high-tech
-
Upload
claudia-fabela -
Category
Documents
-
view
6 -
download
3
Transcript of high-tech
![Page 1: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/1.jpg)
Alta Tecnología.
High-Tech.
![Page 2: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/2.jpg)
Alternativa frente a la banalidad del clasicismo posmoderno o a los experimentos de laboratorio de la deconstrucción.
Para el Movimiento Moderno: tecnología, es el punto de partida de nuevas arquitecturas, una innovación técnica sería una innovación tecnológica.
HIGH TECH: Alta tecnología de la electrónica y el control energético global.
Crisis del movimiento moderno: pérdida de confianza en la innovación técnica. Es necesaria una corriente arquitectónica donde sea:
base conceptual = confianza en el proyecto moderno, progreso e innovación técnica.
Antecedentes.
![Page 3: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/3.jpg)
Hacia una arquitectura, 1923. Le Corbusier.
Pensamiento complejo donde el problema de las nuevas tecnologías ocupa un lugar central en la arquitectura de nuestro tiempo.
1. Confrontación entre ingeniería y arquitectura. Ingeniería: posición radical de sumisión a la economía y
cálculo.Arquitectura: pura producción del espíritu.
2. La arquitectura debe comportarse como las ingenierías: diseño de grandes artefactos y producción en serie.
3. Arquitectura es mediación entre técnicas, imágenes y panorama cultural del momento. El orden del universo.
Innovación técnica y cambios científicos no deben ser considerados amenazas inhumanas sino benéficos productos capaces de
reconciliar al sujeto con su entorno.
Antecedentes.
![Page 4: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/4.jpg)
Pensamiento de entre guerras desconfiado y temeroso frente a las nuevas tecnologías.
Reiterada obsesión por el nuevo mundo mecánico y técnico en literatura, cine o filosofía. Visión apocalíptica del futuro es lo único imaginable ante el proceso de sofisticación técnica.
Martin Heidegger. El problema de la técnica toma parte central en su reflexión alrededor de la Segunda Guerra Mundial. Ruptura entre el HACER y el SER. Es un malestar del hombre y de la sociedad moderna, superación esta en la dirección del arte, del hablar, del construir y del habitar.
Primera presentación literal de las buenas relaciones entre tecnología y arquitectura: Richard Buckminster Fuller.
Antecedentes.
![Page 5: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/5.jpg)
RICHARD BUCKMINSTER FULLER.
Realizó desarrollos simplificados a ciertos problemas:
- Movimiento urbano.- Transporte.- Flexibilidad.- Control del clima.
- Artefactos que se convirtieron en la mejor imaginería del tecnologismo reciente.
- No hubo acercamiento al problema del artefacto, solo modificó la superficie.
- Artefacto que como máquina de guerra conseguían la relación entre necesidad y respuesta tecnológica.
- No hay relación de permanencia, ni con el lugar.
Antecedentes.
![Page 6: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/6.jpg)
Dinamixion projects.
Richard Buckminster Fuller.
![Page 7: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/7.jpg)
Dinamixion house
Richard Buckminster Fuller.
![Page 8: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/8.jpg)
Richard Buckminster Fuller.
Dinamixion house
![Page 9: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/9.jpg)
Dinamixion house
Richard Buckminster Fuller.
![Page 10: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/10.jpg)
Dinamixion bathroom
Richard Buckminster Fuller.
![Page 11: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/11.jpg)
Dinamixion bathroom
Richard Buckminster Fuller.
![Page 12: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/12.jpg)
Wichita House
Richard Buckminster Fuller.
![Page 13: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/13.jpg)
Wichita House
Richard Buckminster Fuller.
![Page 14: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/14.jpg)
Wichita House
Richard Buckminster Fuller.
![Page 15: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/15.jpg)
Wichita House
Richard Buckminster Fuller.
![Page 16: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/16.jpg)
Wichita House
Richard Buckminster Fuller.
![Page 17: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/17.jpg)
Wichita House
Richard Buckminster Fuller.
![Page 18: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/18.jpg)
Wichita House
Richard Buckminster Fuller.
![Page 19: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/19.jpg)
Wichita House
Richard Buckminster Fuller.
![Page 20: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/20.jpg)
Estructuras Geodésicas
Richard Buckminster Fuller.
![Page 21: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/21.jpg)
Expo Montreal 67. Pabellón de E.U.
Richard Buckminster Fuller.
