Guerino Mazzola U & ETH Zürich Internet Institute for Music Science [email protected] Signes,...
Transcript of Guerino Mazzola U & ETH Zürich Internet Institute for Music Science [email protected] Signes,...
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Guerino MazzolaU & ETH Zürich
Internet Institute for Music Science
www.encyclospace.org
Signes, pointeurs et schémas de concepts pour la musique
Signes, pointeurs et schémas de concepts pour la musique
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• Topographical Orientation
• Signs: Aliquid pro aliquo
• The Babouska-Principle
• Musical Content
• Form Semiotics
• The Hjelmslev Stratification of a Form
Semiotic
• Topographical Orientation
• Signs: Aliquid pro aliquo
• The Babouska-Principle
• Musical Content
• Form Semiotics
• The Hjelmslev Stratification of a Form
Semiotic
prog
ram
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topo
grap
hyCommunicationCommunication
Neutral Level
Poiesis
Aisthesis
RealitiesRealities
SignsSigns
Content
PhysicalMen
talPsychic
Signification
Expression
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PhysicalMental
topo
grap
hy
Psychic
Zur Anzeige wird der QuickTime™ Dekompressor “GIF”
benötigt.
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Harmonic Analysis
SignsSigns
topo
grap
hy
Content
Signification
Expression
Tonal Modulation G G Dur Dur EsEs Dur Dur
„Score Surface“
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topo
grap
hyCommunicationCommunication
Aisthesis
Neutral Level
Poiesis
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topo
grap
hy
Aisthesis: Listener
Neutral Level: Recording (e.g. CD)
Poiesis: Interpreter
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topo
grap
hyCommunicationCommunication
RealitiesRealities
SignsSigns
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„„Fireworks“Fireworks“
sign
s
ExpressionExpression SignificationSignification ContentContent
SignSign
aliquid pro aliquo
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ExpressionExpression SignificationSignification
ContentContentsign
s
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ExpressionExpression SignificationSignification ContentContentsign
s
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Bab
ousk
a
Expression Signification Contents
Connotation
ExpressionExpression SignificationSignification ContentContent
„Fireworks“
„Fireworks“ FireworksFireworks
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Bab
ousk
aLouis Hjelmslev's Babouska PrincipleLouis Hjelmslev's Babouska Principle
Sign systems are encapsulated systems, Sign systems are encapsulated systems, which in their components are built from which in their components are built from sign subsystems, which in turn are built sign subsystems, which in turn are built from sign subsystems etc. from sign subsystems etc.
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Bab
ousk
a
Expression Signification Content
Meta system
ExpressionExpression SignificationSignification ContentContent
Expression Signification Content
Motivation
Expression Signification Content
Connotation
Hjelmslev‘s Babouska PrincipleHjelmslev‘s Babouska Principle
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cont
ent
–– ––
EinsatzzeitEinsatzzeitEinsatzzeitEinsatzzeit LautstärkeLautstärkeLautstärkeLautstärke DauerDauerDauerDauerTonhöheTonhöheTonhöheTonhöhe
Makro-NoteMakro-NoteMakro-NoteMakro-Note
Makro-NoteMakro-NoteMakro-NoteMakro-Note
SatellitenSatellitenSatellitenSatellitenAnker-NoteAnker-NoteAnker-NoteAnker-Note
STRGSTRGŸŸ
• OrnamentsOrnaments• Schenker AnalysisSchenker Analysis
Score textScore text ReadingReading Conceived ScoreConceived Score
