l in
is t
c irca 18 9 0
Guit ar ist and Mandolinist c ir c a 19 25
20
8102019 Vol_32pdf
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Ahh the sound of the Martin Rich and evocative Texture
lifeby strummingorpickingorthe lightesttouchtoteas
harmonicsthesoundmdashlikethehistoryofCF Martinamp C
peopleanda storyofthesensesHearitTasteitFeelitA
artist Robert Goetzl see it Seethe sound of the Martin
FEA TU R E
The Soundand the Story
Thehand drawnsketches (right)illustratethesix-panel seriesofthree-foot byfour-footmuralsthatwillhangintheMartinVisitorrsquos Center
BYSUSAN J BURLINGAME FREELANCE WRITER MARTIN
22
mdashC FMartin IVmdashcalls itldquothe magic ofFrom JohnnyCash to John Mayerand fromElvis Costello manyof historyrsquos mostbrilliantve chosen the Martin sound the Martin magicm the Martin storycontinuesMartin magic is mostprofoundly representedby n in the early1800s on the otherside of theour eyes fora momentand imagine ayoung king browfurrowed in concentration Heods the braces the strings of his firstguitarrtin has traveledfrom his home in Saxonytoe learns the artof guitarmaking as ane of the bestknown guitar shops in Europeg his 37th year C F Martinalong with hisdren sets outfor Americae story as theysayhellipis magicamp Co is still family-ownedmdashbutthe ldquofamilyrdquoh Martins and non-Martins generations of
ed arole in crafting the exquisite acousticrtin has offeredthe world formore than 175ertGoetzl a cousin to Chris Martinhas been create awork of art depicting C F Martin ampamily its sound andits storyeries of three-footby four-footmurals thatwillin Visitorrsquos Center the work says Goetzl is a love Chris Martin thatmuch He wasuential in mylife andthe opportunityto tellyauthentically is extremelymeaningful to merdquonels (pictured here)take viewers on CFfrom Saxonyto Viennato the newworld
ured as the music of the Martin guitar thensionalmdashdone in mixedmedia with collage andreating the firstpanel was forGoetzl the biggest
23
challenge ldquoI realizedthe enormityof the projectmdashnotjust inscope butalso in importance to the familyand to the thousandsof people who wouldbe looking atitrdquoGoetzl labored andsecond-guessedand tweakedand proddedbefore finally unveiling itto Chris Martin andothers at Martin ldquoThe lookson theirfaces toldme I had naileditrdquo Panel numbertwo which illustrates the Martin familyrsquosinitial shopin New York andthe move to NazarethPennsylvania causedGoetzl much less consternation butequallyas much joy he says as will each successive mural ldquoIf this is the endof the roadfor me the lastwork I evercreaterdquosays Goetzl (who surelyhas afew more decades ofcreativityleft) ldquoI wouldbe completely fine with thatrdquo
ldquoRobert has put his heart into
creating something that will
make a tremendous addition
to the Martin experiencerdquo
mdash Dick Boak Artist Relations C F Martin amp Co
Tex Fletcher
SingingcowboyTexFletcher maynot
have become the household name that
other cowboy singers from the 1930s
such as Gene Autry and Roy Rogers had
butdespitesometimes overwhelming
odds hersquosbeen remembered nonetheless
forhis noteworthycontributionsto earlyand
mid-20th century cowboy culture
He was born Geremino Biscegliain 1910 in HarrisonNew York the fifth of eight children of Italian immigrants Michael(astone mason)and Josephine Bisceglia He leftschool afterthethirdgrade to work with his fatherandbrothers He was raisedin a musical householdand he learnedto sing andplay traditional Italian songs accompaniedby accordionsmandolins andviolins
Jerrypicked upa fewguitar chords froma local right-handedguitarist butbeing left-handed he retaughthimself to playhisown right-handedguitarldquobackwards andupside downrdquoas he wouldlater explain with achuckle
He became enamoredwith the silver screen cowboys of theday often sneaking into the local cinemaforshowings of thelatestsilent picture starring TomMix WilliamS Hartand YakimaCanutt
Overthe nextfew years the teenagedcowboy wannabe beganto realize his boyhoodambition as he learnedto handle horseandcattle byday while soaking upcowboy lore andcampfiresongs bynight in effectbecoming aldquorealrdquocowboy Asinging cowboy Unique stuff forthe late 20s He returnedto NewYork in 1931 with aconfidence anda newfoundvoice With saddle bags full of cowboy stories andsongs the cowboysingerwas now going bythe name Tex Fletcher He began entering andwinning localthen regionaltalentshows Fletcherrsquos confidence grewwith each winning purse as was evidencedbyhis every growing wardrobe of
cowboyoutfits andhis first Martin guitar a000-45 He neverplayedanother companyrsquos guitars again believing the leastexpensive Martin guitarwas headand shoulders aboveanyother companyrsquos bestHistory has clearlymade fora compelling argument Itwasnrsquotlongbeforehereceivedan offerofa radiojobas asinging cowboyoverWFASinWhitePlainsNewYorkBy1934 attheheightofsingingcowboycrazeFletcherbegana relationshipthat wouldlastmorethan 25yearsbroadcastingoverWORNew YorkNewJersey(MutualNetwork)Itwas thesameyear thathebeganappearingatthe VillageBarnnightclub(whichwouldlaterbecomeJimiHendrixrsquosElectricLadyland)inGreenwichVillageNYagig thatlastedwell intotheearly1960s
1934 was also the yearTexorderedhis custommade MartinD-42Hersquodadmiredthe pearlygoodlooks and loudtone of Gene Autryrsquos D-45 (the firstD-45) butwanted an instrumentthatw ouldbe uniquelyTexFletcherrsquos guitar But he wasnrsquotthe onlycowboysinger who wantedto follow in Autryrsquos trail Milwaukee -based Jackie ldquoKidrdquoMoore beathimto the punch when he ordered his own D-45 (No 2)fromMartinBut according to authorMartin researcherJohn Woodland amisunderstanding with regardto neck length ledMartin to shelve the unfinished14 fretto the body D-45Moore then optedfor awider OMstyle neck with 12 frets tothe body This D-45 is No3 Then along comes NewYork radio cowboyTexFletcherwithhis own ideaof whatfeatures ldquohisrdquoguitar shouldsportincluding 14 frets to the body which alignedperfectly with the
partiallyconstructed D-45 (No2) buthe wanted all the flashupfront So insteadof proceeding to finish the guitaras aD-45Martin craftsmen changedthe toprsquos bracing to aHigh ldquoXrdquoconfiguration anddesignated this slightlymore modestcousinof the D-45the D-42 So the TexFletchermodel is not only the firstD-42butalso the secondD-45Itremainedthe only example of the D-42 forthe next54 years
Fletcherhadbeenout ofthe musicbusinessforjusta fewyears whenhe wastrackeddownin theearly1970sby then-MartinhistorianMikeLongworthwho convincedthe oldcowboytodonatetheinstrumenttothe MartinMuseumFletcheragreedandthatrsquoswhereitresidesto thisdaydisplayedjusta fewfeetfromitrsquosfirstcousintheGeneAutryD-45 (No1)
21 24
N EW PR O D U CTS
NEW A DDITIONS TO
OUR LINEUP OF
Great Ukuleles
The Martin Standards of Tone and Workmanship Prevail
C1K amp T1K UkulelesMartin has been building the worldrsquos finest ukuleles
from as early as 1916includingthesmallest Soprano
the original model to the larger Concert in 1925 and
the Tenor uke in 1929 Both the concert model and
tenor models havelong been prized for their full-bodied
voiceandgreatervolumeThesenewC1Kconcertand
T1Ktenor modelsfeaturetops backsidesand head-
platesofsolidHawaiianKoaawoodnativeto Hawaii
and a favoriteof island players Both ukes feature solid
Sitkabraces genuinemahoganyblocksand applied
dovetailneckjointsintheMartintraditionNecksare
craftedofselecthardwoodandcappedwithasolid
Morado fingerboardtheconcert has a 15rdquoscalelength
thetenor a 17rdquoscaleBridges arealso ofsolid Morado
with whiteTusqsaddles Open-geared nickel tuners with
whitebuttons ensureprecision Finished in high quality
satinlacquerPadded bagincludedTwo beautifulexam-
ples of why Martin is still the name in superior quality
ukuleles
ldquoAs far as inanimate objects
being friends I think that is right
on the list My Martin ukulele
is a work of art Itrsquos going to live
long after merdquo
mdashEddieVedderPearl JamUkuleleSongs
T1K
C1K
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2446
Clock key mechanism for
adjustingguitar necks on
Martinrsquos earliest guitars
manufactured in New York
ImaginedMartinfamily portrait
CircaSeptember1833mdashat the
timeof theMartinsrsquotransatlantic
journey to the New World
Mappointingto
Markneukirchen the
main town in Germanyrsquos
musicalinstrument-
makingregion
Embellished original
drawingofCF Martinrsquos
residencein
Markneukirchen
Saxony (Germany)
Thesa
carries
North
specta
showe
Harbo
Imagin
CFM
Hudso
Depic
mold
a Mart
glueu
NEL ONE 2 bull PANEL TWO
Rende
home
in Che
Circa1
Portra
presid
when
arrived
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2546 25
Over 175 Years of Guitar Building Excellence
OM -21 NEW Martinrsquos OM (Orchestra Models)
guitars have always been very
special to fingerstyle guitarists
especially this new OM-21 with its
comfortable 1-34rdquo wide neck at the
nut and highly responsive 14rdquo
scalloped Sitka top braces Elegant in
its simplicity this new version offers a
tasteful upgrade of solid black ebony
fingerboard and 30rsquos style ldquobellyrdquo
bridge with genuine bone saddle and
nut all adding to the rich resonance of this guitar Whatrsquos more wersquove
replaced the standard OM neck with a
slimmer ldquoPerformingrdquo Artistrdquo modified
low oval profile tapered neck and
wider 2-316rdquo bridge string spacing for
faster more comfortable playing The
solid Sitka spruce top with
hand-inlaid 28 style
rosette is joined to a
body of premium
solid East Indian
rosewood bound intortoise colored
18 style binding
Delmar tortoise color
pickguard nickel
open-geared
tuners with
Butterbean
knobs and
polished gloss
lacquer with
aging toner
complete this
beautiful
instrument
Delivered to you in the
new Martin 433 archtop
hardshell case If yoursquore a finger picker this new OM-21 is
the one to pick
D-18 NEW Since its introduction in 1935 the D-18
has been the workhorse of the Martin steel
string acoustic line More plain and less
costly than its D-28 rosewood cousin the
D-18 has none the less established its own
tonal identity ndash balanced crisp midrange
definitive bass and bright clear treble a
favorite of innumerable bluegrass blues and
country performers as well as discerning
studio musicians ndash because it is a great
performing and recording guitar Over the
years the D-18 has seen numerouspermutations ndash the D-18V and D-18P ndash as
well as variations in bindings rosette
fingerboard amp bridge woods bracing
patterns and pickguards And now the
new D-18 brings together
the best features of all of
these great D-18s into
one superb sounding
and playing guitar On
the traditional side backs
and sides are still crafted
of solid genuineMahogany joined with a
solid Sitka spruce top
with forward-shifted
scalloped ldquoXrdquo bracing
The fingerboard
and 1930s style
belly bridge are
fashioned of
solid black
ebony as were
the originals
Whatrsquos new A
lightning fast modified low
oval profile neck with a
1-34rdquo nut width and slimmer 2-18rdquo taper at the 12th fret Itrsquos
the same neck featured on our innovative Performing Artist
series guitars with the same wide 2-316rdquo bridge string
spacing too for greater player comfort and accessibility up
and down the neck The new D-18 The perfect blend of past
and future ndash and great guitar to start the New Year
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NAMM Show
Specials
N E W P R O D U C T S
2012 Martin Show Special Guitars
The DCPA Koa amp GPCPA Koa They donrsquot get any more beautiful ndash or more
beautiful sounding ndash than these spectacular
dovetail flamed Koa Performing Artist guitars
And with only a total of 30 instruments ndash
combined ndash being offered to dealers at the 2012
NAMM Show they donrsquot get any rarer either Here
wersquove chosen two of our most popular cutaway models in
the Performing Artist series the classic Dreadnought and
the Grand Performance and crafted the backs and sides
of premium Hawaiian flamed Koa a resonant tonewood
indigenous to the Hawaiian islands Koa has long been by
favored by native Hawaiian musicians for guitars and
ukuleles as well as discerning players and collectors
worldwide Martin in particular has built various sized
instruments of Koa from as early as 1850 The tops are of prized solid Adirondack Spruce as are the scalloped
forward-shifted ldquoXrdquo braces in the ldquoGolden Erardquo fashion The
bodies are bound with solid Madagascar rosewood the
top is inlaid in the 42 style with an elegant blue Paua
pearl rosette The backstrip is 45 style marquetry Both
guitars feature our fast and comfortable Performing Artist
modified low oval mahogany neck with ebony
fingerboard and
wide 2-316rdquo string
spacing on the
ebony Performing
Artist belly bridge And the
crowning touch both guitarsare equipped with the new
Fishmanreg F1 Aura + onboard electronics system the
ultimate in acoustic realism and projection as well as
pickup versatility Waverly gold tuners with Ivoroid
buttons complete the package Orders for the DCPA Koa amp
GPCP Koa will be taken solely from dealers in attendance
at the 2012 NAMM Show in Anaheim California
NEW TOOLS
for GREAT TONE
GPCPA Koa
DCPA Koa
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Over 175 Years of Guitar Building Excellence
DCPA1 Madagascar Rosewood ampGPCPA1 Madagascar Rosewood
These two very special dovetail Performing Artist
guitars reflect the best of Martin innovation expert
craftsmanship and selection of superior tonewoods ndash
all in one As PA series models Dreadnought and
Grand Performance they include a unique slim
tapered fast neck for exceptional player comfort in
all positions a smaller and lighter PA ldquobellyrdquo bridge
for greater tonal response and increased string
spacing for easier finger picking They also
include the new state-of-the-art Fishmanreg F1
Aura + onboard electronics system that deliver
striking acoustic realism and projection
Plugged in or pure acoustic these are great
sounding guitars ndash and with good reason The
tops are solid Adirondack spruce pearl inlaid inthe 41 style and driven by 516rdquo Adirondack
scalloped braces forward-shifted in the ldquoGolden Erardquo X
pattern The back sides and headplate are Madagascar
Rosewood selected for its beauty and close acoustic and visual resemblance to
Brazilian Rosewood Solid black ebony is used for the fingerboard and bridge
Details include grained Ivoroid bindings Delmar beveled tortoise color pickguard
special ldquoalternative torchrdquo inspired position inlays gold enclosed tuners bone nut
and saddle The most distinctive Performing Artist production models to date
Fishmanreg F1 Aura + The Fishmanreg F1 Aura + features a newsimplified and intuitive Easy Mode allowing youto quickly get a feel for the tonal possibilities ofthe system while providing the most importantfeatures The Easy Mode offers three custom-blended Aura Image presets tone control and
the option of using the undersaddle pickuponly For the real tone-tweakers wersquove retainedthe original Performance Mode as well givingyou full access to the powerful 3-band EQscompressor and automatic anti-feedback ofthe F1 Aura +
Performing
Artist SeriesDCPA1
Madagascar
Rosewood
GPCPA1
Madagascar
Rosewood
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N E W P R O D U C T S
Performing
Artist Series
Martin introduces an exciting
new tonewood called Siris
DCPA4 Siris amp
GPCPA4 Siris
With these two new
Performing Artists guitars
Martin introduces an exciting
new tonewood called Siris
adding even more tonal color
and variety to the PA series Siris
delivers excellent bass response
reminiscent of East Indian rosewood as
well as a clear midrange and treble making it an
excellent guitar wood for recording and for playing live Lighter in color
yet denser than rosewood it produces a slightly longer sustain thanrosewood Siris is typically dark orange contrasting beautifully with the
Sitka Spruce tops tortoise colored pickguards grained Ivoroid bindings
and special East Indian rosewood center wedge on both guitarsrsquo 3-piece
backs The DCPA4 Siris and the GPCPA4 Siris are 14-fret cutaway guitars and
have fast comfortable Performing Artist profile necks Hybrid ldquoXrdquo scalloped top
bracing black Richlite fingerboards and bridges and Fishmanreg F1 Analog
onboard electronicsGPCPA4 Siris
DCPA4 Siris
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Over 175 Years of Guitar Building Excellence
The GPCPA4 Sapele is constructed with
FSCreg Certified tonewoods harvested from
ecologically sound and responsibly manag
forests The fingerboard and bridge are
built with FSCreg
Certified Richlitereg
29
GPCPA4 SapeleFirst introduced in 2010 the GPCPA4 is an extraordinary Martin ndash a
big Grand Performance cutaway with a fast comfortable Performing
Artist Series high performance neck But this brand new version ndash
the GPCPA4 Sapele ndash is extra special It rsquos built with FSCreg Certified
tonewoods harvested from ecologically sound and responsibly
managed forests This includes African sapele back and sides
mahogany front and rear blocks cherry side strips Spanish cedar
ribbons and European spruce Hybrid ldquoXrdquo scalloped bracing The top
is FSCreg Certified recycled Sitka spruce produced from old bridge timbers in Canada
Even the fingerboard and bridge are crafted of FSCreg Certified Richlitereg material High
polished gloss top finish with tasteful Cherry red toned back and sides Fishmanreg F1
Analog electronics are included with volume and tone shaping capabilitiesonboard digital tuner and phase control Quite a
package Quite a guitar
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N E W P R O D U C T S
DCPA5K and GPCPA5K
Advanced guitar design meets high-
tech guitar construction The result
two highly affordable Performing
Artist guitars with excellent tone
playability and durability Back
and sides of the cutaway
Dreadnought and Grand
Performance models are made
of a high-pressure wood fiber
laminate (called HPL) with
Koa grain and texture photo-
imbedded The top is solid Sitkaspruce braced with Martinrsquos Hybrid ldquoXrdquo
scalloped bracing system renowned for its
resonance clear treble and distinct bass The Performing Artist Profile neck is
slim and fast and comfortable made of tough Stratabondreg multi-layered
wood laminate Performing Artist bridge and fingerboard are black Richlite
Chrome enclosed tuners with large buttons and Fishmanreg F1 Analog
onboard electronics included A terrific value with great tone and
environmentally friendly
Performing
Artist Series
The DCPA5K and GPCPA5K
are Performing Artist guitars
with excellent tone playability and durability
GPCPA5K
DCPA5K
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Road Series
31
Over 175 Years of Guitar Building Excellence
Special Edition
DRS2 The latest of Martinrsquos hard-working
great sounding Road Series guitars
the new DRS2 delivers a unique blend
of durability and concert-quality
sound and projection The top is
crafted of solid Sitka spruce and
braced with Martinrsquos A-Frame (X1)
bracing Back and sides are select
solid Sapele similar in look and
tonal qualities to its
close cousin
mahogany As
beautiful as it looks
and sounds the
DRS2 is a serious
working musicianrsquos
guitar built for on
the road durability
without sacrificeof tone The
neck is
constructed
of a multi-
layered
wood
laminate
called
Stratabondtrade
that perfectly
simulates natural
quartersawn wood grain The fingerboard and bridgeare crafted of black Richlite amazingly similar in look
weight and resonance of ebony A Fishmanreg
Sonitone sound reinforcement system completes
this very road ndash and stage ndash worthy Martin
000C NylonIn response to the many Martin players
who chose the limited edition 000CDG
built in memory of Chris Martinrsquos late
brother Doug Greth we have
expanded upon this unique ldquocrossoverrdquo
instrument with the new 000C Nylon It is
truly a hybrid instrument combining features
of a traditional Martin steel-string guitar with
those associated with a classical nylon string
guitar The top is crafted of solid Sitka spruce
and braced with a unique A-Frame ldquoXrdquo brace
system Yet this bracing system is equally
responsive to lighter nylon strings without
inhibiting tone or volume The 12-fret low
profile neck features an 18rdquo radius arched
(versus flat) fingerboard like a steel string
but with a classic width 1-78rdquo at the nut and
2-516rdquo at the 12th fret The bridge is in the
classic style with tie block and drop insaddle Bridge string spacing is a
wider 2-516rdquo as well Even the
000Crsquos headstock is unique ndash
square tapered like the
traditional Martin steel
string style but slotted to
accommodate classical
nylon strings Each guitar is
fitted with onboard Fishmanreg
F1 Analog electronics too
The result A versatile
great sounding andplaying guitar no
matter whether you
play acoustic or
acoustic electric
or both
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D-28M Limited Edition Celebrates
The Enduring Music and Legacy ofThe Mamas and The Papas
The appointments on the D-28M Mamas and ThePapas Custom Artist Edition emulate a circa 1960sD-28 blackwhiteblack top purfling blackwhiteback purfling grained Ivoroid binding and heelcapldquocheckerboardrdquo backstrip mother of pearl dotposition markers chrome Groverreg Rotomatic tunerstortoise-colored pickguard polished gloss lacquerfinish and vintage-inspired aging toner on the topExtra flash comes in the form of a Style 45 abalonepearl rosette and abalone pearl-topped bone bridgeand end pins
The guitarrsquos crowning glory is ndash appropriately ndashon the polished black ebony headplate Above
the nut sheltered by the familiar gold old-styleldquoC F Martin amp Co Est 1833rdquo decal logo is a silhouette of The Mamas and The Papasbeautifully inlaid in mother of pearl Derivedfrom a photo by Henry Diltz the inlay capturesthe group in full performance mode
In the early 1960s the four musicians whobecame The Mamas and Papas were a long way from pop music stardom though all wereinvolved in the East Coast folk music scene
John Phillips was a member of the JourneymenDenny Doherty and Cass Elliot sang with theMugwumps After the Journeymen broke up
John Phillips his wife Michelle Phillips andMarshall Brickman formed the New JourneymenMarshall eventually left the band but went on toco-write Oscar winning screenplays with Woody
Allen and he co-wrote the book that became therecord-breaking play ldquoThe Jersey Boysrdquo
Marshall Brickman was replaced by Denny Doherty and soon Doherty introduced hisbandmates to Elliot The four began harmonizingto the pop songs John was writing and perfectedtheir sound during a Caribbean vacation together
The starting point for The Mamas and the Papasrsquofresh pop sound was the folk music all fourmembers played before they got together as a group Songwriter and leader John Phillipsrsquo well-
worn Martin Dreadnought often provided thestrummed rhythmic underpinning on which TheMamas and Papasrsquo band instrumentation andvocals were layered The combination proved tobe genius and even today The Mamas and thePapas ldquosoundrdquo is instantly recognizable
To celebrate the group and its place in popmusic history C F Martin introduces a very
special D-28M Mamas and The Papas
Custom Artist Edition Limited to just100 instruments this new Custom Artist Edition features rare tonewoodshandsome appointments and aunique headstock inlay to honorthese musical trailblazers
John Phillipsrsquo vintage Martin D-28provides the inspiration for this Custom Artist Edition The tonewoods and top
bracing are a stellar combination thatapproximates those of MartinDreadnoughts from the early 1930sBack and sides are rare Madagascarrosewood similar in appearance andtone to the now endangered Brazilianrosewood The top is Carpathianspruce comparable in power andbrilliance to Adirondack spruce andequally responsive Advanced ldquoXrdquo
516rdquo scalloped bracing provides richresonant tone The 1 1116rdquo (at the
nut) low profile neck with diamondvolute is genuine mahogany while the
fingerboard and belly bridge are black ebony
L M
In the 1960s The Mamas and the Papas were at the epicenter of a musical earthquake
that began in Southern California and sent shockwaves across the country Combining
great songwriting unique arrangements and lush harmonies the group had six ldquoTop
10rdquo singles and four ldquoTop 5rdquo albums from 1965 through 1967 a feat that made them one
of the few groups to challenge the Beatles during that era While The Mamas and the
Papasrsquo original lineup of John Phillips Cass Elliot Denny Doherty and Michelle Phillips
lasted just four years several of the songs they created ndash including ldquoCalifornia Dreaminrsquordquo
ldquoMonday Mondayrdquo ldquoWords of Loverdquo and ldquoTwelve Thirtyrdquo ndash have stood the test of time
32
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(This story should sound familiar they laterturned it into a hit single ldquoCreeque Alleyrdquo)Eventually the four traveled to Los Angeles
where they auditioned for Dunhill RecordsOwnerProducer Lou Adler Adler signed them tohis label immediately and two days later thegroup had a name The Mamas and the Papas
Released in 1965 The Mamas and The Papasrsquofirst single failed to garner much notice Howeverthe second single ldquoCalifornia Dreamingrdquo co-
written by John and Michelle Phillips reachedNo 4 on the charts The grouprsquos debut album If
You Can Believe Your Eyes and Ears was releasedin early 1966 and rose to No 1 quickly followedby the single ldquoMonday Mondayrdquo which also hitNo 1 and later won a Grammy Award for ldquoBestContemporary Group Performancerdquo
While The Mamas and The Papasrsquo personallives became increasingly turbulent over the nexttwo years their music continued to flourish they recorded three additional albums ndash The Mamasand The Papas Deliver and The Papas and TheMamas ndash that went ldquoTop 20rdquo and in turn yieldedseveral ldquoTop 20rdquo singles
In 1968 bitter infighting between memberscaused the group to disband Due to contractualobligations they reunited briefly in 1971 to makethe People Like Us album and then went theirseparate ways Cass Eliot had a flourishing solocareer that was cut short by her death in 1974
John Phillips continued to write songs and bothhe and Denny Doherty performed and recordedas solo acts In the 1980s and 1990s they occasionally reunited to tour as members of the
New Mamas and Papas John Phillipsdied in 2001 Denny Doherty died in2007 Michelle Phillips enjoyed a successful acting career and today isthe last surviving original memberof the group
Despite the grouprsquos short history TheMamas and The Papasrsquo musical legacy remainsundiminished the group was inducted into theRock amp Roll Hall of Fame in 1998 and received a
Grammy Hall of Fame Award in 2001 In 2003 If You Can Believe Your Eyes and Ears was ranked127 on Rolling Stone magazinersquos list of the 500greatest albums of all time
Delivered in a hardshell case eachD-28M Mamas and The PapasCustom Artist Edition guitar bears a special interior label featuring theldquosun rayrdquo graphic from the RouletteRecords label on which some of TheMamas and The Papasrsquo singles werereissued in the 1970s Each label ispersonally signed by former Mamasand The Papas member MichellePhillips and numbered in sequence
with the edition total Beginning immediately authorized C F Martindealers will accept orders for theD-28M Mamas and The PapasCustom Artist Edition until all 100guitars in the edition are allocatedparticipating Martin dealers willthen be posted on theC F Martin website
wwwmartinguitarcom
33
S A M P L E
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L O N D O N A C O U S T I C G U I TA R S H O W
Acoustic guitar aficionados attending The London
Acoustic Guitar Show were treated to presentations
that showcased Americarsquos favorite musical instrument
brand and featured musical vignettes by legendary
and influential guitarists Stefan Grossman and
John RenbournThe presentation was given by Dick Boak archivist for Martin
Guitar who offered a graphical and interactive history of the 178-year-old guitar company In addition Dick displayed severalimportant examples in the evolution of Martin acoustic guitarsThe presentation focused on the development of the modern
acoustic guitar Martinrsquos historical contributions to the definitivacoustic guitar design artist signature model collaborations an
an in-depth explanation of specific guitar shapes sizes andtonewoods that lend themselves to particular musical genres JoRenbourn and Stefan Grossman legendary acoustic fingerstyleinnovators demonstrated the tonality of an assortment of Martinstruments including their own Custom Signature models
Martinrsquos UK distributor Westside Management was a primasponsor of the show and the host for the concert stage thatfeatured a stunning live performance by Renbourn and Grossm
Dick Boakrsquos presentation provided a template and proving ground for potential future presentations throughout the UniteStates Europe and Japan
THE LONDON ACOUSTICGUITAR SHOWSaturday and Sunday September 10-11 2011
Olympia Conference Center London
34
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Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
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M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
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The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
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M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
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M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
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Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
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M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
8102019 Vol_32pdf
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Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
8102019 Vol_32pdf
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A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
8102019 Vol_32pdf
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C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
8102019 Vol_32pdf
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P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 1746
technique also may dictate whether a fresh set-up isneeded ldquoA fingerstyle player
with a light touch might wantthe action lowered while a flatpicker may need the actionraisedrdquo Indeed an individualrsquosplaying style and technique are
information a repairperson will want to know to do the bestpossible set-up
So can you tell if your guitarneeds a set-up Begin with theobvious If your guitar hasbecome very hard to fret itprobably needs a set-up If thestrings buzz either open orfretted it probably needs a set-up If its intonation is way offit probably needs a set-up
A few simple diagnostic testsalso can help determine
whether a set-up is neededCheck the neck relief by fretting the low E string simultaneously above the firstand below the 13th fret thegap between the string and the6th or 7th fret should beslightly more than the thicknessof a business card Checkaction at the nut by fretting each string between the second
and third fret there shouldbe daylight between eachstring and the first fret a gapapproximately the thicknessof a sheet of paper at thehigh E and slightly more at thelow E Check the height of theaction with a machinistrsquos rulerat the 12th fret the distancebetween the fret and the string should be approximately 232-332 of an inch on the trebleside and 332-432 of an inch
on the bass side A goodelectronic tuner can be used tocheck intonation on eachstring by playing the openstring and then playing theharmonic of the same string atthe 12th fret
A lot of guitarists may betempted to do their own set-upbut Dave Doll of Martinrsquos
Customer Repair Departmentcautions against it ldquoItrsquos like a doctor educating a patient onhow to recognize symptoms thpatient may know he has a problem but he still should goto the doctor to have thatproblem fixedrdquo he commented
ldquoEven a simple set-up can bedaunting unless you know whayou are doing you may well domore harm than goodrdquo Lon
Werner was more specificldquoWhile preliminary evaluationmay suggest a set-up is neededthe symptoms also can beindicative of a much moreserious problem When theMartin Customer RepairDepartment receives a guitar
we give it a thorough going-over from headstock toendpin If the bridge is liftingor a brace has pulled loose orthe neck needs a reset (justthree examples) that is a problem that has to be dealt
with for a set-up to bebeneficialrdquo Not everyonelives so close to Nazareth tohave their Martin guitar
worked on at C F Martin amp Cobut there are more than
150 Martin Service Centersthat can give that guitar thecare ndash whether a set-up orsomething more ndash it deservesShould you happen to visitNazareth or live nearbyC F Martin amp Co offers a very cool opportunity to learnabout guitar maintenance fromsome of the best in thebusiness Every Friday from11 am until noon theCustomer Repair Departmen
hosts a guitar care seminarduring which it demonstratesthe basics of guitar careincluding some of theelements of set-up (like trussrod adjustment) The guitarcare seminar is free noreservation is needed andit is a great way to learnhow to keep your Martinin peak playing condition
15
Checking the relief of the neck
Checking the action at the nut
Checking the action at the 12th fret
Adjusting the truss rod with a long Martin wrench
truss rod wrench
hole in brace
truss rod location
gap between bottom of string
and top of fret at the 12th fret
gap between bottom of string
and top of fret at the 1st fret
with string depressed
gap at the 6th or 7th fret with string
depressed at 2nd and 13th frets
exaggerated neck relief
frontblock
8102019 Vol_32pdf
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All-Star MUSEBenefit Concert
The All-Star MUSE BenefitConcertat the Shoreline Amphitheater inMountain View California supported Disaster Relief in Japanand Non-Nuclear Groups
Worldwide Featured artists includedCrosby (with his Martin Signature 12-string) Stills amp Nash Jackson BrowneBonnie Raitt Jason Mraz The DoobieBrothers Tom Morello John HallKitaro Sweet Honey in the Rock and
Jonathan Wilson
A R T I S T P R O F I L E S
Hollywood Bowl 2011Dolly Parton with her touring guitaris
Jim Salestrom who is playing hisMartin J-40 Dollyrsquos World Tour
thrilled attendees at the HollywoodBowl Saturday July 23 2011
DonavanFrankenreiterDonavonrsquos fourth studioalbum Glow is describedas ldquowarm organic andoverwhelmingly hopeful Theperfect antidote to trying timesrdquo Hersquos playing his triedand true Martin 000-18 Shawn Colvin
Shawn Colvinrsquos new Live album wasnominated for the Grammy Awardfor Best Contemporary Folk Album
Accompanied with her pristineM3SC Signature Edition findShawnrsquos enduring music on iTunes orat amazoncom
16
oto by Lynn Goldsmith
P
h o t o b y L y nn G ol d s mi t h
8102019 Vol_32pdf
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Ron Davies(1946-2003)
A songwriter fromthe pacific northwestRon Davies at 17bought a well worn1956 D-18 Martin
which he put to gooduse writing an entirealbum of songs forthe Seattle band ldquoThe
Wailersrdquo As an artisthe recorded fivealbums during hislifetime but he isbest remembered forhis songwriting
His songs have been covered by a diverse group of artists that include Joan Baez David Bowie (Ziggy Stardust) Long John Baldry Ann Murray Three Dog
Night Nitty Gritty Dirt Band Helen Reddy Jerry Jeff Walker Maria Muldaur Joe Cocker Randy TravisNanci Griffith and the Raconteurs to name a few
In 2011 friends in the pacific northwest cametogether to record ldquoThe Mystery of Ron Daviesrdquo a tribute CD containing eighteen of Ronrsquos songsperformed by artists from his hometown and one by Davies himself Available on iTunes and at CD Baby allof the proceeds will benefit ldquoMusic Caresrdquo
Leslie TuckerLexington Virginia-based singersongwriter Leslie Tuckerrecently received the gift of a Martin D-41 from a legion of her fans and she plans to use her new acquisition in theproduction of a new album project currently in progressalong with a tour of performances when itrsquos released Tune into wwwleslietuckercom for updates
Santa Cruz Blues Fest 2011Some of the worldrsquos finest guitarists including Jonny Lang were on hand to salute guitar legend JimiHendrix at this yearrsquos Santa Cruz Blues Fest 2011
Jonnyrsquos playing his Martin J-40 Jumbo
Sting
17
Early StingFrom Andy Summers groundbreaking book Irsquoll be watching you Insidethe Police 1980-1983 Police guitarist and professional photographer
Andy Summers captured Sting with his Martin D-28 in 1982
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Fast AJ AJ Rubino of SpringfieldMassachusetts has beenperforming folk and country music for nearly fifty years ndash
much of that time with his1975 Martin D-35 slightly customized with fingerboardinlay by luthier Harry BeckerThis photo will grace the cover of AJrsquos forthcoming CD
He is a loyal member of the Martin Ownerrsquos Club andowns several other Martin guitars The tree AJ is standing in front of was destroyed by the tornado that hit WesternMassachusetts in June of 2011 but no one was hurt andall of the Martin guitars survived
A R T I S T P R O F I L E S
The Kingston Trio Fantasy Camp 2011
Winfield KansasFestivalrsquos Martin D-42
Allen Shadd began playing guitar when he was seven years oldacquiring his first Martin guitar -
a 1973 D-35 at the age of tenSince then he has gone on toperform in many bands guitar
workshops recording sessions and in 1997 released his own CDldquoA Cut Aboverdquo Allen also frequently competes in guitarcompetitions and has won some of the most prestigious flatpicking contests that have included Merlefest Rocky Grass and the WayneHenderson guitar competition He brought home this yearrsquos MartinD-42 from the National Flatpicking Championship held in
Winfield Kansas Itrsquos the sixth time Allen has placed in the topthree including his first place finish in 1997
18
wwwkingstontriocom
Caroline JonesThis NYC-based singer songwriterguitarist and producer was trainedclassically by Andy Anselmo Founder
of New Yorkrsquos ldquoThe Singerrsquos ForumrdquoCaroline began singing opera ariascabaret standards and show tunes at agenine Under the management of Tommy Mottola and Chris Apostle shebegan recording her original songs withproducer Chris Toland at Sony and
Avatar studios in New York as a studentat The Professional Childrenrsquos SchoolIn 2008 Caroline began monthlyco-writing trips to Nashville where sherecorded with many of the industryrsquostop talents Since then she has been
performing and recording with herMartin 00-21 Kingston Trio modelthat pays tribute to original KingstonTrio member Dave Guard (1934-1991)
Shown above are Fantasy camp attendees each holding their Martin guitars (plus one banjo)
P h o t o b y J o h n L i n d
8102019 Vol_32pdf
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Dierks BentleyReaching deep into acoustic rootsmusic resulted in Dierks Bentleyrsquosnew album Up On The RidgeMore than a bluegrass concept
album with guests Up On TheRidge features Bentley working with some of the finest acousticmusicians in the world including long-time collaborators theDel McCoury Band and a new musical partnership with ChrisThile and the Punch Brothers Asa recent addition to the Martin
Ambassador ranks Dierkrsquos israrely seen without his prizedvintage herringbone D-28
Hawaiirsquos HirsquoikuaIn a culture that honorsthe legacies of the pastthis Hawaiian trio of talented musicians pays
homage to their roots while creating a uniqueand progressive soundthat leaves an indeliblemark upon contemporary Hawaiian music
In a seamlesscontinuous movement we all carry a past while living in thepresent and moving toward a future Hirsquoikuarsquos music reflectsthe belief that without asking the knowledge of our ancestorshas already been placed within us in the hope that we too
will shoulder that responsibility in an unbroken journey intothe future
Their music is composed and performed by Kalehua Krug (left with his Martin 12-string) Kamuela Kimokeo (above andcenter left with his Martin OMC Aura cutaway) and BlakeLeoki-Haili (right with Martin tenor ukulele)
The grouprsquos name derives from the Hawaiian word thatmeans literally ldquoto carry on onersquos backrdquo Hirsquoikua has taken thisresponsibility seriously
ldquoAia I Hirsquoialordquo the long awaited CD from Hirsquoikua featuressix original and six traditional songs
wwwhiikuacom J e r r o l J u l i a n P
h o t o g r a p h y
J e r r o l J u l i a n P
h o t o g r a p h y
8102019 Vol_32pdf
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F R O M T H E A R C H I V E S
Waiting for the Sunday Boatrdquo by William Henry Jacksonrdquo Florida circa 1902Martin small-bodied parlor guitar
ldquoAs long as
Irsquove got my guitar
Irsquoll be finerdquo
mdash Willie Nelson referring to Tri
his legendary Martin guitar
HometownCentenarianMary Arletta Hahnis shown (right)
with her 00-1712-fret Martinguitar Mary was inher twenties whenthis picture was
taken (circa 1932)She was born inNazareth andturned 104 this pastSeptember Healthy small town living Shereceived her theology degree from the United
Wesleyan College but she also majored in voicepiano and guitar She would sing and play guitarin her fatherrsquos varied congregations Mary haslived her entire life in and around NazarethToday she lives just one block from where herguitar was made
1883 Advertisement
Gu i tar is t and Mando l in
is t
c irca 18 9 0
Guit ar ist and Mandolinist c ir c a 19 25
20
8102019 Vol_32pdf
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Ahh the sound of the Martin Rich and evocative Texture
lifeby strummingorpickingorthe lightesttouchtoteas
harmonicsthesoundmdashlikethehistoryofCF Martinamp C
peopleanda storyofthesensesHearitTasteitFeelitA
artist Robert Goetzl see it Seethe sound of the Martin
FEA TU R E
The Soundand the Story
Thehand drawnsketches (right)illustratethesix-panel seriesofthree-foot byfour-footmuralsthatwillhangintheMartinVisitorrsquos Center
BYSUSAN J BURLINGAME FREELANCE WRITER MARTIN
22
mdashC FMartin IVmdashcalls itldquothe magic ofFrom JohnnyCash to John Mayerand fromElvis Costello manyof historyrsquos mostbrilliantve chosen the Martin sound the Martin magicm the Martin storycontinuesMartin magic is mostprofoundly representedby n in the early1800s on the otherside of theour eyes fora momentand imagine ayoung king browfurrowed in concentration Heods the braces the strings of his firstguitarrtin has traveledfrom his home in Saxonytoe learns the artof guitarmaking as ane of the bestknown guitar shops in Europeg his 37th year C F Martinalong with hisdren sets outfor Americae story as theysayhellipis magicamp Co is still family-ownedmdashbutthe ldquofamilyrdquoh Martins and non-Martins generations of
ed arole in crafting the exquisite acousticrtin has offeredthe world formore than 175ertGoetzl a cousin to Chris Martinhas been create awork of art depicting C F Martin ampamily its sound andits storyeries of three-footby four-footmurals thatwillin Visitorrsquos Center the work says Goetzl is a love Chris Martin thatmuch He wasuential in mylife andthe opportunityto tellyauthentically is extremelymeaningful to merdquonels (pictured here)take viewers on CFfrom Saxonyto Viennato the newworld
ured as the music of the Martin guitar thensionalmdashdone in mixedmedia with collage andreating the firstpanel was forGoetzl the biggest
23
challenge ldquoI realizedthe enormityof the projectmdashnotjust inscope butalso in importance to the familyand to the thousandsof people who wouldbe looking atitrdquoGoetzl labored andsecond-guessedand tweakedand proddedbefore finally unveiling itto Chris Martin andothers at Martin ldquoThe lookson theirfaces toldme I had naileditrdquo Panel numbertwo which illustrates the Martin familyrsquosinitial shopin New York andthe move to NazarethPennsylvania causedGoetzl much less consternation butequallyas much joy he says as will each successive mural ldquoIf this is the endof the roadfor me the lastwork I evercreaterdquosays Goetzl (who surelyhas afew more decades ofcreativityleft) ldquoI wouldbe completely fine with thatrdquo
ldquoRobert has put his heart into
creating something that will
make a tremendous addition
to the Martin experiencerdquo
mdash Dick Boak Artist Relations C F Martin amp Co
Tex Fletcher
SingingcowboyTexFletcher maynot
have become the household name that
other cowboy singers from the 1930s
such as Gene Autry and Roy Rogers had
butdespitesometimes overwhelming
odds hersquosbeen remembered nonetheless
forhis noteworthycontributionsto earlyand
mid-20th century cowboy culture
He was born Geremino Biscegliain 1910 in HarrisonNew York the fifth of eight children of Italian immigrants Michael(astone mason)and Josephine Bisceglia He leftschool afterthethirdgrade to work with his fatherandbrothers He was raisedin a musical householdand he learnedto sing andplay traditional Italian songs accompaniedby accordionsmandolins andviolins
Jerrypicked upa fewguitar chords froma local right-handedguitarist butbeing left-handed he retaughthimself to playhisown right-handedguitarldquobackwards andupside downrdquoas he wouldlater explain with achuckle
He became enamoredwith the silver screen cowboys of theday often sneaking into the local cinemaforshowings of thelatestsilent picture starring TomMix WilliamS Hartand YakimaCanutt
Overthe nextfew years the teenagedcowboy wannabe beganto realize his boyhoodambition as he learnedto handle horseandcattle byday while soaking upcowboy lore andcampfiresongs bynight in effectbecoming aldquorealrdquocowboy Asinging cowboy Unique stuff forthe late 20s He returnedto NewYork in 1931 with aconfidence anda newfoundvoice With saddle bags full of cowboy stories andsongs the cowboysingerwas now going bythe name Tex Fletcher He began entering andwinning localthen regionaltalentshows Fletcherrsquos confidence grewwith each winning purse as was evidencedbyhis every growing wardrobe of
cowboyoutfits andhis first Martin guitar a000-45 He neverplayedanother companyrsquos guitars again believing the leastexpensive Martin guitarwas headand shoulders aboveanyother companyrsquos bestHistory has clearlymade fora compelling argument Itwasnrsquotlongbeforehereceivedan offerofa radiojobas asinging cowboyoverWFASinWhitePlainsNewYorkBy1934 attheheightofsingingcowboycrazeFletcherbegana relationshipthat wouldlastmorethan 25yearsbroadcastingoverWORNew YorkNewJersey(MutualNetwork)Itwas thesameyear thathebeganappearingatthe VillageBarnnightclub(whichwouldlaterbecomeJimiHendrixrsquosElectricLadyland)inGreenwichVillageNYagig thatlastedwell intotheearly1960s
1934 was also the yearTexorderedhis custommade MartinD-42Hersquodadmiredthe pearlygoodlooks and loudtone of Gene Autryrsquos D-45 (the firstD-45) butwanted an instrumentthatw ouldbe uniquelyTexFletcherrsquos guitar But he wasnrsquotthe onlycowboysinger who wantedto follow in Autryrsquos trail Milwaukee -based Jackie ldquoKidrdquoMoore beathimto the punch when he ordered his own D-45 (No 2)fromMartinBut according to authorMartin researcherJohn Woodland amisunderstanding with regardto neck length ledMartin to shelve the unfinished14 fretto the body D-45Moore then optedfor awider OMstyle neck with 12 frets tothe body This D-45 is No3 Then along comes NewYork radio cowboyTexFletcherwithhis own ideaof whatfeatures ldquohisrdquoguitar shouldsportincluding 14 frets to the body which alignedperfectly with the
partiallyconstructed D-45 (No2) buthe wanted all the flashupfront So insteadof proceeding to finish the guitaras aD-45Martin craftsmen changedthe toprsquos bracing to aHigh ldquoXrdquoconfiguration anddesignated this slightlymore modestcousinof the D-45the D-42 So the TexFletchermodel is not only the firstD-42butalso the secondD-45Itremainedthe only example of the D-42 forthe next54 years
Fletcherhadbeenout ofthe musicbusinessforjusta fewyears whenhe wastrackeddownin theearly1970sby then-MartinhistorianMikeLongworthwho convincedthe oldcowboytodonatetheinstrumenttothe MartinMuseumFletcheragreedandthatrsquoswhereitresidesto thisdaydisplayedjusta fewfeetfromitrsquosfirstcousintheGeneAutryD-45 (No1)
21 24
N EW PR O D U CTS
NEW A DDITIONS TO
OUR LINEUP OF
Great Ukuleles
The Martin Standards of Tone and Workmanship Prevail
C1K amp T1K UkulelesMartin has been building the worldrsquos finest ukuleles
from as early as 1916includingthesmallest Soprano
the original model to the larger Concert in 1925 and
the Tenor uke in 1929 Both the concert model and
tenor models havelong been prized for their full-bodied
voiceandgreatervolumeThesenewC1Kconcertand
T1Ktenor modelsfeaturetops backsidesand head-
platesofsolidHawaiianKoaawoodnativeto Hawaii
and a favoriteof island players Both ukes feature solid
Sitkabraces genuinemahoganyblocksand applied
dovetailneckjointsintheMartintraditionNecksare
craftedofselecthardwoodandcappedwithasolid
Morado fingerboardtheconcert has a 15rdquoscalelength
thetenor a 17rdquoscaleBridges arealso ofsolid Morado
with whiteTusqsaddles Open-geared nickel tuners with
whitebuttons ensureprecision Finished in high quality
satinlacquerPadded bagincludedTwo beautifulexam-
ples of why Martin is still the name in superior quality
ukuleles
ldquoAs far as inanimate objects
being friends I think that is right
on the list My Martin ukulele
is a work of art Itrsquos going to live
long after merdquo
mdashEddieVedderPearl JamUkuleleSongs
T1K
C1K
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2446
Clock key mechanism for
adjustingguitar necks on
Martinrsquos earliest guitars
manufactured in New York
ImaginedMartinfamily portrait
CircaSeptember1833mdashat the
timeof theMartinsrsquotransatlantic
journey to the New World
Mappointingto
Markneukirchen the
main town in Germanyrsquos
musicalinstrument-
makingregion
Embellished original
drawingofCF Martinrsquos
residencein
Markneukirchen
Saxony (Germany)
Thesa
carries
North
specta
showe
Harbo
Imagin
CFM
Hudso
Depic
mold
a Mart
glueu
NEL ONE 2 bull PANEL TWO
Rende
home
in Che
Circa1
Portra
presid
when
arrived
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2546 25
Over 175 Years of Guitar Building Excellence
OM -21 NEW Martinrsquos OM (Orchestra Models)
guitars have always been very
special to fingerstyle guitarists
especially this new OM-21 with its
comfortable 1-34rdquo wide neck at the
nut and highly responsive 14rdquo
scalloped Sitka top braces Elegant in
its simplicity this new version offers a
tasteful upgrade of solid black ebony
fingerboard and 30rsquos style ldquobellyrdquo
bridge with genuine bone saddle and
nut all adding to the rich resonance of this guitar Whatrsquos more wersquove
replaced the standard OM neck with a
slimmer ldquoPerformingrdquo Artistrdquo modified
low oval profile tapered neck and
wider 2-316rdquo bridge string spacing for
faster more comfortable playing The
solid Sitka spruce top with
hand-inlaid 28 style
rosette is joined to a
body of premium
solid East Indian
rosewood bound intortoise colored
18 style binding
Delmar tortoise color
pickguard nickel
open-geared
tuners with
Butterbean
knobs and
polished gloss
lacquer with
aging toner
complete this
beautiful
instrument
Delivered to you in the
new Martin 433 archtop
hardshell case If yoursquore a finger picker this new OM-21 is
the one to pick
D-18 NEW Since its introduction in 1935 the D-18
has been the workhorse of the Martin steel
string acoustic line More plain and less
costly than its D-28 rosewood cousin the
D-18 has none the less established its own
tonal identity ndash balanced crisp midrange
definitive bass and bright clear treble a
favorite of innumerable bluegrass blues and
country performers as well as discerning
studio musicians ndash because it is a great
performing and recording guitar Over the
years the D-18 has seen numerouspermutations ndash the D-18V and D-18P ndash as
well as variations in bindings rosette
fingerboard amp bridge woods bracing
patterns and pickguards And now the
new D-18 brings together
the best features of all of
these great D-18s into
one superb sounding
and playing guitar On
the traditional side backs
and sides are still crafted
of solid genuineMahogany joined with a
solid Sitka spruce top
with forward-shifted
scalloped ldquoXrdquo bracing
The fingerboard
and 1930s style
belly bridge are
fashioned of
solid black
ebony as were
the originals
Whatrsquos new A
lightning fast modified low
oval profile neck with a
1-34rdquo nut width and slimmer 2-18rdquo taper at the 12th fret Itrsquos
the same neck featured on our innovative Performing Artist
series guitars with the same wide 2-316rdquo bridge string
spacing too for greater player comfort and accessibility up
and down the neck The new D-18 The perfect blend of past
and future ndash and great guitar to start the New Year
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2646 26
NAMM Show
Specials
N E W P R O D U C T S
2012 Martin Show Special Guitars
The DCPA Koa amp GPCPA Koa They donrsquot get any more beautiful ndash or more
beautiful sounding ndash than these spectacular
dovetail flamed Koa Performing Artist guitars
And with only a total of 30 instruments ndash
combined ndash being offered to dealers at the 2012
NAMM Show they donrsquot get any rarer either Here
wersquove chosen two of our most popular cutaway models in
the Performing Artist series the classic Dreadnought and
the Grand Performance and crafted the backs and sides
of premium Hawaiian flamed Koa a resonant tonewood
indigenous to the Hawaiian islands Koa has long been by
favored by native Hawaiian musicians for guitars and
ukuleles as well as discerning players and collectors
worldwide Martin in particular has built various sized
instruments of Koa from as early as 1850 The tops are of prized solid Adirondack Spruce as are the scalloped
forward-shifted ldquoXrdquo braces in the ldquoGolden Erardquo fashion The
bodies are bound with solid Madagascar rosewood the
top is inlaid in the 42 style with an elegant blue Paua
pearl rosette The backstrip is 45 style marquetry Both
guitars feature our fast and comfortable Performing Artist
modified low oval mahogany neck with ebony
fingerboard and
wide 2-316rdquo string
spacing on the
ebony Performing
Artist belly bridge And the
crowning touch both guitarsare equipped with the new
Fishmanreg F1 Aura + onboard electronics system the
ultimate in acoustic realism and projection as well as
pickup versatility Waverly gold tuners with Ivoroid
buttons complete the package Orders for the DCPA Koa amp
GPCP Koa will be taken solely from dealers in attendance
at the 2012 NAMM Show in Anaheim California
NEW TOOLS
for GREAT TONE
GPCPA Koa
DCPA Koa
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Over 175 Years of Guitar Building Excellence
DCPA1 Madagascar Rosewood ampGPCPA1 Madagascar Rosewood
These two very special dovetail Performing Artist
guitars reflect the best of Martin innovation expert
craftsmanship and selection of superior tonewoods ndash
all in one As PA series models Dreadnought and
Grand Performance they include a unique slim
tapered fast neck for exceptional player comfort in
all positions a smaller and lighter PA ldquobellyrdquo bridge
for greater tonal response and increased string
spacing for easier finger picking They also
include the new state-of-the-art Fishmanreg F1
Aura + onboard electronics system that deliver
striking acoustic realism and projection
Plugged in or pure acoustic these are great
sounding guitars ndash and with good reason The
tops are solid Adirondack spruce pearl inlaid inthe 41 style and driven by 516rdquo Adirondack
scalloped braces forward-shifted in the ldquoGolden Erardquo X
pattern The back sides and headplate are Madagascar
Rosewood selected for its beauty and close acoustic and visual resemblance to
Brazilian Rosewood Solid black ebony is used for the fingerboard and bridge
Details include grained Ivoroid bindings Delmar beveled tortoise color pickguard
special ldquoalternative torchrdquo inspired position inlays gold enclosed tuners bone nut
and saddle The most distinctive Performing Artist production models to date
