Understanding and teaching short stories handout version

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Transcript of Understanding and teaching short stories handout version

Page 1: Understanding and teaching short stories handout version
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A short story…….. can be read in one sitting (Edgar

Allan Poe “The Philosophy of Composition” 1846) is 1,000 – 20,000 words long has a limited set of characters, a

single setting, and a simple plot

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•Responding to texts•Giving opinions•Justifying opinions

•Knowledge of text features•Applying knowledge to their writing

•Responding to characters•Responding to plot•Responding to themes•(writing, oral, performance)

•Reading skills•Making inferences•Getting the main idea•Predicting events

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Fairy tales tend to be about royalty, fairies, wicked stepmothers, giants and talking animals.

Settings often include castles, forests, cottages and the time is often “long ago”

Events are magical and supernatural. The good live happily ever after at the end and the bad are punished in some way.

Formulaic language, including rhyme and repetition, is common.

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Usually refers to the stories told by Jesus in the New Testament

They are used to explain difficult theological concepts in terms which people can easily understand

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Characters are usually animals, plants, inanimate objects, or forces of nature which are given human qualities.

They illustrate a moral lesson which is often expressed explicitly at the end

Slow and steady wins the race!

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Myths tend to be about gods or supernatural beings.

Often tell about events from the distant past

Sometimes creation stories or explain natural phenomena

Legends are similar, but usually about heroes rather than gods.

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Folktales are similar to fairy tales, except that they usually concern ordinary people rather than royalty

Values such as thrift, kindness, honesty and diligence are usually rewarded

As with fairy tales, formulaic language is common

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Also called “mystery” genre or “whodunnits”

Mystery plots always involve characters trying to discover a vital piece of information which is kept hidden until the climax. Solving crimes by the use of clues is common in this genre.

Characters usually include detectives, criminals, or the police.

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Science fiction plots commonly explore ideas like space travel, cloning, time travel, or aliens. Fantastical things happen but all have a scientific explanation.  No use of magic.

Settings often include other planets, space ships, or futuristic cities. These may be described in detail

Characters will often include robots, aliens, astronauts, or scientists

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The plot is always a horror experience and it usually involves the intrusion of a supernatural element into everyday human experience.

Characters are often ordinary but vulnerable people, such as children and women.

Settings vary but they are usually secluded and isolated places.

Atmosphere is often created by description of the setting.

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Plots of romance revolve around two people as they develop romantic love for each other and work to build a relationship together.

Both the conflict and the climax of the story should be directly related to that core theme of developing a romantic relationship.

There is often a happy ending.

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Realistic fiction is usually set in modern times.

It can also have a historical setting - events usually have something to do with an important historical event

Characters will be ordinary, believable people.

Stories may be funny or serious Dialogue will be realistic

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Traditional stories “flat” characters unspecified

settings simple and fast

moving plot ending is clear

and usually happy formulaic

language simple past tense third person

narration

Modern stories “round” characters setting may be

described in detail may not be much

background at beginning

ending may be inconclusive

present tenses may be used

first person narration can be used

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5 Elemen

ts

Characters

The people & their

relationships

Setting

Location & time

Style

Writing technique

s

ThemeMain or

recurrent idea(could also be a lesson to learn)

Plot/story line

Actions and events

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Characters

Themes and

lessons

Settings

PlotOpening

ComplicationThe Wolfeats Grandmaand lies in her bed.

Crisis

Ending

Little Red Riding Hood

2. Complete the story map

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Theme / Plot Gradual

increase in tension during the questioning process

Twist ending

Characters• David reveals

himself through his thoughts and attitudes to others

• David himself cannot interpret these, but the reader can

Language Features

• First person narration

• Simple present tense

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Pre-reading

Strategy / activity used Teaching focus

1. Use of pictures to introduce idea of a lie detector

2. Use of dictionary extracts to focus on the meaning of the title

•Teaching or reinforcing vocabulary•Background knowledge important for the story

•Bringing out the theme of the story

Building up knowledge of the topic

•Predicting events

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While-reading

Strategy / activity used Teaching focus

1. “Think aloud” of first two paragraphs

2. Tick chart about characters

3. Predicting the questions

Inferring meaning of words from context (reading skill)

Teaching students to understand and respond to character descriptions

Predicting the continuation of

the story (reading skill)

Understanding the details

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While / Post-reading

Strategy / activity used Teaching focus

1. Completing a chart of the main character’s emotions

2. Writing Sandra’s diary

Teaching students to understand and respond to character descriptions

Teaching students to understand and respond to plot development

Understanding and responding to characters (point of view)

Teaching or reinforcinglanguage patterns (tenses)

Integrating and applying

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1. Understand the features of the text type

2. Understand the features of the genre

3. Analyse the text

4. Decide teaching objectives

5. Plan lessons and materials

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Pre- reading

While-reading /Post-reading

Extension activities

Building up knowledge of the topic

Understanding the details

Integrating and applying

Plot

Language

CharactersTheme

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When? In class --- Teacher-guided How?Recall previous knowledge and experience Make predictions about the setting of the

storyPre-teaching / Providing background

information

Building up knowledge of the topic

What activities?Brainstorming Predicting from titles, pictures etc

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When? In class, under teacher’s guidance

How? applying reading strategies connecting the story to reader’s

mind and experience responding to the writer

Understanding the details

What activities? Engaging in discussions Identifying story elements using story

organiser Summarising events

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Purposes: Integrative use of skills to show

interpretation and appreciation Consolidating understanding of the story Applying the language skills learnt

When? After teaching the story

Integrating and applying

What activities?Performing e.g. readers’ theatreWriting storiesExtended tasks and projects

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Part A InstructionsPart A Instructions

• Briefly analyse the story of Briefly analyse the story of ““The Hairy The Hairy ToeToe”” and consider how you can use it and consider how you can use it with your students.with your students.

• Put your groupPut your group’’s ideas in Part A of the s ideas in Part A of the handout. handout.

Part B Instructions

• Choose ONE teaching point your group put in Part A and think of ONE teaching and learning activity for it.

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Edgar Allan Poe

H. H. Munro (Saki)

Roald Dahl

Katherine Mansfield

M. R. James

Isaac Asimov

Agatha Christie

Oscar Wilde

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East of the Web: Short Stories Teaching Resources: http://www.eastoftheweb.com/short-stories/teacher.htmlBBC/British Council Teaching English: British Literature: http://www.teachingenglish.org.uk/download/britlit/britlit.shtmlMerlyn’s Pen: http://www.merlynspen.org/ American Folklore: http://www.americanfolklore.net/index.htmlStory Arts: Storytelling Activities and Lesson Ideas: http://www.storyarts.org/lessonplans/lessonideas/index.htmlLanguage Learning Support Section http://cd1.edb.hkedcity.net/cd/languagesupport/article/index_e.htm