版畫類評審感言 評審委員　陳國展

臺灣現代版畫，1974 年由廖修平先生引進推廣，倏已 40 年，此凹、凸、平、孔版的現代版畫，很順利地接續抗戰木

刻，分枝散葉蓬勃發展蔚為時尚，千禧年後拜資訊科技突飛猛進，又有電腦數位版畫及單刷版畫，使版畫面貌更廣闊、更

豐富，同時政府又全力推展，在各級公私美展設立版畫部徵畫給獎鼓勵，如推出中華民國國際版畫雙年展、中華民國版印

年畫展等，為接軌世界版藝潮流舉辦大型交流展學術論壇，邀約知名版畫家來臺切磋技藝、分享教畫經驗，使國內版畫品

質、數量精進，並提升普及全民，同時也帶動兩岸四地版畫藝術教育活動。

此刻在屏美館舉辦的「亞洲九國版畫交流展」可觀察到國際創作現況的端倪。即版面趨向作大，技法精細且印製纖細

厚工，廣泛運用版材研發新技法讓人激賞；而以傳統技法探討再經由電腦製版列印輸出的作品，其複製輕便之獨特性，深

信必能廣受普羅大眾歡迎接受，所以，版作可以似小家碧玉也可以是大家閨秀，然印量縮減藉以精緻品質亦是另外期許。

臺中市大墩美展是臺灣版畫發展見證者之一，18 年來版畫獲大墩獎者不在少數，而獲獎精英作家頂此光環在各地不懈

努力推廣創作，成為臺灣版畫界領頭羊者甚眾，雖然每屆收件數只在 60 件上下，但都是當下精采傑作。同時評審制度透

明公開、嚴謹周延，歷年得獎的不分國內外人士、不偏版種輕重，唯尊以當時競逐作品良窳是瞻。於是獲獎的肯定是他們

往後送件參展的試溫水、踏腳石。

本屆版畫收件 59 件，初審選出 9 件，一個月後從送審原作複選 9 件入選，再討論投票評定得獎前三名及優選兩名，

由評委林昌德、董振平、楊明迭、林智信、陳國展五位執評，責由筆者匯集整理各委員感言如下：

第一名游雅蘭的「The Night Starts Here (夜晚自此綻放) 」，她用大面積白楊木板以單版複刻凸版油墨套色印成，畫面

優雅氣氛獨特，晨曦光熱的溫暖，小草花朵五彩繽紛似已均沾朝露，欣欣向榮，蟲鳴流水喧揚在耳，引發作家強烈環保意

識及保護鄉里執著，以記憶中童年深刻的農村印象為主題，發揮純熟技法，刻功呈現穿透性，並以俗民色彩增強堆疊性，

令人憶起水月鏡花般的孤寂，是難得傑作。

140

第二名周佑貞的「駝鳥夢」，用特大尺寸石膏板刻成，粉蠟筆填色拓屬印凸版，她在圖式呈現上，將山水層景活潑生

動的詮釋中，另有人物身首潛埋其中作駝鳥心態。是逃避現實、遠離社會重重危機的自我，似若嬉戲般地脫離自然規律，

尋覓另類思維空間。石膏大版易碎難拓又費時，能完成偌大作品是屬難得，唯拓印時殘留沾污是為瑕疵。

第三名王毓麒的「歲逝」是傳統平板作品，用輕薄鋅鋁版 ( PS版 ) 照相感光製版單色印成，構圖具細緻的張力，敘述

人生歲月不饒人，容顏隨滄桑流長，人事無常辛酸甘苦自知，盼藉回顧省思，凝聚成一股生命力道與能量，唯圖面太滿難

以調息，假以時日必有佳績。

優選古一君的「一個缺席的場合」用金屬版深蝕刻單色印成，酸蝕效果掌握頗佳，圖像清明、意念凝聚突顯，表達其

內心不安與焦慮，以深蝕刻技法能呈現如此深刻視效是非常可貴的，唯空間層次深度不足，可經由直刻或松香細點法琢磨

形成，可探討空間甚廣，是位可讓大家期待的作家。

另一優選是波蘭籍 Pawel Delekta 的作品「 物件 Ⅲ」，以超現實構成作品，他在平面大板上預留物件與影子位置，平

均抹上慢乾性類似樹酯凝膠，再慢工雕撥，造形成凹凸不平表面，待乾涸後以凹凸版壓印而成，他以圖形符號來介紹現實

的週期，如將物件放置於大建築物景觀中，將顯示「那一個」和「是什麼」的衝突問題，是件極具新穎創意的好作品。

141

Chen, Kuo-Chan

Modern Taiwanese printmaking was introduced to Taiwan 40 years ago in 1974 by Mr. Liao Hsiu-Ping. Printmaking includes intaglio, relief, lithographic and porous printing styles, which were successfully balanced with woodcutting and quite trendy at that time. After the turn of the century, thanks to the fast growth of the Internet, digital and single-brush printmaking have been added as other printmaking options. Meanwhile, the government has offered its full support to promote printmaking, launching both public and private printmaking exhibitions to solicit works and present awards. Such events include The International Biennial Print Exhibition of the ROC, Chinese New Year Printmaking Exhibition of the ROC, among others. Furthermore, in order to stay abreast of global printmaking art trends the Taiwanese government has been holding large academic-exchange forums, inviting famous printmaking artists to visit Taiwan to compete, share their experiences and teach others their printmaking skills. Advancing the quality and quantity of local printmaking works via such events, while at the same time raising the awareness of this art form through arts education activities, is a great goal for Taiwan.