Fishmanreg F1 Aura + The Fishmanreg F1 Aura + features a newsimplified and intuitive Easy Mode allowing youto quickly get a feel for the tonal possibilities ofthe system while providing the most importantfeatures The Easy Mode offers three custom-blended Aura Image presets tone control and
the option of using the undersaddle pickuponly For the real tone-tweakers wersquove retainedthe original Performance Mode as well givingyou full access to the powerful 3-band EQscompressor and automatic anti-feedback ofthe F1 Aura +
Performing
Artist SeriesDCPA1
Madagascar
Rosewood
GPCPA1
Madagascar
Rosewood
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N E W P R O D U C T S
Performing
Artist Series
Martin introduces an exciting
new tonewood called Siris
DCPA4 Siris amp
GPCPA4 Siris
With these two new
Performing Artists guitars
Martin introduces an exciting
new tonewood called Siris
adding even more tonal color
and variety to the PA series Siris
delivers excellent bass response
reminiscent of East Indian rosewood as
well as a clear midrange and treble making it an
excellent guitar wood for recording and for playing live Lighter in color
yet denser than rosewood it produces a slightly longer sustain thanrosewood Siris is typically dark orange contrasting beautifully with the
Sitka Spruce tops tortoise colored pickguards grained Ivoroid bindings
and special East Indian rosewood center wedge on both guitarsrsquo 3-piece
backs The DCPA4 Siris and the GPCPA4 Siris are 14-fret cutaway guitars and
have fast comfortable Performing Artist profile necks Hybrid ldquoXrdquo scalloped top
bracing black Richlite fingerboards and bridges and Fishmanreg F1 Analog
onboard electronicsGPCPA4 Siris
DCPA4 Siris
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Over 175 Years of Guitar Building Excellence
The GPCPA4 Sapele is constructed with
FSCreg Certified tonewoods harvested from
ecologically sound and responsibly manag
forests The fingerboard and bridge are
built with FSCreg
Certified Richlitereg
29
GPCPA4 SapeleFirst introduced in 2010 the GPCPA4 is an extraordinary Martin ndash a
big Grand Performance cutaway with a fast comfortable Performing
Artist Series high performance neck But this brand new version ndash
the GPCPA4 Sapele ndash is extra special It rsquos built with FSCreg Certified
tonewoods harvested from ecologically sound and responsibly
managed forests This includes African sapele back and sides
mahogany front and rear blocks cherry side strips Spanish cedar
ribbons and European spruce Hybrid ldquoXrdquo scalloped bracing The top
is FSCreg Certified recycled Sitka spruce produced from old bridge timbers in Canada
Even the fingerboard and bridge are crafted of FSCreg Certified Richlitereg material High
polished gloss top finish with tasteful Cherry red toned back and sides Fishmanreg F1
Analog electronics are included with volume and tone shaping capabilitiesonboard digital tuner and phase control Quite a
package Quite a guitar
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N E W P R O D U C T S
DCPA5K and GPCPA5K
Advanced guitar design meets high-
tech guitar construction The result
two highly affordable Performing
Artist guitars with excellent tone
playability and durability Back
and sides of the cutaway
Dreadnought and Grand
Performance models are made
of a high-pressure wood fiber
laminate (called HPL) with
Koa grain and texture photo-
imbedded The top is solid Sitkaspruce braced with Martinrsquos Hybrid ldquoXrdquo
scalloped bracing system renowned for its
resonance clear treble and distinct bass The Performing Artist Profile neck is
slim and fast and comfortable made of tough Stratabondreg multi-layered
wood laminate Performing Artist bridge and fingerboard are black Richlite
Chrome enclosed tuners with large buttons and Fishmanreg F1 Analog
onboard electronics included A terrific value with great tone and
environmentally friendly
Performing
Artist Series
The DCPA5K and GPCPA5K
are Performing Artist guitars
with excellent tone playability and durability
GPCPA5K
DCPA5K
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Road Series
31
Over 175 Years of Guitar Building Excellence
Special Edition
DRS2 The latest of Martinrsquos hard-working
great sounding Road Series guitars
the new DRS2 delivers a unique blend
of durability and concert-quality
sound and projection The top is
crafted of solid Sitka spruce and
braced with Martinrsquos A-Frame (X1)
bracing Back and sides are select
solid Sapele similar in look and
tonal qualities to its
close cousin
mahogany As
beautiful as it looks
and sounds the
DRS2 is a serious
working musicianrsquos
guitar built for on
the road durability
without sacrificeof tone The
neck is
constructed
of a multi-
layered
wood
laminate
called
Stratabondtrade
that perfectly
simulates natural
quartersawn wood grain The fingerboard and bridgeare crafted of black Richlite amazingly similar in look
weight and resonance of ebony A Fishmanreg
Sonitone sound reinforcement system completes
this very road ndash and stage ndash worthy Martin
000C NylonIn response to the many Martin players
who chose the limited edition 000CDG
built in memory of Chris Martinrsquos late
brother Doug Greth we have
expanded upon this unique ldquocrossoverrdquo
instrument with the new 000C Nylon It is
truly a hybrid instrument combining features
of a traditional Martin steel-string guitar with
those associated with a classical nylon string
guitar The top is crafted of solid Sitka spruce
and braced with a unique A-Frame ldquoXrdquo brace
system Yet this bracing system is equally
responsive to lighter nylon strings without
inhibiting tone or volume The 12-fret low
profile neck features an 18rdquo radius arched
(versus flat) fingerboard like a steel string
but with a classic width 1-78rdquo at the nut and
2-516rdquo at the 12th fret The bridge is in the
classic style with tie block and drop insaddle Bridge string spacing is a
wider 2-516rdquo as well Even the
000Crsquos headstock is unique ndash
square tapered like the
traditional Martin steel
string style but slotted to
accommodate classical
nylon strings Each guitar is
fitted with onboard Fishmanreg
F1 Analog electronics too
The result A versatile
great sounding andplaying guitar no
matter whether you
play acoustic or
acoustic electric
or both
8102019 Vol_32pdf
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D-28M Limited Edition Celebrates
The Enduring Music and Legacy ofThe Mamas and The Papas
The appointments on the D-28M Mamas and ThePapas Custom Artist Edition emulate a circa 1960sD-28 blackwhiteblack top purfling blackwhiteback purfling grained Ivoroid binding and heelcapldquocheckerboardrdquo backstrip mother of pearl dotposition markers chrome Groverreg Rotomatic tunerstortoise-colored pickguard polished gloss lacquerfinish and vintage-inspired aging toner on the topExtra flash comes in the form of a Style 45 abalonepearl rosette and abalone pearl-topped bone bridgeand end pins
The guitarrsquos crowning glory is ndash appropriately ndashon the polished black ebony headplate Above
the nut sheltered by the familiar gold old-styleldquoC F Martin amp Co Est 1833rdquo decal logo is a silhouette of The Mamas and The Papasbeautifully inlaid in mother of pearl Derivedfrom a photo by Henry Diltz the inlay capturesthe group in full performance mode
In the early 1960s the four musicians whobecame The Mamas and Papas were a long way from pop music stardom though all wereinvolved in the East Coast folk music scene
John Phillips was a member of the JourneymenDenny Doherty and Cass Elliot sang with theMugwumps After the Journeymen broke up
John Phillips his wife Michelle Phillips andMarshall Brickman formed the New JourneymenMarshall eventually left the band but went on toco-write Oscar winning screenplays with Woody
Allen and he co-wrote the book that became therecord-breaking play ldquoThe Jersey Boysrdquo
Marshall Brickman was replaced by Denny Doherty and soon Doherty introduced hisbandmates to Elliot The four began harmonizingto the pop songs John was writing and perfectedtheir sound during a Caribbean vacation together
The starting point for The Mamas and the Papasrsquofresh pop sound was the folk music all fourmembers played before they got together as a group Songwriter and leader John Phillipsrsquo well-
worn Martin Dreadnought often provided thestrummed rhythmic underpinning on which TheMamas and Papasrsquo band instrumentation andvocals were layered The combination proved tobe genius and even today The Mamas and thePapas ldquosoundrdquo is instantly recognizable
To celebrate the group and its place in popmusic history C F Martin introduces a very
special D-28M Mamas and The Papas
Custom Artist Edition Limited to just100 instruments this new Custom Artist Edition features rare tonewoodshandsome appointments and aunique headstock inlay to honorthese musical trailblazers
John Phillipsrsquo vintage Martin D-28provides the inspiration for this Custom Artist Edition The tonewoods and top
bracing are a stellar combination thatapproximates those of MartinDreadnoughts from the early 1930sBack and sides are rare Madagascarrosewood similar in appearance andtone to the now endangered Brazilianrosewood The top is Carpathianspruce comparable in power andbrilliance to Adirondack spruce andequally responsive Advanced ldquoXrdquo
516rdquo scalloped bracing provides richresonant tone The 1 1116rdquo (at the
nut) low profile neck with diamondvolute is genuine mahogany while the
fingerboard and belly bridge are black ebony
L M
In the 1960s The Mamas and the Papas were at the epicenter of a musical earthquake
that began in Southern California and sent shockwaves across the country Combining
great songwriting unique arrangements and lush harmonies the group had six ldquoTop
10rdquo singles and four ldquoTop 5rdquo albums from 1965 through 1967 a feat that made them one
of the few groups to challenge the Beatles during that era While The Mamas and the
Papasrsquo original lineup of John Phillips Cass Elliot Denny Doherty and Michelle Phillips
lasted just four years several of the songs they created ndash including ldquoCalifornia Dreaminrsquordquo
ldquoMonday Mondayrdquo ldquoWords of Loverdquo and ldquoTwelve Thirtyrdquo ndash have stood the test of time
32
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(This story should sound familiar they laterturned it into a hit single ldquoCreeque Alleyrdquo)Eventually the four traveled to Los Angeles
where they auditioned for Dunhill RecordsOwnerProducer Lou Adler Adler signed them tohis label immediately and two days later thegroup had a name The Mamas and the Papas
Released in 1965 The Mamas and The Papasrsquofirst single failed to garner much notice Howeverthe second single ldquoCalifornia Dreamingrdquo co-
written by John and Michelle Phillips reachedNo 4 on the charts The grouprsquos debut album If
You Can Believe Your Eyes and Ears was releasedin early 1966 and rose to No 1 quickly followedby the single ldquoMonday Mondayrdquo which also hitNo 1 and later won a Grammy Award for ldquoBestContemporary Group Performancerdquo
While The Mamas and The Papasrsquo personallives became increasingly turbulent over the nexttwo years their music continued to flourish they recorded three additional albums ndash The Mamasand The Papas Deliver and The Papas and TheMamas ndash that went ldquoTop 20rdquo and in turn yieldedseveral ldquoTop 20rdquo singles
In 1968 bitter infighting between memberscaused the group to disband Due to contractualobligations they reunited briefly in 1971 to makethe People Like Us album and then went theirseparate ways Cass Eliot had a flourishing solocareer that was cut short by her death in 1974
John Phillips continued to write songs and bothhe and Denny Doherty performed and recordedas solo acts In the 1980s and 1990s they occasionally reunited to tour as members of the
New Mamas and Papas John Phillipsdied in 2001 Denny Doherty died in2007 Michelle Phillips enjoyed a successful acting career and today isthe last surviving original memberof the group
Despite the grouprsquos short history TheMamas and The Papasrsquo musical legacy remainsundiminished the group was inducted into theRock amp Roll Hall of Fame in 1998 and received a
Grammy Hall of Fame Award in 2001 In 2003 If You Can Believe Your Eyes and Ears was ranked127 on Rolling Stone magazinersquos list of the 500greatest albums of all time
Delivered in a hardshell case eachD-28M Mamas and The PapasCustom Artist Edition guitar bears a special interior label featuring theldquosun rayrdquo graphic from the RouletteRecords label on which some of TheMamas and The Papasrsquo singles werereissued in the 1970s Each label ispersonally signed by former Mamasand The Papas member MichellePhillips and numbered in sequence
with the edition total Beginning immediately authorized C F Martindealers will accept orders for theD-28M Mamas and The PapasCustom Artist Edition until all 100guitars in the edition are allocatedparticipating Martin dealers willthen be posted on theC F Martin website
wwwmartinguitarcom
33
S A M P L E
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L O N D O N A C O U S T I C G U I TA R S H O W
Acoustic guitar aficionados attending The London
Acoustic Guitar Show were treated to presentations
that showcased Americarsquos favorite musical instrument
brand and featured musical vignettes by legendary
and influential guitarists Stefan Grossman and
John RenbournThe presentation was given by Dick Boak archivist for Martin
Guitar who offered a graphical and interactive history of the 178-year-old guitar company In addition Dick displayed severalimportant examples in the evolution of Martin acoustic guitarsThe presentation focused on the development of the modern
acoustic guitar Martinrsquos historical contributions to the definitivacoustic guitar design artist signature model collaborations an
an in-depth explanation of specific guitar shapes sizes andtonewoods that lend themselves to particular musical genres JoRenbourn and Stefan Grossman legendary acoustic fingerstyleinnovators demonstrated the tonality of an assortment of Martinstruments including their own Custom Signature models
Martinrsquos UK distributor Westside Management was a primasponsor of the show and the host for the concert stage thatfeatured a stunning live performance by Renbourn and Grossm
Dick Boakrsquos presentation provided a template and proving ground for potential future presentations throughout the UniteStates Europe and Japan
THE LONDON ACOUSTICGUITAR SHOWSaturday and Sunday September 10-11 2011
Olympia Conference Center London
34
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Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
8102019 Vol_32pdf
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M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
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The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
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M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
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M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
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Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
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M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
8102019 Vol_32pdf
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Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
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A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4546
C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
8102019 Vol_32pdf
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P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 1846
All-Star MUSEBenefit Concert
The All-Star MUSE BenefitConcertat the Shoreline Amphitheater inMountain View California supported Disaster Relief in Japanand Non-Nuclear Groups
Worldwide Featured artists includedCrosby (with his Martin Signature 12-string) Stills amp Nash Jackson BrowneBonnie Raitt Jason Mraz The DoobieBrothers Tom Morello John HallKitaro Sweet Honey in the Rock and
Jonathan Wilson
A R T I S T P R O F I L E S
Hollywood Bowl 2011Dolly Parton with her touring guitaris
Jim Salestrom who is playing hisMartin J-40 Dollyrsquos World Tour
thrilled attendees at the HollywoodBowl Saturday July 23 2011
DonavanFrankenreiterDonavonrsquos fourth studioalbum Glow is describedas ldquowarm organic andoverwhelmingly hopeful Theperfect antidote to trying timesrdquo Hersquos playing his triedand true Martin 000-18 Shawn Colvin
Shawn Colvinrsquos new Live album wasnominated for the Grammy Awardfor Best Contemporary Folk Album
Accompanied with her pristineM3SC Signature Edition findShawnrsquos enduring music on iTunes orat amazoncom
16
oto by Lynn Goldsmith
P
h o t o b y L y nn G ol d s mi t h
8102019 Vol_32pdf
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Ron Davies(1946-2003)
A songwriter fromthe pacific northwestRon Davies at 17bought a well worn1956 D-18 Martin
which he put to gooduse writing an entirealbum of songs forthe Seattle band ldquoThe
Wailersrdquo As an artisthe recorded fivealbums during hislifetime but he isbest remembered forhis songwriting
His songs have been covered by a diverse group of artists that include Joan Baez David Bowie (Ziggy Stardust) Long John Baldry Ann Murray Three Dog
Night Nitty Gritty Dirt Band Helen Reddy Jerry Jeff Walker Maria Muldaur Joe Cocker Randy TravisNanci Griffith and the Raconteurs to name a few
In 2011 friends in the pacific northwest cametogether to record ldquoThe Mystery of Ron Daviesrdquo a tribute CD containing eighteen of Ronrsquos songsperformed by artists from his hometown and one by Davies himself Available on iTunes and at CD Baby allof the proceeds will benefit ldquoMusic Caresrdquo
Leslie TuckerLexington Virginia-based singersongwriter Leslie Tuckerrecently received the gift of a Martin D-41 from a legion of her fans and she plans to use her new acquisition in theproduction of a new album project currently in progressalong with a tour of performances when itrsquos released Tune into wwwleslietuckercom for updates
Santa Cruz Blues Fest 2011Some of the worldrsquos finest guitarists including Jonny Lang were on hand to salute guitar legend JimiHendrix at this yearrsquos Santa Cruz Blues Fest 2011
Jonnyrsquos playing his Martin J-40 Jumbo
Sting
17
Early StingFrom Andy Summers groundbreaking book Irsquoll be watching you Insidethe Police 1980-1983 Police guitarist and professional photographer
Andy Summers captured Sting with his Martin D-28 in 1982
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Fast AJ AJ Rubino of SpringfieldMassachusetts has beenperforming folk and country music for nearly fifty years ndash
much of that time with his1975 Martin D-35 slightly customized with fingerboardinlay by luthier Harry BeckerThis photo will grace the cover of AJrsquos forthcoming CD
He is a loyal member of the Martin Ownerrsquos Club andowns several other Martin guitars The tree AJ is standing in front of was destroyed by the tornado that hit WesternMassachusetts in June of 2011 but no one was hurt andall of the Martin guitars survived
A R T I S T P R O F I L E S
The Kingston Trio Fantasy Camp 2011
Winfield KansasFestivalrsquos Martin D-42
Allen Shadd began playing guitar when he was seven years oldacquiring his first Martin guitar -
a 1973 D-35 at the age of tenSince then he has gone on toperform in many bands guitar
workshops recording sessions and in 1997 released his own CDldquoA Cut Aboverdquo Allen also frequently competes in guitarcompetitions and has won some of the most prestigious flatpicking contests that have included Merlefest Rocky Grass and the WayneHenderson guitar competition He brought home this yearrsquos MartinD-42 from the National Flatpicking Championship held in
Winfield Kansas Itrsquos the sixth time Allen has placed in the topthree including his first place finish in 1997
18
wwwkingstontriocom
Caroline JonesThis NYC-based singer songwriterguitarist and producer was trainedclassically by Andy Anselmo Founder
of New Yorkrsquos ldquoThe Singerrsquos ForumrdquoCaroline began singing opera ariascabaret standards and show tunes at agenine Under the management of Tommy Mottola and Chris Apostle shebegan recording her original songs withproducer Chris Toland at Sony and
Avatar studios in New York as a studentat The Professional Childrenrsquos SchoolIn 2008 Caroline began monthlyco-writing trips to Nashville where sherecorded with many of the industryrsquostop talents Since then she has been
performing and recording with herMartin 00-21 Kingston Trio modelthat pays tribute to original KingstonTrio member Dave Guard (1934-1991)
Shown above are Fantasy camp attendees each holding their Martin guitars (plus one banjo)
P h o t o b y J o h n L i n d
8102019 Vol_32pdf
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Dierks BentleyReaching deep into acoustic rootsmusic resulted in Dierks Bentleyrsquosnew album Up On The RidgeMore than a bluegrass concept
album with guests Up On TheRidge features Bentley working with some of the finest acousticmusicians in the world including long-time collaborators theDel McCoury Band and a new musical partnership with ChrisThile and the Punch Brothers Asa recent addition to the Martin
Ambassador ranks Dierkrsquos israrely seen without his prizedvintage herringbone D-28
Hawaiirsquos HirsquoikuaIn a culture that honorsthe legacies of the pastthis Hawaiian trio of talented musicians pays
homage to their roots while creating a uniqueand progressive soundthat leaves an indeliblemark upon contemporary Hawaiian music
In a seamlesscontinuous movement we all carry a past while living in thepresent and moving toward a future Hirsquoikuarsquos music reflectsthe belief that without asking the knowledge of our ancestorshas already been placed within us in the hope that we too
will shoulder that responsibility in an unbroken journey intothe future
Their music is composed and performed by Kalehua Krug (left with his Martin 12-string) Kamuela Kimokeo (above andcenter left with his Martin OMC Aura cutaway) and BlakeLeoki-Haili (right with Martin tenor ukulele)
The grouprsquos name derives from the Hawaiian word thatmeans literally ldquoto carry on onersquos backrdquo Hirsquoikua has taken thisresponsibility seriously
ldquoAia I Hirsquoialordquo the long awaited CD from Hirsquoikua featuressix original and six traditional songs
wwwhiikuacom J e r r o l J u l i a n P
h o t o g r a p h y
J e r r o l J u l i a n P
h o t o g r a p h y
8102019 Vol_32pdf
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F R O M T H E A R C H I V E S
Waiting for the Sunday Boatrdquo by William Henry Jacksonrdquo Florida circa 1902Martin small-bodied parlor guitar
ldquoAs long as
Irsquove got my guitar
Irsquoll be finerdquo
mdash Willie Nelson referring to Tri
his legendary Martin guitar
HometownCentenarianMary Arletta Hahnis shown (right)
with her 00-1712-fret Martinguitar Mary was inher twenties whenthis picture was
taken (circa 1932)She was born inNazareth andturned 104 this pastSeptember Healthy small town living Shereceived her theology degree from the United
Wesleyan College but she also majored in voicepiano and guitar She would sing and play guitarin her fatherrsquos varied congregations Mary haslived her entire life in and around NazarethToday she lives just one block from where herguitar was made
1883 Advertisement
Gu i tar is t and Mando l in
is t
c irca 18 9 0
Guit ar ist and Mandolinist c ir c a 19 25
20
8102019 Vol_32pdf
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Ahh the sound of the Martin Rich and evocative Texture
lifeby strummingorpickingorthe lightesttouchtoteas
harmonicsthesoundmdashlikethehistoryofCF Martinamp C
peopleanda storyofthesensesHearitTasteitFeelitA
artist Robert Goetzl see it Seethe sound of the Martin
FEA TU R E
The Soundand the Story
Thehand drawnsketches (right)illustratethesix-panel seriesofthree-foot byfour-footmuralsthatwillhangintheMartinVisitorrsquos Center
BYSUSAN J BURLINGAME FREELANCE WRITER MARTIN
22
mdashC FMartin IVmdashcalls itldquothe magic ofFrom JohnnyCash to John Mayerand fromElvis Costello manyof historyrsquos mostbrilliantve chosen the Martin sound the Martin magicm the Martin storycontinuesMartin magic is mostprofoundly representedby n in the early1800s on the otherside of theour eyes fora momentand imagine ayoung king browfurrowed in concentration Heods the braces the strings of his firstguitarrtin has traveledfrom his home in Saxonytoe learns the artof guitarmaking as ane of the bestknown guitar shops in Europeg his 37th year C F Martinalong with hisdren sets outfor Americae story as theysayhellipis magicamp Co is still family-ownedmdashbutthe ldquofamilyrdquoh Martins and non-Martins generations of
ed arole in crafting the exquisite acousticrtin has offeredthe world formore than 175ertGoetzl a cousin to Chris Martinhas been create awork of art depicting C F Martin ampamily its sound andits storyeries of three-footby four-footmurals thatwillin Visitorrsquos Center the work says Goetzl is a love Chris Martin thatmuch He wasuential in mylife andthe opportunityto tellyauthentically is extremelymeaningful to merdquonels (pictured here)take viewers on CFfrom Saxonyto Viennato the newworld
ured as the music of the Martin guitar thensionalmdashdone in mixedmedia with collage andreating the firstpanel was forGoetzl the biggest
23
challenge ldquoI realizedthe enormityof the projectmdashnotjust inscope butalso in importance to the familyand to the thousandsof people who wouldbe looking atitrdquoGoetzl labored andsecond-guessedand tweakedand proddedbefore finally unveiling itto Chris Martin andothers at Martin ldquoThe lookson theirfaces toldme I had naileditrdquo Panel numbertwo which illustrates the Martin familyrsquosinitial shopin New York andthe move to NazarethPennsylvania causedGoetzl much less consternation butequallyas much joy he says as will each successive mural ldquoIf this is the endof the roadfor me the lastwork I evercreaterdquosays Goetzl (who surelyhas afew more decades ofcreativityleft) ldquoI wouldbe completely fine with thatrdquo
ldquoRobert has put his heart into
creating something that will
make a tremendous addition
to the Martin experiencerdquo
mdash Dick Boak Artist Relations C F Martin amp Co
Tex Fletcher
SingingcowboyTexFletcher maynot
have become the household name that
other cowboy singers from the 1930s
such as Gene Autry and Roy Rogers had
butdespitesometimes overwhelming
odds hersquosbeen remembered nonetheless
forhis noteworthycontributionsto earlyand
mid-20th century cowboy culture
He was born Geremino Biscegliain 1910 in HarrisonNew York the fifth of eight children of Italian immigrants Michael(astone mason)and Josephine Bisceglia He leftschool afterthethirdgrade to work with his fatherandbrothers He was raisedin a musical householdand he learnedto sing andplay traditional Italian songs accompaniedby accordionsmandolins andviolins
Jerrypicked upa fewguitar chords froma local right-handedguitarist butbeing left-handed he retaughthimself to playhisown right-handedguitarldquobackwards andupside downrdquoas he wouldlater explain with achuckle
He became enamoredwith the silver screen cowboys of theday often sneaking into the local cinemaforshowings of thelatestsilent picture starring TomMix WilliamS Hartand YakimaCanutt
Overthe nextfew years the teenagedcowboy wannabe beganto realize his boyhoodambition as he learnedto handle horseandcattle byday while soaking upcowboy lore andcampfiresongs bynight in effectbecoming aldquorealrdquocowboy Asinging cowboy Unique stuff forthe late 20s He returnedto NewYork in 1931 with aconfidence anda newfoundvoice With saddle bags full of cowboy stories andsongs the cowboysingerwas now going bythe name Tex Fletcher He began entering andwinning localthen regionaltalentshows Fletcherrsquos confidence grewwith each winning purse as was evidencedbyhis every growing wardrobe of
cowboyoutfits andhis first Martin guitar a000-45 He neverplayedanother companyrsquos guitars again believing the leastexpensive Martin guitarwas headand shoulders aboveanyother companyrsquos bestHistory has clearlymade fora compelling argument Itwasnrsquotlongbeforehereceivedan offerofa radiojobas asinging cowboyoverWFASinWhitePlainsNewYorkBy1934 attheheightofsingingcowboycrazeFletcherbegana relationshipthat wouldlastmorethan 25yearsbroadcastingoverWORNew YorkNewJersey(MutualNetwork)Itwas thesameyear thathebeganappearingatthe VillageBarnnightclub(whichwouldlaterbecomeJimiHendrixrsquosElectricLadyland)inGreenwichVillageNYagig thatlastedwell intotheearly1960s
1934 was also the yearTexorderedhis custommade MartinD-42Hersquodadmiredthe pearlygoodlooks and loudtone of Gene Autryrsquos D-45 (the firstD-45) butwanted an instrumentthatw ouldbe uniquelyTexFletcherrsquos guitar But he wasnrsquotthe onlycowboysinger who wantedto follow in Autryrsquos trail Milwaukee -based Jackie ldquoKidrdquoMoore beathimto the punch when he ordered his own D-45 (No 2)fromMartinBut according to authorMartin researcherJohn Woodland amisunderstanding with regardto neck length ledMartin to shelve the unfinished14 fretto the body D-45Moore then optedfor awider OMstyle neck with 12 frets tothe body This D-45 is No3 Then along comes NewYork radio cowboyTexFletcherwithhis own ideaof whatfeatures ldquohisrdquoguitar shouldsportincluding 14 frets to the body which alignedperfectly with the
partiallyconstructed D-45 (No2) buthe wanted all the flashupfront So insteadof proceeding to finish the guitaras aD-45Martin craftsmen changedthe toprsquos bracing to aHigh ldquoXrdquoconfiguration anddesignated this slightlymore modestcousinof the D-45the D-42 So the TexFletchermodel is not only the firstD-42butalso the secondD-45Itremainedthe only example of the D-42 forthe next54 years
Fletcherhadbeenout ofthe musicbusinessforjusta fewyears whenhe wastrackeddownin theearly1970sby then-MartinhistorianMikeLongworthwho convincedthe oldcowboytodonatetheinstrumenttothe MartinMuseumFletcheragreedandthatrsquoswhereitresidesto thisdaydisplayedjusta fewfeetfromitrsquosfirstcousintheGeneAutryD-45 (No1)
21 24
N EW PR O D U CTS
NEW A DDITIONS TO
OUR LINEUP OF
Great Ukuleles
The Martin Standards of Tone and Workmanship Prevail
C1K amp T1K UkulelesMartin has been building the worldrsquos finest ukuleles
from as early as 1916includingthesmallest Soprano
the original model to the larger Concert in 1925 and
the Tenor uke in 1929 Both the concert model and
tenor models havelong been prized for their full-bodied
voiceandgreatervolumeThesenewC1Kconcertand
T1Ktenor modelsfeaturetops backsidesand head-
platesofsolidHawaiianKoaawoodnativeto Hawaii
and a favoriteof island players Both ukes feature solid
Sitkabraces genuinemahoganyblocksand applied
dovetailneckjointsintheMartintraditionNecksare
craftedofselecthardwoodandcappedwithasolid
Morado fingerboardtheconcert has a 15rdquoscalelength
thetenor a 17rdquoscaleBridges arealso ofsolid Morado
with whiteTusqsaddles Open-geared nickel tuners with
whitebuttons ensureprecision Finished in high quality
satinlacquerPadded bagincludedTwo beautifulexam-
ples of why Martin is still the name in superior quality
ukuleles
ldquoAs far as inanimate objects
being friends I think that is right
on the list My Martin ukulele
is a work of art Itrsquos going to live
long after merdquo
mdashEddieVedderPearl JamUkuleleSongs
T1K
C1K
8102019 Vol_32pdf
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Clock key mechanism for
adjustingguitar necks on
Martinrsquos earliest guitars
manufactured in New York
ImaginedMartinfamily portrait
CircaSeptember1833mdashat the
timeof theMartinsrsquotransatlantic
journey to the New World
Mappointingto
Markneukirchen the
main town in Germanyrsquos
musicalinstrument-
makingregion
Embellished original
drawingofCF Martinrsquos
residencein
Markneukirchen
Saxony (Germany)
Thesa
carries
North
specta
showe
Harbo
Imagin
CFM
Hudso
Depic
mold
a Mart
glueu
NEL ONE 2 bull PANEL TWO
Rende
home
in Che
Circa1
Portra
presid
when
arrived
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
OM -21 NEW Martinrsquos OM (Orchestra Models)
guitars have always been very
special to fingerstyle guitarists
especially this new OM-21 with its
comfortable 1-34rdquo wide neck at the
nut and highly responsive 14rdquo
scalloped Sitka top braces Elegant in
its simplicity this new version offers a
tasteful upgrade of solid black ebony
fingerboard and 30rsquos style ldquobellyrdquo
bridge with genuine bone saddle and
nut all adding to the rich resonance of this guitar Whatrsquos more wersquove
replaced the standard OM neck with a
slimmer ldquoPerformingrdquo Artistrdquo modified
low oval profile tapered neck and
wider 2-316rdquo bridge string spacing for
faster more comfortable playing The
solid Sitka spruce top with
hand-inlaid 28 style
rosette is joined to a
body of premium
solid East Indian
rosewood bound intortoise colored
18 style binding
Delmar tortoise color
pickguard nickel
open-geared
tuners with
Butterbean
knobs and
polished gloss
lacquer with
aging toner
complete this
beautiful
instrument
Delivered to you in the
new Martin 433 archtop
hardshell case If yoursquore a finger picker this new OM-21 is
the one to pick
D-18 NEW Since its introduction in 1935 the D-18
has been the workhorse of the Martin steel
string acoustic line More plain and less
costly than its D-28 rosewood cousin the
D-18 has none the less established its own
tonal identity ndash balanced crisp midrange
definitive bass and bright clear treble a
favorite of innumerable bluegrass blues and
country performers as well as discerning
studio musicians ndash because it is a great
performing and recording guitar Over the
years the D-18 has seen numerouspermutations ndash the D-18V and D-18P ndash as
well as variations in bindings rosette
fingerboard amp bridge woods bracing
patterns and pickguards And now the
new D-18 brings together
the best features of all of
these great D-18s into
one superb sounding
and playing guitar On
the traditional side backs
and sides are still crafted
of solid genuineMahogany joined with a
solid Sitka spruce top
with forward-shifted
scalloped ldquoXrdquo bracing
The fingerboard
and 1930s style
belly bridge are
fashioned of
solid black
ebony as were
the originals
Whatrsquos new A
lightning fast modified low
oval profile neck with a
1-34rdquo nut width and slimmer 2-18rdquo taper at the 12th fret Itrsquos
the same neck featured on our innovative Performing Artist
series guitars with the same wide 2-316rdquo bridge string
spacing too for greater player comfort and accessibility up
and down the neck The new D-18 The perfect blend of past
and future ndash and great guitar to start the New Year
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2646 26
NAMM Show
Specials
N E W P R O D U C T S
2012 Martin Show Special Guitars
The DCPA Koa amp GPCPA Koa They donrsquot get any more beautiful ndash or more
beautiful sounding ndash than these spectacular
dovetail flamed Koa Performing Artist guitars
And with only a total of 30 instruments ndash
combined ndash being offered to dealers at the 2012
NAMM Show they donrsquot get any rarer either Here
wersquove chosen two of our most popular cutaway models in
the Performing Artist series the classic Dreadnought and
the Grand Performance and crafted the backs and sides
of premium Hawaiian flamed Koa a resonant tonewood
indigenous to the Hawaiian islands Koa has long been by
favored by native Hawaiian musicians for guitars and
ukuleles as well as discerning players and collectors
worldwide Martin in particular has built various sized
instruments of Koa from as early as 1850 The tops are of prized solid Adirondack Spruce as are the scalloped
forward-shifted ldquoXrdquo braces in the ldquoGolden Erardquo fashion The
bodies are bound with solid Madagascar rosewood the
top is inlaid in the 42 style with an elegant blue Paua
pearl rosette The backstrip is 45 style marquetry Both
guitars feature our fast and comfortable Performing Artist
modified low oval mahogany neck with ebony
fingerboard and
wide 2-316rdquo string
spacing on the
ebony Performing
Artist belly bridge And the
crowning touch both guitarsare equipped with the new
Fishmanreg F1 Aura + onboard electronics system the
ultimate in acoustic realism and projection as well as
pickup versatility Waverly gold tuners with Ivoroid
buttons complete the package Orders for the DCPA Koa amp
GPCP Koa will be taken solely from dealers in attendance
at the 2012 NAMM Show in Anaheim California
NEW TOOLS
for GREAT TONE
GPCPA Koa
DCPA Koa
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
DCPA1 Madagascar Rosewood ampGPCPA1 Madagascar Rosewood
These two very special dovetail Performing Artist
guitars reflect the best of Martin innovation expert
craftsmanship and selection of superior tonewoods ndash
all in one As PA series models Dreadnought and
Grand Performance they include a unique slim
tapered fast neck for exceptional player comfort in
all positions a smaller and lighter PA ldquobellyrdquo bridge
for greater tonal response and increased string
spacing for easier finger picking They also
include the new state-of-the-art Fishmanreg F1
Aura + onboard electronics system that deliver
striking acoustic realism and projection
Plugged in or pure acoustic these are great
sounding guitars ndash and with good reason The
tops are solid Adirondack spruce pearl inlaid inthe 41 style and driven by 516rdquo Adirondack
scalloped braces forward-shifted in the ldquoGolden Erardquo X
pattern The back sides and headplate are Madagascar
Rosewood selected for its beauty and close acoustic and visual resemblance to
Brazilian Rosewood Solid black ebony is used for the fingerboard and bridge
Details include grained Ivoroid bindings Delmar beveled tortoise color pickguard
special ldquoalternative torchrdquo inspired position inlays gold enclosed tuners bone nut
and saddle The most distinctive Performing Artist production models to date
Fishmanreg F1 Aura + The Fishmanreg F1 Aura + features a newsimplified and intuitive Easy Mode allowing youto quickly get a feel for the tonal possibilities ofthe system while providing the most importantfeatures The Easy Mode offers three custom-blended Aura Image presets tone control and
the option of using the undersaddle pickuponly For the real tone-tweakers wersquove retainedthe original Performance Mode as well givingyou full access to the powerful 3-band EQscompressor and automatic anti-feedback ofthe F1 Aura +
Performing
Artist SeriesDCPA1
Madagascar
Rosewood
GPCPA1
Madagascar
Rosewood
8102019 Vol_32pdf
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N E W P R O D U C T S
Performing
Artist Series
Martin introduces an exciting
new tonewood called Siris
DCPA4 Siris amp
GPCPA4 Siris
With these two new
Performing Artists guitars
Martin introduces an exciting
new tonewood called Siris
adding even more tonal color
and variety to the PA series Siris
delivers excellent bass response
reminiscent of East Indian rosewood as
well as a clear midrange and treble making it an
excellent guitar wood for recording and for playing live Lighter in color
yet denser than rosewood it produces a slightly longer sustain thanrosewood Siris is typically dark orange contrasting beautifully with the
Sitka Spruce tops tortoise colored pickguards grained Ivoroid bindings
and special East Indian rosewood center wedge on both guitarsrsquo 3-piece
backs The DCPA4 Siris and the GPCPA4 Siris are 14-fret cutaway guitars and
have fast comfortable Performing Artist profile necks Hybrid ldquoXrdquo scalloped top
bracing black Richlite fingerboards and bridges and Fishmanreg F1 Analog
onboard electronicsGPCPA4 Siris
DCPA4 Siris
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2946
Over 175 Years of Guitar Building Excellence
The GPCPA4 Sapele is constructed with
FSCreg Certified tonewoods harvested from
ecologically sound and responsibly manag
forests The fingerboard and bridge are
built with FSCreg
Certified Richlitereg
29
GPCPA4 SapeleFirst introduced in 2010 the GPCPA4 is an extraordinary Martin ndash a
big Grand Performance cutaway with a fast comfortable Performing
Artist Series high performance neck But this brand new version ndash
the GPCPA4 Sapele ndash is extra special It rsquos built with FSCreg Certified
tonewoods harvested from ecologically sound and responsibly
managed forests This includes African sapele back and sides
mahogany front and rear blocks cherry side strips Spanish cedar
ribbons and European spruce Hybrid ldquoXrdquo scalloped bracing The top
is FSCreg Certified recycled Sitka spruce produced from old bridge timbers in Canada
Even the fingerboard and bridge are crafted of FSCreg Certified Richlitereg material High
polished gloss top finish with tasteful Cherry red toned back and sides Fishmanreg F1
Analog electronics are included with volume and tone shaping capabilitiesonboard digital tuner and phase control Quite a
package Quite a guitar
8102019 Vol_32pdf
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N E W P R O D U C T S
DCPA5K and GPCPA5K
Advanced guitar design meets high-
tech guitar construction The result
two highly affordable Performing
Artist guitars with excellent tone
playability and durability Back
and sides of the cutaway
Dreadnought and Grand
Performance models are made
of a high-pressure wood fiber
laminate (called HPL) with
Koa grain and texture photo-
imbedded The top is solid Sitkaspruce braced with Martinrsquos Hybrid ldquoXrdquo
scalloped bracing system renowned for its
resonance clear treble and distinct bass The Performing Artist Profile neck is
slim and fast and comfortable made of tough Stratabondreg multi-layered
wood laminate Performing Artist bridge and fingerboard are black Richlite
Chrome enclosed tuners with large buttons and Fishmanreg F1 Analog
onboard electronics included A terrific value with great tone and
environmentally friendly
Performing
Artist Series
The DCPA5K and GPCPA5K
are Performing Artist guitars
with excellent tone playability and durability
GPCPA5K
DCPA5K
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Road Series
31
Over 175 Years of Guitar Building Excellence
Special Edition
DRS2 The latest of Martinrsquos hard-working
great sounding Road Series guitars
the new DRS2 delivers a unique blend
of durability and concert-quality
sound and projection The top is
crafted of solid Sitka spruce and
braced with Martinrsquos A-Frame (X1)
bracing Back and sides are select
solid Sapele similar in look and
tonal qualities to its
close cousin
mahogany As
beautiful as it looks
and sounds the
DRS2 is a serious
working musicianrsquos
guitar built for on
the road durability
without sacrificeof tone The
neck is
constructed
of a multi-
layered
wood
laminate
called
Stratabondtrade
that perfectly
simulates natural
quartersawn wood grain The fingerboard and bridgeare crafted of black Richlite amazingly similar in look
weight and resonance of ebony A Fishmanreg
Sonitone sound reinforcement system completes
this very road ndash and stage ndash worthy Martin
000C NylonIn response to the many Martin players
who chose the limited edition 000CDG
built in memory of Chris Martinrsquos late
brother Doug Greth we have
expanded upon this unique ldquocrossoverrdquo
instrument with the new 000C Nylon It is
truly a hybrid instrument combining features
of a traditional Martin steel-string guitar with
those associated with a classical nylon string
guitar The top is crafted of solid Sitka spruce
and braced with a unique A-Frame ldquoXrdquo brace
system Yet this bracing system is equally
responsive to lighter nylon strings without
inhibiting tone or volume The 12-fret low
profile neck features an 18rdquo radius arched
(versus flat) fingerboard like a steel string
but with a classic width 1-78rdquo at the nut and
2-516rdquo at the 12th fret The bridge is in the
classic style with tie block and drop insaddle Bridge string spacing is a
wider 2-516rdquo as well Even the
000Crsquos headstock is unique ndash
square tapered like the
traditional Martin steel
string style but slotted to
accommodate classical
nylon strings Each guitar is
fitted with onboard Fishmanreg
F1 Analog electronics too
The result A versatile
great sounding andplaying guitar no
matter whether you
play acoustic or
acoustic electric
or both
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D-28M Limited Edition Celebrates
The Enduring Music and Legacy ofThe Mamas and The Papas
The appointments on the D-28M Mamas and ThePapas Custom Artist Edition emulate a circa 1960sD-28 blackwhiteblack top purfling blackwhiteback purfling grained Ivoroid binding and heelcapldquocheckerboardrdquo backstrip mother of pearl dotposition markers chrome Groverreg Rotomatic tunerstortoise-colored pickguard polished gloss lacquerfinish and vintage-inspired aging toner on the topExtra flash comes in the form of a Style 45 abalonepearl rosette and abalone pearl-topped bone bridgeand end pins
The guitarrsquos crowning glory is ndash appropriately ndashon the polished black ebony headplate Above
the nut sheltered by the familiar gold old-styleldquoC F Martin amp Co Est 1833rdquo decal logo is a silhouette of The Mamas and The Papasbeautifully inlaid in mother of pearl Derivedfrom a photo by Henry Diltz the inlay capturesthe group in full performance mode
In the early 1960s the four musicians whobecame The Mamas and Papas were a long way from pop music stardom though all wereinvolved in the East Coast folk music scene
John Phillips was a member of the JourneymenDenny Doherty and Cass Elliot sang with theMugwumps After the Journeymen broke up
John Phillips his wife Michelle Phillips andMarshall Brickman formed the New JourneymenMarshall eventually left the band but went on toco-write Oscar winning screenplays with Woody
Allen and he co-wrote the book that became therecord-breaking play ldquoThe Jersey Boysrdquo
Marshall Brickman was replaced by Denny Doherty and soon Doherty introduced hisbandmates to Elliot The four began harmonizingto the pop songs John was writing and perfectedtheir sound during a Caribbean vacation together
The starting point for The Mamas and the Papasrsquofresh pop sound was the folk music all fourmembers played before they got together as a group Songwriter and leader John Phillipsrsquo well-
worn Martin Dreadnought often provided thestrummed rhythmic underpinning on which TheMamas and Papasrsquo band instrumentation andvocals were layered The combination proved tobe genius and even today The Mamas and thePapas ldquosoundrdquo is instantly recognizable
To celebrate the group and its place in popmusic history C F Martin introduces a very
special D-28M Mamas and The Papas
Custom Artist Edition Limited to just100 instruments this new Custom Artist Edition features rare tonewoodshandsome appointments and aunique headstock inlay to honorthese musical trailblazers
John Phillipsrsquo vintage Martin D-28provides the inspiration for this Custom Artist Edition The tonewoods and top
bracing are a stellar combination thatapproximates those of MartinDreadnoughts from the early 1930sBack and sides are rare Madagascarrosewood similar in appearance andtone to the now endangered Brazilianrosewood The top is Carpathianspruce comparable in power andbrilliance to Adirondack spruce andequally responsive Advanced ldquoXrdquo
516rdquo scalloped bracing provides richresonant tone The 1 1116rdquo (at the
nut) low profile neck with diamondvolute is genuine mahogany while the
fingerboard and belly bridge are black ebony
L M
In the 1960s The Mamas and the Papas were at the epicenter of a musical earthquake
that began in Southern California and sent shockwaves across the country Combining
great songwriting unique arrangements and lush harmonies the group had six ldquoTop
10rdquo singles and four ldquoTop 5rdquo albums from 1965 through 1967 a feat that made them one
of the few groups to challenge the Beatles during that era While The Mamas and the
Papasrsquo original lineup of John Phillips Cass Elliot Denny Doherty and Michelle Phillips
lasted just four years several of the songs they created ndash including ldquoCalifornia Dreaminrsquordquo
ldquoMonday Mondayrdquo ldquoWords of Loverdquo and ldquoTwelve Thirtyrdquo ndash have stood the test of time
32
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(This story should sound familiar they laterturned it into a hit single ldquoCreeque Alleyrdquo)Eventually the four traveled to Los Angeles
where they auditioned for Dunhill RecordsOwnerProducer Lou Adler Adler signed them tohis label immediately and two days later thegroup had a name The Mamas and the Papas
Released in 1965 The Mamas and The Papasrsquofirst single failed to garner much notice Howeverthe second single ldquoCalifornia Dreamingrdquo co-
written by John and Michelle Phillips reachedNo 4 on the charts The grouprsquos debut album If
You Can Believe Your Eyes and Ears was releasedin early 1966 and rose to No 1 quickly followedby the single ldquoMonday Mondayrdquo which also hitNo 1 and later won a Grammy Award for ldquoBestContemporary Group Performancerdquo
While The Mamas and The Papasrsquo personallives became increasingly turbulent over the nexttwo years their music continued to flourish they recorded three additional albums ndash The Mamasand The Papas Deliver and The Papas and TheMamas ndash that went ldquoTop 20rdquo and in turn yieldedseveral ldquoTop 20rdquo singles
In 1968 bitter infighting between memberscaused the group to disband Due to contractualobligations they reunited briefly in 1971 to makethe People Like Us album and then went theirseparate ways Cass Eliot had a flourishing solocareer that was cut short by her death in 1974
John Phillips continued to write songs and bothhe and Denny Doherty performed and recordedas solo acts In the 1980s and 1990s they occasionally reunited to tour as members of the
New Mamas and Papas John Phillipsdied in 2001 Denny Doherty died in2007 Michelle Phillips enjoyed a successful acting career and today isthe last surviving original memberof the group
Despite the grouprsquos short history TheMamas and The Papasrsquo musical legacy remainsundiminished the group was inducted into theRock amp Roll Hall of Fame in 1998 and received a
Grammy Hall of Fame Award in 2001 In 2003 If You Can Believe Your Eyes and Ears was ranked127 on Rolling Stone magazinersquos list of the 500greatest albums of all time
Delivered in a hardshell case eachD-28M Mamas and The PapasCustom Artist Edition guitar bears a special interior label featuring theldquosun rayrdquo graphic from the RouletteRecords label on which some of TheMamas and The Papasrsquo singles werereissued in the 1970s Each label ispersonally signed by former Mamasand The Papas member MichellePhillips and numbered in sequence
with the edition total Beginning immediately authorized C F Martindealers will accept orders for theD-28M Mamas and The PapasCustom Artist Edition until all 100guitars in the edition are allocatedparticipating Martin dealers willthen be posted on theC F Martin website
wwwmartinguitarcom
33
S A M P L E
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L O N D O N A C O U S T I C G U I TA R S H O W
Acoustic guitar aficionados attending The London
Acoustic Guitar Show were treated to presentations
that showcased Americarsquos favorite musical instrument
brand and featured musical vignettes by legendary
and influential guitarists Stefan Grossman and
John RenbournThe presentation was given by Dick Boak archivist for Martin
Guitar who offered a graphical and interactive history of the 178-year-old guitar company In addition Dick displayed severalimportant examples in the evolution of Martin acoustic guitarsThe presentation focused on the development of the modern
acoustic guitar Martinrsquos historical contributions to the definitivacoustic guitar design artist signature model collaborations an
an in-depth explanation of specific guitar shapes sizes andtonewoods that lend themselves to particular musical genres JoRenbourn and Stefan Grossman legendary acoustic fingerstyleinnovators demonstrated the tonality of an assortment of Martinstruments including their own Custom Signature models
Martinrsquos UK distributor Westside Management was a primasponsor of the show and the host for the concert stage thatfeatured a stunning live performance by Renbourn and Grossm
Dick Boakrsquos presentation provided a template and proving ground for potential future presentations throughout the UniteStates Europe and Japan
THE LONDON ACOUSTICGUITAR SHOWSaturday and Sunday September 10-11 2011
Olympia Conference Center London
34
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Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
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M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
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The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
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M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
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M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
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Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
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M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
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Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
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A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
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C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
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P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
8102019 Vol_32pdf
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Ron Davies(1946-2003)
A songwriter fromthe pacific northwestRon Davies at 17bought a well worn1956 D-18 Martin
which he put to gooduse writing an entirealbum of songs forthe Seattle band ldquoThe
Wailersrdquo As an artisthe recorded fivealbums during hislifetime but he isbest remembered forhis songwriting
His songs have been covered by a diverse group of artists that include Joan Baez David Bowie (Ziggy Stardust) Long John Baldry Ann Murray Three Dog
Night Nitty Gritty Dirt Band Helen Reddy Jerry Jeff Walker Maria Muldaur Joe Cocker Randy TravisNanci Griffith and the Raconteurs to name a few
In 2011 friends in the pacific northwest cametogether to record ldquoThe Mystery of Ron Daviesrdquo a tribute CD containing eighteen of Ronrsquos songsperformed by artists from his hometown and one by Davies himself Available on iTunes and at CD Baby allof the proceeds will benefit ldquoMusic Caresrdquo
Leslie TuckerLexington Virginia-based singersongwriter Leslie Tuckerrecently received the gift of a Martin D-41 from a legion of her fans and she plans to use her new acquisition in theproduction of a new album project currently in progressalong with a tour of performances when itrsquos released Tune into wwwleslietuckercom for updates
Santa Cruz Blues Fest 2011Some of the worldrsquos finest guitarists including Jonny Lang were on hand to salute guitar legend JimiHendrix at this yearrsquos Santa Cruz Blues Fest 2011
Jonnyrsquos playing his Martin J-40 Jumbo
Sting
17
Early StingFrom Andy Summers groundbreaking book Irsquoll be watching you Insidethe Police 1980-1983 Police guitarist and professional photographer
Andy Summers captured Sting with his Martin D-28 in 1982
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Fast AJ AJ Rubino of SpringfieldMassachusetts has beenperforming folk and country music for nearly fifty years ndash
much of that time with his1975 Martin D-35 slightly customized with fingerboardinlay by luthier Harry BeckerThis photo will grace the cover of AJrsquos forthcoming CD
He is a loyal member of the Martin Ownerrsquos Club andowns several other Martin guitars The tree AJ is standing in front of was destroyed by the tornado that hit WesternMassachusetts in June of 2011 but no one was hurt andall of the Martin guitars survived
A R T I S T P R O F I L E S
The Kingston Trio Fantasy Camp 2011
Winfield KansasFestivalrsquos Martin D-42
Allen Shadd began playing guitar when he was seven years oldacquiring his first Martin guitar -
a 1973 D-35 at the age of tenSince then he has gone on toperform in many bands guitar