![Page 22: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/22.jpg)
Geodésica sobre Manhattan
Richard Buckminster Fuller.
![Page 23: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/23.jpg)
ARCHIGRAM.Peter Cook, Warren Chalk, Dennis Crompton, David Greene, Ron Herron y Mike Webb.
En los sesenta representó el desarrollo de una arquitectura desinhibida desde el punto de vista de la incorporación de las novedades tecnológicas.
Fuller: Gurú de los radicalismos neovanguardistas previos a la crisis del movimiento moderno.
Repertorios tomados de la imaginería de la tecnología de punta: cohetes espaciales, pozos petroleros, vivienda nómada, electrodomésticos y el consumo de imágenes producidas por al televisión.
Contraposición de la movilidad contra la estabilidad tradicional de los edificios históricos.
Antecedentes.
![Page 24: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/24.jpg)
ARCHIGRAM.Peter Cook, Warren Chalk, Dennis Crompton, David Greene, Ron Herron y Mike Webb.
Utilización de colores y formas de la cultura POP.
Acumulación, montaje, contenedor, cambio, tensión, duración instantánea.
Respuesta a la nueva situación social y cultural de la era técnica, mecánica y electrónica de la civilización occidental.
Encuentro renovado entre tecnología y artefactos arquitectónicos.
Antecedentes.
![Page 25: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/25.jpg)
ARTE POP.
Significado encontrado en los modelos de tradición e iconos evidentes, aproxima un mundo contemporáneo de manera positiva en vez de seguir con una actitud negativa.
Antecedentes.
![Page 26: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/26.jpg)
Portada de la revista número 4.
Archigram.
![Page 27: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/27.jpg)
Furniture Manufacturers association Builing.
Archigram.
![Page 28: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/28.jpg)
“Sin Center”. Centro de entretenimiento.
Archigram.
![Page 29: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/29.jpg)
“Sin Center”. Centro de entretenimiento.
Archigram.
![Page 30: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/30.jpg)
Living City.
Archigram.
![Page 31: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/31.jpg)
The Metropolis
Archigram.
![Page 32: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/32.jpg)
Space Probe.
Archigram.
![Page 33: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/33.jpg)
Torre Montreal
Archigram.
![Page 34: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/34.jpg)
Plug-in City.
Archigram.
![Page 35: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/35.jpg)
Living Pod.
Archigram.
![Page 36: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/36.jpg)
INDEPENDENT GROUPAlison y Peter Smithson, Richard Hamilton, Eduardo Paolozzi, James Stirling y Colin St. John Wilson.
Partidarios del renovado optimismo entre técnica y arquitectura.
Reyner Banham, personalidad, desde el punto de vista teórico, más influyente desde los cincuentas.
Crítica a la arquitectura de la primera edad de la máquina: la programática intención de los maestros del movimiento moderno de establecer una arquitectura que respondiese a las condiciones de un mundo mecanizado, fue un FIASCO.
Segunda edad de la máquina: Buscar una íntima relación entre máquinas y arquitectura.
Antecedentes.
![Page 37: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/37.jpg)
MOVIMIENTO ECOLOGÍSTA.
Inicialmente antiurbano y antitecnológico
Criticaba la parte maldita de la sociedad de la abundancia, mostraba la miseria de sus avances, el descontrol de los residuos y el consumo ilimitado de los recursos y la energía.
Presagio de un Holocausto.
Crítica al optimismo de la técnica.
![Page 38: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/38.jpg)
Arquitectura High-Tech.
![Page 39: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/39.jpg)
Arquitectura que responde positivamente a:
- Necesidad de una renovada relación entre nueva tecnología y arquitectura.
- Recoger las críticas de los situacionistas y ecologistas.
Propuesta:
Producir arquitecturas limpias, energéticamente controladas y portadoras de confort y felicidad para sus usuarios.
Arquitectura High-Tech.
![Page 40: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/40.jpg)
Innovación no sólo es constructiva, también es de comunicación y de gestión.
1. Comunican al poner la eficacia con la que los nuevos artefactos explican sus funciones, exhiben sus objetos y muestran su lógica técnica.
Comunicación = imágenes de una arquitectura de la transparencia y de la inmaterialidad.
2. Imprescindibles los procedimientos de gestión mediante los cuales se llega a tan sofisticados y perfectos artefactos.
Gestión = Técnicas empresariales, colaboración interdisciplinar y nueva división del trabajo.