Now we can gain a better understanding of international prints through the“Nine-Nation Printmaking Exchange Exhibit of Asia”organized by the Pingtung Art Museum. While we have found the size of printmaking works to be bigger than ever, execution remains very detailed and delicate. We can also observe that plates are no longer restricted to wood, as the usage of a broad variety of materials to create plates has emerged. For instance, there is no doubt that digital printing will soon be widely accepted because of its convenience and uniqueness. Therefore, printmaking today can be as varied as an unpolished piece of jade or the image of a highbred belle.

The Da Dun Fine Arts Exhibition of Taichung City is another showcase for Taiwanese printmaking. Few artists have won the Da Dun Prize over 18 years and the prestige of this award means that winners continue working hard on their projects and efforts to promote their works. The judging system is absolutely fair and discreet and there isn’t any preference toward any kind of printing style or nationality. Rather, all submissions are judged and chosen on the merits of the works themselves. Accordingly, the affirmation provided to prize winners is a significant stepping stone towards artists’futures.

This year, the printmaking category received 59 submissions. During the preliminary one-month review we chose nine works for the final review and then decided the top three prizes and two Award of Merit winners through voting and discussion. The judges were Lin Chang-De, Tung Chen-Ping, Yang Ming-Dye, Lin Chih-Hsin and Chen Kuo-Chan. Below are their statements.

Yu Ya-Lan’s First Prize winner,“The Night Starts Here”, is a relief printing. She applied a plate for all of the copies onto a large panel of poplar wood, and at last process, she used ink to cover the whole wood. The image has a unique elegance. The strong inspiration of the warmth of the dawning sun, the green grass and colorful flowers blossoming with the morning dew, and the sound of a flowing river inspired the creator’s strong green consciousness, along with a persistent desire to protect the environment. She chose the topic from the most unforgettable memory of her childhood—a farm village—and brought her skills into full play with every cut she made. Furthermore, she used abundant folk elements to increase the work’s layers to illustrate the loneliness of the virtue image. This is a rare masterpiece.

Juror's Statement, Printmaking Category

142

The runner-up is“The Dream of Burying Our Heads in the Sand”created by Zhou You-Zhen. The work is a relief printing carved on an extra-heavy gauge, and then painted with pastels. Amongst the vivid landscape scenery, she also illustrated people burying their heads in the sand in reference to the work’s subject, representing an escape from the danger of reality and society. To not take everything seriously and to escape from the laws of nature is a search for a unique mindset.

Printing on a heavy plaster board is very challenging because it is very fragile, making the process time-consuming. Therefore, it is rare that an artist gets to finish such works. The only flaw of this piece is a stain left by the rubbing and printing process.

The second runner-up is“As Time Goes By”, created by Wang Yu-Chi. This is a traditional panel work, printed on a PS board—installed in a camera to sense light during photography. The composition has a meticulous tension. It elaborates on the idea that time waits for no man as facial appearances age with the vicissitudes of life and there is an awareness of bittersweet joys and sorrows together with the hope of gathering life's power and energy through introspection. The flaw of this piece is the overflowing content. If the creator becomes more aware of the composition, she will begin to generate better results.

An Award of Merit goes to“An Absent Occasion”created by Ku Yi-Chun. The work was made on a medal plate, carved with deep-etching skills, and printed with a single color. The etching ended up very good. The image clearly shows the flustered anxiety in one’s mind. It is very praiseworthy to apply deep-etching to a metal plate in order to provide such visual effects. Yet the lack of depth in its layer can be fixed by applying resin aquatint or direct etching. This is a very promising author with a bright future.

Another Award of Merit went to“Objects III ”created by Pawel Delekta, who was born in Poland. He composed this work with surrealism, reserving spots on the large panel for objects and shadows. He then evenly distributed slow-dry glue, similar to resin gelatin, and stirred it to form an uneven surface to print on with an embossing plate when dry. He introduces the cycle of reality by using circular symbols, just like placing spatial blocks on the landscape background of a big architectural agglomeration to show the clash of“that”and“what”. This is a brilliant, creative piece.

143

版畫類 Printm

aking

第一名 First Prize

The Night Starts Here／ 夜晚自此綻放　95×160cm

游雅蘭　Yu, Ya-Lan

2012 臺北國際藝術博覽會「MIT-新人推薦特區」(文化部)

2012　新北市美展全國組版畫類第一名

2012　“Made in Taiwan - Young Artist Discovery”, Art Taipei

(Ministry of Culture, Republic of China)

2012　First Prize, the Art Exhibition of New Taipei City,

National Group - Printmaking Category

作品說明

夜晚自此綻放，湖面映著破碎的倒影，閃耀著迷亂的光芒。從表象經驗

得到的片段交疊成創作畫面，反映的是內在的精神空間。作者使用一版

複刻方式，藉由在木板上刻磨深淺不一的刻痕及疊色，欲營造一個非真

實而具體的存在。

DescriptionThe night starts here. The lake shines with dazzling sparkles and bouncing, shattered reflections. The moments distilled from the sum of experiences blend into one created image, mirroring the internal spiritual space. I used a plate for all of the copies, carved the wood to different depths, and laminated it with different color tones. My goal was to make it look as if it were real and existed in this world.