workshops recording sessions and in 1997 released his own CDldquoA Cut Aboverdquo Allen also frequently competes in guitarcompetitions and has won some of the most prestigious flatpicking contests that have included Merlefest Rocky Grass and the WayneHenderson guitar competition He brought home this yearrsquos MartinD-42 from the National Flatpicking Championship held in
Winfield Kansas Itrsquos the sixth time Allen has placed in the topthree including his first place finish in 1997
18
wwwkingstontriocom
Caroline JonesThis NYC-based singer songwriterguitarist and producer was trainedclassically by Andy Anselmo Founder
of New Yorkrsquos ldquoThe Singerrsquos ForumrdquoCaroline began singing opera ariascabaret standards and show tunes at agenine Under the management of Tommy Mottola and Chris Apostle shebegan recording her original songs withproducer Chris Toland at Sony and
Avatar studios in New York as a studentat The Professional Childrenrsquos SchoolIn 2008 Caroline began monthlyco-writing trips to Nashville where sherecorded with many of the industryrsquostop talents Since then she has been
performing and recording with herMartin 00-21 Kingston Trio modelthat pays tribute to original KingstonTrio member Dave Guard (1934-1991)
Shown above are Fantasy camp attendees each holding their Martin guitars (plus one banjo)
P h o t o b y J o h n L i n d
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Dierks BentleyReaching deep into acoustic rootsmusic resulted in Dierks Bentleyrsquosnew album Up On The RidgeMore than a bluegrass concept
album with guests Up On TheRidge features Bentley working with some of the finest acousticmusicians in the world including long-time collaborators theDel McCoury Band and a new musical partnership with ChrisThile and the Punch Brothers Asa recent addition to the Martin
Ambassador ranks Dierkrsquos israrely seen without his prizedvintage herringbone D-28
Hawaiirsquos HirsquoikuaIn a culture that honorsthe legacies of the pastthis Hawaiian trio of talented musicians pays
homage to their roots while creating a uniqueand progressive soundthat leaves an indeliblemark upon contemporary Hawaiian music
In a seamlesscontinuous movement we all carry a past while living in thepresent and moving toward a future Hirsquoikuarsquos music reflectsthe belief that without asking the knowledge of our ancestorshas already been placed within us in the hope that we too
will shoulder that responsibility in an unbroken journey intothe future
Their music is composed and performed by Kalehua Krug (left with his Martin 12-string) Kamuela Kimokeo (above andcenter left with his Martin OMC Aura cutaway) and BlakeLeoki-Haili (right with Martin tenor ukulele)
The grouprsquos name derives from the Hawaiian word thatmeans literally ldquoto carry on onersquos backrdquo Hirsquoikua has taken thisresponsibility seriously
ldquoAia I Hirsquoialordquo the long awaited CD from Hirsquoikua featuressix original and six traditional songs
wwwhiikuacom J e r r o l J u l i a n P
h o t o g r a p h y
J e r r o l J u l i a n P
h o t o g r a p h y
8102019 Vol_32pdf
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F R O M T H E A R C H I V E S
Waiting for the Sunday Boatrdquo by William Henry Jacksonrdquo Florida circa 1902Martin small-bodied parlor guitar
ldquoAs long as
Irsquove got my guitar
Irsquoll be finerdquo
mdash Willie Nelson referring to Tri
his legendary Martin guitar
HometownCentenarianMary Arletta Hahnis shown (right)
with her 00-1712-fret Martinguitar Mary was inher twenties whenthis picture was
taken (circa 1932)She was born inNazareth andturned 104 this pastSeptember Healthy small town living Shereceived her theology degree from the United
Wesleyan College but she also majored in voicepiano and guitar She would sing and play guitarin her fatherrsquos varied congregations Mary haslived her entire life in and around NazarethToday she lives just one block from where herguitar was made
1883 Advertisement
Gu i tar is t and Mando l in
is t
c irca 18 9 0
Guit ar ist and Mandolinist c ir c a 19 25
20
8102019 Vol_32pdf
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Ahh the sound of the Martin Rich and evocative Texture
lifeby strummingorpickingorthe lightesttouchtoteas
harmonicsthesoundmdashlikethehistoryofCF Martinamp C
peopleanda storyofthesensesHearitTasteitFeelitA
artist Robert Goetzl see it Seethe sound of the Martin
FEA TU R E
The Soundand the Story
Thehand drawnsketches (right)illustratethesix-panel seriesofthree-foot byfour-footmuralsthatwillhangintheMartinVisitorrsquos Center
BYSUSAN J BURLINGAME FREELANCE WRITER MARTIN
22
mdashC FMartin IVmdashcalls itldquothe magic ofFrom JohnnyCash to John Mayerand fromElvis Costello manyof historyrsquos mostbrilliantve chosen the Martin sound the Martin magicm the Martin storycontinuesMartin magic is mostprofoundly representedby n in the early1800s on the otherside of theour eyes fora momentand imagine ayoung king browfurrowed in concentration Heods the braces the strings of his firstguitarrtin has traveledfrom his home in Saxonytoe learns the artof guitarmaking as ane of the bestknown guitar shops in Europeg his 37th year C F Martinalong with hisdren sets outfor Americae story as theysayhellipis magicamp Co is still family-ownedmdashbutthe ldquofamilyrdquoh Martins and non-Martins generations of
ed arole in crafting the exquisite acousticrtin has offeredthe world formore than 175ertGoetzl a cousin to Chris Martinhas been create awork of art depicting C F Martin ampamily its sound andits storyeries of three-footby four-footmurals thatwillin Visitorrsquos Center the work says Goetzl is a love Chris Martin thatmuch He wasuential in mylife andthe opportunityto tellyauthentically is extremelymeaningful to merdquonels (pictured here)take viewers on CFfrom Saxonyto Viennato the newworld
ured as the music of the Martin guitar thensionalmdashdone in mixedmedia with collage andreating the firstpanel was forGoetzl the biggest
23
challenge ldquoI realizedthe enormityof the projectmdashnotjust inscope butalso in importance to the familyand to the thousandsof people who wouldbe looking atitrdquoGoetzl labored andsecond-guessedand tweakedand proddedbefore finally unveiling itto Chris Martin andothers at Martin ldquoThe lookson theirfaces toldme I had naileditrdquo Panel numbertwo which illustrates the Martin familyrsquosinitial shopin New York andthe move to NazarethPennsylvania causedGoetzl much less consternation butequallyas much joy he says as will each successive mural ldquoIf this is the endof the roadfor me the lastwork I evercreaterdquosays Goetzl (who surelyhas afew more decades ofcreativityleft) ldquoI wouldbe completely fine with thatrdquo
ldquoRobert has put his heart into
creating something that will
make a tremendous addition
to the Martin experiencerdquo
mdash Dick Boak Artist Relations C F Martin amp Co
Tex Fletcher
SingingcowboyTexFletcher maynot
have become the household name that
other cowboy singers from the 1930s
such as Gene Autry and Roy Rogers had
butdespitesometimes overwhelming
odds hersquosbeen remembered nonetheless
forhis noteworthycontributionsto earlyand
mid-20th century cowboy culture
He was born Geremino Biscegliain 1910 in HarrisonNew York the fifth of eight children of Italian immigrants Michael(astone mason)and Josephine Bisceglia He leftschool afterthethirdgrade to work with his fatherandbrothers He was raisedin a musical householdand he learnedto sing andplay traditional Italian songs accompaniedby accordionsmandolins andviolins
Jerrypicked upa fewguitar chords froma local right-handedguitarist butbeing left-handed he retaughthimself to playhisown right-handedguitarldquobackwards andupside downrdquoas he wouldlater explain with achuckle
He became enamoredwith the silver screen cowboys of theday often sneaking into the local cinemaforshowings of thelatestsilent picture starring TomMix WilliamS Hartand YakimaCanutt
Overthe nextfew years the teenagedcowboy wannabe beganto realize his boyhoodambition as he learnedto handle horseandcattle byday while soaking upcowboy lore andcampfiresongs bynight in effectbecoming aldquorealrdquocowboy Asinging cowboy Unique stuff forthe late 20s He returnedto NewYork in 1931 with aconfidence anda newfoundvoice With saddle bags full of cowboy stories andsongs the cowboysingerwas now going bythe name Tex Fletcher He began entering andwinning localthen regionaltalentshows Fletcherrsquos confidence grewwith each winning purse as was evidencedbyhis every growing wardrobe of
cowboyoutfits andhis first Martin guitar a000-45 He neverplayedanother companyrsquos guitars again believing the leastexpensive Martin guitarwas headand shoulders aboveanyother companyrsquos bestHistory has clearlymade fora compelling argument Itwasnrsquotlongbeforehereceivedan offerofa radiojobas asinging cowboyoverWFASinWhitePlainsNewYorkBy1934 attheheightofsingingcowboycrazeFletcherbegana relationshipthat wouldlastmorethan 25yearsbroadcastingoverWORNew YorkNewJersey(MutualNetwork)Itwas thesameyear thathebeganappearingatthe VillageBarnnightclub(whichwouldlaterbecomeJimiHendrixrsquosElectricLadyland)inGreenwichVillageNYagig thatlastedwell intotheearly1960s
1934 was also the yearTexorderedhis custommade MartinD-42Hersquodadmiredthe pearlygoodlooks and loudtone of Gene Autryrsquos D-45 (the firstD-45) butwanted an instrumentthatw ouldbe uniquelyTexFletcherrsquos guitar But he wasnrsquotthe onlycowboysinger who wantedto follow in Autryrsquos trail Milwaukee -based Jackie ldquoKidrdquoMoore beathimto the punch when he ordered his own D-45 (No 2)fromMartinBut according to authorMartin researcherJohn Woodland amisunderstanding with regardto neck length ledMartin to shelve the unfinished14 fretto the body D-45Moore then optedfor awider OMstyle neck with 12 frets tothe body This D-45 is No3 Then along comes NewYork radio cowboyTexFletcherwithhis own ideaof whatfeatures ldquohisrdquoguitar shouldsportincluding 14 frets to the body which alignedperfectly with the
partiallyconstructed D-45 (No2) buthe wanted all the flashupfront So insteadof proceeding to finish the guitaras aD-45Martin craftsmen changedthe toprsquos bracing to aHigh ldquoXrdquoconfiguration anddesignated this slightlymore modestcousinof the D-45the D-42 So the TexFletchermodel is not only the firstD-42butalso the secondD-45Itremainedthe only example of the D-42 forthe next54 years
Fletcherhadbeenout ofthe musicbusinessforjusta fewyears whenhe wastrackeddownin theearly1970sby then-MartinhistorianMikeLongworthwho convincedthe oldcowboytodonatetheinstrumenttothe MartinMuseumFletcheragreedandthatrsquoswhereitresidesto thisdaydisplayedjusta fewfeetfromitrsquosfirstcousintheGeneAutryD-45 (No1)
21 24
N EW PR O D U CTS
NEW A DDITIONS TO
OUR LINEUP OF
Great Ukuleles
The Martin Standards of Tone and Workmanship Prevail
C1K amp T1K UkulelesMartin has been building the worldrsquos finest ukuleles
from as early as 1916includingthesmallest Soprano
the original model to the larger Concert in 1925 and
the Tenor uke in 1929 Both the concert model and
tenor models havelong been prized for their full-bodied
voiceandgreatervolumeThesenewC1Kconcertand
T1Ktenor modelsfeaturetops backsidesand head-
platesofsolidHawaiianKoaawoodnativeto Hawaii
and a favoriteof island players Both ukes feature solid
Sitkabraces genuinemahoganyblocksand applied
dovetailneckjointsintheMartintraditionNecksare
craftedofselecthardwoodandcappedwithasolid
Morado fingerboardtheconcert has a 15rdquoscalelength
thetenor a 17rdquoscaleBridges arealso ofsolid Morado
with whiteTusqsaddles Open-geared nickel tuners with
whitebuttons ensureprecision Finished in high quality
satinlacquerPadded bagincludedTwo beautifulexam-
ples of why Martin is still the name in superior quality
ukuleles
ldquoAs far as inanimate objects
being friends I think that is right
on the list My Martin ukulele
is a work of art Itrsquos going to live
long after merdquo
mdashEddieVedderPearl JamUkuleleSongs
T1K
C1K
8102019 Vol_32pdf
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Clock key mechanism for
adjustingguitar necks on
Martinrsquos earliest guitars
manufactured in New York
ImaginedMartinfamily portrait
CircaSeptember1833mdashat the
timeof theMartinsrsquotransatlantic
journey to the New World
Mappointingto
Markneukirchen the
main town in Germanyrsquos
musicalinstrument-
makingregion
Embellished original
drawingofCF Martinrsquos
residencein
Markneukirchen
Saxony (Germany)
Thesa
carries
North
specta
showe
Harbo
Imagin
CFM
Hudso
Depic
mold
a Mart
glueu
NEL ONE 2 bull PANEL TWO
Rende
home
in Che
Circa1
Portra
presid
when
arrived
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
OM -21 NEW Martinrsquos OM (Orchestra Models)
guitars have always been very
special to fingerstyle guitarists
especially this new OM-21 with its
comfortable 1-34rdquo wide neck at the
nut and highly responsive 14rdquo
scalloped Sitka top braces Elegant in
its simplicity this new version offers a
tasteful upgrade of solid black ebony
fingerboard and 30rsquos style ldquobellyrdquo
bridge with genuine bone saddle and
nut all adding to the rich resonance of this guitar Whatrsquos more wersquove
replaced the standard OM neck with a
slimmer ldquoPerformingrdquo Artistrdquo modified
low oval profile tapered neck and
wider 2-316rdquo bridge string spacing for
faster more comfortable playing The
solid Sitka spruce top with
hand-inlaid 28 style
rosette is joined to a
body of premium
solid East Indian
rosewood bound intortoise colored
18 style binding
Delmar tortoise color
pickguard nickel
open-geared
tuners with
Butterbean
knobs and
polished gloss
lacquer with
aging toner
complete this
beautiful
instrument
Delivered to you in the
new Martin 433 archtop
hardshell case If yoursquore a finger picker this new OM-21 is
the one to pick
D-18 NEW Since its introduction in 1935 the D-18
has been the workhorse of the Martin steel
string acoustic line More plain and less
costly than its D-28 rosewood cousin the
D-18 has none the less established its own
tonal identity ndash balanced crisp midrange
definitive bass and bright clear treble a
favorite of innumerable bluegrass blues and
country performers as well as discerning
studio musicians ndash because it is a great
performing and recording guitar Over the
years the D-18 has seen numerouspermutations ndash the D-18V and D-18P ndash as
well as variations in bindings rosette
fingerboard amp bridge woods bracing
patterns and pickguards And now the
new D-18 brings together
the best features of all of
these great D-18s into
one superb sounding
and playing guitar On
the traditional side backs
and sides are still crafted
of solid genuineMahogany joined with a
solid Sitka spruce top
with forward-shifted
scalloped ldquoXrdquo bracing
The fingerboard
and 1930s style
belly bridge are
fashioned of
solid black
ebony as were
the originals
Whatrsquos new A
lightning fast modified low
oval profile neck with a
1-34rdquo nut width and slimmer 2-18rdquo taper at the 12th fret Itrsquos
the same neck featured on our innovative Performing Artist
series guitars with the same wide 2-316rdquo bridge string
spacing too for greater player comfort and accessibility up
and down the neck The new D-18 The perfect blend of past
and future ndash and great guitar to start the New Year
8102019 Vol_32pdf
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NAMM Show
Specials
N E W P R O D U C T S
2012 Martin Show Special Guitars
The DCPA Koa amp GPCPA Koa They donrsquot get any more beautiful ndash or more
beautiful sounding ndash than these spectacular
dovetail flamed Koa Performing Artist guitars
And with only a total of 30 instruments ndash
combined ndash being offered to dealers at the 2012
NAMM Show they donrsquot get any rarer either Here
wersquove chosen two of our most popular cutaway models in
the Performing Artist series the classic Dreadnought and
the Grand Performance and crafted the backs and sides
of premium Hawaiian flamed Koa a resonant tonewood
indigenous to the Hawaiian islands Koa has long been by
favored by native Hawaiian musicians for guitars and
ukuleles as well as discerning players and collectors
worldwide Martin in particular has built various sized
instruments of Koa from as early as 1850 The tops are of prized solid Adirondack Spruce as are the scalloped
forward-shifted ldquoXrdquo braces in the ldquoGolden Erardquo fashion The
bodies are bound with solid Madagascar rosewood the
top is inlaid in the 42 style with an elegant blue Paua
pearl rosette The backstrip is 45 style marquetry Both
guitars feature our fast and comfortable Performing Artist
modified low oval mahogany neck with ebony
fingerboard and
wide 2-316rdquo string
spacing on the
ebony Performing
Artist belly bridge And the
crowning touch both guitarsare equipped with the new
Fishmanreg F1 Aura + onboard electronics system the
ultimate in acoustic realism and projection as well as
pickup versatility Waverly gold tuners with Ivoroid
buttons complete the package Orders for the DCPA Koa amp
GPCP Koa will be taken solely from dealers in attendance
at the 2012 NAMM Show in Anaheim California
NEW TOOLS
for GREAT TONE
GPCPA Koa
DCPA Koa
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
DCPA1 Madagascar Rosewood ampGPCPA1 Madagascar Rosewood
These two very special dovetail Performing Artist
guitars reflect the best of Martin innovation expert
craftsmanship and selection of superior tonewoods ndash
all in one As PA series models Dreadnought and
Grand Performance they include a unique slim
tapered fast neck for exceptional player comfort in
all positions a smaller and lighter PA ldquobellyrdquo bridge
for greater tonal response and increased string
spacing for easier finger picking They also
include the new state-of-the-art Fishmanreg F1
Aura + onboard electronics system that deliver
striking acoustic realism and projection
Plugged in or pure acoustic these are great
sounding guitars ndash and with good reason The
tops are solid Adirondack spruce pearl inlaid inthe 41 style and driven by 516rdquo Adirondack
scalloped braces forward-shifted in the ldquoGolden Erardquo X
pattern The back sides and headplate are Madagascar
Rosewood selected for its beauty and close acoustic and visual resemblance to
Brazilian Rosewood Solid black ebony is used for the fingerboard and bridge
Details include grained Ivoroid bindings Delmar beveled tortoise color pickguard
special ldquoalternative torchrdquo inspired position inlays gold enclosed tuners bone nut
and saddle The most distinctive Performing Artist production models to date
Fishmanreg F1 Aura + The Fishmanreg F1 Aura + features a newsimplified and intuitive Easy Mode allowing youto quickly get a feel for the tonal possibilities ofthe system while providing the most importantfeatures The Easy Mode offers three custom-blended Aura Image presets tone control and
the option of using the undersaddle pickuponly For the real tone-tweakers wersquove retainedthe original Performance Mode as well givingyou full access to the powerful 3-band EQscompressor and automatic anti-feedback ofthe F1 Aura +
Performing
Artist SeriesDCPA1
Madagascar
Rosewood
GPCPA1
Madagascar
Rosewood
8102019 Vol_32pdf
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N E W P R O D U C T S
Performing
Artist Series
Martin introduces an exciting
new tonewood called Siris
DCPA4 Siris amp
GPCPA4 Siris
With these two new
Performing Artists guitars
Martin introduces an exciting
new tonewood called Siris
adding even more tonal color
and variety to the PA series Siris
delivers excellent bass response
reminiscent of East Indian rosewood as
well as a clear midrange and treble making it an
excellent guitar wood for recording and for playing live Lighter in color
yet denser than rosewood it produces a slightly longer sustain thanrosewood Siris is typically dark orange contrasting beautifully with the
Sitka Spruce tops tortoise colored pickguards grained Ivoroid bindings
and special East Indian rosewood center wedge on both guitarsrsquo 3-piece
backs The DCPA4 Siris and the GPCPA4 Siris are 14-fret cutaway guitars and
have fast comfortable Performing Artist profile necks Hybrid ldquoXrdquo scalloped top
bracing black Richlite fingerboards and bridges and Fishmanreg F1 Analog
onboard electronicsGPCPA4 Siris
DCPA4 Siris
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
The GPCPA4 Sapele is constructed with
FSCreg Certified tonewoods harvested from
ecologically sound and responsibly manag
forests The fingerboard and bridge are
built with FSCreg
Certified Richlitereg
29
GPCPA4 SapeleFirst introduced in 2010 the GPCPA4 is an extraordinary Martin ndash a
big Grand Performance cutaway with a fast comfortable Performing
Artist Series high performance neck But this brand new version ndash
the GPCPA4 Sapele ndash is extra special It rsquos built with FSCreg Certified
tonewoods harvested from ecologically sound and responsibly
managed forests This includes African sapele back and sides
mahogany front and rear blocks cherry side strips Spanish cedar
ribbons and European spruce Hybrid ldquoXrdquo scalloped bracing The top
is FSCreg Certified recycled Sitka spruce produced from old bridge timbers in Canada
Even the fingerboard and bridge are crafted of FSCreg Certified Richlitereg material High
polished gloss top finish with tasteful Cherry red toned back and sides Fishmanreg F1
Analog electronics are included with volume and tone shaping capabilitiesonboard digital tuner and phase control Quite a
package Quite a guitar
8102019 Vol_32pdf
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N E W P R O D U C T S
DCPA5K and GPCPA5K
Advanced guitar design meets high-
tech guitar construction The result
two highly affordable Performing
Artist guitars with excellent tone
playability and durability Back
and sides of the cutaway
Dreadnought and Grand
Performance models are made
of a high-pressure wood fiber
laminate (called HPL) with
Koa grain and texture photo-
imbedded The top is solid Sitkaspruce braced with Martinrsquos Hybrid ldquoXrdquo
scalloped bracing system renowned for its
resonance clear treble and distinct bass The Performing Artist Profile neck is
slim and fast and comfortable made of tough Stratabondreg multi-layered
wood laminate Performing Artist bridge and fingerboard are black Richlite
Chrome enclosed tuners with large buttons and Fishmanreg F1 Analog
onboard electronics included A terrific value with great tone and
environmentally friendly
Performing
Artist Series
The DCPA5K and GPCPA5K
are Performing Artist guitars
with excellent tone playability and durability
GPCPA5K
DCPA5K
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3146
Road Series
31
Over 175 Years of Guitar Building Excellence
Special Edition
DRS2 The latest of Martinrsquos hard-working
great sounding Road Series guitars
the new DRS2 delivers a unique blend
of durability and concert-quality
sound and projection The top is
crafted of solid Sitka spruce and
braced with Martinrsquos A-Frame (X1)
bracing Back and sides are select
solid Sapele similar in look and
tonal qualities to its
close cousin
mahogany As
beautiful as it looks
and sounds the
DRS2 is a serious
working musicianrsquos
guitar built for on
the road durability
without sacrificeof tone The
neck is
constructed
of a multi-
layered
wood
laminate
called
Stratabondtrade
that perfectly
simulates natural
quartersawn wood grain The fingerboard and bridgeare crafted of black Richlite amazingly similar in look
weight and resonance of ebony A Fishmanreg
Sonitone sound reinforcement system completes
this very road ndash and stage ndash worthy Martin
000C NylonIn response to the many Martin players
who chose the limited edition 000CDG
built in memory of Chris Martinrsquos late
brother Doug Greth we have
expanded upon this unique ldquocrossoverrdquo
instrument with the new 000C Nylon It is
truly a hybrid instrument combining features
of a traditional Martin steel-string guitar with
those associated with a classical nylon string
guitar The top is crafted of solid Sitka spruce
and braced with a unique A-Frame ldquoXrdquo brace
system Yet this bracing system is equally
responsive to lighter nylon strings without
inhibiting tone or volume The 12-fret low
profile neck features an 18rdquo radius arched
(versus flat) fingerboard like a steel string
but with a classic width 1-78rdquo at the nut and
2-516rdquo at the 12th fret The bridge is in the
classic style with tie block and drop insaddle Bridge string spacing is a
wider 2-516rdquo as well Even the
000Crsquos headstock is unique ndash
square tapered like the
traditional Martin steel
string style but slotted to
accommodate classical
nylon strings Each guitar is
fitted with onboard Fishmanreg
F1 Analog electronics too
The result A versatile
great sounding andplaying guitar no
matter whether you
play acoustic or
acoustic electric
or both
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3246
D-28M Limited Edition Celebrates
The Enduring Music and Legacy ofThe Mamas and The Papas
The appointments on the D-28M Mamas and ThePapas Custom Artist Edition emulate a circa 1960sD-28 blackwhiteblack top purfling blackwhiteback purfling grained Ivoroid binding and heelcapldquocheckerboardrdquo backstrip mother of pearl dotposition markers chrome Groverreg Rotomatic tunerstortoise-colored pickguard polished gloss lacquerfinish and vintage-inspired aging toner on the topExtra flash comes in the form of a Style 45 abalonepearl rosette and abalone pearl-topped bone bridgeand end pins
The guitarrsquos crowning glory is ndash appropriately ndashon the polished black ebony headplate Above
the nut sheltered by the familiar gold old-styleldquoC F Martin amp Co Est 1833rdquo decal logo is a silhouette of The Mamas and The Papasbeautifully inlaid in mother of pearl Derivedfrom a photo by Henry Diltz the inlay capturesthe group in full performance mode
In the early 1960s the four musicians whobecame The Mamas and Papas were a long way from pop music stardom though all wereinvolved in the East Coast folk music scene
John Phillips was a member of the JourneymenDenny Doherty and Cass Elliot sang with theMugwumps After the Journeymen broke up
John Phillips his wife Michelle Phillips andMarshall Brickman formed the New JourneymenMarshall eventually left the band but went on toco-write Oscar winning screenplays with Woody
Allen and he co-wrote the book that became therecord-breaking play ldquoThe Jersey Boysrdquo
Marshall Brickman was replaced by Denny Doherty and soon Doherty introduced hisbandmates to Elliot The four began harmonizingto the pop songs John was writing and perfectedtheir sound during a Caribbean vacation together
The starting point for The Mamas and the Papasrsquofresh pop sound was the folk music all fourmembers played before they got together as a group Songwriter and leader John Phillipsrsquo well-
worn Martin Dreadnought often provided thestrummed rhythmic underpinning on which TheMamas and Papasrsquo band instrumentation andvocals were layered The combination proved tobe genius and even today The Mamas and thePapas ldquosoundrdquo is instantly recognizable
To celebrate the group and its place in popmusic history C F Martin introduces a very
special D-28M Mamas and The Papas
Custom Artist Edition Limited to just100 instruments this new Custom Artist Edition features rare tonewoodshandsome appointments and aunique headstock inlay to honorthese musical trailblazers
John Phillipsrsquo vintage Martin D-28provides the inspiration for this Custom Artist Edition The tonewoods and top
bracing are a stellar combination thatapproximates those of MartinDreadnoughts from the early 1930sBack and sides are rare Madagascarrosewood similar in appearance andtone to the now endangered Brazilianrosewood The top is Carpathianspruce comparable in power andbrilliance to Adirondack spruce andequally responsive Advanced ldquoXrdquo
516rdquo scalloped bracing provides richresonant tone The 1 1116rdquo (at the
nut) low profile neck with diamondvolute is genuine mahogany while the
fingerboard and belly bridge are black ebony
L M
In the 1960s The Mamas and the Papas were at the epicenter of a musical earthquake
that began in Southern California and sent shockwaves across the country Combining
great songwriting unique arrangements and lush harmonies the group had six ldquoTop
10rdquo singles and four ldquoTop 5rdquo albums from 1965 through 1967 a feat that made them one
of the few groups to challenge the Beatles during that era While The Mamas and the
Papasrsquo original lineup of John Phillips Cass Elliot Denny Doherty and Michelle Phillips
lasted just four years several of the songs they created ndash including ldquoCalifornia Dreaminrsquordquo
ldquoMonday Mondayrdquo ldquoWords of Loverdquo and ldquoTwelve Thirtyrdquo ndash have stood the test of time
32
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(This story should sound familiar they laterturned it into a hit single ldquoCreeque Alleyrdquo)Eventually the four traveled to Los Angeles
where they auditioned for Dunhill RecordsOwnerProducer Lou Adler Adler signed them tohis label immediately and two days later thegroup had a name The Mamas and the Papas
Released in 1965 The Mamas and The Papasrsquofirst single failed to garner much notice Howeverthe second single ldquoCalifornia Dreamingrdquo co-
written by John and Michelle Phillips reachedNo 4 on the charts The grouprsquos debut album If
You Can Believe Your Eyes and Ears was releasedin early 1966 and rose to No 1 quickly followedby the single ldquoMonday Mondayrdquo which also hitNo 1 and later won a Grammy Award for ldquoBestContemporary Group Performancerdquo
While The Mamas and The Papasrsquo personallives became increasingly turbulent over the nexttwo years their music continued to flourish they recorded three additional albums ndash The Mamasand The Papas Deliver and The Papas and TheMamas ndash that went ldquoTop 20rdquo and in turn yieldedseveral ldquoTop 20rdquo singles
In 1968 bitter infighting between memberscaused the group to disband Due to contractualobligations they reunited briefly in 1971 to makethe People Like Us album and then went theirseparate ways Cass Eliot had a flourishing solocareer that was cut short by her death in 1974
John Phillips continued to write songs and bothhe and Denny Doherty performed and recordedas solo acts In the 1980s and 1990s they occasionally reunited to tour as members of the
New Mamas and Papas John Phillipsdied in 2001 Denny Doherty died in2007 Michelle Phillips enjoyed a successful acting career and today isthe last surviving original memberof the group
Despite the grouprsquos short history TheMamas and The Papasrsquo musical legacy remainsundiminished the group was inducted into theRock amp Roll Hall of Fame in 1998 and received a
Grammy Hall of Fame Award in 2001 In 2003 If You Can Believe Your Eyes and Ears was ranked127 on Rolling Stone magazinersquos list of the 500greatest albums of all time
Delivered in a hardshell case eachD-28M Mamas and The PapasCustom Artist Edition guitar bears a special interior label featuring theldquosun rayrdquo graphic from the RouletteRecords label on which some of TheMamas and The Papasrsquo singles werereissued in the 1970s Each label ispersonally signed by former Mamasand The Papas member MichellePhillips and numbered in sequence
with the edition total Beginning immediately authorized C F Martindealers will accept orders for theD-28M Mamas and The PapasCustom Artist Edition until all 100guitars in the edition are allocatedparticipating Martin dealers willthen be posted on theC F Martin website
wwwmartinguitarcom
33
S A M P L E
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L O N D O N A C O U S T I C G U I TA R S H O W
Acoustic guitar aficionados attending The London
Acoustic Guitar Show were treated to presentations
that showcased Americarsquos favorite musical instrument
brand and featured musical vignettes by legendary
and influential guitarists Stefan Grossman and
John RenbournThe presentation was given by Dick Boak archivist for Martin
Guitar who offered a graphical and interactive history of the 178-year-old guitar company In addition Dick displayed severalimportant examples in the evolution of Martin acoustic guitarsThe presentation focused on the development of the modern
acoustic guitar Martinrsquos historical contributions to the definitivacoustic guitar design artist signature model collaborations an
an in-depth explanation of specific guitar shapes sizes andtonewoods that lend themselves to particular musical genres JoRenbourn and Stefan Grossman legendary acoustic fingerstyleinnovators demonstrated the tonality of an assortment of Martinstruments including their own Custom Signature models
Martinrsquos UK distributor Westside Management was a primasponsor of the show and the host for the concert stage thatfeatured a stunning live performance by Renbourn and Grossm
Dick Boakrsquos presentation provided a template and proving ground for potential future presentations throughout the UniteStates Europe and Japan
THE LONDON ACOUSTICGUITAR SHOWSaturday and Sunday September 10-11 2011
Olympia Conference Center London
34
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Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
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M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
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The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
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M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
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M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
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Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
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M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
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Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
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A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
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C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
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P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
8102019 Vol_32pdf
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Fast AJ AJ Rubino of SpringfieldMassachusetts has beenperforming folk and country music for nearly fifty years ndash
much of that time with his1975 Martin D-35 slightly customized with fingerboardinlay by luthier Harry BeckerThis photo will grace the cover of AJrsquos forthcoming CD
He is a loyal member of the Martin Ownerrsquos Club andowns several other Martin guitars The tree AJ is standing in front of was destroyed by the tornado that hit WesternMassachusetts in June of 2011 but no one was hurt andall of the Martin guitars survived
A R T I S T P R O F I L E S
The Kingston Trio Fantasy Camp 2011
Winfield KansasFestivalrsquos Martin D-42
Allen Shadd began playing guitar when he was seven years oldacquiring his first Martin guitar -
a 1973 D-35 at the age of tenSince then he has gone on toperform in many bands guitar
workshops recording sessions and in 1997 released his own CDldquoA Cut Aboverdquo Allen also frequently competes in guitarcompetitions and has won some of the most prestigious flatpicking contests that have included Merlefest Rocky Grass and the WayneHenderson guitar competition He brought home this yearrsquos MartinD-42 from the National Flatpicking Championship held in
Winfield Kansas Itrsquos the sixth time Allen has placed in the topthree including his first place finish in 1997
18
wwwkingstontriocom
Caroline JonesThis NYC-based singer songwriterguitarist and producer was trainedclassically by Andy Anselmo Founder
of New Yorkrsquos ldquoThe Singerrsquos ForumrdquoCaroline began singing opera ariascabaret standards and show tunes at agenine Under the management of Tommy Mottola and Chris Apostle shebegan recording her original songs withproducer Chris Toland at Sony and
Avatar studios in New York as a studentat The Professional Childrenrsquos SchoolIn 2008 Caroline began monthlyco-writing trips to Nashville where sherecorded with many of the industryrsquostop talents Since then she has been
performing and recording with herMartin 00-21 Kingston Trio modelthat pays tribute to original KingstonTrio member Dave Guard (1934-1991)
Shown above are Fantasy camp attendees each holding their Martin guitars (plus one banjo)
P h o t o b y J o h n L i n d
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Dierks BentleyReaching deep into acoustic rootsmusic resulted in Dierks Bentleyrsquosnew album Up On The RidgeMore than a bluegrass concept
album with guests Up On TheRidge features Bentley working with some of the finest acousticmusicians in the world including long-time collaborators theDel McCoury Band and a new musical partnership with ChrisThile and the Punch Brothers Asa recent addition to the Martin
Ambassador ranks Dierkrsquos israrely seen without his prizedvintage herringbone D-28
Hawaiirsquos HirsquoikuaIn a culture that honorsthe legacies of the pastthis Hawaiian trio of talented musicians pays
homage to their roots while creating a uniqueand progressive soundthat leaves an indeliblemark upon contemporary Hawaiian music
In a seamlesscontinuous movement we all carry a past while living in thepresent and moving toward a future Hirsquoikuarsquos music reflectsthe belief that without asking the knowledge of our ancestorshas already been placed within us in the hope that we too
will shoulder that responsibility in an unbroken journey intothe future
Their music is composed and performed by Kalehua Krug (left with his Martin 12-string) Kamuela Kimokeo (above andcenter left with his Martin OMC Aura cutaway) and BlakeLeoki-Haili (right with Martin tenor ukulele)
The grouprsquos name derives from the Hawaiian word thatmeans literally ldquoto carry on onersquos backrdquo Hirsquoikua has taken thisresponsibility seriously
ldquoAia I Hirsquoialordquo the long awaited CD from Hirsquoikua featuressix original and six traditional songs
wwwhiikuacom J e r r o l J u l i a n P
h o t o g r a p h y
J e r r o l J u l i a n P
h o t o g r a p h y
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F R O M T H E A R C H I V E S
Waiting for the Sunday Boatrdquo by William Henry Jacksonrdquo Florida circa 1902Martin small-bodied parlor guitar
ldquoAs long as
Irsquove got my guitar
Irsquoll be finerdquo
mdash Willie Nelson referring to Tri
his legendary Martin guitar
HometownCentenarianMary Arletta Hahnis shown (right)
with her 00-1712-fret Martinguitar Mary was inher twenties whenthis picture was
taken (circa 1932)She was born inNazareth andturned 104 this pastSeptember Healthy small town living Shereceived her theology degree from the United
Wesleyan College but she also majored in voicepiano and guitar She would sing and play guitarin her fatherrsquos varied congregations Mary haslived her entire life in and around NazarethToday she lives just one block from where herguitar was made
1883 Advertisement
Gu i tar is t and Mando l in
is t
c irca 18 9 0
Guit ar ist and Mandolinist c ir c a 19 25
20
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Ahh the sound of the Martin Rich and evocative Texture
lifeby strummingorpickingorthe lightesttouchtoteas
harmonicsthesoundmdashlikethehistoryofCF Martinamp C
peopleanda storyofthesensesHearitTasteitFeelitA
artist Robert Goetzl see it Seethe sound of the Martin
FEA TU R E
The Soundand the Story
Thehand drawnsketches (right)illustratethesix-panel seriesofthree-foot byfour-footmuralsthatwillhangintheMartinVisitorrsquos Center
BYSUSAN J BURLINGAME FREELANCE WRITER MARTIN
22
mdashC FMartin IVmdashcalls itldquothe magic ofFrom JohnnyCash to John Mayerand fromElvis Costello manyof historyrsquos mostbrilliantve chosen the Martin sound the Martin magicm the Martin storycontinuesMartin magic is mostprofoundly representedby n in the early1800s on the otherside of theour eyes fora momentand imagine ayoung king browfurrowed in concentration Heods the braces the strings of his firstguitarrtin has traveledfrom his home in Saxonytoe learns the artof guitarmaking as ane of the bestknown guitar shops in Europeg his 37th year C F Martinalong with hisdren sets outfor Americae story as theysayhellipis magicamp Co is still family-ownedmdashbutthe ldquofamilyrdquoh Martins and non-Martins generations of
ed arole in crafting the exquisite acousticrtin has offeredthe world formore than 175ertGoetzl a cousin to Chris Martinhas been create awork of art depicting C F Martin ampamily its sound andits storyeries of three-footby four-footmurals thatwillin Visitorrsquos Center the work says Goetzl is a love Chris Martin thatmuch He wasuential in mylife andthe opportunityto tellyauthentically is extremelymeaningful to merdquonels (pictured here)take viewers on CFfrom Saxonyto Viennato the newworld
ured as the music of the Martin guitar thensionalmdashdone in mixedmedia with collage andreating the firstpanel was forGoetzl the biggest
23
challenge ldquoI realizedthe enormityof the projectmdashnotjust inscope butalso in importance to the familyand to the thousandsof people who wouldbe looking atitrdquoGoetzl labored andsecond-guessedand tweakedand proddedbefore finally unveiling itto Chris Martin andothers at Martin ldquoThe lookson theirfaces toldme I had naileditrdquo Panel numbertwo which illustrates the Martin familyrsquosinitial shopin New York andthe move to NazarethPennsylvania causedGoetzl much less consternation butequallyas much joy he says as will each successive mural ldquoIf this is the endof the roadfor me the lastwork I evercreaterdquosays Goetzl (who surelyhas afew more decades ofcreativityleft) ldquoI wouldbe completely fine with thatrdquo
ldquoRobert has put his heart into
creating something that will
make a tremendous addition
to the Martin experiencerdquo
mdash Dick Boak Artist Relations C F Martin amp Co
Tex Fletcher
SingingcowboyTexFletcher maynot
have become the household name that
other cowboy singers from the 1930s
such as Gene Autry and Roy Rogers had
butdespitesometimes overwhelming
odds hersquosbeen remembered nonetheless
forhis noteworthycontributionsto earlyand
mid-20th century cowboy culture
He was born Geremino Biscegliain 1910 in HarrisonNew York the fifth of eight children of Italian immigrants Michael(astone mason)and Josephine Bisceglia He leftschool afterthethirdgrade to work with his fatherandbrothers He was raisedin a musical householdand he learnedto sing andplay traditional Italian songs accompaniedby accordionsmandolins andviolins
Jerrypicked upa fewguitar chords froma local right-handedguitarist butbeing left-handed he retaughthimself to playhisown right-handedguitarldquobackwards andupside downrdquoas he wouldlater explain with achuckle
He became enamoredwith the silver screen cowboys of theday often sneaking into the local cinemaforshowings of thelatestsilent picture starring TomMix WilliamS Hartand YakimaCanutt
Overthe nextfew years the teenagedcowboy wannabe beganto realize his boyhoodambition as he learnedto handle horseandcattle byday while soaking upcowboy lore andcampfiresongs bynight in effectbecoming aldquorealrdquocowboy Asinging cowboy Unique stuff forthe late 20s He returnedto NewYork in 1931 with aconfidence anda newfoundvoice With saddle bags full of cowboy stories andsongs the cowboysingerwas now going bythe name Tex Fletcher He began entering andwinning localthen regionaltalentshows Fletcherrsquos confidence grewwith each winning purse as was evidencedbyhis every growing wardrobe of
cowboyoutfits andhis first Martin guitar a000-45 He neverplayedanother companyrsquos guitars again believing the leastexpensive Martin guitarwas headand shoulders aboveanyother companyrsquos bestHistory has clearlymade fora compelling argument Itwasnrsquotlongbeforehereceivedan offerofa radiojobas asinging cowboyoverWFASinWhitePlainsNewYorkBy1934 attheheightofsingingcowboycrazeFletcherbegana relationshipthat wouldlastmorethan 25yearsbroadcastingoverWORNew YorkNewJersey(MutualNetwork)Itwas thesameyear thathebeganappearingatthe VillageBarnnightclub(whichwouldlaterbecomeJimiHendrixrsquosElectricLadyland)inGreenwichVillageNYagig thatlastedwell intotheearly1960s
1934 was also the yearTexorderedhis custommade MartinD-42Hersquodadmiredthe pearlygoodlooks and loudtone of Gene Autryrsquos D-45 (the firstD-45) butwanted an instrumentthatw ouldbe uniquelyTexFletcherrsquos guitar But he wasnrsquotthe onlycowboysinger who wantedto follow in Autryrsquos trail Milwaukee -based Jackie ldquoKidrdquoMoore beathimto the punch when he ordered his own D-45 (No 2)fromMartinBut according to authorMartin researcherJohn Woodland amisunderstanding with regardto neck length ledMartin to shelve the unfinished14 fretto the body D-45Moore then optedfor awider OMstyle neck with 12 frets tothe body This D-45 is No3 Then along comes NewYork radio cowboyTexFletcherwithhis own ideaof whatfeatures ldquohisrdquoguitar shouldsportincluding 14 frets to the body which alignedperfectly with the
partiallyconstructed D-45 (No2) buthe wanted all the flashupfront So insteadof proceeding to finish the guitaras aD-45Martin craftsmen changedthe toprsquos bracing to aHigh ldquoXrdquoconfiguration anddesignated this slightlymore modestcousinof the D-45the D-42 So the TexFletchermodel is not only the firstD-42butalso the secondD-45Itremainedthe only example of the D-42 forthe next54 years
Fletcherhadbeenout ofthe musicbusinessforjusta fewyears whenhe wastrackeddownin theearly1970sby then-MartinhistorianMikeLongworthwho convincedthe oldcowboytodonatetheinstrumenttothe MartinMuseumFletcheragreedandthatrsquoswhereitresidesto thisdaydisplayedjusta fewfeetfromitrsquosfirstcousintheGeneAutryD-45 (No1)
21 24
N EW PR O D U CTS
NEW A DDITIONS TO
OUR LINEUP OF
Great Ukuleles
The Martin Standards of Tone and Workmanship Prevail
C1K amp T1K UkulelesMartin has been building the worldrsquos finest ukuleles
from as early as 1916includingthesmallest Soprano
the original model to the larger Concert in 1925 and
the Tenor uke in 1929 Both the concert model and
tenor models havelong been prized for their full-bodied
voiceandgreatervolumeThesenewC1Kconcertand
T1Ktenor modelsfeaturetops backsidesand head-
platesofsolidHawaiianKoaawoodnativeto Hawaii
and a favoriteof island players Both ukes feature solid
Sitkabraces genuinemahoganyblocksand applied
dovetailneckjointsintheMartintraditionNecksare
craftedofselecthardwoodandcappedwithasolid
Morado fingerboardtheconcert has a 15rdquoscalelength
thetenor a 17rdquoscaleBridges arealso ofsolid Morado
with whiteTusqsaddles Open-geared nickel tuners with
whitebuttons ensureprecision Finished in high quality
satinlacquerPadded bagincludedTwo beautifulexam-
ples of why Martin is still the name in superior quality
ukuleles
ldquoAs far as inanimate objects
being friends I think that is right
on the list My Martin ukulele
is a work of art Itrsquos going to live
long after merdquo
mdashEddieVedderPearl JamUkuleleSongs
T1K
C1K
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2446
Clock key mechanism for
adjustingguitar necks on
Martinrsquos earliest guitars
manufactured in New York
ImaginedMartinfamily portrait
CircaSeptember1833mdashat the
timeof theMartinsrsquotransatlantic
journey to the New World
Mappointingto
Markneukirchen the
main town in Germanyrsquos
musicalinstrument-
makingregion
Embellished original
drawingofCF Martinrsquos
residencein
Markneukirchen
Saxony (Germany)
Thesa
carries
North
specta
showe
Harbo
Imagin
CFM
Hudso
Depic
mold
a Mart
glueu
NEL ONE 2 bull PANEL TWO
Rende
home
in Che
Circa1
Portra
presid
when
arrived
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
OM -21 NEW Martinrsquos OM (Orchestra Models)
guitars have always been very
special to fingerstyle guitarists
especially this new OM-21 with its
comfortable 1-34rdquo wide neck at the
nut and highly responsive 14rdquo
scalloped Sitka top braces Elegant in
its simplicity this new version offers a
tasteful upgrade of solid black ebony
fingerboard and 30rsquos style ldquobellyrdquo
bridge with genuine bone saddle and
nut all adding to the rich resonance of this guitar Whatrsquos more wersquove
replaced the standard OM neck with a
slimmer ldquoPerformingrdquo Artistrdquo modified
low oval profile tapered neck and
wider 2-316rdquo bridge string spacing for
faster more comfortable playing The
solid Sitka spruce top with
hand-inlaid 28 style
rosette is joined to a
body of premium
solid East Indian
rosewood bound intortoise colored
18 style binding
Delmar tortoise color
pickguard nickel
open-geared
tuners with
Butterbean
knobs and
polished gloss
lacquer with
aging toner
complete this
beautiful
instrument
Delivered to you in the
new Martin 433 archtop
hardshell case If yoursquore a finger picker this new OM-21 is
the one to pick
D-18 NEW Since its introduction in 1935 the D-18
has been the workhorse of the Martin steel
string acoustic line More plain and less
costly than its D-28 rosewood cousin the
D-18 has none the less established its own
tonal identity ndash balanced crisp midrange
definitive bass and bright clear treble a
favorite of innumerable bluegrass blues and
country performers as well as discerning
studio musicians ndash because it is a great
performing and recording guitar Over the
years the D-18 has seen numerouspermutations ndash the D-18V and D-18P ndash as
well as variations in bindings rosette
fingerboard amp bridge woods bracing
patterns and pickguards And now the
new D-18 brings together
the best features of all of
these great D-18s into
one superb sounding
and playing guitar On
the traditional side backs
and sides are still crafted
of solid genuineMahogany joined with a
solid Sitka spruce top
with forward-shifted
scalloped ldquoXrdquo bracing
The fingerboard
and 1930s style
belly bridge are
fashioned of
solid black
ebony as were
the originals
Whatrsquos new A
lightning fast modified low
oval profile neck with a
1-34rdquo nut width and slimmer 2-18rdquo taper at the 12th fret Itrsquos
the same neck featured on our innovative Performing Artist
series guitars with the same wide 2-316rdquo bridge string
spacing too for greater player comfort and accessibility up
and down the neck The new D-18 The perfect blend of past
and future ndash and great guitar to start the New Year
8102019 Vol_32pdf
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NAMM Show
Specials
N E W P R O D U C T S
2012 Martin Show Special Guitars
The DCPA Koa amp GPCPA Koa They donrsquot get any more beautiful ndash or more
beautiful sounding ndash than these spectacular
dovetail flamed Koa Performing Artist guitars
And with only a total of 30 instruments ndash
combined ndash being offered to dealers at the 2012
NAMM Show they donrsquot get any rarer either Here
wersquove chosen two of our most popular cutaway models in
the Performing Artist series the classic Dreadnought and
the Grand Performance and crafted the backs and sides
of premium Hawaiian flamed Koa a resonant tonewood
indigenous to the Hawaiian islands Koa has long been by
favored by native Hawaiian musicians for guitars and
ukuleles as well as discerning players and collectors
worldwide Martin in particular has built various sized
instruments of Koa from as early as 1850 The tops are of prized solid Adirondack Spruce as are the scalloped
forward-shifted ldquoXrdquo braces in the ldquoGolden Erardquo fashion The
bodies are bound with solid Madagascar rosewood the
top is inlaid in the 42 style with an elegant blue Paua
pearl rosette The backstrip is 45 style marquetry Both
guitars feature our fast and comfortable Performing Artist
modified low oval mahogany neck with ebony
fingerboard and
wide 2-316rdquo string
spacing on the
ebony Performing
Artist belly bridge And the
crowning touch both guitarsare equipped with the new
Fishmanreg F1 Aura + onboard electronics system the
ultimate in acoustic realism and projection as well as
pickup versatility Waverly gold tuners with Ivoroid
buttons complete the package Orders for the DCPA Koa amp
GPCP Koa will be taken solely from dealers in attendance
at the 2012 NAMM Show in Anaheim California
NEW TOOLS
for GREAT TONE
GPCPA Koa
DCPA Koa
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
DCPA1 Madagascar Rosewood ampGPCPA1 Madagascar Rosewood
These two very special dovetail Performing Artist
guitars reflect the best of Martin innovation expert
craftsmanship and selection of superior tonewoods ndash
all in one As PA series models Dreadnought and
Grand Performance they include a unique slim
tapered fast neck for exceptional player comfort in
all positions a smaller and lighter PA ldquobellyrdquo bridge
for greater tonal response and increased string
spacing for easier finger picking They also
include the new state-of-the-art Fishmanreg F1
Aura + onboard electronics system that deliver
striking acoustic realism and projection
Plugged in or pure acoustic these are great
sounding guitars ndash and with good reason The
tops are solid Adirondack spruce pearl inlaid inthe 41 style and driven by 516rdquo Adirondack
scalloped braces forward-shifted in the ldquoGolden Erardquo X
pattern The back sides and headplate are Madagascar
Rosewood selected for its beauty and close acoustic and visual resemblance to
Brazilian Rosewood Solid black ebony is used for the fingerboard and bridge
Details include grained Ivoroid bindings Delmar beveled tortoise color pickguard
special ldquoalternative torchrdquo inspired position inlays gold enclosed tuners bone nut
and saddle The most distinctive Performing Artist production models to date
Fishmanreg F1 Aura + The Fishmanreg F1 Aura + features a newsimplified and intuitive Easy Mode allowing youto quickly get a feel for the tonal possibilities ofthe system while providing the most importantfeatures The Easy Mode offers three custom-blended Aura Image presets tone control and
the option of using the undersaddle pickuponly For the real tone-tweakers wersquove retainedthe original Performance Mode as well givingyou full access to the powerful 3-band EQscompressor and automatic anti-feedback ofthe F1 Aura +
Performing
Artist SeriesDCPA1
Madagascar
Rosewood
GPCPA1
Madagascar
Rosewood
8102019 Vol_32pdf
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N E W P R O D U C T S
Performing
Artist Series
Martin introduces an exciting
new tonewood called Siris
DCPA4 Siris amp
GPCPA4 Siris
With these two new
Performing Artists guitars
Martin introduces an exciting
new tonewood called Siris
adding even more tonal color
and variety to the PA series Siris
delivers excellent bass response
reminiscent of East Indian rosewood as
well as a clear midrange and treble making it an
excellent guitar wood for recording and for playing live Lighter in color
yet denser than rosewood it produces a slightly longer sustain thanrosewood Siris is typically dark orange contrasting beautifully with the
Sitka Spruce tops tortoise colored pickguards grained Ivoroid bindings
and special East Indian rosewood center wedge on both guitarsrsquo 3-piece
backs The DCPA4 Siris and the GPCPA4 Siris are 14-fret cutaway guitars and
have fast comfortable Performing Artist profile necks Hybrid ldquoXrdquo scalloped top
bracing black Richlite fingerboards and bridges and Fishmanreg F1 Analog
onboard electronicsGPCPA4 Siris
DCPA4 Siris
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2946
Over 175 Years of Guitar Building Excellence
The GPCPA4 Sapele is constructed with
FSCreg Certified tonewoods harvested from
ecologically sound and responsibly manag
forests The fingerboard and bridge are
built with FSCreg
Certified Richlitereg
29
GPCPA4 SapeleFirst introduced in 2010 the GPCPA4 is an extraordinary Martin ndash a
big Grand Performance cutaway with a fast comfortable Performing
Artist Series high performance neck But this brand new version ndash
the GPCPA4 Sapele ndash is extra special It rsquos built with FSCreg Certified
tonewoods harvested from ecologically sound and responsibly
managed forests This includes African sapele back and sides
mahogany front and rear blocks cherry side strips Spanish cedar
ribbons and European spruce Hybrid ldquoXrdquo scalloped bracing The top
is FSCreg Certified recycled Sitka spruce produced from old bridge timbers in Canada
Even the fingerboard and bridge are crafted of FSCreg Certified Richlitereg material High
polished gloss top finish with tasteful Cherry red toned back and sides Fishmanreg F1