VICTORIA DE LA TÉCNICA SABIAMENTE ADMINISTRADA.
Arquitectura High-Tech.
![Page 41: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/41.jpg)
EXALTACIÓN RETÓRICA DE LAS INSTITUCIONES.
Las grandes corporaciones son los que producen estos costosísimos “artefactos arquitectónicos”. Representa a las grandes empresas monopolistas, las sociedades del capitalismo más desarrollado.
Daewoo, Norman Foster Banco de Hong Kong, Norman Foster Banco Lloyd’s, Richard Rogers
Arquitectura High-Tech.
![Page 42: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/42.jpg)
Edificio de oficinas Willis Faber & Dumas, Ipswich, 1972-1975.
Lord Norman Foster.
![Page 43: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/43.jpg)
Edificio de oficinas Willis Faber & Dumas, Ipswich, 1972-1975.
Lord Norman Foster.
![Page 44: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/44.jpg)
Edificio de oficinas Willis Faber & Dumas, Ipswich, 1972-1975.
Lord Norman Foster.
![Page 45: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/45.jpg)
Edificio de oficinas Willis Faber & Dumas, Ipswich, 1972-1975.
Lord Norman Foster.
![Page 46: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/46.jpg)
Renault Center, Swindon. 1983.
Lord Norman Foster.
![Page 47: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/47.jpg)
Renault Center, Swindon. 1983.
Lord Norman Foster.
![Page 48: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/48.jpg)
Renault Center, Swindon. 1983.
Lord Norman Foster.
![Page 49: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/49.jpg)
Renault Center, Swindon. 1983.
Lord Norman Foster.
![Page 50: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/50.jpg)
Renault Center, Swindon. 1983.
Lord Norman Foster.
![Page 51: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/51.jpg)
Renault Center, Swindon. 1983.
Lord Norman Foster.
![Page 52: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/52.jpg)
Hong Kong & Shangai Bank, Hong Kong. 1982-1986.
Lord Norman Foster.
![Page 53: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/53.jpg)
Hong Kong & Shangai Bank, Hong Kong. 1982-1986.
Lord Norman Foster.
![Page 54: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/54.jpg)
Hong Kong & Shangai Bank, Hong Kong. 1982-1986.
Lord Norman Foster.
![Page 55: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/55.jpg)
Hong Kong & Shangai Bank, Hong Kong. 1982-1986.
Lord Norman Foster.
![Page 56: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/56.jpg)
Hong Kong & Shangai Bank, Hong Kong. 1982-1986.
Lord Norman Foster.
![Page 57: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/57.jpg)
Hong Kong & Shangai Bank, Hong Kong. 1982-1986.
Lord Norman Foster.
![Page 58: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/58.jpg)
Terminal del Tercer Aeropuerto de Londres, Stansted. 1991.
Lord Norman Foster.
![Page 59: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/59.jpg)
Terminal del Tercer Aeropuerto de Londres, Stansted. 1991.
Lord Norman Foster.
![Page 60: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/60.jpg)
Terminal del Tercer Aeropuerto de Londres, Stansted. 1991.
Lord Norman Foster.
![Page 61: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/61.jpg)
Terminal del Tercer Aeropuerto de Londres, Stansted. 1991.
Lord Norman Foster.
![Page 62: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/62.jpg)
Terminal del Tercer Aeropuerto de Londres, Stansted. 1991.
Lord Norman Foster.
![Page 63: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/63.jpg)
Terminal del Tercer Aeropuerto de Londres, Stansted. 1991.
Lord Norman Foster.
![Page 64: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/64.jpg)
Terminal del Tercer Aeropuerto de Londres, Stansted. 1991.
Lord Norman Foster.
![Page 65: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/65.jpg)
Instituto del Mundo Árabe. París, Francia. 1987.
Jean Nouvel.
![Page 66: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/66.jpg)
Instituto del Mundo Árabe. París, Francia. 1987.
Jean Nouvel.
![Page 67: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/67.jpg)
Instituto del Mundo Árabe. París, Francia. 1987.
Jean Nouvel.
![Page 68: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/68.jpg)
Jean Nouvel.
Instituto del Mundo Árabe. París, Francia. 1987.
![Page 69: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/69.jpg)
Jean Nouvel.
Instituto del Mundo Árabe. París, Francia. 1987.