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I
IV
II
VIV
III
VII
Harmonic BandHarmonic Bandco
nten
t
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Score text Reading Conceived score
Conceived score Analytical work
connotation
Score form
– –
EinsatzzeitEinsatzzeit
LautstärkeLautstärke
DauerDauer
TonhöheTonhöhe
Makro-NoteMakro-Note
Makro-NoteMakro-Note
SatellitenSatelliten
Anker-NoteAnker-Note
STRGŸco
nten
t
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T
dT
T
Z(dT,)
Mother
Daughter
Grand-daughter
co
nten
t
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Score form Shaping Performance
Score text Reading Conceived score
Conceived score Analysis
Connotation
Connotation
Score form
„„Tönend bewegte Formen“ (Hanslick)Tönend bewegte Formen“ (Hanslick)
–– ––
OnsetOnsetOnsetOnset
LoudnessLoudnessLoudnessLoudness
DurationDurationDurationDuration
PitchPitchPitchPitch
MakroNoteMakroNoteMakroNoteMakroNote
MakroNoteMakroNoteMakroNoteMakroNote
SatellitesSatellitesSatellitesSatellites
AnchorNoteAnchorNoteAnchorNoteAnchorNote
STRGSTRGŸŸ
cont
ent
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PerformancePerformance generates in brain generates in brain emotionsemotions
cont
ent
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Score form Shaping Performance
Score text Reading Conceived score
Conceived score Analysis
Connotation
Connotation
Score form
–– ––
OnsetOnsetOnsetOnset
LoudnessLoudnessLoudnessLoudness
DurationDurationDurationDuration
PitchPitchPitchPitch
MakroNoteMakroNoteMakroNoteMakroNote
MakroNoteMakroNoteMakroNoteMakroNote
SatellitesSatellitesSatellitesSatellites
AnchorNoteAnchorNoteAnchorNoteAnchorNote
STRGSTRGŸŸ
Performance generates in brain emotions
Connotation
cont
ent
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GeneralNoteGeneralNoteGeneralNoteGeneralNote
–– ––
OnsetOnsetOnsetOnset LoudnessLoudnessLoudnessLoudness DurationDurationDurationDurationPitchPitchPitchPitch
NoteNoteNoteNote
STRGSTRGŸŸ–– ––
DurationDurationDurationDurationOnsetOnsetOnsetOnset
PausePausePausePause
conc
ept m
odel
ing
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MakroNoteMakroNoteMakroNoteMakroNote
MakroNoteMakroNoteMakroNoteMakroNote
SatellitesSatellitesSatellitesSatellites
• OrnamentsOrnaments• Schenker AnalysisSchenker Analysis
GeneralNoteGeneralNoteGeneralNoteGeneralNote
–– ––
OnsetOnsetOnsetOnset LoudnessLoudnessLoudnessLoudness DurationDurationDurationDurationPitchPitchPitchPitch
NoteNoteNoteNote
STRGSTRGŸŸ–– ––
DurationDurationDurationDurationOnsetOnsetOnsetOnset
PausePausePausePause
conc
ept m
odel
ing
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EE
form
sem
iotic
s
Mono(E E )
RR
DenDen FormsForms
Diagrams (DenDen /E E )Diagrams (DenDen /E E )
Coordinate Identifier
D-Name
F-Name
Form
Type
DiagramTypesTypes
◊
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FrameSpace for type:
Simple √ = ◊ RRsimple(simple(√) =) = RR
representationrepresentationrepresentationrepresentation
Limit √ = form-name diagram EElimit(limit(√) = ) = lim(f. diagram lim(f. diagram E E )) conjunctionconjunctionconjunctionconjunction
Colimit √ = form-name diagram EEcolimit(colimit(√) = ) = colim(f. diagram colim(f. diagram EE )) disjunctiondisjunctiondisjunctiondisjunction
Power √ = fn EE power(power(√) =) = Space(fn)Space(fn) collectioncollectioncollectioncollection
fram
espa
ces
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nam
espa
ce
Coordinate Identifier
D-Name
F-Name
Form
Type
Diagram
fn ~fn:0@NF(C)
C:0~>NameForm ( 0@M)
NF ~fn:Id.Simple(◊M)
Id: @M @M
Simple
◊M: ◊ ~> @MM = ŸUNICODE
◊
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Name Type/Diagram Identifier
Name Form Coordinate
DenotatorDenotator
Toposform
sem
iotic
s