Analog electronics are included with volume and tone shaping capabilitiesonboard digital tuner and phase control Quite a
package Quite a guitar
8102019 Vol_32pdf
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N E W P R O D U C T S
DCPA5K and GPCPA5K
Advanced guitar design meets high-
tech guitar construction The result
two highly affordable Performing
Artist guitars with excellent tone
playability and durability Back
and sides of the cutaway
Dreadnought and Grand
Performance models are made
of a high-pressure wood fiber
laminate (called HPL) with
Koa grain and texture photo-
imbedded The top is solid Sitkaspruce braced with Martinrsquos Hybrid ldquoXrdquo
scalloped bracing system renowned for its
resonance clear treble and distinct bass The Performing Artist Profile neck is
slim and fast and comfortable made of tough Stratabondreg multi-layered
wood laminate Performing Artist bridge and fingerboard are black Richlite
Chrome enclosed tuners with large buttons and Fishmanreg F1 Analog
onboard electronics included A terrific value with great tone and
environmentally friendly
Performing
Artist Series
The DCPA5K and GPCPA5K
are Performing Artist guitars
with excellent tone playability and durability
GPCPA5K
DCPA5K
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3146
Road Series
31
Over 175 Years of Guitar Building Excellence
Special Edition
DRS2 The latest of Martinrsquos hard-working
great sounding Road Series guitars
the new DRS2 delivers a unique blend
of durability and concert-quality
sound and projection The top is
crafted of solid Sitka spruce and
braced with Martinrsquos A-Frame (X1)
bracing Back and sides are select
solid Sapele similar in look and
tonal qualities to its
close cousin
mahogany As
beautiful as it looks
and sounds the
DRS2 is a serious
working musicianrsquos
guitar built for on
the road durability
without sacrificeof tone The
neck is
constructed
of a multi-
layered
wood
laminate
called
Stratabondtrade
that perfectly
simulates natural
quartersawn wood grain The fingerboard and bridgeare crafted of black Richlite amazingly similar in look
weight and resonance of ebony A Fishmanreg
Sonitone sound reinforcement system completes
this very road ndash and stage ndash worthy Martin
000C NylonIn response to the many Martin players
who chose the limited edition 000CDG
built in memory of Chris Martinrsquos late
brother Doug Greth we have
expanded upon this unique ldquocrossoverrdquo
instrument with the new 000C Nylon It is
truly a hybrid instrument combining features
of a traditional Martin steel-string guitar with
those associated with a classical nylon string
guitar The top is crafted of solid Sitka spruce
and braced with a unique A-Frame ldquoXrdquo brace
system Yet this bracing system is equally
responsive to lighter nylon strings without
inhibiting tone or volume The 12-fret low
profile neck features an 18rdquo radius arched
(versus flat) fingerboard like a steel string
but with a classic width 1-78rdquo at the nut and
2-516rdquo at the 12th fret The bridge is in the
classic style with tie block and drop insaddle Bridge string spacing is a
wider 2-516rdquo as well Even the
000Crsquos headstock is unique ndash
square tapered like the
traditional Martin steel
string style but slotted to
accommodate classical
nylon strings Each guitar is
fitted with onboard Fishmanreg
F1 Analog electronics too
The result A versatile
great sounding andplaying guitar no
matter whether you
play acoustic or
acoustic electric
or both
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3246
D-28M Limited Edition Celebrates
The Enduring Music and Legacy ofThe Mamas and The Papas
The appointments on the D-28M Mamas and ThePapas Custom Artist Edition emulate a circa 1960sD-28 blackwhiteblack top purfling blackwhiteback purfling grained Ivoroid binding and heelcapldquocheckerboardrdquo backstrip mother of pearl dotposition markers chrome Groverreg Rotomatic tunerstortoise-colored pickguard polished gloss lacquerfinish and vintage-inspired aging toner on the topExtra flash comes in the form of a Style 45 abalonepearl rosette and abalone pearl-topped bone bridgeand end pins
The guitarrsquos crowning glory is ndash appropriately ndashon the polished black ebony headplate Above
the nut sheltered by the familiar gold old-styleldquoC F Martin amp Co Est 1833rdquo decal logo is a silhouette of The Mamas and The Papasbeautifully inlaid in mother of pearl Derivedfrom a photo by Henry Diltz the inlay capturesthe group in full performance mode
In the early 1960s the four musicians whobecame The Mamas and Papas were a long way from pop music stardom though all wereinvolved in the East Coast folk music scene
John Phillips was a member of the JourneymenDenny Doherty and Cass Elliot sang with theMugwumps After the Journeymen broke up
John Phillips his wife Michelle Phillips andMarshall Brickman formed the New JourneymenMarshall eventually left the band but went on toco-write Oscar winning screenplays with Woody
Allen and he co-wrote the book that became therecord-breaking play ldquoThe Jersey Boysrdquo
Marshall Brickman was replaced by Denny Doherty and soon Doherty introduced hisbandmates to Elliot The four began harmonizingto the pop songs John was writing and perfectedtheir sound during a Caribbean vacation together
The starting point for The Mamas and the Papasrsquofresh pop sound was the folk music all fourmembers played before they got together as a group Songwriter and leader John Phillipsrsquo well-
worn Martin Dreadnought often provided thestrummed rhythmic underpinning on which TheMamas and Papasrsquo band instrumentation andvocals were layered The combination proved tobe genius and even today The Mamas and thePapas ldquosoundrdquo is instantly recognizable
To celebrate the group and its place in popmusic history C F Martin introduces a very
special D-28M Mamas and The Papas
Custom Artist Edition Limited to just100 instruments this new Custom Artist Edition features rare tonewoodshandsome appointments and aunique headstock inlay to honorthese musical trailblazers
John Phillipsrsquo vintage Martin D-28provides the inspiration for this Custom Artist Edition The tonewoods and top
bracing are a stellar combination thatapproximates those of MartinDreadnoughts from the early 1930sBack and sides are rare Madagascarrosewood similar in appearance andtone to the now endangered Brazilianrosewood The top is Carpathianspruce comparable in power andbrilliance to Adirondack spruce andequally responsive Advanced ldquoXrdquo
516rdquo scalloped bracing provides richresonant tone The 1 1116rdquo (at the
nut) low profile neck with diamondvolute is genuine mahogany while the
fingerboard and belly bridge are black ebony
L M
In the 1960s The Mamas and the Papas were at the epicenter of a musical earthquake
that began in Southern California and sent shockwaves across the country Combining
great songwriting unique arrangements and lush harmonies the group had six ldquoTop
10rdquo singles and four ldquoTop 5rdquo albums from 1965 through 1967 a feat that made them one
of the few groups to challenge the Beatles during that era While The Mamas and the
Papasrsquo original lineup of John Phillips Cass Elliot Denny Doherty and Michelle Phillips
lasted just four years several of the songs they created ndash including ldquoCalifornia Dreaminrsquordquo
ldquoMonday Mondayrdquo ldquoWords of Loverdquo and ldquoTwelve Thirtyrdquo ndash have stood the test of time
32
8102019 Vol_32pdf
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(This story should sound familiar they laterturned it into a hit single ldquoCreeque Alleyrdquo)Eventually the four traveled to Los Angeles
where they auditioned for Dunhill RecordsOwnerProducer Lou Adler Adler signed them tohis label immediately and two days later thegroup had a name The Mamas and the Papas
Released in 1965 The Mamas and The Papasrsquofirst single failed to garner much notice Howeverthe second single ldquoCalifornia Dreamingrdquo co-
written by John and Michelle Phillips reachedNo 4 on the charts The grouprsquos debut album If
You Can Believe Your Eyes and Ears was releasedin early 1966 and rose to No 1 quickly followedby the single ldquoMonday Mondayrdquo which also hitNo 1 and later won a Grammy Award for ldquoBestContemporary Group Performancerdquo
While The Mamas and The Papasrsquo personallives became increasingly turbulent over the nexttwo years their music continued to flourish they recorded three additional albums ndash The Mamasand The Papas Deliver and The Papas and TheMamas ndash that went ldquoTop 20rdquo and in turn yieldedseveral ldquoTop 20rdquo singles
In 1968 bitter infighting between memberscaused the group to disband Due to contractualobligations they reunited briefly in 1971 to makethe People Like Us album and then went theirseparate ways Cass Eliot had a flourishing solocareer that was cut short by her death in 1974
John Phillips continued to write songs and bothhe and Denny Doherty performed and recordedas solo acts In the 1980s and 1990s they occasionally reunited to tour as members of the
New Mamas and Papas John Phillipsdied in 2001 Denny Doherty died in2007 Michelle Phillips enjoyed a successful acting career and today isthe last surviving original memberof the group
Despite the grouprsquos short history TheMamas and The Papasrsquo musical legacy remainsundiminished the group was inducted into theRock amp Roll Hall of Fame in 1998 and received a
Grammy Hall of Fame Award in 2001 In 2003 If You Can Believe Your Eyes and Ears was ranked127 on Rolling Stone magazinersquos list of the 500greatest albums of all time
Delivered in a hardshell case eachD-28M Mamas and The PapasCustom Artist Edition guitar bears a special interior label featuring theldquosun rayrdquo graphic from the RouletteRecords label on which some of TheMamas and The Papasrsquo singles werereissued in the 1970s Each label ispersonally signed by former Mamasand The Papas member MichellePhillips and numbered in sequence
with the edition total Beginning immediately authorized C F Martindealers will accept orders for theD-28M Mamas and The PapasCustom Artist Edition until all 100guitars in the edition are allocatedparticipating Martin dealers willthen be posted on theC F Martin website
wwwmartinguitarcom
33
S A M P L E
8102019 Vol_32pdf
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L O N D O N A C O U S T I C G U I TA R S H O W
Acoustic guitar aficionados attending The London
Acoustic Guitar Show were treated to presentations
that showcased Americarsquos favorite musical instrument
brand and featured musical vignettes by legendary
and influential guitarists Stefan Grossman and
John RenbournThe presentation was given by Dick Boak archivist for Martin
Guitar who offered a graphical and interactive history of the 178-year-old guitar company In addition Dick displayed severalimportant examples in the evolution of Martin acoustic guitarsThe presentation focused on the development of the modern
acoustic guitar Martinrsquos historical contributions to the definitivacoustic guitar design artist signature model collaborations an
an in-depth explanation of specific guitar shapes sizes andtonewoods that lend themselves to particular musical genres JoRenbourn and Stefan Grossman legendary acoustic fingerstyleinnovators demonstrated the tonality of an assortment of Martinstruments including their own Custom Signature models
Martinrsquos UK distributor Westside Management was a primasponsor of the show and the host for the concert stage thatfeatured a stunning live performance by Renbourn and Grossm
Dick Boakrsquos presentation provided a template and proving ground for potential future presentations throughout the UniteStates Europe and Japan
THE LONDON ACOUSTICGUITAR SHOWSaturday and Sunday September 10-11 2011
Olympia Conference Center London
34
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3546
Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3646
M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3746
The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
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M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
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M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
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Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
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M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
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Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
8102019 Vol_32pdf
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A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
8102019 Vol_32pdf
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C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
8102019 Vol_32pdf
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P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
8102019 Vol_32pdf
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Dierks BentleyReaching deep into acoustic rootsmusic resulted in Dierks Bentleyrsquosnew album Up On The RidgeMore than a bluegrass concept
album with guests Up On TheRidge features Bentley working with some of the finest acousticmusicians in the world including long-time collaborators theDel McCoury Band and a new musical partnership with ChrisThile and the Punch Brothers Asa recent addition to the Martin
Ambassador ranks Dierkrsquos israrely seen without his prizedvintage herringbone D-28
Hawaiirsquos HirsquoikuaIn a culture that honorsthe legacies of the pastthis Hawaiian trio of talented musicians pays
homage to their roots while creating a uniqueand progressive soundthat leaves an indeliblemark upon contemporary Hawaiian music
In a seamlesscontinuous movement we all carry a past while living in thepresent and moving toward a future Hirsquoikuarsquos music reflectsthe belief that without asking the knowledge of our ancestorshas already been placed within us in the hope that we too
will shoulder that responsibility in an unbroken journey intothe future
Their music is composed and performed by Kalehua Krug (left with his Martin 12-string) Kamuela Kimokeo (above andcenter left with his Martin OMC Aura cutaway) and BlakeLeoki-Haili (right with Martin tenor ukulele)
The grouprsquos name derives from the Hawaiian word thatmeans literally ldquoto carry on onersquos backrdquo Hirsquoikua has taken thisresponsibility seriously
ldquoAia I Hirsquoialordquo the long awaited CD from Hirsquoikua featuressix original and six traditional songs
wwwhiikuacom J e r r o l J u l i a n P
h o t o g r a p h y
J e r r o l J u l i a n P
h o t o g r a p h y
8102019 Vol_32pdf
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F R O M T H E A R C H I V E S
Waiting for the Sunday Boatrdquo by William Henry Jacksonrdquo Florida circa 1902Martin small-bodied parlor guitar
ldquoAs long as
Irsquove got my guitar
Irsquoll be finerdquo
mdash Willie Nelson referring to Tri
his legendary Martin guitar
HometownCentenarianMary Arletta Hahnis shown (right)
with her 00-1712-fret Martinguitar Mary was inher twenties whenthis picture was
taken (circa 1932)She was born inNazareth andturned 104 this pastSeptember Healthy small town living Shereceived her theology degree from the United
Wesleyan College but she also majored in voicepiano and guitar She would sing and play guitarin her fatherrsquos varied congregations Mary haslived her entire life in and around NazarethToday she lives just one block from where herguitar was made
1883 Advertisement
Gu i tar is t and Mando l in
is t
c irca 18 9 0
Guit ar ist and Mandolinist c ir c a 19 25
20
8102019 Vol_32pdf
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Ahh the sound of the Martin Rich and evocative Texture
lifeby strummingorpickingorthe lightesttouchtoteas
harmonicsthesoundmdashlikethehistoryofCF Martinamp C
peopleanda storyofthesensesHearitTasteitFeelitA
artist Robert Goetzl see it Seethe sound of the Martin
FEA TU R E
The Soundand the Story
Thehand drawnsketches (right)illustratethesix-panel seriesofthree-foot byfour-footmuralsthatwillhangintheMartinVisitorrsquos Center
BYSUSAN J BURLINGAME FREELANCE WRITER MARTIN
22
mdashC FMartin IVmdashcalls itldquothe magic ofFrom JohnnyCash to John Mayerand fromElvis Costello manyof historyrsquos mostbrilliantve chosen the Martin sound the Martin magicm the Martin storycontinuesMartin magic is mostprofoundly representedby n in the early1800s on the otherside of theour eyes fora momentand imagine ayoung king browfurrowed in concentration Heods the braces the strings of his firstguitarrtin has traveledfrom his home in Saxonytoe learns the artof guitarmaking as ane of the bestknown guitar shops in Europeg his 37th year C F Martinalong with hisdren sets outfor Americae story as theysayhellipis magicamp Co is still family-ownedmdashbutthe ldquofamilyrdquoh Martins and non-Martins generations of
ed arole in crafting the exquisite acousticrtin has offeredthe world formore than 175ertGoetzl a cousin to Chris Martinhas been create awork of art depicting C F Martin ampamily its sound andits storyeries of three-footby four-footmurals thatwillin Visitorrsquos Center the work says Goetzl is a love Chris Martin thatmuch He wasuential in mylife andthe opportunityto tellyauthentically is extremelymeaningful to merdquonels (pictured here)take viewers on CFfrom Saxonyto Viennato the newworld
ured as the music of the Martin guitar thensionalmdashdone in mixedmedia with collage andreating the firstpanel was forGoetzl the biggest
23
challenge ldquoI realizedthe enormityof the projectmdashnotjust inscope butalso in importance to the familyand to the thousandsof people who wouldbe looking atitrdquoGoetzl labored andsecond-guessedand tweakedand proddedbefore finally unveiling itto Chris Martin andothers at Martin ldquoThe lookson theirfaces toldme I had naileditrdquo Panel numbertwo which illustrates the Martin familyrsquosinitial shopin New York andthe move to NazarethPennsylvania causedGoetzl much less consternation butequallyas much joy he says as will each successive mural ldquoIf this is the endof the roadfor me the lastwork I evercreaterdquosays Goetzl (who surelyhas afew more decades ofcreativityleft) ldquoI wouldbe completely fine with thatrdquo
ldquoRobert has put his heart into
creating something that will
make a tremendous addition
to the Martin experiencerdquo
mdash Dick Boak Artist Relations C F Martin amp Co
Tex Fletcher
SingingcowboyTexFletcher maynot
have become the household name that
other cowboy singers from the 1930s
such as Gene Autry and Roy Rogers had
butdespitesometimes overwhelming
odds hersquosbeen remembered nonetheless
forhis noteworthycontributionsto earlyand
mid-20th century cowboy culture
He was born Geremino Biscegliain 1910 in HarrisonNew York the fifth of eight children of Italian immigrants Michael(astone mason)and Josephine Bisceglia He leftschool afterthethirdgrade to work with his fatherandbrothers He was raisedin a musical householdand he learnedto sing andplay traditional Italian songs accompaniedby accordionsmandolins andviolins
Jerrypicked upa fewguitar chords froma local right-handedguitarist butbeing left-handed he retaughthimself to playhisown right-handedguitarldquobackwards andupside downrdquoas he wouldlater explain with achuckle
He became enamoredwith the silver screen cowboys of theday often sneaking into the local cinemaforshowings of thelatestsilent picture starring TomMix WilliamS Hartand YakimaCanutt
Overthe nextfew years the teenagedcowboy wannabe beganto realize his boyhoodambition as he learnedto handle horseandcattle byday while soaking upcowboy lore andcampfiresongs bynight in effectbecoming aldquorealrdquocowboy Asinging cowboy Unique stuff forthe late 20s He returnedto NewYork in 1931 with aconfidence anda newfoundvoice With saddle bags full of cowboy stories andsongs the cowboysingerwas now going bythe name Tex Fletcher He began entering andwinning localthen regionaltalentshows Fletcherrsquos confidence grewwith each winning purse as was evidencedbyhis every growing wardrobe of
cowboyoutfits andhis first Martin guitar a000-45 He neverplayedanother companyrsquos guitars again believing the leastexpensive Martin guitarwas headand shoulders aboveanyother companyrsquos bestHistory has clearlymade fora compelling argument Itwasnrsquotlongbeforehereceivedan offerofa radiojobas asinging cowboyoverWFASinWhitePlainsNewYorkBy1934 attheheightofsingingcowboycrazeFletcherbegana relationshipthat wouldlastmorethan 25yearsbroadcastingoverWORNew YorkNewJersey(MutualNetwork)Itwas thesameyear thathebeganappearingatthe VillageBarnnightclub(whichwouldlaterbecomeJimiHendrixrsquosElectricLadyland)inGreenwichVillageNYagig thatlastedwell intotheearly1960s
1934 was also the yearTexorderedhis custommade MartinD-42Hersquodadmiredthe pearlygoodlooks and loudtone of Gene Autryrsquos D-45 (the firstD-45) butwanted an instrumentthatw ouldbe uniquelyTexFletcherrsquos guitar But he wasnrsquotthe onlycowboysinger who wantedto follow in Autryrsquos trail Milwaukee -based Jackie ldquoKidrdquoMoore beathimto the punch when he ordered his own D-45 (No 2)fromMartinBut according to authorMartin researcherJohn Woodland amisunderstanding with regardto neck length ledMartin to shelve the unfinished14 fretto the body D-45Moore then optedfor awider OMstyle neck with 12 frets tothe body This D-45 is No3 Then along comes NewYork radio cowboyTexFletcherwithhis own ideaof whatfeatures ldquohisrdquoguitar shouldsportincluding 14 frets to the body which alignedperfectly with the
partiallyconstructed D-45 (No2) buthe wanted all the flashupfront So insteadof proceeding to finish the guitaras aD-45Martin craftsmen changedthe toprsquos bracing to aHigh ldquoXrdquoconfiguration anddesignated this slightlymore modestcousinof the D-45the D-42 So the TexFletchermodel is not only the firstD-42butalso the secondD-45Itremainedthe only example of the D-42 forthe next54 years
Fletcherhadbeenout ofthe musicbusinessforjusta fewyears whenhe wastrackeddownin theearly1970sby then-MartinhistorianMikeLongworthwho convincedthe oldcowboytodonatetheinstrumenttothe MartinMuseumFletcheragreedandthatrsquoswhereitresidesto thisdaydisplayedjusta fewfeetfromitrsquosfirstcousintheGeneAutryD-45 (No1)
21 24
N EW PR O D U CTS
NEW A DDITIONS TO
OUR LINEUP OF
Great Ukuleles
The Martin Standards of Tone and Workmanship Prevail
C1K amp T1K UkulelesMartin has been building the worldrsquos finest ukuleles
from as early as 1916includingthesmallest Soprano
the original model to the larger Concert in 1925 and
the Tenor uke in 1929 Both the concert model and
tenor models havelong been prized for their full-bodied
voiceandgreatervolumeThesenewC1Kconcertand
T1Ktenor modelsfeaturetops backsidesand head-
platesofsolidHawaiianKoaawoodnativeto Hawaii
and a favoriteof island players Both ukes feature solid
Sitkabraces genuinemahoganyblocksand applied
dovetailneckjointsintheMartintraditionNecksare
craftedofselecthardwoodandcappedwithasolid
Morado fingerboardtheconcert has a 15rdquoscalelength
thetenor a 17rdquoscaleBridges arealso ofsolid Morado
with whiteTusqsaddles Open-geared nickel tuners with
whitebuttons ensureprecision Finished in high quality
satinlacquerPadded bagincludedTwo beautifulexam-
ples of why Martin is still the name in superior quality
ukuleles
ldquoAs far as inanimate objects
being friends I think that is right
on the list My Martin ukulele
is a work of art Itrsquos going to live
long after merdquo
mdashEddieVedderPearl JamUkuleleSongs
T1K
C1K
8102019 Vol_32pdf
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Clock key mechanism for
adjustingguitar necks on
Martinrsquos earliest guitars
manufactured in New York
ImaginedMartinfamily portrait
CircaSeptember1833mdashat the
timeof theMartinsrsquotransatlantic
journey to the New World
Mappointingto
Markneukirchen the
main town in Germanyrsquos
musicalinstrument-
makingregion
Embellished original
drawingofCF Martinrsquos
residencein
Markneukirchen
Saxony (Germany)
Thesa
carries
North
specta
showe
Harbo
Imagin
CFM
Hudso
Depic
mold
a Mart
glueu
NEL ONE 2 bull PANEL TWO
Rende
home
in Che
Circa1
Portra
presid
when
arrived
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
OM -21 NEW Martinrsquos OM (Orchestra Models)
guitars have always been very
special to fingerstyle guitarists
especially this new OM-21 with its
comfortable 1-34rdquo wide neck at the
nut and highly responsive 14rdquo
scalloped Sitka top braces Elegant in
its simplicity this new version offers a
tasteful upgrade of solid black ebony
fingerboard and 30rsquos style ldquobellyrdquo
bridge with genuine bone saddle and
nut all adding to the rich resonance of this guitar Whatrsquos more wersquove
replaced the standard OM neck with a
slimmer ldquoPerformingrdquo Artistrdquo modified
low oval profile tapered neck and
wider 2-316rdquo bridge string spacing for
faster more comfortable playing The
solid Sitka spruce top with
hand-inlaid 28 style
rosette is joined to a
body of premium
solid East Indian
rosewood bound intortoise colored
18 style binding
Delmar tortoise color
pickguard nickel
open-geared
tuners with
Butterbean
knobs and
polished gloss
lacquer with
aging toner
complete this
beautiful
instrument
Delivered to you in the
new Martin 433 archtop
hardshell case If yoursquore a finger picker this new OM-21 is
the one to pick
D-18 NEW Since its introduction in 1935 the D-18
has been the workhorse of the Martin steel
string acoustic line More plain and less
costly than its D-28 rosewood cousin the
D-18 has none the less established its own
tonal identity ndash balanced crisp midrange
definitive bass and bright clear treble a
favorite of innumerable bluegrass blues and
country performers as well as discerning
studio musicians ndash because it is a great
performing and recording guitar Over the
years the D-18 has seen numerouspermutations ndash the D-18V and D-18P ndash as
well as variations in bindings rosette
fingerboard amp bridge woods bracing
patterns and pickguards And now the
new D-18 brings together
the best features of all of
these great D-18s into
one superb sounding
and playing guitar On
the traditional side backs
and sides are still crafted
of solid genuineMahogany joined with a
solid Sitka spruce top
with forward-shifted
scalloped ldquoXrdquo bracing
The fingerboard
and 1930s style
belly bridge are
fashioned of
solid black
ebony as were
the originals
Whatrsquos new A
lightning fast modified low
oval profile neck with a
1-34rdquo nut width and slimmer 2-18rdquo taper at the 12th fret Itrsquos
the same neck featured on our innovative Performing Artist
series guitars with the same wide 2-316rdquo bridge string
spacing too for greater player comfort and accessibility up
and down the neck The new D-18 The perfect blend of past
and future ndash and great guitar to start the New Year
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NAMM Show
Specials
N E W P R O D U C T S
2012 Martin Show Special Guitars
The DCPA Koa amp GPCPA Koa They donrsquot get any more beautiful ndash or more
beautiful sounding ndash than these spectacular
dovetail flamed Koa Performing Artist guitars
And with only a total of 30 instruments ndash
combined ndash being offered to dealers at the 2012
NAMM Show they donrsquot get any rarer either Here
wersquove chosen two of our most popular cutaway models in
the Performing Artist series the classic Dreadnought and
the Grand Performance and crafted the backs and sides
of premium Hawaiian flamed Koa a resonant tonewood
indigenous to the Hawaiian islands Koa has long been by
favored by native Hawaiian musicians for guitars and
ukuleles as well as discerning players and collectors
worldwide Martin in particular has built various sized
instruments of Koa from as early as 1850 The tops are of prized solid Adirondack Spruce as are the scalloped
forward-shifted ldquoXrdquo braces in the ldquoGolden Erardquo fashion The
bodies are bound with solid Madagascar rosewood the
top is inlaid in the 42 style with an elegant blue Paua
pearl rosette The backstrip is 45 style marquetry Both
guitars feature our fast and comfortable Performing Artist
modified low oval mahogany neck with ebony
fingerboard and
wide 2-316rdquo string
spacing on the
ebony Performing
Artist belly bridge And the
crowning touch both guitarsare equipped with the new
Fishmanreg F1 Aura + onboard electronics system the
ultimate in acoustic realism and projection as well as
pickup versatility Waverly gold tuners with Ivoroid
buttons complete the package Orders for the DCPA Koa amp
GPCP Koa will be taken solely from dealers in attendance
at the 2012 NAMM Show in Anaheim California
NEW TOOLS
for GREAT TONE
GPCPA Koa
DCPA Koa
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Over 175 Years of Guitar Building Excellence
DCPA1 Madagascar Rosewood ampGPCPA1 Madagascar Rosewood
These two very special dovetail Performing Artist
guitars reflect the best of Martin innovation expert
craftsmanship and selection of superior tonewoods ndash
all in one As PA series models Dreadnought and
Grand Performance they include a unique slim
tapered fast neck for exceptional player comfort in
all positions a smaller and lighter PA ldquobellyrdquo bridge
for greater tonal response and increased string
spacing for easier finger picking They also
include the new state-of-the-art Fishmanreg F1
Aura + onboard electronics system that deliver
striking acoustic realism and projection
Plugged in or pure acoustic these are great
sounding guitars ndash and with good reason The
tops are solid Adirondack spruce pearl inlaid inthe 41 style and driven by 516rdquo Adirondack
scalloped braces forward-shifted in the ldquoGolden Erardquo X
pattern The back sides and headplate are Madagascar
Rosewood selected for its beauty and close acoustic and visual resemblance to
Brazilian Rosewood Solid black ebony is used for the fingerboard and bridge
Details include grained Ivoroid bindings Delmar beveled tortoise color pickguard
special ldquoalternative torchrdquo inspired position inlays gold enclosed tuners bone nut
and saddle The most distinctive Performing Artist production models to date
Fishmanreg F1 Aura + The Fishmanreg F1 Aura + features a newsimplified and intuitive Easy Mode allowing youto quickly get a feel for the tonal possibilities ofthe system while providing the most importantfeatures The Easy Mode offers three custom-blended Aura Image presets tone control and
the option of using the undersaddle pickuponly For the real tone-tweakers wersquove retainedthe original Performance Mode as well givingyou full access to the powerful 3-band EQscompressor and automatic anti-feedback ofthe F1 Aura +
Performing
Artist SeriesDCPA1
Madagascar
Rosewood
GPCPA1
Madagascar
Rosewood
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N E W P R O D U C T S
Performing
Artist Series
Martin introduces an exciting
new tonewood called Siris
DCPA4 Siris amp
GPCPA4 Siris
With these two new
Performing Artists guitars
Martin introduces an exciting
new tonewood called Siris
adding even more tonal color
and variety to the PA series Siris
delivers excellent bass response
reminiscent of East Indian rosewood as
well as a clear midrange and treble making it an
excellent guitar wood for recording and for playing live Lighter in color
yet denser than rosewood it produces a slightly longer sustain thanrosewood Siris is typically dark orange contrasting beautifully with the
Sitka Spruce tops tortoise colored pickguards grained Ivoroid bindings
and special East Indian rosewood center wedge on both guitarsrsquo 3-piece
backs The DCPA4 Siris and the GPCPA4 Siris are 14-fret cutaway guitars and
have fast comfortable Performing Artist profile necks Hybrid ldquoXrdquo scalloped top
bracing black Richlite fingerboards and bridges and Fishmanreg F1 Analog
onboard electronicsGPCPA4 Siris
DCPA4 Siris
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Over 175 Years of Guitar Building Excellence
The GPCPA4 Sapele is constructed with
FSCreg Certified tonewoods harvested from
ecologically sound and responsibly manag
forests The fingerboard and bridge are
built with FSCreg
Certified Richlitereg
29
GPCPA4 SapeleFirst introduced in 2010 the GPCPA4 is an extraordinary Martin ndash a
big Grand Performance cutaway with a fast comfortable Performing
Artist Series high performance neck But this brand new version ndash
the GPCPA4 Sapele ndash is extra special It rsquos built with FSCreg Certified
tonewoods harvested from ecologically sound and responsibly
managed forests This includes African sapele back and sides
mahogany front and rear blocks cherry side strips Spanish cedar
ribbons and European spruce Hybrid ldquoXrdquo scalloped bracing The top
is FSCreg Certified recycled Sitka spruce produced from old bridge timbers in Canada
Even the fingerboard and bridge are crafted of FSCreg Certified Richlitereg material High
polished gloss top finish with tasteful Cherry red toned back and sides Fishmanreg F1
Analog electronics are included with volume and tone shaping capabilitiesonboard digital tuner and phase control Quite a
package Quite a guitar
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N E W P R O D U C T S
DCPA5K and GPCPA5K
Advanced guitar design meets high-
tech guitar construction The result
two highly affordable Performing
Artist guitars with excellent tone
playability and durability Back
and sides of the cutaway
Dreadnought and Grand
Performance models are made
of a high-pressure wood fiber
laminate (called HPL) with
Koa grain and texture photo-
imbedded The top is solid Sitkaspruce braced with Martinrsquos Hybrid ldquoXrdquo
scalloped bracing system renowned for its
resonance clear treble and distinct bass The Performing Artist Profile neck is
slim and fast and comfortable made of tough Stratabondreg multi-layered
wood laminate Performing Artist bridge and fingerboard are black Richlite
Chrome enclosed tuners with large buttons and Fishmanreg F1 Analog
onboard electronics included A terrific value with great tone and
environmentally friendly
Performing
Artist Series
The DCPA5K and GPCPA5K
are Performing Artist guitars
with excellent tone playability and durability
GPCPA5K
DCPA5K
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Road Series
31
Over 175 Years of Guitar Building Excellence
Special Edition
DRS2 The latest of Martinrsquos hard-working
great sounding Road Series guitars
the new DRS2 delivers a unique blend
of durability and concert-quality
sound and projection The top is
crafted of solid Sitka spruce and
braced with Martinrsquos A-Frame (X1)
bracing Back and sides are select
solid Sapele similar in look and
tonal qualities to its
close cousin
mahogany As
beautiful as it looks
and sounds the
DRS2 is a serious
working musicianrsquos
guitar built for on
the road durability
without sacrificeof tone The
neck is
constructed
of a multi-
layered
wood
laminate
called
Stratabondtrade
that perfectly
simulates natural
quartersawn wood grain The fingerboard and bridgeare crafted of black Richlite amazingly similar in look
weight and resonance of ebony A Fishmanreg
Sonitone sound reinforcement system completes
this very road ndash and stage ndash worthy Martin
000C NylonIn response to the many Martin players
who chose the limited edition 000CDG
built in memory of Chris Martinrsquos late
brother Doug Greth we have
expanded upon this unique ldquocrossoverrdquo
instrument with the new 000C Nylon It is
truly a hybrid instrument combining features
of a traditional Martin steel-string guitar with
those associated with a classical nylon string
guitar The top is crafted of solid Sitka spruce
and braced with a unique A-Frame ldquoXrdquo brace
system Yet this bracing system is equally
responsive to lighter nylon strings without
inhibiting tone or volume The 12-fret low
profile neck features an 18rdquo radius arched
(versus flat) fingerboard like a steel string
but with a classic width 1-78rdquo at the nut and
2-516rdquo at the 12th fret The bridge is in the
classic style with tie block and drop insaddle Bridge string spacing is a
wider 2-516rdquo as well Even the
000Crsquos headstock is unique ndash
square tapered like the
traditional Martin steel
string style but slotted to
accommodate classical
nylon strings Each guitar is
fitted with onboard Fishmanreg
F1 Analog electronics too
The result A versatile
great sounding andplaying guitar no
matter whether you
play acoustic or
acoustic electric
or both
8102019 Vol_32pdf
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D-28M Limited Edition Celebrates
The Enduring Music and Legacy ofThe Mamas and The Papas
The appointments on the D-28M Mamas and ThePapas Custom Artist Edition emulate a circa 1960sD-28 blackwhiteblack top purfling blackwhiteback purfling grained Ivoroid binding and heelcapldquocheckerboardrdquo backstrip mother of pearl dotposition markers chrome Groverreg Rotomatic tunerstortoise-colored pickguard polished gloss lacquerfinish and vintage-inspired aging toner on the topExtra flash comes in the form of a Style 45 abalonepearl rosette and abalone pearl-topped bone bridgeand end pins
The guitarrsquos crowning glory is ndash appropriately ndashon the polished black ebony headplate Above
the nut sheltered by the familiar gold old-styleldquoC F Martin amp Co Est 1833rdquo decal logo is a silhouette of The Mamas and The Papasbeautifully inlaid in mother of pearl Derivedfrom a photo by Henry Diltz the inlay capturesthe group in full performance mode
In the early 1960s the four musicians whobecame The Mamas and Papas were a long way from pop music stardom though all wereinvolved in the East Coast folk music scene
John Phillips was a member of the JourneymenDenny Doherty and Cass Elliot sang with theMugwumps After the Journeymen broke up
John Phillips his wife Michelle Phillips andMarshall Brickman formed the New JourneymenMarshall eventually left the band but went on toco-write Oscar winning screenplays with Woody
Allen and he co-wrote the book that became therecord-breaking play ldquoThe Jersey Boysrdquo
Marshall Brickman was replaced by Denny Doherty and soon Doherty introduced hisbandmates to Elliot The four began harmonizingto the pop songs John was writing and perfectedtheir sound during a Caribbean vacation together
The starting point for The Mamas and the Papasrsquofresh pop sound was the folk music all fourmembers played before they got together as a group Songwriter and leader John Phillipsrsquo well-
worn Martin Dreadnought often provided thestrummed rhythmic underpinning on which TheMamas and Papasrsquo band instrumentation andvocals were layered The combination proved tobe genius and even today The Mamas and thePapas ldquosoundrdquo is instantly recognizable
To celebrate the group and its place in popmusic history C F Martin introduces a very
special D-28M Mamas and The Papas
Custom Artist Edition Limited to just100 instruments this new Custom Artist Edition features rare tonewoodshandsome appointments and aunique headstock inlay to honorthese musical trailblazers
John Phillipsrsquo vintage Martin D-28provides the inspiration for this Custom Artist Edition The tonewoods and top
bracing are a stellar combination thatapproximates those of MartinDreadnoughts from the early 1930sBack and sides are rare Madagascarrosewood similar in appearance andtone to the now endangered Brazilianrosewood The top is Carpathianspruce comparable in power andbrilliance to Adirondack spruce andequally responsive Advanced ldquoXrdquo
516rdquo scalloped bracing provides richresonant tone The 1 1116rdquo (at the
nut) low profile neck with diamondvolute is genuine mahogany while the
fingerboard and belly bridge are black ebony
L M
In the 1960s The Mamas and the Papas were at the epicenter of a musical earthquake
that began in Southern California and sent shockwaves across the country Combining
great songwriting unique arrangements and lush harmonies the group had six ldquoTop
10rdquo singles and four ldquoTop 5rdquo albums from 1965 through 1967 a feat that made them one
of the few groups to challenge the Beatles during that era While The Mamas and the
Papasrsquo original lineup of John Phillips Cass Elliot Denny Doherty and Michelle Phillips
lasted just four years several of the songs they created ndash including ldquoCalifornia Dreaminrsquordquo
ldquoMonday Mondayrdquo ldquoWords of Loverdquo and ldquoTwelve Thirtyrdquo ndash have stood the test of time
32
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(This story should sound familiar they laterturned it into a hit single ldquoCreeque Alleyrdquo)Eventually the four traveled to Los Angeles
where they auditioned for Dunhill RecordsOwnerProducer Lou Adler Adler signed them tohis label immediately and two days later thegroup had a name The Mamas and the Papas
Released in 1965 The Mamas and The Papasrsquofirst single failed to garner much notice Howeverthe second single ldquoCalifornia Dreamingrdquo co-
written by John and Michelle Phillips reachedNo 4 on the charts The grouprsquos debut album If
You Can Believe Your Eyes and Ears was releasedin early 1966 and rose to No 1 quickly followedby the single ldquoMonday Mondayrdquo which also hitNo 1 and later won a Grammy Award for ldquoBestContemporary Group Performancerdquo
While The Mamas and The Papasrsquo personallives became increasingly turbulent over the nexttwo years their music continued to flourish they recorded three additional albums ndash The Mamasand The Papas Deliver and The Papas and TheMamas ndash that went ldquoTop 20rdquo and in turn yieldedseveral ldquoTop 20rdquo singles
In 1968 bitter infighting between memberscaused the group to disband Due to contractualobligations they reunited briefly in 1971 to makethe People Like Us album and then went theirseparate ways Cass Eliot had a flourishing solocareer that was cut short by her death in 1974
John Phillips continued to write songs and bothhe and Denny Doherty performed and recordedas solo acts In the 1980s and 1990s they occasionally reunited to tour as members of the
New Mamas and Papas John Phillipsdied in 2001 Denny Doherty died in2007 Michelle Phillips enjoyed a successful acting career and today isthe last surviving original memberof the group
Despite the grouprsquos short history TheMamas and The Papasrsquo musical legacy remainsundiminished the group was inducted into theRock amp Roll Hall of Fame in 1998 and received a
Grammy Hall of Fame Award in 2001 In 2003 If You Can Believe Your Eyes and Ears was ranked127 on Rolling Stone magazinersquos list of the 500greatest albums of all time
Delivered in a hardshell case eachD-28M Mamas and The PapasCustom Artist Edition guitar bears a special interior label featuring theldquosun rayrdquo graphic from the RouletteRecords label on which some of TheMamas and The Papasrsquo singles werereissued in the 1970s Each label ispersonally signed by former Mamasand The Papas member MichellePhillips and numbered in sequence
with the edition total Beginning immediately authorized C F Martindealers will accept orders for theD-28M Mamas and The PapasCustom Artist Edition until all 100guitars in the edition are allocatedparticipating Martin dealers willthen be posted on theC F Martin website
wwwmartinguitarcom
33
S A M P L E
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L O N D O N A C O U S T I C G U I TA R S H O W
Acoustic guitar aficionados attending The London
Acoustic Guitar Show were treated to presentations
that showcased Americarsquos favorite musical instrument
brand and featured musical vignettes by legendary
and influential guitarists Stefan Grossman and
John RenbournThe presentation was given by Dick Boak archivist for Martin
Guitar who offered a graphical and interactive history of the 178-year-old guitar company In addition Dick displayed severalimportant examples in the evolution of Martin acoustic guitarsThe presentation focused on the development of the modern
acoustic guitar Martinrsquos historical contributions to the definitivacoustic guitar design artist signature model collaborations an
an in-depth explanation of specific guitar shapes sizes andtonewoods that lend themselves to particular musical genres JoRenbourn and Stefan Grossman legendary acoustic fingerstyleinnovators demonstrated the tonality of an assortment of Martinstruments including their own Custom Signature models
Martinrsquos UK distributor Westside Management was a primasponsor of the show and the host for the concert stage thatfeatured a stunning live performance by Renbourn and Grossm
Dick Boakrsquos presentation provided a template and proving ground for potential future presentations throughout the UniteStates Europe and Japan
THE LONDON ACOUSTICGUITAR SHOWSaturday and Sunday September 10-11 2011
Olympia Conference Center London
34
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Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
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M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
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The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
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M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
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M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
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Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
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M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
8102019 Vol_32pdf
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Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
8102019 Vol_32pdf
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A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4546
C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4646
P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2246
F R O M T H E A R C H I V E S
Waiting for the Sunday Boatrdquo by William Henry Jacksonrdquo Florida circa 1902Martin small-bodied parlor guitar
ldquoAs long as
Irsquove got my guitar
Irsquoll be finerdquo
mdash Willie Nelson referring to Tri
his legendary Martin guitar
HometownCentenarianMary Arletta Hahnis shown (right)
with her 00-1712-fret Martinguitar Mary was inher twenties whenthis picture was
taken (circa 1932)She was born inNazareth andturned 104 this pastSeptember Healthy small town living Shereceived her theology degree from the United
Wesleyan College but she also majored in voicepiano and guitar She would sing and play guitarin her fatherrsquos varied congregations Mary haslived her entire life in and around NazarethToday she lives just one block from where herguitar was made
1883 Advertisement
Gu i tar is t and Mando l in
is t
c irca 18 9 0
Guit ar ist and Mandolinist c ir c a 19 25
20
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2346
Ahh the sound of the Martin Rich and evocative Texture
lifeby strummingorpickingorthe lightesttouchtoteas
harmonicsthesoundmdashlikethehistoryofCF Martinamp C
peopleanda storyofthesensesHearitTasteitFeelitA
artist Robert Goetzl see it Seethe sound of the Martin
FEA TU R E
The Soundand the Story
Thehand drawnsketches (right)illustratethesix-panel seriesofthree-foot byfour-footmuralsthatwillhangintheMartinVisitorrsquos Center
BYSUSAN J BURLINGAME FREELANCE WRITER MARTIN
22
mdashC FMartin IVmdashcalls itldquothe magic ofFrom JohnnyCash to John Mayerand fromElvis Costello manyof historyrsquos mostbrilliantve chosen the Martin sound the Martin magicm the Martin storycontinuesMartin magic is mostprofoundly representedby n in the early1800s on the otherside of theour eyes fora momentand imagine ayoung king browfurrowed in concentration Heods the braces the strings of his firstguitarrtin has traveledfrom his home in Saxonytoe learns the artof guitarmaking as ane of the bestknown guitar shops in Europeg his 37th year C F Martinalong with hisdren sets outfor Americae story as theysayhellipis magicamp Co is still family-ownedmdashbutthe ldquofamilyrdquoh Martins and non-Martins generations of
ed arole in crafting the exquisite acousticrtin has offeredthe world formore than 175ertGoetzl a cousin to Chris Martinhas been create awork of art depicting C F Martin ampamily its sound andits storyeries of three-footby four-footmurals thatwillin Visitorrsquos Center the work says Goetzl is a love Chris Martin thatmuch He wasuential in mylife andthe opportunityto tellyauthentically is extremelymeaningful to merdquonels (pictured here)take viewers on CFfrom Saxonyto Viennato the newworld
ured as the music of the Martin guitar thensionalmdashdone in mixedmedia with collage andreating the firstpanel was forGoetzl the biggest
23
challenge ldquoI realizedthe enormityof the projectmdashnotjust inscope butalso in importance to the familyand to the thousandsof people who wouldbe looking atitrdquoGoetzl labored andsecond-guessedand tweakedand proddedbefore finally unveiling itto Chris Martin andothers at Martin ldquoThe lookson theirfaces toldme I had naileditrdquo Panel numbertwo which illustrates the Martin familyrsquosinitial shopin New York andthe move to NazarethPennsylvania causedGoetzl much less consternation butequallyas much joy he says as will each successive mural ldquoIf this is the endof the roadfor me the lastwork I evercreaterdquosays Goetzl (who surelyhas afew more decades ofcreativityleft) ldquoI wouldbe completely fine with thatrdquo
ldquoRobert has put his heart into
creating something that will
make a tremendous addition
to the Martin experiencerdquo
mdash Dick Boak Artist Relations C F Martin amp Co
Tex Fletcher
SingingcowboyTexFletcher maynot
have become the household name that
other cowboy singers from the 1930s
such as Gene Autry and Roy Rogers had
butdespitesometimes overwhelming
odds hersquosbeen remembered nonetheless
forhis noteworthycontributionsto earlyand
mid-20th century cowboy culture
He was born Geremino Biscegliain 1910 in HarrisonNew York the fifth of eight children of Italian immigrants Michael(astone mason)and Josephine Bisceglia He leftschool afterthethirdgrade to work with his fatherandbrothers He was raisedin a musical householdand he learnedto sing andplay traditional Italian songs accompaniedby accordionsmandolins andviolins
Jerrypicked upa fewguitar chords froma local right-handedguitarist butbeing left-handed he retaughthimself to playhisown right-handedguitarldquobackwards andupside downrdquoas he wouldlater explain with achuckle
He became enamoredwith the silver screen cowboys of theday often sneaking into the local cinemaforshowings of thelatestsilent picture starring TomMix WilliamS Hartand YakimaCanutt
Overthe nextfew years the teenagedcowboy wannabe beganto realize his boyhoodambition as he learnedto handle horseandcattle byday while soaking upcowboy lore andcampfiresongs bynight in effectbecoming aldquorealrdquocowboy Asinging cowboy Unique stuff forthe late 20s He returnedto NewYork in 1931 with aconfidence anda newfoundvoice With saddle bags full of cowboy stories andsongs the cowboysingerwas now going bythe name Tex Fletcher He began entering andwinning localthen regionaltalentshows Fletcherrsquos confidence grewwith each winning purse as was evidencedbyhis every growing wardrobe of
cowboyoutfits andhis first Martin guitar a000-45 He neverplayedanother companyrsquos guitars again believing the leastexpensive Martin guitarwas headand shoulders aboveanyother companyrsquos bestHistory has clearlymade fora compelling argument Itwasnrsquotlongbeforehereceivedan offerofa radiojobas asinging cowboyoverWFASinWhitePlainsNewYorkBy1934 attheheightofsingingcowboycrazeFletcherbegana relationshipthat wouldlastmorethan 25yearsbroadcastingoverWORNew YorkNewJersey(MutualNetwork)Itwas thesameyear thathebeganappearingatthe VillageBarnnightclub(whichwouldlaterbecomeJimiHendrixrsquosElectricLadyland)inGreenwichVillageNYagig thatlastedwell intotheearly1960s
1934 was also the yearTexorderedhis custommade MartinD-42Hersquodadmiredthe pearlygoodlooks and loudtone of Gene Autryrsquos D-45 (the firstD-45) butwanted an instrumentthatw ouldbe uniquelyTexFletcherrsquos guitar But he wasnrsquotthe onlycowboysinger who wantedto follow in Autryrsquos trail Milwaukee -based Jackie ldquoKidrdquoMoore beathimto the punch when he ordered his own D-45 (No 2)fromMartinBut according to authorMartin researcherJohn Woodland amisunderstanding with regardto neck length ledMartin to shelve the unfinished14 fretto the body D-45Moore then optedfor awider OMstyle neck with 12 frets tothe body This D-45 is No3 Then along comes NewYork radio cowboyTexFletcherwithhis own ideaof whatfeatures ldquohisrdquoguitar shouldsportincluding 14 frets to the body which alignedperfectly with the
partiallyconstructed D-45 (No2) buthe wanted all the flashupfront So insteadof proceeding to finish the guitaras aD-45Martin craftsmen changedthe toprsquos bracing to aHigh ldquoXrdquoconfiguration anddesignated this slightlymore modestcousinof the D-45the D-42 So the TexFletchermodel is not only the firstD-42butalso the secondD-45Itremainedthe only example of the D-42 forthe next54 years
Fletcherhadbeenout ofthe musicbusinessforjusta fewyears whenhe wastrackeddownin theearly1970sby then-MartinhistorianMikeLongworthwho convincedthe oldcowboytodonatetheinstrumenttothe MartinMuseumFletcheragreedandthatrsquoswhereitresidesto thisdaydisplayedjusta fewfeetfromitrsquosfirstcousintheGeneAutryD-45 (No1)
21 24
N EW PR O D U CTS
NEW A DDITIONS TO
OUR LINEUP OF
Great Ukuleles
The Martin Standards of Tone and Workmanship Prevail
C1K amp T1K UkulelesMartin has been building the worldrsquos finest ukuleles
from as early as 1916includingthesmallest Soprano
the original model to the larger Concert in 1925 and
the Tenor uke in 1929 Both the concert model and
tenor models havelong been prized for their full-bodied
voiceandgreatervolumeThesenewC1Kconcertand
T1Ktenor modelsfeaturetops backsidesand head-
platesofsolidHawaiianKoaawoodnativeto Hawaii
and a favoriteof island players Both ukes feature solid
Sitkabraces genuinemahoganyblocksand applied
dovetailneckjointsintheMartintraditionNecksare
craftedofselecthardwoodandcappedwithasolid
Morado fingerboardtheconcert has a 15rdquoscalelength
thetenor a 17rdquoscaleBridges arealso ofsolid Morado
with whiteTusqsaddles Open-geared nickel tuners with
whitebuttons ensureprecision Finished in high quality
satinlacquerPadded bagincludedTwo beautifulexam-
ples of why Martin is still the name in superior quality
ukuleles
ldquoAs far as inanimate objects
being friends I think that is right
on the list My Martin ukulele
is a work of art Itrsquos going to live
long after merdquo
mdashEddieVedderPearl JamUkuleleSongs
T1K
C1K
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2446
Clock key mechanism for
adjustingguitar necks on
Martinrsquos earliest guitars
manufactured in New York
ImaginedMartinfamily portrait
CircaSeptember1833mdashat the
timeof theMartinsrsquotransatlantic
journey to the New World
Mappointingto
Markneukirchen the
main town in Germanyrsquos
musicalinstrument-
makingregion
Embellished original
drawingofCF Martinrsquos
residencein
Markneukirchen
Saxony (Germany)
Thesa
carries
North
specta
showe
Harbo
Imagin
CFM
Hudso
Depic
mold
a Mart
glueu
NEL ONE 2 bull PANEL TWO
Rende
home
in Che
Circa1
Portra
presid
when
arrived
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
OM -21 NEW Martinrsquos OM (Orchestra Models)
guitars have always been very
special to fingerstyle guitarists
especially this new OM-21 with its
comfortable 1-34rdquo wide neck at the
nut and highly responsive 14rdquo
scalloped Sitka top braces Elegant in
its simplicity this new version offers a
tasteful upgrade of solid black ebony
fingerboard and 30rsquos style ldquobellyrdquo
bridge with genuine bone saddle and
nut all adding to the rich resonance of this guitar Whatrsquos more wersquove
replaced the standard OM neck with a
slimmer ldquoPerformingrdquo Artistrdquo modified
low oval profile tapered neck and
wider 2-316rdquo bridge string spacing for
faster more comfortable playing The
solid Sitka spruce top with
hand-inlaid 28 style
rosette is joined to a
body of premium
solid East Indian
rosewood bound intortoise colored
18 style binding
Delmar tortoise color
pickguard nickel
open-geared
tuners with
Butterbean
knobs and
polished gloss
lacquer with
aging toner
complete this
beautiful
instrument
Delivered to you in the
new Martin 433 archtop
hardshell case If yoursquore a finger picker this new OM-21 is
