Shantanu Poredi
-
Upload
homereviewdemo -
Category
Documents
-
view
3.565 -
download
5
Transcript of Shantanu Poredi
cabin classcasa buchupureo
cabin classcasa buchupureo
ashiesh shah’surban monastery
ashiesh shah’surban monastery
guggari’slocal flavour
guggari’slocal flavour
www.home-review.com
home reviewRs 50
VOL 7. ISSUE 9.
eclectic livingmatharoo associates
eclectic livingmatharoo associates
atlantis atthe palm dubai
atlantis atthe palm dubai
Deepak and Varsha Guggari are architects who believe that structuresshould stay rooted to their surroundings. Their design scheme builds ona grid-based program that ingeniously explores this ideology, creating adistinctive home that is a synthesis of clever planning and the innovativeuse of local material.
Another designer with his own inimitable style is Ashiesh Shah. Thistime round we take a look at a beach front residence with an interiorchoice that is somewhat intriguing. The layout incorporates clean lineswith a monotone colour palette of grey and white. The materials used areraw and earthy with an emphasis on no-ornamentation, making this homelook more like an urban monastery than a beachy hideaway.
The Shah house in Surat, designed by architect Gurjit Singh Matharoo,reflects a highly evolved space with a refined aesthetic. Inspired by thework of Japanese architect Tadao Ando, this designer explores the finernuances of using light across smooth concrete surfaces, as well asincluding nature into the house-plan. The result is a home that is inperfect sync with the client's wish list.
We also visit Chilean architects Alvaro Ramirez and Clarisa Elton'scliff-top cabin that embraces the ocean with its open-plan layout, andinclude a feature on artist Bose Krishnamachari's residence that is truly awork of art. Designers Shantanu Poredi and Manisha Agarwal plan spacesthat flow into each other, giving the artist's home an unusualjuxtaposition of form, colour and texture. We end this issue with afeature on the recently unveiled Atlantis hotel in Dubai, with its over-the-top grandeur and supersized spaces.
After a chaotic couple of months, we at Home Review look forward towelcoming the New Year with a large dose of optimism and one filledwith good cheer!
LETTER FROM THE EDITOR
EDITOR & PUBLISHER ANISH BAJAJ
CREATIVE DIRECTOR NATALIE PEDDER BAJAJ
FEATURES EDITOR MALA BAJAJ
SUB EDITOR SHWETA SALVI
CONTRIBUTING WRITERS SAVITHA HIRA
DEEPALI NANDWANI
DEEPANJOLIE SONYA FIGG
SHIBANI AMIN RANGARAJ
PAULOMI PATEL
PRIYA TANDON
K PARVATHY MENON
AMRITA SHAH
PHOTOGRAPHERS RAVI KANADE
PALAK JHAVERI
Editorial & MarketingMumbai
B-62, Cotton Exchange bldg., Cotton Green, Mumbai 400 033Tel 022 23736133/1, 32958501 Fax 022 23743069
Email: [email protected]
DelhiMs Sumita Prakash
Flat F 304, Rajasthan C.G.H.S. Ltd,Plot No. 36, Sector 4, Dwarka, New Delhi
Tel 09899179540, Email: [email protected]
ChennaiMr S. Venkataraaman
Flat No. 2, 3rd Flr, E-Block, Hansa Garden, 30 Madampakkam MainRd, Rajakilpakkam, Chennai 600 073
Tel 044 22281180 / 09444021128 Email: [email protected]
BangaloreMr M. S. Mahesh, Mr. Banodaya Reddy
MQ Networks (P) Ltd, 228, 2nd A Cross, HBR Layout,1st Stage, Bangalore-560043
Mob 09980543958/0984511536
KolkataMr Subrata Mazumder
2, Nabapalli (Bidhanpalli). Kolkata 700084Tel 033 2410 4296 Mob 9831131395 Telefax 033 2410 7605
Email: [email protected]
Publishing Director Mr. R.I. BajajDistributed in India by India Book House
Pvt. Ltd. 412, Tulsani Chambers,Nariman Point, Mumbai 400 021.
home review
January 2009. vol. 7. issue 9.
We welcome unsolicited material but do not take responsibility for the same. Letters are
welcome but subject to editing. All rights reserved. Nothing may be printed in whole or part
without written permission of the publisher. The editors do their best to verify the information
published but do not take responsibility for the absolute accuracy of the information. All
objections, disputes, differences, claims and proceedings are subject to Mumbai Jurisdiction.
Editor Mr. Anish Bajaj. Published and Printed by Mr. Anish Bajaj on behalf of the owner Marvel
Infomedia Pvt. Ltd, B-62, Cotton Exchange bldg., Cotton Green, Mumbai 400 033
REDUCE REUSE RECYCLE
Recycling old magazines and newspapers is one of the easiest ways to help the
environment. To increase the supply of recoverable wood fibre and to reduce the
demand on the world’s landfills, HOME REVIEW urges its readers to actively
participate in recycling efforts.
features
49 Urban Monastery
Using monochromes and earthy materials architect Ashiesh
Shah designs a beachfront property in Mumbai which reflects
the sea theme but in an abstract manner.
57 A Local Flavour
Architects Varsha and Deepak Guggari design a 5,500 sq. ft.
house in Pune where the core emphasis is on the use of
natural materials and elements.
66 Eclectic Living
Inspired by Tadao Ando’s style and a few master strokes of
the likes of Mies Van De Rohe are evident in this eclectic
house designed by Matharoo Architects in Surat.
74 Cabin Class
Chilean architects Alvaro Ramirez and Clarisa Elton combine
architectural aesthetics with an environmental dialogue in their
cliff-top cabin in Buchupureo, Chile.
82 Blurred Boundaries
Architectural firm MO-OF and reputed fine artist Bose
Krishnamachari blend the best of art and architecture to
create a home that combines modern materials and art.
90 The Design of Peace
Architect Nitin Katwani of DCA architects designs a Zen-like
apartment in Versova which embodies the maxim ‘Less is
more’ to the T.
96 Myth meets Magnificence
Atlantis, Dubai’s newest resort with its exotic ambience and
unprecedented scale is set to break new ground.
108 A Spiritual Aura
Salient design studio creates an Italian restobar, Hussh, that
exudes a traditional Italian feel.
ideas
16 In The Know Design Diary.
19 Unbuilt Works Sameep Padora’s Cascade Court.
34 Retail Therapy Neil Bartett Flagship Store, Tokyo.
38 Cult Product Acoustic Panels.
44 Go Green Guanganmen Green Technology Exhibit, Beijing
104 Lost Architecture Stepwells, India.
regulars
10 Editor’s Note
14 Our Readers Write Letters to our Editor
26 Bars, Spas & Restaurants New places with style
contentsjanuary 2009
66
On The Cover
The Varsha and
Deepak Guggari
designed
residence in
Pune.
“A Local
Flavour”
Page 57.
49
96
Star Letter
Sustain to attain a better future
Over the years we have focused only on growth while ignoring the
environment. This is not only an Indian phenomenon but happens
in countries all around the world. Challenges of the environment
will grow incredibly in cities as India further urbanizes. Your article
on LPA Architects, who conceived the award winning house with
sustainability at the core of its design was remarkable and in the
right direction. The features like low-VOC paints, recycled terrazzo
floors and a solar array system make it a model to be imitated.
Architect Heinfield cannot be more correct when he says, “All
sustainable buildings are the marriage between time-honoured
design practices and the best of new technologies available
today. Sustainability is not a trend or fad. It’s a value decision.”
VINAY JOSHI
PUNE
OUR READERS WRITESend your views, suggestions and questions about this issue to
our editor and we’ll be happy to print the best
Editor’s Choice
Kitchen Trends
Once again Home Review has
come out with a special and it
has made planning and making
my kitchen a success. I am to-
tally in agreement with you that
all household activity gravitates
in and around a kitchen. I was
tempted to go for a modern
kitchen but not as elaborate as
the ones depicted by you. After
which I went through the sug-
gested planning and implemen-
tation tips. However a compro-
mise in the stovetop, ventilation
and storage had to be done to
suit the flat. The final result has
been beyond my expectations
so I thought a thank you would
be in order.
MEGHA SETHI
MUMBAI
Good Earth throws
open its flagship
store in Delhi
designed by Lotus
Designs.
“The Good Life”
Page 57.
1
Multiplicity House
Your feature in Home Review on the Y-house is outstanding. It depicts the
multi-disciplinary urban spatial experience by just absorbing the range of
photographs illustrated in the pages. Although it was re-modelled in 2004 it
does not reflect that it was rebuilt. The most noteworthy in my opinion is the
kitchen with the eco-friendly bamboo that absorbs carbon dioxide better
than trees and gives the space a unique, contemporary and hygienic finish.
However I wish you had featured this kitchen as one of your selections in
kitchen special section.
SHASHANK PANDEY
KOLKATA
Tumbling Economics
Indians are not used to housing busts. Since property seemed for so long to
be a one-way bet, some still find it hard to grasp that prices can ever fall.
The markets have fallen and even discounts of “buy one get one free” are
emerging. The scenario is that plenty of new homes are being finished, but
few are being started. You at Home Review could help by recommending
ways and means to furnish and design apartments in a more economical
way. After a long time homes seem to be just affordable and if interiors are
also reasonable people like me may just about get a functional home.
RAKESH NAIR
HYDERABAD
Festive Tips
You hear of people wanting to
revamp their home all the time,
particularly in the festive seasons.
Home Review should make an
informed choice with trends and
materials in home furniture and
decor. Special emphasis being
given to seating arrangements in
the living area, dining area
settings, bedroom designs and
outdoor furniture along with
suggestions for apt furnishings for
each individual use.
SHRUTI HIRANI
NOIDA
The star letter and our editor’s
choice, receives a 1 year sub-
scription from Home Review
Send your letters to:
B 62 Cotton Exchange Building,
Cotton Green, Mumbai 400 033 or
Email us at [email protected]
Home Review reserves the right to
edit and reuse any submissions sent
to the editor.
16 HOME REVIEW JANUARY 2009
Design Diarywww.designaddict.com
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
We at Home Review seek out the most exciting books or
web sites each season, to keep you clued-in
Design is a field where innovation is a norm and each small or big
innovative enhancement adds to the amazing legacy of design. The
scope in design is boundless and keeping a track of all the
developments in this stratum is not an easy
task. www.designaddict.com is a website
that helps you resolve this difficulty. Design
Addict a multi-award winning web space is
orchestrated by artists Patrick
and Alix Everaert. Their passion
for design and their need to
share it led them to create
Design Addict. This Belgian company has been working
on the web portal project since 1997. The webpage is a
comprehensive resource for modern,
post-modern and contemporary
design of the 20th-21st centuries where
you'll find information on designers and producers,
on furniture, lighting, dinnerware and accessories.
The website's various sections manage to cover all
the aspects of the design community.
Index The designer's and producer's Index that
features in the website is a very large database
which is updated everyday. This
useful tool helps you find all the information you
need about a designer or a producer (biography,
products, links, books...). The index offers its
database in an organised alphabetical order making
it easy for the user to locate his desired designer or
producer.
Links It boasts extensive links, which include an
international array of
online design
magazines, museums
and the most
comprehensive list of
dealers on the web.
They are categorically divided as new
design, vintage design, designers, producers, resources, books and
magazines, architecture, and other selected links.
One can access the worldwide design community through the design
links directory on the portal. There are vintage design
dealers furniture producers, virtual exhibitions and
designers' portfolios among its links.
Calendar The website's international Calendar is full of
noteworthy exhibitions, courses, events and conferences
related to design. Moreover, their Blog offers you thought
- provoking articles, interviews and essays. The forum,
too, seems to be permanently besieged and
hosts vexing questions concerning the current
and future scenarios of design. The best part of
all is that every item is photographed,
catalogued on their website.
Free Ads In order to make this site more lively
and useful, the website boasts a space for free
Ads. If you want to sell or buy anything related
to design this website presents an opportunity
to do so.
The emphasis at this
awesome site is on
sharing information by
and for design lovers
the world over. It is a
beautiful, up-to-the-
minute site with an
international feel and is completely
absorbed with and dedicated to becoming
the be-all and end-all
of design
destinations.
It is vouched to be
the leading design
portal online,
targeting the international community of
design professionals and private
consumers. It meets its users' expectations
in the best possible way and has
succeeded in proving itself as an
international leader of information websites
in the field of product design.
Awards Their work has also been
recognized and awarded by the prestigious
Forbes Magazine that has selected Design
Addict in its 'Best of
the Web' since the year
2000.
This beautifully
organized educational
site acts as a complete
encyclopaedia for all
design aficionados. So
if you are wondering
where design addicts
shop, you would get
your answer right here.
18 HOME REVIEW JANUARY 2009
HR I PROMOTION
THIS PAGE The
extensive range of
bedding and cushion
furnishings from Durian.
� The well renowned brand Durian, has already ac-
quired a household name and has made a significant
impact over the years in the building industry with its
multi-range of plywood, flush and panel doors with
designer P.V.C sheets elegantly impregnated and the
supply of exquisitely chosen imported veneers. The
company has also taken a giant leap forward by
capturing a major market share in the field of imported
furniture.
The most recent introduction by this multi-faceted
company is a range of furnishings from Durian, that
include an extensive range of beddings and cushions.
The collection is quite distinguished with it’s soft and
new-age fabrics and textures that offer style and pa-
nache handcrafted for comfort and quality. Durian of-
fers its customers unique bedding solutions that are
embroidered or crocheted for a traditional or a con-
temporary look and feel.
The company's collection
of bedding and cushions
are also available in retro
and classic patterns with
a keen eye on details and the latest trends.
Durian stands as one of the leading brands in India
that exclusively stock only imported furniture - from a
wide range of sofa sets, bunkers for children, compu-
ter workstations, centre tables, side tables, exclusive
office furniture, study desks, dining tables, bar cabi-
nets, bedroom and living room sets. The most cov-
eted furniture styles from the United States, United
Kingdom, France, Italy, Australia, Spain, Malaysia and
Singapore have made their way to India thanks to
Durian. With over 40 imported furniture showrooms all
over the country, Durian stands as one of the largest
furniture brands in India.
Contact
Durian estate,
Connecting Road Between
Western Express Highway & S.V. Road,
Goregaon (East), Mumbai 400063
Tel: (022) 67142000
Fax: (022) 66783125
Email: [email protected]
Web:www.duriandecor.net �
Every professional practise, at some time or
the other, faces a dead-end situation where a
project does not see the light of day. The time,
energy, effort involved by the architect then
becomes an investment in his learning curve,
stashed away in the portfolio as a conceptual
accomplishment; yet another testament of
his professional prowess.
� In this new section, we feature some unrealised
projects that stand tall for their out-of-box concept ir-
respective of the nature of the built, or rather un-built
form. We premiere with Mumbai-based architect-n-
designer Sameep Padora's 'Cascade Court', a pro-
posed office building that could certainly have left its
mark in terms of vivifying interior-exterior correlations,
given its antithesis of a conventional office site-scape.
A few years back, a plot of 120,000 sq. ft was
earmarked for a
commercial building that
would house offices. A
normal enough building
proposal one would say;
however, the added
bonus was that the
premises would also
house a business centre
complete with conference
and meeting rooms,
cafeteria, gymnasium,
etc and associated�
THIS PAGE The overall
structure of the building
was designed in a such
a way that the 3 pro-
posed units were
positioned at an overlap-
ping tangent to the
other, in a manner that
not only dwarfed the 12
storeyed building but
also allows easy acces-
sibility.
JANUARY 2009 HOME REVIEW 19
HR I UNBUILT WORKS
20 HOME REVIEW JANUARY 2009
HR I UNBUILT WORKS
THIS PAGE Padora
breaks free of the
conventions with the
landscaped pathway
that substitutes the lifts
and staircase, and the
non-linear arrangement
of spaces. Here the
cross - sections of the
building show the
staggered office and
circulation spaces.
infrastructure viz., bank, banquet halls, and allied
commercial goings-on.
Breaking free of the conventional typology of an of-
fice building with its set elevator lobbies and stair-
wells as well as the clichéd corridor look, Sameep
Padora & Associates proposed a model that would
align the offices along non-linear axes and bring alive
every transitory space in the complex. The premise
was worked around a centrally positioned landscaped
area as the happening heart of the structure and sev-
eral bridges that would
form connecting arms,
wrapping the building
around the green space
per se.
Beginning with
massing, the north side of
the building was opened
up to accomplish
maximum natural light
and ventilation. This was
followed by chiselling a
beautifully landscaped
JANUARY 2009 HOME REVIEW 21
HR I UNBUILT WORKS
ramp that would slowly rise up from the
ground level, passing every floor to reach
the highest point of the building. The
proposed floor rise was 12 storeys. With
the building mass working around this
garden path, the form that began to be
programmed appeared to aggregate in
three strategic units; each positioned at
an overlapping tangent to the other. This
not only dwarfed the outward appearance
of the high rise structure but allowed easy
accessibility, so that one could easily
'walk' up the landscaped path to the
highest point
without actu-
ally feeling it.
"In this
project we
a d d r e s s e d
issues of
context through
our attempts
to activate�
THIS PAGE Various
configurations of
connecting arms or
bridges are worked
upon, establishing
contact amongst the
various areas in the
interiors of the
building.
FILMSTRIP The
gradual site devel-
opment from the
conceptual stage to
the final design
stage.