144

版畫類 Printm

aking

第二名 Second Prize

駝鳥夢／ The Dream of Burying Our Heads in the Sand　110×153cm

周佑貞　Zhou,You-Zhen

作品說明

在社會群體中，危險時將頭埋入沙坑，矇蔽視線

自以為安全的我及脫離自然規律自欺欺人的我。

DescriptionIn society, every time I encounter danger I bury my head in the sand, thinking that if I can’t see anything no one can see me and I am out of danger. I keep lying to myself by fleeing from the laws of nature.

145

版畫類 Printm

aking

第三名 Third Prize

歲逝／ As Time Goes By 70×92cm

王毓麒　Wang, Yu-Chi

2012　新北市美展版畫類全國組第二名

2012　雲林文化藝術獎版畫類首獎

2012　Second Prize, the Art Exhibition of New Taipei City, National Group - Printmaking Category

2012　First Prize, Yunlin County Culture and Art Award - Printmaking Category

作品說明

滄桑的容顏歷時著聚散離合，在靜觀人事無常的更迭變化下，輪轉不息。回

顧過往，思緒如游絲般在靈魂深處裡彼此交織牽動，銘刻的記憶軌跡，正凝

聚內蘊出一股生命的力度與能量。

DescriptionAn old face survives every separation and reunion in life. Gazing upon the vicissitudes of life, gyrating, reminiscing, thoughts like hairs spring up, interwoven deep within the soul, engraved on one’s memory track. The power and energy of life seems to be brewed up by thought itself.

146

版畫類 Printm

aking

優選 Aw

ard of Merit

一個缺席的場合／ An Absent Occasion 40×121cm

古一君　Ku, Yi-Chun

2012　泰國版畫暨素描三年展入圍

2011　世界畫廊藝術新秀

2012　F ina l i s t, the In te rnat iona l Tr i enn ia l Pr in t & Draw ing Exhibition, Thailand

2011　New Artists of Shijie Gallery

作品說明

表現一種不安全感的情緒狀態。面對難以控制的外在逼迫與沸騰的內在情緒，無能為力地引發

了焦慮、膽怯與茫然，並產生了逃避的心態。試圖裝作若無其事地忽略那些岌岌可危的境況與

壓抑自身內心的糾結情感，無力改變即將面臨的破壞或拆穿。

DescriptionThe work presents an insecure emotional state. Facing uncontrollable external forces and seething internal emotions, helplessness triggers anxiety, timidity and absent-mindedness, resulting in the urge to escape. Trying to pretend as if nothing had happened, ignoring those critical situations and holding back the entangled feelings inside can’t do anything to stop the upcoming destruction and unmasking.

147

版畫類 Printm

aking

優選 Aw

ard of Merit

Objects Ⅲ ／ 物件 Ⅲ　100×142cm

Pawel Delekta

2012　義大利維琴察省帕拉迪奧國際雙年展

2012　波蘭格但斯克6國國際展覽和小圖形式的比賽第二名

2012　Biennial International Exhibition Palladio, Vicenza, Italy

2012　Second Prize, 6 International Exhibitions and Small Graphic Forms Competition, Gdansk, Poland

作品說明

物件Ⅲ是一個循環圖形，我以這持續循環的圖形象徵現代事實。在大建築

群景觀背景上擺放空間塊，呈現「那一個」和「是什麼」的衝突問題。

DescriptionThe objects are a cycle of graphics that represent the symbolic way I present modern reality. The spatial blocks placed in the landscape background of the big architectural agglomeration shows the clash between the which was and what is.

148

版畫類 Printm

aking

入選 Short List

金炫辰　Kim, Hyun-Jin 2013　全國版畫大展版畫大獎

2012 波蘭巨山美術館第12屆Gielniak印藝

大賽亞軍獎

2013　Pr in tmak ing Award, Nat iona l Printmaking Exhibition

2012　Runner-Up Prize, the 12th Gielniak Graphic Arts Competition, Dzial Sztuki Muzeum Karkonoskiego, Poland

作品說明

應用單版複印技法來表現各色彩間的和

諧，由色彩主導，讓光與色、虛與實緊緊

糾纏，交織成另一種想像空間。「世間種

種事都是情，歲月的消逝往往觸動心中的

愁思，讓我剪不斷，理還亂」是作品裡所

要表達的意念。

DescriptionA s ing le-copy vers ion is app l ied to present harmony among colors. Using different hues to lead, light and color, and the virtual and real are interwoven into another imaginary space.“Everything in this world is all connected. Yearning grows as the years add up. It’s nugatory to sever, messy to unravel.” This is the idea presented by the work.

