Neacademia Specimen

7/25/2019 Neacademia Specimen

1/12

:Sergei Egorov, 20092015

:

4.000

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:

:

+ , +

:

Roseta Type Foundry, 201115.

All righs reserved.

www.rosetaype.com

NeacademiaLatin

Neacademia is a ty famiy inspirdby he tys cut by 15h centuryIlian puhcuter Fcsco Grioda Bolona for he faus Vetianprinter ad publisher Aldus PiusMantius. It is dsied for lenghytexts of an apropriate natur h

as clasical litetur ad art.


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Lain, Neacademia Display Regular Cyrillic, Neacademia Display Regular

Lain, Neacademia Display Ialic Cyrillic, Neacademia Display Ialic

Lain, Neacademia Subhead Regular Cyrillic, Neacademia Subhead Regular

Lain, Neacademia Subhead Ialic Cyrillic, Neacademia Subhead Ialic

Lain, Neacademia Tex Regular Cyrillic, Neacademia Tex Regular

Lain, Neacademia Tex Ialic Cyrillic, Neacademia Tex Ialic

Neacademia

Neacademia

Neacademia

Neacademia

Neacademia

Neacademia


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So old, its newJakby by niewiny, o by si przyzna!

A pak jako dti bhali a koch volali

.

Neacademia Display


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Neacademia Subhead

Johans Bhms ws fod of natur

Opus 167

Virgil & Petrarch


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AldieProf. Donald Knuth

ls han dinity

Neacademia Tex


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Neacademia is a ad ty famiy inspird byhe tys cut by 15h century Ilian puhcuter Fcsco Grio daBolona for he faus Vetian printer ad publisher Aldus PiusMantius. Text-size romans ar deled after Grio's Roman #3

(Colona) ad #4 (Leonice). Text ilics ar deled after Ilic #1(Viri) ad later dsin for Soci (Ptrh).The famiy is dsied for lenghy texts of an apropriate natur

h as clasical litetur ad art. Diernt vrsins of he tyfacear optimised for scic int sizs as ws tditinal in lty. Whit he display sizs mainin a viual link o its caligph-ic rots, text sizs exhibit r tygphic qualitis, folowing hevs of he carvrs, t he caligphers, had.

I pekro lovk neckouhnici a ubr se dl pd

jutsk. Na prvn hled oen ani k npadn rozdl;na obu tnh hnic tejnrovina, jen kk zvlnn, abyse eeklo, e je o plh jakotl; tejn erbl krvy na ti on tn, jeme m majlioi tmavodr kabtya dy krsn ervn; a mvypadaj pedov nic jakopedov nic, kdeo zdepimnaj r a vldn ldnkapitny. Teprv lid se svmivldami a velikmi dy vyrbjna svt vlk a otr rozdly.

Pro enapulit t a epskatvsel psn, kdy tyo erblkvky se ns mrn ohlejoima dnskma?

Zemika svtle zelen, jako sena maph maluj niny; zelenlouky a zelen patviny, krona-t tdy; tem hebz s blmikoli kvt, drok dvkys mlu a pltnaou plt,mal a rozafn lid

The famiy is dsied for lenghy textsof an apropriate natur h as clasicallitetur ad art. Diernt vrsins ofhe tyface ar optimised for scicint sizs as ws tditinal in lty. Whit he display sizs mainina viual link o its caligphic rots, textsizs exhibit r tygphic qualitis,

folowing he vs of he carvrs, the caligphers, had.

Recent hisory of digial type left ussurrounded by regularity and perfecion intext fontsa trend that will only intensifywith a switch to digial media. Contempo-rary luddites with their love for letterpressand hand-made materials are runningout of suiable fonts. For that reason, thetypeface was designed with specic allow-ances for letterpress photopolymer printing.When printed digially, it can tolerate andeven benet from low resolution, roughpaper, and low-grade presswork.

Recent hisory of digial type left us surrounded by regularity and per-fecion in text fontsa trend that will only intensify with a switch todigial media. Contemporary luddites with their love for letterpress andhand-made materials are running out of suiable fonts. For that reason,the typeface was designed with specic allowances for letterpress photopol-ymer printing. When printed digially, it can tolerate and even benetfrom low resolution, rough paper, and low-grade presswork.

- , , - .

This carfly cfted famiy alrady provd its qualitis inhe Modern Cyrillic 2009comtitin wher it ws awrdedin he ty sytem cateory. Ros wil intrdce he rtof he optical sizs ovr he course of his yar.


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Provate a guardare il fulmine allorch, squarciando nuvole nerecome tii, erompe in insosenibile brivido, vera alluvione diluce. Tali son gli occhi dAnnuniaa lAlbana.Tuo in leimen i tempi antihi, quad i mar sanimav e loscallo enav scintile. La ss ce dei oi cali lesi avolge in duplice, sante trcia inor al ca, e in

quatro lughi bcoli le si spade ul colo.

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, . .

THE FOUR BOOKS ON ARCHITECTURE

Adra Paladi


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JohansBhms

intermeoOp. 117, Three Intermezi (1892)No. 2 in B-at mir

on an exteded upbat. The gentle butelaholy tue is decoted wih owing, arhing aris pasedbtwen he hads ad puctuated by bas ts. The patern of heeldy hangs slightly halfwy hrough he phse, intrdcingr downwardtin. The phse braks ino an ari hat

sweps dwnwrd, hen back upwrd on a r biting diminishedharny. The swep back up exteds he phse by a bar ad leadsino he ext phse.

