Felino A. Soriano - Anamnesis
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Transcript of Felino A. Soriano - Anamnesis
8/7/2019 Felino A. Soriano - Anamnesis
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Anamnesis
Felino A. Soriano
chalk editions
2011
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text: © copyright 2011 Felino A. Soriano
cover: © copyright 2011 Jukka-Pekka Kervinen
http://chalkeditions.blogspot.com
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Memory believes before knowing remembers. Believes longer than recollects, longer
than knowing even wonders.
William Faulkner
Who knows what true loneliness is - not the conventional word but the naked terror? To
the lonely themselves it wears a mask. The most miserable outcast hugs some memory or some illusion.
Joseph Conrad
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—after Tomasz Stańko’s Freedom In August
Dialogue explores functional promise purpose punctual
dance overwhelmed heat’s experimental dissipation. Lavender lies unobstructedstilled
causalcommuniqué ambulatory residue holding self
behindmoments of a curtain’s
exploratory sway.
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—after Jason Moran’s Time Into Space Into Time
Divisible liaisons
reachable functions malleable upon conceptualdifferentiacollaborated persuade
motional technique fabricatedcollateral senses
seen sceneheard herds of populated incorporated
translations.
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—after Sonny Rollins’ In A Sentimental Mood
Awakened:
dusk’scottonthinned
wornfrom the angled mist
elongating threaded lightetching wind’s apparitional rhythms,
startled.Because dawn’s
cornea explains horizontal shapesaboriginal upon extracting definitional hours,
warmth of noon’striangular regard
holdand devotes silence
toward the walking’s fathom of dissipated failures.
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—after Thelonious Monk’s Ruby, My Dear
Aggregated years
persuaded sustenanceyour scent of architecture
placing mirages into roles of disparate comprehensions.
As your walking into
halls of distance’s unrelated fulcrumreturn is paroxysmal
leadingrelational gestures into escalating panorama, precise.
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—after Jason Moran’s Restin’
Supported separation
of blood’s watering condensation abruptupon vanishing
luster. The bodywhole and
holyand
musically submergedneoteric acclimation; after
dust of promoted wither eyes of
the solid decompose constructs achromatic dwellings
allowing disallowed light to mirage and flourishsilent amid culture of necessary
slumber.
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—after Max Roach’s January V
A hand’s length, virtual
reminder of grasp’s talent for creating origami’s spatialoverwhelming desire, the
early-year functionrecalls then the hanging
spider spun toward pointed silk
of her environmental trapdislocating hope from the living’s
removal: breath, ambulation, preferentialliving.
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—after Anthony Braxton’s Comp. 23 H
Helium exorcism
mid neck)broken construct half-pretty-pirouette postulating renaissanceergonomic faculty
well-begetting realismfortunate deity
knee-walking walkersalter-bound product
gracious facilitating reenactment— stench of delivered
transgressional flame,abrupt finite though
properly rehearsed(
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—after Taylor Ho Bynum Trio’ Apace
awkward
advancement (then, the meaning becomes flagrant postured indented, thus
regatheringwholeness upon eventual circumference)
meaning structural alterationfleeing fundamental
ambulationspelling tired rigid
specks augmenting an eyed delusionalcombustible vernacular
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—after Marcin Wasilewski Trio’s The Young And Cinema
Early, expand the
mind’sorganic relief spontaneous curfew of an alive’sversion
of thrilled togetherness. Watching
expanding physiologicaloptions
man of hankering hiswoman’s scented absence, passive
twirls of her lending memory
hires hisrelegated achromatic commandments.
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—after Ketil Bjørnstad’s Remembrance IV
the oval circumferencea brevity of contoured
aspiration
your handnear table’s earthen compositionwrites
name or unblemished comfort blending sans ornamental smudge
butdenotes double beautified reality,
hand and limb of wood, joinedspatially aware, content
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—after Marilyn Cispell’s After The Rain
abundant
awashavenuesor
rails for traveling watchersunaware their steel stares and ambulatory ways
conjure fascinationaway
from the stilled scent of twirling connotations, of windof an air’s slanting music
gaining body and arid architecture, whole thoughotherness regarding
day’s functioning minutesarticulating flame, focus
aperture of framing distance
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—after Ketil Bjørnstad & David Darling’s The River II
Vacant pause
erupts post-randomness, silver kiteof
a salmon’s swerving wandrattles evaporating earth’s liquid
occultationcovering interior of a spheroid’s
spiralednerves
contouring grace ballerina’s streamlined positional fractions
numerical angles curing then
curvatures of an orange-dim puncturing skin, radical gall
inundating certainty’s finality of hope.