剪不斷，理還亂-2／ Nugatory to Sever, Messy to Unravel-2 78×58cm

149

版畫類 Printm

aking

入選 Short List

劉裕芳　Liu, Yu-Fang 2008　全國版畫大展銅牌獎

2008　Bronze Medal Prize, National

Printmaking Exhibition

作品說明

臺灣紫斑蝶每年至少有三次大規模遷徙

現象，由南到北歷經種種困難與險境，

這條蝴蝶高速公路是臺灣生態的健康指

標。以凸版轉版及裱貼等技法，表現版

畫豐富的多樣性。

DescriptionEach year, there are at least three l a rge-sca le Ta iwanese M i l k weed Butterfly migrations in Taiwan. Flying from south to north, they experience all kinds of dif ficulties. This butterfly highway is representative of Taiwan’s ecosystem health. I used relief printing, pasting and other skills to present the diversity of graphic art.

紫斑蝶的旅行／ The Journey of Purple Crow Butterflies 81×61cm

150

版畫類 Printm

aking

入選 Short List

你是否真心？／ Do You Need？ 79×110cm

李育城　Li, Yu-Cheng

2013　全國版畫大展翰軒版畫創作獎

2013　Hansen Printmaking Award, National

Printmaking Exhibition

作品說明

在商品大量製造生產的時代，網路或電視只要一出現什麼新的商品，大家就會

馬上陷入瘋狂搶購。但我們可以不要盲目的跟隨嗎？

DescriptionWe are in an era in which everything is mass-produced. As soon as new products appear on the Internet or TV, people turn into crazy buying machines. But do we really need it ?

151

版畫類 Printm

aking

入選 Short List

大眾甜／ Masse of Sweets 60×84cm

宋佳璇　Song, Jia-Syuan

2013　全國版畫大展黎畫廊獎

2013　京桂藝術基金會參展﹝美麗花園﹞高師複數抽樣展

2013　Lee Gal le r y Award, Nat iona l Pr intmak ing Exhibition

2013　Joint Exhibition of Beautiful Garden by King Kuei Art Foundation

作品說明

所謂的大眾甜，是說同一款的糖果，每顆看似如此的獨特可愛，但吃進嘴裡

時，卻是一樣的甜度。就像在社會規範中，每個人都是這個社會體制下被社會

化的產物，儘管如何突顯個人化的特色，卻還是無法脫離已被社會化的本質。

DescriptionThe concept behind“Masses of Sweets”is describing a pile of the same candy. Each one looks so unique and delectable, but when you put it in your mouth it all tastes the same. This is just like society, where everyone is a socialized product of the social system. Despite our efforts to make our personal features stand out, we still can’t get rid of the socialized thinking inside.

152

版畫類 Printm

aking

第二名 Second PRIZE

水彩類評審感言 評審委員　簡嘉助

本屆參與水彩類競賽徵件數為 153 件，其中國外作品有 15 件，比上屆增加了 21 件。經初審入圍送件參加複審者，

合計 23 件。由評審委員：沈國仁、黃銘祝、林仁傑、林偉民等教授及本人經多次票選後，選出前三名各 1 件，優選 4

件，入選 16 件參與展出。

整體而言，參展水準提高，競爭激烈，能入選即為佳作。願創作者能全心投入，繼續鑽研並走出自我的風格，為藝

壇發光發熱。

第一名張家龍的作品「破曉迎曦」，以雙全開畫幅表現了雨後天晴故鄉港邊映像，技法運用活潑，主題突顯，搶眼而

有力。

第二名莊凱評的作品「微光城市-6」，是作者以主題系列研討方式創作的連作之一作品，以俯瞰角度表現都市光彩，

採透明技法，透視與遠近空間掌控良好，值為推介。

第三名蘇芳毅的作品「暖友小聚」，作者擬藉畫作表現好友相互關心鼓勵互勉的情懷，採褐色調統合，神韻表情細

膩，溫馨可愛。

優選 4 件：有侯彥廷的「行走」、蔣玉俊的「流動時光的片刻」、黃昱筌的「物與影」、蔡淑珍的「陽臺上的仙人掌」。也都

各有自己風貌，強烈表達個人的感動與心裡的話，都值為鼓勵。

綜觀本屆大墩美展的水彩畫作品，題材內容寬廣，反映了時代性與生活感觸或表現內心的思維與期待，印證了作者

樂在享受創作的充實。個人也期許，藉作品的展出發表能推動更多的民眾體會創作，而更喜歡接近與參與藝術的活動，

快樂渡過每一天。

154

Chien, Chia-Chu

A total of 153 submissions, including 15 artworks from abroad, were received in the water color painting category this year for

an increase of 15 works from the previous year. During the preliminary review, 23 artworks were chosen for the final review. The

jurors, including Shen Guo-Jen, Huang Ming-Zhu, Lin Jen-Chien, Lin Wei-Min and me, carefully selected the top three prizes, four

awards of merit and 16 short-listed awards after rounds of voting and careful discussion.

Overall, the bar for triumph in this competition has been lifted, which means that receiving a short-listed award can be

considered very positive recognition. It’s my sincere hope that our artists can continue their great work and cultivate their own unique

styles.

First Prize went to Chang Chia-Lung for his“Greeting the Dawn”. The key to his success lies in his lively and sophisticated

skills, powerfully capturing the amazing scene of a seaport after a storm.

