Midterm Project

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James Stolbom Midterm Assignment The first picture, of the gate, was actually not part of my original idea. It was taken outside of the Scholar’s Inn, and is the front gate leading up to the door. The funny thing is that I had originally gone to the Scholar’s Inn to take a picture of their “No Vacancy” sign, to go along with the lyrics in I’ll Follow You Into the Dark. But when I walked up, I went to open the gate, and it was locked. It felt very symbolic to me, especially in the fact that the song talks about how the person passing away is not able to enter Heaven or Hell because there is no vacancy, just as I was unable to enter the Scholar’s Inn. So, the picture of the locked gate was symbolic of not being able to enter. It was taken without flash, and centered because I felt it would feel as if you (the viewer) were standing right in front of it. I played with the color a little bit to make it look lighter in some spots, and darker in others. The picture of the two hands has a much simpler explanation. I centered the hands only because I liked the symmetry it helped represent. On top of this, the interlocked hands and linked fingers showed the idea of unity, and the fact that the man passing away (this will be obvious later) is not actually alone in death. As much as I tried to take the picture without a flash, I failed miserably because you could not get the detail on the linked fingers, something I thought was most important in the picture. So, I gave in and took the picture with the flash on, but did all I could in Photoshop to make it look as though no flash was used. I never thought I’d say this, but here it goes: This was inspired by Twilight and ONLY Twilight. The third picture portrays the mysteriousness of the dead, as well as the loyalty the woman has to the one who left her. It is easily the “face” of the whole assignment, as it clearly shows the woman following an unknown other in the dark. “I will follow you into the dark,” she says. In the movie Twilight, you could take a still shot of almost this EXACT image. Edward reaches out of the darkness at Bella, and she reaches out to take his hand and follow him. I tried to find the image online, but was unable. Still, every time I look at this picture, I can’t help but think of Bella, The Cullens, and the deep woods of Forks, Washington. The picture of the tombstone was taken using the rule of thirds. The tombstone represents death and passing, a main theme throughout the entire song. I took the picture using the rule of thirds because I thought it looked best, and I always specifically chose that tombstone because I liked how you could easily read the name on it: Mary. It was dark and I had to use the flash, but again as mentioned before, I dumbed down the light as much as possible to make it look like the flash wasn’t used. I messed around and thought I eventually did a good job making the tombstone look interesting. I was taught that the color white draws the eye, and since the tombstone is the important part of the picture (obviously), I left a little bit of the white light from the flash on the top of it. Finally, a picture of darkness in its purest form, and the number one theme of the entire song. I simply closed the door to my room, turned off all the lights, turned off the flash, and snapped this shot. It’s true, and honestly, part of it was because I didn’t know what else to take a picture of. But after I took this, I couldn’t help but think it was genius. I’m not proudest of this particular picture; my favorite is still the Twilight one. But, this one is definitely up there.

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My Midterm Project for T-206