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—after Vassilis Tsabropoulos’ Song Of Prosperity II
You write sans winding hand
aharboring spine of definitional praise
curved like spine of ill physiologythen or
anddelve into
sorrow of handless devotion promising
motion to become an altered faculty, a claritythough branded badly
andyou prosper
contaminating a moniker of hope: namedfor the reactionary verbs
regurgitated by the focus of thosewilling to cooperate.
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—after Stephen Micus’ Narration Two
our snow
wears random blemishes, unseen
by the falsity of timerearranging method of usage of hands at
noona woman holds her own movement. Twirled at
dichotomous durations: alone she seeksa river’s hardened shell
mirroring a slantingholding of light’s
momentumantiquating
visions
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—after François Couturier’s Sensation
Of or
what attempts remuneration (bodily, precise)a sonorous culmination, belly an attempted holder (or, mirage of this pocket of swollen comprehension)
son you here will become myself
a self in innocent renditionabsent of self’s most reconciled
devotion
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—after Anja Lechner & Vassilis Tsabropoulos’ Woman's Prayer
truncated
vermillion shed from categorized sorrowa
death of desired absence
please reappear for the integratedfathom of
now’s needed, element of aspired roaming among
elevated cacoethes
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—after Christian Wallumrød Ensemble’s Snake
Radius written whole
elegant physicalcontinuity of scatteredcommonality:
of delegated flight
needed not by the sliding tones
amethystambulating
around cross-written prose of discretionary(altered perception)
holds uponorchestrating premises; thus
an orange brick bridging tonal achromatic dissipation
slides and commandstopographical clarity
to castrate rigid explanation of a corporeal fascination
with upright endeavors of the walkers’ venerated style.
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—after Stephan Micus’ Narration Three
Listen :
or eavesdrop camaraderie— the physique
holds foundational claimsspinning pellucidity’s undulating
focus: —following a voice’s premature rejuvenation
a span of curtains black with
woven wings such origami iconsannual profligacy attains hankered
delvingleaving
spinningaway
andaimless
thoughas a parent’s loosening control spatial dexterity
leavesa window of tissued control
wandering through profound and old-fashioned articulation.
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—after Alexei Lubimov’s Für Alina
Presentation, smile concept burgeon
renew exclamation protect glares of missing personal depth.Your
route toward listening (trend, misuse of explained description)calls into my speaking theories
hand recounting collected isolated harmony. For you:
a notion, a note from tongue of speaking silk enwrapping waist of your thinking habit, spatially correct
into the connecting version of our composed articulation.
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—after Ketil Bjørnstad’s Remembrance V
Outside occurred lasting
subsequentlapse upon memory’s final mourning: deaththen was
partial ceiling of grayest enduranceand
nowinterpretation of speech’s whispering momentum
claiming foundational density: of the breather’s voicewearing a moment’s shine of encapsulating
anglessought relegated absence
holding over head a solid claim of reentering apparition.
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—after John Surman’s No Finesse
Salient biological thunder
corporeal momentary royaltycombiningthrust of
pliable detailstoo a portable layer of manifest
roamscollecting
fear anddelegated spires of cadenced adoration.
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—after Anja Lechner & Vassilis Tsabropoulos’ Chant
The Cypress
alone sans too itslengthened silver
restingnear footed trunk of
gnarled brunette twists —she
calls upon angledglides of
rain’s visitingcontribution
thoughfor several revolutions
of hours’ slightest visitsarid
is the milieudominating conversation trends
an absenceremains, overriding.
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—after Eberhard Weber’s Yellow Fields
Mouth of open italics
lit by highlighting virtueof an hour’s serrated meaning.
Herewhere
modalsways from scented bodies’ organic reinventions
claim and rename a gesture’s finding meaningwaving
and delegating premisetoward a pulsating aura’s
hoveringconfiguration.
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—after Jacob Young’s Wide Asleep
Renovated morose accentuated posture
leana sleepinggesture certainty
relapsed endeavor: insomnia’sstriated skeletal dusk of proposed
relaxation.Gone
arelight’s witnessing pupils of
salientcontributions
now though venerated reliance upon sedentary nature’suniversal ambition toward
constructing gray of dream’s alabaster trivia.
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—after Pharoah Sanders’ Rejoice
Flock of
floweringfundamental shape-sharpened crowsdelicate
scarcity of tonal differenceshreds
shards of mathematical anglesfully founding
elements of curiosityhiding
amid lined attributes of whole excavation: light, symphonicshelves holding alarming
juxtapositions, chaotic flightintertwining algebra’s specific solvable
interpretations.
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—after Oneohtrix Point Never’s Ships Without Meaning
Aquatic soil
mentioning toward waves’ elemental movement bodies atop coalesced reenactmentsfrigid warms
origami spectrum of morbid fear, finiteinterpolation
honoring such giant speciesalthough
finished brand of participatingmemory
forgets antiquated reasons of faithful mnemonicshighlighting notified theories of tone
sunken exaggerations of manmade vessel’s concept of
rational liberation.