Chuang Kai-Ping won the Second Prize with“Dim Light of the City VI ”, one of his works from this series. Employing a

transparent technique, the artist superbly portrays the lights and the depth of space from up above.

Third Prize was granted to Su Fang-Yi for his“Quality Time with Friends”. Adopting a warm brown color tone, the artist

successfully presents a scene of heartwarming friendship with vivid facial expressions of care and love.

Four Awards of Merit are as follows: Hou Yan-Ting’s“Walking”; Chiang Yu-Chun’s “Flowing Moments of Time”; Huang Yu-

Cyuan’s“Substance and Shadow”; and Tsai Shu-Chen’s“Cactus at the Balcony”. Each piece strongly expresses its artist’s personal

feelings and approaches in a unique individual style.

The subjects selected this year for the water color painting category are quite diverse, not only effectively reflecting the feelings,

thoughts and expectations of this time but also revealing how fun and fulfilling artistic creation can be for both the artists and

audience. I personally hope that the exhibition will encourage the public to pursue the creation of art themselves and introduce more

arts-related activities to their lives.

Juror's Statement, Water Color Painting Category

155

水彩類 W

ater Color Painting

第二名 Second Prize

莊凱評　Chuang, Kai-Ping 2012　臺中市第17屆大墩美展水彩類第二名

2012　新竹美展水彩類竹塹獎

2012　Second Prize, the 17th Da Dun Fine Arts Exhibition of Taichung City - Water Color Painting Category

2012　Chuchian Prize, Hsinchu City Art Exhibition - Water Color Painting Category

作品說明

俯瞰城市一來一往間的微妙關係，光與影正述說

著故事。

DescriptionObserving the city from up above reveals the delicate back-and-forward relationship between going and returning. The l ight and shadows depict the stories amidst the dim light of the city.

微光城市-6／ Dim Light of the City VI　150×100cm

156

水彩類 W

ater Color Painting

第三名 Third Prize

暖友小聚／ Quality Time with Friends　79×110cm

蘇芳毅　Su, Fang-Yi

2010　磺溪美展水彩類入選

2010　Short-Listed, Huang Shi Art Exhibition - Water Color Painting Category

作品說明

好朋友是生命中溫暖的休息站，我們一起談熱血、談夢想，分享彼此感情近況，互相鼓勵與祝

福。總在朋友開的小店前，感受彼此最溫暖的許多美好。

DescriptionFriendship provides vital support and warmth in my life. In front of my friend’s small shop, a few friends and I share our passions, dreams and the up-and-downs of life all the time. We encourage each other and extend our best wishes that our dreams will be realized one day. My warmest friendship experiences all happen here.

157

水彩類 W

ater Color Painting

優選 Aw

ard of Merit

行走／ Walking　65×110cm

侯彥廷　Hou, Yan-Ting

2012　第75屆臺陽美展銅牌獎

2010　第12屆新莊美展水彩類第一名

2012　Bronze Medal Prize, the 75th Tai Yang Art Exhibition

2010　First Prize, the 12th Sinjhuang Arts Exhibition - Water Color Painting Category

作品說明

行人一如往常的過著馬路，如此平常的景色，使我想到人的一生或許就像這樣，

靜靜的來、默默的走，就這樣路過而已。

DescriptionI watched a pedestrian walk on a zebra crossing, a common sight in our daily lives. I wonder whether our lives are just as straightforward as crossing from one side of a road to the other. Our life journey, coming to this world and leaving it behind, is progress as simple as crossing a road.

158

水彩類 W

ater Color Painting

優選 Aw

ard of Merit

流動時光的片刻／ Flowing Moments of Time　142×176cm

蔣玉俊　Chiang, Yu-Chun

2010 雞籠美展水彩類第一名

2009　南投玉山美術獎水彩類首獎

2010　First Prize, Keelung Ar t Exhibition -

Water Color Painting Category

2009　First Prize, Mt. Jade Art Exhibition -

Water Color Painting Category

作品說明

當作品以分割的形式透過水分游走於畫面，基底材所能承載的不再只是繪畫的層疊技

巧，如文字般的起承轉合，像音樂的韻律節奏，當大小對比開始膨脹，理性的抽象形

變加入偶發的隨機演化，徹底打開……屬於自我的片刻。

DescriptionThis painting is composed of several dif ferent images taking place at various moments. The images on the paper demonstrate not only overlapping painting skills but also the transitional steps essential in a composition and the rhythms of a song. When the elements in each image try to dominate the whole scene my rational, yet abstract, thinking and random thoughts embrace each other to create my very own flowing moments of time.

159

水彩類 W

ater Color Painting

優選 Aw

ard of Merit

物與影／ Substance and Shadow　63×104.5cm

黃昱筌　Huang, Yu-Cyuan

作品說明

空間裡的隨機畫面，所形成自然微妙的思索。

DescriptionA random image created by light and shadow in a space inspires profound contemplation.