the one to pick
D-18 NEW Since its introduction in 1935 the D-18
has been the workhorse of the Martin steel
string acoustic line More plain and less
costly than its D-28 rosewood cousin the
D-18 has none the less established its own
tonal identity ndash balanced crisp midrange
definitive bass and bright clear treble a
favorite of innumerable bluegrass blues and
country performers as well as discerning
studio musicians ndash because it is a great
performing and recording guitar Over the
years the D-18 has seen numerouspermutations ndash the D-18V and D-18P ndash as
well as variations in bindings rosette
fingerboard amp bridge woods bracing
patterns and pickguards And now the
new D-18 brings together
the best features of all of
these great D-18s into
one superb sounding
and playing guitar On
the traditional side backs
and sides are still crafted
of solid genuineMahogany joined with a
solid Sitka spruce top
with forward-shifted
scalloped ldquoXrdquo bracing
The fingerboard
and 1930s style
belly bridge are
fashioned of
solid black
ebony as were
the originals
Whatrsquos new A
lightning fast modified low
oval profile neck with a
1-34rdquo nut width and slimmer 2-18rdquo taper at the 12th fret Itrsquos
the same neck featured on our innovative Performing Artist
series guitars with the same wide 2-316rdquo bridge string
spacing too for greater player comfort and accessibility up
and down the neck The new D-18 The perfect blend of past
and future ndash and great guitar to start the New Year
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2646 26
NAMM Show
Specials
N E W P R O D U C T S
2012 Martin Show Special Guitars
The DCPA Koa amp GPCPA Koa They donrsquot get any more beautiful ndash or more
beautiful sounding ndash than these spectacular
dovetail flamed Koa Performing Artist guitars
And with only a total of 30 instruments ndash
combined ndash being offered to dealers at the 2012
NAMM Show they donrsquot get any rarer either Here
wersquove chosen two of our most popular cutaway models in
the Performing Artist series the classic Dreadnought and
the Grand Performance and crafted the backs and sides
of premium Hawaiian flamed Koa a resonant tonewood
indigenous to the Hawaiian islands Koa has long been by
favored by native Hawaiian musicians for guitars and
ukuleles as well as discerning players and collectors
worldwide Martin in particular has built various sized
instruments of Koa from as early as 1850 The tops are of prized solid Adirondack Spruce as are the scalloped
forward-shifted ldquoXrdquo braces in the ldquoGolden Erardquo fashion The
bodies are bound with solid Madagascar rosewood the
top is inlaid in the 42 style with an elegant blue Paua
pearl rosette The backstrip is 45 style marquetry Both
guitars feature our fast and comfortable Performing Artist
modified low oval mahogany neck with ebony
fingerboard and
wide 2-316rdquo string
spacing on the
ebony Performing
Artist belly bridge And the
crowning touch both guitarsare equipped with the new
Fishmanreg F1 Aura + onboard electronics system the
ultimate in acoustic realism and projection as well as
pickup versatility Waverly gold tuners with Ivoroid
buttons complete the package Orders for the DCPA Koa amp
GPCP Koa will be taken solely from dealers in attendance
at the 2012 NAMM Show in Anaheim California
NEW TOOLS
for GREAT TONE
GPCPA Koa
DCPA Koa
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
DCPA1 Madagascar Rosewood ampGPCPA1 Madagascar Rosewood
These two very special dovetail Performing Artist
guitars reflect the best of Martin innovation expert
craftsmanship and selection of superior tonewoods ndash
all in one As PA series models Dreadnought and
Grand Performance they include a unique slim
tapered fast neck for exceptional player comfort in
all positions a smaller and lighter PA ldquobellyrdquo bridge
for greater tonal response and increased string
spacing for easier finger picking They also
include the new state-of-the-art Fishmanreg F1
Aura + onboard electronics system that deliver
striking acoustic realism and projection
Plugged in or pure acoustic these are great
sounding guitars ndash and with good reason The
tops are solid Adirondack spruce pearl inlaid inthe 41 style and driven by 516rdquo Adirondack
scalloped braces forward-shifted in the ldquoGolden Erardquo X
pattern The back sides and headplate are Madagascar
Rosewood selected for its beauty and close acoustic and visual resemblance to
Brazilian Rosewood Solid black ebony is used for the fingerboard and bridge
Details include grained Ivoroid bindings Delmar beveled tortoise color pickguard
special ldquoalternative torchrdquo inspired position inlays gold enclosed tuners bone nut
and saddle The most distinctive Performing Artist production models to date
Fishmanreg F1 Aura + The Fishmanreg F1 Aura + features a newsimplified and intuitive Easy Mode allowing youto quickly get a feel for the tonal possibilities ofthe system while providing the most importantfeatures The Easy Mode offers three custom-blended Aura Image presets tone control and
the option of using the undersaddle pickuponly For the real tone-tweakers wersquove retainedthe original Performance Mode as well givingyou full access to the powerful 3-band EQscompressor and automatic anti-feedback ofthe F1 Aura +
Performing
Artist SeriesDCPA1
Madagascar
Rosewood
GPCPA1
Madagascar
Rosewood
8102019 Vol_32pdf
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N E W P R O D U C T S
Performing
Artist Series
Martin introduces an exciting
new tonewood called Siris
DCPA4 Siris amp
GPCPA4 Siris
With these two new
Performing Artists guitars
Martin introduces an exciting
new tonewood called Siris
adding even more tonal color
and variety to the PA series Siris
delivers excellent bass response
reminiscent of East Indian rosewood as
well as a clear midrange and treble making it an
excellent guitar wood for recording and for playing live Lighter in color
yet denser than rosewood it produces a slightly longer sustain thanrosewood Siris is typically dark orange contrasting beautifully with the
Sitka Spruce tops tortoise colored pickguards grained Ivoroid bindings
and special East Indian rosewood center wedge on both guitarsrsquo 3-piece
backs The DCPA4 Siris and the GPCPA4 Siris are 14-fret cutaway guitars and
have fast comfortable Performing Artist profile necks Hybrid ldquoXrdquo scalloped top
bracing black Richlite fingerboards and bridges and Fishmanreg F1 Analog
onboard electronicsGPCPA4 Siris
DCPA4 Siris
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2946
Over 175 Years of Guitar Building Excellence
The GPCPA4 Sapele is constructed with
FSCreg Certified tonewoods harvested from
ecologically sound and responsibly manag
forests The fingerboard and bridge are
built with FSCreg
Certified Richlitereg
29
GPCPA4 SapeleFirst introduced in 2010 the GPCPA4 is an extraordinary Martin ndash a
big Grand Performance cutaway with a fast comfortable Performing
Artist Series high performance neck But this brand new version ndash
the GPCPA4 Sapele ndash is extra special It rsquos built with FSCreg Certified
tonewoods harvested from ecologically sound and responsibly
managed forests This includes African sapele back and sides
mahogany front and rear blocks cherry side strips Spanish cedar
ribbons and European spruce Hybrid ldquoXrdquo scalloped bracing The top
is FSCreg Certified recycled Sitka spruce produced from old bridge timbers in Canada
Even the fingerboard and bridge are crafted of FSCreg Certified Richlitereg material High
polished gloss top finish with tasteful Cherry red toned back and sides Fishmanreg F1
Analog electronics are included with volume and tone shaping capabilitiesonboard digital tuner and phase control Quite a
package Quite a guitar
8102019 Vol_32pdf
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N E W P R O D U C T S
DCPA5K and GPCPA5K
Advanced guitar design meets high-
tech guitar construction The result
two highly affordable Performing
Artist guitars with excellent tone
playability and durability Back
and sides of the cutaway
Dreadnought and Grand
Performance models are made
of a high-pressure wood fiber
laminate (called HPL) with
Koa grain and texture photo-
imbedded The top is solid Sitkaspruce braced with Martinrsquos Hybrid ldquoXrdquo
scalloped bracing system renowned for its
resonance clear treble and distinct bass The Performing Artist Profile neck is
slim and fast and comfortable made of tough Stratabondreg multi-layered
wood laminate Performing Artist bridge and fingerboard are black Richlite
Chrome enclosed tuners with large buttons and Fishmanreg F1 Analog
onboard electronics included A terrific value with great tone and
environmentally friendly
Performing
Artist Series
The DCPA5K and GPCPA5K
are Performing Artist guitars
with excellent tone playability and durability
GPCPA5K
DCPA5K
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3146
Road Series
31
Over 175 Years of Guitar Building Excellence
Special Edition
DRS2 The latest of Martinrsquos hard-working
great sounding Road Series guitars
the new DRS2 delivers a unique blend
of durability and concert-quality
sound and projection The top is
crafted of solid Sitka spruce and
braced with Martinrsquos A-Frame (X1)
bracing Back and sides are select
solid Sapele similar in look and
tonal qualities to its
close cousin
mahogany As
beautiful as it looks
and sounds the
DRS2 is a serious
working musicianrsquos
guitar built for on
the road durability
without sacrificeof tone The
neck is
constructed
of a multi-
layered
wood
laminate
called
Stratabondtrade
that perfectly
simulates natural
quartersawn wood grain The fingerboard and bridgeare crafted of black Richlite amazingly similar in look
weight and resonance of ebony A Fishmanreg
Sonitone sound reinforcement system completes
this very road ndash and stage ndash worthy Martin
000C NylonIn response to the many Martin players
who chose the limited edition 000CDG
built in memory of Chris Martinrsquos late
brother Doug Greth we have
expanded upon this unique ldquocrossoverrdquo
instrument with the new 000C Nylon It is
truly a hybrid instrument combining features
of a traditional Martin steel-string guitar with
those associated with a classical nylon string
guitar The top is crafted of solid Sitka spruce
and braced with a unique A-Frame ldquoXrdquo brace
system Yet this bracing system is equally
responsive to lighter nylon strings without
inhibiting tone or volume The 12-fret low
profile neck features an 18rdquo radius arched
(versus flat) fingerboard like a steel string
but with a classic width 1-78rdquo at the nut and
2-516rdquo at the 12th fret The bridge is in the
classic style with tie block and drop insaddle Bridge string spacing is a
wider 2-516rdquo as well Even the
000Crsquos headstock is unique ndash
square tapered like the
traditional Martin steel
string style but slotted to
accommodate classical
nylon strings Each guitar is
fitted with onboard Fishmanreg
F1 Analog electronics too
The result A versatile
great sounding andplaying guitar no
matter whether you
play acoustic or
acoustic electric
or both
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3246
D-28M Limited Edition Celebrates
The Enduring Music and Legacy ofThe Mamas and The Papas
The appointments on the D-28M Mamas and ThePapas Custom Artist Edition emulate a circa 1960sD-28 blackwhiteblack top purfling blackwhiteback purfling grained Ivoroid binding and heelcapldquocheckerboardrdquo backstrip mother of pearl dotposition markers chrome Groverreg Rotomatic tunerstortoise-colored pickguard polished gloss lacquerfinish and vintage-inspired aging toner on the topExtra flash comes in the form of a Style 45 abalonepearl rosette and abalone pearl-topped bone bridgeand end pins
The guitarrsquos crowning glory is ndash appropriately ndashon the polished black ebony headplate Above
the nut sheltered by the familiar gold old-styleldquoC F Martin amp Co Est 1833rdquo decal logo is a silhouette of The Mamas and The Papasbeautifully inlaid in mother of pearl Derivedfrom a photo by Henry Diltz the inlay capturesthe group in full performance mode
In the early 1960s the four musicians whobecame The Mamas and Papas were a long way from pop music stardom though all wereinvolved in the East Coast folk music scene
John Phillips was a member of the JourneymenDenny Doherty and Cass Elliot sang with theMugwumps After the Journeymen broke up
John Phillips his wife Michelle Phillips andMarshall Brickman formed the New JourneymenMarshall eventually left the band but went on toco-write Oscar winning screenplays with Woody
Allen and he co-wrote the book that became therecord-breaking play ldquoThe Jersey Boysrdquo
Marshall Brickman was replaced by Denny Doherty and soon Doherty introduced hisbandmates to Elliot The four began harmonizingto the pop songs John was writing and perfectedtheir sound during a Caribbean vacation together
The starting point for The Mamas and the Papasrsquofresh pop sound was the folk music all fourmembers played before they got together as a group Songwriter and leader John Phillipsrsquo well-
worn Martin Dreadnought often provided thestrummed rhythmic underpinning on which TheMamas and Papasrsquo band instrumentation andvocals were layered The combination proved tobe genius and even today The Mamas and thePapas ldquosoundrdquo is instantly recognizable
To celebrate the group and its place in popmusic history C F Martin introduces a very
special D-28M Mamas and The Papas
Custom Artist Edition Limited to just100 instruments this new Custom Artist Edition features rare tonewoodshandsome appointments and aunique headstock inlay to honorthese musical trailblazers
John Phillipsrsquo vintage Martin D-28provides the inspiration for this Custom Artist Edition The tonewoods and top
bracing are a stellar combination thatapproximates those of MartinDreadnoughts from the early 1930sBack and sides are rare Madagascarrosewood similar in appearance andtone to the now endangered Brazilianrosewood The top is Carpathianspruce comparable in power andbrilliance to Adirondack spruce andequally responsive Advanced ldquoXrdquo
516rdquo scalloped bracing provides richresonant tone The 1 1116rdquo (at the
nut) low profile neck with diamondvolute is genuine mahogany while the
fingerboard and belly bridge are black ebony
L M
In the 1960s The Mamas and the Papas were at the epicenter of a musical earthquake
that began in Southern California and sent shockwaves across the country Combining
great songwriting unique arrangements and lush harmonies the group had six ldquoTop
10rdquo singles and four ldquoTop 5rdquo albums from 1965 through 1967 a feat that made them one
of the few groups to challenge the Beatles during that era While The Mamas and the
Papasrsquo original lineup of John Phillips Cass Elliot Denny Doherty and Michelle Phillips
lasted just four years several of the songs they created ndash including ldquoCalifornia Dreaminrsquordquo
ldquoMonday Mondayrdquo ldquoWords of Loverdquo and ldquoTwelve Thirtyrdquo ndash have stood the test of time
32
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(This story should sound familiar they laterturned it into a hit single ldquoCreeque Alleyrdquo)Eventually the four traveled to Los Angeles
where they auditioned for Dunhill RecordsOwnerProducer Lou Adler Adler signed them tohis label immediately and two days later thegroup had a name The Mamas and the Papas
Released in 1965 The Mamas and The Papasrsquofirst single failed to garner much notice Howeverthe second single ldquoCalifornia Dreamingrdquo co-
written by John and Michelle Phillips reachedNo 4 on the charts The grouprsquos debut album If
You Can Believe Your Eyes and Ears was releasedin early 1966 and rose to No 1 quickly followedby the single ldquoMonday Mondayrdquo which also hitNo 1 and later won a Grammy Award for ldquoBestContemporary Group Performancerdquo
While The Mamas and The Papasrsquo personallives became increasingly turbulent over the nexttwo years their music continued to flourish they recorded three additional albums ndash The Mamasand The Papas Deliver and The Papas and TheMamas ndash that went ldquoTop 20rdquo and in turn yieldedseveral ldquoTop 20rdquo singles
In 1968 bitter infighting between memberscaused the group to disband Due to contractualobligations they reunited briefly in 1971 to makethe People Like Us album and then went theirseparate ways Cass Eliot had a flourishing solocareer that was cut short by her death in 1974
John Phillips continued to write songs and bothhe and Denny Doherty performed and recordedas solo acts In the 1980s and 1990s they occasionally reunited to tour as members of the
New Mamas and Papas John Phillipsdied in 2001 Denny Doherty died in2007 Michelle Phillips enjoyed a successful acting career and today isthe last surviving original memberof the group
Despite the grouprsquos short history TheMamas and The Papasrsquo musical legacy remainsundiminished the group was inducted into theRock amp Roll Hall of Fame in 1998 and received a
Grammy Hall of Fame Award in 2001 In 2003 If You Can Believe Your Eyes and Ears was ranked127 on Rolling Stone magazinersquos list of the 500greatest albums of all time
Delivered in a hardshell case eachD-28M Mamas and The PapasCustom Artist Edition guitar bears a special interior label featuring theldquosun rayrdquo graphic from the RouletteRecords label on which some of TheMamas and The Papasrsquo singles werereissued in the 1970s Each label ispersonally signed by former Mamasand The Papas member MichellePhillips and numbered in sequence
with the edition total Beginning immediately authorized C F Martindealers will accept orders for theD-28M Mamas and The PapasCustom Artist Edition until all 100guitars in the edition are allocatedparticipating Martin dealers willthen be posted on theC F Martin website
wwwmartinguitarcom
33
S A M P L E
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L O N D O N A C O U S T I C G U I TA R S H O W
Acoustic guitar aficionados attending The London
Acoustic Guitar Show were treated to presentations
that showcased Americarsquos favorite musical instrument
brand and featured musical vignettes by legendary
and influential guitarists Stefan Grossman and
John RenbournThe presentation was given by Dick Boak archivist for Martin
Guitar who offered a graphical and interactive history of the 178-year-old guitar company In addition Dick displayed severalimportant examples in the evolution of Martin acoustic guitarsThe presentation focused on the development of the modern
acoustic guitar Martinrsquos historical contributions to the definitivacoustic guitar design artist signature model collaborations an
an in-depth explanation of specific guitar shapes sizes andtonewoods that lend themselves to particular musical genres JoRenbourn and Stefan Grossman legendary acoustic fingerstyleinnovators demonstrated the tonality of an assortment of Martinstruments including their own Custom Signature models
Martinrsquos UK distributor Westside Management was a primasponsor of the show and the host for the concert stage thatfeatured a stunning live performance by Renbourn and Grossm
Dick Boakrsquos presentation provided a template and proving ground for potential future presentations throughout the UniteStates Europe and Japan
THE LONDON ACOUSTICGUITAR SHOWSaturday and Sunday September 10-11 2011
Olympia Conference Center London
34
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Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
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M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
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The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
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M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
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M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
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Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
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M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
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Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
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A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
8102019 Vol_32pdf
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C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
8102019 Vol_32pdf
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P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
8102019 Vol_32pdf
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Ahh the sound of the Martin Rich and evocative Texture
lifeby strummingorpickingorthe lightesttouchtoteas
harmonicsthesoundmdashlikethehistoryofCF Martinamp C
peopleanda storyofthesensesHearitTasteitFeelitA
artist Robert Goetzl see it Seethe sound of the Martin
FEA TU R E
The Soundand the Story
Thehand drawnsketches (right)illustratethesix-panel seriesofthree-foot byfour-footmuralsthatwillhangintheMartinVisitorrsquos Center
BYSUSAN J BURLINGAME FREELANCE WRITER MARTIN
22
mdashC FMartin IVmdashcalls itldquothe magic ofFrom JohnnyCash to John Mayerand fromElvis Costello manyof historyrsquos mostbrilliantve chosen the Martin sound the Martin magicm the Martin storycontinuesMartin magic is mostprofoundly representedby n in the early1800s on the otherside of theour eyes fora momentand imagine ayoung king browfurrowed in concentration Heods the braces the strings of his firstguitarrtin has traveledfrom his home in Saxonytoe learns the artof guitarmaking as ane of the bestknown guitar shops in Europeg his 37th year C F Martinalong with hisdren sets outfor Americae story as theysayhellipis magicamp Co is still family-ownedmdashbutthe ldquofamilyrdquoh Martins and non-Martins generations of
ed arole in crafting the exquisite acousticrtin has offeredthe world formore than 175ertGoetzl a cousin to Chris Martinhas been create awork of art depicting C F Martin ampamily its sound andits storyeries of three-footby four-footmurals thatwillin Visitorrsquos Center the work says Goetzl is a love Chris Martin thatmuch He wasuential in mylife andthe opportunityto tellyauthentically is extremelymeaningful to merdquonels (pictured here)take viewers on CFfrom Saxonyto Viennato the newworld
ured as the music of the Martin guitar thensionalmdashdone in mixedmedia with collage andreating the firstpanel was forGoetzl the biggest
23
challenge ldquoI realizedthe enormityof the projectmdashnotjust inscope butalso in importance to the familyand to the thousandsof people who wouldbe looking atitrdquoGoetzl labored andsecond-guessedand tweakedand proddedbefore finally unveiling itto Chris Martin andothers at Martin ldquoThe lookson theirfaces toldme I had naileditrdquo Panel numbertwo which illustrates the Martin familyrsquosinitial shopin New York andthe move to NazarethPennsylvania causedGoetzl much less consternation butequallyas much joy he says as will each successive mural ldquoIf this is the endof the roadfor me the lastwork I evercreaterdquosays Goetzl (who surelyhas afew more decades ofcreativityleft) ldquoI wouldbe completely fine with thatrdquo
ldquoRobert has put his heart into
creating something that will
make a tremendous addition
to the Martin experiencerdquo
mdash Dick Boak Artist Relations C F Martin amp Co
Tex Fletcher
SingingcowboyTexFletcher maynot
have become the household name that
other cowboy singers from the 1930s
such as Gene Autry and Roy Rogers had
butdespitesometimes overwhelming
odds hersquosbeen remembered nonetheless
forhis noteworthycontributionsto earlyand
mid-20th century cowboy culture
He was born Geremino Biscegliain 1910 in HarrisonNew York the fifth of eight children of Italian immigrants Michael(astone mason)and Josephine Bisceglia He leftschool afterthethirdgrade to work with his fatherandbrothers He was raisedin a musical householdand he learnedto sing andplay traditional Italian songs accompaniedby accordionsmandolins andviolins
Jerrypicked upa fewguitar chords froma local right-handedguitarist butbeing left-handed he retaughthimself to playhisown right-handedguitarldquobackwards andupside downrdquoas he wouldlater explain with achuckle
He became enamoredwith the silver screen cowboys of theday often sneaking into the local cinemaforshowings of thelatestsilent picture starring TomMix WilliamS Hartand YakimaCanutt
Overthe nextfew years the teenagedcowboy wannabe beganto realize his boyhoodambition as he learnedto handle horseandcattle byday while soaking upcowboy lore andcampfiresongs bynight in effectbecoming aldquorealrdquocowboy Asinging cowboy Unique stuff forthe late 20s He returnedto NewYork in 1931 with aconfidence anda newfoundvoice With saddle bags full of cowboy stories andsongs the cowboysingerwas now going bythe name Tex Fletcher He began entering andwinning localthen regionaltalentshows Fletcherrsquos confidence grewwith each winning purse as was evidencedbyhis every growing wardrobe of
cowboyoutfits andhis first Martin guitar a000-45 He neverplayedanother companyrsquos guitars again believing the leastexpensive Martin guitarwas headand shoulders aboveanyother companyrsquos bestHistory has clearlymade fora compelling argument Itwasnrsquotlongbeforehereceivedan offerofa radiojobas asinging cowboyoverWFASinWhitePlainsNewYorkBy1934 attheheightofsingingcowboycrazeFletcherbegana relationshipthat wouldlastmorethan 25yearsbroadcastingoverWORNew YorkNewJersey(MutualNetwork)Itwas thesameyear thathebeganappearingatthe VillageBarnnightclub(whichwouldlaterbecomeJimiHendrixrsquosElectricLadyland)inGreenwichVillageNYagig thatlastedwell intotheearly1960s
1934 was also the yearTexorderedhis custommade MartinD-42Hersquodadmiredthe pearlygoodlooks and loudtone of Gene Autryrsquos D-45 (the firstD-45) butwanted an instrumentthatw ouldbe uniquelyTexFletcherrsquos guitar But he wasnrsquotthe onlycowboysinger who wantedto follow in Autryrsquos trail Milwaukee -based Jackie ldquoKidrdquoMoore beathimto the punch when he ordered his own D-45 (No 2)fromMartinBut according to authorMartin researcherJohn Woodland amisunderstanding with regardto neck length ledMartin to shelve the unfinished14 fretto the body D-45Moore then optedfor awider OMstyle neck with 12 frets tothe body This D-45 is No3 Then along comes NewYork radio cowboyTexFletcherwithhis own ideaof whatfeatures ldquohisrdquoguitar shouldsportincluding 14 frets to the body which alignedperfectly with the
partiallyconstructed D-45 (No2) buthe wanted all the flashupfront So insteadof proceeding to finish the guitaras aD-45Martin craftsmen changedthe toprsquos bracing to aHigh ldquoXrdquoconfiguration anddesignated this slightlymore modestcousinof the D-45the D-42 So the TexFletchermodel is not only the firstD-42butalso the secondD-45Itremainedthe only example of the D-42 forthe next54 years
Fletcherhadbeenout ofthe musicbusinessforjusta fewyears whenhe wastrackeddownin theearly1970sby then-MartinhistorianMikeLongworthwho convincedthe oldcowboytodonatetheinstrumenttothe MartinMuseumFletcheragreedandthatrsquoswhereitresidesto thisdaydisplayedjusta fewfeetfromitrsquosfirstcousintheGeneAutryD-45 (No1)
21 24
N EW PR O D U CTS
NEW A DDITIONS TO
OUR LINEUP OF
Great Ukuleles
The Martin Standards of Tone and Workmanship Prevail
C1K amp T1K UkulelesMartin has been building the worldrsquos finest ukuleles
from as early as 1916includingthesmallest Soprano
the original model to the larger Concert in 1925 and
the Tenor uke in 1929 Both the concert model and
tenor models havelong been prized for their full-bodied
voiceandgreatervolumeThesenewC1Kconcertand
T1Ktenor modelsfeaturetops backsidesand head-
platesofsolidHawaiianKoaawoodnativeto Hawaii
and a favoriteof island players Both ukes feature solid
Sitkabraces genuinemahoganyblocksand applied
dovetailneckjointsintheMartintraditionNecksare
craftedofselecthardwoodandcappedwithasolid
Morado fingerboardtheconcert has a 15rdquoscalelength
thetenor a 17rdquoscaleBridges arealso ofsolid Morado
with whiteTusqsaddles Open-geared nickel tuners with
whitebuttons ensureprecision Finished in high quality
satinlacquerPadded bagincludedTwo beautifulexam-
ples of why Martin is still the name in superior quality
ukuleles
ldquoAs far as inanimate objects
being friends I think that is right
on the list My Martin ukulele
is a work of art Itrsquos going to live
long after merdquo
mdashEddieVedderPearl JamUkuleleSongs
T1K
C1K
8102019 Vol_32pdf
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Clock key mechanism for
adjustingguitar necks on
Martinrsquos earliest guitars
manufactured in New York
ImaginedMartinfamily portrait
CircaSeptember1833mdashat the
timeof theMartinsrsquotransatlantic
journey to the New World
Mappointingto
Markneukirchen the
main town in Germanyrsquos
musicalinstrument-
makingregion
Embellished original
drawingofCF Martinrsquos
residencein
Markneukirchen
Saxony (Germany)
Thesa
carries
North
specta
showe
Harbo
Imagin
CFM
Hudso
Depic
mold
a Mart
glueu
NEL ONE 2 bull PANEL TWO
Rende
home
in Che
Circa1
Portra
presid
when
arrived
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
OM -21 NEW Martinrsquos OM (Orchestra Models)
guitars have always been very
special to fingerstyle guitarists
especially this new OM-21 with its
comfortable 1-34rdquo wide neck at the
nut and highly responsive 14rdquo
scalloped Sitka top braces Elegant in
its simplicity this new version offers a
tasteful upgrade of solid black ebony
fingerboard and 30rsquos style ldquobellyrdquo
bridge with genuine bone saddle and
nut all adding to the rich resonance of this guitar Whatrsquos more wersquove
replaced the standard OM neck with a
slimmer ldquoPerformingrdquo Artistrdquo modified
low oval profile tapered neck and
wider 2-316rdquo bridge string spacing for
faster more comfortable playing The
solid Sitka spruce top with
hand-inlaid 28 style
rosette is joined to a
body of premium
solid East Indian
rosewood bound intortoise colored
18 style binding
Delmar tortoise color
pickguard nickel
open-geared
tuners with
Butterbean
knobs and
polished gloss
lacquer with
aging toner
complete this
beautiful
instrument
Delivered to you in the
new Martin 433 archtop
hardshell case If yoursquore a finger picker this new OM-21 is
the one to pick
D-18 NEW Since its introduction in 1935 the D-18
has been the workhorse of the Martin steel
string acoustic line More plain and less
costly than its D-28 rosewood cousin the
D-18 has none the less established its own
tonal identity ndash balanced crisp midrange
definitive bass and bright clear treble a
favorite of innumerable bluegrass blues and
country performers as well as discerning
studio musicians ndash because it is a great
performing and recording guitar Over the
years the D-18 has seen numerouspermutations ndash the D-18V and D-18P ndash as
well as variations in bindings rosette
fingerboard amp bridge woods bracing
patterns and pickguards And now the
new D-18 brings together
the best features of all of
these great D-18s into
one superb sounding
and playing guitar On
the traditional side backs
and sides are still crafted
of solid genuineMahogany joined with a
solid Sitka spruce top
with forward-shifted
scalloped ldquoXrdquo bracing
The fingerboard
and 1930s style
belly bridge are
fashioned of
solid black
ebony as were
the originals
Whatrsquos new A
lightning fast modified low
oval profile neck with a
1-34rdquo nut width and slimmer 2-18rdquo taper at the 12th fret Itrsquos
the same neck featured on our innovative Performing Artist
series guitars with the same wide 2-316rdquo bridge string
spacing too for greater player comfort and accessibility up
and down the neck The new D-18 The perfect blend of past
and future ndash and great guitar to start the New Year
8102019 Vol_32pdf
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NAMM Show
Specials
N E W P R O D U C T S
2012 Martin Show Special Guitars
The DCPA Koa amp GPCPA Koa They donrsquot get any more beautiful ndash or more
beautiful sounding ndash than these spectacular
dovetail flamed Koa Performing Artist guitars
And with only a total of 30 instruments ndash
combined ndash being offered to dealers at the 2012
NAMM Show they donrsquot get any rarer either Here
wersquove chosen two of our most popular cutaway models in
the Performing Artist series the classic Dreadnought and
the Grand Performance and crafted the backs and sides
of premium Hawaiian flamed Koa a resonant tonewood
indigenous to the Hawaiian islands Koa has long been by
favored by native Hawaiian musicians for guitars and
ukuleles as well as discerning players and collectors
worldwide Martin in particular has built various sized
instruments of Koa from as early as 1850 The tops are of prized solid Adirondack Spruce as are the scalloped
forward-shifted ldquoXrdquo braces in the ldquoGolden Erardquo fashion The
bodies are bound with solid Madagascar rosewood the
top is inlaid in the 42 style with an elegant blue Paua
pearl rosette The backstrip is 45 style marquetry Both
guitars feature our fast and comfortable Performing Artist
modified low oval mahogany neck with ebony
fingerboard and
wide 2-316rdquo string
spacing on the
ebony Performing
Artist belly bridge And the
crowning touch both guitarsare equipped with the new
Fishmanreg F1 Aura + onboard electronics system the
ultimate in acoustic realism and projection as well as
pickup versatility Waverly gold tuners with Ivoroid
buttons complete the package Orders for the DCPA Koa amp
GPCP Koa will be taken solely from dealers in attendance
at the 2012 NAMM Show in Anaheim California
NEW TOOLS
for GREAT TONE
GPCPA Koa
DCPA Koa
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
DCPA1 Madagascar Rosewood ampGPCPA1 Madagascar Rosewood
These two very special dovetail Performing Artist
guitars reflect the best of Martin innovation expert
craftsmanship and selection of superior tonewoods ndash
all in one As PA series models Dreadnought and
Grand Performance they include a unique slim
tapered fast neck for exceptional player comfort in
all positions a smaller and lighter PA ldquobellyrdquo bridge
for greater tonal response and increased string
spacing for easier finger picking They also
include the new state-of-the-art Fishmanreg F1
Aura + onboard electronics system that deliver
striking acoustic realism and projection
Plugged in or pure acoustic these are great
sounding guitars ndash and with good reason The
tops are solid Adirondack spruce pearl inlaid inthe 41 style and driven by 516rdquo Adirondack
scalloped braces forward-shifted in the ldquoGolden Erardquo X
pattern The back sides and headplate are Madagascar
Rosewood selected for its beauty and close acoustic and visual resemblance to
Brazilian Rosewood Solid black ebony is used for the fingerboard and bridge
Details include grained Ivoroid bindings Delmar beveled tortoise color pickguard
special ldquoalternative torchrdquo inspired position inlays gold enclosed tuners bone nut
and saddle The most distinctive Performing Artist production models to date
Fishmanreg F1 Aura + The Fishmanreg F1 Aura + features a newsimplified and intuitive Easy Mode allowing youto quickly get a feel for the tonal possibilities ofthe system while providing the most importantfeatures The Easy Mode offers three custom-blended Aura Image presets tone control and
the option of using the undersaddle pickuponly For the real tone-tweakers wersquove retainedthe original Performance Mode as well givingyou full access to the powerful 3-band EQscompressor and automatic anti-feedback ofthe F1 Aura +
Performing
Artist SeriesDCPA1
Madagascar
Rosewood
GPCPA1
Madagascar
Rosewood
8102019 Vol_32pdf
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N E W P R O D U C T S
Performing
Artist Series
Martin introduces an exciting
new tonewood called Siris
DCPA4 Siris amp
GPCPA4 Siris
With these two new
Performing Artists guitars
Martin introduces an exciting
new tonewood called Siris
adding even more tonal color
and variety to the PA series Siris
delivers excellent bass response
reminiscent of East Indian rosewood as
well as a clear midrange and treble making it an
excellent guitar wood for recording and for playing live Lighter in color
yet denser than rosewood it produces a slightly longer sustain thanrosewood Siris is typically dark orange contrasting beautifully with the
Sitka Spruce tops tortoise colored pickguards grained Ivoroid bindings
and special East Indian rosewood center wedge on both guitarsrsquo 3-piece
backs The DCPA4 Siris and the GPCPA4 Siris are 14-fret cutaway guitars and
have fast comfortable Performing Artist profile necks Hybrid ldquoXrdquo scalloped top
bracing black Richlite fingerboards and bridges and Fishmanreg F1 Analog
onboard electronicsGPCPA4 Siris
DCPA4 Siris
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
The GPCPA4 Sapele is constructed with
FSCreg Certified tonewoods harvested from
ecologically sound and responsibly manag
forests The fingerboard and bridge are
built with FSCreg
Certified Richlitereg
29
GPCPA4 SapeleFirst introduced in 2010 the GPCPA4 is an extraordinary Martin ndash a
big Grand Performance cutaway with a fast comfortable Performing
Artist Series high performance neck But this brand new version ndash
the GPCPA4 Sapele ndash is extra special It rsquos built with FSCreg Certified
tonewoods harvested from ecologically sound and responsibly
managed forests This includes African sapele back and sides
mahogany front and rear blocks cherry side strips Spanish cedar
ribbons and European spruce Hybrid ldquoXrdquo scalloped bracing The top
is FSCreg Certified recycled Sitka spruce produced from old bridge timbers in Canada
Even the fingerboard and bridge are crafted of FSCreg Certified Richlitereg material High
polished gloss top finish with tasteful Cherry red toned back and sides Fishmanreg F1
Analog electronics are included with volume and tone shaping capabilitiesonboard digital tuner and phase control Quite a
package Quite a guitar
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N E W P R O D U C T S
DCPA5K and GPCPA5K
Advanced guitar design meets high-
tech guitar construction The result
two highly affordable Performing
Artist guitars with excellent tone
playability and durability Back
and sides of the cutaway
Dreadnought and Grand
Performance models are made
of a high-pressure wood fiber
laminate (called HPL) with
Koa grain and texture photo-
imbedded The top is solid Sitkaspruce braced with Martinrsquos Hybrid ldquoXrdquo
scalloped bracing system renowned for its
resonance clear treble and distinct bass The Performing Artist Profile neck is
slim and fast and comfortable made of tough Stratabondreg multi-layered
wood laminate Performing Artist bridge and fingerboard are black Richlite
Chrome enclosed tuners with large buttons and Fishmanreg F1 Analog
onboard electronics included A terrific value with great tone and
environmentally friendly
Performing
Artist Series
The DCPA5K and GPCPA5K
are Performing Artist guitars
with excellent tone playability and durability
GPCPA5K
DCPA5K
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Road Series
31
Over 175 Years of Guitar Building Excellence
Special Edition
DRS2 The latest of Martinrsquos hard-working
great sounding Road Series guitars
the new DRS2 delivers a unique blend
of durability and concert-quality
sound and projection The top is
crafted of solid Sitka spruce and
braced with Martinrsquos A-Frame (X1)
bracing Back and sides are select
solid Sapele similar in look and
tonal qualities to its
close cousin
mahogany As
beautiful as it looks
and sounds the
DRS2 is a serious
working musicianrsquos
guitar built for on
the road durability
without sacrificeof tone The
neck is
constructed
of a multi-
layered
wood
laminate
called
Stratabondtrade
that perfectly
simulates natural
quartersawn wood grain The fingerboard and bridgeare crafted of black Richlite amazingly similar in look
weight and resonance of ebony A Fishmanreg
Sonitone sound reinforcement system completes
this very road ndash and stage ndash worthy Martin
000C NylonIn response to the many Martin players
who chose the limited edition 000CDG
built in memory of Chris Martinrsquos late
brother Doug Greth we have
expanded upon this unique ldquocrossoverrdquo
instrument with the new 000C Nylon It is
truly a hybrid instrument combining features
of a traditional Martin steel-string guitar with
those associated with a classical nylon string
guitar The top is crafted of solid Sitka spruce
and braced with a unique A-Frame ldquoXrdquo brace
system Yet this bracing system is equally
responsive to lighter nylon strings without
inhibiting tone or volume The 12-fret low
profile neck features an 18rdquo radius arched
(versus flat) fingerboard like a steel string
but with a classic width 1-78rdquo at the nut and
2-516rdquo at the 12th fret The bridge is in the
classic style with tie block and drop insaddle Bridge string spacing is a
wider 2-516rdquo as well Even the
000Crsquos headstock is unique ndash
square tapered like the
traditional Martin steel
string style but slotted to
accommodate classical
nylon strings Each guitar is
fitted with onboard Fishmanreg
F1 Analog electronics too
The result A versatile
great sounding andplaying guitar no
matter whether you
play acoustic or
acoustic electric
or both
8102019 Vol_32pdf
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D-28M Limited Edition Celebrates
The Enduring Music and Legacy ofThe Mamas and The Papas
The appointments on the D-28M Mamas and ThePapas Custom Artist Edition emulate a circa 1960sD-28 blackwhiteblack top purfling blackwhiteback purfling grained Ivoroid binding and heelcapldquocheckerboardrdquo backstrip mother of pearl dotposition markers chrome Groverreg Rotomatic tunerstortoise-colored pickguard polished gloss lacquerfinish and vintage-inspired aging toner on the topExtra flash comes in the form of a Style 45 abalonepearl rosette and abalone pearl-topped bone bridgeand end pins
The guitarrsquos crowning glory is ndash appropriately ndashon the polished black ebony headplate Above
the nut sheltered by the familiar gold old-styleldquoC F Martin amp Co Est 1833rdquo decal logo is a silhouette of The Mamas and The Papasbeautifully inlaid in mother of pearl Derivedfrom a photo by Henry Diltz the inlay capturesthe group in full performance mode
In the early 1960s the four musicians whobecame The Mamas and Papas were a long way from pop music stardom though all wereinvolved in the East Coast folk music scene
John Phillips was a member of the JourneymenDenny Doherty and Cass Elliot sang with theMugwumps After the Journeymen broke up
John Phillips his wife Michelle Phillips andMarshall Brickman formed the New JourneymenMarshall eventually left the band but went on toco-write Oscar winning screenplays with Woody
Allen and he co-wrote the book that became therecord-breaking play ldquoThe Jersey Boysrdquo
Marshall Brickman was replaced by Denny Doherty and soon Doherty introduced hisbandmates to Elliot The four began harmonizingto the pop songs John was writing and perfectedtheir sound during a Caribbean vacation together
The starting point for The Mamas and the Papasrsquofresh pop sound was the folk music all fourmembers played before they got together as a group Songwriter and leader John Phillipsrsquo well-
worn Martin Dreadnought often provided thestrummed rhythmic underpinning on which TheMamas and Papasrsquo band instrumentation andvocals were layered The combination proved tobe genius and even today The Mamas and thePapas ldquosoundrdquo is instantly recognizable
To celebrate the group and its place in popmusic history C F Martin introduces a very
special D-28M Mamas and The Papas
Custom Artist Edition Limited to just100 instruments this new Custom Artist Edition features rare tonewoodshandsome appointments and aunique headstock inlay to honorthese musical trailblazers
John Phillipsrsquo vintage Martin D-28provides the inspiration for this Custom Artist Edition The tonewoods and top
bracing are a stellar combination thatapproximates those of MartinDreadnoughts from the early 1930sBack and sides are rare Madagascarrosewood similar in appearance andtone to the now endangered Brazilianrosewood The top is Carpathianspruce comparable in power andbrilliance to Adirondack spruce andequally responsive Advanced ldquoXrdquo
516rdquo scalloped bracing provides richresonant tone The 1 1116rdquo (at the
nut) low profile neck with diamondvolute is genuine mahogany while the
fingerboard and belly bridge are black ebony
L M
In the 1960s The Mamas and the Papas were at the epicenter of a musical earthquake
that began in Southern California and sent shockwaves across the country Combining
great songwriting unique arrangements and lush harmonies the group had six ldquoTop
10rdquo singles and four ldquoTop 5rdquo albums from 1965 through 1967 a feat that made them one
of the few groups to challenge the Beatles during that era While The Mamas and the
Papasrsquo original lineup of John Phillips Cass Elliot Denny Doherty and Michelle Phillips
lasted just four years several of the songs they created ndash including ldquoCalifornia Dreaminrsquordquo
ldquoMonday Mondayrdquo ldquoWords of Loverdquo and ldquoTwelve Thirtyrdquo ndash have stood the test of time
32
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(This story should sound familiar they laterturned it into a hit single ldquoCreeque Alleyrdquo)Eventually the four traveled to Los Angeles
where they auditioned for Dunhill RecordsOwnerProducer Lou Adler Adler signed them tohis label immediately and two days later thegroup had a name The Mamas and the Papas
Released in 1965 The Mamas and The Papasrsquofirst single failed to garner much notice Howeverthe second single ldquoCalifornia Dreamingrdquo co-
written by John and Michelle Phillips reachedNo 4 on the charts The grouprsquos debut album If
You Can Believe Your Eyes and Ears was releasedin early 1966 and rose to No 1 quickly followedby the single ldquoMonday Mondayrdquo which also hitNo 1 and later won a Grammy Award for ldquoBestContemporary Group Performancerdquo
While The Mamas and The Papasrsquo personallives became increasingly turbulent over the nexttwo years their music continued to flourish they recorded three additional albums ndash The Mamasand The Papas Deliver and The Papas and TheMamas ndash that went ldquoTop 20rdquo and in turn yieldedseveral ldquoTop 20rdquo singles
In 1968 bitter infighting between memberscaused the group to disband Due to contractualobligations they reunited briefly in 1971 to makethe People Like Us album and then went theirseparate ways Cass Eliot had a flourishing solocareer that was cut short by her death in 1974
John Phillips continued to write songs and bothhe and Denny Doherty performed and recordedas solo acts In the 1980s and 1990s they occasionally reunited to tour as members of the
New Mamas and Papas John Phillipsdied in 2001 Denny Doherty died in2007 Michelle Phillips enjoyed a successful acting career and today isthe last surviving original memberof the group
Despite the grouprsquos short history TheMamas and The Papasrsquo musical legacy remainsundiminished the group was inducted into theRock amp Roll Hall of Fame in 1998 and received a
Grammy Hall of Fame Award in 2001 In 2003 If You Can Believe Your Eyes and Ears was ranked127 on Rolling Stone magazinersquos list of the 500greatest albums of all time
Delivered in a hardshell case eachD-28M Mamas and The PapasCustom Artist Edition guitar bears a special interior label featuring theldquosun rayrdquo graphic from the RouletteRecords label on which some of TheMamas and The Papasrsquo singles werereissued in the 1970s Each label ispersonally signed by former Mamasand The Papas member MichellePhillips and numbered in sequence
with the edition total Beginning immediately authorized C F Martindealers will accept orders for theD-28M Mamas and The PapasCustom Artist Edition until all 100guitars in the edition are allocatedparticipating Martin dealers willthen be posted on theC F Martin website
wwwmartinguitarcom
33
S A M P L E
8102019 Vol_32pdf
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L O N D O N A C O U S T I C G U I TA R S H O W
Acoustic guitar aficionados attending The London
Acoustic Guitar Show were treated to presentations
that showcased Americarsquos favorite musical instrument
brand and featured musical vignettes by legendary
and influential guitarists Stefan Grossman and
John RenbournThe presentation was given by Dick Boak archivist for Martin
Guitar who offered a graphical and interactive history of the 178-year-old guitar company In addition Dick displayed severalimportant examples in the evolution of Martin acoustic guitarsThe presentation focused on the development of the modern
acoustic guitar Martinrsquos historical contributions to the definitivacoustic guitar design artist signature model collaborations an
an in-depth explanation of specific guitar shapes sizes andtonewoods that lend themselves to particular musical genres JoRenbourn and Stefan Grossman legendary acoustic fingerstyleinnovators demonstrated the tonality of an assortment of Martinstruments including their own Custom Signature models
Martinrsquos UK distributor Westside Management was a primasponsor of the show and the host for the concert stage thatfeatured a stunning live performance by Renbourn and Grossm
Dick Boakrsquos presentation provided a template and proving ground for potential future presentations throughout the UniteStates Europe and Japan
THE LONDON ACOUSTICGUITAR SHOWSaturday and Sunday September 10-11 2011
Olympia Conference Center London
34
8102019 Vol_32pdf
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Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3646
M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
8102019 Vol_32pdf
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The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
8102019 Vol_32pdf
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8102019 Vol_32pdf
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M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
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M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
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Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
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M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
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Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
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A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
8102019 Vol_32pdf
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C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
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P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 2446
Clock key mechanism for
adjustingguitar necks on
Martinrsquos earliest guitars
manufactured in New York
ImaginedMartinfamily portrait
CircaSeptember1833mdashat the
timeof theMartinsrsquotransatlantic
journey to the New World
Mappointingto
Markneukirchen the
main town in Germanyrsquos
musicalinstrument-
makingregion
Embellished original
drawingofCF Martinrsquos
residencein
Markneukirchen
Saxony (Germany)
Thesa
carries
North
specta
showe
Harbo
Imagin
CFM
Hudso
Depic
mold
a Mart
glueu
NEL ONE 2 bull PANEL TWO
Rende
home
in Che
Circa1
Portra
presid
when
arrived
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
OM -21 NEW Martinrsquos OM (Orchestra Models)
guitars have always been very
special to fingerstyle guitarists
especially this new OM-21 with its
comfortable 1-34rdquo wide neck at the
nut and highly responsive 14rdquo
scalloped Sitka top braces Elegant in
its simplicity this new version offers a
tasteful upgrade of solid black ebony
fingerboard and 30rsquos style ldquobellyrdquo
bridge with genuine bone saddle and
nut all adding to the rich resonance of this guitar Whatrsquos more wersquove
replaced the standard OM neck with a
slimmer ldquoPerformingrdquo Artistrdquo modified
low oval profile tapered neck and
wider 2-316rdquo bridge string spacing for
faster more comfortable playing The
solid Sitka spruce top with
hand-inlaid 28 style
rosette is joined to a
body of premium
solid East Indian
rosewood bound intortoise colored
18 style binding
Delmar tortoise color
pickguard nickel
open-geared
tuners with
Butterbean
knobs and
polished gloss
lacquer with
aging toner
complete this
beautiful
instrument
Delivered to you in the
new Martin 433 archtop
hardshell case If yoursquore a finger picker this new OM-21 is
the one to pick
D-18 NEW Since its introduction in 1935 the D-18
has been the workhorse of the Martin steel
string acoustic line More plain and less
costly than its D-28 rosewood cousin the
D-18 has none the less established its own
tonal identity ndash balanced crisp midrange
definitive bass and bright clear treble a
favorite of innumerable bluegrass blues and
country performers as well as discerning
studio musicians ndash because it is a great
performing and recording guitar Over the
years the D-18 has seen numerouspermutations ndash the D-18V and D-18P ndash as
well as variations in bindings rosette
fingerboard amp bridge woods bracing
patterns and pickguards And now the
new D-18 brings together
the best features of all of
these great D-18s into
one superb sounding
and playing guitar On
the traditional side backs
and sides are still crafted
of solid genuineMahogany joined with a
solid Sitka spruce top
with forward-shifted
scalloped ldquoXrdquo bracing
The fingerboard
and 1930s style
belly bridge are
fashioned of
solid black
ebony as were
the originals
Whatrsquos new A
lightning fast modified low
oval profile neck with a
1-34rdquo nut width and slimmer 2-18rdquo taper at the 12th fret Itrsquos
the same neck featured on our innovative Performing Artist
series guitars with the same wide 2-316rdquo bridge string
spacing too for greater player comfort and accessibility up
and down the neck The new D-18 The perfect blend of past
and future ndash and great guitar to start the New Year
8102019 Vol_32pdf
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NAMM Show
Specials
N E W P R O D U C T S
2012 Martin Show Special Guitars
The DCPA Koa amp GPCPA Koa They donrsquot get any more beautiful ndash or more
beautiful sounding ndash than these spectacular
dovetail flamed Koa Performing Artist guitars
And with only a total of 30 instruments ndash
combined ndash being offered to dealers at the 2012
NAMM Show they donrsquot get any rarer either Here
wersquove chosen two of our most popular cutaway models in
the Performing Artist series the classic Dreadnought and
the Grand Performance and crafted the backs and sides
of premium Hawaiian flamed Koa a resonant tonewood
indigenous to the Hawaiian islands Koa has long been by
favored by native Hawaiian musicians for guitars and
ukuleles as well as discerning players and collectors
worldwide Martin in particular has built various sized
instruments of Koa from as early as 1850 The tops are of prized solid Adirondack Spruce as are the scalloped
forward-shifted ldquoXrdquo braces in the ldquoGolden Erardquo fashion The
bodies are bound with solid Madagascar rosewood the
top is inlaid in the 42 style with an elegant blue Paua
pearl rosette The backstrip is 45 style marquetry Both
guitars feature our fast and comfortable Performing Artist
modified low oval mahogany neck with ebony
fingerboard and
wide 2-316rdquo string
spacing on the
ebony Performing
Artist belly bridge And the
crowning touch both guitarsare equipped with the new
Fishmanreg F1 Aura + onboard electronics system the
ultimate in acoustic realism and projection as well as
pickup versatility Waverly gold tuners with Ivoroid
buttons complete the package Orders for the DCPA Koa amp
GPCP Koa will be taken solely from dealers in attendance
at the 2012 NAMM Show in Anaheim California
NEW TOOLS
for GREAT TONE
GPCPA Koa
DCPA Koa
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Over 175 Years of Guitar Building Excellence
DCPA1 Madagascar Rosewood ampGPCPA1 Madagascar Rosewood
These two very special dovetail Performing Artist
guitars reflect the best of Martin innovation expert
craftsmanship and selection of superior tonewoods ndash
all in one As PA series models Dreadnought and
Grand Performance they include a unique slim