THIS PAGE TOP
LEFT The cross internal
bridge connections.TOP
RIGHT The massing of
the building. BOTTOM
The roof plan of the
building.
externalities that become operative and surfaces that
become performative", explains Padora. While the
exterior showed very few openings, interest was
created in the interior envelope. The landscaped path
was fitted with a retractable roof. Various configurations
of connecting arms were worked upon, establishing
contact amongst the various areas in the interiors and
the building began to look inwards to a more active
scale and beat. The vertical garden strips would imbibe
elements of light and air, whilst punctuating space and
choreographing form.
Addressing a smart overall program, the
construction was proposed in glass reinforced concrete
(GRC) that is known for its high versatility offering both
efficiency of manufacture and effectiveness in
performance.
Sadly, the proposed plot that housed an old factory
was riddled with union problems and site litigations
that forced the project to remain on paper. On a more
positive note, this intimidating façade with its staggered
interior floor rise and
intercepting floor plates
would have been a
rewarding manifestation
of the feedback between
the multiple forces
that affect program, use
and space.�
22 HOME REVIEW JANUARY 2009
HR I UNBUILT WORKS
JANUARY 2009 HOME REVIEW 23
HR I SPOTLIGHT
Brick Awards 2008
Wienerberger, a world leader in the
manufacture of clay bricks and building
products, has instituted an award that
recognises exceptional brick architecture,
encouraging sustainable values with the use
of natural products.
� Wienerberger, one of the largest manufactures of
bricks in the world and the second largest producer
of clay roof tiles in Europe, endeavours to create
sustainable values with natural products. Since 2004,
Wienerberger has honoured creative brick structures
as well as their architects from all over the world
with their 'Brick Awards'. These awards are held
every two years in order to recognise the European
brick architecture.
On 3rd of April 2008, the Wienerberger Brick
Award was held in Vienna presenting 21,000 euros
(13 lakhs) as prize money. Thereby, Wienerberger
through these awards acknowledged the undoubted
role of bricks as an ecological and sustainable
building material.
Based on the building functionality, usage of
materials and the external architectural design, the
best projects were recognised. The panel of judges
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
comprised of renowned international architects,
architectural critics such as Lipa Goldstein, Mark
Kalm, George Ferguson and Ryszard Jurkowski.�
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
Extension of Winery, Switzerland By
Architect Bearth & Deplazes
Kolumba Museum,
Cologne By Architect Peter Zumthor
24 HOME REVIEW JANUARY 2009
HR I SPOTLIGHT
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
They gave more emphasis to eco-friendliness and
functionality of the building apart from clay usage
and creative external architectural design.
In the award held this time, a total of 255
projects from almost 19 countries were submitted
by the architecture critics. From among the vast
number of projects, the three winners selected
belonged to Switzerland and Germany. Addition-
ally, Netherlands and Finland were awarded
special prizes. The winners also received an
illustrated architecture book called 'brick 08' along
with the award. This book featured 35 excellent
brick buildings from all over the world apart from
award winning projects. Part of this collectors
tome was for the first time two articles from India,
one an office building in Bangalore and the other
an endeavour in contemporary Indian brick
architecture by architect Anand Prakash.
Peter Zumthor, the Swiss architect was the first
prize winner for the Kolumba Museum. This
museum secures a modest place in the middle of
the city. The design is simply integrated in the
building mass of a generic perimeter block. It's like
a key performer that is standing in the background.
Through this project, the architect built a museum
that is home to a compilation of the archbishopric
of Cologne. Peter Zumthor also allowed a house to
develop this art collection which is both sacred
and traditional.
The second prize winners of 'Brick 08' were
architects Bearth & Deplazes Architekten AG for the
extension of a winery in Fläsch in Switzerland. They
made use of the speed of a robot and precision
and the digital wall construction for this eccentric
architecture. The project stylistically resembles a
wine estate, a wall that appears to penetrate from
larger than life grapes.
An architectural gem comprising of technologi-
cal beauty, the IT Building in Finland was the 3rd
winning project. Designed by architects Tuomo
Siitonen and Esko Valkama, this building is built
with red bricks and seeming contradictions with
its aesthetic atrium as an attraction grabber. This
award winning building was constructed using the
principles of sustainability that is very prominent in
the architect's interior design and other work areas.
The architect was successful in creating a user-
friendly, eco-friendly and modern working environ-
ment which is artistic and lively at the same time.
Lastly, the winners of the special category were
the residential building in Morcote, Switzerland
(Architect Markus Wespi, Jérôme de Meuron
Architekten BSA) and the Headquarters of the
Dutch WWF in the Netherlands (Architect T.M.
Rau). The residential building in Switzerland is
designed keeping harmony and the present time
with the environment. This building is constructed
of baked clay which is commonly used in tradi-
tional Ticinese architecture. Local traditions and
landscape traces are evident in its interiors.
Architect Rau did complete justice to technol-
ogy and nature in every area of the Dutch WWF
Residential Building, Switzerland
By Architect Markus Wespi, Jerome De Meuron
JANUARY 2009 HOME REVIEW 25
HR I SPOTLIGHT
building. Carpet tiles fitted in the building were
made from recycled jeans, gables of oregon pine
and bamboo balustrades. Concrete was used as a
granular material for this new building. With its
'phoenix', Rau has implemented the WWF's
philosophy architecturally as a building which is
fair to animals and nature, a unity between
aesthetics and ethics.
Hence with great success, the 'Brick Award
2008' was presided over by around 300 guests
from countries such as North America, Europe and
India. The award ceremony saw a delegation of
Indian architects present for the very first time in
Vienna. The renowned Indian architects present at
this ceremony included Architect Tom Thomas
(Principal Architect, Thomas Associates), Architect
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Headquarters of the WWF, Netherlands
By Architect T.M. RAU
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
First Prize: Kolumba Museum, Cologne -
Architect: Peter Zumthor
Second Prize: Extension of a winery in Fläsch,
Switzerland - Architects: Bearth & Deplazes
Architekten AG
Third Prize: IT building, Finland - Architects:
Tuomo Siitonen, Esko Valkama
Special Prize: Residential building in Morcote,
Switzerland - Architect: Markus Wespi, Jérôme
de Meuron Architekten BSA
Special prize: Headquarters of the Dutch WWF
in the Netherlands - Architect: T.M. Rau
Brick Awards 2008Brick Awards 2008Brick Awards 2008Brick Awards 2008Brick Awards 2008
IT Building, Finland By Architects
Tuomo Siitonen & Esko Valkama
Krishna Rao Jaisim (Principal Architect, Jaisim
Fountainhead), Architect Kamal Sagar (Principal
Architect, Shibani & Kamal Architects), Architects
Mr. Suneet Paul (Editor- in-Chief, A+D), Ms. Clare
Arni (Architectural Photographer), Architect V.
Narasimhan (Managing Partner, Venkataramanan
Associates), Architect Anand Prakash (Principal
Architect, Archi-Technics), Architect Sanath Kumar
Shetty and Architect Edgar Demello. The
participation of Indian architects in this event also
indicated the growing importance of contemporary
Indian architecture and the rapid improvement in
construction practices in the Indian subcontinent..
Contact
Email: [email protected]
Web: www.wienerberger.in �
HR I RESTOS BARS & SPAS
26 HOME REVIEW JANUARY 2009
A Bed Bar in Berlin
Bangaluu Club �
The Bangaluu Club along with its
restaurant 'Labor' is situated in
Berlin-Mitte and is housed behind
the historic edifice of the former
Post Ofice of East Berlin. If you
are looking for a chic and exclu-
sive nightspot, then the Bangaluu
is the place to be. The atmo-
sphere is glamour defined in a
unique style. The décor is pre-
dominantly pristine white, and
complemented by crystal
candleholders, white curtains and
pure white sofas.
Bangaluu is one of the capital's
leading nightclubs, known for its
one of a kind, spectacular party
concepts, which keep its clientele
growing.
The restaurant, 'Labor' on the
first floor of the Bangaluu club
symbolizes the new art of club
dining. The labaratory-like space
of the restaurant bears a distinctly
stylish design quotient. A culinary
journey, through delicacies from
all over the world is presented to
the guests. But this is not all. As
bite after bite, from excellently
decorated plates is enjoyed,
attention is also drawn to the
delightful floor show, and anyone
who cannot resist the urge to get
up and dance, after the meal is
encouraged to do so!
The cuisine is predominantly
fusion and molecular and the
guests can avail of premium
international fare on a pre-se-
lected menu. The unique aspect
of this place is that this culinary
phenomenon can be experienced
standing, seated or even lying
down! After dining, guests can
look forward to a free access to
the legendary parties in progress
at the Bangaluu club. The unisex
washroom is a pioneering feature,
which shares in the bold extravag
-ance of the establishment.
Bangaluu Club
Invalidenstraße 30, 10115,Berlin
Tel:+49 30 809693077
E-Mail: [email protected]
Web: www.bangaluu.com
HR I RESTOS BARS & SPAS
28 HOME REVIEW JANUARY 2009
North and South
Indigo Cafe �
Rahul and Malini Akerkar, who
own and run South Mumbai's chic
gourmet destinations, Indigo and
Indigo Delicatessen, have now
opened their latest venture in
degustation, the Indigo Café.
Located in the bustling suburb
of Andheri, Mumbai, the 2,100
sq.ft. gourmet hub features an
exciting menu catering to diverse
tastes that opened to the public
on Sunday, August 10, 2008. The
menu features a complete range
of sandwiches and burgers along
with the most delectable Italian
food. Freshly baked breads and
pastries, desserts and much
more are also on the menu.
The Indigo Café is a concept
envisioned by deGustibus Hospi-
tality, aimed at breaking new
ground in the art of easy, hassle
free food. Designed by Samira
Rathod, who was also the
architect for the Indigo Delicates-
sen, this cafe truly spells class
with its easy going ambience and
chic vibe.
From the classic BLT to a truly
delicious roasted mushroom and
tofu burger, this menu has
something for everyone. It also
has an all day "Breakfast Menu".
Rahul Akerkar, Managing
Director of deGustibus Hospitality,
calls it, "casual dining without the
fuss". He avers that it is simple,
hearty food that is creative and
well executed in a space that is
warm and conducive to socializing
and sharing.
This all-day café promises to
have its own identity that is yet
very similar to the 'Indigo Delica-
tessen' in terms of the menu and
some other elements. Knowing
the management, the food is
expected to be very creative and
gourmet, already making the resto
a big hit in this trendy suburb.
Indigo Café,Plot No F/46,
S.No. 41 (pt.), Oshiwara Village ,
Off Link Road Andheri (West),
Mumbai 4000 053
Tel: (022) 2633 6262
HR I RESTOS BARS & SPAS
30 HOME REVIEW JANUARY 2009
White Paradise
Ikies Traditional Houses �
The Ikies Traditional Houses
complex is situated in the scenic
settlement of Oia (Ia), on the
northern tip of Santorini Island,
Greece. It offers a magnificent
view of the Aegean Sea and the
Caldera area, which is especially
impressive during sunset.
Ikies consists of eleven
maisonettes, studios and luxury
suites, all of which are carved
into the volcanic rock and are
designed according to the
Cycladic architectural style, in
shades of bright white, with
curves and arches.
The area is a favorite
destination of thousands of
holiday makers, due to its unique
architecture and stunning view of
the volcano, the Caldera and the
deep blue Aegean Sea.
Santorini Island in Greece is
considered by many people to be
the most impressive and
mesmerizing vacation destina-
tion. Its exquisite characteristics,
many of which cannot be found
anywhere else, keep beckoning
tourists from all parts of the
world.
Ikies Traditional Houses
Oia (Ia), 84702, Santorini (Thira),
Cyclades Islands, Greece.
Tel. +30 22860 71311,
E-mail:[email protected]
32 HOME REVIEW JANUARY 2009
HR I Q & A
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
bernd riechers�A tete-a-tete with Mr Bernd Riechers,
Global Marketing Head, Hettich Group, who
was recently on a visit to India.
Offering a range of over 10,000 components,
Hettich has become one of the finest and
most trusted brands in the furniture fitting
industry in India. Hettich India Pvt. Ltd.
stands as one among the few companies in
the country which make available products
for all three segments-kitchen & bath,
residential and office.
Having started with your Indian operation
almost 7 years ago, how would you de-
scribe the success of Hettich in India and
what would you say has been the biggest
challenge here?
Being present in India for almost 7 years now,
Hettich has witnessed an average growth rate of up
to 60 percent year on year. We offer high quality
products with a lifetime warranty and give
importance to style and comfort with economical
prices.
The biggest challenge faced by us has been to
interface with the tradesmen in India in terms of
getting them accustomed to use our products.
What we have observed is that the carpenters in
India are not as well trained in comparison to other
European countries. Hence, we are taking initiatives
to provide them with the necessary training and are
making all efforts to get them organised in terms of
the skills required to work with good quality prod-
ucts. In addition, we are also training the craftsmen
and contractors on how to install the desired
products perfectly.
What would you say is the USP of
Hettich's products? What plans do you
have to ensure better value for the Indian
consumer?
Ours is a production company that offers prod-
ucts catering to all segments, right from the
kitchen and bath to the service industry, office
industry and the research sector. This is the USP
of our products. We offer over 10,000 products
with a life time warranty.
To ensure better value for the Indian consumers,
we make available the products as per the taste
and requirement of our customers. We also offer
reasonable variations in the price range giving the
Indian consumers an opportunity to upgrade their
product choices.
In some categories, Hettich's products
are priced at a considerable premium
compared to those locally available.
Going forward can we expect any
rationalisation on the prize front?
We offer our customers with a variety of innova-
tive products compared to the ones locally
available. Hence, price is not a significant factor
if compared to the benefits Hettich's products
offer. Fulfilling the desires of our customers, we
offer the best quality, innovative products backed
by a lifetime warranty.
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
○ ○ ○ ○
Mr. Bernd Riechers,
CEO, Hettich Group
JANUARY 2009 HOME REVIEW 33
HR I Q & A
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
There recently has been an announcement
that the company plans to set up Hettich
certified kitchen studios across the country,
could you elaborate on this initiative?
The Hettich Kitchen Studios initiated by us will encom-
pass high quality levels in its varying designs. In
addition, we would endorse the products with a
certification assuring its liability. To commence in 2009,
the studios will put on view a complete range of
kitchen solution under one roof. Offering a price range
that starts from Rupees fifty thousand onwards; the
Hettich Certified Kitchen Studios will provide the
consumers with a variety of choices as per their
requirements.
In terms of manufacturing plans for India,
when can we expect to see Hettich products
locally made?
At the moment, the plan is still awaiting a final
approval. It's in the process of negotiation and we are
keeping ourselves open to all opportunities. However,
the final decision would be taken by the board.
Looking 5 years down the line, what is your
vision for Hettich as a company in India and
how do you see it placed today?
As on today, we position ourselves as the leaders
in the kitchen segment not only in India, but all
over the world. We are also putting considerable
efforts to consolidate our position by increasing
our market share. Hettich has been well accepted
by the Indian market and in the future we will like
to establish a place for ourselves in other
segments as well.�
34 HOME REVIEW JANUARY 2009
HR I RETAIL THERAPY
Designer Neil Barrett's flagship store in Tokyo,
is a contradictory yet stunning confluence of
the classic and the modern. Designed in part-
nership with Zaha Hadid and Patrik
Schumacher the store proclaims duality and
is open to multiple interpretation.
� If a store could actually duplicate the identity of the
brand it represented and the design ethics of the
products that it showcased, literally, then Neil Barrett's
Tokyo flagship comes amazingly close. Based on his
minimal aesthetic, that also runs through Barrett's
clothing, the store interiors are replications of various
design elements. Barrett, who had been planning to
open a new shop in Japan for a while decided to
debut in the Aoyama district in northern Tokyo, "If you
can make it in Japan then you can make it anywhere.
In fashion commerce it really is about Japan. The Japa-
nese are vastly fashion conscious - it's hard to
compare to anywhere else - and they pull off my
designs so well. It is the
perfect place to start be-
fore rolling out the
designs to my other
shops," believes Barrett.
The designer collabo-
rated with world re-
nowned architect, Zaha
Hadid to create this
space. The duo teamed
THIS PAGE Furniture on
the ground floor of the
store is based on a
'masculine and dynamic
form', while the first floor
is more feminine, with
'fluid contour lines'.
Photo Courtesy Virgile
Simon Bertrand
JANUARY 2009 HOME REVIEW 35
HR I RETAIL THERAPY
up with Patrik Schumacher, a partner with Zaha Hadid
to create a shop that shifts between architecture and
sculpture, designed to parallel the same folding, pleat-
ing, cut-out and fixed-point design ethos utilized in the
brand's clothing.
"When we sat down to discuss what we were
going to do, Zaha came up with a concept in the first
ten minutes. She knew exactly what she wanted to
do, and I loved it. It's just like when I design my
collection - if I don't like the design right away then I
throw it out. If it is not eye-catching enough to get
someone's attention when walking past it on the racks
then it's garbage. The design of this shop was equally
instinctive - Zaha, Patrick and I were on the same page
of what the shop needed to be about," said Barrett in
an interview during the
opening of the store.
The original designs,
once drafted were
finalised and shaped by
3D computer generated
models. These were then
processed by the manu-
facturer using advanced
software to thermoform �
THIS PAGE This
interplay of the male and
female theme is further
accentuated through
the contrast in colour
and finish of the white
matt Corian furniture
finish against a black
glossy floor.