![Page 70: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/70.jpg)
Centre Georges Pompidou, Paris. 1971-1977.
Renzo Piano & Richard Rogers.
![Page 71: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/71.jpg)
Centre Georges Pompidou, Paris. 1971-1977.
Renzo Piano & Richard Rogers.
![Page 72: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/72.jpg)
Centre Georges Pompidou, Paris. 1971-1977.
Renzo Piano & Richard Rogers.
![Page 73: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/73.jpg)
Centre Georges Pompidou, Paris. 1971-1977.
Renzo Piano & Richard Rogers.
![Page 74: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/74.jpg)
Centre Georges Pompidou, Paris. 1971-1977.
Renzo Piano & Richard Rogers.
![Page 75: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/75.jpg)
Centre Georges Pompidou, Paris. 1971-1977.
Renzo Piano & Richard Rogers.
![Page 76: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/76.jpg)
Centre Georges Pompidou, Paris. 1971-1977.
Renzo Piano & Richard Rogers.
![Page 77: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/77.jpg)
Centre Georges Pompidou, Paris. 1971-1977.
Renzo Piano & Richard Rogers.
![Page 78: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/78.jpg)
Centre Georges Pompidou, Paris. 1971-1977.
Renzo Piano & Richard Rogers.
![Page 79: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/79.jpg)
Centre Georges Pompidou, Paris. 1971-1977.
Renzo Piano & Richard Rogers.
![Page 80: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/80.jpg)
Centre Georges Pompidou, Paris. 1971-1977.
Renzo Piano & Richard Rogers.
![Page 81: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/81.jpg)
Centre Georges Pompidou, Paris. 1971-1977.
Renzo Piano & Richard Rogers.
![Page 82: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/82.jpg)
Centre Georges Pompidou, Paris. 1971-1977.
Renzo Piano & Richard Rogers.
![Page 83: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/83.jpg)
Banco Lloyld’s, Londres. 1986.
Richard Rogers.
![Page 84: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/84.jpg)
Banco Lloyld’s, Londres. 1986.
Richard Rogers.
![Page 85: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/85.jpg)
Banco Lloyld’s, Londres. 1986.
Richard Rogers.
![Page 86: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/86.jpg)
Banco Lloyld’s, Londres. 1986.
Richard Rogers.
![Page 87: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/87.jpg)
Bercy’s II, París. 1987-1990.
Renzo Piano.
![Page 88: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/88.jpg)
Bercy’s II, París. 1987-1990.
Renzo Piano.
![Page 89: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/89.jpg)
Bercy’s II, París. 1987-1990.
Renzo Piano.
![Page 90: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/90.jpg)
Bercy’s II, París. 1987-1990.
Renzo Piano.
![Page 91: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/91.jpg)
Bercy’s II, París. 1987-1990.
Renzo Piano.
![Page 92: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/92.jpg)
Bercy’s II, París. 1987-1990.
Renzo Piano.
![Page 93: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/93.jpg)
Bercy’s II, París. 1987-1990.
Renzo Piano.
![Page 94: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/94.jpg)
Bercy’s II, París. 1987-1990.
Renzo Piano.
![Page 95: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/95.jpg)
Aeropuerto Internacional de Kansai. 1990.
Renzo Piano.
![Page 96: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/96.jpg)
Aeropuerto Internacional de Kansai. 1990.
Renzo Piano.
![Page 97: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/97.jpg)
Aeropuerto Internacional de Kansai. 1990.
Renzo Piano.
![Page 98: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/98.jpg)
Aeropuerto Internacional de Kansai. 1990.
Renzo Piano.
![Page 99: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/99.jpg)
Aeropuerto Internacional de Kansai. 1990.
Renzo Piano.
![Page 100: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/100.jpg)
Aeropuerto Internacional de Kansai. 1990.
Renzo Piano.
![Page 101: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/101.jpg)
Aeropuerto Internacional de Kansai. 1990.
Renzo Piano.
![Page 102: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/102.jpg)
Aeropuerto Internacional de Kansai. 1990.
Renzo Piano.
![Page 103: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/103.jpg)
Aeropuerto Internacional de Kansai. 1990.
Renzo Piano.
![Page 104: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/104.jpg)
Aeropuerto Internacional de Kansai. 1990.
Renzo Piano.
![Page 105: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/105.jpg)
Aeropuerto Internacional de Kansai. 1990.
Renzo Piano.