160

水彩類 W

ater Color Painting

優選 Aw

ard of Merit

陽臺上的仙人掌／ Cactus at the Balcony　98×128cm

蔡淑珍　Tsai, Shu-Chen

2012　臺南地方美展西方媒材類第二名

2009　府城美展西方媒材類優選

2012　Second Prize, Tainan Local Fine Arts Exhibition - Western Media Category

2009　Award of Merit, Tainan City Fu Cheng Art Exhibition - Western Media Category

作品說明

一棟經過歲月風霜洗鍊的小樓房，外表已斑剝，也長了些青苔。而那長在陽臺上的仙

人掌，因主人在外地工作，疏於管理而爬滿整個陽臺，佇立於烈日下、風雨中，靜待

主人的歸來。

DescriptionThe cactus bushes spread all over the balcony in a dilapidated house mottled with mossy patches. Standing fearlessly in the sun and storms, the cacti wait patiently for the return of the owner, dispatched to another city for work.

161

水彩類 W

ater Color Painting

入選 Short List

《漁家系列》作品第37號 - 離鄉背井／ Fishing Village No.37 - Far Away from Home　66×82cm

林美達　Lim, Bee-Tat

2013　第6屆法國Le Haillan水彩博覽會

2012　第72屆美國西北水彩畫協會年度水彩

國際公開展 H.K.荷爾拜因創意獎

2013　6ème Sa lon de 1`Aquare l le du Haillan, France

2012　The H. K. Holbein Creativity Award, the 72n d NW WS A nnua l O pe n International Exhibition

作品說明

作品大膽地採用了鮮明對比的手法來呈現人生的無奈……。渲染技法和乾筆畫法的交替使

用，冷、暖色調的混和，強烈的光影，皆隱喻著一個常見的社會現象--許多人為了讓家人

過得更加舒適，唯有遠離家園，辛苦地工作……。

DescriptionThe artist adopted a bold, greatly-contrasting approach to underline the helplessness of life. The alternating of wet and dry brushes, cold and warm tones, and strong light and shadows all delineate common but drastic phenomena in our society, such as people having to leave hometowns for better job opportunities in order to give their families a more comfortable living standard.

162

水彩類 W

ater Color Painting

入選 Short List

皇室／ Royal　79×108cm

莊子葶　Chuang, Tzu-Ting

作品說明

在皇室光鮮亮麗的背後，有多少人的努力付出，才成

就這樣華麗的外表。

DescriptionUnderneath the glamorous appearance of the royal family lies prodigious hard work and efforts by numerous people.

163

水彩類 W

ater Color Painting

入選 Short List

攜手同圓Ⅱ ／ CircleⅡ　55×75cm

楊偉彬　Yeong, Wai-Beng

作品說明

既是「攜手」，就應該合作；既是「同圓」，就應該

融和。做人如船，到了碼頭若找不到地方停泊，就只

能牽著孤單在人生的路上走著；因此，我們都希望能

在碼頭聚集成圓停泊，不再孤單。

DescriptionSince we’re working together, we might as well do it hand-in-hand. And since we are in the same boat, we might as well try to get along. Human beings are like boats. A boat can only drift at sea in solitude and loneliness if it fails to find its port. To survive, we all long to take shelter in a port, just like boats in a harbor, and feel lonely no more.

164

水彩類 W

ater Color Painting

入選 Short List

劉佳琪　Liu, Chia-Chi 2011　新竹美展水彩類竹塹獎

2011　苗栗美展水彩類第一名

2011　Chuchian Prize, Hsinchu City

Ar t Exhibit ion - Water Color

Painting Category

2011　First Prize, Miaoli Art Exhibition -

Water Color Painting Category

作品說明

金光中，仍望往昔重現；

微塵裡，感嘆逝去難回。

茫然在匆匆中打轉，逝去是苦是甜，

斜陽歸去，前塵如夢，瞬息萬變。

DescriptionGazing into the golden light beams, I still long to revisit the moments of the past. Evaporating into the dust, what is gone remains gone. Feeling lost and struggling in life’s turbulence, I relish the bitterness and sweetness of my past. The sun is setting and the future is yet to come. Nothing stays still.

消逝與存在／ Decease and Existence　150×100cm

165

水彩類 W

ater Color Painting

入選 Short List

許宸瑋　Shi, Chen-Wei 2012　全國學生美術比賽西畫組甲等

2012　Class A, National Student Fine Art

Competition - Western Painting

Category

作品說明

陽光撒落老樹樹身，此時一隻鳳蝶停留、

休憩，等待下一刻的展翅飛翔……。

DescriptionWhile the sunlight f i ltered through the leaves of an old tree, a butterfly fluttered by and rested ti l l the right moment to spread its wings came once again.

憩／ Resting

166

水彩類 W

ater Color Painting

入選 Short List

楊晴方　Yang, Qing-Fang 2013　復興商工師生美展水彩類第二名

2012 第6屆亞洲華陽獎入選

2013 Second Prize, Fu-Hsin Trade and Arts

School, Teachers and Students Joint

Exhibition - Water Color Painting Category

2010　Short-Listed, the 6th Asia Huayang Award

作品說明

濛濛的霧氣，圍繞在山間，山城接連著平原，

霧氣籠罩了整座城市，隨著變化多端的雲彩，

將一望無際的山城之美，盡收眼底。

DescriptionThick fog surrounds the mountains where a city resides. Steeped in the mist, the city stretches toward a seemingly endless plain. As the clouds are transformed, the beauty of the landscape prevails.