36 HOME REVIEW JANUARY 2009
HR I RETAIL THERAPY
the Corian sheets into the 3D designed surfaces.
According to Hadid, a series of these surfaces were
fabricated with joints, ready to be assembled into larger
sections on site to create the actual store. Using the
latest 3D modelling and CNC programming solutions,
the architects have tried to guarantee a very precise
and automatic translation of the design into the
built structure.
It may not come through in the first glance, but on
closer inspection and attention to finer details also
brings forth the concept of the store which plays with
the complementary characteristics and the related
dualism between male and female. The design does
not define a single room or space, instead the viewer
finds that it creates a circular passage and the
customer is allowed to experience the space in mul-
tiple ways and interpretations.
This is also echoed in the furniture design on both
floors especially through the formal language and tac-
tile quality of the materials used. The furniture is staged
in key points throughout the store to create the spatial
concept of a narrow enclosure changing to an open
condition. In two formal elements the design shifts
between architecture and sculpture, where a compact
mass of surface layers unravel and fold to form the
shelving display and seating. The emerging folds are
designed to showcase Barrett's accessory collection.
The furniture piece on the ground floor is designed
as a strong, masculine and dynamic form whilst the
piece on the first floor enunciates femininity through
more fluid contour lines. The first floor is designed in a
more playful manner creating different zones that
maintain the perspective view between them. This
interplay between male and female is followed through
in the general aesthetic
concept, setting the furni-
ture piece with a white
smooth Corian finish
against the raw fair faced
concrete surface of the
rest of the space. This is
further accentuated through the contrast in colour and
finish of the white matt furniture finish against a black
glossy floor.
On the ground floor, towering, curved display racks
anchored in the center of the vast space have a
mystifying air. By contrast, the upper floor houses
womens wear in a cozy space with lower ceilings, but
an equally eclectic shelving system that folds and
curves to create a circular, continuing space.
According to Barrett, these architectural concepts
will be rolled out to all of the brand's upcoming flag-
ships worldwide to maintain the overall look of the store
that replicates clothing details. �
THIS PAGE A compact
mass of surface layers
unravel and fold to form
the shelving display for
accessories and the
seating space.
38 HOME REVIEW JANUARY 2009
HR I CULT PRODUCT
Acoustics often get treated as a requirement
to be taken care of and seldom as a
design element. Here, we feature acoustic
panels that efficiently combine functionality
and aesthetics.
� Materials like glass, concrete and wood represent
avant-garde architecture. Though these materials
succeed in emphasizing the form and massing of the
structure - typically around which the contemporary
design revolves, they fail in providing good acoustic
systems. Today, acoustic design is not just about
gypsum boards and foam, it has become an integral
part of space design.
What follows is a discussion on a few acoustic
solutions that perform as a design element by thor-
oughly enhancing the décor of any given space and
simultaneously serve the function of sound control.
Offecct Panels
Offect is a Swedish company that develops and manu-
factures easy chairs, sofas, tables and accessories
for meeting-places and home environments and lately,
it has also been focussing on designing acoustic pan-
els. Offect had given international designers the task
of designing their own personal panels to find a solu-
tion to the constant struggle with acoustics in interior
design work. The focus was heavily on design, that’s
both attractive and of high quality, while also reducing
noise levels in a functional way and enhancing the sur-
roundings, whether in public spaces or in the home.
And the two outstanding designs that came through
this exercise were Karim Rashid’s FLO and Marre
Moerel’s Skyline.
The panels are flexible, create artistic patterns and
have some of the best noise-reducing capabilities on
the market. FLO panels designed by Karim Rashid are
ripple-like lightweight sound absorbers in the upper
frequency range (500 Hz
and above). These panels
help reduce disturbing
reflections of environmen-
tal sounds.
Karim Rashid says
“When I created FLO I
was inspired by sound
waves and digital data.
People today live in a very
digital world mentally, and
we need to catch up�
THIS PAGE TOP
Karim Rashid designs a
ripple like acoustic panel
- FLO for Offect.
BOTTOM Marre Moerel
designs a patterned
panel for Offect.
The pattern of ‘Skyline’
offers the possibilty of
different configurations
for the wall.
40 HOME REVIEW JANUARY 2009
HR I CULT PRODUCT
with experiential design in the physical world to create
a balance. The FLO panels can be set continuously or
broken off in different ways. Placed horizontally the
pattern conveys a sense of water, and vertically it could
be described as light waves,” says Karim Rashid.
These panels are made from recyclable moulded
polyester fibre and are available in off-white, grey,
anthracite and fuchsia colours.
Skyline is another new design that offers a
completely different aesthetics than typical wall
ornamentation and still has the acoustic properties of
the others in the collection. Designed by Marre Moerel,
the mesh offers an asymmetrical shape which allows
for more variations of the installation. The wall panels
can be combined in different ways to meet the needs
of almost any room or environment. They can also be
used to improve privacy in an open work area such as
an office space or a restaurant.
Soundwave series is another of Offecct's creation
and is also made of recyclable moulded polyester fibre.
Soundwave series comprise of four panel types- Luna,
Scrunch, Swell and Swell Diffuser.
This series of sculptural wall panels combine
functionality and aesthetic
and is specifically de-
signed to enhance the
acoustic properties of any
interiors used for human
communication and�
THIS PAGE TOP The
Airflake sound absorbing
screen by Abstracta.
BOTTOM Soundwave
series by Offect.
42 HOME REVIEW JANUARY 2009
HR I CULT PRODUCT
social interaction. While most acoustic products are
concealed in the fabric of the interior, sound wave
resembles 3D wallpaper, making acoustic control a
visible dimension of design and easy to apply in
existing interiors.
Each panel in the Soundwave series is designed
for a specific acoustic purpose. Successful acoustic
design requires a good understanding of the acoustic
properties of each panel type and a correct analysis of
the needs of an interior and this series is designed
keeping in mind the different acoustic needs.
Airflake by Abstracta
Decorative and functional sound absorbing screens
called Airflake are a recent introduction by Abstracta.
The Airflake wall coverings are moulded fibre felt
panels that divide the space to add a more intimate
feel at the same time gives an artistic touch. Designed
by Stefan Borselius, this modular system is built around
the shape of a hexagon in a variety of designs and
colours, which can be freely combined to create the
screen. It can be fixed to aluminium rails for mounting
on walls or ceilings.
Airflake News is a further development of the Airflake
idea. Made from moulded polyester fibre, with
laminated textile it has pockets that have the same
sound absorbing function
but can also be used to
store magazines. Airflake
News can also be
combined with the
ordinary Airflake
module.�
Tides Restaurant, New York
� Acoustics play a major role in a community
space . New innovative ways and materials are spar-
ingly explored but LTL Architects have come-up with
an unique material to deal with the acoustics. Typi-
cally, in commercial fit-outs, ceilings often suffer
great disservice as the forgotten elevation. Services
coordination is easily overlooked, and materials rarely
deviate from dry lining. Smoke detectors, light-fit-
tings and sprinklers compete in misaligned unre-
solved grids, despite the fact that when seen through
brightly-lit shop windows, free of merchandise, peo-
ple and clutter, the ceiling is often the most promi-
nent surface.
Tides, a New York restaurant explores different
configurations of bamboo. The designers invested
a great deal of time in the consideration of the ceil-
ing, providing an inverted acoustic topography that
helps mediate what they considered to be an inap-
propriately proportioned space for a small intimate
restaurant. The ceiling constitutes over 120 000 bam-
boo skewers (cut into three standard lengths) em-
bedded into a back-lit acoustical ceiling.�
THIS PAGE Airflake is
modular sound absorb-
ing screen introduced by
Abstracta that acts as
an aesthetical feature in
a space.
44 HOME REVIEW JANUARY 2009
HR I GO GREEN
Japanese firm Vector Architects have de-
signed a temporary, easy-to-dismantle and
environment-friendly house in Beijing that
would be disassembled after 3 years.
� Sustainability or green architecture is not just about
structures that don't perish, it is also about materials
that sustain wear and tear and can be reused for some
other function or structure. With diminishing resources,
re-cycling and re-use is one of the most favourable
solution in the construction sector. In case of tempo-
rary structures the scope of re-use is considerably large.
As against the general belief that temporary structures
are stringently functional and aesthetically mundane,
Vector Architects design a 500 square metre floating
garden in Bejing, China for the temporary Guanganmen
Green Technology Exhibit. This modern, sustainable
structure in Beijing is a
temporary showcase for
sustainable residential
design, wrapped in an
eco-friendly envelope of
its own. The gorgeous
green-roofed structure is
situated in the central lawn
of a residential project by
China Resources Land
Limited. Listed on the
THIS PAGE The
building features grass
panels and a green roof
with integrated irrigation
systems. Vertical grass
walls enveloping the
steel structure help
maintain heat efficiency
while reducing heat gain
or loss.
JANUARY 2009 HOME REVIEW 45
HR I GO GREEN
Hong Kong Stock Exchange in November of 1996, China
Resources Land Limited (CR land) is the real estate
flagship of the China Resources Group. Its major
business is development and management
of residential and investment properties in
mainland China.
The design firm Vector Architects was recently
established by partners with combined experiences
in architecture design practice and real estate
development. The firm pursues the fundamental
simplicity and logical clarity through the everyday
thinking and working process. It has a peculiar design
philosophy, its process entails "designing the question",
based on the consideration of the program and the
clients need, and the understanding of social, cultural,
historic, climate, and urban context of each project.
They envision the idea of sustainability not only for
the completed buildings in their operations, but also
as a guidance of the design and construction proc-
ess. In this temporary green technology exhibit the
designers were asked to factor in three things while
site selection: minimal impact of the designed land-
scape construction, minimal impact of planned pe-
destrian circulation and easy demolition and site
recovery after use. "The
idea is to develop the con-
cept of "temporary" from
a more meaningful per-
spective, to design a
piece of floating "installa-
tion" in the garden, which
could be built, demol-
ished and recycled
through an easy and
straightforward way with
the least impact to the
planned site," the �
THIS PAGE TOP
RIGHT The aerial view
of the Guanganmen
Green Technology
Exhibit.TOP LEFT The
oblong form of the
temporary structure has
random cut - outs for the
openings. BOTTOM
The aesthetic interiors of
the house add to the
overall appeal of the
46 HOME REVIEW JANUARY 2009
HR I GO GREEN
designers explain.
The building features grass panels and a green roof
with integrated irrigation systems. Steel makes up the
main structure and is reusable, and it's prefabricated
so as to minimize site impact. The building will be
used for three years as one of the CR Land's Residen-
tial projects. Set for deconstruction in 2011, the steel
frames will be salvaged for future projects and the
grass panels will be moved to a home on an adjacent
fence at the residence compound after demolition. The
elevated structure results in a reduction of excavation
and foundation work; allowing easy demolition and site
recovery after the project is completed.
Vertical grass walls enveloping the steel structure
help maintain heat efficiency while reducing heat gain
or loss. This grass-panelling system that covers the
structure's walls and roof also reduces storm water
runoff and increases the green space in this urban
centre. It also visually harmonizes the temporary
structure with the existing garden.
The elevation appears as an oblong form with ran-
dom cut-outs along its
length. The interior of the
structure is not neglected
and exudes its own charm
as does the exterior. Af-
ter three years time, this
avant - garde marvel will
be dismantled as sched-
uled, but long after it's
gone the conservational
principle behind its
conception will remain. �
THIS PAGE TOP The
model of Guanganmen
Green Technology
Exhibit.
BOTTOM LEFT Earthy
colours are used for the
contemporary interiors of
the house BOTTOM
RIGHT Close - up of the
vertical grass panel that
are used for the walls.
Project Profile
Location : Beijing.
Client : CR Land.
Architect: Design-partner-in-charge: Gong Dong.
Managing-partner-in-charge : Hongyu Zhang.
Project Architect : Shuo Li.
Architect : FLing Xiang, Chao Li.
Structure Engineer: Bo Song.
MEP Engineer: Jianjun Lv, Xiaohui
Zhong : C Kanglong Lian.
Steel Structure, Grass Panel with integrated
irrigation system
Building Area : 500m2
need to
decorate?
get home
review
YOUR DETAILS
Mr/Mrs/Miss/Ms First Name Surname Address
City State Pin Code
Phone Email Occupation
Terms & Conditions : Home Review reserves the right to extend, cancel or discontinue the offer without giving any reason or prior notice. Your
subscription will commence from the next available issue on a monthly basis. No cancellation will be entertained after the commencement of
subscription.
To subscribe online log on to www.home-review.com
I am enclosing a cheque/DD No. Dated drawn on ( name of bank )
favouring “Marvel Infomedia Pvt. Ltd.” for Rs. ( Add Rs 40/- for non Mumbai cheque/DD )
Please fill up this coupon and send it along with your cheque/DD to:YES! I wish to subscribe to Home Review.�36+9 Free =Rs.1800 � 24+5 Free =Rs.1200 �12 + 2 Free =Rs.600
Marvel Infomedia Pvt. Ltd., B 62, 1st Floor,Cotton Exchange Bldg, Cotton Green, Mumbai 400 033.Tel (022) 23736133/1, 32958501 Fax (022) 23743069
Email [email protected]
� 36 + 9 Free Rs. 2250 Rs.1800
� 24 + 5 Free Rs. 1450 Rs.1200
� 12 + 2 Free Rs. 700 Rs.600
Pay for 36 and get 45 issuesyou save Rs. 450
No. of Issues Cover Price You Pay Benefits
Pay for 24 and get 29 issuesyou save Rs. 250
Pay for 12 and get 14 issuesyou save Rs. 100
AN URBAN MONASTERYIn a Mumbai beachfront property, architect-designer Ashiesh Shah
brings the sea theme into play in a rather subtle way. The monotone
palette and the simple materials used make it appear monastic rather
than a beachy hideaway.
TEXT BY DEEPALI NANDWANI • PHOTOGRAPHS COURTESY THE ARCHITECT
THIS PAGE The
colours of the art work
and the tones of the
yellow Jaisalmer flooring
are a rich contrast. The
home has several long,
narrow corridors ending
in nooks where the
bedrooms are located.
Mumbai's famous beachfront, Juhu Beach wasonce synonymous with old world bungalows. Now it has a rash of new buildings,
some rising even 30 floors and above. Amidst themodern skyscrapers, however, stands a modest con-temporary building belonging to one family. It hasreplaced a bungalow but unlike the other toweringapartment blocks and buildings surrounding it, it'stwo floors high and has a basement.
The home is located in an area known for fancyhomes owned by Mumbai's lotus eaters, particularlythe movie stars. In a clean break from the surround-ings, however, designerAshiesh Shah haseschewed the 'put inwhatever money can buy'attitude and designed itlike a clean, minimalurban monastery. Likeany monastery it's got theart. It's also got timberfurniture from LadhakhandPor tuguese- s ty lepieces from Goa. But thelines are clean and linear,
THIS PAGE The living
room of the house is
fringed in by French
windows that offer a
view of the sea.
BOTTOM The art
works, antiques and
sculptures all come from
the collection of the
owners who are avid
collectors and also have
a home in Ladakh.
the colours are monotone grey and white, the materi-als used are raw and earthy, and the emphasis is onno-ornamentation.
Shah came in at a stage when the inner spaces hadto be designed. Architecturally, it was all complete -an empty shell with spaces clearly demarcated. Thehome has several little hidden nooks and corners usedfor creating seating. Long corridors and passagewayslead to rooms that are hidden from the eyes. There isalso an elevated outer space, a wooden decksurrounded by neatly manicured lawns and swayingpalm trees, which opensto the sea and is separatedfrom the living room onthe ground floor by sheercurtains. There areseveral coconut trees inthe compound of thehouse and the woodendeck is built in a way thatit either skirts them orrevolves around them.
The ground and firstlevel are connected witha simple wood and glass�
THIS PAGE Shah has
subtly used the sea
theme. There are several
shell accessories placed
all over the house and
sea shells have even
been embedded in the
walls in some parts.
BOTTOM The home
has an elevated outer
space, a wooden deck
that opens up to a stone
platform and the sea.
stairway that has cantilevered steps. The owners enterthe home through the living room on the ground level.On the top floor are the private spaces - bedroomsand a guest room. Right below lies thebasement, where Shah has created a light-well. It's asimple square space that'stopped by a skylight.Light streams in throughthis little intervention inthe ceiling all through theday. Fringing thelight-well is a narrowcourtyard open to thesky. A symbol of fertilityand prosperity drawnfrom Hindu mythologyhas been etched on thecourtyard ground. "I havetried to incorporatemythology withindesign, without makingthe space seem overtlyethnic," says Shah.�
THIS PAGE TOP The
colours used in the
home are muted and
soft so as not to take
away from the stunning
beauty of the outside.
There is a certain
romantic quality to the
décor as is obvious from
the Goan four-poster
bed, the white curtains
and the old photograph
placed on a table.
BOTTOM An ancient
side table from the
family’s antique furniture
collection.
THIS PAGE The dining
table is part of the living
room space. To bring
that feel of a tropical
home or beach house to
this corner, Shah has put
in a banana plant. The
table too is in the shape
of a banana leaf.
A glass pane separates the courtyard from the base-ment light-well, where a collection of art and antiquesbelonging to the family is on display. It makes for aperfect retreat on a rainy day.
