Portfolio architecture2 0 1 0 - 2 0 1 5

A i d A Z o u a o u i

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“Hay que recrear y renovar la nostalgia, volviéndola contemporánea” Luis Barragán

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Portfolio contents

cross-road 3rd year - Ensapvs Paris p 24-25

wonder-box 4th year - UPM Madrid p16-19

earthen architecture workshoP M’hamid p 4-7

additional Graphic-art, workshops, stage design p 26-31

a breath in the city 3rd year - Ensapvs Paris p 20-23

re-delighting an urban oasis 5th year - Paris p 8-15

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e a r t h e n a r c h i t e c t u r e w o r k s h o PM ’ h A M i d , o A s i s , M o r o c c oJ A n U A r y 2 0 1 5

Terrachidia promotes and enhances the vernacular architecture and the traditional construction techniques of raw earth as a construction material.

the purpose of the workshops is largely practical; it is a place to get covered in mud, to live a life experience, a provides direct experience in collaboration with the oasis inhabitants that lead us deep into the materials and its architectures.

at the request of the local population, we restored a public area in Ouled M’hiya, contributing to the development of the oasis.

we used different construction techniques (adobe, raw earth and wall reinforcement).

Plan

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adobe making

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Wall reinforcement and finishing touch

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r e - d e l i g h t i n gan urban oasis o U A r z A z A t E , M o r o c c oJ U l y 2 0 1 5

situated at the Sahara’s gateway and at the foot of the atlas, ouarzazate is a regional capital with great socio-economic potential. Morocco wants to make it “the eco-tourism and sustainable Mediterranean capital”.

The flagship visible sequenced project, unifying landscape continuity, will benefit both locals and tourists. it intends to galvanize the city and its economy through an educational program. new professional training centers target promising activities for the region and will permit youth to reinsert themselves into the local economy.

the project is located within an ancient draa’s tributary. A 3km long landscaped promenade connects the airport and the historical city center. it is sequenced by different public spaces adapted to the arid climate.

the walk is accompanied by a renewable energy supplied tramway and each stop will be a thematic showcase of the regional cultural know-how.

renewable energy

earthen architecture

aromatherapy

handicraft

cinematography

culinary arts

tying two attractive city-centers

international airport

cultural center

crossing a scar in the city

Ouarzazate

Tanger

Fes

Marrakech

Agadir

Rabat/Salé

Casablanca

3 360 000 Hab

1 450 000 Hab

1 100 000 - 900 000 Hab

570 000 - 470 000 Hab

200 000 - 100 000 Hab

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Public square

semi-public square

little covered street

Palm grove

Master plan - a sequenced promenade

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building establishment according to the prevailing wind

cross section

urban planing principle of a dwelling’s unit

traditional dwelling’s unit :

3x3m

new unit : 4,5x4,5m urbain connexions

urbain planing principle

this sequence is organized around an aromatic public garden. its scenography offers a variety of experimental pavilions and plots, giving rhythm to a sensory path. each pavilion and each plot is managed by a student. therefor students and visitors bound along the route.

Student housing make the urban transition between the dense avenue and the garden, enabling the pedestrian to join the path anytime.

the traditional dwelling unit has been modified in order to create a new urban fabric, adapted to the local climate.

the wellness aromatherapy center is integrated in the garden’s route. a succession of plant-covered patios create the transition between public and private spaces.

11ground-plan

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Pool access drawing

building’s circulation drawing

damp and dry spaces

the patio shaped building is adapted to its arid climate, creating natural ventilation and shadow. its morphology is based on the traditional local architecture.

the aromatherapy center is divided in 3 sequences : pools, hammam and relaxation. the visitor wanders through the building and its exterior spaces, from an atmosphere to another.

The ground floor is structured around the plant-covered patio. Pools ensure the continuity between interior and exterior spaces.

