Hisoria de la Arquitectura del s.XX resumen

7/23/2019 Hisoria de la Arquitectura del s.XX resumen

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EXAMEN FINALHISTORIA Y TEORIA DEL SIGLO XX

DAVID FELIPE CAMACHO ALBA


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1812-34_SOANES HOUSE AND MUSEUM_SIR JOHN SOANE DAVID FELIPE CAMACHO ALBA


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1811-14_ECLECTICO NEOCLASICO_DULWICH GALLERY_SIR JOHN SOANE DAVID FELIPE CAMACHO ALBA


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1788_BANK OF ENGLAND_SIR JOHN SOANE DAVID FELIPE CAMACHO ALBA


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ANTECEDENTES_VIENNA_OTTO WAGNER DAVID FELIPE CAMACHO ALBA


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1904-12_MODERNISMO PRIMITIVO_POST OFFICE SAVINGS BANK OF VIENNA_OTTO WAGNER

"Wagner's Post Office Bank was won in competition in 1903 and erected in two stages, 1904-06 and 1910-12. The Hall roof, completed as part of the first stagein 1906, was a major innovation although only a small part of the vast project. It covered the centrally positioned public space in the trapezoidal-shaped, six-storey building. The glazed vault was suspended from cables in the original competition design and a larger area was involved, but in the final design, asecondary roof was incorporated above the curved ceiling. The floor to the Hall was also finished in glass to allow light to penetrate rooms below."



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1904-12_MODERNISMO PRIMITIVO_POST OFFICE SAVINGS BANK OF VIENNA_OTTO WAGNER DAVID FELIPE CAMACHO ALBA


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1905-7_STAINHOFF KIRCHE_OTTO WAGNER DAVID FELIPE CAMACHO ALBA


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1905-11_MODERNISMO PRIMITIVO_PUKERSDORF SANATORIUM_JOSEPH HOFFMANN DAVID FELIPE CAMACHO ALBA


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1905-11_MODERNISMO PRIMITIVO_STOCLET PALACE IN BELGIUM_JOSEPH HOFFMANN D.F. CAMACHODAVID FELIPE CAMACHO ALBA


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1899_DARMSTADT KSNTLERKOLONIE_J.M. OLBRICH

http://en.wikipedia.org/wiki/Darmstadt_Artists%27_Colony



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1896_SEZESSION HOUSE_J.M. OLBRICH DAVID FELIPE CAMACHO ALBA

S S O DAVID FELIPE CAMACHO ALBA


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DARMSTADT HAUSEN_J.M. OLBRICHT DAVID FELIPE CAMACHO ALBA

1910 LOOSHAUS ADOLF LOOS DAVID FELIPE CAMACHO ALBA


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1910_LOOSHAUS_ADOLF LOOS DAVID FELIPE CAMACHO ALBA

1910 STEINER HOUSE ADOLF LOOS DAVID FELIPE CAMACHO ALBA


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1910_STEINER HOUSE_ADOLF LOOS DAVID FELIPE CAMACHO ALBA

1928 CASA MOLLER Y OTRA ADOLF LOOS DAVID FELIPE CAMACHO ALBA


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1928_CASA MOLLER Y OTRA_ADOLF LOOS DAVID FELIPE CAMACHO ALBA

ART NOUVEAU GALERIA TEATRO


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ART NOUVEAU_GALERIA TEATRO

1912 ART DECO CASA MIL ANTONI GAUDI DAVID FELIPE CAMACHO ALBA


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1912_ART DECO_CASA MIL_ANTONI GAUDI DAVID FELIPE CAMACHO ALBA

1885 7 MARSHALL FIELD STORE AND OTHERS HERNRY HOBSON RICHARDSON DAVID FELIPE CAMACHO ALBA


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1885-7_MARSHALL FIELD STORE AND OTHERS_HERNRY HOBSON RICHARDSON DAVID FELIPE CAMACHO ALBA

1886-90 RICHARDSONIAN AUDITORIUM BUILDING LOUIS SULLIVAN & ADLER DAVID FELIPE CAMACHO ALBA


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1886-90_RICHARDSONIAN_AUDITORIUM BUILDING_LOUIS SULLIVAN & ADLER DAVID FELIPE CAMACHO ALBA

1886-90 RICHARDSONIAN AUDITORIUM BUILDING LOUIS SULLIVAN & ADLER DAVID FELIPE CAMACHO ALBA


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1886-90_RICHARDSONIAN_AUDITORIUM BUILDING_LOUIS SULLIVAN & ADLER

"The Auditorium was built for a syndicate of businessmen to house a largecivic opera house; to provide an economic base it was decided to wrapthe auditorium with a hotel and office block. Hence Adler & Sullivan hadto plan a complex multiple-use building. Fronting on Michigan Avenue,overlooking the lake, was the hotel (now Roosevelt University) while theoffices were placed to the west on Wabash Avenue. The entrance to theauditorium is on the south side beneath the tall blocky seventeen-storytower. The rest of the building is a uniform ten stories, organized in thesame way as Richardson's Marshall Field Wholesale Store. The interiorembellishment, however, is wholly Sullivan's, and some of the details,because of their continuous curvilinear foliate motifs, are among thenearest equivalents to European Art Nouveau architecture."


