Listening Experience3.4

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description

playaround workshop focus on FLOSS art with modules of pure data, physical computing and soundscape

Transcript of Listening Experience3.4

  • 1. Sound sCape /
      • 1.)
    • 2.) ( ) & ( )
    • 3.)
    • 4.) ( )
    • PEI.2008.www.little-object.com

2. 7/1 /(Audacity) PD/quantaphonic/ (PD) (30's-30'm) ( ) (:) 3. 7/1 ogg*m3u (/) 4. 3.)

  • MoondogLouis T. Hardin (1916-1999)
  • "The art of concealing art,maximum effect but with minimum means".
    • ( )
  • / Audiovisual, sounding-images...
  • / graphical notation, indication of symbol system
  • / ~soundscape or ~ acousticlandscape
  • / Field recording

5. / Graphic NotationJohn Cage 6. / Surrualism

  • Max-Ernst Petal and Garten of Nymphe Ancolie, 1934
  • Gradiva 'the woman who walks through walls' is the muse of Surrealism.

7. Artificial Hells. Andre Breton

  • 1919
  • 1920
  • 1921
  • 20
  • 1920 1 23 Tristan Tzara
  • Andre Breton

8. ...

  • Edwin van der Heide-http://www.evdh.net
  • Spatial Sounds (100dB at 100km/h)
  • http://www.youtube.com/watch?v=MsqpIpQlkpA
  • Skyhoook (2 videos) - http://www.zero-th.org/Skyhooks.html
  • Trickster - Artificial Personality
  • http://www.trickstr.ch
  • Soundtransit -http://soundtransit.nl/

9. About Silents / /

    • John Cage: My choices consist in choosing what question to ask.
    • 1.) No logic control, let the sound be itself, sound and siletn are co-equal.
    • 2.) Keep from interrupting the silence that's already there.
    • 3.) Music is about sound and silent.

4:33 / from 4:33 to empty media

    • http://www.youtube.com/watch?v=hUJagb7hL0E
    • Unveil content inside of a closed form
    • Power > Force > formless form > coincidence

10. / Surrualism- Max Ernst

    • Max Ernst
    • The Eye of Silent, 1943

11. Public Space or Architecture, their Culture and Habitants

  • imitated singing?
  • traditional song equaling imitation?
  • a process of distortion of information
  • a cycle of imitation, repetition, superimposition, inversion, and stratification. Just asIbeobliterated the difference between socialized listening and individual listening, withOuaganamonI had the nasty feeling that he wasnt feeling anything.
  • 2004, Mali > Paris, 2007
  • www.melgun.net

12. 7/2 / ( ) ? ? , ( ) (/) streaming 13. 4.) ( )

    • Seeding Recording Generating
    • Sequencing < > Tracking
    • Composing Programming

14. / sounding / vibration / vibration ( ) / :Amplitude,Frequency,Waveform Pitch >Frequency Volume >Amplitude >Frequency Spectrum ( ) sound tone sounding ( impluse respond,feedback) ( speed,delay,) Phrase ( ) 15. & ( ) sound float & data float ( space of float now and then)

  • The medium through which things flow,
  • The things that flow, and
  • The node among which the flows circulate
  • Flow are created by a subtle interplay of similarity and difference among nodes (Felix Stalder, 2001)
  • Invisible Wiring between Nodes also in virtual soundscape
  • Patching culture : connecting sound object
  • Dialog between sound objects

16. Envelope ~ filter 17. Performative Interface by Pure Data 18.

    • PEI.2008.www.little-object.com
    • / English wiki.
    • http://www.microplayground.net/playaroundwiki/index.php/Soundscape