![Page 106: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/106.jpg)
Aeropuerto Internacional de Kansai. 1990.
Renzo Piano.
![Page 107: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/107.jpg)
Centro Cultural Jean Marie Tjibaou, Nueva Caledonia, 1991.
Renzo Piano.
![Page 108: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/108.jpg)
Centro Cultural Jean Marie Tjibaou, Nueva Caledonia, 1991.
Renzo Piano.
![Page 109: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/109.jpg)
Centro Cultural Jean Marie Tjibaou, Nueva Caledonia, 1991.
Renzo Piano.
![Page 110: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/110.jpg)
Centro Cultural Jean Marie Tjibaou, Nueva Caledonia, 1991.
Renzo Piano.
![Page 111: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/111.jpg)
Centro Cultural Jean Marie Tjibaou, Nueva Caledonia, 1991.
Renzo Piano.
![Page 112: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/112.jpg)
Centro Cultural Jean Marie Tjibaou, Nueva Caledonia, 1991.
Renzo Piano.
![Page 113: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/113.jpg)
Centro Cultural Jean Marie Tjibaou, Nueva Caledonia, 1991.
Renzo Piano.
![Page 114: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/114.jpg)
Centro Cultural Jean Marie Tjibaou, Nueva Caledonia, 1991.
Renzo Piano.
![Page 115: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/115.jpg)
Centro Cultural Jean Marie Tjibaou, Nueva Caledonia, 1991.
Renzo Piano.
![Page 116: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/116.jpg)
Centro Cultural Jean Marie Tjibaou, Nueva Caledonia, 1991.
Renzo Piano.
![Page 117: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/117.jpg)
Centro Cultural Jean Marie Tjibaou, Nueva Caledonia, 1991.
Renzo Piano.
![Page 118: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/118.jpg)
Centro Cultural Jean Marie Tjibaou, Nueva Caledonia, 1991.
Renzo Piano.
![Page 119: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/119.jpg)
Puertas para Ernsting, Coesfeld-Lette. 1983-1986.
Santiago Calatrava.
![Page 120: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/120.jpg)
Puertas para Ernsting, Coesfeld-Lette. 1983-1986.
Santiago Calatrava.
![Page 121: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/121.jpg)
Estación de ferrocarriles de Stadelhofen, Zurich. 1985-1990.
Santiago Calatrava.
![Page 122: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/122.jpg)
Estación de ferrocarriles de Stadelhofen, Zurich. 1985-1990.
Santiago Calatrava.
![Page 123: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/123.jpg)
Estación de ferrocarriles de Stadelhofen, Zurich. 1985-1990.
Santiago Calatrava.
![Page 124: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/124.jpg)
Estación de ferrocarriles de Stadelhofen, Zurich. 1985-1990.
Santiago Calatrava.
![Page 125: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/125.jpg)
Puente el Alamillo. Sevilla. 1992.
Santiago Calatrava.
![Page 126: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/126.jpg)
Puente el Alamillo. Sevilla. 1992.
Santiago Calatrava.
![Page 127: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/127.jpg)
Puente el Alamillo. Sevilla. 1992.
Santiago Calatrava.
![Page 128: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/128.jpg)
Estación de ferrocarril en el Aeropuerto de Lyon, Francia. 1989-1994.
Santiago Calatrava.
![Page 129: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/129.jpg)
Estación de ferrocarril en el Aeropuerto de Lyon, Francia. 1989-1994.
Santiago Calatrava.
![Page 130: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/130.jpg)
Estación de ferrocarril en el Aeropuerto de Lyon, Francia. 1989-1994.
Santiago Calatrava.
![Page 131: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/131.jpg)
Puente Bach de Roda. Barcelona. 1987.
Santiago Calatrava.
![Page 132: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/132.jpg)
Puente Bach de Roda. Barcelona. 1987.
Santiago Calatrava.
![Page 133: high-tech](https://reader038.fdocument.pub/reader038/viewer/2022103109/546b41adb4af9f4f1e8b4939/html5/thumbnails/133.jpg)
1. La modernidad superada, arquitectura y pensamiento del siglo XX, Joseph María Montaner. Editorial Gustavo Gili
- Más allá del minimalismo pág. 183
2. Diferencias. Topografía de la arquitectura contemporánea, Ignasi de Solá-Morales, Editorial Gustavo Gili.
- Mies van der Rohe y el minimalismo pág. 27
Lecturas.