"The view is stupendous," says Shah, "so the easiestthing would have been tomake it look like a beachhouse. But it also had tolook urban, like it be-longed in Mumbai. Therehad to be anelement of practicality:the doors needed to belocked because we are ina city and not on someisland.The home had tobe kid-friendly, since thefamily has two."
The easiest way to dothat was by rounding offthe edges of the custom-made furniture.However, Shah has ex-tended those rounded�
THIS PAGE TOP
Some of the walls have
been plastered with IPS
cement and appear
unfinished. The combi-
nation of raw grey walls
and antique furniture
goes well with the
overall modern yet
ethnic theme of the
house. BOTTOM The
view of the courtyard
which is open to the sky
and fringes the base-
ment. The floor motif
and brass urli represents
peace and prosperity in
Hindu mythology.
THIS PAGE The
basement below has a
glass wall that offers a
view of a narrow court-
yard topped by a
skylight through which
streams in natural light
all through the day.
56 HOME REVIEW JANUARY 2009
edges to the walls as well. Where the wall meets theceiling, you notice gently-rounded edges. The designerhas subtly used the sea theme across the house - themaster bathroom has shell accessories; sea shells havebeen embedded in the walls in some parts of the houseand in the master bedroom, a 19th century four-posterbed has been placed in front of large windows thatoffer a stunning sea-view.
The home reflects Shah's monastic concept throughthe use of materials and colours - wood, Crema - anItalian marble with matt finish, yellow Jaisalmer stoneand a grey-white colour palette makes it look, as hesays, "art gallery-ish". The grey works well with thegreyish-green colour tones of the Arabian Sea. Someof the walls have been plastered with IPS cement andappear raw or unfinished.Sunrays stream inthrough the expansivewindows, especially inthe living room, creatinga fascinating play of light
THIS PAGE The oak
wood kitchen is rather
small but a cosy space
located in a corner of the
lower floor.
and shadow on the walls. The owners of the homehave a collection of contemporary art, including worksby Navjot, Rekha Rodwittiya and Justin Ponmany,which is on display.
Like any good home by the sea this Juhu bunga-low too is elevated, which helps secure the house andkeeps it from getting flooded when the monsoons areheavy, which is more often the case in Mumbai. Like alot of well-designed beach houses, this one too has afront patio and large, floor-to-ceiling windows,affording a sea view from every part of the house.
"Generally, I like to go beyond just designingspaces," says Shah. "I like to pick up the accessories,furnishings, china and the tableware. But here I havedipped into the art and antique collection of the fam-ily, which spans several centuries and genres. Therewere sculptures and paintings and ancient carpets topick from." Clever construction techniques make pos-sible a variety of private spaces that are hidden behindclosed doors. An understated décor style keeps the stun-ning ambience at the core of the design.�
JANUARY 2009 HOME REVIEW 57
THIS PAGE Simple
local materials make the
floors and walls. Varsha
and Deepak Guggari try
to avoid the tendency to
adopt hi-tech, foreign
materials without really
trying to use what’s
available locally for
example there is an
extensive use of Basalt
stone and sleeper wood
in the house.
TEXT BY PAULOMI PATEL • PHOTOGRAPHS HEMANT PATIL COURTESY THE ARCHITECTS
A LOCAL FLAVOURPune based architects Varsha and Deepak Guggari of VDGA create an
architectural marvel built on a grid program, amalgamating inexpensive
locally available materials with innovative thinking.
58 HOME REVIEW JANUARY 2009
At first sight of the Patil House, oxymoronsabound. Contemporary and classical. High-endstyle, low-end specifications. And most
important, versatility. This house is an out-come ofpermutations and combinations of spaces in sections.There's a visual continuity between the spaces thatmake the area look like it is interwoven, as a result,the visual connect, causes the entire house to have aseamless flow of space. Designed by Varsha and DeepakGuggari, the 5,500 sq. ft. house stands in the CloverPinnacle Ridge area in Kondhwa, Pune.
"In any structure, or while building any house,the materials are very important, but what's foremostis the space on which the house will stand, thesurroundings and the overall ambience - this formsthe soul of the house that ultimately affects thedesign," says architect Deepak Guggari.
Both Deepak and his wife Varsha, who started theirpractice together some five years ago, are alumni ofPrince Shivaji College of Architecture in Kolhapur. ThePatil House, owned by Guggaris' close friends Pravinand Pallavi Patil, was amongst their first projects. Ittook about 18 months to be completed and the ap-proximate cost of the project was around Rs. 1.5 crores.
As we enter the house, an alley with sleeper wood�
JANUARY 2009 HOME REVIEW 59
THIS PAGE The
imposing linear form of
the structure - there are
lawns adjoining the
house on all sides.
OPPOSITE PAGE
Another view of the outer
façade. BOTTOM A
mosaic wall adds an
element of interest and
reflects sunlight from
one of the balconies of
the Patil House.
60 HOME REVIEW JANUARY 2009
pergolas filter in just the right amount of light castingsciographies and exhibiting an interesting play ofshadows around our moving bodies, marking the mainentrance. The shadows, in fact, are a prominentfeature all through the house, caused mainly by theinteresting use of light. "Most places in India areblessed with beautiful natural light and I wanted toplay with this free resource while creating this place,"says Guggari. The house almost charts the time of dayand the changing seasonsthrough the play of lightand shadow on its walls.It is a space that adaptsand reinvents itself. Theeffect - an almostglamorously eerie feelingof depth and light -creates forms on theotherwise bare wallsalmost like movingpaintings that respond tothe inhabitants inside thehouse and change shapewith the changingnatural light outside,
THIS PAGE The
staircase leading to the
first level; like the rest of
the interiors it’s kept
bare and in all-white
colour scheme not
breaking away from the
overall ambience.
BOTTOM The view
from the dining room
diplays the staircase
that leads to the upper
floor while the adjoining
pool casts beautiful
reflections.
JANUARY 2009 HOME REVIEW 61
thus compensating for any static art installation.While walking through the alley, we get a view of
the Zen Buddha courtyard. Long bamboo shoots atthe entrance of this courtyard welcome us even as theymetaphorically tie up the vertical volume of the house.Again, the shadows cast by their leaves make excellentwall embellishments while their rustle addssubtleness to the overall ambience.
Speaking about the obvious emphasis on naturalelements as eye-catching ornamentation Guggaricomments, "One of my biggest style philosophy is touse as much natural material as possible. Withtechnological developments worldwide,there exists an easytendency to go for hi-tech,foreign materials, oftenwithout really tryingwhat's available locally. Iam not adverse totechnology, but I dobelieve in exploring thefull potential of thematerials that are availableto me naturally and�
THIS PAGE To balance
the external, natural
elements that adorn the
house, the interiors have
been kept minimal.
BOTTOM Across the
living room, there is the
prayer-room, divided by
a rectangular pool
flanked by very inviting
basalt steps on the
sides.
62 HOME REVIEW JANUARY 2009
locally, before using high-end international items. Notonly are the local options often cost-effective, butthere's a beauty is their simplicity that seems to beoverlooked." The fact that more architects go for theformer, also makes local items one-off, adding a'different' look to the interiors.
Moving into the house, the ground floor has theliving room, flanked on two sides by beautifullandscape creations. Across the living room, there isthe prayer-room, dividedby a rectangular poolflanked by very invitingbasalt stone steps on thesides. Together, the prayerroom and adjoiningwater body create afeeling of sanctity in theotherwise modern settingof the house. What'smore, the house is con-structed such that mostcorners overlook thiscentral water body.
On the eastern side,the dining area faces the
THIS PAGE The view
of the entrance and Zen
Buddha courtyard as
seen from the living
area:the sleeper wood
pergola casts an
interesting set of
shadows in the entrance
court. BOTTOM The
water body in front of
the Puja room crafts a
perfect ambience and
the black basalt stone
steppers in the water
body complete the look.
JANUARY 2009 HOME REVIEW 63
lawn. Another smaller pool adjoining the staircasecatches the reflections and as we travel up thestaircase to the next level, it becomes obvious hownatural elements have been used to their bestadvantage in this house.
On the first level, the master bedroom includes acourt that opens up an interesting vista andintroduces a lot of freshness and natural light into theroom. This court is a prominent feature and negatesthe need for any superficial adornment. There is anabundant use of glassthroughout and thetoilet walls too are re-placed by glass that visu-ally open up the space.
To balance the exter-nal natural elements, theinteriors have been keptminimal and thefurniture simple, coupledwith colourful fabrics forsoft furnishings that spec-tacularly set off the look,a concept that repeats inthe entire house.�
THIS PAGE Solid
coloured furnishings
complement the natural
elements that play the
feature role in the house.
BOTTOM A natural
light well in the master
bedroom not just makes
this house eco-friendly,
but also works well as a
design element because
of the way it integrates
with the overall scheme
of the house.
64 HOME REVIEW JANUARY 2009
In the family room, on the first level, theambience changes to that of a darker variety - neces-sary for the theatre that the room houses. In addition,a table converted from an original camel-cartaccompanies lose cushions and beanbags that are spreadrandomly across the wooden floor adding to thecozy-casualness of the room.
Another interesting feature of the house is that allthe interior walls are devoid of any colour, which isreflected in the house only through furnishings andartifacts. Only one type of veneer is used which ac-centuates the simplicity. The flooring has been adornedwith low-cost marble and rough hammer tonecudappah complimenting the rest of the materials.
According to Guggari, the entire house has beenbuilt on a grid (X-axis - 12ft; Y-axis - 8ft). "Since mycollege days, I have been very fascinated about gridsand the way a concept can be developed on them.Even a simple plan has a great potential and a goodgrid guarantees a perfect final product," he says. Healso emphasizes that he does not prefer to follow anyparticular style of architecture. "Doing so can kill myown potential. I want to be flexible so I look atdifferent styles, but finally our own style is always anamalgamation. Each project that Varsha and I take upis like a first project and before delving into it, Ibecome a child who is looking at the entire gamut ofarchitecture and interiors for the first time."
Looking at the Patil House, Godspeed we say!�
THIS PAGE A side
view of the courtyard -
there is a fascinating
emphasis on natural
elements and stunning
details. BOTTOM Floor
plans of the Patil House.
66 HOME REVIEW JANUARY 2009
THIS PAGE Globally
overlapping interior
design touches reveal
themselves in this niche
leisure cum reading
room. Circa 1928 chairs
designed by Mies van
der Rohe occupying
place of pride in the
library. OPPOSITE
PAGE TOP The struc-
ture looks like a skewed
box that has emerged
from the use of compos-
ite materials like wood
and concrete.
BOTTOM An aerial
view of the courtyard
bound by a ramp, stairs
and a lift at its corners.
TEXT BY DEEPANJOLIE FIGG• PHOTOGRAPHS JOGINDER SINGH COURTESY MATHAROO ASSOCIATES
ECLECTIC LIVINGMatharoo Associates create a customized and contemporary residence
with a soul, drawing influences from the work of Japanese design guru
Tadao Ando.
JANUARY 2009 HOME REVIEW 67
Ahmedabad based Matharoo Associates were chosen by a successful diamond-cutter for his Surathome because of their distinctive design
philosophy and ability to design and deliver amazinggeometrical curves, combining these with immensefunctionality in private living areas. "The client wanted‘the ultimate space’ created and that's what wegave him," revealed Principal Architect,Gurjit Singh Matharoo.
That their creativity is unrestricted by budgetlargesse or limitations - and dependent on a client'sprimary wishes and needs is made very clear byMatharoo, who says at the very onset, "I always stickto the brief - it is important to keep the client's likesand dislikes in mind besides their needs, more so for aresidential project. Yes, I do have a definite contem-porary style but functionality is never compromisedand neither is the beauty of the space."
The very structure of the stylish, modernist andrather elitist Shah House in Surat, Gujarat, for 40-year old Parag Shah and his 5 member family (a textiledesigner wife, a college going son, an autistic son andelderly parents) was defined by the migrantbusinessman decisively wanting to block out thetypical Indian city sounds, smells and sights.
The last includes two of Parag Shah's pet peeves - alow-slung, gray block and a multi-storied concretetower. Both these eyesores for the client caused himto wish his home should be far-removed in 'designsensibilities' that he believed most Indian home-designers and buildings were seriously lacking in; these,Parag felt, took a lot away from the advancedaesthetics - he personally preferred to base his homeplan on his favourite architect, Tadao Ando (Japan), aPritzker prize winner's vision!
The story of the Shah house unfolds with thediscerning client's wish for converting his 3000 sq.mts,odd-shaped plot in Surat into a personalized, highlyevolved and exclusive housing space that wouldreflect refined, fresh, innovative and internationalflavours that also absorb innately Indian family needsfor a small, social and highly cultured residentialgroup spanning three generations and their hugecollection of art!
The cross-border interior design touches to theShah house come courtesy varied influences for bothclient and designer; there is clear evidence of heavyinspiration having been derived from Ando's Japanesegenius for using light across smooth concretestructures as well as his master strokes - includingnature into the house-plan, (which MatharooAssociates have also emphasized upon for the Shahhouse as our support graphics reveal).
Additionally, assorted European designembellishments both Gurjit Matharoo and Parag Shahjointly sourced from around the globe on various busi-ness trips are also worth a look. Of special mention�
68 HOME REVIEW JANUARY 2009
THIS PAGE Apart
from the stylish, stain-
less-steel cooking island
and the wood-clad
walls, the kirchen is
well-equipped with other
amenities like, ovens,
deep freezers and
microwaves, making it a
chef’s delight to work in!
OPPOSITE PAGE A
sky-lit Jacuzzi in the
basement area of the
Shah House; additional
mood lighting provides
the intimate touch when
needed while a concrete
pillar dominates the rest
of the setting.
JANUARY 2009 HOME REVIEW 69
here, would be, that the home's 'style sourcing'for furniture was pegged at over $100,000 (fixturesand fittings)!
With both designer and client having businessinterests spread across Europe, it proved easy enoughto combine trips for attending to these along with abit of home décor shopping. As a consequence, theRem Koolhaas dining table of glass and steel makesfor designer dinner times, with a Poul Henningsenplastic PH Artichoke lamp well at home perched atopit - indicating Danish design authority recognized bya pair of young men with high style quotients - whilecirca 1928 chairs designed by Mies van der Rohe claimplace of pride in the library (a floor above the diningarea). These eclectic home fashion ideas drawattention to a subtle and urbane residentialatmosphere that is a point of coming together for chicapproaches of international origin fused in the Shahhome, as the German touch assuages earlier domina-tion of Oriental or distinctly Indian influences here.
As far as the client's clear inclination towardseverything with a Tadao Ando touch is concerned, it�
70 HOME REVIEW JANUARY 2009
THIS SPREAD The
bedroom covered with
Burma teak gives a
warm touch to the cool
concrete slabs that
comprise the walls,
while Kadapah floors
absorb the restricted
sunlight that enters the
dressing area outside
the bathroom.
OPPOSITE PAGE
Clever use of both life-
size wall art and smaller
choices of oil paintings
displayed in the central
part of the Shah home.
JANUARY 2009 HOME REVIEW 71
is very obvious - albeit in a restrained manner - thanksto the convergence of essential Indian materials e.g.the concrete pillar in the basement, the black stone(Kadapah) flooring and rough, red sandstone courtyard(reminiscent of Rajasthani houses) with the vitaltechnique of the famed Japanese architect e.g.the Church of Light, Osaka, which is the understatedmuse for this Matharoo Associate's creation - theShah House!
Light forms flit across vast areas of the homeunhindered by tall, overpowering home décor accents.Most of these are elegant in simplicity when they arenot making spiritually powerful statements. A sophis-ticated, urbane and utilitarian stainless steel cookingisland flanked by deep freezers, ovens and microwavesin the kitchen is most appreciatedby Meeta, the young wife. Lighter, elemental toucheswing across other connecting spaces of the Shah House,such as the corridor where stalks of bamboo whisperlow across narrow channels of water that mirrorthe late afternoon sun's beams off polished blackstone floors.
Italian travertine in the drawing room, almond trees
in the outdoor pavilion area across and a doubleconcrete skin encasing of the house (to ensure coolinteriors) make for other aspects of the Shah House'sfundamental design concept - that of blending natureinto the sub-continentally situated space, which wearsits ancestral roots from Rajasthan (red sandstoneopen courtyard scheme that allows for free-flowingfamily gatherings in private, intimate andcomfortable surroundings) well as it does its otherdesign highlights.
Bedrooms clad in Burma teak (5 in number) lendthe Shah home its share of natural warmth; light spill-ing into various parts of the house from the roof cheersup glass strips within especially delighting the boys,Siddharth 17, and Sumeet, 10, who have theirbedroom windows opening to the courtyard in theheart of the house from where the waving stalks ofbamboo do the rest of the soul-speak - as intended!
If one hums a bar of two of 'Make the world goaway' in the Shah House courtyard, it wouldn't beout of place considering that's exactly what the clientbrief desired and that's what was achieved by thedesign team. The Shah House's notional centre - its�
72 HOME REVIEW JANUARY 2009
courtyard and tree - is enclosed by vertical circulationelements like a ramp, stairway and even a lift that freesup a lot of space for a clean, green and a relaxed livingenvironment for assorted family activities even as therough concrete shell around these inner areas serves asa climatic and social buffer between the inside worldand the one outside.