tapered fast neck for exceptional player comfort in
all positions a smaller and lighter PA ldquobellyrdquo bridge
for greater tonal response and increased string
spacing for easier finger picking They also
include the new state-of-the-art Fishmanreg F1
Aura + onboard electronics system that deliver
striking acoustic realism and projection
Plugged in or pure acoustic these are great
sounding guitars ndash and with good reason The
tops are solid Adirondack spruce pearl inlaid inthe 41 style and driven by 516rdquo Adirondack
scalloped braces forward-shifted in the ldquoGolden Erardquo X
pattern The back sides and headplate are Madagascar
Rosewood selected for its beauty and close acoustic and visual resemblance to
Brazilian Rosewood Solid black ebony is used for the fingerboard and bridge
Details include grained Ivoroid bindings Delmar beveled tortoise color pickguard
special ldquoalternative torchrdquo inspired position inlays gold enclosed tuners bone nut
and saddle The most distinctive Performing Artist production models to date
Fishmanreg F1 Aura + The Fishmanreg F1 Aura + features a newsimplified and intuitive Easy Mode allowing youto quickly get a feel for the tonal possibilities ofthe system while providing the most importantfeatures The Easy Mode offers three custom-blended Aura Image presets tone control and
the option of using the undersaddle pickuponly For the real tone-tweakers wersquove retainedthe original Performance Mode as well givingyou full access to the powerful 3-band EQscompressor and automatic anti-feedback ofthe F1 Aura +
Performing
Artist SeriesDCPA1
Madagascar
Rosewood
GPCPA1
Madagascar
Rosewood
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N E W P R O D U C T S
Performing
Artist Series
Martin introduces an exciting
new tonewood called Siris
DCPA4 Siris amp
GPCPA4 Siris
With these two new
Performing Artists guitars
Martin introduces an exciting
new tonewood called Siris
adding even more tonal color
and variety to the PA series Siris
delivers excellent bass response
reminiscent of East Indian rosewood as
well as a clear midrange and treble making it an
excellent guitar wood for recording and for playing live Lighter in color
yet denser than rosewood it produces a slightly longer sustain thanrosewood Siris is typically dark orange contrasting beautifully with the
Sitka Spruce tops tortoise colored pickguards grained Ivoroid bindings
and special East Indian rosewood center wedge on both guitarsrsquo 3-piece
backs The DCPA4 Siris and the GPCPA4 Siris are 14-fret cutaway guitars and
have fast comfortable Performing Artist profile necks Hybrid ldquoXrdquo scalloped top
bracing black Richlite fingerboards and bridges and Fishmanreg F1 Analog
onboard electronicsGPCPA4 Siris
DCPA4 Siris
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Over 175 Years of Guitar Building Excellence
The GPCPA4 Sapele is constructed with
FSCreg Certified tonewoods harvested from
ecologically sound and responsibly manag
forests The fingerboard and bridge are
built with FSCreg
Certified Richlitereg
29
GPCPA4 SapeleFirst introduced in 2010 the GPCPA4 is an extraordinary Martin ndash a
big Grand Performance cutaway with a fast comfortable Performing
Artist Series high performance neck But this brand new version ndash
the GPCPA4 Sapele ndash is extra special It rsquos built with FSCreg Certified
tonewoods harvested from ecologically sound and responsibly
managed forests This includes African sapele back and sides
mahogany front and rear blocks cherry side strips Spanish cedar
ribbons and European spruce Hybrid ldquoXrdquo scalloped bracing The top
is FSCreg Certified recycled Sitka spruce produced from old bridge timbers in Canada
Even the fingerboard and bridge are crafted of FSCreg Certified Richlitereg material High
polished gloss top finish with tasteful Cherry red toned back and sides Fishmanreg F1
Analog electronics are included with volume and tone shaping capabilitiesonboard digital tuner and phase control Quite a
package Quite a guitar
8102019 Vol_32pdf
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N E W P R O D U C T S
DCPA5K and GPCPA5K
Advanced guitar design meets high-
tech guitar construction The result
two highly affordable Performing
Artist guitars with excellent tone
playability and durability Back
and sides of the cutaway
Dreadnought and Grand
Performance models are made
of a high-pressure wood fiber
laminate (called HPL) with
Koa grain and texture photo-
imbedded The top is solid Sitkaspruce braced with Martinrsquos Hybrid ldquoXrdquo
scalloped bracing system renowned for its
resonance clear treble and distinct bass The Performing Artist Profile neck is
slim and fast and comfortable made of tough Stratabondreg multi-layered
wood laminate Performing Artist bridge and fingerboard are black Richlite
Chrome enclosed tuners with large buttons and Fishmanreg F1 Analog
onboard electronics included A terrific value with great tone and
environmentally friendly
Performing
Artist Series
The DCPA5K and GPCPA5K
are Performing Artist guitars
with excellent tone playability and durability
GPCPA5K
DCPA5K
8102019 Vol_32pdf
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Road Series
31
Over 175 Years of Guitar Building Excellence
Special Edition
DRS2 The latest of Martinrsquos hard-working
great sounding Road Series guitars
the new DRS2 delivers a unique blend
of durability and concert-quality
sound and projection The top is
crafted of solid Sitka spruce and
braced with Martinrsquos A-Frame (X1)
bracing Back and sides are select
solid Sapele similar in look and
tonal qualities to its
close cousin
mahogany As
beautiful as it looks
and sounds the
DRS2 is a serious
working musicianrsquos
guitar built for on
the road durability
without sacrificeof tone The
neck is
constructed
of a multi-
layered
wood
laminate
called
Stratabondtrade
that perfectly
simulates natural
quartersawn wood grain The fingerboard and bridgeare crafted of black Richlite amazingly similar in look
weight and resonance of ebony A Fishmanreg
Sonitone sound reinforcement system completes
this very road ndash and stage ndash worthy Martin
000C NylonIn response to the many Martin players
who chose the limited edition 000CDG
built in memory of Chris Martinrsquos late
brother Doug Greth we have
expanded upon this unique ldquocrossoverrdquo
instrument with the new 000C Nylon It is
truly a hybrid instrument combining features
of a traditional Martin steel-string guitar with
those associated with a classical nylon string
guitar The top is crafted of solid Sitka spruce
and braced with a unique A-Frame ldquoXrdquo brace
system Yet this bracing system is equally
responsive to lighter nylon strings without
inhibiting tone or volume The 12-fret low
profile neck features an 18rdquo radius arched
(versus flat) fingerboard like a steel string
but with a classic width 1-78rdquo at the nut and
2-516rdquo at the 12th fret The bridge is in the
classic style with tie block and drop insaddle Bridge string spacing is a
wider 2-516rdquo as well Even the
000Crsquos headstock is unique ndash
square tapered like the
traditional Martin steel
string style but slotted to
accommodate classical
nylon strings Each guitar is
fitted with onboard Fishmanreg
F1 Analog electronics too
The result A versatile
great sounding andplaying guitar no
matter whether you
play acoustic or
acoustic electric
or both
8102019 Vol_32pdf
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D-28M Limited Edition Celebrates
The Enduring Music and Legacy ofThe Mamas and The Papas
The appointments on the D-28M Mamas and ThePapas Custom Artist Edition emulate a circa 1960sD-28 blackwhiteblack top purfling blackwhiteback purfling grained Ivoroid binding and heelcapldquocheckerboardrdquo backstrip mother of pearl dotposition markers chrome Groverreg Rotomatic tunerstortoise-colored pickguard polished gloss lacquerfinish and vintage-inspired aging toner on the topExtra flash comes in the form of a Style 45 abalonepearl rosette and abalone pearl-topped bone bridgeand end pins
The guitarrsquos crowning glory is ndash appropriately ndashon the polished black ebony headplate Above
the nut sheltered by the familiar gold old-styleldquoC F Martin amp Co Est 1833rdquo decal logo is a silhouette of The Mamas and The Papasbeautifully inlaid in mother of pearl Derivedfrom a photo by Henry Diltz the inlay capturesthe group in full performance mode
In the early 1960s the four musicians whobecame The Mamas and Papas were a long way from pop music stardom though all wereinvolved in the East Coast folk music scene
John Phillips was a member of the JourneymenDenny Doherty and Cass Elliot sang with theMugwumps After the Journeymen broke up
John Phillips his wife Michelle Phillips andMarshall Brickman formed the New JourneymenMarshall eventually left the band but went on toco-write Oscar winning screenplays with Woody
Allen and he co-wrote the book that became therecord-breaking play ldquoThe Jersey Boysrdquo
Marshall Brickman was replaced by Denny Doherty and soon Doherty introduced hisbandmates to Elliot The four began harmonizingto the pop songs John was writing and perfectedtheir sound during a Caribbean vacation together
The starting point for The Mamas and the Papasrsquofresh pop sound was the folk music all fourmembers played before they got together as a group Songwriter and leader John Phillipsrsquo well-
worn Martin Dreadnought often provided thestrummed rhythmic underpinning on which TheMamas and Papasrsquo band instrumentation andvocals were layered The combination proved tobe genius and even today The Mamas and thePapas ldquosoundrdquo is instantly recognizable
To celebrate the group and its place in popmusic history C F Martin introduces a very
special D-28M Mamas and The Papas
Custom Artist Edition Limited to just100 instruments this new Custom Artist Edition features rare tonewoodshandsome appointments and aunique headstock inlay to honorthese musical trailblazers
John Phillipsrsquo vintage Martin D-28provides the inspiration for this Custom Artist Edition The tonewoods and top
bracing are a stellar combination thatapproximates those of MartinDreadnoughts from the early 1930sBack and sides are rare Madagascarrosewood similar in appearance andtone to the now endangered Brazilianrosewood The top is Carpathianspruce comparable in power andbrilliance to Adirondack spruce andequally responsive Advanced ldquoXrdquo
516rdquo scalloped bracing provides richresonant tone The 1 1116rdquo (at the
nut) low profile neck with diamondvolute is genuine mahogany while the
fingerboard and belly bridge are black ebony
L M
In the 1960s The Mamas and the Papas were at the epicenter of a musical earthquake
that began in Southern California and sent shockwaves across the country Combining
great songwriting unique arrangements and lush harmonies the group had six ldquoTop
10rdquo singles and four ldquoTop 5rdquo albums from 1965 through 1967 a feat that made them one
of the few groups to challenge the Beatles during that era While The Mamas and the
Papasrsquo original lineup of John Phillips Cass Elliot Denny Doherty and Michelle Phillips
lasted just four years several of the songs they created ndash including ldquoCalifornia Dreaminrsquordquo
ldquoMonday Mondayrdquo ldquoWords of Loverdquo and ldquoTwelve Thirtyrdquo ndash have stood the test of time
32
8102019 Vol_32pdf
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(This story should sound familiar they laterturned it into a hit single ldquoCreeque Alleyrdquo)Eventually the four traveled to Los Angeles
where they auditioned for Dunhill RecordsOwnerProducer Lou Adler Adler signed them tohis label immediately and two days later thegroup had a name The Mamas and the Papas
Released in 1965 The Mamas and The Papasrsquofirst single failed to garner much notice Howeverthe second single ldquoCalifornia Dreamingrdquo co-
written by John and Michelle Phillips reachedNo 4 on the charts The grouprsquos debut album If
You Can Believe Your Eyes and Ears was releasedin early 1966 and rose to No 1 quickly followedby the single ldquoMonday Mondayrdquo which also hitNo 1 and later won a Grammy Award for ldquoBestContemporary Group Performancerdquo
While The Mamas and The Papasrsquo personallives became increasingly turbulent over the nexttwo years their music continued to flourish they recorded three additional albums ndash The Mamasand The Papas Deliver and The Papas and TheMamas ndash that went ldquoTop 20rdquo and in turn yieldedseveral ldquoTop 20rdquo singles
In 1968 bitter infighting between memberscaused the group to disband Due to contractualobligations they reunited briefly in 1971 to makethe People Like Us album and then went theirseparate ways Cass Eliot had a flourishing solocareer that was cut short by her death in 1974
John Phillips continued to write songs and bothhe and Denny Doherty performed and recordedas solo acts In the 1980s and 1990s they occasionally reunited to tour as members of the
New Mamas and Papas John Phillipsdied in 2001 Denny Doherty died in2007 Michelle Phillips enjoyed a successful acting career and today isthe last surviving original memberof the group
Despite the grouprsquos short history TheMamas and The Papasrsquo musical legacy remainsundiminished the group was inducted into theRock amp Roll Hall of Fame in 1998 and received a
Grammy Hall of Fame Award in 2001 In 2003 If You Can Believe Your Eyes and Ears was ranked127 on Rolling Stone magazinersquos list of the 500greatest albums of all time
Delivered in a hardshell case eachD-28M Mamas and The PapasCustom Artist Edition guitar bears a special interior label featuring theldquosun rayrdquo graphic from the RouletteRecords label on which some of TheMamas and The Papasrsquo singles werereissued in the 1970s Each label ispersonally signed by former Mamasand The Papas member MichellePhillips and numbered in sequence
with the edition total Beginning immediately authorized C F Martindealers will accept orders for theD-28M Mamas and The PapasCustom Artist Edition until all 100guitars in the edition are allocatedparticipating Martin dealers willthen be posted on theC F Martin website
wwwmartinguitarcom
33
S A M P L E
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L O N D O N A C O U S T I C G U I TA R S H O W
Acoustic guitar aficionados attending The London
Acoustic Guitar Show were treated to presentations
that showcased Americarsquos favorite musical instrument
brand and featured musical vignettes by legendary
and influential guitarists Stefan Grossman and
John RenbournThe presentation was given by Dick Boak archivist for Martin
Guitar who offered a graphical and interactive history of the 178-year-old guitar company In addition Dick displayed severalimportant examples in the evolution of Martin acoustic guitarsThe presentation focused on the development of the modern
acoustic guitar Martinrsquos historical contributions to the definitivacoustic guitar design artist signature model collaborations an
an in-depth explanation of specific guitar shapes sizes andtonewoods that lend themselves to particular musical genres JoRenbourn and Stefan Grossman legendary acoustic fingerstyleinnovators demonstrated the tonality of an assortment of Martinstruments including their own Custom Signature models
Martinrsquos UK distributor Westside Management was a primasponsor of the show and the host for the concert stage thatfeatured a stunning live performance by Renbourn and Grossm
Dick Boakrsquos presentation provided a template and proving ground for potential future presentations throughout the UniteStates Europe and Japan
THE LONDON ACOUSTICGUITAR SHOWSaturday and Sunday September 10-11 2011
Olympia Conference Center London
34
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Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
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M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
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The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
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M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
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M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
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Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
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M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
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Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
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A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
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C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
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P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
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Over 175 Years of Guitar Building Excellence
OM -21 NEW Martinrsquos OM (Orchestra Models)
guitars have always been very
special to fingerstyle guitarists
especially this new OM-21 with its
comfortable 1-34rdquo wide neck at the
nut and highly responsive 14rdquo
scalloped Sitka top braces Elegant in
its simplicity this new version offers a
tasteful upgrade of solid black ebony
fingerboard and 30rsquos style ldquobellyrdquo
bridge with genuine bone saddle and
nut all adding to the rich resonance of this guitar Whatrsquos more wersquove
replaced the standard OM neck with a
slimmer ldquoPerformingrdquo Artistrdquo modified
low oval profile tapered neck and
wider 2-316rdquo bridge string spacing for
faster more comfortable playing The
solid Sitka spruce top with
hand-inlaid 28 style
rosette is joined to a
body of premium
solid East Indian
rosewood bound intortoise colored
18 style binding
Delmar tortoise color
pickguard nickel
open-geared
tuners with
Butterbean
knobs and
polished gloss
lacquer with
aging toner
complete this
beautiful
instrument
Delivered to you in the
new Martin 433 archtop
hardshell case If yoursquore a finger picker this new OM-21 is
the one to pick
D-18 NEW Since its introduction in 1935 the D-18
has been the workhorse of the Martin steel
string acoustic line More plain and less
costly than its D-28 rosewood cousin the
D-18 has none the less established its own
tonal identity ndash balanced crisp midrange
definitive bass and bright clear treble a
favorite of innumerable bluegrass blues and
country performers as well as discerning
studio musicians ndash because it is a great
performing and recording guitar Over the
years the D-18 has seen numerouspermutations ndash the D-18V and D-18P ndash as
well as variations in bindings rosette
fingerboard amp bridge woods bracing
patterns and pickguards And now the
new D-18 brings together
the best features of all of
these great D-18s into
one superb sounding
and playing guitar On
the traditional side backs
and sides are still crafted
of solid genuineMahogany joined with a
solid Sitka spruce top
with forward-shifted
scalloped ldquoXrdquo bracing
The fingerboard
and 1930s style
belly bridge are
fashioned of
solid black
ebony as were
the originals
Whatrsquos new A
lightning fast modified low
oval profile neck with a
1-34rdquo nut width and slimmer 2-18rdquo taper at the 12th fret Itrsquos
the same neck featured on our innovative Performing Artist
series guitars with the same wide 2-316rdquo bridge string
spacing too for greater player comfort and accessibility up
and down the neck The new D-18 The perfect blend of past
and future ndash and great guitar to start the New Year
8102019 Vol_32pdf
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NAMM Show
Specials
N E W P R O D U C T S
2012 Martin Show Special Guitars
The DCPA Koa amp GPCPA Koa They donrsquot get any more beautiful ndash or more
beautiful sounding ndash than these spectacular
dovetail flamed Koa Performing Artist guitars
And with only a total of 30 instruments ndash
combined ndash being offered to dealers at the 2012
NAMM Show they donrsquot get any rarer either Here
wersquove chosen two of our most popular cutaway models in
the Performing Artist series the classic Dreadnought and
the Grand Performance and crafted the backs and sides
of premium Hawaiian flamed Koa a resonant tonewood
indigenous to the Hawaiian islands Koa has long been by
favored by native Hawaiian musicians for guitars and
ukuleles as well as discerning players and collectors
worldwide Martin in particular has built various sized
instruments of Koa from as early as 1850 The tops are of prized solid Adirondack Spruce as are the scalloped
forward-shifted ldquoXrdquo braces in the ldquoGolden Erardquo fashion The
bodies are bound with solid Madagascar rosewood the
top is inlaid in the 42 style with an elegant blue Paua
pearl rosette The backstrip is 45 style marquetry Both
guitars feature our fast and comfortable Performing Artist
modified low oval mahogany neck with ebony
fingerboard and
wide 2-316rdquo string
spacing on the
ebony Performing
Artist belly bridge And the
crowning touch both guitarsare equipped with the new
Fishmanreg F1 Aura + onboard electronics system the
ultimate in acoustic realism and projection as well as
pickup versatility Waverly gold tuners with Ivoroid
buttons complete the package Orders for the DCPA Koa amp
GPCP Koa will be taken solely from dealers in attendance
at the 2012 NAMM Show in Anaheim California
NEW TOOLS
for GREAT TONE
GPCPA Koa
DCPA Koa
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Over 175 Years of Guitar Building Excellence
DCPA1 Madagascar Rosewood ampGPCPA1 Madagascar Rosewood
These two very special dovetail Performing Artist
guitars reflect the best of Martin innovation expert
craftsmanship and selection of superior tonewoods ndash
all in one As PA series models Dreadnought and
Grand Performance they include a unique slim
tapered fast neck for exceptional player comfort in
all positions a smaller and lighter PA ldquobellyrdquo bridge
for greater tonal response and increased string
spacing for easier finger picking They also
include the new state-of-the-art Fishmanreg F1
Aura + onboard electronics system that deliver
striking acoustic realism and projection
Plugged in or pure acoustic these are great
sounding guitars ndash and with good reason The
tops are solid Adirondack spruce pearl inlaid inthe 41 style and driven by 516rdquo Adirondack
scalloped braces forward-shifted in the ldquoGolden Erardquo X
pattern The back sides and headplate are Madagascar
Rosewood selected for its beauty and close acoustic and visual resemblance to
Brazilian Rosewood Solid black ebony is used for the fingerboard and bridge
Details include grained Ivoroid bindings Delmar beveled tortoise color pickguard
special ldquoalternative torchrdquo inspired position inlays gold enclosed tuners bone nut
and saddle The most distinctive Performing Artist production models to date
Fishmanreg F1 Aura + The Fishmanreg F1 Aura + features a newsimplified and intuitive Easy Mode allowing youto quickly get a feel for the tonal possibilities ofthe system while providing the most importantfeatures The Easy Mode offers three custom-blended Aura Image presets tone control and
the option of using the undersaddle pickuponly For the real tone-tweakers wersquove retainedthe original Performance Mode as well givingyou full access to the powerful 3-band EQscompressor and automatic anti-feedback ofthe F1 Aura +
Performing
Artist SeriesDCPA1
Madagascar
Rosewood
GPCPA1
Madagascar
Rosewood
8102019 Vol_32pdf
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N E W P R O D U C T S
Performing
Artist Series
Martin introduces an exciting
new tonewood called Siris
DCPA4 Siris amp
GPCPA4 Siris
With these two new
Performing Artists guitars
Martin introduces an exciting
new tonewood called Siris
adding even more tonal color
and variety to the PA series Siris
delivers excellent bass response
reminiscent of East Indian rosewood as
well as a clear midrange and treble making it an
excellent guitar wood for recording and for playing live Lighter in color
yet denser than rosewood it produces a slightly longer sustain thanrosewood Siris is typically dark orange contrasting beautifully with the
Sitka Spruce tops tortoise colored pickguards grained Ivoroid bindings
and special East Indian rosewood center wedge on both guitarsrsquo 3-piece
backs The DCPA4 Siris and the GPCPA4 Siris are 14-fret cutaway guitars and
have fast comfortable Performing Artist profile necks Hybrid ldquoXrdquo scalloped top
bracing black Richlite fingerboards and bridges and Fishmanreg F1 Analog
onboard electronicsGPCPA4 Siris
DCPA4 Siris
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Over 175 Years of Guitar Building Excellence
The GPCPA4 Sapele is constructed with
FSCreg Certified tonewoods harvested from
ecologically sound and responsibly manag
forests The fingerboard and bridge are
built with FSCreg
Certified Richlitereg
29
GPCPA4 SapeleFirst introduced in 2010 the GPCPA4 is an extraordinary Martin ndash a
big Grand Performance cutaway with a fast comfortable Performing
Artist Series high performance neck But this brand new version ndash
the GPCPA4 Sapele ndash is extra special It rsquos built with FSCreg Certified
tonewoods harvested from ecologically sound and responsibly
managed forests This includes African sapele back and sides
mahogany front and rear blocks cherry side strips Spanish cedar
ribbons and European spruce Hybrid ldquoXrdquo scalloped bracing The top
is FSCreg Certified recycled Sitka spruce produced from old bridge timbers in Canada
Even the fingerboard and bridge are crafted of FSCreg Certified Richlitereg material High
polished gloss top finish with tasteful Cherry red toned back and sides Fishmanreg F1
Analog electronics are included with volume and tone shaping capabilitiesonboard digital tuner and phase control Quite a
package Quite a guitar
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N E W P R O D U C T S
DCPA5K and GPCPA5K
Advanced guitar design meets high-
tech guitar construction The result
two highly affordable Performing
Artist guitars with excellent tone
playability and durability Back
and sides of the cutaway
Dreadnought and Grand
Performance models are made
of a high-pressure wood fiber
laminate (called HPL) with
Koa grain and texture photo-
imbedded The top is solid Sitkaspruce braced with Martinrsquos Hybrid ldquoXrdquo
scalloped bracing system renowned for its
resonance clear treble and distinct bass The Performing Artist Profile neck is
slim and fast and comfortable made of tough Stratabondreg multi-layered
wood laminate Performing Artist bridge and fingerboard are black Richlite
Chrome enclosed tuners with large buttons and Fishmanreg F1 Analog
onboard electronics included A terrific value with great tone and
environmentally friendly
Performing
Artist Series
The DCPA5K and GPCPA5K
are Performing Artist guitars
with excellent tone playability and durability
GPCPA5K
DCPA5K
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Road Series
31
Over 175 Years of Guitar Building Excellence
Special Edition
DRS2 The latest of Martinrsquos hard-working
great sounding Road Series guitars
the new DRS2 delivers a unique blend
of durability and concert-quality
sound and projection The top is
crafted of solid Sitka spruce and
braced with Martinrsquos A-Frame (X1)
bracing Back and sides are select
solid Sapele similar in look and
tonal qualities to its
close cousin
mahogany As
beautiful as it looks
and sounds the
DRS2 is a serious
working musicianrsquos
guitar built for on
the road durability
without sacrificeof tone The
neck is
constructed
of a multi-
layered
wood
laminate
called
Stratabondtrade
that perfectly
simulates natural
quartersawn wood grain The fingerboard and bridgeare crafted of black Richlite amazingly similar in look
weight and resonance of ebony A Fishmanreg
Sonitone sound reinforcement system completes
this very road ndash and stage ndash worthy Martin
000C NylonIn response to the many Martin players
who chose the limited edition 000CDG
built in memory of Chris Martinrsquos late
brother Doug Greth we have
expanded upon this unique ldquocrossoverrdquo
instrument with the new 000C Nylon It is
truly a hybrid instrument combining features
of a traditional Martin steel-string guitar with
those associated with a classical nylon string
guitar The top is crafted of solid Sitka spruce
and braced with a unique A-Frame ldquoXrdquo brace
system Yet this bracing system is equally
responsive to lighter nylon strings without
inhibiting tone or volume The 12-fret low
profile neck features an 18rdquo radius arched
(versus flat) fingerboard like a steel string
but with a classic width 1-78rdquo at the nut and
2-516rdquo at the 12th fret The bridge is in the
classic style with tie block and drop insaddle Bridge string spacing is a
wider 2-516rdquo as well Even the
000Crsquos headstock is unique ndash
square tapered like the
traditional Martin steel
string style but slotted to
accommodate classical
nylon strings Each guitar is
fitted with onboard Fishmanreg
F1 Analog electronics too
The result A versatile
great sounding andplaying guitar no
matter whether you
play acoustic or
acoustic electric
or both
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D-28M Limited Edition Celebrates
The Enduring Music and Legacy ofThe Mamas and The Papas
The appointments on the D-28M Mamas and ThePapas Custom Artist Edition emulate a circa 1960sD-28 blackwhiteblack top purfling blackwhiteback purfling grained Ivoroid binding and heelcapldquocheckerboardrdquo backstrip mother of pearl dotposition markers chrome Groverreg Rotomatic tunerstortoise-colored pickguard polished gloss lacquerfinish and vintage-inspired aging toner on the topExtra flash comes in the form of a Style 45 abalonepearl rosette and abalone pearl-topped bone bridgeand end pins
The guitarrsquos crowning glory is ndash appropriately ndashon the polished black ebony headplate Above
the nut sheltered by the familiar gold old-styleldquoC F Martin amp Co Est 1833rdquo decal logo is a silhouette of The Mamas and The Papasbeautifully inlaid in mother of pearl Derivedfrom a photo by Henry Diltz the inlay capturesthe group in full performance mode
In the early 1960s the four musicians whobecame The Mamas and Papas were a long way from pop music stardom though all wereinvolved in the East Coast folk music scene
John Phillips was a member of the JourneymenDenny Doherty and Cass Elliot sang with theMugwumps After the Journeymen broke up
John Phillips his wife Michelle Phillips andMarshall Brickman formed the New JourneymenMarshall eventually left the band but went on toco-write Oscar winning screenplays with Woody
Allen and he co-wrote the book that became therecord-breaking play ldquoThe Jersey Boysrdquo
Marshall Brickman was replaced by Denny Doherty and soon Doherty introduced hisbandmates to Elliot The four began harmonizingto the pop songs John was writing and perfectedtheir sound during a Caribbean vacation together
The starting point for The Mamas and the Papasrsquofresh pop sound was the folk music all fourmembers played before they got together as a group Songwriter and leader John Phillipsrsquo well-
worn Martin Dreadnought often provided thestrummed rhythmic underpinning on which TheMamas and Papasrsquo band instrumentation andvocals were layered The combination proved tobe genius and even today The Mamas and thePapas ldquosoundrdquo is instantly recognizable
To celebrate the group and its place in popmusic history C F Martin introduces a very
special D-28M Mamas and The Papas
Custom Artist Edition Limited to just100 instruments this new Custom Artist Edition features rare tonewoodshandsome appointments and aunique headstock inlay to honorthese musical trailblazers
John Phillipsrsquo vintage Martin D-28provides the inspiration for this Custom Artist Edition The tonewoods and top
bracing are a stellar combination thatapproximates those of MartinDreadnoughts from the early 1930sBack and sides are rare Madagascarrosewood similar in appearance andtone to the now endangered Brazilianrosewood The top is Carpathianspruce comparable in power andbrilliance to Adirondack spruce andequally responsive Advanced ldquoXrdquo
516rdquo scalloped bracing provides richresonant tone The 1 1116rdquo (at the
nut) low profile neck with diamondvolute is genuine mahogany while the
fingerboard and belly bridge are black ebony
L M
In the 1960s The Mamas and the Papas were at the epicenter of a musical earthquake
that began in Southern California and sent shockwaves across the country Combining
great songwriting unique arrangements and lush harmonies the group had six ldquoTop
10rdquo singles and four ldquoTop 5rdquo albums from 1965 through 1967 a feat that made them one
of the few groups to challenge the Beatles during that era While The Mamas and the
Papasrsquo original lineup of John Phillips Cass Elliot Denny Doherty and Michelle Phillips
lasted just four years several of the songs they created ndash including ldquoCalifornia Dreaminrsquordquo
ldquoMonday Mondayrdquo ldquoWords of Loverdquo and ldquoTwelve Thirtyrdquo ndash have stood the test of time
32
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(This story should sound familiar they laterturned it into a hit single ldquoCreeque Alleyrdquo)Eventually the four traveled to Los Angeles
where they auditioned for Dunhill RecordsOwnerProducer Lou Adler Adler signed them tohis label immediately and two days later thegroup had a name The Mamas and the Papas
Released in 1965 The Mamas and The Papasrsquofirst single failed to garner much notice Howeverthe second single ldquoCalifornia Dreamingrdquo co-
written by John and Michelle Phillips reachedNo 4 on the charts The grouprsquos debut album If
You Can Believe Your Eyes and Ears was releasedin early 1966 and rose to No 1 quickly followedby the single ldquoMonday Mondayrdquo which also hitNo 1 and later won a Grammy Award for ldquoBestContemporary Group Performancerdquo
While The Mamas and The Papasrsquo personallives became increasingly turbulent over the nexttwo years their music continued to flourish they recorded three additional albums ndash The Mamasand The Papas Deliver and The Papas and TheMamas ndash that went ldquoTop 20rdquo and in turn yieldedseveral ldquoTop 20rdquo singles
In 1968 bitter infighting between memberscaused the group to disband Due to contractualobligations they reunited briefly in 1971 to makethe People Like Us album and then went theirseparate ways Cass Eliot had a flourishing solocareer that was cut short by her death in 1974
John Phillips continued to write songs and bothhe and Denny Doherty performed and recordedas solo acts In the 1980s and 1990s they occasionally reunited to tour as members of the
New Mamas and Papas John Phillipsdied in 2001 Denny Doherty died in2007 Michelle Phillips enjoyed a successful acting career and today isthe last surviving original memberof the group
Despite the grouprsquos short history TheMamas and The Papasrsquo musical legacy remainsundiminished the group was inducted into theRock amp Roll Hall of Fame in 1998 and received a
Grammy Hall of Fame Award in 2001 In 2003 If You Can Believe Your Eyes and Ears was ranked127 on Rolling Stone magazinersquos list of the 500greatest albums of all time
Delivered in a hardshell case eachD-28M Mamas and The PapasCustom Artist Edition guitar bears a special interior label featuring theldquosun rayrdquo graphic from the RouletteRecords label on which some of TheMamas and The Papasrsquo singles werereissued in the 1970s Each label ispersonally signed by former Mamasand The Papas member MichellePhillips and numbered in sequence
with the edition total Beginning immediately authorized C F Martindealers will accept orders for theD-28M Mamas and The PapasCustom Artist Edition until all 100guitars in the edition are allocatedparticipating Martin dealers willthen be posted on theC F Martin website
wwwmartinguitarcom
33
S A M P L E
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L O N D O N A C O U S T I C G U I TA R S H O W
Acoustic guitar aficionados attending The London
Acoustic Guitar Show were treated to presentations
that showcased Americarsquos favorite musical instrument
brand and featured musical vignettes by legendary
and influential guitarists Stefan Grossman and
John RenbournThe presentation was given by Dick Boak archivist for Martin
Guitar who offered a graphical and interactive history of the 178-year-old guitar company In addition Dick displayed severalimportant examples in the evolution of Martin acoustic guitarsThe presentation focused on the development of the modern
acoustic guitar Martinrsquos historical contributions to the definitivacoustic guitar design artist signature model collaborations an
an in-depth explanation of specific guitar shapes sizes andtonewoods that lend themselves to particular musical genres JoRenbourn and Stefan Grossman legendary acoustic fingerstyleinnovators demonstrated the tonality of an assortment of Martinstruments including their own Custom Signature models
Martinrsquos UK distributor Westside Management was a primasponsor of the show and the host for the concert stage thatfeatured a stunning live performance by Renbourn and Grossm
Dick Boakrsquos presentation provided a template and proving ground for potential future presentations throughout the UniteStates Europe and Japan
THE LONDON ACOUSTICGUITAR SHOWSaturday and Sunday September 10-11 2011
Olympia Conference Center London
34
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Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
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M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
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The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
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M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
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M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
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Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
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M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
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Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
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A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
8102019 Vol_32pdf
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C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
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P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
8102019 Vol_32pdf
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NAMM Show
Specials
N E W P R O D U C T S
2012 Martin Show Special Guitars
The DCPA Koa amp GPCPA Koa They donrsquot get any more beautiful ndash or more
beautiful sounding ndash than these spectacular
dovetail flamed Koa Performing Artist guitars
And with only a total of 30 instruments ndash
combined ndash being offered to dealers at the 2012
NAMM Show they donrsquot get any rarer either Here
wersquove chosen two of our most popular cutaway models in
the Performing Artist series the classic Dreadnought and
the Grand Performance and crafted the backs and sides
of premium Hawaiian flamed Koa a resonant tonewood
indigenous to the Hawaiian islands Koa has long been by
favored by native Hawaiian musicians for guitars and
ukuleles as well as discerning players and collectors
worldwide Martin in particular has built various sized
instruments of Koa from as early as 1850 The tops are of prized solid Adirondack Spruce as are the scalloped
forward-shifted ldquoXrdquo braces in the ldquoGolden Erardquo fashion The
bodies are bound with solid Madagascar rosewood the
top is inlaid in the 42 style with an elegant blue Paua
pearl rosette The backstrip is 45 style marquetry Both
guitars feature our fast and comfortable Performing Artist
modified low oval mahogany neck with ebony
fingerboard and
wide 2-316rdquo string
spacing on the
ebony Performing
Artist belly bridge And the
crowning touch both guitarsare equipped with the new
Fishmanreg F1 Aura + onboard electronics system the
ultimate in acoustic realism and projection as well as
pickup versatility Waverly gold tuners with Ivoroid
buttons complete the package Orders for the DCPA Koa amp
GPCP Koa will be taken solely from dealers in attendance
at the 2012 NAMM Show in Anaheim California
NEW TOOLS
for GREAT TONE
GPCPA Koa
DCPA Koa
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Over 175 Years of Guitar Building Excellence
DCPA1 Madagascar Rosewood ampGPCPA1 Madagascar Rosewood
These two very special dovetail Performing Artist
guitars reflect the best of Martin innovation expert
craftsmanship and selection of superior tonewoods ndash
all in one As PA series models Dreadnought and
Grand Performance they include a unique slim
tapered fast neck for exceptional player comfort in
all positions a smaller and lighter PA ldquobellyrdquo bridge
for greater tonal response and increased string
spacing for easier finger picking They also
include the new state-of-the-art Fishmanreg F1
Aura + onboard electronics system that deliver
striking acoustic realism and projection
Plugged in or pure acoustic these are great
sounding guitars ndash and with good reason The
tops are solid Adirondack spruce pearl inlaid inthe 41 style and driven by 516rdquo Adirondack
scalloped braces forward-shifted in the ldquoGolden Erardquo X
pattern The back sides and headplate are Madagascar
Rosewood selected for its beauty and close acoustic and visual resemblance to
Brazilian Rosewood Solid black ebony is used for the fingerboard and bridge
Details include grained Ivoroid bindings Delmar beveled tortoise color pickguard
special ldquoalternative torchrdquo inspired position inlays gold enclosed tuners bone nut
and saddle The most distinctive Performing Artist production models to date
Fishmanreg F1 Aura + The Fishmanreg F1 Aura + features a newsimplified and intuitive Easy Mode allowing youto quickly get a feel for the tonal possibilities ofthe system while providing the most importantfeatures The Easy Mode offers three custom-blended Aura Image presets tone control and
the option of using the undersaddle pickuponly For the real tone-tweakers wersquove retainedthe original Performance Mode as well givingyou full access to the powerful 3-band EQscompressor and automatic anti-feedback ofthe F1 Aura +
Performing
Artist SeriesDCPA1
Madagascar
Rosewood
GPCPA1
Madagascar
Rosewood
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N E W P R O D U C T S
Performing
Artist Series
Martin introduces an exciting
new tonewood called Siris
DCPA4 Siris amp
GPCPA4 Siris
With these two new
Performing Artists guitars
Martin introduces an exciting
new tonewood called Siris
adding even more tonal color
and variety to the PA series Siris
delivers excellent bass response
reminiscent of East Indian rosewood as
well as a clear midrange and treble making it an
excellent guitar wood for recording and for playing live Lighter in color
yet denser than rosewood it produces a slightly longer sustain thanrosewood Siris is typically dark orange contrasting beautifully with the
Sitka Spruce tops tortoise colored pickguards grained Ivoroid bindings
and special East Indian rosewood center wedge on both guitarsrsquo 3-piece
backs The DCPA4 Siris and the GPCPA4 Siris are 14-fret cutaway guitars and
have fast comfortable Performing Artist profile necks Hybrid ldquoXrdquo scalloped top
bracing black Richlite fingerboards and bridges and Fishmanreg F1 Analog
onboard electronicsGPCPA4 Siris
DCPA4 Siris
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Over 175 Years of Guitar Building Excellence
The GPCPA4 Sapele is constructed with
FSCreg Certified tonewoods harvested from
ecologically sound and responsibly manag
forests The fingerboard and bridge are
built with FSCreg
Certified Richlitereg
29
GPCPA4 SapeleFirst introduced in 2010 the GPCPA4 is an extraordinary Martin ndash a
big Grand Performance cutaway with a fast comfortable Performing
Artist Series high performance neck But this brand new version ndash
the GPCPA4 Sapele ndash is extra special It rsquos built with FSCreg Certified
tonewoods harvested from ecologically sound and responsibly
managed forests This includes African sapele back and sides
mahogany front and rear blocks cherry side strips Spanish cedar
ribbons and European spruce Hybrid ldquoXrdquo scalloped bracing The top
is FSCreg Certified recycled Sitka spruce produced from old bridge timbers in Canada
Even the fingerboard and bridge are crafted of FSCreg Certified Richlitereg material High
polished gloss top finish with tasteful Cherry red toned back and sides Fishmanreg F1
Analog electronics are included with volume and tone shaping capabilitiesonboard digital tuner and phase control Quite a
package Quite a guitar
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N E W P R O D U C T S
DCPA5K and GPCPA5K
Advanced guitar design meets high-
tech guitar construction The result
two highly affordable Performing
Artist guitars with excellent tone
playability and durability Back
and sides of the cutaway
Dreadnought and Grand
Performance models are made
of a high-pressure wood fiber
laminate (called HPL) with
Koa grain and texture photo-
imbedded The top is solid Sitkaspruce braced with Martinrsquos Hybrid ldquoXrdquo
scalloped bracing system renowned for its
resonance clear treble and distinct bass The Performing Artist Profile neck is
slim and fast and comfortable made of tough Stratabondreg multi-layered
wood laminate Performing Artist bridge and fingerboard are black Richlite
Chrome enclosed tuners with large buttons and Fishmanreg F1 Analog
onboard electronics included A terrific value with great tone and
environmentally friendly
Performing
Artist Series
The DCPA5K and GPCPA5K
are Performing Artist guitars
with excellent tone playability and durability
GPCPA5K
DCPA5K
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Road Series
31
Over 175 Years of Guitar Building Excellence
Special Edition
DRS2 The latest of Martinrsquos hard-working
great sounding Road Series guitars
the new DRS2 delivers a unique blend
of durability and concert-quality
sound and projection The top is
crafted of solid Sitka spruce and
braced with Martinrsquos A-Frame (X1)
bracing Back and sides are select
solid Sapele similar in look and
tonal qualities to its
close cousin
mahogany As
beautiful as it looks
and sounds the
DRS2 is a serious
working musicianrsquos
guitar built for on
the road durability
without sacrificeof tone The
neck is
constructed
of a multi-
layered
wood
laminate
called
Stratabondtrade
that perfectly
simulates natural
quartersawn wood grain The fingerboard and bridgeare crafted of black Richlite amazingly similar in look
weight and resonance of ebony A Fishmanreg
Sonitone sound reinforcement system completes
this very road ndash and stage ndash worthy Martin
000C NylonIn response to the many Martin players
who chose the limited edition 000CDG
built in memory of Chris Martinrsquos late
brother Doug Greth we have
expanded upon this unique ldquocrossoverrdquo
instrument with the new 000C Nylon It is
truly a hybrid instrument combining features
of a traditional Martin steel-string guitar with
those associated with a classical nylon string
guitar The top is crafted of solid Sitka spruce
and braced with a unique A-Frame ldquoXrdquo brace
system Yet this bracing system is equally
responsive to lighter nylon strings without
inhibiting tone or volume The 12-fret low
profile neck features an 18rdquo radius arched
(versus flat) fingerboard like a steel string
but with a classic width 1-78rdquo at the nut and
2-516rdquo at the 12th fret The bridge is in the
classic style with tie block and drop insaddle Bridge string spacing is a
wider 2-516rdquo as well Even the
000Crsquos headstock is unique ndash
square tapered like the
traditional Martin steel
string style but slotted to
accommodate classical
nylon strings Each guitar is
fitted with onboard Fishmanreg
F1 Analog electronics too
The result A versatile
great sounding andplaying guitar no
matter whether you
play acoustic or
acoustic electric
or both
8102019 Vol_32pdf
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D-28M Limited Edition Celebrates
The Enduring Music and Legacy ofThe Mamas and The Papas
The appointments on the D-28M Mamas and ThePapas Custom Artist Edition emulate a circa 1960sD-28 blackwhiteblack top purfling blackwhiteback purfling grained Ivoroid binding and heelcapldquocheckerboardrdquo backstrip mother of pearl dotposition markers chrome Groverreg Rotomatic tunerstortoise-colored pickguard polished gloss lacquerfinish and vintage-inspired aging toner on the topExtra flash comes in the form of a Style 45 abalonepearl rosette and abalone pearl-topped bone bridgeand end pins
The guitarrsquos crowning glory is ndash appropriately ndashon the polished black ebony headplate Above
the nut sheltered by the familiar gold old-styleldquoC F Martin amp Co Est 1833rdquo decal logo is a silhouette of The Mamas and The Papasbeautifully inlaid in mother of pearl Derivedfrom a photo by Henry Diltz the inlay capturesthe group in full performance mode
In the early 1960s the four musicians whobecame The Mamas and Papas were a long way from pop music stardom though all wereinvolved in the East Coast folk music scene
John Phillips was a member of the JourneymenDenny Doherty and Cass Elliot sang with theMugwumps After the Journeymen broke up
John Phillips his wife Michelle Phillips andMarshall Brickman formed the New JourneymenMarshall eventually left the band but went on toco-write Oscar winning screenplays with Woody
Allen and he co-wrote the book that became therecord-breaking play ldquoThe Jersey Boysrdquo
Marshall Brickman was replaced by Denny Doherty and soon Doherty introduced hisbandmates to Elliot The four began harmonizingto the pop songs John was writing and perfectedtheir sound during a Caribbean vacation together
The starting point for The Mamas and the Papasrsquofresh pop sound was the folk music all fourmembers played before they got together as a group Songwriter and leader John Phillipsrsquo well-
worn Martin Dreadnought often provided thestrummed rhythmic underpinning on which TheMamas and Papasrsquo band instrumentation andvocals were layered The combination proved tobe genius and even today The Mamas and thePapas ldquosoundrdquo is instantly recognizable
To celebrate the group and its place in popmusic history C F Martin introduces a very
special D-28M Mamas and The Papas
Custom Artist Edition Limited to just100 instruments this new Custom Artist Edition features rare tonewoodshandsome appointments and aunique headstock inlay to honorthese musical trailblazers
John Phillipsrsquo vintage Martin D-28provides the inspiration for this Custom Artist Edition The tonewoods and top
bracing are a stellar combination thatapproximates those of MartinDreadnoughts from the early 1930sBack and sides are rare Madagascarrosewood similar in appearance andtone to the now endangered Brazilianrosewood The top is Carpathianspruce comparable in power andbrilliance to Adirondack spruce andequally responsive Advanced ldquoXrdquo
516rdquo scalloped bracing provides richresonant tone The 1 1116rdquo (at the
nut) low profile neck with diamondvolute is genuine mahogany while the
fingerboard and belly bridge are black ebony
L M
In the 1960s The Mamas and the Papas were at the epicenter of a musical earthquake
that began in Southern California and sent shockwaves across the country Combining
great songwriting unique arrangements and lush harmonies the group had six ldquoTop
10rdquo singles and four ldquoTop 5rdquo albums from 1965 through 1967 a feat that made them one
of the few groups to challenge the Beatles during that era While The Mamas and the
Papasrsquo original lineup of John Phillips Cass Elliot Denny Doherty and Michelle Phillips
lasted just four years several of the songs they created ndash including ldquoCalifornia Dreaminrsquordquo
ldquoMonday Mondayrdquo ldquoWords of Loverdquo and ldquoTwelve Thirtyrdquo ndash have stood the test of time
32
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(This story should sound familiar they laterturned it into a hit single ldquoCreeque Alleyrdquo)Eventually the four traveled to Los Angeles
where they auditioned for Dunhill RecordsOwnerProducer Lou Adler Adler signed them tohis label immediately and two days later thegroup had a name The Mamas and the Papas
Released in 1965 The Mamas and The Papasrsquofirst single failed to garner much notice Howeverthe second single ldquoCalifornia Dreamingrdquo co-
written by John and Michelle Phillips reachedNo 4 on the charts The grouprsquos debut album If
You Can Believe Your Eyes and Ears was releasedin early 1966 and rose to No 1 quickly followedby the single ldquoMonday Mondayrdquo which also hitNo 1 and later won a Grammy Award for ldquoBestContemporary Group Performancerdquo
While The Mamas and The Papasrsquo personallives became increasingly turbulent over the nexttwo years their music continued to flourish they recorded three additional albums ndash The Mamasand The Papas Deliver and The Papas and TheMamas ndash that went ldquoTop 20rdquo and in turn yieldedseveral ldquoTop 20rdquo singles
In 1968 bitter infighting between memberscaused the group to disband Due to contractualobligations they reunited briefly in 1971 to makethe People Like Us album and then went theirseparate ways Cass Eliot had a flourishing solocareer that was cut short by her death in 1974
John Phillips continued to write songs and bothhe and Denny Doherty performed and recordedas solo acts In the 1980s and 1990s they occasionally reunited to tour as members of the
New Mamas and Papas John Phillipsdied in 2001 Denny Doherty died in2007 Michelle Phillips enjoyed a successful acting career and today isthe last surviving original memberof the group
Despite the grouprsquos short history TheMamas and The Papasrsquo musical legacy remainsundiminished the group was inducted into theRock amp Roll Hall of Fame in 1998 and received a
Grammy Hall of Fame Award in 2001 In 2003 If You Can Believe Your Eyes and Ears was ranked127 on Rolling Stone magazinersquos list of the 500greatest albums of all time
Delivered in a hardshell case eachD-28M Mamas and The PapasCustom Artist Edition guitar bears a special interior label featuring theldquosun rayrdquo graphic from the RouletteRecords label on which some of TheMamas and The Papasrsquo singles werereissued in the 1970s Each label ispersonally signed by former Mamasand The Papas member MichellePhillips and numbered in sequence
with the edition total Beginning immediately authorized C F Martindealers will accept orders for theD-28M Mamas and The PapasCustom Artist Edition until all 100guitars in the edition are allocatedparticipating Martin dealers willthen be posted on theC F Martin website
wwwmartinguitarcom
33
S A M P L E
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L O N D O N A C O U S T I C G U I TA R S H O W
Acoustic guitar aficionados attending The London
Acoustic Guitar Show were treated to presentations
that showcased Americarsquos favorite musical instrument
brand and featured musical vignettes by legendary
and influential guitarists Stefan Grossman and
John RenbournThe presentation was given by Dick Boak archivist for Martin
Guitar who offered a graphical and interactive history of the 178-year-old guitar company In addition Dick displayed severalimportant examples in the evolution of Martin acoustic guitarsThe presentation focused on the development of the modern
acoustic guitar Martinrsquos historical contributions to the definitivacoustic guitar design artist signature model collaborations an
an in-depth explanation of specific guitar shapes sizes andtonewoods that lend themselves to particular musical genres JoRenbourn and Stefan Grossman legendary acoustic fingerstyleinnovators demonstrated the tonality of an assortment of Martinstruments including their own Custom Signature models
Martinrsquos UK distributor Westside Management was a primasponsor of the show and the host for the concert stage thatfeatured a stunning live performance by Renbourn and Grossm
Dick Boakrsquos presentation provided a template and proving ground for potential future presentations throughout the UniteStates Europe and Japan
