Stanford Aesthetics 23
-
Upload
mauricio-dottori -
Category
Documents
-
view
216 -
download
0
Transcript of Stanford Aesthetics 23
-
8/4/2019 Stanford Aesthetics 23
1/20
Conceptual ArtElisabeth Schellekens
T g v j. F v g , w v x f , w v , v g w x gg . T , wv, w -g . A g. A , v -g v g :
.
1. C A W I I? 674
1.1 I
1.2 T L A R A
1.3 A M
1.4 A I
1.5 S R2. T P C A W ? 674
3. Fv P T 679
3.1 T Df A
3.2 T Og M A
3.3 T A V A
3.4 T I A
3.5 T Cgv V A
4. F Q 689
Bg 690
Conceptual Art Cg 2009 E S
-
8/4/2019 Stanford Aesthetics 23
2/20
1. Concepul Ar Wha I I?
1.1 Introduction
Fw v v - . F v v x . A , w f v -g v w, g, , -, wg , , , .C , , g w v .
T vv , wv, . M v v g w w gv . I , vg g v w g , w w , w vv, w w . I , , vx v g w g . I g g w , w, g g .
T f vg
w g j x, g j . I w P W,
[] w w, w w w . L w, g Lw C C , vg w g g: w v w T g, g , g g w . (W 2002, 6)
O g, x v- w 1966 1972 (L 1973).1 Ag g w f J K, RM, J B M R, w. W w- v D, S, S, A Ex Fx g, M-
Elisabeth Schellekens674
1. T , wv, v 1961 Nw Y
H F gg Fx G(W 2002: 8).
-
8/4/2019 Stanford Aesthetics 23
3/20
g. M , , g v - g w g g. A, , .Y v , -1960 1970 g, . Tj g v g , , x.
W g g w g fv x g, v w v w g . F g w g g g -
v - - , v v v w w-f , w TE Unmade Bed, D H The Physical Impossibility o Death in the Mind oSomeone Liing, T C BMy Family.
T g v x g gg w f - g v , -g g v v . T x,w , f v g -. I g v , , Lw C v . C , J B D H, - g eery w. F , g f v g g g w f w , , f w.
Nv, , g , g g, () .
1.2 The Limits o Art and the Role o Artists
F , g g w w . T , w g g ,
x w . I , , -g v x j w, ,
675Conceptual Art
-
8/4/2019 Stanford Aesthetics 23
4/20
, g g g .
A w w x w
g w g. Cg M D Fountain, Bottlerack, vw w j w . T w process material thing, g g g g, g -g . T agency -g - . I , -g w g, w g f w w v . C , v
M D P (1968), H A I (1969), V W, , rapprochementw -g g v v . T w J K, x - , - . (G 1999, 39).
1.3 Artistic Media
A x w gv w j, j -
v g . I, -v x, g , g, f, v,v, , , w - w x . I , , -g wv , , x, R Lg g g wg; BN f g v w w-g ; P Mz gg w .
1.4 Art as Idea
T v w w : j w v ideas objects.A , - , w . I w K, [] w (L 1973, 25). F , w (LW 1967, 166). A -;
g . I - , , , .
Elisabeth Schellekens676
-
8/4/2019 Stanford Aesthetics 23
5/20
T w f w -
-g f. I g w -g j-. Mv, g vw w w w v, gg - w. F , - v w
g v.1.5 Semantic Representation
F , w , v, gg , , v. I , w g semantic illustratie. T , v v g g , v. I - v w
gg g on w , -g g, vg g. S v w w
677Conceptual Art
Richard Long,A Line Madeby Walking, 1967.
Piero Manzoni, Sculturavivente, 1961.
Bruce Nauman,Playing a Note onthe Violin While I Walk around theStudio, 1968.
-
8/4/2019 Stanford Aesthetics 23
6/20
v , g -v , g g w . Ag, - g g-.
2. The Philosophy o Conceptual Art What is it?
T v w -g. F, f w , w j v . P vg g j g, w g v. F x-, w v g g, v
w g ?Mv, v w g ( ) w g ?
S, w v, g x v w , , x. I , - v w , -w, gg g v . F
, g g g (.. w g)?C , v, v w , x? I , w f , g v xw w g v ?
I w v w , ,
w w v gf w . A v , w v w w -w.
O v-g w , , w v f . W vg g - vg w, w - g v f ,
, x, g w w
Elisabeth Schellekens678
-
8/4/2019 Stanford Aesthetics 23
7/20
.