As Mr. Matharoo says, "My design approach is notbased on fashion but on something more fundamen-tal - the need to create environments that are custom-ized for clients. I like to build less, build with natureand create spaces, which will emote. These should bespaces that are restrained so that they give a sense ofdiscovery to those looking at them." His designapproach to the Shah House reiterates this essentialphilosophy: with its 'wall to wall' Haveli homeconstruction style so visibly pointing to those built inNorthern Gujarat (from where the family originates),merging of distinct spaces that convene businessmeeting needs with family use functionality and therequirement for each resident here for their ownprivate domain being catered to while also managingto overlap these with vital common areas.
So, while site lines are irregular and angular to thepoint of leaving rectangular margin areas, the designapproach, as an attempt at generating a skewed box ofwood-form finish reinforced concrete in a bid to wardoff externally disturbing forces, has definitely been a
successful one for both Matharoo and Shah.The courtyard is this core space in this home that
has been rightly identified as its cosmic axis. This is sobecause the lone tree in the courtyard serves as thenavel of all energy concentrations for residents - Parag'smother may retire to the cosiness of her bedroom oc-casionally, but returns to chat with her daughter rightoutside her room while her elderly spouse prefers towatch the evening come upon him while sitting nearthe lift where the warmth generated by itsheated shaft takes away some of the nip thataccompanies dusk.
Hence, the primary idea of all radiating site linesconverging into this lone tree in the courtyard is whathas actually worked morefor bringing a harmoni-ous confluence of indi-vidual private needswithin the Shah Housemore than all thecritically acclaimed piecesof furniture (outsourcedfrom the best design firmsfrom Italy and elsewhere)or even the customizedessentials for doing uptheir kitchen, gym, doorsand gates, we declare.�
THIS PAGE A view of
the courtyard from the
formal living room is
ample evidence of the
homage he has cre-
atively managed to pay
to his favourite architect,
Tadao Ando. From
imaginative use of light
blended with smooth
concrete to soft natural
forms filling the open
courtyard.
74 HOME REVIEW JANUARY 2009
For Chilean architects Alvaro Ramirez and ClarisaElton, their personal needs for restorative holidaying and professional inspiration for combin-
ing architectural aesthetics with environmental dia-logue in a natural, contemporary yet minimal wayproved to be the guiding force behind their contem-porary cliff-top cabin in Buchupureo, Chile.
Granting residents a breath-taking view of the Chil-ean coast, this rustic retreat is located on a secludedcoastal strip in the central-south of Buchupureo, (VIIIregión del Bío-Bío of the Northwest Territories).
It has been designed in a manner that integratesboth the local respect for indigenously available andtraditionally preferred materials although, these weregiven an unconventional twist. The roof design of thecabin is particularly significant in terms of traditonallypopular materials being used in an alternative way.Lime stone is regarded as quite a protagonistic ele-ment among local "architecture materials," it has onlybeen used to build walls (a common style in Ireland,the designers reveal); never been used as a roof coveringas the Alvaro-Moletto team have reinvented it as beinguseful for!
The roofing was one of the many architecturallysalient features Alvaro and Clarisa achieved for theirrústico retiro; others include design concepts like thecabin being perched on exposed stilts (a feature thatreduces the project's intervention into the soil), itsdistinctive shape and its position (on a steep slope)
that reduces environmental impact through minimalexcavation as the elevated arrangement allows for thefree flow of water beneath the structure.
The cabin plan combines 3 different living condi-tions into its compact and utilitarian form in amanner that promotes maximum functionality withminimum fuss. At the fundamental level of designplanning, the Casa blueprint lay the firm groundingfor the cabin to include a room with a bathroom, anopen space meeting the kitchen area and keeping theterrace in the middle to serve as the articulator of boththese main spaces. All these sections within the cabinafford a panoramic view of the Pacific Ocean.
The open space leading up the kitchen serves as awelcome zone for entertaining and interacting withextra 'guest spill-overs' while the hosts attend tokitchen chores; its modern residential design schemeintends fashion to occasionally take-over from func-tionality but never deviates from utilitarian groundsas the brightly coloured deck-chairs, the white footstools made from pine trees (designed by the archi-tect duo), the otherwise regular-looking dining chairs(courtesy Home Depot) that were given a dash of redpaint at their feet by the designers themselves - "justto perk them up a bit!" so clearly show.
The architect-owners of the cabin have beenprofesionals since 2002 and hail from Santiago, thecapital of Chile, travelling often to this area "to enjoythe rustic life and the natural enviroment of this area,�
TEXT BY DEEPANJOLIE FIGG • PHOTOGRAPHS CARLOS FERRER, ALVARO RAMIREZ AND CLARISA ELTON.
CABIN CLASSA true-blue Rústico Retiro that allows its architect-owners
the quietude of a holiday home and a space to embrace the ocean.
JANUARY 2009 HOME REVIEW 75
THIS PAGE A view of the
pine-wood cabin from the
bottom of the cliff it is perched
on. OPPOSITE PAGE Casa
Buchupureo’s aerial view
displaying the resourceful use
of locally available materials in
an alternate way as limestone
(Laja) restricted for building
walls finds itself serving as
roof covering.
76 HOME REVIEW JANUARY 2009
just six hours away by car but favorable more as a week-end getaway or summer vacations, since work-life atthe office is demanding, too," revealed Alvaro.
"The cabin is used seasonally, from late August tobeginning of May, but we occasionally use it in wintertoo; it was designed more as a summer retreat. A tem-perate climate, characterized by four clearlydemarcated seasons - lots of rain during winter, ahealthy mix of sun-and-rain in spring and plenty ofsun and wind during summers made us decide on thecabin's northward orientation while the roofingelement of the cabin helps to maximize the sunglightreceived all-day long. The limestone on the terraceprovides protection from the chill-factor of southernwinds during summer and we have included a simple,yet effective heating system in the living area,"elaborates Alvaro. (An old-style "wood cooker" stovefacilitates heating as well as cooking while the bedroomhas the classic wood stove).
The bathroom, done up in pure pine wood, is apeaceful, private rejuvenating spot for the residents:"Yeah, the bathroom is a special place for us. In allour projects, we put some detail in material that givesa unique "ambience", in this case we chose only woodas the main covering material, the exception was thetub area, which we covered with limestone. The �
JANUARY 2009 HOME REVIEW 77
THIS PAGE Mixed décor
accents fill up this cozy cabin
space and a part of the outside
environment seeps into the
warmth of the kitchen, dining
and lounge area via the glass
window. OPPOSITE PAGE
Clarisa absorbing the rejuve-
nating sights and sounds of
the ocean ahead and its
contextual dialogue with the
homely, yet unconventional
design of her cabin bound by
the expansive environment
enclosing it.
78 HOME REVIEW JANUARY 2009
washbasin is actually a wood salad bowl hand-craftedby men from the south of Chile; they worked thisway with wood from the humid forest. It's stillworking!"
The loyalty to the local touch is in evidence in thecouple's luxurious bedroom-ensuite as well, as Alvarorevealed, "We designed the bedspreads; they were pro-duced in a village close to Buchupureo and we speci-fied the black strips were to be alternated with rawcolor." Clarisa's creative hobby-crafting occupies placeof pride in their private space and Alvaro underlinesthe fact that though a house is made of bricks, a homeis built up of many, small personal touches as he tellsus "Well, we bought the lamps - typical Japanese pa-per lamps...Clarissa made the macrame wall hanging."
Though it is designed much along the lines of amodern country cabin, Alvaro and Clarisa's holidayhome allows them to stay connected with their ethnicroots much in part due to the fact that its location isso unique, their green surroundings that are part of abio-reserve and also because of their personal beliefs:"Our designs beliefs are that architecture has to be aclose dialogue with the enviroment. We try to printthis idea in all the designs we make."
Alvaro elucidates, " We were very clear about theposition of the cabin before we had the budget to do
it, it was a little and protected "corner" before the cliffbegins...a place that faces the north, which has a lot oflocal vegetation too. These were important points toconsider for conceptualizing the cabin design, espe-cially in the way that the cabin joins the slope; that'swhy we considered pillars as the main structure - so asnot to ruin the "flora" and ensure we are alwayssourrounded by it. The other consideration was thepanoramic view - being closer to the waves and ulti-mately, to the infinite ocean."
Thus, the project was implemented taking intoconsideration the sportive (Alvaro is happy surfing insummer), the tranquil (Clarisa is content drinking inthe calm of the view from her cabin's sit-out) and thescenic possibilites (their guests confess to never get-ting enough of the renewing sounds and sights of thevast ocean view) of living along a remote coastal trailwhere the tremendous surge of the ocean waves con-ducts a contextual dialogue with the structural designof the cabin and the expansive environment enclosingit. With such clear-cut design concepts governing theminds of the creators, it was no wonder that the cabinproject was wrapped up in a mere 6 months of con-struction work starting on it - a fact that also enabledthe architect-owners to work up a fabulously afford-able, functional and environmentally-friendly �
JANUARY 2009 HOME REVIEW 79
THIS PAGE A partial
view of the glass-
enclosed sit-out under-
lines the fact how the
natural timber of the
framework blends with
the colours of the cliff-
face in a innately per-
sonal manner, integrat-
ing the building into the
landscape elements and
its interiors. OPPOSITE
PAGE LEFT The close -
up of the Laja - clad
roof. RIGHT The com-
pact, peaceful ambience
of the softly-lit bathroom
at Casa Buchupureo that
is all it promises to be is
done up in pure pine
wood.Its highlight is the
wood salad bowl
washbasin, hand-crafted
by men from the south
of Chile.
80 HOME REVIEW JANUARY 2009
retreat in approximately USD 15,000 for the 55m2
Casa Buchupureo project.Most of the structural elements of the cabin, in-
cluding external and interior cladding, are left opento view and have been created from locally availablewood but treated according to the roles they have toplay. For example the pillar structures and beam pieceshave been treated differently so they provideprotection against moisture while the interior claddinghas been brushed and left un-treated as precipitationis insignificant inside, but the external cladding hasbeen painted with carbolineum for maximumresistance to natural elements.
Locally preferred materials like Laja stone andwood that dominate architecture in the region (mostfences in the area are built with laja stone and mudand many re-use old house floors for extra supportand to economize on construction values) have beenused innovatively for the roofing structure in Alvaroand Clarisa's Buchupureo cabin, where the V-shapedroof detaches itself from the wall designs towards thefront and rear of their home to let in light, warmthand a considerable sense of spaciousness. While theLaja stone serves as a protective cladding on the roof,it is also a mark of cultural adaptation and naturalconnectivity as it integrates the building to its rockybeginnings and when viewed from the beach, the natu-ral timber framework of the cabin blends in with thecolours of the cliff-face - a homecoming of all visual,structural and emotive experiences! �
THIS PAGE The local
stone Laja used to cover
roof, was thought of as
an element of both local
architecture and land-
scape elements blend-
ing the building into the
rocky shores below.
Conversely the view up
from the beach sees the
timber framework match
the colours of the cliff
face. BELOW The
section and the plan of
the cliff house - Casa
Buchupareo
82 HOME REVIEW JANUARY 2009
THIS PAGE The overall
scenario is that of a
dominant floor plane
with darker and heavier
materials, while the
pivoting/ rotating sur-
faces that reconfigure
spaces, are at different
times, based on the use
of lighter/ translucent
materials to create a
dialectic ambience.
OPPOSITE PAGE The
fluoroscent green chair
in the living area comes
through as an element of
awe in an otherwise
neutralised setting.
TEXT BY SAVITHA HIRA•PHOTOGRAPHS COURTESY THE ARCHITECTS MO-OF
BLURRED BOUNDARIESArchitectural firm MO-OF and reputed fine artist Bose Krishnamachari
blend the best of art and design to create a home that juxtaposes panache
with temperance.
JANUARY 2009 HOME REVIEW 83
When two creatives merge their individualisticsensibilities, the resultant 'work of art' eitherfollows a dominant-submissive line of
thought or converges at a point of harmonic synergy.Reputed fine artist Bose Krishnamachari's residencein suburban Mumbai is a fine example of the latter, ashis artistic nuances mingle with those of his architectsand designers Shantanu Poredi and Manisha Agarwal.
Refurbishing Bose' residence entailed connectingtwo one-bedroom apartments to create a large two-bedroom home with an open landscaped terrace.Needless to say, the apartment was to be a projectionof his artistic leaning and lifestyle. Following a briefthat underlined minimum clutter as its foremostrequisite and envisaged a one-ness with nature, thespaces are designed to flow into each other with aconscientious juggling of essential partitions and theapartment stylised in an unusual juxtaposition of form,colour and texture.
Working on a premise that goes beyond thephysical plane, the designers and the artist establish adialogue that seeks to meet the aesthetic apparent ofboth. An open-plan schematic is endorsed by thehomeowner's user patterns, and a flexibility of spacesis achieved by shifting and sliding surfaces; foldingplanes of enclosure to expand and combine spaces ofliving based on their function and programmaticspecificity. Further, hinging and pivoting objects(suspended T.V) and furniture (Murphy bed) allowfor enhanced flexibility as the design seeks to dissolvethe hermetic distinctions that are generic to a Mumbaiapartment format.�
84 HOME REVIEW JANUARY 2009
The home is announced via the characteristic andcharismatic bold strokes of a Bose painting on theentrance door. The apartment then unfolds throughan amalgamation of audacious, commanding elementsviz., a parrot-green acrylic chair, large sculptural centre-piece in natural fibre, yet another in black granite, aquaint coat hanger… forming distinct pockets ofinterest and interpretation. Individual vistas attractand then merge into each other creating a holisticinclusion; indoors become one with the outdoors aslarge bay windows sustain awareness of the terracebeyond. Form, colour, texture and materials vie forattention, simultaneously, yet communicate restraintin the viewer.
To capture the essence of Bose' work, the entirehome is treated with a backdrop of dull metallic huesagainst which are juxtaposed vibrant shades of joie devivre and chiaroscuro elements that bathe theapartment with a touch of whimsy. Creating adominant ground plane is the flooring in engineered-wood and copper-finished metallic vitrified tiles, thatconnects the entire house homogenously. A vibrantuse of colours that are so integral to Bose' art are thenext most significant element that catch the eye,bouncing off with the play of natural and artificial�
JANUARY 2009 HOME REVIEW 85
THIS PAGE The use of
bright and bold colours
is a clear reflection of
Bose’s influence in the
space OPPOSITE
PAGE TOP An element
of awe in an otherwise
neutralised setting.
BOTTOM The kitchen
is conceptualised as a
semi-privy space and is
enclosed via a double-
layered brush-finished
stainless steel perfo-
rated screen that shifts
to allow for inclusion
rather than exclusion of
spaces.
86 HOME REVIEW JANUARY 2009
THIS PAGE TOP The
master bedroom has a
platform bed with a
ledge running on three
sides.
light creating varying hues. Likewise, silver leaf-workon the wardrobe with back-lit translucent glasscontrasts with rich colours, leading to an overallscenario that holds the dominant floor plane withdarker and heavier materials, while the shifting/pivoting/ opening/ rotating surfaces that reconfigurespaces, are at different times, based on the use oflighter/ translucent materials to create a dialecticambience.
Seamless and easy to maintain materials ensurefunctionally dedicated spaces whilst the major areais left roomy. The bay windows connecting living-dining areas to the terrace account for an expansiveunified space ideal for a large gathering. Taking theinside-outside premise a step further, the simplefurniture is effectively added on to through a wideseat in one of the bay windows. On a similar principleof connectivity, the kitchen is conceptualised as asemi-privy space and is enclosed via a siding shutterthat opens up partially or completely to fulfilsituational demands. Incidentally, this shutterextends to the master bedroom too providing it witha ditto treatment. These double-layered brush-finished stainless steel perforated screens shift andcombine to allow for inclusion rather than exclusion
of spaces as desired.The concept of visually expanding the existing
1300 sq. ft. area of the apartment was initially to behighlighted through canopied shutters for the terracewhere the living room was to open into the terracevia top-hung mechanized doors powered byhydraulic pumps; regrettably, this did not prove verypragmatic. However, the resultant spatialconfiguration with the use of bright and bold colours
Project Profile
Project : Bose Residence
Location : Borivili, Mumbai
Client : Radhika and Bose
Krishnamachari
Architect : MO-OF, Shantanu
Poredi and
Manisha Agarwal
Design Team : Mangala Shetty
Project Area : 1300 Sqft
Contractors : MO-Of Team
Initiation of Project : January 2006
Completion of Project : July 2006
JANUARY 2009 HOME REVIEW 87
THIS PAGE TOP The
roomy living room
connects with the
terrace through large bay
windows. Select acces-
sories anoint the area. .
BOTTOM Another view
of the colourful living
space.
is a clear reflection of Bose's influence in the space.In fact, Bose helped determine the palette of coloursof each space and element. The client-designersynergies were enhanced by Bose hand-picking smallfitments and fixtures and the designer integratingthem into a complete whole with the added expertiseon the kind and type of lighting, which is integral toan effective intended ambience. As the architects say,"Interior Urbanism is a vital feature of our practice -it simply refers to an increasing interest in not onlycreating interior spaces relative to the public realmbut also concerns the integrating of internal andexternal environments". Thus emerges a home thatblurs boundaries.�
88 HOME REVIEW JANUARY 2009
HR I PROMOTION
� The Kaneria Group founded and initiated by
Shri Anil Kaneria (CMD) has been manufacturing
ceramic glaze frit for the last couple of years. Kaneria
Glaze International, one of the units of the group stands
as a fast growing name worldwide serving large
number of industries with exceptionally good
performance.