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—after White Rainbow’s Sand Sift
purged
documentation dramatic persuasion of erasable dilemmascontaining
misread formulationsof hope
of synchronized habitsmeeting needed
angular elongations of timerounding
rewound physical reactioncontrolled through sustained programmatic
delineated ethos
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—after Phil Markowitz’s Facets
Voices
the fear of accidentaltranscending
empirical appearance fathoms foregone water’sshapes reshaping
moment’s interpretational provoke; abundantcalculus
consent upon merged twirling syncopation; curledsedentary contours
heard above watchers engaged inarticulating scope of distance’s exacerbated
repentance.
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—after Rave Tesar Trio’s Minor Mood
Yet –un
flame masticating weather’s undulatingmood, witheredlungs contaminate ambulation’s orchestrated camaraderie; with
delving’sepitome reacting fragrance of swathing comprehension
dispositional hands coat and deprive
anorexic hour’s unswollen intuitionhitherto occasional
caveatscontaining semblances of masked dialectic, logic v logic’s
placid paradoxes.
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—after Travis Shook’s Awake
charged sans
chorded excavationcorporeal function dawn-induced portrayalspasm however
controlled veracity of tone. Morning’sadvocacy
time and framed calligraphy of deliberate disinterring exclaim
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—after Jackie McLean’s Old Folks
Their carving hands have
markings of existential echoesspeaking toward versions of prior fundamentals. A path
primary language of self intoself, mirrored collocation found
amid blackbirds carving alphabeticsemiotics, conjoined.
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—after Andrew Hill’s Sophisticated Lady
Her residencewanders
following shadow of scented movement,
privileged.
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—after McCoy Tyner’s Fly With The Wind
Elasticized rhythms
routine participation cardinalabsolute rendition of clarity’s rectangular meeting, angled
curiosities. Said of rambling mishaps
curled into wearingadjacent meaning until now’s
peculiar hankering of raindislocates self of hiding
secrecieswandering halls of an hour’s
redeeming alabaster
function.
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—after Milt Jackson’s and John Coltrane’s The Late Late Blues
Corners stand
beneath standing watchers of mundaneapparitions. Paralleling
ambulation near cultivated birth followingdusk’s
required birthing habitual everydaynessa sadness evaporates
subsequent to a temporal highlighting evidential premiseday’s heat wanders
findingamid holistic chasms of antiquated denial
abbreviated light burgeons within the portending guidance of night’s delirious
gesticulations.
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—after Jason Moran’s Blue Blocks
Architectural tone
leanworth interpretationsymptom spasm
held head lower rendition of birth’s crowning spontaneousdelivery of life’s
newest proclamation.Built
denuded conceptual relevance(here
spatial phrase structure
beholdensalient
reconfiguretonic renewal
exacerbated rhythmshover
contracting stares of desired interrelation.
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—after John Coltrane’s Resolution
Cortex that radius of etched physical
proclamationrunningspiral dialectical confinement of corporeal behaviorism
physical communication altering verbaldescription of otherness’ abstract misses of grabbing
wholeness.Stairs
leaddownward architecture
passing passersby alert in their
sleeping postureradicalizing discomfiture’s ahead cause of leaning
altercations. Bred by overlapping cycles, of leaves pressing weight of inconsistent mass
heavily decomposing posture of widened declarations.
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—after Bobby Hutcherson’s Goin’ Down South
and rearrange with
bouquets of nonchalancethe suspended absence of birds’allocated annual redirection.
Sayof walking silence
critical thought denouncing arrogance of light’silluminating frequency
lean toward southern atmospheric proclivity to
reinvent such fine silhouettes porcelain clear
their disposition of finding neoteric camaraderie.
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—after Fred Hersch’s Blue in Green
A
desiredelasticized (elongated, drawn, hand-specifiedrelegated tributary
talent of a whole’s version —an altered perception)
tone on tone of otherness’ asthmatic promulgated affirmation.
A blended stylized
roam of interconnected freedom: bathed anorange jealousy, founding
ambulation away
from the variousornamentation
outlining au courant fillings of a preferred
rendition,understood.
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—after Alan Broadbent’s ‘Round Midnight
Her voice
skirt-high raises pontificating virtue alabaster enjoys.
Of moments’ curbed idealization:
ideologyhides amid diagonal symbols
quiescentatop
common memoriesrecalling blur of
a crow’s fundamental leaving.
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—after Hank Jones’ Ruby My Dear
I recall
your hand on soundless handtiredfollowing method of conceptual reenactments,
spelling with tongue of silent reinvention, grasp, gonerenaming antiquated modes with
vocal arrangements,softened
harmonizationcalling toward clarity’s
improvised announcements