The secod phse eergs out of he ari ad binslike he rt oe, but it rahs slightly higher ad bcos rhromatic ad disonant in he dsceding secod half. The harny vs o he rlated key of F minor. The phse closs wiha dsceding ari in hat key hat leads ino he tnsitin.

The tnsitin bins like an extensin of he phse, but it

quickly maks a wide harnic dour as it quits dwn, leading oGat minor(ted as h, wih double ats) in he lat bridingari, whih slows dwn for he r ubded ad wrm []

,


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, ,

Brahms was fond of nature and oftenwent walking in the woods around

Vienna. He often brought penny candywith him to hand out to children.

Brahms was fond of nature and oftenwent walking in the woods around

Vienna. He often brought penny candywith him to hand out to children.

Of he twnty short pia piecsBhms published as Op. 116119,fourteen ar titled Interezo.He abaded he term Capriciafter Op. 116. Whie an introsctiv, gentle piece may b implied byInterezo, it ws also used forpiecs h as Op. 118, No. 6, whosemiddle sectin is vry pasinate.

JohansBhmsintermeoOp. 117, No. 2



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Turkish/Azeri/Crimean Tatar

Language feaure ncan fncan

Romanian/MoldavianLanguage feaure mulumesc, MULU mulumesc, MULU

Serbian/Macedonian forms

Language feaure or sylisic se 7

Alternative form of italic ef

Sylisic se 1 (ialic only)

Ligaturesbaffled final office fjordfluffbal offhad Kafka baednal oceordual oad Kaa

Small capitals

Regular only

V. Dubrovsky 1832 AD

All caps & case-sensitive

punctuation :Br :BRNO

Discretionary ligatures dirct dice sat dir diaceat

Proportional old-style figures

Defaul syle 0123456789 0123456789

Proportional lining figures

Designed as abular 0123456789 |||||||||||

Small-cap figures 0123456789$ $

Ordinals a o No


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Long s

Hisorical forms Lot padise Lot padie

Old-style hyphenSylisic se 3 Old-tyle Oldtyle

Ornaments

Historical swashes

Sylisic se 2 (ialic only) ezula belea eulabelea

Contextual alternates

They are used o improve spacing(here is a minimal amoun of

kerning in he fons) and o

inroduce irregulariies o he

exure. We recommend o keep

his feaure on mos of he ime.

frikl foggy

foggy lazy zombie

rikl foy

folayombie


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Sergei Egorov was born in Moscow.He graduaed from he Moscow

Insiue of Physics and Technology in

1985. Today, he lives near Washingon

DC. In he early 90s Sergei go

acquained wih Donald Knuhs

ype-seting sysem TeX and everyday

TeX programming has gradually

grown ino a genuine ineres across

his work in ypography and book

design. The scope of his ineress

exends o Cyrillic, Greek, and Lain

palaeography, as well as ypographic

hisory. Sergei has been creaing

his own ypefaces since 2003.

Latin:Afar, Afrikaans, Albanian, Asurian-Leonese, Basque, Belarusian, Bosnian (Lain), Breon,

Caalan, Chamorro, Chichewa, Cornish, Corsican, Crimean Taar, Croaian, Czech, Danish, Duch,

English, Esperano, Esonian, Faroese, Finnish, French, Frisian, Friulian, Gaelic (Irish), Gaelic (Manx),

Gaelic (Scotish), Galician, German, Greenlandic, Hawaiian, Hungarian, Icelandic, Ido, Indonesian,

Inerlingua, Ialian, Karelian, Kashubian, Kiribai, Kurdish, Ladin, Lain, Lavian, Lihuanian,

Luxembourgian, Malay, Malese, Maori, Moldavian (Lain), Norhern Soho, Norwegian (Bokml),

Norwegian (Nynorsk), Occian, Palauan, Polish, Poruguese, Raroongan, Rhaeo-Romanic, Romani,Romanian, Saami (Inari), Saami (Lule), Saami (Norhern), Saami (Pie), Saami (Souhern), Saami

(Ume), Samoan, Sango, Serbian (Lain), Shona, Slovak, Slovenian, Sorbian (Lower), Sorbian

(Upper), Spanish (Casillian), Swahili, Swai, Swedish, Tagalog (Filipino), Tahiian, Teum, Tokelauan,

Tsonga, Tswana, Turkish, Turkmen (Lain), Veps, Wallisian, Walloon, Welsh, Wolof, Yapese,

Cyrillic: Abaza, Adyghian, Avar, Azerbaijani/Azeri (Cyrillic), Bashkir, Belorussian, Bosnian (Cyrillic),

Bulgarian, Burya, Chechen, Chuvash, Dargin, Dungan, Erzyan, Ingush, Kabardian, Kalmyk,

Kara-Kalpak*, Kazakh, Komi, Komi-Permyak, Kumyk, Kyrgyz, Lakh, Lezgian, Macedonian, Moksha,

Moldavian (Cyrillic), Mongolian, Monenegrin, Nanai, Nogay, Osseic, Russian, Rusyn, Serbian

(Cyrillic), Tabasaran, Tajik, Talysh, Taar, Turkmen (Cyrillic)*, Tuvan, Ukrainian, Uzbek,

*) These languages swiched from Cyrillic o Lain recenly.

Roseta Type Foundry, 201115.

All righs reserved.

www.rosetaype.com

Available versions Cyrillic (45+ languages) Latin (95+ languages)

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Neacademia Specimen

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