Pzg , , zg -f . I zg v ,
w g . L w fv f g .
3. Five Philoophicl Teme
3.1 The Defnition o Art
T fg w . T - w : f, g v -g ; , , vw w f v
w. O , f g v w gx F, , x, v () g () v w. O , , f g v f g (g) w .
T v g f g .M , gg g f
, , g,x w xgv x (.g., B 1958). Nwg gg (w vw 3.3), v v v g f all x. I , , -Wg 1950 1960 w, v -- gg, x g , v, (G 1948; Wz 1956). T , w
gg g g , g w f . I w M Wz,
. Nw v w ; w , w v w g, w w w x . (Wz 1956, 32)
Df g x , -v N-Wg Wz g - x w w g - amily
679Conceptual Art
-
8/4/2019 Stanford Aesthetics 23
8/20
resemblance ( Wg 1953, 66-71). F w IX w?,w w w g w. I gf g v,w g j w .
T , g g, w w . O , x w , v g v g - . A , , notg f w g . W j could be w , notg v j is w .M , xg w , g -,
A WBrillo Boxes, , -, vg, -Wg f.
Pg , A D gg - g w v - (D 1981). T , w v g v , g, , w (D1974).T g w g w x, g w . A w , - g x .2
Rg x w v, w g f f w v -g () g - . I g g w g ( 3.4). A w g
, w w g , j w v ( )
Elisabeth Schellekens680
2. Tw : () Gg D' I T A;() J Lv' H Df A. F (), X w X w g ( w) g . F (), X w w g ( v) v , , , g v - w . T w
x w, z .F , D 1973 Lv 1979.
-
8/4/2019 Stanford Aesthetics 23
9/20
x g . S w , , xv vg g g wv j w. T x A WBrillo
Boxes g, - j j j w w g .
I w j , f w g g. F v w , f ( v , w v g x w).S, g f ?
A vw , v Dv Dv , f w v g g ( ) j, - (Dv 2004). I , , g w g f , w v g wg . P w w v v g.
3.2 The Ontology and Media o ArtC v g w - w g , , v, gv x g . T j , -g w - j, w v- v -g x,
W w ?, I g ( g) w v ?, I
x w v ?.I f , v vw gg w w vv f- x . T , F S w,
[] v see g w, hear v z , notice g ,eel w v, , . T , v vwg, g, g, w . B v v, j, -, jg g , , . (S1965, 137).
681Conceptual Art
-
8/4/2019 Stanford Aesthetics 23
10/20
T , g, g w gg g , x, L VLaGioconda, g jg w - x . B g g f- x , v . I , g, g gg w , w W D M Vertical Earth Kilometre (1977)3, w w x ? M , w w gg w w ?
T g, wv, w x w w - -- . D -- gg
j , -
g g? O w g w Dv w
physical medium ehicular medium (Dv 2004). Ig, j ( g , ) , v, g x gw -j. I Dv w, [] v w ehiclew T v- , P Guernica, j, , Cg Kubla Kahn, g -, , g D Fountain, . (Dv 2004, 59). Ag v , w w , jg , all .
C, f g g . A , , aant-garde, gw . I , w w -
Elisabeth Schellekens682
3. T g , g, w w .
Walter De Marias Vertical Earth Kilometre(1977)
-
8/4/2019 Stanford Aesthetics 23
11/20
, , v w v w , w g w v w w w (.g., Dv 2001; Ig 1973; W- 1980) Bg gg w w v , vw w w w, allw, . M f, v v- - (C 1988). Ag , w g , , w w v g w.
W g v g v g g- g v j,
w f w - (C. 3.1), g v f vw w v - g g v . I , Dv v, v-. T g gf v g w v v .
Hvg , v g , g v - j. M v, , w , , ( ) g() do w? W, w, w j ( v-g) w, , g w? I , , g x- gv w g g , , v w . I v v w, , w x w --
?3.3 The Aesthetic Value o Art
Ug w v x w -w v w g x.T gaesthetic, vg x w vv (.. per se, g -
g wg ).
683Conceptual Art
-
8/4/2019 Stanford Aesthetics 23
12/20
Hwv, gg , g v w , v v w v.C : cognitie aestheticv. I w T B, w x x w , w vg x v w (B 1977, 271).