霧都／ A City of Fog　109×78.5cm

167

水彩類 W

ater Color Painting

入選 Short List

江福旺　Chiang, Fu-Wang 2012　第13屆南投玉山美術獎油畫類入選

2012　Short-Listed, the 13th Mt. Jade Art Exhibition

- Oil Painting Category

作品說明

在物競天擇的生存法則下，看似只在人類及動物

間才有的煙硝味，其實在植物界也不惶多讓！豐

富的肢體語言-延伸、纏繞、擴張、爭霸…，顯

示其「領土野心」一點也不輸人類，而且是無時

無刻不在進行呢！

DescriptionThe evolutionary theory of survival of the fittest applies to not only animals, including us human beings, but also to plants. Their quiet but aggressive attacks—attaching to neighboring objects, fastening themselves to other things, expanding their territory via reproduction and finally taking over a space—encroach stealthily but certainly until they claim victory. Their will to conquer is no less ambitious than a human being’s. Plus, there is no time-off in this process.

無聲的戰場／ A Silent Battlefield　91×72.5cm

168

水彩類 W

ater Color Painting

入選 Short List

賴勇達　Lay, Yeong-Tah 2013　高雄獎優選

2011　與自然共舞-第1屆南島美術獎銀獎

2013　Award of Merit, Kaohsiung Awards

2011　Silver Prize, the 1st Austronesian Fine

Arts Award, Dances with Nature

作品說明

將有著堅強求生精神的小強（蟑螂）與自我融

合，轉化為象徵自我的神化靈魂。因面臨畢業

求職、生理上的病痛及家中的變故等種種試

煉，使自己不斷地經歷希望、失望、絕望、

昇華至重生，成就出今日「打不死的小強」個

體。面對挫折、考驗不是一種懲罰，而是另

一種機會。紀錄了生活中的迷惘與經驗，然在

創作的行為中尋求個人的解答方式，猶如現今

自然界也尋找出一套與人類共存的「新」方式

啊！。

DescriptionCockroaches are known for their strong will to live. The artist embraces this spirit and transforms it to symbolize his soul. Facing his imminent graduation, the artist is overwhelmed with job-seeking, his illness and mishaps in his family. Successive hope, disappointment, despair, acceptance and realization have made the artist who he is today. By documenting his questions of life in this creation series, he not only finds answers but also comfort during the process. Frustration and challenges are not the equivalent of punishment but an opportunity. Recording my confusion and life experiences is a source of inspiration for creation as well as a pursuit of solutions to my troubled situation. This new pattern of co-existence between cockroaches and me reflects how life always evolves to find its way. 打不死的小強系列- Washing Myself No.1／ The Fighter Series-Washing Myself No.1　110×80cm

169

水彩類 W

ater Color Painting

入選 Short List

張秀珠　Chang, Hsiu-Chu 2013　第60屆中部美術展水彩類第一名

2012　臺南地方美展西方媒材類入選

2013　First Prize, the 60th Central Taiwan Art Exhibition - Water Color Painting Category

2012　Short-Listed, Tainan Local Fine Arts Exhibition - Western Media Category

作品說明

門神源於遠古庶民崇拜，擔任防衛家門、驅趕邪

魔任務。臺灣左營一級古蹟北門城牆石砌門神年

代久遠，外形斑剝，卻不減神勇威風，乃具民俗

藝術之佳作，令人矚目神往。我以水彩濕畫法，

筆觸墨彩相滲透，創作出水墨畫效果。

DescriptionA belief in the Gate God can be traced far back. The role of this deity is to safeguard households and keep the devil away. Ranked as a first-category historic building, the North Gate God of Kaohsiung city’s Zuoying district has a long history. Made of stones, the gate might appear battered but it still remains grave and solemn. The artist employs a wet watercolor technique that allows the colors to bleed and blend in, a distinctive effect of this skill.

北門-神荼／ North Gate God—Tu　108×80cm

170

水彩類 W

ater Color Painting

入選 Short List

羅思喬　Lo, Szu-Chiao 2012　苗栗縣美展平面設計類第三名

2012　第11屆雅蒂斯盃繪畫比賽佳作

2012　Third Prize, Miaoli Art Exhibition - Two-Dimensional D ig i ta l Ar t Category

2012　Award of Merit, the 11th Artam Cup Painting Competition

作品說明

繁忙的人群街道、路人擁擠，在看似熱鬧

的街頭，總會有年老的長者，孤獨地望著

遠方、或默默地做事，像是在等待什麼。

而陪伴他們的只有那不經意的嚷嚷聲。

DescriptionBusy streets crowded with people and activities generate a lively and energetic atmosphere. However, if you look closely, you can always find some senior citizen in a corner gazing into the distance or minding their own business in total solitude. Perhaps they are waiting for something to happen or someone to visit them. Unfortunately, most of the time, it’s the noise that fills up the void in their longing hearts.