Kaneria Tiles produce polished vitrified granito tiles
which are available in variants like full body tiles, double
charge tiles, multi-charge tiles, natural stone tiles and
soluble tiles. Maintaining quality as the supreme
benchmark, the company uses imported raw materi-
als to give texture, lustre and durability. Hence, with
the strict quality control mechanism adhered to by the
company, the tiles retain the glossiness and bright-
ness for a long time to come. The company also puts
its products through heat tests, giving the tiles ther-
mal shock resistance, higher stain resistance and lower
product contamination.
Keeping track of the changing tile preferences,
Kaneria Tiles has introduced tiles in different sizes from
600x600 mm to 1805x905 mm. Estimating that
2.50x2.50, 800x800 mm tile shall be an ideal prefer-
ence for Indian markets, the company further sets plans
to launch this tile version, which would be cost effec-
tive and available in different shades and colours.
Kaneria encompasses a favourable marketing
divide in 13 zones and showrooms in all major cities in
India. As per the company's expansion plans, it shall
escalate its production from 16,000 sq mt per day to
32,000 sq mt per day by October 2010.
Contact
Kaneria Granito Ltd.
606/A-2, Tirupati Plaza,
Nr. Collector Office, Athwagate,
Surat - 395001,
Tel: (0261) 6588888 / 6599999
Email: [email protected]
Web: www.kaneriatiles.net �
� Symphony, one of the largest air cooler manufac-
turers has come out with yet another innovation, and
this time it is with a new range of Sauna Water Heat-
ers that come with a new Power Saver Technology (PST)
in the geysers segment.
PST comprises of unique double insulation which
retains the temperature of water for longer periods and
further reduces power consumption. PST also com-
prises of an exceptionally superior technology termed
the ‘Whirlflow’ mechanism to enable faster heating
while avoiding direct contact between the cold and
hot water inside the tank, which further helps in saving
power. In addition, Symphony Sauna consists of high
density Polyurethane Foam (PUF) insulation that mini-
mizes the heat loss. There is also a second layer of
special glass wool insulation in the storage water heat-
ers. Thus double insulation ensures minimum heat loss
and maximum power savings.
Energy efficiency of Sauna water heater is
equivalent to 5 star energy standards. Its rust and shock
proof body meets the highest safety standards and
comes in all capacities with designer control panel
and multiple colour options. The product also comes
with a heavy gauge tank which can withstand high
pressures as well as hard water conditions.
Symphony is one of the few consumer durable
companies to have introduced path breaking new
products during last 14 months. Its products are widely
exported and are available in more than 42 countries
all over the world.
Contact
Symphony Comfort System Ltd
‘Saumya’, Bakeri Circle, Navrangpura,
Ahmedabad, Gujarat 380014
Tel: (079) 26424430
Email: [email protected]
Web: www.symphonycomfort.com �
90 HOME REVIEW JANUARY 2009
TEXT BY KANISHKA RAMCHANDANI•PHOTOGRAPHS COURTESY THE ARCHITECTS
A SPIRITUAL AURANitin Khatwani conjures a mediatative haven wth a Zen-like aura in a city
apartment. The architect cleverly fuses a linear design program with a
minimalist aesthetic.
JANUARY 2009 HOME REVIEW 91
When spiritualism is the way of living, whatbetter than a Zen-inspired design for yourhome? DCA Architects' client Ninad
Pardesi wanted such a place for himself, wherein hecould proclaim his faith. He explicitly wished for aminimalist approach with due stress on practicality.And what Architect Nitin Khatwani created for himwas a home that has all the comforts of modern liv-ing and an enhanced aura of divine presence in it.
The site was a two bedroom apartment thatopened both on the east and west fronts. Keeping inmind the client's requirement for a meditative haven,Khatwani designed the space on simplistic lines, witha touch of Zen. The design created linear divisionsbetween the living area and the bedroom and prayerroom, divided by the service areas.
Khatwani has created a true Zen ambience, downto the last detail. A Zen style calls for harmoniousinterface of form and space, which results in a sooth-ing and pleasing atmosphere. With the lineardivision of space, the living area sits facing themultitudinous expanse of the ocean in the west whilstthe bedroom faces the rising sun.
Following the diktat 'less is more', the designerhas pared down the use of furniture and other acces-sories to a bare minimum. But nowhere will one finda lack of comfort or absence of style due to theminimalist approach. The living area comprises theseating arrangement and the dining table. These twospaces intermingle and yet are set apart due to theuse of a distinct style and of course functionality.
Drawn on simple clear lines, the furniture used�
THIS SPREAD The
living area comprises
the seating arrangement
and the dining table. The
furniture with its simple
straight lines and warm
earthy hues is a perfect
balance to the white
colour palette bringin out
the desired Zen- effect.
BOTTOM The master
bedroom comes across
as a private haven as it
lies awash in white with
dark veneer furniture.
The bedroom has a
platform bed that
extends into a side
table.
92 HOME REVIEW JANUARY 2009
is completely uncluttered in look and feel. Khatwanihas effectively used warm earthy hues as well aswhites. He explains, "The living room is kept as openas possible for the view and the colour. The sea,sun and sky contribute to the room space and thefree flow of these natural elements creates naturaland beautiful effects of light, space and colour inthe room."
Most of the furniture has been made on site withvariations introduced in the detailing to mark outits use. Furniture and accessories in a Zen style areknown to be minimal and with a specific use. Asseen in Khatwani's creation, the box-like sofa andthe low centre table come across as bare minimumnecessities yet fulfill their highly functional role inthe living room. Again the use of clear lines in thefurniture design falls in harmony with the structurallayout of the apartment like the rectangular windowsin the background.
The dining table is a successful experiment withminimalism. Resembling a block of wood, the din-ing table camouflages three low backed chairs on oneside and a long low settee on the other. These can bepulled out from under the table when required. Hereagain, addition of minute details brings forth the con-tinuity of thought in the overall design. In the wakeof the rectilinear attitude of the living room, the din-ing table block is length-wise split into two. The
THIS PAGE TOP The
balcony dividing wall
has been done away
with and is replaced
with a glass water body
which demarcates the
living area from the
balcony and also add to
the aesthetic quotient of
the apartment. OPPO-
SITE PAGE In a
peculiar attention to
detail the centre table is
kept in line with the
dining table in the
rectilinear space to
emphasise the structural
form of the room bring-
ing forth the continuity of
thought in the overall
design.
dining area ends dramatically with two columns thatstand as sentinels, with lights glowing behind them.
It is also important to note the peculiar layout ofthe furniture. The centre table is kept in line withthe dining table to emphasise the structural form ofthe room. The furniture is made with dark veneerthat stands out againstthe white background.
The expansive bal-cony runs parallel to theliving and dining areas.Since the balcony hasclear glass balustrades, anonlooker gets an uninter-rupted view of the seabeyond. The balconywalls have been doneaway with to be replacedwith a fixed line of a glasswater body, which de-marcates the living areafrom the balcony. Pres-ence of a water bodyadds another aesthetictouch. The openness ofthe balcony also inviteslot of natural light andkeeps the room airy.�
JANUARY 2009 HOME REVIEW 93
94 HOME REVIEW JANUARY 2009
Stressing the minimalist ambience is the effectiveuse of lighting. During the day sunlight floods theapartment, which can be muted with the drop ofmat shades. By evening the apartment dons adifferent look. As Khatwani puts it, "We havemaintained indirect lighting in the apartment,integrating the source within furniture or otheressentials of the house."
Moving on to the functional areas of theapartment, one notices the continuity in design.While revamping the kitchen, Khatwani regarded thisflow of Zen design a more challenging factor thanspace constraints. "Since we were designing foressentials, the challenge was to continue the samelook in the kitchen too," he comments. A longL-shaped counter offers lot of utility space, while themodular design keeps the kitchen unencumbered.
Similarly the bathroom too is made up of cleanlines and compact nooks. Khatwani has experimentedwith sandstone and earthy tones here. It is the verysimplicity of design that imparts a sense of class tothis modern setup.
At the very first glance, the master bedroom comesacross as a private haven; the milieu here is that of ameditative alcove. It lies awash in white with dark
veneer furniture conspicuous in its elegance. Thebedroom has a platform bed that extends into a sidetable, while the storage room is transformed into awalk-in wardrobe with a frosted glass door.
Khatwani's minimalist style comes to fore inthe puja room, which is actually an enclosedbalcony. The atmosphere in the puja room is sereneand peaceful and the totally uncluttered look is veryappealing - making it a meditation space rather thana ritual corner.
True to the client's requirement, Khatwani hascreated an apartmentthat is highly personala n dintroverted. He haseffectively combined theuncomplicated architecture of theentire apartment withthe Zen-inspired interi-ors. In simple terms, theapartment is a homethat calls for thoroughrelaxation, reflection andrejuvenation.�
THIS PAGE The dining
table resembles a block
of wood which is split
into two. The table
camouflages three low
backed chairs on one
side and a long low
settee on the other. The
dining area ends
dramatically with two
columns that stand as
sentinels, with lights
glowing behind them.
96 HOME REVIEW JANUARY 2009
THIS PAGE The ornate
and royal grand lobby is
highlighted with nature
and art and has a wall of
windows that overlook
the azure blue waters.
MYTH MEETS
MAGNIFICENCEAtlantis, The Palm - Dubai's newest resort creates an atmosphere of surprise,
intrigue and indulgence that’s is set to break new ground with its
unprecedented scale and beauty.
TEXT BY RAJESH KARAMCHANDANI • PHOTOGRAPHS COURTESY ATLANTIS, THE PALM
JANUARY 2009 HOME REVIEW 97
98 HOME REVIEW JANUARY 2009
THIS PAGE An ariel
view of the Atlantis, The
Palm. OPPOSITE
PAGE Dale Chihuly’s
stunning glass installa-
tion takes centre stage
in the Grand Lobby.
Dubai is fast emerging as a world class traveldestination combining facilities of the highest international standards with the charm
and adventure of Arabia. Apart from the seven starBurj Al Arab, that's now a landmark in itself, Dubainewest resort Atlantis, The Palm is all set to breaknew ground, and lure its guests into a dazzling worldof imagination, pleasure and luxury.
This stunning 1,539 room resort opened on the24th of September 08. With its enviable location atopthe crescent of The Palm Jumeirah, it encompasses a46- hectare site with 17-hectares of water themedamusement at Aquaventure, extensive fresh andsalt-water pools and lagoon exhibits, an open-airmarine habitat, luxury boutiques, numerous diningchoices that include four celebrity chef restaurants,an exciting nightclub, a spa and fitness club, and5,600m² of meeting and function space.
Accessed by a six-lane underwater tunnel, guestsmay alternatively choose to board a monorail to betransported through the centre of The Palm Jumeirahdirectly to Atlantis, The Palm. The structure appearspart Arabic part mythical with its moorish archwayswhich rise above the azure blue waters.
The residences are divided into two towers the eastand the west, in the centre of which is the grand lobby.
To the side of the east tower is the Lost Chambers - amaze of underwater halls and tunnels inhabiting over65,000 species of fish, Aquaventure, the water parkand The Avenues, a luxury destination for shoppingand dining. To the side of the west tower is the spa,fitness centre and the conference area.
Arrival in the travertine marble floors of the GrandLobby presents a dazzling interplay of water, light andsounds as a water wall cascades into a pool. Artist DaleChihuly has created a 10 metre glass sculpture withover 3,000 pieces of intensely coloured blown glassranging from fiery oranges and reds to tranquil bluesand greens. The lobby's 19 metre high archedceilings feature eight hand painted murals on canvasby Spanish artist Albino Gonzalez highlightingvarious constellations and planets and tell the story ofthe ancient mythological city of Atlantis.
The 1,539 guest rooms designed by Wilson andAssociates boast of breathtaking views of the tranquilwaters enjoyed by The Palm, Jumeirah. The designershave fashioned the interiors in an elegant yetunderstated contemporary style. The earth tones andsplashes of colour bring the beatific natural elementsindoors. The resort's three signature suites indulge ona grand scale -The Bridge Suite revels in completeopulence, including a dining room with a gold leaf�
JANUARY 2009 HOME REVIEW 99
100 HOME REVIEW JANUARY 2009
OPPOSITE PAGE
Master Chef Nobu
Matsuhisa’s newest
restaurant flanked by
frosted blue mirrors and
a wall encrusted with
metal work flowers.
THIS PAGE Three
dimensional woven
Abaca panels surround-
ing the dining area of
Nobu are punctuated
with a glowing
composition of custom
suspended pendants.
JANUARY 2009 HOME REVIEW 101
table that seats 18 and a large lounge area while thetwo Lost Chambers Suites called Neptune andPosiedon, each stretching over three floors are trulyextraordinary with floor-to-ceiling window wallslooking directly into the Ambassador Lagoon,creating an illusion of being beneath the sea whilstlooking directly into the heart of Atlantis.
To showcase some of the world's most celebratedcuisines, designers Jeffrey Beers, David Rockwell andAdam Tihany have each brought their incomparablestyle and design to the Arabian culinary scene. SolKerzner challenged these designers to come up withsomething that captured the essence of Atlantis andtruly paid homage to the wonder, the water and thesense of discovery and yet is weaved together withdistinct Arabian elements.
For Rostang's a French restaurant, Beers designeda traditional 836 square metre space with somemodern twists. Antique mirrors contrast withmodern design elements of exposed metal adding acontemporary flair to the dining area. To create arustic yet stimulating environment for Ronda Locatelli,Beers blended the charm of the Italian countryside�
102 HOME REVIEW JANUARY 2009
with the modernity of Dubai. Here a calming waterpond juxtaposed with a custom built fireplace greetsguests upon entering, while a central stone clad struc-ture houses four pizza ovens and grounds the space.
The Rockwell Group collaborated again withworld-renowned Master Chef Nobu Matsuhisa tocreate Nobu, the legendary chef's newest restaurant.Using traditional and modern Japanese elements, itfeatures natural elements of ash, river stones, branches,woven textiles and fishingbaskets juxtaposed withmore man-made ideas oflight and composition tocreate a rich andspectacular diningexperience. Adam D.Tihany integrated boldand contemporary designfor Saffron, the resort'smodern, interactivebuffet. Sleek andminimalist, the restau-rant has high, open
THIS PAGE A central
stone clad structure
houses four pizza ovens
in a restaurant that is
designed to imbibe an
Italian countryside
flavour. BOTTOM
Sumptuous suites
appointed with walk in
wardrobes and jetted
tubs boast of breathtak-
ing views of the Arabian
Gulf.
JANUARY 2009 HOME REVIEW 103
ceilings featuring strong red and orange colours inmetallic and glass. The Beers-designed Sanctuaryprovides an indulgent end to any evening, as thedecadent dance club, lounge and outdoor terracewelcomes guests with a modern baroque sensibility.Large floral patterns, baroque details, custom pendantsand fixtures, as well as an interpretation of Arabianarchitecture add drama and romance.
The magnificent new waterscape - Aquaventure atAtlantis boast of never-before-seen water rides,awe-inspiring water slides and non-stop water play.The Ziggurat in the centre reaching 30 metres intothe sky features seven heart-pumping water slides.Surrounding it is the river ride called Rapids, 2.3kilometre river adventure. Dolphin Bay, a habitat fordolphins with seven interconnected resident poolsspreads across an enormous 4.5 hectare lagoon.
Atlantis, The Palm is a man made wonder that'snot just dazzling in its magnificent scale and beauty,it's a tribute to nature with its commitment tomarine life conservation, the ultimate gourmetdestination, a place to live your dreams amidst thewarm Arabian Sea.�
THIS PAGE TOP
Eight murals by Spanish
artist Albino Gonzalez
adorn the ceiling. They
depict the solar calen-
dar, its constellation and
planets that represent
the four seasons and
four elements of nature
(earth, wind, fire,
water). BOTTOM The
Leap of Faith water slide
at Aquaventure.
104 HOME REVIEW JANUARY 2009
HR I LOST ARCHITECTURE
Ancient India has been witness to some of
the most diverse and beautiful architecture.
But the lesser known and commonly ignored
feature of this treasure is the 'stepwell'.
� Stepwells, also called Bawdi, Baoli or Vav, were in
essence wells in which the water could be reached by
descending a set of steps or series of levels and were
one of the features that defined India’s splendid
architectural glory. Stepwell construction is known to
have gone on from at least 600 AD.
In Gujarat and Rajasthan - the arid western states
of India where water is considered the most sacred,
preserving the little amounts of water the area does
receive during the monsoon has been a long-standing
challenge. And hence the inception of the stepwells
came about.
The construction wasn't just utilitarian, but
sometimes included significant architectural
embellishments. Instead of simple wells, these
structures were almost always constructed as
magnificent meeting places, usually three to nine sto-
ries deep in the ground.
The underground facilities
were used as sites for
drinking, washing and
bathing as well as for col-
ourful festivals and sacred
rituals. Some 3,000
stepwells were built be-
tween the fifth and 19th
centuries. Today, how-
ever, these buildings are
among the least known
or visited monuments
THIS PAGE TOP The
view from one of the
corridors of the Adalaj
Vav shows the intricately
carved structure - beam,
slab and column of the
stepwell.