W w x v w g w vv g w x g -. I x-
w, w v w g . P w x gv ggw w x ( S 2007)
T gg x, , : D ?. I B , - , v v w , w f j. I g -g j v (B 1977, 273).
Hwv, v vw w (C. 3.1)7. I vg v,w, g g, w -? T , vg v g , w x w ?
W vw v w g
f. I w f x, f - w, . T w- , wv, w w g, , v g gvg x. I w v vw, , -
Elisabeth Schellekens684
7. F B (1914) F (1920) g gf . A, B (1958) f g w gvg
.8. F v g, B 1995.
-
8/4/2019 Stanford Aesthetics 23
13/20
g, w . O ,, v one v , g w , -g, , f v w v .8
Nw, v g , good ( ) x. T, , w v j g, wg. Sg , x, M Cg-Mn Oak Tree g w gv v j . C , w ww, vg g g v , v w x , , . A
g v .3.4 The Interpretation o Art
A v , w :() w w w?, () w w?I , w () w v - v v (.g. g,, x x, , .); (.. -g g); w w w w g. D-
g g ( , , - ), w x -v .
I g (), wv, w v v w v x (.g. g, ); w g . T , w j , j (, , w), ? I
w f w v (C. 3.2) , I v v w , w?.
Tw g x . F, w - v ? M , w x artists intention w - ? Vw w . I , T IF, W B g
v v w
685Conceptual Art
-
8/4/2019 Stanford Aesthetics 23
14/20
w . (W & B 1946). A g v gf, v , . F w w g w WBrillo Boxes, w v w f , w w W x vw qua .
Nw, v w g w w , - . M , w decisie must w vv? G- g, w v. O , w
w g, v (.g., C 1992). O , vw (.g., Lv 1992).
A f g, g f , w v g , , w R B ll the Things I know
But o which I am Not at the Moment Thinking(1969). Nv, - , g v . Hw w , , fw g ; wv ?
T v g , w - w. Ag, v -v g . O gg vg - w w g
(.g., Mg 1991; G 1990).I vw, wv, w g w (.g., B 1970). T , , Mw K w, v-g g w. (K 1996, 239). W g v f vw, v w , . A , g w, w w ?
T g v
Elisabeth Schellekens686
-
8/4/2019 Stanford Aesthetics 23
15/20
gv , vw. T wg . I w , g w gg (w w ). I w, w - , w w - w v the w.
Hvg , w g vx w , , v w v v . W , w, w w , , v w w g w, f,
w g. S, , w w v? I , , gv -w g , v vw.
3.5 The Cognitive Value o Art
I g v g v , v gv v. B gv v,
w v w v v g -g wg g , v. Ig, - v gv v w w v x-v (S 2007).
T gv vgvv . I v f K ritique o the Powero Judgement - w gv ( g-
) jg. Hwv, w v v v w v , gv v , x . I , gv g only v -g gv v.
C, v gv v v gv v in addition v w g w w f wg g wg. T , w v, g
,
687Conceptual Art
-
8/4/2019 Stanford Aesthetics 23
16/20
g. A g w jg g g g g g -. I g, g x g g w.
Uv , v v v gv v. M , xv Cv B Rg F x (B 1914; F 1920). M , J Yg vw waant-
garde gf wg g(Yg 2001, 77).
Yg g xf w
gv v w . Exf ( x). A x [-, ] g (Yg 2001, 72). I - , w xf . S, x, T MThe ct o Drinking Beer with Ones Friends is the Highest Form o rt(1970) vvg g g x w, g w g - . T w . Hwv, Yg , w g x g gfgv v. I , Yg g , w w gv v v , , v .
T g fg x w v . N w , g , v g v .
W, , g ?
Elisabeth Schellekens688
Walter De Marias Vertical Earth Kilometre
(1977)
-
8/4/2019 Stanford Aesthetics 23
17/20
I w , w w v x w ( ) wg g . T w wv w : content wg, kind wg . F, wg w , w , , g g w v. S, wg wg . W f wg gv w w (.g. wg E Mx- x) w (.g. wg g v), wg - g w w ,
z, v xg w w v x f- (.g. w w x E).
T wg gv v, w v j, g - w. P xf v g vg gg w w g-v w; w w w ? P -
v gg w w, g- gg w . Exg v w -v gv v g.
4. Furter Quesion
Many more questions centred around fv x . W g fg, w g w w x w w
g -, w ( ) w . T , - g - vg g ( ) w, v w -. S, j g ?