Local building materials like stone, wood and clay, are combined differently depending on the thermal atmosphere of each sequence.

the center is recognizable by its earthen domes and vaults, which shape the first floor rooms.

south facade

longitudinal section

13Ground floor plan

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GSPublisherEngine 0.0.100.100

detailed section of the terrace

Interior view of the hammam (first floor)

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exterior view of the building’s entrance

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w o n d e r b o xPoP art cultural centerbAttErsEA PowEr stAtion - londonM A y 2 0 1 4

PoP art is made by all and for all. in this way, its artistic production has a certain ambiguity: it takes place between the public and the private area. Based on this reflection, I chose to deal with the issue of the threshold. i concentrated my intervention on the interior facade of the building.

the idea is to restore one of the city’s symbols by giving it functionality. the project respects the existing structure and facades.

thus, artists’ studios are contained into projecting and withdrawal “boxes”, putting the artistic production in the threshold between the public plaza and the exposition halls.

(1)

PublicoPrivado Privado

(2)

exPosicion

exPosicion

(4)

talleres

talleres

(3)

INTRODUCCIÓN DEL ESPACIO PÚBLICO HACIA EL INTERIOR

ESQUEMA DE LLENOS Y VACÍOS QUE INTRODUCEN UN DIÁLOGO ENTRE EL ESPACIO PÚBLICO Y PRIVADO

INTERVENCIÓN EN VOLÚMENES MEDIANTE PERFORACIONES QUE INTRODUCEN LA LUZ Y ORGANIZAN EL ESPACIO

RESTITUCIÓN DELA ENVOLVENTEDEL VOLUMENCENTRAL

VOLÚMEN QUEMANTIENE LAENVOLVENTE

ENTRADA DE LUZMEDIANTE PATIOS

ENTRADA DE LUZMEDIANTE PATIOS

INTERVENCIÓN EN LAS DOS NAVES LATERALES EXISTENTES

CONEXIÓN DE LOS DOS VOLÚMENES BAJO LA PLAZA

PREEXISTENCIAS Y ELEMENTOS QUE SE ELIMINAN

PROGRAMA PÚBLICO

COMUNICACIÓN PÚBLICO/PRIVADO

PROGRAMA PRIVADO

ESPACIO PÚBLICO

VIVIENDASARTISTAS

AU

LAS/

TALL

ERES

VIVIENDASARTISTAS

VIVIENDASARTISTAS

VIVIENDASARTISTAS

ESPA

CIO

EXP

OSI

TIVO

CIRC

ULA

CIÓ

N AU

LAS/TA

LLERES

ESPACIO

EXPOSITIVO

CIRCULA

CIÓN

ESPACIO EXPOSITIVO

ESPACIO EXPOSITIVO

ARTISTASPLASTICOS

MUSICOS

ARTISTASPLASTICOS

ACTORESBAILARINES

CERRAMIENTO DE LA NAVE CENTRAL /CREACIÓN DE PLAZA

ESPACIO PÚBLICO ESTÁTICOS GRADACIÓN DE ESPACIO PÚBLICO AESPACIO PRIVADO

ESPACIO PÚBLICO

ESPACIO PÚBLICO/PRIVADO

ESPACIO PRIVADO

2. PREEXISTENCIAS 3. DIRECCIONALIDAD / DINAMISMO 4. DIFERENTES ESCALAS ESPACIALESESTRUCTURA PREEXISTENTE

NA

VE

S L

ATE

RA

LES

'A'

NA

VE

S L

ATE

RA

LES

'B'

VA

CIO

TORRE A1 TORRE B1

TORRE A2 TORRE B2

CRUJÍA ESCALA DOMÉSTICA

CRUJÍA ESCALA FÁBRICA

4.50 6.85

2.00 2.45 2.00

7.01 7.10

5.44

18.8

2

12.0

2

4.20

3.20

3.30

-4.8

-4.8

PATIO EXTERIOR

FORJADO APOYADO EN VIGAS DE LA NAVE

espacio recepción, exposición/shopping,ACCESOINTERIORMUSEO

3.30

12.1

9

16.9

0

3.80

3.80

0.80

12.3

20.

708.