THE LONDON ACOUSTICGUITAR SHOWSaturday and Sunday September 10-11 2011
Olympia Conference Center London
34
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Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
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M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
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The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
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M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
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M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
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Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
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M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
8102019 Vol_32pdf
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Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
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A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
8102019 Vol_32pdf
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C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
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P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
DCPA1 Madagascar Rosewood ampGPCPA1 Madagascar Rosewood
These two very special dovetail Performing Artist
guitars reflect the best of Martin innovation expert
craftsmanship and selection of superior tonewoods ndash
all in one As PA series models Dreadnought and
Grand Performance they include a unique slim
tapered fast neck for exceptional player comfort in
all positions a smaller and lighter PA ldquobellyrdquo bridge
for greater tonal response and increased string
spacing for easier finger picking They also
include the new state-of-the-art Fishmanreg F1
Aura + onboard electronics system that deliver
striking acoustic realism and projection
Plugged in or pure acoustic these are great
sounding guitars ndash and with good reason The
tops are solid Adirondack spruce pearl inlaid inthe 41 style and driven by 516rdquo Adirondack
scalloped braces forward-shifted in the ldquoGolden Erardquo X
pattern The back sides and headplate are Madagascar
Rosewood selected for its beauty and close acoustic and visual resemblance to
Brazilian Rosewood Solid black ebony is used for the fingerboard and bridge
Details include grained Ivoroid bindings Delmar beveled tortoise color pickguard
special ldquoalternative torchrdquo inspired position inlays gold enclosed tuners bone nut
and saddle The most distinctive Performing Artist production models to date
Fishmanreg F1 Aura + The Fishmanreg F1 Aura + features a newsimplified and intuitive Easy Mode allowing youto quickly get a feel for the tonal possibilities ofthe system while providing the most importantfeatures The Easy Mode offers three custom-blended Aura Image presets tone control and
the option of using the undersaddle pickuponly For the real tone-tweakers wersquove retainedthe original Performance Mode as well givingyou full access to the powerful 3-band EQscompressor and automatic anti-feedback ofthe F1 Aura +
Performing
Artist SeriesDCPA1
Madagascar
Rosewood
GPCPA1
Madagascar
Rosewood
8102019 Vol_32pdf
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N E W P R O D U C T S
Performing
Artist Series
Martin introduces an exciting
new tonewood called Siris
DCPA4 Siris amp
GPCPA4 Siris
With these two new
Performing Artists guitars
Martin introduces an exciting
new tonewood called Siris
adding even more tonal color
and variety to the PA series Siris
delivers excellent bass response
reminiscent of East Indian rosewood as
well as a clear midrange and treble making it an
excellent guitar wood for recording and for playing live Lighter in color
yet denser than rosewood it produces a slightly longer sustain thanrosewood Siris is typically dark orange contrasting beautifully with the
Sitka Spruce tops tortoise colored pickguards grained Ivoroid bindings
and special East Indian rosewood center wedge on both guitarsrsquo 3-piece
backs The DCPA4 Siris and the GPCPA4 Siris are 14-fret cutaway guitars and
have fast comfortable Performing Artist profile necks Hybrid ldquoXrdquo scalloped top
bracing black Richlite fingerboards and bridges and Fishmanreg F1 Analog
onboard electronicsGPCPA4 Siris
DCPA4 Siris
8102019 Vol_32pdf
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Over 175 Years of Guitar Building Excellence
The GPCPA4 Sapele is constructed with
FSCreg Certified tonewoods harvested from
ecologically sound and responsibly manag
forests The fingerboard and bridge are
built with FSCreg
Certified Richlitereg
29
GPCPA4 SapeleFirst introduced in 2010 the GPCPA4 is an extraordinary Martin ndash a
big Grand Performance cutaway with a fast comfortable Performing
Artist Series high performance neck But this brand new version ndash
the GPCPA4 Sapele ndash is extra special It rsquos built with FSCreg Certified
tonewoods harvested from ecologically sound and responsibly
managed forests This includes African sapele back and sides
mahogany front and rear blocks cherry side strips Spanish cedar
ribbons and European spruce Hybrid ldquoXrdquo scalloped bracing The top
is FSCreg Certified recycled Sitka spruce produced from old bridge timbers in Canada
Even the fingerboard and bridge are crafted of FSCreg Certified Richlitereg material High
polished gloss top finish with tasteful Cherry red toned back and sides Fishmanreg F1
Analog electronics are included with volume and tone shaping capabilitiesonboard digital tuner and phase control Quite a
package Quite a guitar
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N E W P R O D U C T S
DCPA5K and GPCPA5K
Advanced guitar design meets high-
tech guitar construction The result
two highly affordable Performing
Artist guitars with excellent tone
playability and durability Back
and sides of the cutaway
Dreadnought and Grand
Performance models are made
of a high-pressure wood fiber
laminate (called HPL) with
Koa grain and texture photo-
imbedded The top is solid Sitkaspruce braced with Martinrsquos Hybrid ldquoXrdquo
scalloped bracing system renowned for its
resonance clear treble and distinct bass The Performing Artist Profile neck is
slim and fast and comfortable made of tough Stratabondreg multi-layered
wood laminate Performing Artist bridge and fingerboard are black Richlite
Chrome enclosed tuners with large buttons and Fishmanreg F1 Analog
onboard electronics included A terrific value with great tone and
environmentally friendly
Performing
Artist Series
The DCPA5K and GPCPA5K
are Performing Artist guitars
with excellent tone playability and durability
GPCPA5K
DCPA5K
8102019 Vol_32pdf
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Road Series
31
Over 175 Years of Guitar Building Excellence
Special Edition
DRS2 The latest of Martinrsquos hard-working
great sounding Road Series guitars
the new DRS2 delivers a unique blend
of durability and concert-quality
sound and projection The top is
crafted of solid Sitka spruce and
braced with Martinrsquos A-Frame (X1)
bracing Back and sides are select
solid Sapele similar in look and
tonal qualities to its
close cousin
mahogany As
beautiful as it looks
and sounds the
DRS2 is a serious
working musicianrsquos
guitar built for on
the road durability
without sacrificeof tone The
neck is
constructed
of a multi-
layered
wood
laminate
called
Stratabondtrade
that perfectly
simulates natural
quartersawn wood grain The fingerboard and bridgeare crafted of black Richlite amazingly similar in look
weight and resonance of ebony A Fishmanreg
Sonitone sound reinforcement system completes
this very road ndash and stage ndash worthy Martin
000C NylonIn response to the many Martin players
who chose the limited edition 000CDG
built in memory of Chris Martinrsquos late
brother Doug Greth we have
expanded upon this unique ldquocrossoverrdquo
instrument with the new 000C Nylon It is
truly a hybrid instrument combining features
of a traditional Martin steel-string guitar with
those associated with a classical nylon string
guitar The top is crafted of solid Sitka spruce
and braced with a unique A-Frame ldquoXrdquo brace
system Yet this bracing system is equally
responsive to lighter nylon strings without
inhibiting tone or volume The 12-fret low
profile neck features an 18rdquo radius arched
(versus flat) fingerboard like a steel string
but with a classic width 1-78rdquo at the nut and
2-516rdquo at the 12th fret The bridge is in the
classic style with tie block and drop insaddle Bridge string spacing is a
wider 2-516rdquo as well Even the
000Crsquos headstock is unique ndash
square tapered like the
traditional Martin steel
string style but slotted to
accommodate classical
nylon strings Each guitar is
fitted with onboard Fishmanreg
F1 Analog electronics too
The result A versatile
great sounding andplaying guitar no
matter whether you
play acoustic or
acoustic electric
or both
8102019 Vol_32pdf
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D-28M Limited Edition Celebrates
The Enduring Music and Legacy ofThe Mamas and The Papas
The appointments on the D-28M Mamas and ThePapas Custom Artist Edition emulate a circa 1960sD-28 blackwhiteblack top purfling blackwhiteback purfling grained Ivoroid binding and heelcapldquocheckerboardrdquo backstrip mother of pearl dotposition markers chrome Groverreg Rotomatic tunerstortoise-colored pickguard polished gloss lacquerfinish and vintage-inspired aging toner on the topExtra flash comes in the form of a Style 45 abalonepearl rosette and abalone pearl-topped bone bridgeand end pins
The guitarrsquos crowning glory is ndash appropriately ndashon the polished black ebony headplate Above
the nut sheltered by the familiar gold old-styleldquoC F Martin amp Co Est 1833rdquo decal logo is a silhouette of The Mamas and The Papasbeautifully inlaid in mother of pearl Derivedfrom a photo by Henry Diltz the inlay capturesthe group in full performance mode
In the early 1960s the four musicians whobecame The Mamas and Papas were a long way from pop music stardom though all wereinvolved in the East Coast folk music scene
John Phillips was a member of the JourneymenDenny Doherty and Cass Elliot sang with theMugwumps After the Journeymen broke up
John Phillips his wife Michelle Phillips andMarshall Brickman formed the New JourneymenMarshall eventually left the band but went on toco-write Oscar winning screenplays with Woody
Allen and he co-wrote the book that became therecord-breaking play ldquoThe Jersey Boysrdquo
Marshall Brickman was replaced by Denny Doherty and soon Doherty introduced hisbandmates to Elliot The four began harmonizingto the pop songs John was writing and perfectedtheir sound during a Caribbean vacation together
The starting point for The Mamas and the Papasrsquofresh pop sound was the folk music all fourmembers played before they got together as a group Songwriter and leader John Phillipsrsquo well-
worn Martin Dreadnought often provided thestrummed rhythmic underpinning on which TheMamas and Papasrsquo band instrumentation andvocals were layered The combination proved tobe genius and even today The Mamas and thePapas ldquosoundrdquo is instantly recognizable
To celebrate the group and its place in popmusic history C F Martin introduces a very
special D-28M Mamas and The Papas
Custom Artist Edition Limited to just100 instruments this new Custom Artist Edition features rare tonewoodshandsome appointments and aunique headstock inlay to honorthese musical trailblazers
John Phillipsrsquo vintage Martin D-28provides the inspiration for this Custom Artist Edition The tonewoods and top
bracing are a stellar combination thatapproximates those of MartinDreadnoughts from the early 1930sBack and sides are rare Madagascarrosewood similar in appearance andtone to the now endangered Brazilianrosewood The top is Carpathianspruce comparable in power andbrilliance to Adirondack spruce andequally responsive Advanced ldquoXrdquo
516rdquo scalloped bracing provides richresonant tone The 1 1116rdquo (at the
nut) low profile neck with diamondvolute is genuine mahogany while the
fingerboard and belly bridge are black ebony
L M
In the 1960s The Mamas and the Papas were at the epicenter of a musical earthquake
that began in Southern California and sent shockwaves across the country Combining
great songwriting unique arrangements and lush harmonies the group had six ldquoTop
10rdquo singles and four ldquoTop 5rdquo albums from 1965 through 1967 a feat that made them one
of the few groups to challenge the Beatles during that era While The Mamas and the
Papasrsquo original lineup of John Phillips Cass Elliot Denny Doherty and Michelle Phillips
lasted just four years several of the songs they created ndash including ldquoCalifornia Dreaminrsquordquo
ldquoMonday Mondayrdquo ldquoWords of Loverdquo and ldquoTwelve Thirtyrdquo ndash have stood the test of time
32
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(This story should sound familiar they laterturned it into a hit single ldquoCreeque Alleyrdquo)Eventually the four traveled to Los Angeles
where they auditioned for Dunhill RecordsOwnerProducer Lou Adler Adler signed them tohis label immediately and two days later thegroup had a name The Mamas and the Papas
Released in 1965 The Mamas and The Papasrsquofirst single failed to garner much notice Howeverthe second single ldquoCalifornia Dreamingrdquo co-
written by John and Michelle Phillips reachedNo 4 on the charts The grouprsquos debut album If
You Can Believe Your Eyes and Ears was releasedin early 1966 and rose to No 1 quickly followedby the single ldquoMonday Mondayrdquo which also hitNo 1 and later won a Grammy Award for ldquoBestContemporary Group Performancerdquo
While The Mamas and The Papasrsquo personallives became increasingly turbulent over the nexttwo years their music continued to flourish they recorded three additional albums ndash The Mamasand The Papas Deliver and The Papas and TheMamas ndash that went ldquoTop 20rdquo and in turn yieldedseveral ldquoTop 20rdquo singles
In 1968 bitter infighting between memberscaused the group to disband Due to contractualobligations they reunited briefly in 1971 to makethe People Like Us album and then went theirseparate ways Cass Eliot had a flourishing solocareer that was cut short by her death in 1974
John Phillips continued to write songs and bothhe and Denny Doherty performed and recordedas solo acts In the 1980s and 1990s they occasionally reunited to tour as members of the
New Mamas and Papas John Phillipsdied in 2001 Denny Doherty died in2007 Michelle Phillips enjoyed a successful acting career and today isthe last surviving original memberof the group
Despite the grouprsquos short history TheMamas and The Papasrsquo musical legacy remainsundiminished the group was inducted into theRock amp Roll Hall of Fame in 1998 and received a
Grammy Hall of Fame Award in 2001 In 2003 If You Can Believe Your Eyes and Ears was ranked127 on Rolling Stone magazinersquos list of the 500greatest albums of all time
Delivered in a hardshell case eachD-28M Mamas and The PapasCustom Artist Edition guitar bears a special interior label featuring theldquosun rayrdquo graphic from the RouletteRecords label on which some of TheMamas and The Papasrsquo singles werereissued in the 1970s Each label ispersonally signed by former Mamasand The Papas member MichellePhillips and numbered in sequence
with the edition total Beginning immediately authorized C F Martindealers will accept orders for theD-28M Mamas and The PapasCustom Artist Edition until all 100guitars in the edition are allocatedparticipating Martin dealers willthen be posted on theC F Martin website
wwwmartinguitarcom
33
S A M P L E
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L O N D O N A C O U S T I C G U I TA R S H O W
Acoustic guitar aficionados attending The London
Acoustic Guitar Show were treated to presentations
that showcased Americarsquos favorite musical instrument
brand and featured musical vignettes by legendary
and influential guitarists Stefan Grossman and
John RenbournThe presentation was given by Dick Boak archivist for Martin
Guitar who offered a graphical and interactive history of the 178-year-old guitar company In addition Dick displayed severalimportant examples in the evolution of Martin acoustic guitarsThe presentation focused on the development of the modern
acoustic guitar Martinrsquos historical contributions to the definitivacoustic guitar design artist signature model collaborations an
an in-depth explanation of specific guitar shapes sizes andtonewoods that lend themselves to particular musical genres JoRenbourn and Stefan Grossman legendary acoustic fingerstyleinnovators demonstrated the tonality of an assortment of Martinstruments including their own Custom Signature models
Martinrsquos UK distributor Westside Management was a primasponsor of the show and the host for the concert stage thatfeatured a stunning live performance by Renbourn and Grossm
Dick Boakrsquos presentation provided a template and proving ground for potential future presentations throughout the UniteStates Europe and Japan
THE LONDON ACOUSTICGUITAR SHOWSaturday and Sunday September 10-11 2011
Olympia Conference Center London
34
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Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
8102019 Vol_32pdf
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M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
8102019 Vol_32pdf
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The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
8102019 Vol_32pdf
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8102019 Vol_32pdf
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M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
8102019 Vol_32pdf
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M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
8102019 Vol_32pdf
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Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
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M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
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Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
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A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
8102019 Vol_32pdf
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C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
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P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
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N E W P R O D U C T S
Performing
Artist Series
Martin introduces an exciting
new tonewood called Siris
DCPA4 Siris amp
GPCPA4 Siris
With these two new
Performing Artists guitars
Martin introduces an exciting
new tonewood called Siris
adding even more tonal color
and variety to the PA series Siris
delivers excellent bass response
reminiscent of East Indian rosewood as
well as a clear midrange and treble making it an
excellent guitar wood for recording and for playing live Lighter in color
yet denser than rosewood it produces a slightly longer sustain thanrosewood Siris is typically dark orange contrasting beautifully with the
Sitka Spruce tops tortoise colored pickguards grained Ivoroid bindings
and special East Indian rosewood center wedge on both guitarsrsquo 3-piece
backs The DCPA4 Siris and the GPCPA4 Siris are 14-fret cutaway guitars and
have fast comfortable Performing Artist profile necks Hybrid ldquoXrdquo scalloped top
bracing black Richlite fingerboards and bridges and Fishmanreg F1 Analog
onboard electronicsGPCPA4 Siris
DCPA4 Siris
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Over 175 Years of Guitar Building Excellence
The GPCPA4 Sapele is constructed with
FSCreg Certified tonewoods harvested from
ecologically sound and responsibly manag
forests The fingerboard and bridge are
built with FSCreg
Certified Richlitereg
29
GPCPA4 SapeleFirst introduced in 2010 the GPCPA4 is an extraordinary Martin ndash a
big Grand Performance cutaway with a fast comfortable Performing
Artist Series high performance neck But this brand new version ndash
the GPCPA4 Sapele ndash is extra special It rsquos built with FSCreg Certified
tonewoods harvested from ecologically sound and responsibly
managed forests This includes African sapele back and sides
mahogany front and rear blocks cherry side strips Spanish cedar
ribbons and European spruce Hybrid ldquoXrdquo scalloped bracing The top
is FSCreg Certified recycled Sitka spruce produced from old bridge timbers in Canada
Even the fingerboard and bridge are crafted of FSCreg Certified Richlitereg material High
polished gloss top finish with tasteful Cherry red toned back and sides Fishmanreg F1
Analog electronics are included with volume and tone shaping capabilitiesonboard digital tuner and phase control Quite a
package Quite a guitar
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N E W P R O D U C T S
DCPA5K and GPCPA5K
Advanced guitar design meets high-
tech guitar construction The result
two highly affordable Performing
Artist guitars with excellent tone
playability and durability Back
and sides of the cutaway
Dreadnought and Grand
Performance models are made
of a high-pressure wood fiber
laminate (called HPL) with
Koa grain and texture photo-
imbedded The top is solid Sitkaspruce braced with Martinrsquos Hybrid ldquoXrdquo
scalloped bracing system renowned for its
resonance clear treble and distinct bass The Performing Artist Profile neck is
slim and fast and comfortable made of tough Stratabondreg multi-layered
wood laminate Performing Artist bridge and fingerboard are black Richlite
Chrome enclosed tuners with large buttons and Fishmanreg F1 Analog
onboard electronics included A terrific value with great tone and
environmentally friendly
Performing
Artist Series
The DCPA5K and GPCPA5K
are Performing Artist guitars
with excellent tone playability and durability
GPCPA5K
DCPA5K
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Road Series
31
Over 175 Years of Guitar Building Excellence
Special Edition
DRS2 The latest of Martinrsquos hard-working
great sounding Road Series guitars
the new DRS2 delivers a unique blend
of durability and concert-quality
sound and projection The top is
crafted of solid Sitka spruce and
braced with Martinrsquos A-Frame (X1)
bracing Back and sides are select
solid Sapele similar in look and
tonal qualities to its
close cousin
mahogany As
beautiful as it looks
and sounds the
DRS2 is a serious
working musicianrsquos
guitar built for on
the road durability
without sacrificeof tone The
neck is
constructed
of a multi-
layered
wood
laminate
called
Stratabondtrade
that perfectly
simulates natural
quartersawn wood grain The fingerboard and bridgeare crafted of black Richlite amazingly similar in look
weight and resonance of ebony A Fishmanreg
Sonitone sound reinforcement system completes
this very road ndash and stage ndash worthy Martin
000C NylonIn response to the many Martin players
who chose the limited edition 000CDG
built in memory of Chris Martinrsquos late
brother Doug Greth we have
expanded upon this unique ldquocrossoverrdquo
instrument with the new 000C Nylon It is
truly a hybrid instrument combining features
of a traditional Martin steel-string guitar with
those associated with a classical nylon string
guitar The top is crafted of solid Sitka spruce
and braced with a unique A-Frame ldquoXrdquo brace
system Yet this bracing system is equally
responsive to lighter nylon strings without
inhibiting tone or volume The 12-fret low
profile neck features an 18rdquo radius arched
(versus flat) fingerboard like a steel string
but with a classic width 1-78rdquo at the nut and
2-516rdquo at the 12th fret The bridge is in the
classic style with tie block and drop insaddle Bridge string spacing is a
wider 2-516rdquo as well Even the
000Crsquos headstock is unique ndash
square tapered like the
traditional Martin steel
string style but slotted to
accommodate classical
nylon strings Each guitar is
fitted with onboard Fishmanreg
F1 Analog electronics too
The result A versatile
great sounding andplaying guitar no
matter whether you
play acoustic or
acoustic electric
or both
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D-28M Limited Edition Celebrates
The Enduring Music and Legacy ofThe Mamas and The Papas
The appointments on the D-28M Mamas and ThePapas Custom Artist Edition emulate a circa 1960sD-28 blackwhiteblack top purfling blackwhiteback purfling grained Ivoroid binding and heelcapldquocheckerboardrdquo backstrip mother of pearl dotposition markers chrome Groverreg Rotomatic tunerstortoise-colored pickguard polished gloss lacquerfinish and vintage-inspired aging toner on the topExtra flash comes in the form of a Style 45 abalonepearl rosette and abalone pearl-topped bone bridgeand end pins
The guitarrsquos crowning glory is ndash appropriately ndashon the polished black ebony headplate Above
the nut sheltered by the familiar gold old-styleldquoC F Martin amp Co Est 1833rdquo decal logo is a silhouette of The Mamas and The Papasbeautifully inlaid in mother of pearl Derivedfrom a photo by Henry Diltz the inlay capturesthe group in full performance mode
In the early 1960s the four musicians whobecame The Mamas and Papas were a long way from pop music stardom though all wereinvolved in the East Coast folk music scene
John Phillips was a member of the JourneymenDenny Doherty and Cass Elliot sang with theMugwumps After the Journeymen broke up
John Phillips his wife Michelle Phillips andMarshall Brickman formed the New JourneymenMarshall eventually left the band but went on toco-write Oscar winning screenplays with Woody
Allen and he co-wrote the book that became therecord-breaking play ldquoThe Jersey Boysrdquo
Marshall Brickman was replaced by Denny Doherty and soon Doherty introduced hisbandmates to Elliot The four began harmonizingto the pop songs John was writing and perfectedtheir sound during a Caribbean vacation together
The starting point for The Mamas and the Papasrsquofresh pop sound was the folk music all fourmembers played before they got together as a group Songwriter and leader John Phillipsrsquo well-
worn Martin Dreadnought often provided thestrummed rhythmic underpinning on which TheMamas and Papasrsquo band instrumentation andvocals were layered The combination proved tobe genius and even today The Mamas and thePapas ldquosoundrdquo is instantly recognizable
To celebrate the group and its place in popmusic history C F Martin introduces a very
special D-28M Mamas and The Papas
Custom Artist Edition Limited to just100 instruments this new Custom Artist Edition features rare tonewoodshandsome appointments and aunique headstock inlay to honorthese musical trailblazers
John Phillipsrsquo vintage Martin D-28provides the inspiration for this Custom Artist Edition The tonewoods and top
bracing are a stellar combination thatapproximates those of MartinDreadnoughts from the early 1930sBack and sides are rare Madagascarrosewood similar in appearance andtone to the now endangered Brazilianrosewood The top is Carpathianspruce comparable in power andbrilliance to Adirondack spruce andequally responsive Advanced ldquoXrdquo
516rdquo scalloped bracing provides richresonant tone The 1 1116rdquo (at the
nut) low profile neck with diamondvolute is genuine mahogany while the
fingerboard and belly bridge are black ebony
L M
In the 1960s The Mamas and the Papas were at the epicenter of a musical earthquake
that began in Southern California and sent shockwaves across the country Combining
great songwriting unique arrangements and lush harmonies the group had six ldquoTop
10rdquo singles and four ldquoTop 5rdquo albums from 1965 through 1967 a feat that made them one
of the few groups to challenge the Beatles during that era While The Mamas and the
Papasrsquo original lineup of John Phillips Cass Elliot Denny Doherty and Michelle Phillips
lasted just four years several of the songs they created ndash including ldquoCalifornia Dreaminrsquordquo
ldquoMonday Mondayrdquo ldquoWords of Loverdquo and ldquoTwelve Thirtyrdquo ndash have stood the test of time
32
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(This story should sound familiar they laterturned it into a hit single ldquoCreeque Alleyrdquo)Eventually the four traveled to Los Angeles
where they auditioned for Dunhill RecordsOwnerProducer Lou Adler Adler signed them tohis label immediately and two days later thegroup had a name The Mamas and the Papas
Released in 1965 The Mamas and The Papasrsquofirst single failed to garner much notice Howeverthe second single ldquoCalifornia Dreamingrdquo co-
written by John and Michelle Phillips reachedNo 4 on the charts The grouprsquos debut album If
You Can Believe Your Eyes and Ears was releasedin early 1966 and rose to No 1 quickly followedby the single ldquoMonday Mondayrdquo which also hitNo 1 and later won a Grammy Award for ldquoBestContemporary Group Performancerdquo
While The Mamas and The Papasrsquo personallives became increasingly turbulent over the nexttwo years their music continued to flourish they recorded three additional albums ndash The Mamasand The Papas Deliver and The Papas and TheMamas ndash that went ldquoTop 20rdquo and in turn yieldedseveral ldquoTop 20rdquo singles
In 1968 bitter infighting between memberscaused the group to disband Due to contractualobligations they reunited briefly in 1971 to makethe People Like Us album and then went theirseparate ways Cass Eliot had a flourishing solocareer that was cut short by her death in 1974
John Phillips continued to write songs and bothhe and Denny Doherty performed and recordedas solo acts In the 1980s and 1990s they occasionally reunited to tour as members of the
New Mamas and Papas John Phillipsdied in 2001 Denny Doherty died in2007 Michelle Phillips enjoyed a successful acting career and today isthe last surviving original memberof the group
Despite the grouprsquos short history TheMamas and The Papasrsquo musical legacy remainsundiminished the group was inducted into theRock amp Roll Hall of Fame in 1998 and received a
Grammy Hall of Fame Award in 2001 In 2003 If You Can Believe Your Eyes and Ears was ranked127 on Rolling Stone magazinersquos list of the 500greatest albums of all time
Delivered in a hardshell case eachD-28M Mamas and The PapasCustom Artist Edition guitar bears a special interior label featuring theldquosun rayrdquo graphic from the RouletteRecords label on which some of TheMamas and The Papasrsquo singles werereissued in the 1970s Each label ispersonally signed by former Mamasand The Papas member MichellePhillips and numbered in sequence
with the edition total Beginning immediately authorized C F Martindealers will accept orders for theD-28M Mamas and The PapasCustom Artist Edition until all 100guitars in the edition are allocatedparticipating Martin dealers willthen be posted on theC F Martin website
wwwmartinguitarcom
33
S A M P L E
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L O N D O N A C O U S T I C G U I TA R S H O W
Acoustic guitar aficionados attending The London
Acoustic Guitar Show were treated to presentations
that showcased Americarsquos favorite musical instrument
brand and featured musical vignettes by legendary
and influential guitarists Stefan Grossman and
John RenbournThe presentation was given by Dick Boak archivist for Martin
Guitar who offered a graphical and interactive history of the 178-year-old guitar company In addition Dick displayed severalimportant examples in the evolution of Martin acoustic guitarsThe presentation focused on the development of the modern
acoustic guitar Martinrsquos historical contributions to the definitivacoustic guitar design artist signature model collaborations an
an in-depth explanation of specific guitar shapes sizes andtonewoods that lend themselves to particular musical genres JoRenbourn and Stefan Grossman legendary acoustic fingerstyleinnovators demonstrated the tonality of an assortment of Martinstruments including their own Custom Signature models
Martinrsquos UK distributor Westside Management was a primasponsor of the show and the host for the concert stage thatfeatured a stunning live performance by Renbourn and Grossm
Dick Boakrsquos presentation provided a template and proving ground for potential future presentations throughout the UniteStates Europe and Japan
THE LONDON ACOUSTICGUITAR SHOWSaturday and Sunday September 10-11 2011
Olympia Conference Center London
34
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Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
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M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
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The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
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M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
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M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
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Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
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M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
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Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
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A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
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C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
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P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
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Over 175 Years of Guitar Building Excellence
The GPCPA4 Sapele is constructed with
FSCreg Certified tonewoods harvested from
ecologically sound and responsibly manag
forests The fingerboard and bridge are
built with FSCreg
Certified Richlitereg
29
GPCPA4 SapeleFirst introduced in 2010 the GPCPA4 is an extraordinary Martin ndash a
big Grand Performance cutaway with a fast comfortable Performing
Artist Series high performance neck But this brand new version ndash
the GPCPA4 Sapele ndash is extra special It rsquos built with FSCreg Certified
tonewoods harvested from ecologically sound and responsibly
managed forests This includes African sapele back and sides
mahogany front and rear blocks cherry side strips Spanish cedar
ribbons and European spruce Hybrid ldquoXrdquo scalloped bracing The top
is FSCreg Certified recycled Sitka spruce produced from old bridge timbers in Canada
Even the fingerboard and bridge are crafted of FSCreg Certified Richlitereg material High
polished gloss top finish with tasteful Cherry red toned back and sides Fishmanreg F1
Analog electronics are included with volume and tone shaping capabilitiesonboard digital tuner and phase control Quite a
package Quite a guitar
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N E W P R O D U C T S
DCPA5K and GPCPA5K
Advanced guitar design meets high-
tech guitar construction The result
two highly affordable Performing
Artist guitars with excellent tone
playability and durability Back
and sides of the cutaway
Dreadnought and Grand
Performance models are made
of a high-pressure wood fiber
laminate (called HPL) with
Koa grain and texture photo-
imbedded The top is solid Sitkaspruce braced with Martinrsquos Hybrid ldquoXrdquo
scalloped bracing system renowned for its
resonance clear treble and distinct bass The Performing Artist Profile neck is
slim and fast and comfortable made of tough Stratabondreg multi-layered
wood laminate Performing Artist bridge and fingerboard are black Richlite
Chrome enclosed tuners with large buttons and Fishmanreg F1 Analog
onboard electronics included A terrific value with great tone and
environmentally friendly
Performing
Artist Series
The DCPA5K and GPCPA5K
are Performing Artist guitars
with excellent tone playability and durability
GPCPA5K
DCPA5K
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Road Series
31
Over 175 Years of Guitar Building Excellence
Special Edition
DRS2 The latest of Martinrsquos hard-working
great sounding Road Series guitars
the new DRS2 delivers a unique blend
of durability and concert-quality
sound and projection The top is
crafted of solid Sitka spruce and
braced with Martinrsquos A-Frame (X1)
bracing Back and sides are select
solid Sapele similar in look and
tonal qualities to its
close cousin
mahogany As
beautiful as it looks
and sounds the
DRS2 is a serious
working musicianrsquos
guitar built for on
the road durability
without sacrificeof tone The
neck is
constructed
of a multi-
layered
wood
laminate
called
Stratabondtrade
that perfectly
simulates natural
quartersawn wood grain The fingerboard and bridgeare crafted of black Richlite amazingly similar in look
weight and resonance of ebony A Fishmanreg
Sonitone sound reinforcement system completes
this very road ndash and stage ndash worthy Martin
000C NylonIn response to the many Martin players
who chose the limited edition 000CDG
built in memory of Chris Martinrsquos late
brother Doug Greth we have
expanded upon this unique ldquocrossoverrdquo
instrument with the new 000C Nylon It is
truly a hybrid instrument combining features
of a traditional Martin steel-string guitar with
those associated with a classical nylon string
guitar The top is crafted of solid Sitka spruce
and braced with a unique A-Frame ldquoXrdquo brace
system Yet this bracing system is equally
responsive to lighter nylon strings without
inhibiting tone or volume The 12-fret low
profile neck features an 18rdquo radius arched
(versus flat) fingerboard like a steel string
but with a classic width 1-78rdquo at the nut and
2-516rdquo at the 12th fret The bridge is in the
classic style with tie block and drop insaddle Bridge string spacing is a
wider 2-516rdquo as well Even the
000Crsquos headstock is unique ndash
square tapered like the
traditional Martin steel
string style but slotted to
accommodate classical
nylon strings Each guitar is
fitted with onboard Fishmanreg
F1 Analog electronics too
The result A versatile
great sounding andplaying guitar no
matter whether you
play acoustic or
acoustic electric
or both
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D-28M Limited Edition Celebrates
The Enduring Music and Legacy ofThe Mamas and The Papas
The appointments on the D-28M Mamas and ThePapas Custom Artist Edition emulate a circa 1960sD-28 blackwhiteblack top purfling blackwhiteback purfling grained Ivoroid binding and heelcapldquocheckerboardrdquo backstrip mother of pearl dotposition markers chrome Groverreg Rotomatic tunerstortoise-colored pickguard polished gloss lacquerfinish and vintage-inspired aging toner on the topExtra flash comes in the form of a Style 45 abalonepearl rosette and abalone pearl-topped bone bridgeand end pins
The guitarrsquos crowning glory is ndash appropriately ndashon the polished black ebony headplate Above
the nut sheltered by the familiar gold old-styleldquoC F Martin amp Co Est 1833rdquo decal logo is a silhouette of The Mamas and The Papasbeautifully inlaid in mother of pearl Derivedfrom a photo by Henry Diltz the inlay capturesthe group in full performance mode
In the early 1960s the four musicians whobecame The Mamas and Papas were a long way from pop music stardom though all wereinvolved in the East Coast folk music scene
John Phillips was a member of the JourneymenDenny Doherty and Cass Elliot sang with theMugwumps After the Journeymen broke up
John Phillips his wife Michelle Phillips andMarshall Brickman formed the New JourneymenMarshall eventually left the band but went on toco-write Oscar winning screenplays with Woody
Allen and he co-wrote the book that became therecord-breaking play ldquoThe Jersey Boysrdquo
Marshall Brickman was replaced by Denny Doherty and soon Doherty introduced hisbandmates to Elliot The four began harmonizingto the pop songs John was writing and perfectedtheir sound during a Caribbean vacation together
The starting point for The Mamas and the Papasrsquofresh pop sound was the folk music all fourmembers played before they got together as a group Songwriter and leader John Phillipsrsquo well-
worn Martin Dreadnought often provided thestrummed rhythmic underpinning on which TheMamas and Papasrsquo band instrumentation andvocals were layered The combination proved tobe genius and even today The Mamas and thePapas ldquosoundrdquo is instantly recognizable
To celebrate the group and its place in popmusic history C F Martin introduces a very
special D-28M Mamas and The Papas
Custom Artist Edition Limited to just100 instruments this new Custom Artist Edition features rare tonewoodshandsome appointments and aunique headstock inlay to honorthese musical trailblazers
John Phillipsrsquo vintage Martin D-28provides the inspiration for this Custom Artist Edition The tonewoods and top
bracing are a stellar combination thatapproximates those of MartinDreadnoughts from the early 1930sBack and sides are rare Madagascarrosewood similar in appearance andtone to the now endangered Brazilianrosewood The top is Carpathianspruce comparable in power andbrilliance to Adirondack spruce andequally responsive Advanced ldquoXrdquo
516rdquo scalloped bracing provides richresonant tone The 1 1116rdquo (at the
nut) low profile neck with diamondvolute is genuine mahogany while the
fingerboard and belly bridge are black ebony
L M
In the 1960s The Mamas and the Papas were at the epicenter of a musical earthquake
that began in Southern California and sent shockwaves across the country Combining
great songwriting unique arrangements and lush harmonies the group had six ldquoTop
10rdquo singles and four ldquoTop 5rdquo albums from 1965 through 1967 a feat that made them one
of the few groups to challenge the Beatles during that era While The Mamas and the
Papasrsquo original lineup of John Phillips Cass Elliot Denny Doherty and Michelle Phillips
lasted just four years several of the songs they created ndash including ldquoCalifornia Dreaminrsquordquo
ldquoMonday Mondayrdquo ldquoWords of Loverdquo and ldquoTwelve Thirtyrdquo ndash have stood the test of time
32
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(This story should sound familiar they laterturned it into a hit single ldquoCreeque Alleyrdquo)Eventually the four traveled to Los Angeles
where they auditioned for Dunhill RecordsOwnerProducer Lou Adler Adler signed them tohis label immediately and two days later thegroup had a name The Mamas and the Papas
Released in 1965 The Mamas and The Papasrsquofirst single failed to garner much notice Howeverthe second single ldquoCalifornia Dreamingrdquo co-
written by John and Michelle Phillips reachedNo 4 on the charts The grouprsquos debut album If
You Can Believe Your Eyes and Ears was releasedin early 1966 and rose to No 1 quickly followedby the single ldquoMonday Mondayrdquo which also hitNo 1 and later won a Grammy Award for ldquoBestContemporary Group Performancerdquo
While The Mamas and The Papasrsquo personallives became increasingly turbulent over the nexttwo years their music continued to flourish they recorded three additional albums ndash The Mamasand The Papas Deliver and The Papas and TheMamas ndash that went ldquoTop 20rdquo and in turn yieldedseveral ldquoTop 20rdquo singles
In 1968 bitter infighting between memberscaused the group to disband Due to contractualobligations they reunited briefly in 1971 to makethe People Like Us album and then went theirseparate ways Cass Eliot had a flourishing solocareer that was cut short by her death in 1974
John Phillips continued to write songs and bothhe and Denny Doherty performed and recordedas solo acts In the 1980s and 1990s they occasionally reunited to tour as members of the
New Mamas and Papas John Phillipsdied in 2001 Denny Doherty died in2007 Michelle Phillips enjoyed a successful acting career and today isthe last surviving original memberof the group
Despite the grouprsquos short history TheMamas and The Papasrsquo musical legacy remainsundiminished the group was inducted into theRock amp Roll Hall of Fame in 1998 and received a
Grammy Hall of Fame Award in 2001 In 2003 If You Can Believe Your Eyes and Ears was ranked127 on Rolling Stone magazinersquos list of the 500greatest albums of all time
Delivered in a hardshell case eachD-28M Mamas and The PapasCustom Artist Edition guitar bears a special interior label featuring theldquosun rayrdquo graphic from the RouletteRecords label on which some of TheMamas and The Papasrsquo singles werereissued in the 1970s Each label ispersonally signed by former Mamasand The Papas member MichellePhillips and numbered in sequence
with the edition total Beginning immediately authorized C F Martindealers will accept orders for theD-28M Mamas and The PapasCustom Artist Edition until all 100guitars in the edition are allocatedparticipating Martin dealers willthen be posted on theC F Martin website
wwwmartinguitarcom
33
S A M P L E
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L O N D O N A C O U S T I C G U I TA R S H O W
Acoustic guitar aficionados attending The London
Acoustic Guitar Show were treated to presentations
that showcased Americarsquos favorite musical instrument
brand and featured musical vignettes by legendary
and influential guitarists Stefan Grossman and
John RenbournThe presentation was given by Dick Boak archivist for Martin
Guitar who offered a graphical and interactive history of the 178-year-old guitar company In addition Dick displayed severalimportant examples in the evolution of Martin acoustic guitarsThe presentation focused on the development of the modern
acoustic guitar Martinrsquos historical contributions to the definitivacoustic guitar design artist signature model collaborations an
an in-depth explanation of specific guitar shapes sizes andtonewoods that lend themselves to particular musical genres JoRenbourn and Stefan Grossman legendary acoustic fingerstyleinnovators demonstrated the tonality of an assortment of Martinstruments including their own Custom Signature models
Martinrsquos UK distributor Westside Management was a primasponsor of the show and the host for the concert stage thatfeatured a stunning live performance by Renbourn and Grossm
Dick Boakrsquos presentation provided a template and proving ground for potential future presentations throughout the UniteStates Europe and Japan
THE LONDON ACOUSTICGUITAR SHOWSaturday and Sunday September 10-11 2011
Olympia Conference Center London
34
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Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
8102019 Vol_32pdf
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M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
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The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
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M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
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M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
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Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
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M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
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Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
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A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
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C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
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P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
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N E W P R O D U C T S
DCPA5K and GPCPA5K
Advanced guitar design meets high-
tech guitar construction The result
two highly affordable Performing
Artist guitars with excellent tone
playability and durability Back
and sides of the cutaway
Dreadnought and Grand
Performance models are made
of a high-pressure wood fiber
laminate (called HPL) with
Koa grain and texture photo-
imbedded The top is solid Sitkaspruce braced with Martinrsquos Hybrid ldquoXrdquo
scalloped bracing system renowned for its
resonance clear treble and distinct bass The Performing Artist Profile neck is
slim and fast and comfortable made of tough Stratabondreg multi-layered
wood laminate Performing Artist bridge and fingerboard are black Richlite
Chrome enclosed tuners with large buttons and Fishmanreg F1 Analog
onboard electronics included A terrific value with great tone and
environmentally friendly
Performing
Artist Series
The DCPA5K and GPCPA5K
are Performing Artist guitars
with excellent tone playability and durability
GPCPA5K
DCPA5K
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Road Series
31
Over 175 Years of Guitar Building Excellence
Special Edition
DRS2 The latest of Martinrsquos hard-working
great sounding Road Series guitars
the new DRS2 delivers a unique blend
of durability and concert-quality
sound and projection The top is
crafted of solid Sitka spruce and
braced with Martinrsquos A-Frame (X1)
bracing Back and sides are select
solid Sapele similar in look and
tonal qualities to its
close cousin
mahogany As
beautiful as it looks
and sounds the
DRS2 is a serious
working musicianrsquos
guitar built for on
the road durability
without sacrificeof tone The
neck is
constructed
of a multi-
layered
wood
laminate
called
Stratabondtrade
that perfectly
simulates natural
quartersawn wood grain The fingerboard and bridgeare crafted of black Richlite amazingly similar in look
weight and resonance of ebony A Fishmanreg
Sonitone sound reinforcement system completes
this very road ndash and stage ndash worthy Martin
000C NylonIn response to the many Martin players
who chose the limited edition 000CDG
built in memory of Chris Martinrsquos late
brother Doug Greth we have
expanded upon this unique ldquocrossoverrdquo
instrument with the new 000C Nylon It is
truly a hybrid instrument combining features
of a traditional Martin steel-string guitar with
those associated with a classical nylon string
guitar The top is crafted of solid Sitka spruce
and braced with a unique A-Frame ldquoXrdquo brace
system Yet this bracing system is equally
responsive to lighter nylon strings without
inhibiting tone or volume The 12-fret low
profile neck features an 18rdquo radius arched
(versus flat) fingerboard like a steel string
but with a classic width 1-78rdquo at the nut and
2-516rdquo at the 12th fret The bridge is in the
classic style with tie block and drop insaddle Bridge string spacing is a
wider 2-516rdquo as well Even the
000Crsquos headstock is unique ndash
square tapered like the
traditional Martin steel
string style but slotted to
accommodate classical
nylon strings Each guitar is
fitted with onboard Fishmanreg
F1 Analog electronics too
The result A versatile
great sounding andplaying guitar no
matter whether you
play acoustic or
acoustic electric
or both
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D-28M Limited Edition Celebrates
The Enduring Music and Legacy ofThe Mamas and The Papas
The appointments on the D-28M Mamas and ThePapas Custom Artist Edition emulate a circa 1960sD-28 blackwhiteblack top purfling blackwhiteback purfling grained Ivoroid binding and heelcapldquocheckerboardrdquo backstrip mother of pearl dotposition markers chrome Groverreg Rotomatic tunerstortoise-colored pickguard polished gloss lacquerfinish and vintage-inspired aging toner on the topExtra flash comes in the form of a Style 45 abalonepearl rosette and abalone pearl-topped bone bridgeand end pins
The guitarrsquos crowning glory is ndash appropriately ndashon the polished black ebony headplate Above
the nut sheltered by the familiar gold old-styleldquoC F Martin amp Co Est 1833rdquo decal logo is a silhouette of The Mamas and The Papasbeautifully inlaid in mother of pearl Derivedfrom a photo by Henry Diltz the inlay capturesthe group in full performance mode
In the early 1960s the four musicians whobecame The Mamas and Papas were a long way from pop music stardom though all wereinvolved in the East Coast folk music scene
John Phillips was a member of the JourneymenDenny Doherty and Cass Elliot sang with theMugwumps After the Journeymen broke up
John Phillips his wife Michelle Phillips andMarshall Brickman formed the New JourneymenMarshall eventually left the band but went on toco-write Oscar winning screenplays with Woody
Allen and he co-wrote the book that became therecord-breaking play ldquoThe Jersey Boysrdquo
Marshall Brickman was replaced by Denny Doherty and soon Doherty introduced hisbandmates to Elliot The four began harmonizingto the pop songs John was writing and perfectedtheir sound during a Caribbean vacation together
The starting point for The Mamas and the Papasrsquofresh pop sound was the folk music all fourmembers played before they got together as a group Songwriter and leader John Phillipsrsquo well-
worn Martin Dreadnought often provided thestrummed rhythmic underpinning on which TheMamas and Papasrsquo band instrumentation andvocals were layered The combination proved tobe genius and even today The Mamas and thePapas ldquosoundrdquo is instantly recognizable
To celebrate the group and its place in popmusic history C F Martin introduces a very
special D-28M Mamas and The Papas
Custom Artist Edition Limited to just100 instruments this new Custom Artist Edition features rare tonewoodshandsome appointments and aunique headstock inlay to honorthese musical trailblazers
John Phillipsrsquo vintage Martin D-28provides the inspiration for this Custom Artist Edition The tonewoods and top
bracing are a stellar combination thatapproximates those of MartinDreadnoughts from the early 1930sBack and sides are rare Madagascarrosewood similar in appearance andtone to the now endangered Brazilianrosewood The top is Carpathianspruce comparable in power andbrilliance to Adirondack spruce andequally responsive Advanced ldquoXrdquo
516rdquo scalloped bracing provides richresonant tone The 1 1116rdquo (at the
nut) low profile neck with diamondvolute is genuine mahogany while the
fingerboard and belly bridge are black ebony
L M
In the 1960s The Mamas and the Papas were at the epicenter of a musical earthquake
that began in Southern California and sent shockwaves across the country Combining
great songwriting unique arrangements and lush harmonies the group had six ldquoTop
10rdquo singles and four ldquoTop 5rdquo albums from 1965 through 1967 a feat that made them one
of the few groups to challenge the Beatles during that era While The Mamas and the
Papasrsquo original lineup of John Phillips Cass Elliot Denny Doherty and Michelle Phillips
lasted just four years several of the songs they created ndash including ldquoCalifornia Dreaminrsquordquo
ldquoMonday Mondayrdquo ldquoWords of Loverdquo and ldquoTwelve Thirtyrdquo ndash have stood the test of time
32
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(This story should sound familiar they laterturned it into a hit single ldquoCreeque Alleyrdquo)Eventually the four traveled to Los Angeles
where they auditioned for Dunhill RecordsOwnerProducer Lou Adler Adler signed them tohis label immediately and two days later thegroup had a name The Mamas and the Papas
Released in 1965 The Mamas and The Papasrsquofirst single failed to garner much notice Howeverthe second single ldquoCalifornia Dreamingrdquo co-
written by John and Michelle Phillips reachedNo 4 on the charts The grouprsquos debut album If
You Can Believe Your Eyes and Ears was releasedin early 1966 and rose to No 1 quickly followedby the single ldquoMonday Mondayrdquo which also hitNo 1 and later won a Grammy Award for ldquoBestContemporary Group Performancerdquo
While The Mamas and The Papasrsquo personallives became increasingly turbulent over the nexttwo years their music continued to flourish they recorded three additional albums ndash The Mamasand The Papas Deliver and The Papas and TheMamas ndash that went ldquoTop 20rdquo and in turn yieldedseveral ldquoTop 20rdquo singles