BOTTOM The view
displays the complex
arrangment of steps in
Chand Baori of
Rajasthan.
JANUARY 2009 HOME REVIEW 105
HR I LOST ARCHITECTURE
in India.
All forms of the stepwell may be considered to be
particular examples of the many types of storage and
irrigation tanks that were developed in India, mainly to
cope with seasonal fluctuations in water availability. A
basic difference between stepwells on one hand, and
tanks and wells on the other, was to make it easier for
people to reach the ground water, and to maintain and
manage the well. In some related types of structure
(johara wells), ramps were built to allow cattle to reach
the water.
Ultimately, several thousand stepwells were built
in the towns and villages of western India. The grandest
period of stepwell construction spanned half a
millennium- from the late eleventh through the sixteenth
century- dotting the countryside with exquisitely
embellished public monuments.
Owing to its delightful qualities and lucid design,
the stone stepwell remained the state of the art in Indian
water management for more than a thousand years.
Yet with the onset of the British Raj in India in the
nineteenth century and with it, the installation of
pipes and taps for
drawing and distributing
water stepwells fell on
hard times.
In concept, the Indian
stepwell is cunningly
simple. Monsoon rain is
caught in a depression or
behind a hand-built �
THIS PAGE TOP The
beautiful and intricate
carvings found inside a
stepwell.
BOTTOM The corridor
of Adalaj Vav of Gujarat
displays traditional
carved stone arcades.
106 HOME REVIEW JANUARY 2009
HR I LOST ARCHITECTURE
earthen dam. The rainwater percolates down through
fine silt, which screens out particulates, until the water
reaches an impermeable layer of compact clay that
keeps it from sinking deeper into the ground. In that
way the muddy runoff of the monsoon is stored near
the surface as a giant sheet of clear water: an
underground aquifer.
A long staircase, punctuated with landings, leads
down to the well at the bottom. At each landing there
was an open porch, supported by columns and
protected from exposure to the broiling sun. Vavs or
baolis (stepwells) consisted of two parts, a vertical
shaft from which water was drawn and the surrounding
it were the inclined subterranean passageways,
chambers and steps, which provided access to the
well. The galleries and chambers surrounding these
wells were carved generously, which became cool
retreats during summers.Walls of stepwells were lined
with blocks of stone, without mortar, and created stairs
leading up to the water.
While appreciating the carvings lets not forget the
science and engineering skills behind these stepwell.
So many pillars and
lintels are made to
support the five or seven
storeys of the well and
that too under the surface
of the earth.Stepwells
have also withstood the
earthquakes in the range
of 7.6 on the Richter scale
- the large flat stones joined superbly are hard to
move.The stepwells were constructed with calculated
precision.The heavy blocks of stone that were used for
construction were marked with hand-size, deeply
carved numbers and letters to indicate their intended
placement.
The most extravagant of stepwells is the Rani ki
Vav, at Patan and Adalaj Vav in Gujarat.
Rani ki Vav
Rani-ki-vav, the most magnificent step well in Gujarat
is said to have been constructed by Udaymati of
Solanki dynasty. The stepwell measuring about 64mts
long, 20mts wide & 27mts deep, is built up of bricks
faced with hewn stones.
It has stepped corridors beginning at the ground
level & leading down to the kund and possesses four
surviving parts which are the entrance staircase, the
side wall of the stepped corridors, mandapas or multi-
storied pillared pavilions, and the back walls of the
well. The pillars which support the roof have square
base decorated with Ghat-Pallav (vase and foliage)
motifs, quadruple brackets at the top, having four
armed kichakas.
The architectural brilliance and elegance of the vav,
is represented in its pristine glory in the ornamental
work. The beautifully proportioned sculptures, adorn
THIS PAGE TOP The
Rani ki Vav in Gujarat
has stepped corridors
that progress upwards
upto 27m.
BOTTOM The much
simpler Islamic stepwell
- Fatehpur Bawdi.
JANUARY 2009 HOME REVIEW 107
HR I LOST ARCHITECTURE
the walls flanking the staircase and within the walls of
the well, depicting rhythm, vigour, beauty and various
moods in stone.
The shaft of the well is highly ornamented with
intricate carvings. This wall projects the large vertical
brackets in pairs which supported the different galleries
of the well. The brackets are arranged in tiers.
The full size sculptures of the stepwell are taken
from the entire Hindu pantheon, for example, Vishnu,
Shiva and their various aspects appear with or without
their consorts.
The painstaking efforts of archaeological survey of
India exposed the hidden treasure of sculptural and
architectural wealth in its original dimension and
splendour. The minute and exquisite carving of this
largest and most sumptuous vav is one of the finest
specimens of its kind. Befitting its name, the Rani-Ki-
Vav is now considered to be the queen among step
wells of India.
Adalaj Vav
This step well at Adalaj is an architectural marvel. It is
really surprising that in absence of standard
engineering practices before around 500 years, how
such structures would have been created. The Adalaj
step well is on the North side and the entrance to this
well is on the south side. This has been the general
practice while making such step wells. This vav is open
octagonal surrounded by galleries on four levels with
circular well at the bottom. It is the finest example of
the Muslim period. The
total length of this step
well is around 240 feet. It
has 3 entrances with three
separate gates for each
entrance. There are five
stories to this well. The
entire platform of the well
THIS PAGE TOP A
view of the Stepwell at
Jaipur and the Pushkarni
Stepwell atHampi.
(below) BOTTOM The
famous Adalaj Vav of
Gujarat.
rests on total 16 pillars. The eight pillars are situated
on the four corners and two pillars are located in front
of each main gate.
Numbers of surviving hydraulic monuments
(stepwells) can be found in Gujarat, Rajasthan, Delhi,
Madhya Pradesh, and Maharashtra. Stepwells are the
finest example of visible architecture that gave access
to an invisible landscape of underground aquifers.
The demise of the stepwell as a source of water,
as a gathering place, and as a focal point for many of
the deepest feelings of the local people has brought
about a tangled mix of environmental, social, and
even religious consequences that continue to unfold
to this day. �
108 HOME REVIEW JANUARY 2009
TEXT BY DEEPALI NANDWANI •PHOTOGRAPHS COURTESY THE ARCHITECTS
COUNTRY CHARMIn Hussh, Kolkata's Italian fine dine restaurant, Salient Design Studio plays
with two basic, contrasting colours - black and white. Despite the use of a
cold colour palette and materials like white china mosaic, the restobar looks
like a warm Italian home.
JANUARY 2009 HOME REVIEW 109
Hushh, the Italian Resto Lounge and Bar islocated within Kolkata's new-age mall, CityCentre. It opened its door to the city's
residents almost a year ago and shares space with Kobe,the popular sizzler restaurant.
Designed by Salient Studio, a boutique designgroup that's worked on several hospitality, office andresidential properties, the restobar is done in starkcolours of black and white, a favourite contrast withmodern-day designers across the world. Hushh isspread over 3,500 square feet and architect VivekRathore, who heads Salient, says "fits in perfectly withour design philosophy that's aimed at building envi-ronments that are small in ecological foot print. Therestobar is designed to be a calm and soothing space".There are intermittent splashes of red in the form of aterracotta-tiled wall that runs end-to-end in itsindoor restaurant section.
Hussh is built over two levels and is divided into
three sections - an indoor restaurant area that opensto a patio that holds the bar. There is a terrace sectionnormally utilised for private parties and lavishbanquets. "It's designed to offer an authentic Italianexperience," says Rathore. "In some ways, it is designedlike an Italian home." Most homes in Italy, especiallyin the countryside, have extensive outdoor spacesand patios that are used to throw parties andentertain guests.
Water fountains, date palm trees, big beds, ACtents…the designers have resorted to every meansin the book to make Hushh look as if it's locatedin a relaxed beach resort, rather than in a chaoticIndian metropolis.
When Rathore and his team began work on therestobar, it was merely an empty shell with four walls."The space had to house two restaurants belonging tothe same owner - Hushh and Kobe," says thearchitect, "and that was quite a challenge. We had�
THIS PAGE The indoor
restaurant section has
an end-to-end terracotta-
tiled wall. That’s the only
splash colour in the
black and white colour
scheme. OPPOSITE
PAGE A day view of the
bar. It is crafted out of
glass, wood, wrought
iron and mosaic chips,
which reflect the
constantly changing
light in the nighttime.
The bar top is made of
Kudappa stone.
110 HOME REVIEW JANUARY 2009
to create two separate kitchens. Besides which, theplanning had to be in accordance with Vaastu Shastra."Space constraint led them to come up with a uniquesolution and they moved the bar to the semi-coveredpatio, which fringes the restaurant. The architect hasused a metal mesh wall to enclose the bar space onone side. On the otherside the tables are fringedby yellow bamboo,which offers privacy totheir occupants.
In the bar area thefloor is made out of whitechina mosaic tiles. Thetables, crafted out ofblack kadappa stone, aretopped by white umbrel-las. At night the mosaictiles shine in the softcandlelight, the mainsource of lighting in thesection. The pathways aremade of loose stone grit,broken mosaic tiles andpebbles, while the bar
TOP The bar is located
in a semi-enclosed
patio. The pathway is
made of pebbles and
mosaic chips. The bar
itself is crafted of
wrought iron and glass.
The colour combination
in the bar keeps
changing from warm
red to psychedelic green
to even cool blue, thanks
to the 52 colour LED
light fixture. BOTTOM
Handmade wooden
jaalis separate the
seating section from
each other.
JANUARY 2009 HOME REVIEW 111
itself is made out of glass, wrought iron and mosaicchips. Salient often uses high-end technology in itsprojects, especially when it comes to lighting the space.In the bar section, for instance, they have installed a52-colour combination high-flux LED moodrefractor light, which changes colour and patternevery few seconds. The décor makes you believe youare seated in an outdoor café in a beachside resort ratherthan in the middle of abustling city.
A glass door separatesthe outdoor bar from theindoor restaurant. Withinthe restaurant, the colourswhite, red and blackdominate. The upholsteryand furnishings are all inwhite. The wood fixtures,including the flooring,have been treated tilltheir colour changed tocharcoal black. White-coloured fabric is drapedover wooden rafters onthe ceiling and the�
TOP The terrace has
several air-conditioned
tents like this one, which
are separated by sheer
white cottons.
Transparent Polyurethane
envelops each tent.
BOTTOM The design
elements in the wall
niches behind the
seating keep changing
regularly. Sometimes,
there are fresh seasonal
flowers, sometimes
textured stones and
sometimes, bric-a-brac.
112 HOME REVIEW JANUARY 2009
lights are hidden under the fabric. This makes thelighting in the restaurant mellow and diffused. Rathorehas placed a floor-length mirror at the entrance, whichreflects the diners sitting on tables across it. Themirror also makes the space look larger andless claustrophobic.
Salient has been working with local Indian crafts-men and constantlyimprovising with theirtraditional skills. Theseating in the indoor area,for instance, is separatedby intricately carvedwooden jaalis. Next tothe jaalis are lit-up nichesin which the owners placeseasonal flowers, sculp-
tures and even stones. This little décor detailconstantly changes with the changing season.
The bar area also leads up to a black staircase, whichconnects the terrace to the lower areas. This completelyoutdoor space has an open seating section and largeair-conditioned tents made from mild steel. They aretopped by transparent polyurethane canopy. Whitecotton sheers separate one tent from the next. Theterrace also has a large 'de-stress section' - huge woodand leather beds where you can get a foot or headmassage even as you sip on your drink.
Hushh makes for a refreshing change: in contrastto the aseptic, ultra-shiny, modern restaurants thathave become the norm of late, Hushh Lounge andRestobar depends on rough and raw materials like burntwood, terracotta tiles and black kadappa, interspersedby cold materials like white china mosaic and glass.�
THIS PAGE Some of
the benches in the
terrace section are
made out of pebbles,
much like the flooring.
They look as if the
flooring has been
continued to form a
bench.
114 HOME REVIEW JANUARY 2009
HR I SPOTLIGHT
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
World ArchitectureFestival A Big DrawHeld in Barcelona, the World Architecture
Festival served as a perfect platform for
architects around the world to showcase
and review the latest design trends.
�The World Architecture Festival Awards (WAF
Awards), held between the 22nd and 24th of Octo-
ber housed its debutant festival at the Centre
Convencions International, Barcelona. Organised by
Emap, it was one of the biggest architectural events
ever held. The festival highlighted the works of 722
architects from over 60 countries. These works were
divided into 17 listed categories spanning from the
'Building of the Year' category and the 'Private House'
category to more concerning issues such as the
energy, waste and recycling category.
The WAF awards can be marked as a truly
significant festival. Among the most prominent jury
members were architects such as David Mackay-
Spain, Will Alsop-UK and Raj Rewal from India.
Commenting on the festival held, Mr.Paul Finch,
Editor of The Architectural Review and Programme
Director of the World Architecture Festival, said "The
World Architecture Festival was an unprecedented
gathering of the world's architectural community. The
calibre of both the awards entries and the speaker
line-up has undoubtedly stimulated the thousands of
architectural decision-makers and influencers that
attend the festival."
Held for a span of three days, the WAF awards
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
NK'Mip desert Canada, by Hosten
Bakker Boniface Haden Architects
Nordpark Cable railway, Austria,
by Zaha Hadid Architects
Robert and Arlene Kogod Courtyard,
Smithsonian Institution, USA By Foster + Partners
JANUARY 2009 HOME REVIEW 115
HR I SPOTLIGHT
○ ○ ○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
were given the task of redesigning a brown field site
in Barcelona, within the period of 36 hours. British
Professor David Dunster of Liverpool University and
Barcelona architect David Mackay judged this event.
On the final day, the award function opened with
the first award category - 'Building of the Year.' The
winner of this category was Grafton Architects,
Ireland. One of the judges on the panel, Cecil
Balmond, Arup, said he admired, "…the 3D design
which took architecture, construction and design,
using it to create an urban weave. Its effortless
structural solution suspends offices over a subterra-
nean concourse." Next, the landscape restoration of a
controlled refuse tip located outside Barcelona,
designed by Spanish practice Batlle & Roig Archi-
tects, was awarded the winner in the energy, waste
and recycling category. The judges' comments on the
same were, "a perfect example of bringing dead
nature back to life by converting rubbish into a
beautiful piece of landscape architecture."
While, UK based company, Zaha Hadid Archi-
tects, bagged the award in the transport category for
the Nordpark Cable Railway, Innsbruck, Austria. They
won against fierce competition from a shortlist of 14
entries. Following which, the Arlene Kogod Court-
yard, Smithsonian Institution, Wahington, USA won
the award in the New and Old category. The judge's
view on this entry was, "This technical and highly
sophisticated canopy not only creates a new ther-
mally conditioned urban room for Washington but
also excellent acoustics and new connectivity. The
theme 'New and Old' has been interpreted liberally to
include the conversion of the existing building, as
well as using them simply as a point of departure
and recycling industrial components."
offered the visitors an opportunity to listen to the 224
short listed candidates and learn the challenges
they faced in creating their
final vision. The guest also got an opportunity to
view all the award entries at the award entry gallery.
In addition to this, they got unlimited access to view
a separate product showcase, with selected
products specially chosen by the participating
architects themselves.
Catering as an informative trench, the WAF
addressed issues such as climate, cost, energy and
social conditions in relation to design, in their
'Height-Between Possibility and Responsibility'
exhibition and seminar. At this juncture, they mainly
examined the relationship between architecture and
the factors which influence the creation of tall
structures with regards to the environment.
However, the highlight of the festival was un-
doubtedly the student programme, where six
architectural schools from around the globe com-
peted at the WAF student charrette. With the aim to
select the 'starchitects' of the future, the schools �
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Sports Hall Bale, Croatia, by 3LHD Architects
Sports Hall Bale, Croatia, by 3LHD Architects
116 HOME REVIEW JANUARY 2009
HR I SPOTLIGHT
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Lastly, Japanese company, Fujimoto Architect for
their final wooden house design, won the award for
the best house in the private house category. The
judges praised the scheme as a "captivating work in
which building fabric, structure, furniture and so on
merge in an ever changing landscape of inhabitation.
This is a difficult house but one which opens up the
way we might think about domestic space."
Moreover, in addition to the various seminars and
exhibits displayed, Emap also organised an architec-
tural city tour for those visitors who were keen on
viewing the architectural heritage that Barcelona had
to offer. Local experts from the Collegi d' Arquitectes
de Catalunya, Barcelona, guided the tours that were
specially organised for the visitors and participants
of the WAF Awards. Besides witnessing a one of its
kind gathering of prominent architects from across
the globe, the architects also got an opportunity to
expand their network and create noteworthy busi-
ness ties.
On a concluding note at the WAF Awards, Mr.
Finch, said: "We saw a huge response to these
Awards, which recognise and celebrate international
excellence. The quantity and quality of the entries
provides a real showcase of global architecture and
highlighted how architects change the way we think
about buildings."
Contact
email: [email protected]
web: worldarchitecturefestival.com �
Final Wooden House, Japan
by Sou Fujimoto Architects
JANUARY 2009 HOME REVIEW 117
HR I SPOTLIGHT
Winners of theWinners of theWinners of theWinners of theWinners of thevarious categories:various categories:various categories:various categories:various categories:
K Fem, Sweden, by Wingardh Arkitektkontor AB
Exhibition and Automobile
Delivery Center, Germany, by Coop Himmelb(I) au
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Health - Centre pour le Bien-être des
Femmes et la prévention des
mutilations génitales féminines
´G.Kambou, Burkina Faso, designed
by FARE studio, Italy.