21

0

1.67

PREEXISTENCIAS

ACCESOS

aparcamiento300 bicicletas

x2

CULTURAL

Bicicleta Coche

x1

Biblioteca

Auditorio

exposiciones fijas5000 m2exposiciones temporales1000 m2salas de proyección500 m2

auditorio principal1500 butacasauditorio secundario500 butacascines200 butacas/aire libre

sala de consusta500 m2sala de lectura200 m2archivo100 m2

x1

x3

EDUCATIVO

Aulas teóricas

Talleres

x1

200 alumnos permanentes1000 m2200 alumnos variables1000 m2

bellas artes500 m2cine200 m2teatro/danza100 m2

x8

H O S T E L E R Í A / T U R I S M O

50 mesas

x2

ADMINISTRATIVO

Comer

Mantenimiento/control

recepción100 m2administración200 m2gestión100 m2

control100 m2mantenimiento100 m2

Museo

Salas polivalentes

sala para eventos600 m2sala para instalaciones200 m2

z

sitúa la escuelade arte. Existe una cercana relaciónentre la escuela y los espaciosexpositivos, de manera que en ellos sepueden exponer, e incluso ver como setrabaja en los talleres.

CENTRO DE FORMACIÓN

h4. Nuevos huecos en fachada

3. Reparación de fachada

2. Conservación del volumen

1. Conservación de alturas

5. Reparación de cubierta

6. Huecos en forjados

8. Eliminación de volumen

9. Adición de nuevo volumen

7. Cerramiento de huecos

entrada

entrada

entrada

entrada

entradavías del tre

n

para

da d

e au

tobú

s

El museo se concibe como un recorridoentorno a una plaza, donde ésta formaparte de él, suciediendo alli todo tipo deprograma. Por otro lado las naveslaterales próximas a la plaza se dedicanpara las exposiciones del arte pop, congrandes espacios diáfanos adaptables acualquier tipo de exposición, con luzcontrolada.

MUSEO

El museo se concibe como un recorridoentorno a una plaza, donde ésta formaparte de él, suciediendo alli todo tipo deprograma. Por otro lado las naveslaterales próximas a la plaza se dedicanpara las exposiciones del arte pop, congrandes espacios diáfanos adaptables acualquier tipo de exposición, con luzcontrolada.

TALLERES/COMUNICACIÓN

El museo se concibe como un recorridoentorno a una plaza, donde ésta formaparte de él, suciediendo alli todo tipo deprograma. Por otro lado las naveslaterales próximas a la plaza se dedicanpara las exposiciones del arte pop, congrandes espacios diáfanos adaptables acualquier tipo de exposición, con luzcontrolada.

SALAS DE PROYECCIONES

El museo se concibe como un recorridoentorno a una plaza, donde ésta formaparte de él, suciediendo alli todo tipo deprograma. Por otro lado las naveslaterales próximas a la plaza se dedicanpara las exposiciones del arte pop, congrandes espacios diáfanos adaptables acualquier tipo de exposición, con luzcontrolada.

AUDITORIO

En las torres que dan al río se introduceun programa de residencia temporal,donde las personas puedanexperimentar lo que es vivir unapequeña temporada en el centro dearte, o vengan a realizar algún tipo decurso... Así los espacios más icónicosde las torres no solo quedan destinadosa un público muy selecto, sino quepueda acceder cualquier persona.

HOSTAL

En las torres sur se encuentran lasviviendas para los artistas residentes.Estas viviendas estarán relacionadascon los talleres para que los artistastrabajen fácilmente.

VIVIENDA ARTISTAS

Debajo de la plaza se situan tanto losaccesos principales al programa demuseo, asi como la zona deadministración, almacenaje, acceso demercancías. Estarán comunicados porlo tanto con el programa museístico,auditorio...