獨／ Lonely　108×79cm

171

水彩類 W

ater Color Painting

入選 Short List

寂靜瞬間之一／ Serene Moment No.1　84×146cm

梁潤湛　Leung, Yun-Charm

2013　德國Nord Art國際藝術展入選

2012　美國賓夕法尼亞州水彩畫會第33屆國際評審展商品獎

2013　Short-Listed, Nord Art International Art Exhibition,

Germany

2012　Prouction Awards, the 33rd International Juror

Exhibition of Pennsylvania Watercolor Society, US

作品說明

描繪中國徽州宏村的寧靜雪景，老房子的黑瓦頂上鋪了白雪，水中倒影清

晰，遠山一片迷暮、蒼茫，彷彿時間在這一刻凝固了，給人一種清幽閒適的

感覺。

DescriptionThis painting illustrates a tranquil snow-covered landscape in Hong village of China’s Huizhou region. The black-tiled rooftops covered with thick white snow are reflected perfectly in the still water. The distant mountains are engulfed in mist. Time seems to freeze in this particular moment, creating a sense of peace and ease.

172

水彩類 W

ater Color Painting

入選 Short List

如幻之境（臺南四草綠色隧道）／ Fantasyland - Sicao Green Tunnel　65×100cm

孫慶平　Sun, Chin-Ping

作品說明

這是對大自然的詠嘆！清晨的陽光，穿透紅

樹林的葉梢，灑落在平靜的水面。清透的倒

影，以及迎接第一道晨曦的翠鳥，大地寧靜

祥和，置身其中，如夢似幻。

DescriptionThe artist shares his profound admiration and awe of nature via this painting. The morning sun showers the red forest with its tender orange light and gently raises the black veil. The gorgeous colors are vividly displayed on the tranquil surface of water in the forest. A kingfisher spreads its wings to welcome the dawn. It is so peaceful and stunning, like a fantasyland we visit in our dreams.

173

水彩類 W

ater Color Painting

入選 Short List

森之祭／ Forest Ceremonies　102×153cm

郭心漪　Kuo, Hsin-Ⅰ

作品說明

靜謐卻充滿生機的森林裡，白榕群正舉行著神祕的祭典。

DescriptionA group of white bark banyan trees are holding a secret ceremony in the seemingly placid, but lively, forest.

174

水彩類 W

ater Color Painting

入選 Short List

野趣／ Wilderness Fun　75×105cm

蔡秋蘭　Tsai, Chiou-Lan

2007　新竹美展水彩類第一名

2005　苗栗美展水彩類第一名

2007　First Prize, Hsinchu City Art Exhibition

- Water Color Painting Category

2005　First Prize, Miaoli Ar t Exhibition -

Water Color Painting Category

作品說明

大地間最吸引人的地方，就在它自然的野趣。花叢間飛舞的彩蝶、忙碌不停的蜜蜂、池

畔的鴨群、後院的老牛……，在這裡，它們都是最佳主角。畫面裡慵懶的大白鵝對上了

麻雀，會產生什麼樣的趣味呢？

DescriptionIn my opinion, what makes nature so appealing is the wildlife that resides in it—colorful social butterflies, busy diligent bees, talkative ducks by a pond, an old mellow ox in the backyard and so on. In the wilderness, each of these is a leading actor. I sometimes wonder what it would be like when a languid goose meets a chatty sparrow.

175

水彩類 W

ater Color Painting

入選 Short List

月夜港灣／ Moonlight Harbor　80×90cm

黃運祥　Huang, A-Shang

2012　第30屆桃源美展第一名

2010　第58屆南美展柏川獎

2012　First Prize, the 30th Tao Yuan Art Exhibition

2010　Po Chuan Award, the 58th Tainan Fine Arts Association Exhibition

作品說明

恬靜祥和又絢爛的港灣月夜，其神秘面紗內的風采，盡在不言中！該選擇何種筆墨表

現這璀璨的神祕？黃紫互補詮釋臺灣港灣之夜，採壓克力混入樹脂，創造發光天空和

流動雲層，旨在改良水彩畫天生的單薄體質，讓〈月夜港灣〉有西方油彩之厚實肌理

又具東方水墨禪境。

DescriptionOn a cloudless and quiet moonlit night, the harbor wears a mysterious, yet dazzling, mask. The beauty is beyong words.“How can I illustrate this glamorous mystery?” the artist contemplated. Adopting bold colors—yellow and purple—the artist utilized a mixture of acrylic and resin to create the golden light of the moon and the texture of the moving clouds on this particular night. In so doing, he hopes the strength of Western oil painting and a state of Zen, best portrayed by watercolor painting, can be appreciated at the same time.176

水彩類 W

ater Color Painting

入選 Short List

雲曦映鷺／ The Sun Shines on the White Egrets　79×110.5cm

梁棍隆　Liang, Kun-Lung

作品說明

天剛亮、雲將散，白鷺鷥成群飛來待犁的田裡覓食。

這是我載女兒上課的路途，經常因氣候變化而時有不

同的景致，這乃美景之一。

DescriptionThe morning sun has just come up, the clouds dissipating slowly and a group of white egrets fly over to the still-unplowed rice paddy to seek food. This is one of the scenes I’ve witnessed many times while taking my daughter to school. The scenery varies according to the weather conditions and I’m blessed to know that we’re part of it each day.

177