F g v, v ggvv: g w g , w, g w, w w ? C v w w v j w ?
689Conceptual Art
-
8/4/2019 Stanford Aesthetics 23
18/20
I , v -, , w ( ) v . F - , w w g g jg w . A , w interpretation?
F, w w w gv v v x-v? I v g gv, w v f g v.A, w v , v w w , .
C vv j vg w w g gg v x, w .C v g-vg, g g, , .
Bibliogrphy
A, Ax & S B (.). 1999. onceptual rt: ritical nthology.Cg: MIT P.
B, M. 1970. The Possibility o riticism. D: W S UvP.
B, Cv. 1914.rt. L.
B, T. 1977. P: C A.Journal o esthetics and rt riti-cism 35, 265-277.
B, M. 1995. Values o rt: Painting, Poetry, and Music. L: Pg.
C, N. 1992. A, I, Cv. Intention and Interpretation.Ig, G. (.). P: T Uv P, 97-131.
C, M (.). 2004. onceptual rt: Theory, Myth, and Practice. Cg:Cg Uv P.
C, Gg. 1988.n Ontology o rt. Nw Y: S M P.
Dv, Dv. 2004.rt as Perormance. Ox: Bw.
Dv, S. 2001.Musical Works and Perormances: Philosophical Exploration.
Ox: Ox Uv P.
Elisabeth Schellekens690
-
8/4/2019 Stanford Aesthetics 23
19/20
D, A C. 1964. T Aw.Journal o Philosophy 61, 571-584.
. 1981. The Transfguration o the ommonplace. Cg M.: Hv U-v P.
D, Gg. 1973. T I C A. I Tg, Bj(.).Language and esthetics. Lw: Uv P K.
F, R. 1920. Vision and Design. L.
G, T. 1998. onceptual rt. L: P P.
G, P & S, E (.). 2007.Philosophy and onceptual rt. Ox-: Ox Uv P.
G, A. 1990. Ig A L.Journal o esthetics and rtriticism 48, 205-14.
H, C. 1991.Essays on rt and Language. Cg, M.: MIT P.
Ig, R. 1973. The Literary Work o rt. T. Gwz, G. G. Ev,I.: Nw Uv P.
K, Mw. 1996. I D C P. British Journal o esthetics36, 239-251.
K, J. 1969.rt ter Philosophy and ter: ollected Writings, 1966-1990.Cg, M.: MIT P.
Lw, S. 1967. Pg C A.rtorum
5, . 10 (1967), 79-83.. 1969. S C A.rt-Language: The Journal o onceptualrt1 (M 1969), 11-13. R O, 2002.
Lv, J. 1979. Dfg .British Journal o esthetics 19, 232-250.
. 1992. I I: A L L.Intention and Interpretation.Ig, G. (.). P: T Uv P, 221-256.
L, L. 1973. Six Years: The Dematerialization o the rt Object 1966-1972. Nw
Y: Pg.Mg, J. 1991. The Truth bout Relatiism. Ox: Bw.
M, U. 1972. onceptual rt. Nw Y: D P.
Mg, R C. 1996.rt into Ideas: Essays on onceptual rt. Cg: C-g Uv P.
O, P (.). 2002. onceptual rt: Themes and Movements. L & NwY: P P.
Nw, M. & J. B (.). 1999.Rewriting onceptual rt. L: R B.
P, A. 1993.Flash rt26, 56-58.
691Conceptual Art
-
8/4/2019 Stanford Aesthetics 23
20/20
S, E. 2005. Sg Bvg Bvg Sg .cta n-alytica 20, 10-23.
. 2007. T A V I. Philosophy and onceptual rt. Ox:
Ox Uv P.S, J. 2003. T P N-P A.British Journal o esthetics,V.43, 363-78.
S, F. 1965. A N. Philosophical Reiew, V. 74, 1965,. 13559
Yg, J. 2001.rt and Knowledge. L: Rg.
W, K. 1970. Cg A.Philosophical Reiew , V. 79, . 334-67.
Wz, M. 1956. T R T A.Journal o esthetics and rt
riticism,V. 15, . 27-35.W, W. K. & M. C. B. 1946. T I F. Sewanee Reiew,V. LIV, . 468-488.
W, R. 1980.rt and Its Objects. Cg: Cg Uv P.
W, P. 2002. onceptual rt. L: T Pg. S: Mv M A.
Elisabeth Schellekens692