PLANTA BAJO PLAZA

CENTRO de arte popLa Battersea Power Station se trata de un edi�cio que actualmentese encuentrta abandonado. Han sido muhchas las intenciones deintervenir en ella, pero ninguna con un resultado �nal.La Battersea ha permanecido cerrada durante muchos años, porlo que uno de los intereses principales del proyecto es devolver eledi�cio a la ciudad de Londres .El programa propuesto es el de un centro que estuvieserelacionado con el movimiento Pop . Es por ello que se haenfatizado en el carácter popular de aquel movimiento, unaintervención que estuviese dirigida a las personas, a las masas.Así, el programa se trata no solo de un un centro de exposicionesdel movimiento Pop, sino un lugar donde las personas puedanaprender, expresarse, relacionarse, vivir.

alvaro parra p9

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1 renovacion de chimeneas

eliminacion de volumen

reparacion de fachada

conservacion de volumen

nueva terraza en cubierta

refuerzo de la estructura

adicion de nuevos volumenes

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3

4

5

6

7

2

6 77

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4

Third floor plan

Public plaza

studio

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cross section

Zoom on the third floor plan

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the architecture creates a physical and visual interaction between the artists themselves, as well as the visitors and the artists at work.

dealing with the thickness of the facade allows for the development of a series of exterior walkways and terraces, which are communal spaces for cultural and artistic interaction.

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a breath in the city5 0 d w E l l i n G sivry-sUr-sEinE - PAris’s sUbUrbJ U n E 2 0 1 3

the idea was to recreate a transitional block between two urban scales. the volumes were organized to offer different qualitative spaces to the wider society.

the project is perfectly integrated in its environment. it is composed of five distinct volumes: four destructed parallelograms organized in “comb” and one closing the block. thus, natural light is brought into deep plot. the two principal volumes stand on a landscaped public plaza; which is intersected by a new pedestrian route.

the apartments are focused inward towards a substantial collective garden, cleared by this arrangement. the empty space between the parallel volumes houses private yards, as well as enhances natural ventilation.

site plan

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ColleCtive park

publiC plaza

new pedestrian street

private street

Courtyard

Ground floor plan Plan of a two bedrooms housing

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the textured facade is made up of a series of projecting and withdrawal volumes, which articulate the different apartments externally and allow residents to identify their own home – a mean that animates the public plaza, besides the ground floor’s shops. The elevation treatment of the terraces underlines the conceptual progression from one urban scale to another.

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the building is perfectly integrated in its environment. it is situated at the junction between two different characteristic scaled streets.

The ground floor is designed as an extension of the main street. it brings to life the public space and is filled with life by its environment.

Interior spaces are organized around a light source atrium. it enables visual connections between spaces.

the facade is an interplay of opacities and transparencies depending on the activity inside.

c r o s s - r o a dM U l t i M E d i A l i b r a r ydistrict 13 in PAris, FrAncEJ A n U A r y 2 0 1 3

15,29m

9,91m

8,57m 7,46m

21,61m

8,18m

5,57m

5,05m

5,09m

salle polyvalente

salle d’exposition

hall

cafétéria

salle actualité

Ground floor plansite plan

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salle polyvalente

Magasinréserve

espace enfantespace adulte

hall

audiothèque

adMinitration

cross section

espace de travail

espace de

consultation

espace adulte

espace enfant

audiothèque

vidéothèque

First floor plan

Second floor plan

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sculpture, volumes and light

M o d e l i n gJ U n E 2 0 1 0

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w o r k s h o P s t r u c t u r e F E b 2 0 1 1

s E P t 2 0 1 2a 9 cardboard and scotch tape shelter

solidity tests on pasta models

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differentsketches techniques

ballpoint pen on tracing paper (left page)

in situ lead pencils ketches(right page)

the ensapvs’s entry hall by night, Paris

the ensapvs’s entry hall by day, Paris

case study house 20 - by neutra

s k e t c h e s2 0 1 0 - 2 0 1 2

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la villa laroche, le corbusier brion’s cemetry at Posagno- by scarpa

la villa laroche, le corbusier

notre-dame de la sagesse church, Paris Piazza caligeri - verona Piazza signore - verona

Piazza regione, verona

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s t a g e - d e s i g nj a n u a r y 2 0 1 3

stage design and staging competition Play «tristesse animal noir» by anja hilling

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in Progress ...aida Zouaoui+33 6 69 32 72 80aida.zouaoui@gmail.com