In 1968 bitter infighting between memberscaused the group to disband Due to contractualobligations they reunited briefly in 1971 to makethe People Like Us album and then went theirseparate ways Cass Eliot had a flourishing solocareer that was cut short by her death in 1974
John Phillips continued to write songs and bothhe and Denny Doherty performed and recordedas solo acts In the 1980s and 1990s they occasionally reunited to tour as members of the
New Mamas and Papas John Phillipsdied in 2001 Denny Doherty died in2007 Michelle Phillips enjoyed a successful acting career and today isthe last surviving original memberof the group
Despite the grouprsquos short history TheMamas and The Papasrsquo musical legacy remainsundiminished the group was inducted into theRock amp Roll Hall of Fame in 1998 and received a
Grammy Hall of Fame Award in 2001 In 2003 If You Can Believe Your Eyes and Ears was ranked127 on Rolling Stone magazinersquos list of the 500greatest albums of all time
Delivered in a hardshell case eachD-28M Mamas and The PapasCustom Artist Edition guitar bears a special interior label featuring theldquosun rayrdquo graphic from the RouletteRecords label on which some of TheMamas and The Papasrsquo singles werereissued in the 1970s Each label ispersonally signed by former Mamasand The Papas member MichellePhillips and numbered in sequence
with the edition total Beginning immediately authorized C F Martindealers will accept orders for theD-28M Mamas and The PapasCustom Artist Edition until all 100guitars in the edition are allocatedparticipating Martin dealers willthen be posted on theC F Martin website
wwwmartinguitarcom
33
S A M P L E
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L O N D O N A C O U S T I C G U I TA R S H O W
Acoustic guitar aficionados attending The London
Acoustic Guitar Show were treated to presentations
that showcased Americarsquos favorite musical instrument
brand and featured musical vignettes by legendary
and influential guitarists Stefan Grossman and
John RenbournThe presentation was given by Dick Boak archivist for Martin
Guitar who offered a graphical and interactive history of the 178-year-old guitar company In addition Dick displayed severalimportant examples in the evolution of Martin acoustic guitarsThe presentation focused on the development of the modern
acoustic guitar Martinrsquos historical contributions to the definitivacoustic guitar design artist signature model collaborations an
an in-depth explanation of specific guitar shapes sizes andtonewoods that lend themselves to particular musical genres JoRenbourn and Stefan Grossman legendary acoustic fingerstyleinnovators demonstrated the tonality of an assortment of Martinstruments including their own Custom Signature models
Martinrsquos UK distributor Westside Management was a primasponsor of the show and the host for the concert stage thatfeatured a stunning live performance by Renbourn and Grossm
Dick Boakrsquos presentation provided a template and proving ground for potential future presentations throughout the UniteStates Europe and Japan
THE LONDON ACOUSTICGUITAR SHOWSaturday and Sunday September 10-11 2011
Olympia Conference Center London
34
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Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
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M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
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The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
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M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
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M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
8102019 Vol_32pdf
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Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
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M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
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Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
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A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
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C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
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P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
8102019 Vol_32pdf
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Road Series
31
Over 175 Years of Guitar Building Excellence
Special Edition
DRS2 The latest of Martinrsquos hard-working
great sounding Road Series guitars
the new DRS2 delivers a unique blend
of durability and concert-quality
sound and projection The top is
crafted of solid Sitka spruce and
braced with Martinrsquos A-Frame (X1)
bracing Back and sides are select
solid Sapele similar in look and
tonal qualities to its
close cousin
mahogany As
beautiful as it looks
and sounds the
DRS2 is a serious
working musicianrsquos
guitar built for on
the road durability
without sacrificeof tone The
neck is
constructed
of a multi-
layered
wood
laminate
called
Stratabondtrade
that perfectly
simulates natural
quartersawn wood grain The fingerboard and bridgeare crafted of black Richlite amazingly similar in look
weight and resonance of ebony A Fishmanreg
Sonitone sound reinforcement system completes
this very road ndash and stage ndash worthy Martin
000C NylonIn response to the many Martin players
who chose the limited edition 000CDG
built in memory of Chris Martinrsquos late
brother Doug Greth we have
expanded upon this unique ldquocrossoverrdquo
instrument with the new 000C Nylon It is
truly a hybrid instrument combining features
of a traditional Martin steel-string guitar with
those associated with a classical nylon string
guitar The top is crafted of solid Sitka spruce
and braced with a unique A-Frame ldquoXrdquo brace
system Yet this bracing system is equally
responsive to lighter nylon strings without
inhibiting tone or volume The 12-fret low
profile neck features an 18rdquo radius arched
(versus flat) fingerboard like a steel string
but with a classic width 1-78rdquo at the nut and
2-516rdquo at the 12th fret The bridge is in the
classic style with tie block and drop insaddle Bridge string spacing is a
wider 2-516rdquo as well Even the
000Crsquos headstock is unique ndash
square tapered like the
traditional Martin steel
string style but slotted to
accommodate classical
nylon strings Each guitar is
fitted with onboard Fishmanreg
F1 Analog electronics too
The result A versatile
great sounding andplaying guitar no
matter whether you
play acoustic or
acoustic electric
or both
8102019 Vol_32pdf
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D-28M Limited Edition Celebrates
The Enduring Music and Legacy ofThe Mamas and The Papas
The appointments on the D-28M Mamas and ThePapas Custom Artist Edition emulate a circa 1960sD-28 blackwhiteblack top purfling blackwhiteback purfling grained Ivoroid binding and heelcapldquocheckerboardrdquo backstrip mother of pearl dotposition markers chrome Groverreg Rotomatic tunerstortoise-colored pickguard polished gloss lacquerfinish and vintage-inspired aging toner on the topExtra flash comes in the form of a Style 45 abalonepearl rosette and abalone pearl-topped bone bridgeand end pins
The guitarrsquos crowning glory is ndash appropriately ndashon the polished black ebony headplate Above
the nut sheltered by the familiar gold old-styleldquoC F Martin amp Co Est 1833rdquo decal logo is a silhouette of The Mamas and The Papasbeautifully inlaid in mother of pearl Derivedfrom a photo by Henry Diltz the inlay capturesthe group in full performance mode
In the early 1960s the four musicians whobecame The Mamas and Papas were a long way from pop music stardom though all wereinvolved in the East Coast folk music scene
John Phillips was a member of the JourneymenDenny Doherty and Cass Elliot sang with theMugwumps After the Journeymen broke up
John Phillips his wife Michelle Phillips andMarshall Brickman formed the New JourneymenMarshall eventually left the band but went on toco-write Oscar winning screenplays with Woody
Allen and he co-wrote the book that became therecord-breaking play ldquoThe Jersey Boysrdquo
Marshall Brickman was replaced by Denny Doherty and soon Doherty introduced hisbandmates to Elliot The four began harmonizingto the pop songs John was writing and perfectedtheir sound during a Caribbean vacation together
The starting point for The Mamas and the Papasrsquofresh pop sound was the folk music all fourmembers played before they got together as a group Songwriter and leader John Phillipsrsquo well-
worn Martin Dreadnought often provided thestrummed rhythmic underpinning on which TheMamas and Papasrsquo band instrumentation andvocals were layered The combination proved tobe genius and even today The Mamas and thePapas ldquosoundrdquo is instantly recognizable
To celebrate the group and its place in popmusic history C F Martin introduces a very
special D-28M Mamas and The Papas
Custom Artist Edition Limited to just100 instruments this new Custom Artist Edition features rare tonewoodshandsome appointments and aunique headstock inlay to honorthese musical trailblazers
John Phillipsrsquo vintage Martin D-28provides the inspiration for this Custom Artist Edition The tonewoods and top
bracing are a stellar combination thatapproximates those of MartinDreadnoughts from the early 1930sBack and sides are rare Madagascarrosewood similar in appearance andtone to the now endangered Brazilianrosewood The top is Carpathianspruce comparable in power andbrilliance to Adirondack spruce andequally responsive Advanced ldquoXrdquo
516rdquo scalloped bracing provides richresonant tone The 1 1116rdquo (at the
nut) low profile neck with diamondvolute is genuine mahogany while the
fingerboard and belly bridge are black ebony
L M
In the 1960s The Mamas and the Papas were at the epicenter of a musical earthquake
that began in Southern California and sent shockwaves across the country Combining
great songwriting unique arrangements and lush harmonies the group had six ldquoTop
10rdquo singles and four ldquoTop 5rdquo albums from 1965 through 1967 a feat that made them one
of the few groups to challenge the Beatles during that era While The Mamas and the
Papasrsquo original lineup of John Phillips Cass Elliot Denny Doherty and Michelle Phillips
lasted just four years several of the songs they created ndash including ldquoCalifornia Dreaminrsquordquo
ldquoMonday Mondayrdquo ldquoWords of Loverdquo and ldquoTwelve Thirtyrdquo ndash have stood the test of time
32
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(This story should sound familiar they laterturned it into a hit single ldquoCreeque Alleyrdquo)Eventually the four traveled to Los Angeles
where they auditioned for Dunhill RecordsOwnerProducer Lou Adler Adler signed them tohis label immediately and two days later thegroup had a name The Mamas and the Papas
Released in 1965 The Mamas and The Papasrsquofirst single failed to garner much notice Howeverthe second single ldquoCalifornia Dreamingrdquo co-
written by John and Michelle Phillips reachedNo 4 on the charts The grouprsquos debut album If
You Can Believe Your Eyes and Ears was releasedin early 1966 and rose to No 1 quickly followedby the single ldquoMonday Mondayrdquo which also hitNo 1 and later won a Grammy Award for ldquoBestContemporary Group Performancerdquo
While The Mamas and The Papasrsquo personallives became increasingly turbulent over the nexttwo years their music continued to flourish they recorded three additional albums ndash The Mamasand The Papas Deliver and The Papas and TheMamas ndash that went ldquoTop 20rdquo and in turn yieldedseveral ldquoTop 20rdquo singles
In 1968 bitter infighting between memberscaused the group to disband Due to contractualobligations they reunited briefly in 1971 to makethe People Like Us album and then went theirseparate ways Cass Eliot had a flourishing solocareer that was cut short by her death in 1974
John Phillips continued to write songs and bothhe and Denny Doherty performed and recordedas solo acts In the 1980s and 1990s they occasionally reunited to tour as members of the
New Mamas and Papas John Phillipsdied in 2001 Denny Doherty died in2007 Michelle Phillips enjoyed a successful acting career and today isthe last surviving original memberof the group
Despite the grouprsquos short history TheMamas and The Papasrsquo musical legacy remainsundiminished the group was inducted into theRock amp Roll Hall of Fame in 1998 and received a
Grammy Hall of Fame Award in 2001 In 2003 If You Can Believe Your Eyes and Ears was ranked127 on Rolling Stone magazinersquos list of the 500greatest albums of all time
Delivered in a hardshell case eachD-28M Mamas and The PapasCustom Artist Edition guitar bears a special interior label featuring theldquosun rayrdquo graphic from the RouletteRecords label on which some of TheMamas and The Papasrsquo singles werereissued in the 1970s Each label ispersonally signed by former Mamasand The Papas member MichellePhillips and numbered in sequence
with the edition total Beginning immediately authorized C F Martindealers will accept orders for theD-28M Mamas and The PapasCustom Artist Edition until all 100guitars in the edition are allocatedparticipating Martin dealers willthen be posted on theC F Martin website
wwwmartinguitarcom
33
S A M P L E
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L O N D O N A C O U S T I C G U I TA R S H O W
Acoustic guitar aficionados attending The London
Acoustic Guitar Show were treated to presentations
that showcased Americarsquos favorite musical instrument
brand and featured musical vignettes by legendary
and influential guitarists Stefan Grossman and
John RenbournThe presentation was given by Dick Boak archivist for Martin
Guitar who offered a graphical and interactive history of the 178-year-old guitar company In addition Dick displayed severalimportant examples in the evolution of Martin acoustic guitarsThe presentation focused on the development of the modern
acoustic guitar Martinrsquos historical contributions to the definitivacoustic guitar design artist signature model collaborations an
an in-depth explanation of specific guitar shapes sizes andtonewoods that lend themselves to particular musical genres JoRenbourn and Stefan Grossman legendary acoustic fingerstyleinnovators demonstrated the tonality of an assortment of Martinstruments including their own Custom Signature models
Martinrsquos UK distributor Westside Management was a primasponsor of the show and the host for the concert stage thatfeatured a stunning live performance by Renbourn and Grossm
Dick Boakrsquos presentation provided a template and proving ground for potential future presentations throughout the UniteStates Europe and Japan
THE LONDON ACOUSTICGUITAR SHOWSaturday and Sunday September 10-11 2011
Olympia Conference Center London
34
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Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
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M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
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The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
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M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
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M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
8102019 Vol_32pdf
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Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
8102019 Vol_32pdf
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M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
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Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
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A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
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C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
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P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3246
D-28M Limited Edition Celebrates
The Enduring Music and Legacy ofThe Mamas and The Papas
The appointments on the D-28M Mamas and ThePapas Custom Artist Edition emulate a circa 1960sD-28 blackwhiteblack top purfling blackwhiteback purfling grained Ivoroid binding and heelcapldquocheckerboardrdquo backstrip mother of pearl dotposition markers chrome Groverreg Rotomatic tunerstortoise-colored pickguard polished gloss lacquerfinish and vintage-inspired aging toner on the topExtra flash comes in the form of a Style 45 abalonepearl rosette and abalone pearl-topped bone bridgeand end pins
The guitarrsquos crowning glory is ndash appropriately ndashon the polished black ebony headplate Above
the nut sheltered by the familiar gold old-styleldquoC F Martin amp Co Est 1833rdquo decal logo is a silhouette of The Mamas and The Papasbeautifully inlaid in mother of pearl Derivedfrom a photo by Henry Diltz the inlay capturesthe group in full performance mode
In the early 1960s the four musicians whobecame The Mamas and Papas were a long way from pop music stardom though all wereinvolved in the East Coast folk music scene
John Phillips was a member of the JourneymenDenny Doherty and Cass Elliot sang with theMugwumps After the Journeymen broke up
John Phillips his wife Michelle Phillips andMarshall Brickman formed the New JourneymenMarshall eventually left the band but went on toco-write Oscar winning screenplays with Woody
Allen and he co-wrote the book that became therecord-breaking play ldquoThe Jersey Boysrdquo
Marshall Brickman was replaced by Denny Doherty and soon Doherty introduced hisbandmates to Elliot The four began harmonizingto the pop songs John was writing and perfectedtheir sound during a Caribbean vacation together
The starting point for The Mamas and the Papasrsquofresh pop sound was the folk music all fourmembers played before they got together as a group Songwriter and leader John Phillipsrsquo well-
worn Martin Dreadnought often provided thestrummed rhythmic underpinning on which TheMamas and Papasrsquo band instrumentation andvocals were layered The combination proved tobe genius and even today The Mamas and thePapas ldquosoundrdquo is instantly recognizable
To celebrate the group and its place in popmusic history C F Martin introduces a very
special D-28M Mamas and The Papas
Custom Artist Edition Limited to just100 instruments this new Custom Artist Edition features rare tonewoodshandsome appointments and aunique headstock inlay to honorthese musical trailblazers
John Phillipsrsquo vintage Martin D-28provides the inspiration for this Custom Artist Edition The tonewoods and top
bracing are a stellar combination thatapproximates those of MartinDreadnoughts from the early 1930sBack and sides are rare Madagascarrosewood similar in appearance andtone to the now endangered Brazilianrosewood The top is Carpathianspruce comparable in power andbrilliance to Adirondack spruce andequally responsive Advanced ldquoXrdquo
516rdquo scalloped bracing provides richresonant tone The 1 1116rdquo (at the
nut) low profile neck with diamondvolute is genuine mahogany while the
fingerboard and belly bridge are black ebony
L M
In the 1960s The Mamas and the Papas were at the epicenter of a musical earthquake
that began in Southern California and sent shockwaves across the country Combining
great songwriting unique arrangements and lush harmonies the group had six ldquoTop
10rdquo singles and four ldquoTop 5rdquo albums from 1965 through 1967 a feat that made them one
of the few groups to challenge the Beatles during that era While The Mamas and the
Papasrsquo original lineup of John Phillips Cass Elliot Denny Doherty and Michelle Phillips
lasted just four years several of the songs they created ndash including ldquoCalifornia Dreaminrsquordquo
ldquoMonday Mondayrdquo ldquoWords of Loverdquo and ldquoTwelve Thirtyrdquo ndash have stood the test of time
32
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(This story should sound familiar they laterturned it into a hit single ldquoCreeque Alleyrdquo)Eventually the four traveled to Los Angeles
where they auditioned for Dunhill RecordsOwnerProducer Lou Adler Adler signed them tohis label immediately and two days later thegroup had a name The Mamas and the Papas
Released in 1965 The Mamas and The Papasrsquofirst single failed to garner much notice Howeverthe second single ldquoCalifornia Dreamingrdquo co-
written by John and Michelle Phillips reachedNo 4 on the charts The grouprsquos debut album If
You Can Believe Your Eyes and Ears was releasedin early 1966 and rose to No 1 quickly followedby the single ldquoMonday Mondayrdquo which also hitNo 1 and later won a Grammy Award for ldquoBestContemporary Group Performancerdquo
While The Mamas and The Papasrsquo personallives became increasingly turbulent over the nexttwo years their music continued to flourish they recorded three additional albums ndash The Mamasand The Papas Deliver and The Papas and TheMamas ndash that went ldquoTop 20rdquo and in turn yieldedseveral ldquoTop 20rdquo singles
In 1968 bitter infighting between memberscaused the group to disband Due to contractualobligations they reunited briefly in 1971 to makethe People Like Us album and then went theirseparate ways Cass Eliot had a flourishing solocareer that was cut short by her death in 1974
John Phillips continued to write songs and bothhe and Denny Doherty performed and recordedas solo acts In the 1980s and 1990s they occasionally reunited to tour as members of the
New Mamas and Papas John Phillipsdied in 2001 Denny Doherty died in2007 Michelle Phillips enjoyed a successful acting career and today isthe last surviving original memberof the group
Despite the grouprsquos short history TheMamas and The Papasrsquo musical legacy remainsundiminished the group was inducted into theRock amp Roll Hall of Fame in 1998 and received a
Grammy Hall of Fame Award in 2001 In 2003 If You Can Believe Your Eyes and Ears was ranked127 on Rolling Stone magazinersquos list of the 500greatest albums of all time
Delivered in a hardshell case eachD-28M Mamas and The PapasCustom Artist Edition guitar bears a special interior label featuring theldquosun rayrdquo graphic from the RouletteRecords label on which some of TheMamas and The Papasrsquo singles werereissued in the 1970s Each label ispersonally signed by former Mamasand The Papas member MichellePhillips and numbered in sequence
with the edition total Beginning immediately authorized C F Martindealers will accept orders for theD-28M Mamas and The PapasCustom Artist Edition until all 100guitars in the edition are allocatedparticipating Martin dealers willthen be posted on theC F Martin website
wwwmartinguitarcom
33
S A M P L E
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L O N D O N A C O U S T I C G U I TA R S H O W
Acoustic guitar aficionados attending The London
Acoustic Guitar Show were treated to presentations
that showcased Americarsquos favorite musical instrument
brand and featured musical vignettes by legendary
and influential guitarists Stefan Grossman and
John RenbournThe presentation was given by Dick Boak archivist for Martin
Guitar who offered a graphical and interactive history of the 178-year-old guitar company In addition Dick displayed severalimportant examples in the evolution of Martin acoustic guitarsThe presentation focused on the development of the modern
acoustic guitar Martinrsquos historical contributions to the definitivacoustic guitar design artist signature model collaborations an
an in-depth explanation of specific guitar shapes sizes andtonewoods that lend themselves to particular musical genres JoRenbourn and Stefan Grossman legendary acoustic fingerstyleinnovators demonstrated the tonality of an assortment of Martinstruments including their own Custom Signature models
Martinrsquos UK distributor Westside Management was a primasponsor of the show and the host for the concert stage thatfeatured a stunning live performance by Renbourn and Grossm
Dick Boakrsquos presentation provided a template and proving ground for potential future presentations throughout the UniteStates Europe and Japan
THE LONDON ACOUSTICGUITAR SHOWSaturday and Sunday September 10-11 2011
Olympia Conference Center London
34
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Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
8102019 Vol_32pdf
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M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
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The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
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M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
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M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
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Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
8102019 Vol_32pdf
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M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
8102019 Vol_32pdf
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Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4446
A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4546
C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4646
P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3346
(This story should sound familiar they laterturned it into a hit single ldquoCreeque Alleyrdquo)Eventually the four traveled to Los Angeles
where they auditioned for Dunhill RecordsOwnerProducer Lou Adler Adler signed them tohis label immediately and two days later thegroup had a name The Mamas and the Papas
Released in 1965 The Mamas and The Papasrsquofirst single failed to garner much notice Howeverthe second single ldquoCalifornia Dreamingrdquo co-
written by John and Michelle Phillips reachedNo 4 on the charts The grouprsquos debut album If
You Can Believe Your Eyes and Ears was releasedin early 1966 and rose to No 1 quickly followedby the single ldquoMonday Mondayrdquo which also hitNo 1 and later won a Grammy Award for ldquoBestContemporary Group Performancerdquo
While The Mamas and The Papasrsquo personallives became increasingly turbulent over the nexttwo years their music continued to flourish they recorded three additional albums ndash The Mamasand The Papas Deliver and The Papas and TheMamas ndash that went ldquoTop 20rdquo and in turn yieldedseveral ldquoTop 20rdquo singles
In 1968 bitter infighting between memberscaused the group to disband Due to contractualobligations they reunited briefly in 1971 to makethe People Like Us album and then went theirseparate ways Cass Eliot had a flourishing solocareer that was cut short by her death in 1974
John Phillips continued to write songs and bothhe and Denny Doherty performed and recordedas solo acts In the 1980s and 1990s they occasionally reunited to tour as members of the
New Mamas and Papas John Phillipsdied in 2001 Denny Doherty died in2007 Michelle Phillips enjoyed a successful acting career and today isthe last surviving original memberof the group
Despite the grouprsquos short history TheMamas and The Papasrsquo musical legacy remainsundiminished the group was inducted into theRock amp Roll Hall of Fame in 1998 and received a
Grammy Hall of Fame Award in 2001 In 2003 If You Can Believe Your Eyes and Ears was ranked127 on Rolling Stone magazinersquos list of the 500greatest albums of all time
Delivered in a hardshell case eachD-28M Mamas and The PapasCustom Artist Edition guitar bears a special interior label featuring theldquosun rayrdquo graphic from the RouletteRecords label on which some of TheMamas and The Papasrsquo singles werereissued in the 1970s Each label ispersonally signed by former Mamasand The Papas member MichellePhillips and numbered in sequence
with the edition total Beginning immediately authorized C F Martindealers will accept orders for theD-28M Mamas and The PapasCustom Artist Edition until all 100guitars in the edition are allocatedparticipating Martin dealers willthen be posted on theC F Martin website
wwwmartinguitarcom
33
S A M P L E
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3446
L O N D O N A C O U S T I C G U I TA R S H O W
Acoustic guitar aficionados attending The London
Acoustic Guitar Show were treated to presentations
that showcased Americarsquos favorite musical instrument
brand and featured musical vignettes by legendary
and influential guitarists Stefan Grossman and
John RenbournThe presentation was given by Dick Boak archivist for Martin
Guitar who offered a graphical and interactive history of the 178-year-old guitar company In addition Dick displayed severalimportant examples in the evolution of Martin acoustic guitarsThe presentation focused on the development of the modern
acoustic guitar Martinrsquos historical contributions to the definitivacoustic guitar design artist signature model collaborations an
an in-depth explanation of specific guitar shapes sizes andtonewoods that lend themselves to particular musical genres JoRenbourn and Stefan Grossman legendary acoustic fingerstyleinnovators demonstrated the tonality of an assortment of Martinstruments including their own Custom Signature models
Martinrsquos UK distributor Westside Management was a primasponsor of the show and the host for the concert stage thatfeatured a stunning live performance by Renbourn and Grossm
Dick Boakrsquos presentation provided a template and proving ground for potential future presentations throughout the UniteStates Europe and Japan
THE LONDON ACOUSTICGUITAR SHOWSaturday and Sunday September 10-11 2011
Olympia Conference Center London
34
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3546
Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3646
M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3746
The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3846
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 394639
M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4046
M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 414641
Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4246
M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4346
Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4446
A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4546
C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4646
P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3446
L O N D O N A C O U S T I C G U I TA R S H O W
Acoustic guitar aficionados attending The London
Acoustic Guitar Show were treated to presentations
that showcased Americarsquos favorite musical instrument
brand and featured musical vignettes by legendary
and influential guitarists Stefan Grossman and
John RenbournThe presentation was given by Dick Boak archivist for Martin
Guitar who offered a graphical and interactive history of the 178-year-old guitar company In addition Dick displayed severalimportant examples in the evolution of Martin acoustic guitarsThe presentation focused on the development of the modern
acoustic guitar Martinrsquos historical contributions to the definitivacoustic guitar design artist signature model collaborations an
an in-depth explanation of specific guitar shapes sizes andtonewoods that lend themselves to particular musical genres JoRenbourn and Stefan Grossman legendary acoustic fingerstyleinnovators demonstrated the tonality of an assortment of Martinstruments including their own Custom Signature models
Martinrsquos UK distributor Westside Management was a primasponsor of the show and the host for the concert stage thatfeatured a stunning live performance by Renbourn and Grossm
Dick Boakrsquos presentation provided a template and proving ground for potential future presentations throughout the UniteStates Europe and Japan
THE LONDON ACOUSTICGUITAR SHOWSaturday and Sunday September 10-11 2011
Olympia Conference Center London
34
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3546
Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3646
M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3746
The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3846
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 394639
M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4046
M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 414641
Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4246
M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4346
Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
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httpslidepdfcomreaderfullvol32pdf 4446
A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4546
C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
8102019 Vol_32pdf
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P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3546
Rachel Sermanni is an emerging songwriter from thesmall village of Carrbridge in the UK Highlands Sheperforms with her D-18 and is gaining popularity both asa soloist and with an assortment of talented friends
gt Gabrielle Aplin is a self-taught self-promoted touring
singer pianist guitarist and internet sensation withmillions of hits With beautiful vocals and a raw talent forsong writing Gabrielle is evolving as the most in demandonline music artist
Stefan Grossman Dick Boak and JohnRenbourn are captured following theirwell-attended presentation on the
ldquoEvolution of the Acoustic Guitarrdquo
lt Stefan Grossman and John Renbourn livein concert at the inaugural London AcousticGuitar Show
Chris Woods combines elements of hand tapping anddrumming on his Martin guitar Blended with echoplexedfingerpicking and etherial vocals hersquos invented a uniquesound See his full profile on page 44
35
gt
gt
gt
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3646
M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3746
The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3846
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 394639
M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4046
M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 414641
Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4246
M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4346
Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4446
A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4546
C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4646
P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3646
M A R T I N O W N E R S C L U B
Record Number of MartinOwners and Music Fansconverge on Nazareth PaEach year enthusiasts from across thecountry and around the globe converge onNazareth for MOC Day and every year thMartin Owners Club has brought togethermore entertainment vendors and artists tha
the year before This included performanceby bluegrass legend TJ Casey (ldquoCowboy from the Soulrdquo) ABCrsquos ldquoDancing with theStarsrdquo dancerchoreographer and solomusician Mark Ballas singersongwriterukulele mistress and one half of Garfunkeland Oates Kate Micucci (also known for hroles in ldquoRaising Hoperdquo ldquoScrubsrdquo ldquoFourKingsrdquo and ldquoMalcolm in the Middlerdquo) theSleepy Man Banjo Boys - Americarsquos favoriteBluegrass band that happen to be kidsand rising star and contestant on NBCrsquosldquoAmericarsquos Got Talentrdquo Blake McMurray
Martin District Sales Manager Dave Evans joined virtuosobluesman and Martin artist Craig Thatcher for a dueling dueton the main stage
ldquoDancing With The Starsrsquordquo choreographerdancer solo musician and Martin AmbassadorMark Ballas performed to a record crowd of nearly 3000 Martin enthusiasts
Attendees had the opportunity to personallysample a wide assortment of Custom Shopand new model Martin guitars
Comedian TV personality andukulele master Kate Micuccireturns uke-in-hand to herhome town of Nazareth PA
Brothers Johnny Robbie and Tommy Mizzone a fast risingbluegrass trio graced the stage as the amazing Sleepy ManBanjo Boys
Inlay art in process as seen onthe day-long deluge of factory tours
36
Attendees were treated to the ldquoPorsche Experiencerdquo sponsored by Knopf Porsche and PorscheCars North America who displayed new models in the center of the dayrsquos festivities
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3746
The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3846
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 394639
M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4046
M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 414641
Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4246
M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4346
Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4446
A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4546
C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4646
P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3746
The UMGF Celebrates 10th Martinfest
TS PHILLIPS
The first weekend of August 2011 some 200 members of theUnofficial Martin Guitar Forum converged on Nazareth tocelebrate their 10th Annual ldquoMartinfestrdquo with special guestsGrammyreg Award winning guitarist Laurence Juber andMartinrsquos illustrious archivist Dick Boak
Events on Friday included tours of the Martin factory andplaying historic guitars from the Martin Museum Saturday
they performed on various stages at ldquoMartin on Mainrdquo thestreet fair co-hosted by the UMGF and the Nazareth Chamberof Commerce which was capped off with Laurence Juberrsquos freeunplugged acoustic concert at the historic Moravian churchThat evening LJ sat in on an all-night jam at the hotel with hisOMC-LJ Pro signature model and gave a workshop on alteredtunings and composition at the scenic Nazareth Boro Park onSunday afternoon
The UMGF returned to the Boro Park on Monday for openmics impromptu song circles and Dick Boakrsquos informal talkhighlighting milestones from his 35-year career at C F Martinamp Co Boakrsquos tenure under three different Mr Martins spans anera of remarkable growth evolution and innovation that offers
fertile ground for reminiscence The audience was spellboundby his vivid firsthand account of famous Martin players andtales of the dedicated craftspeople that make their belovedguitars workers whose names are as revered by the UMGF asthe big stars who play them
Martinfest is all about the love of music made on Martinguitars From an all-original 1930 OM-28 to a D-45 StephenStills to the latest offering in the Performing Artist Series themain activity was admiring and playing each otherrsquos Martins
Dick was not to beleft out andbrought along hiscustom 12-fret000-42 made
from figuredBrazilian rosewoodand Adirondack spruce It was builtin a time beforeMartin was in thehabit of offering vintage replicas The slotted headstock sports the ldquoAlternativeTorchrdquo inlay that was designed in 1902 but never appeared on amodern Martin until this guitar Boakrsquos 000 was stellar evenamong that constellation of other splendid Martins
What began as a small group of Martin fans conversing onthe Internet has grown to over 16000 registered UMGF
members worldwide from back porch pickers to majorrecording artists Many travel thousands of miles to make theannual pilgrimage to Nazareth Dick Boak has been to eachMartinfest and was the obvious choice to speak at the tenthanniversary In many ways Dick has helped to extend andpreserve what makes its legendary guitars so very special InDickrsquos words ldquoItrsquos all about the tonerdquo That is a sentimentechoed by the membership of the UMGF Visit them on line athttptheunofficialmartinguitarforumyukucom
37
Unbridled and enthusiastic members of the Unofficial Martin GuitarForum gathered for their 10th annual Martinfest at The NazarethBorough Park Fingerstyle guitar master Laurence Juber is in the frontrow with his flamed maple OMC LJ Pro cutaway Custom Artist modelCan you find anything but Martin guitars in this photo
wwwtheunofficialmartinguitarforumyukucom
U M G F
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3846
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 394639
M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4046
M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 414641
Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4246
M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4346
Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4446
A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4546
C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4646
P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 3846
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 394639
M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4046
M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 414641
Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4246
M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4346
Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4446
A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4546
C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4646
P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 394639
M A R T I N I N S P I R E D
GuitArt by Terre RocheThe GuitArts tell the story of a character Terry Roche inventednamed ldquoSpacemanrdquo He shows up in many of the famous RocheSisters setlists over the years Terry collected a setlist for every Rochesrsquo show ever performed and each one has an elaboratedrawing The GuitArts were an extension of the setlistschronicling the adventures of ldquoSpacemanrdquo
The Musical MindBrenden Hackett of Martinrsquos Researchand Development Department hasengrossed himself in the study of musicover the past 28 years In his job he ischallenged to understand how soundreally works and how the mind actually processes music While attending theIthaca College School of Music Brenden
was graced by some of the best professorsin Music Theory and History but he
never had exposure to lingering questionsregarding tone That all changed in
August of 2011 when he attended thebi-annual conference for The Societyof Music Perception and CognitionThe SMPC brings together the North
American music cognition researchcommunity and also draws severalresearchers from overseasrdquo says Ani PatelSenior Fellow at The Neurosciences
Institute in San Diego NAMM sponsorsthis rapidly growing field of research
which looks into musicrsquos affect on thebrain how itrsquos processed and the benefitsof musical study of which there are manyBrendenrsquos participation in this conference
will enhance the RampD Department intheir quest to continually improve thetonal texture clarity and projection of Martin guitars
A r t w o r k b y B a r b a r a K o z e r o
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4046
M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 414641
Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4246
M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4346
Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4446
A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4546
C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4646
P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4046
M A R T I N B A C K PA C K E R S
Trail Friend Jeremy Wilson and his Martin Backpackerreg hiked the AppalachianTrail in 2010 and the Pacific Crest Trail in 2011 His on-line trail
journal (trailjournalspickercom) lists the Martin Backpackerguitar as his ldquobest friend on the trailcould not imagine hiking
without itrdquoHe was given the trail name ldquopickerrdquo on the Appalachian Trail
because he carried and played his guitar when camping It broughthours of joy to others and to himself
While attempting a stream crossing this year Jeremy wassnatched by the ldquostreamrdquo and went completely underBackpacker and all Swimming underwater he made it safely tothe other side as the Backpacker got heavier and heavier Stillplayable but in great need he sent his beloved Backpacker torest at home In the meantime Jeremy acquired a new Backpacker for his next adventure
40
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 414641
Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4246
M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4346
Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4446
A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4546
C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4646
P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 414641
Mark LaVigne and The CoyotesThe picture above shows Mark LaVigne with hisBackpacker in Fredericton New Brunswick afterconducting a media relations workshop there
LaVigne is a member of the band The Coyotes Tocheck out their first CD of original songs ldquoOut of the
Woodsrdquo visit their website wwwthecoyotesca
Learning From One Another Joe Wheeler is volunteering on the edge of the GobiDesert in southern Mongolia teaching English withthe Peace Corps It means so much to have a guitar mdashnot just any guitar but a Martin mdash with him during this life-defining experience
Above is a picture of Wheeler during a familyvisit He has been teaching English and guitar lessonsto the eldest son Tsenguun Soon the tables will turnas Tsenguun will be teaching Wheeler how to play theldquomoriin hurrdquo (horse fiddle shown in the photograph)
FatefulCompanion
Andy Shull is an elementary school music teacher atHB Rhame Elementary inRichland School DistrictOne Columbia SC Heconsiders this gig semi-retiredafter a 25 year stint as a highschool and middle schoolband director He also playssociety gigs on horns and
guitar and directs his Church music In 1975 a road gig with Jackie Wilson landedhim in Lake Tahoe California where he purchased a 1953 Martin D-18 for $500
It has been his fateful companion since and just happens to have been made theyear he was born It is highly featured on his original inspirational CD ldquoI StillBelieverdquo (guitarknapper-earthlinknet)
Andy found a need for another Martin with the elementary and church gigsldquoI settled on the Martin DC-1E (cutaway) It reminds me so much of my D-18but with outstanding onboard electronics While it doesnrsquot have that vintageripeness yet it speaks only as a Martin can and the price was right The DC-1Esounds so good that our youth pastor who plays a top end Canadian made guitarhas said his next purchase will definately be a Martinrdquo The oustanding first gradeclass pictured has just completed an original antibullying song and video
Rabbit and RoseBackpacker inspired sculpture by artist and sculptor Barbara Kozero
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4246
M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4346
Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4446
A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4546
C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4646
P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4246
M A R T I N R E M E M B E R S
Liz MeyerOn August 26th 2011 American songwriter LizMeyer once a vital member of the Washington DCacoustic music community lost her battle with cancerShe was an avid bluegrass singer songwriter and anactive participant with the European Bluegrass
Associations and the European version of the World of Bluegrass Since 1985 Liz Meyer was based in
Amsterdam Netherlands and her songwriting is oftenmore well-known there than her own recordings Of course the songs are excellent and ldquoBlue Lonesome
Windrdquo was the featured title cut on an album by Auldridge Bennett amp Gaudreau and another songldquoBad Seedrdquo is featured on a recent Laurie Lewis andTom Rozum album Liz maintained a worldwide fanbase and used Martin Guitars exclusively
Honeyboy EdwardsDavid ldquoHoneyboyrdquo Edwards the ldquoLast of the Great Mississippi Delta Bluesmenrdquo passed away on August 29 2011
Honeyboy was born June 28 1915 in Shaw MississippiHoneyboy was one of the last living links to Robert Johnson and oneof the last original acoustic Delta blues players He was a living legend and his story was truly part of history He was the real deal
Honeyboy has written several blues hits including ldquoLong Tall Woman Bluesrdquo ldquoGamblin Manrdquo and ldquoJust Like Jesse Jamesrdquo
Honeyboyrsquos life was intertwined with almost every major blueslegend including Robert Johnson Charlie Patton Big Joe Williams
Rice ldquoSonny Boy Williamsonrdquo Miller Howlinrsquo Wolf Peetie Wheatstraw Sunnyland Slim Lightninrsquo Hopkins Big Walter Little Walter Magic Sam and Muddy Waters
The photo above was taken at the Paramount Blues Festin Grafton WI in September of 2007 He is playing aMartin DC-16RGTE
Roger Henderson A loyal Martin playerrsquos voice has been forever silencedRoger Henderson a singersongwriter on the WashingtonDC acoustic scene from the early 1970s passed away in
the early evening hours of July 29th 2011 after battling cancer for several months Roger was one of the arearsquos mostpopular voices and he wrote ldquoA Penny To My Namerdquo
which was recorded by the late Eva Cassidy and releasedafter her death in 1996 Roger leaves behind his familyincluding a daughter who is planning on following in herfatherrsquos musical footsteps and lots of good friends in hishometown He will be missed by many and will not besoon forgotten (Len Jaffe)
42
P h o t o C o
u r t e s y o f E r i c J o h n s o n
P h o t o C o u r t e s y
o f R e n e e M o y e r
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4346
Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4446
A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4546
C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4646
P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4346
Terry ClementsGuitar wizard Terry Clements died February 20 2011after suffering a stroke ten days earlier He was 63and was Gordon Lightfootrsquos lead guitar player on hisalbums and concerts for almost forty years
Terry was among the most affable and friendly
musicians you would ever want to know and he leftbehind his family and many close friends and fans Itgoes without saying that he will be remembered for histalent humor and humanity He is missed by manyand will not be soon forgotten Shown here with hisMartin D-18
Johnnie Wright Johnnie Wright a country music pioneer who guided the careerof his wife Kitty Wells died at his home in MadisonTennessee on September 27 2011 He was 97
Wright remembered WSM going on the air in 1925 andheard the first broadcast of Uncle Jimmy Thompson an eventthat would evolve into the Grand Ole Opry Later he started his
own career and married Wells the first woman to break through as a star in country music in 1937 Wright came to fame as a member of the country duo
Johnnie and Jack which recorded hits such as ldquoAshes of LoverdquorsquorsquoI Get So Lonelyrdquo rsquorsquoGoodnight Sweetheart Goodnightrdquo andldquoPoison Loverdquo in the late 1940s and early 1950s
Wright changed the spelling of his name to Johnnie after it was misprinted on a record then began a solo career with aNo 1 hit ldquoHello Vietnamrdquo later featured in the 1987 movieldquoFull Metal Jacketrdquo
Wells and Wright had three children two daughters Ruby andCarol Sue and a son Bobby who also was a singer and actor He
played the part of Willie a Tennessee moonshiner on the TV seriesldquoMcHalersquos Navyrdquo Wells was known as ldquothe queen of country musicrdquo after she became the first woman solo singer to have a No 1 country record ldquoIt Wasnrsquot God Who Made Honky Tonk
Angelsrdquo in 1952 The couplersquos 74th anniversary would havebeen Oct 30
Wright remained a loyal Martin player throughout his career
43
Kitty and Johnnie at the 2002 NAMM in Nashville introducing theKitty Wells Signature Edition ldquoHonky Tonk Angelrdquo
L-R Johnnie Wright Kitty Wells and Jack Anglin
P h o t o C o u r t e s y o f J u n c t i o
n R e c o r d s
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4446
A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4546
C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4646
P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4446
A R O U N D T H E W O R L D
Chris WoodsChris Woods is taking UK audiences by stormDescribed by Play Music Magazine as changing the perceived boundaries of the acoustic guitarhis shows are mesmerizing Acoustic Magazineconveyed his playing as a ‛tour de force of original techniquersquo but Chris isnrsquot all aboutbeing a virtuoso - his use of percussion tapping and slapping is simply a tool in creating emotive and creatively stunning compositionsLive shows are delivered with endearing andvisual stories that bring each piece to lifeUsing an array of ear bending tunings to createsounds that are out of this world Chris uses a 000X1 Martin The tough construction giveshim the scope to move from drop B tuningsto everything inbetween effortlessly and withconfidence Every part of the guitar is usedto its full extent Chris had this to say ‛ whenusing so much of the guitar and in such a variety of ways the guitar has to work hard
for you - you need tobe confident theconstruction and toneis flawless thatrsquos why Irsquom a Martin playerrsquoRhythm is the driving force behind Chrisrsquomusic but not only in a percussive wayGroove is at theheart of every noteDescribing his styleas ‛slap grooversquo youcan be sure everything you hear is infectious and memorableCurrently touring the UK and withappearances at the 2012 NAMM show andMusikMesse 2012 he is performing relentlessly
wwwchriswoodsgroovecouk
Mark MichaelsMark started the New
York Ukulele Schoolin 2007 Musician andeducator with over 25years of experienceand equally adept onukulele guitar andbass Mark has beeninvolved in musiceducation since the
70rsquos and wasinstrumental indeveloping onlineinstruction for guitar and piano in the rsquo90s He hasbeen featured in Newsday Billboard The HartfordCourant and Variety leading the life of a journeymanmusician In 1979 he produced and composed the 12hit dance single ldquoUmbrella Manrdquo and Billboardrsquosreview called him ldquosharphellipconcisehellipa mastermindrdquo
Double Drsquos UKDon Payne and Dave Mann make up the duo Double Drsquoshailing from the County of Surrey England This pair hasbeen picking together since 1959 They are pictured above
with their D-41 Special D-45 (9 of 50) D-40 and a000-28EC Eric Clapton Sunburst Signature Model
44
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4546
C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4646
P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4546
C F Martin 000-42ECJM
Eric Clapton Japan Edition 2011It would be an understatement to say that EricClapton is ldquobig in Japanrdquo His popularity there isunprecedented and certainly in line with the extremeenthusiasm that Japanese guitar players hold forMartin guitars T Kurosawa amp Co Ltd Martinrsquossole distributor in Japan has shown tremendoussupport for all eight Eric Clapton Signature Editionmodels offered to date and in November of 2011Kurosawa took a step further by becoming a key
sponsor of Eric Claptonrsquos Japan 2011 TourCoinciding with this significant sponsorshipT Kurosawa amp Co initiated an agreement with EricClapton and C F Martin amp Co to produce a special000-42ECJM edition limited to only 100 specialinstruments The model is inspired by the 1939 000-that Eric used for his Grammy award-winning MTVUnplugged live performance in 1992 Constructed
with a premium grade Adirondack sprucesoundboard and beautiful Madagasca
rosewood back and sides the 000-42ECJM bears the original Style headstock and fingerboard
appointments closely replicatingthe 1939 model Each guitar beaan interior label personally signeby Eric Clapton and numbered in
sequence with the edition total Tedition is being made solely for
distribution in Japan by KurosawaIncluded as extra premiums with
each guitar are a specially createdEric Clapton tour jacket a lase
etched wooden plaque thatserves as a certificate of
authenticity a deluxecommemorative pouchcreated by the reveredPorter Classicof Japan and a CustomShop deluxe case
with Eric Claptonrsquosembroidered signature
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4646
P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334
8102019 Vol_32pdf
httpslidepdfcomreaderfullvol32pdf 4646
P O Box 329 Nazareth PA 18064-0329
(610) 759-2837 bull wwwmartinguitarcom
PRESORTED
STANDARD
US POSTAGE PAID
LEHIGH VALLEY PA
PERMIT 334