Holiday - Nk´Mip Desert Cultural
Centre, Canada, designed by Hoston
Bakker Boniface Haden Architects,
Canada.
Nature - Olympic Sculpture Park,
Seattle Art Museum, USA, designed
by Weiss/ Manfredi Architecture/
Landscape/ Urbanism, USA.
Civic - GZBICC - Guangzhou Baiyun
International Convention Center
designed by Buro II.
Culture - Oslo Operahouse, Norway,
designed by SNØHETTA, Norway.
Housing Development - Mountain
Dwellings, Denmark, designed by
BIG-Bjarke Ingels Group, Denmark.
Pleasure - Sheep Stable,
Netherlands, by 70F Architecture,
Netherlands.
Production - BMW Welt - Event,
Exhibition and Automobile Delivery
Center, Germany, by Coop
Himmelb(l)au, Austria.
Religion & Contemplation -
Dornbusch Church, Germany by
Meixner Schlüter Wendt Architekten,
Germany.
Sport - Sports Hall Bale, Croatia, by
3LHD Architects, Hungary.
Shopping - K:fem, Sweden by
Wingårdh Arkitektkontor AB, Sweden.
Office - Duoc Corporate Building,
Chile, by Sabbagh Arquitectos, Chile
Energy, Waste & recycling -
Landscape Restoration of the
Controlled Rubbish Dump "La Vall d'en
Joan", Spain , designed by Batlle &
Roig Architects, Landscape Architect
Learning - Universita Luigi Bocconi,
Italy , designed by Grafton Architects
New and Old - Robert and Arlene
Kogod Courtyard, Smithsonian
Institution, USA, designed by Foster
+ Partners
Private House - Final Wooden
House, Japan designed by Sou
Fujimoto Architects
Transport - Nordpark Cable Railway,
Austria, designed by Zaha Hadid
Architects.
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
118 HOME REVIEW JANUARY 2009
HR I SPOTLIGHT
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
SustainableConstructionin Global SpotlightThe Holcim Foundation promotes innovative
and sustainable approaches from the building
industry.
�It has been the mission of Holcim Foundation to
select and support initiatives that combine sustainable
construction solutions with architectural excellence and
enhance the quality of life beyond technical solutions.
The Holcim Foundation therefore encourages sustain-
able responses to the technological, environmental,
socio-economic, and cultural issues affecting building
and construction.
The primary objective of the Holcim Foundation is
the non-commercial promotion and development of
sustainable construction at national, regional, and
global levels. Utilising the global reach of the Holcim
Group, the Foundation accelerates progress towards
sustainable construction, encouraging initiatives in
support of sustainable approaches to the provision of
housing and infrastructure in developing and
industrialised nations alike. The Foundation also seeks
to unite diverse global expertise and increase aware-
ness of the critical role of the built environment in
sustainability.
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Brazil - Low-energy university
mediatheque, Rio de Janeiro
In 2008, the Swiss-based Holcim Foundation for
Sustainable Construction conducted the USD 1.35
million regional phase of the 2nd Holcim Awards
and launched three publications and an online
events calendar. Encouraging best practice, the
Foundation aims at promoting the inspiring
architects, engineers and developers to adopt
sustainable parameters for their building projects.
The results of the global phase of the Holcim
Awards competition will be rightly announced on
May 8, 2009.
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Low-impact greenfield
university campus, Ho Chi Minh City, Vietnam
JANUARY 2009 HOME REVIEW 119
HR I SPOTLIGHT
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
The Foundation conducts the Holcim Awards
competition for projects and visions in sustainable
construction in parallel across five regions of the
world. Almost 5,000 projects from authors in 90
countries were submitted in the competition which
aims to promote sustainable responses from the
building and construction industry to technological,
environmental, socioeconomic and cultural issues.
The 15 winners of the gold, silver and bronze prize
in each of the five regions automatically qualify for
the global phase of the competition where a total
of USD 650,000 in additional prize money is on
offer.
The global Holcim Awards finalists include
projects from Brazil, Canada, China, Colombia,
Hungary, India, Morocco, Slovenia, Switzerland,
UAE, Uganda, USA, and Vietnam, and involve
additional project teams from Japan and Spain.
Each of the teams would now prepare a more
extensive submission that will be evaluated by an
independent jury headed by acclaimed Indian
architect and planner Charles Correa and include
renowned representatives from architecture,
science, and business. The other members of the
global Holcim Awards jury are Peter Head (Civil
engineer, UK), Enrique Norten (Architect, Mexico),
Saskia Sassen (Social scientist/economist, USA),
Hans-Rudolf Schalcher (Civil engineer,
Switzerland,TCC), Rolf Soiron (Social scientist,
Switzerland, Holcim) and Achim Steiner (Econo-
mist/administrator, Kenya).�
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Switzerland - Autonomous alpine
shelter, Monte Rosa hut
India - Energy-efficient office
complex, Hyderabad
120 HOME REVIEW JANUARY 2009
HR I SPOTLIGHT
The jury is supported by the Technical Compe-
tence Center of the Holcim Foundation (ETH Zurich,
Massachusetts Institute of Technology and Tongji
University) and will evaluate the projects according
to the 'target issues' for sustainable construction
developed by the Holcim Foundation in collaboration
with its partner universities.
The two new books launched by the foundation
are namely, Office Building In India and Community
Centre In South Africa. These books clearly
emphasise on sustainable construction in practice
as part of an ongoing monographic series. The
Holcim Foundation, in addition supported the launch
of a collection of essays from eminent thinkers on
the topic of sustainability and urban transformation
inspired by the international Holcim Forum 2007 held
in Shanghai. The 400 page publication considers
urban transformation from many perspectives: seen
through the eyes of more than 50 international
architects, urban planners, politicians, and artists
including Saskia Sassen, Robert Somol, Jean-
Philippe Vassal, Eyal Weizman, Teddy Cruz, Rahul
Mehrotra, and Enrique Peñalosa. Further, the Founda-
tion also launched a web-based events calendar to
act as a networking tool, listing events related to
sustainable construction hosted by associations,
universities, NGOs, IGOs, corporations etc. world-
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
Slovenia temporary urban extension in
a former landfill, Maribor
USA - Self-contained day
labor station, San Francisco
JANUARY 2009 HOME REVIEW 121
HR I SPOTLIGHT
Global Holcim Awards 2009 FGlobal Holcim Awards 2009 FGlobal Holcim Awards 2009 FGlobal Holcim Awards 2009 FGlobal Holcim Awards 2009 Finalistsinalistsinalistsinalistsinalists
Uganda - Low-cost school and home for HIV orphans, Rakai
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
Brazil: Low-energy university mediatheque, Rio de
Janeiro
Main author: Angelo Bucci, architect, SPBR
architects, São Paulo, Brazil
Brazil: Solar water heating and rainwater tower,
Florianópolis
Authors: Maria Andrea Triana, architect, Roberto
Lamberts, engineer, and Marcio Antonio Andrade,
LabEEE-UFSC, Florianópolis, Brazil
Canada: Living with Lakes Center for freshwater
research, Sudbury
Main author: John Gunn, scientist, Laurentian
University, Sudbury, Canada
China: Sustainable planning for a rural community,
Beijing
Main authors: Yue Zhang, academic, Tsinghua
University, School of Architecture, and Feng Ni,
government officer, Beijing Municipal Commission
of Urban Planning, Beijing, China
Colombia: Urban integration of an informal area,
Medellín
Main author: Gustavo Adolfo Restrepo, architect,
Empresa de Desarrollo Urbano, Medellín, Colombia
Hungary: Contextual government quarter
development, Budapest
Main author: Peter Janesch, architect, Team0708 Kft,
Budapest, Hungary
India: Energy-efficient office complex, Hyderabad
Authors: Skidmore, Owings & Merrill LLP, New York,
USA and Maytas Properties Pvt. Ltd., Hyderabad
Morocco: River remediation and urban development
scheme, Fez
Main authors: Aziza Chaouni, architect, Extramuro
LLP, Fez, Morocco and Takako Tajima, urban
planner, Los Angeles, USA
Slovenia: Temporary urban extension in a former
landfill, Maribor
Main author: Belinda Tato, architect, ecosistema
urbano, Madrid, Spain
Switzerland: Autonomous alpine shelter, Monte
Rosa hut
Main author: Andrea Deplazes, architect, Studio
Monte Rosa, DARCH, Swiss Federal Institute of
Technology (ETH Zurich), Zurich, Switzerland
UAE: Lighthouse tower with low-carbon footprint,
Dubai
Author: Shaun Killa, architect, Atkins PLC, Dubai,
UAE
Uganda: Low-cost school and home for HIV
orphans, Rakai
Author: Koji Tsutsui, architect, Koji Tsutsui Architect
& Associates, Tokyo, Japan
USA: Self-contained day labor station, San
Francisco
Main author: Liz Ogbu, designer, Public
Architecture, San Francisco, USA
USA: Solar 2 Green Energy, Arts and Education
Center, New York
Main author: Christopher J Collins, Solar One Green
Energy, Arts and Education Center, New York, USA
Vietnam: Low-impact greenfield university
campus, Ho Chi Minh City
Main author: Kazuhiro Kojima, architect, Coelacanth
and Associates Co. Ltd., Tokyo, Japan
wide. The database which boosts the interchange
of diverse global expertise in the field of sustainable
construction now features some 600 entries from
more than 30 countries.
The activities of the Holcim Foundation run in
cooperation with renowned partner universities:
Swiss Federal Institute of Technology (ETH Zurich),
Switzerland; Massachusetts Institute of Technology
(MIT), USA; Universidad Iberoamericana, Mexico;
Universidade de São Paulo, Brazil; the University of
the Witwatersrand, South Africa; and Tongji Univer-
sity, China. The Foundation is supported by Holcim
Ltd. and its Group companies in more than 70
countries, but is independent of its commercial
interests. Holcim is one of the world's leading
producers of cement and aggregates, and was
recently named 'Leader of the Industry' in the Dow
Jones Sustainability Index for the fourth year in
succession.
Contact email: [email protected]
web: www.holcimfoundation.org �○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
RESOURCESADDRESS BOOK FOR ALL GOODSAND SERVICES IN THIS ISSUE
UNBUILT WORKS
SAMEEP PADORA ASSOCIATES
603, Marble Arch,
94, Pali Hills, Bandra,
Mumbai 400050
Tel (022) 249217811 /
32458664
Mob 9820027973
RETAIL THERAPY
NEIL BARRETT FLAGSHIP STORE,
JAPAN
Zahahadid Architects
Studio 9, 10 Bowling Green
Lane, London EC1R 0BQ
Tel +44 (020) 7253 5147
Mob +44 (0771) 6086376
davide.giordano@zaha-
hadid.com
CULT PRODUCT
ACOUSTIC PANELS
Offecct Ab
Head office and showroom
Box 100
SE-543 21 Tibro
Tel +46 (0)504-415 00
Email: [email protected]
Abstracta
Tel +800 (0223)7315
E-mail [email protected]
GO GREEN
CR LAND GUANGANMEN GREEN
TECHNOLOGY SHOWROOM
Beijing Vector Architects
Rm1002, Builidng 1,
Xiaguangli 66
Changyang District
CN -100027 Beijing
Tel +8610 (0844) 67 81 6
Email vector.architects
@gmail.com
FEATURES
AN URBAN MONASTERY
AA HOME
Kailash Nagar housing
society,
Forjett Hill, Tardeo Road,
Mumbai 400007
Tel (022) 32536125
A LOCAL FLAVOUR
VARSHA & DEEPAK GUGGARI
ASSOCIATES
943/5-B, Uma Niwas,
PMC colony,
Senapati Bapat Rd,
Pune 411016
Mob 9373011102
ECLECTIC LIVING
MATHAROO ASSOCIATES
24 - E Capital Commercial
Centre,
Ashram Road, Ahmedabad
- 380 009, Gujarat
Tel (079) 26577757
CABIN CLASS
RAMIREZ+MOLETTO ARQS
aurelio gonzalez 3330,
Vitacura
Tel +562 9535248
BLURRED BOUNDARIES
MO-OF
Manisha Agarwal
9 sagir Apts,
35 Turner Rd,
Bandra West
Mumbai 400050
Mob 9820929396
A SPIRITUAL AURA
DCA ARCHITECTURE AND DESIGN
Nitin Khatwani
B-41 Ruturaj Bldg, Opp
SNDT College,
Juhu road, Santacruz (W),
Mumbai 400 049
Tel 26613778 / 3573
Email [email protected]
Mob 9833006265
MYTH MEETS
MAGNIFICENCE
ATLANTIS - THE PALM
Crescent road,
Palm, Jumeriah, Dubai
Tel +97 1 4 426 0000
A SPIRITUAL AURA
SALIENT PVT. LTD
D-405, City Centre,
DC block, Sector – 1,
Salt Lake,
Kolkata 700064
Tel (033) 23589080/0979
JANUARY 2009 HOME REVIEW 123
HR I PROMOTION
� Powered by innovation and a no-compromise qual-
ity policy, Simpolo has grown to become India's fourth
largest production house in the branded sanitary ware
segment.
Along with ISO 9001:2001 certified processes and
ISI labelled products, the company has already made
a name for itself in the field of quality, product range,
innovation and reliability. Crossing many milestones
along the way in the sanitary ware segment, the com-
pany has recently forayed into the tiles segment.
Enjoying a very good response for its introductory
range of tiles - the single tone and soluble salt
collection, Simpolo is now set to prove it’s innovation
capabilities in the tiles segment, with future plans
to enhance its market share with some of its own
innovative tile collections.
The company's current collection includes the Salt
and Pepper series which is available in both polished
and non-polished variants. Made of multi-coloured
granules, these tiles are prepared by a spray dryer
providing a perfectly homogeneous surface.
With an absolutely natural look and surface of mar-
ble and stone, Simpolo also offers the fullbody vitrified
tiles. After various processes, these tiles resemble
stone and marble with natural looking veins and
colouration. The company has also brought in as a part
of the collection the advanced Double Charge technol-
ogy. Going through different processes, this technol-
ogy helps tiles obtain the scintillating aesthetics of natu-
ral marble or granite.
Accentuating the ethnic class is Simpolo's Rustic
and Lapato category of tiles. In order to get the natural
and elegant look of genuine stone, various types of
printing and surface applications are employed. Inter-
national shade or colour variations add to the product
impact. Another category is the metallic tile series that
exude a strong European design sensibility with its
metallic tones - copper, metallic brown, silver and gold.
The unique sheen of the tile is achieved by the oxi-
dised effect that imitates the shine and texture of metal.
Lastly, delivering unlimited possibilities of design is
the Water-Jet technology. Autocad details are fed to a
master workstation, which guides the water-jet to carve
out desired designs. All the tiles are available in 600mm
x 600mm, 600mm x 300mm, 1000mm x 1000mm.
Simpolo is striving to improve its quality further, the
prime objective being satisfaction of it’s customers.
Hence, it uses world class technology and the latest
Nano technology to achieve this level of brilliance in
quality and design. Nano technology gives tile surfaces
a mirror like glossiness. Lending a high gloss finish,
the tiles surface yet remains anti-skid. The process
involves the use of environment friendly nano-tech coat-
ing material and makes the tiles durable and stain
resistant with a smooth and homogeneous surface.
Contact
Simpolo Ceramics
Old Ghantu Road,
Morbi-363642,
Gujarat
tel: (02822) 240930/329855
fax: (02822) 240935
email: [email protected]
web: www.simpolo.net �
124 HOME REVIEW JANUARY 2009
HR I PROMOTION
� Bathroom vanities and bathroom cabinets make
the whole style of your bathroom come alive, and set
the tone of your bathroom design. Vanities and cabinets
serve as the centrepiece of your bathroom. Reflecting
an exceptional fusion of fashion and function,
Hindware, a market leader in sanitaryware, now
presents the fashionable Wood Art collection to beau-
tify and equip your bathroom.
Hindware has launched an attractive Wood Art
range where the goodness of wood combines with
excellent craftsmanship to give your bathroom an eternal
style. The range comes with a solid wood cabinet,
wash basin and mirror console. In some models, the
cabinet is coupled with a marble top and the mirror
comes with a lamp, there are also special hinges for
soft door closing action. Crafted especially for style
and usefulness, Hindware's attractive Wood Art range
products are made with water resistant solid wood
which increases the durability of products.
The collection comes in 6 different ranges namely
Viola, Floret, Aster,
Rosette, Anther and
Azara. Each range has a
different pattern and its
own style statement.
Priced at Rs 31,195
onwards, the collection is
THIS PAGE Hindware’s
newly launched Wood
Art range that comes
with a solid wood
cabinet, wash basin and
mirror console.
offered in 2 elegant colours, namely cedar and wenge.
This new range from Hindware is exclusively available
at Evok, the Home Fashion Mega store, Crown Interiorz
Mall, Faridabad, West Gate Mall, Rajouri Garden in
addition to a wide network of retailers of Hindware
outlets across India.
Contact
Hindustan Sanitaryware & Industries Ltd.
III Floor, Unit 301&302,
Park Centra,
Sector 30, NH 8,
Gurgaon 122001,
Tel: (0124) 4779200
Email: [email protected]
Web: www.hindwarebathrooms.com