BUILDINGS AT CHICAGO DAVID FELIPE CAMACHO ALBA


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BUILDINGS AT CHICAGO DAVID FELIPE CAMACHO ALBA

1890-91 EARLY MODERN WAINWRIGHT BUILDING (10 Storey) LOUIS SULLIVAN DAVID FELIPE CAMACHO ALBA


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1890 91_EARLY MODERN_WAINWRIGHT BUILDING (10 Storey)_LOUIS SULLIVAN DAVID FELIPE CAMACHO ALBA

1890-5 RELIANCE BUILDING JOHN ROOT DAVID FELIPE CAMACHO ALBA


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1890 5_RELIANCE BUILDING_JOHN ROOT DAVID FELIPE CAMACHO ALBA

1899 1904 EARLY MODERN CARSON PIRIE DEPARTMENT STORE LOUIS SULLIVAN DAVID FELIPE CAMACHO ALBA


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1899_1904_EARLY MODERN_CARSON PIRIE DEPARTMENT STORE_LOUIS SULLIVAN DAVID FELIPE CAMACHO ALBA

OEUVRE CHARLES-DOUARD JEANNERET DAVID FELIPE CAMACHO ALBA


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PRACTICAS CON FERRET CONCRETO ARMADOMODERNISMO DE GROPIUSESTUDIOS MEDIEVALESARQUITECTURA BUQUE Y DISEO INDUSTRIAL

VILLA STEIN / CHARLES-DOUARD JEANNERET DAVID FELIPE CAMACHO ALBA


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1928-29_MODERN_VILLE SAVOYE A POISSY_CHARLES-DOUARD JEANNERET DAVID FELIPE CAMACHO ALBA


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Essentially the house comprises two contrasting, sharply defined,yet interpenetrating external aspects. The dominant element is thesquare single-storied box, a pure, sleek, geometric envelope liftedbuoyantly above slender pilotis, its taut skin slit for narrow ribbonwindows that run unbroken from corner to corner (but not overthem, thus preserving the integrity of the sides of the square)."

PLANS URBAINS_CHARLES-DOUARD JEANNERET DAVID FELIPE CAMACHO ALBA


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CHARLES-DOUARD JEANNERET DAVID FELIPE CAMACHO ALBA


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1946-52_MODERNE_UNIT DHABITATION DE MARSEILLE_CHARLES-DOUARD JEANNERET DAVID FELIPE CAMACHO ALBA


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1946-52_MODERNE_UNIT DHABITATION DE MARSEILLE_CHARLES-DOUARD JEANNERET DAVID FELIPE CAMACHO ALBA


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"Le Corbusier's most influential late work was hisfirst significant postwar structurethe Unitd'Habitation in Marseilles of 1947-52. The giant,twelve-story apartment block for 1.600 people isthe late modern counterpart of the mass housingschemes of the 1920s, similarly built to alleviate asevere postwar housing shortage. Although theprogram of the building is elaborate, structurally itis simple: a rectilinear ferroconcrete grid, intowhich are slotted precast individual apartment

units, like 'bottles into a wine rack' as the architectput it. Through ingenious planning, twenty-threedifferent apartment configurations were providedto accommodate single persons and families aslarge as ten, nearly all with double-height livingrooms and the deep balconies that form the majorexternal feature."

CHAPELLE DE RONCHAMP_CHARLES-DOUARD JEANNERET DAVID FELIPE CAMACHO ALBA


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"Surrealism is a key to other late works of Le Corbusier, most notably the church at Ronchamp, France, of 1950-54... Notre-Dame-du-Haut was a more extremestatement of Le Corbusier's late style. Progamatically,...the church is simplean oblong nave, two side entrances, an axial main altar, and three chapels beneathtowersas is its structure, with rough masonry walls faced with whitewashed Gunite (sprayed concrete) and a roof of contrasting beton brut. Formally andsymbolically, however, this small building, which is sited atop a hillside with access from the south, is immensely powerful and complex."

CONVENT DE LA TOURRET_CHARLES-DOUARD JEANNERET DAVID FELIPE CAMACHO ALBA


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"It was under the instigation of Reverend Father Courturier that the Dominicans of Lyon have charged Le Corbusier with the task of bringing into being at Eveux-sur-Arbresle near Lyon, the Convent of La Tourette, in the midst of nature, located in a small vale that opens out onto the forest. The buildings contain a hundredsleeping rooms for teachers and students, study halls, a hall for work and one for recreation, a library and a refectory. Finally the circulation connects all the parts,in particular those which appear in a new form (the achievement of the traditional cloister form is rendered impossible here by the slope of the terrain)."

JAMES STIRLING DAVID FELIPE CAMACHO ALBA


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BRUNSTUCK GARDEN SCHOOL_MODERN_JAMES STIRLING DAVID FELIPE CAMACHO ALBA


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1959_MODERN_LEICESTER ENGENIEERING BUILDING_JAMES STIRLING DAVID FELIPE CAMACHO ALBA


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1959_MODERN_LEICESTER ENGENIEERING BUILDING_JAMES STIRLING DAVID FELIPE CAMACHO ALBA


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1968_MODERN_CAMBRIDGE HISTORY FACULTY LIBRARY_JAMES STIRLING DAVID FELIPE CAMACHO ALBA


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1968_MODERN_CAMBRIDGE HISTORY FACULTY LIBRARY_JAMES STIRLING DAVID FELIPE CAMACHO ALBA


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1966_MODERN_OXFORD QUEENS COLLEGE_JAMES STIRLING DAVID FELIPE CAMACHO ALBA


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1977_POST MODERN_STUTTGART_NEUE STAATSGALERIE_JAMES STIRLING DAVID FELIPE CAMACHO ALBA


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Hisoria de la Arquitectura del s.XX resumen

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