História da Arte: Realismo
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REALISMO
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O Realismo se desenvolve nas arte
européia após o Romantismo,
entre 1850 e 1870 aproximadamente.
Apresenta-se principalmente nas Artes
Plásticas e na Literatura.
O estilo pretende a representação objetiva
da realidade, livre de deformações,
‘sentimentos e atavios estéticos’
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No Realismo do século XIX apresentava uma descrição dos fatos ‘humanos e
sociais’ com a mesma objetividade que o cientista conduzia suas experiências ou o comportamento da natureza, e enfatiza a
‘vitória da visão científica’, da razão colocadas em voga pelos ideais
iluministas com a supremacia da tecnologia e da ciência.
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Desta forma os artistas pretendiam que suas obras apresentassem uma
objetividade, descolada de aspectos emocionais e intelectuais. “A
reprodução da realidade deve ser feita com verdade’
“O VERDADEIRO É O BELO’
afirmava Courbet
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Finalmente, o Realismo apresenta uma preocupação política e social.
As obras apresentam em forma de denúncia os contrastes sociais, entre a riqueza e a a miséria; o mundo do
trabalho e da pobreza em cenas que notabilizam o cotidiano da
população.
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• Temas de caráter objetivo: representação de fatos reais;
• Contemporaneidade dos temas: relacionadas ao cotidiano do pintor;
• Derrocada da idéia de hierarquia temática presentes nas obras do neoclassicismo;
• Inovações na composição que não mais se fixava nas regras de centralidade ou lateralidade do Renascimento e do Barroco, respectivamente;
• Apresentavam seus temas de modo obliquo e com cortes nas margens
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Gustave Courbet
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FRANÇOIS MILLET
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Repin
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Daumier
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ESCOLA DE BARBIZON
• Escola Paisagística Francesa que se desenvolve a partir de 1830.
• O nome da escola está diretamente ligado a Floresta de Barbizon, para onde alguns jovens artistas se retiram afim de estudar a natureza ‘in loco’ e pintar ao ar livre.
• Principais nomes dessa escola: Theódore Rousseau, Diaz de la Pena, Charles Daubgny, Jules Dupré, entre outros.
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Esses pintores são influenciados diretamente pela pintura e a
técnica pictórica de Constable, e tal como ele, buscavam enfrentar a questão da realidade de ‘modo
direto, livre de esquemas pré-concebidos’
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• Estes artistas se isolam em Barbizon para sentir a natureza, a sociedade
natural que esta engendra.Apresentam uma
ambigüidade: por um lado uma atitude romântica de evasão da
artificialidade da cidade, e por outro uma atitude objetiva de apresentar com objetividade a instantaneidade
do momento, da luz, em ‘plein air’ da natureza
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Theodore Rousseau
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Charles Daubigny
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Constant Troyoin
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Jules Dupré
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Diaz de la Pena
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Camile Corot
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BIBLIOGRAFIA
• CAVALCANTI,Carlos. História das Artes. Rio de Janeiro, Civilização Brasileira, 1970.
• ______. Conheça os Etilos de Pintura. Rio de Janeiro, Civilização Brasileira, 1967.
• Argan, Giulio Carlo. Arte Moderna, São Paulo, 1992.