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8/6/2019 [Free Scores.com] Concone Giuseppe Exercices Pour La Voix Op 11 22906
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Concone
Thirty Daily Exercisesfor Low Voice, Op. 11
In practising the following exercises,
always endeavor to produce eachtonewith
correct and pure intonation and uniform
power. To this end, the exercises must
be executed slowly at first, gradually ac-
Taking breath.
celerating the movement at eachrepetition,
at the same time progreseively augment-
ing the power of the tone. Practice con-
ducted in this manner will infallibly lead
to good vocalization.
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Concone - Thirty Daily Exercises - for Low Voice, Op. 11
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Concone - Thirty Daily Exercises - for Low Voice, Op. 11
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Concone - Thirty Daily Exercises - for Low Voice, Op. 11
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In order that the voice may:be made torun through all the degrees of its compass,and thus acquire perfect evenness of the re-
gisters; each separate passage in the ensu-
ing six exercises should be repeated sev,eral times before proceeding to that whkhfollows it chromatically.
4
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Concone - Thirty Daily Exercises - for Low Voice, Op. 11
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Concone - Thirty Daily Exercises - for Low Voice, Op. 11
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Concone - Thirty Daily Exercises - for Low Voice, Op. 11
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Concone - Thirty Daily Exercises - for Low Voice, Op. 11
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Concone - Thirty Daily Exercises - for Low Voice, Op. 11
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Concone - Thirty Daily Exercises - for Low Voice, Op. 11
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Concone - Thirty Daily Exercises - for Low Voice, Op. 11
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Concone - Thirty Daily Exercises - for Low Voice, Op. 11
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Concone - Thirty Daily Exercises - for Low Voice, Op. 11
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Concone - Thirty Daily Exercises - for Low Voice, Op. 11
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Concone - Thirty Daily Exercises - for Low Voice, Op. 11
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Concone - Thirty Daily Exercises - for Low Voice, Op. 11
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The following exercise in detached notes that the delivery of each tone be pure ande-should be practised me.z. za voc t; taking care ven.
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Concone - Thirty Daily Exercises - for Low Voice, Op. 11
Preparatory exercise for executing the Trill.
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Concone - Thirty Daily Exercises - for Low Voice, Op. 11
These graces called collectively Gruppetti,
require the greatest distinctness o r intona-tion combined with lightness; they are em-
ployed chiefly in the medium register. In
the five follo"ring exercises the most com-
mon of these graces are given.
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Concone - Thirty Daily Exercises - for Low Voice, Op. 11
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Exercises with same accompaniment as the preceding.
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Concone - Thirty Daily Exercises - for Low Voice, Op. 11
On the Chromatic Scale.
The diatonic progression of the major or
minor scale is sot-natural, that even a per-
son of mediocre endowments readily suc-
ceeds in producing, to any given tone, the
six others separating it from its octave.
This is not the case, however, when the
succession is chromatic, i.e. progressing by
semitones. The ear needs to grow accus ,
tomed to this less usual mode of progres-
sion, in order to vanquish a sort of repug-
nance which the voice feels to their easy
and accurate execution.
It is the aim of the following exercises
to prepare for conquerine this difficulty;
~ ~ ~
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u..
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f
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one ought not to proceed to a new exercise
before assuring oneself that the last can
be well and correctly executed with re -
spect to the accurate intonation of each
tone. Nor should one practise self-decep-
tion as regards this good execution; it can
be obtained only by dint of very consider-
able study.
In the exercises now following, the sign
1 '1 does not indicate a rinforsando of the
voice, but a light rhythmical accent; a de-
vice, the high value of which will be speed,
ily recognized, for the surer attainment of
the goal.
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