Transcript of Midterm Project

James  Stolbom  Midterm  Assignment  

  The  first  picture,  of  the  gate,  was  actually  not  part  of  my  original  idea.  It  was  taken  outside  of  the  Scholar’s  Inn,  and  is  the  front  gate  leading  up  to  the  door.  The  funny  thing  is  that  I  had  originally  gone  to  the  Scholar’s  Inn  to  take  a  picture  of  their  “No  Vacancy”  sign,  to  go  along  with  the  lyrics  in  I’ll  Follow  You  Into  the  Dark.  But  when  I  walked  up,  I  went  to  open  the  gate,  and  it  was  locked.  It  felt  very  symbolic  to  me,  especially  in  the  fact  that  the  song  talks  about  how  the  person  passing  away  is  not  able  to  enter  Heaven  or  Hell  because  there  is  no  vacancy,  just  as  I  was  unable  to  enter  the  Scholar’s  Inn.  So,  the  picture  of  the  locked  gate  was  symbolic  of  not  being  able  to  enter.  It  was  taken  without  flash,  and  centered  because  I  felt  it  would  feel  as  if  you  (the  viewer)  were  standing  right  in  front  of  it.  I  played  with  the  color  a  little  bit  to  make  it  look  lighter  in  some  spots,  and  darker  in  others.     The  picture  of  the  two  hands  has  a  much  simpler  explanation.  I  centered  the  hands  only  because  I  liked  the  symmetry  it  helped  represent.  On  top  of  this,  the  interlocked  hands  and  linked  fingers  showed  the  idea  of  unity,  and  the  fact  that  the  man  passing  away  (this  will  be  obvious  later)  is  not  actually  alone  in  death.  As  much  as  I  tried  to  take  the  picture  without  a  flash,  I  failed  miserably  because  you  could  not  get  the  detail  on  the  linked  fingers,  something  I  thought  was  most  important  in  the  picture.  So,  I  gave  in  and  took  the  picture  with  the  flash  on,  but  did  all  I  could  in  Photoshop  to  make  it  look  as  though  no  flash  was  used.     I  never  thought  I’d  say  this,  but  here  it  goes:  This  was  inspired  by  Twilight  and  ONLY  Twilight.  The  third  picture  portrays  the  mysteriousness  of  the  dead,  as  well  as  the  loyalty  the  woman  has  to  the  one  who  left  her.  It  is  easily  the  “face”  of  the  whole  assignment,  as  it  clearly  shows  the  woman  following  an  unknown  other  in  the  dark.  “I  will  follow  you  into  the  dark,”  she  says.  In  the  movie  Twilight,  you  could  take  a  still  shot  of  almost  this  EXACT  image.  Edward  reaches  out  of  the  darkness  at  Bella,  and  she  reaches  out  to  take  his  hand  and  follow  him.  I  tried  to  find  the  image  online,  but  was  unable.  Still,  every  time  I  look  at  this  picture,  I  can’t  help  but  think  of  Bella,  The  Cullens,  and  the  deep  woods  of  Forks,  Washington.     The  picture  of  the  tombstone  was  taken  using  the  rule  of  thirds.  The  tombstone  represents  death  and  passing,  a  main  theme  throughout  the  entire  song.  I  took  the  picture  using  the  rule  of  thirds  because  I  thought  it  looked  best,  and  I  always  specifically  chose  that  tombstone  because  I  liked  how  you  could  easily  read  the  name  on  it:  Mary.  It  was  dark  and  I  had  to  use  the  flash,  but  again  as  mentioned  before,  I  dumbed  down  the  light  as  much  as  possible  to  make  it  look  like  the  flash  wasn’t  used.  I  messed  around  and  thought  I  eventually  did  a  good  job  making  the  tombstone  look  interesting.  I  was  taught  that  the  color  white  draws  the  eye,  and  since  the  tombstone  is  the  important  part  of  the  picture  (obviously),  I  left  a  little  bit  of  the  white  light  from  the  flash  on  the  top  of  it.     Finally,  a  picture  of  darkness  in  its  purest  form,  and  the  number  one  theme  of  the  entire  song.  I  simply  closed  the  door  to  my  room,  turned  off  all  the  lights,  turned  off  the  flash,  and  snapped  this  shot.  It’s  true,  and  honestly,  part  of  it  was  because  I  didn’t  know  what  else  to  take  a  picture  of.  But  after  I  took  this,  I  couldn’t  help  but  think  it  was  genius.  I’m  not  proudest  of  this  particular  picture;  my  favorite  is  still  the  Twilight  one.  But,  this  one  is  definitely  up  there.    

   “I’ll  Follow  You  Into  the  Dark”  –  Death  Cab  for  Cutie    If  Heaven  and  Hell  decide  That  they  both  are  satisfied.  Illuminate  the  “No’s,”  On  their  vacancy  signs.  If  there’s  no  one  beside  you,  When  your  soul  embarks.  Then  I’ll  follow  you  in  to  the  dark.    

               

   My  visual  aesthetic  was  based  entirely  around  the  movie  Twilight.  This  song  itself  does  not  make  me  thing  of  the  movie,  but  the  pictures  I  began  taking  quickly  reminded  me  of  the  literal  darkness  of  Twilight,  as  well  as  the  romance  between  Edward  and  Bella.  Each  picture  was  darkened,  and  the  love  between  the  two  people  in  my  pictures  was  very  mysterious  and  almost  forbidden,  just  as  Edward  and  Bella’s  is.