C A L V I NL U N A

A R C H I T E C T U R EP O R T F O L I O

C A L V I N L U N A

C O N T E N T S

H O U S E

M U S E U M

B R E W E R Y

L I B R A R Y

C A M P U S

C A L V I N L U N A

S O U T HS I D E F O O DC A M P U S The South Side Food Campus becomes a new

community gathering space to revitalize the once-industrial south side of Columbus. Home to several metal and glass factories, the south side is in need of repair and revitalization. Pro-gram components of Food, Meditation, and Conversation, while separate programmatic elements, become combined to establish an identity to the community.

Cuts based on directions of other adjacent sites become manipulated and transform the front facade and roof of the building. Pieces get shifted and displaced to allow for natural light to enter the space. On the interior, program ele-ments are designated their own separate floor, but spaces mingle with each other in section to allow for one large interior space.

FOURTH YEAR, SPRING SEMESTER

URBAN DIRECTIONALITIES REPETITION DISPLACEMENTSHIFT

SLICE REPETITION SLICES BECOME GLAZING

NATURAL LIGHT BETWEEN SLICES

C A L V I N L U N A

R E S T R O O M S

UP

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K I T C H E N K I T C H E NS H I P P I N G

R E C E I V I N G

P O P - U P R E S T A U R A N T

R E T A I L

A D M I N

C L A S S R O O M

L O B B Y

C O N F E R E N C E

P L A N A T G R O U N D L E V E L

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UPUP

L I V I N GD I N I N G A D M I N

S H A M B H A L A G A R D E N

M A I NS H R I N E

G A T H E R I N G

R E C E P T I O N

G A T H E R I N G

P L A N A T L E V E L 2

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P L A N A T L E V E L 4

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S E C T I O N P E R S P E C T I V E

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ST. PAUL’S CATHEDRAL GHERKIN

TOWER OF LONDON

TOWER BRIDGE

SHARD

CITYHALL

L O N D O NP U B L I C L I B R A R Y

The rich diversity and history of London prompt-ed a look at the multiple landmarks notable to the city that are nearby to the given site. Taking note of landmarks that includ the Shard, City Hall, the Tower Bridge, the Tower of London, the Gherkin, and St. Paul’s Cathedral, the proposed new public library was created to take advan-tage of the views to these respective landmarks.

Separating the open, public space from the library specific functions into three separate pavillion-like buildings placed on the ground allows for open spaces beneath the building for the city public to traverse through the site. It also allows for opening views across the site. Specific views to the landmarks are created by angling out portions of the building to frame a lookout to a prticular sight. The fornt and back portions of the library are specificed for the pub-lic functions, whereas the central 80m tall tow-er between the two houses the primrary library reading rooms and book stack spaces. A bridge connects the front of the public space for libary users to traverse over ground to the back pub-lic space, as well as a bridge connecting the library tower to the more private administrative spaces.

FOURTH YEAR, FALL SEMESTER

C A L V I N L U N A

P L A N A T G R O U N D L E V E L

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P L A N A T G R O U N D L E V E L

P L A N A T L E V E L 2 P L A N A T L E V E L 4 P L A N A T L E V E L 6

C A L V I N L U N A LONGITUDINAL SECTION

CROSS SECTION

C A L V I N L U N A

ST. PAUL’S CATHEDRAL

SHARD

GHERKIN

TOWER BRIDGETOWER OF LONDON

C A L V I N L U N A

C A L V I N L U N A

C A L V I N L U N A

The Double House is designed for two brothers in the heart of Clintonville, in Columbus, Ohio. One brother, with his obsession and love for storage, needs to be in constant view of his goods. He sit-uates his home for himself as a way of flaunting his items to the city.

The home becomes split into two sections, 2/3 living space and 1/3 storage space. The two sections get separated into living and storage bars that are then shuffled, and in some cases removed to designate living vs. storage. The two brother’s space thus becomes intermixed and almost live as one in a duality.

WALHALLA

WEBER

WEBER

WALHALLA

SECOND YEAR, FALL SEMESTER

D O U B L EH O U S E

WALHALLA

WEBER

WEBER

WALHALLA

2/31/3

DIVIDE

SEPARATE

MODULEFORSTORAGE

STORAGE SHUFFLE

REMOVE

C A L V I N L U N A

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OPEN BELOW

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WEBER

WALHALLA

P L A N A T G R O U N D L E V E L P L A N A T L E V E L 2

P L A N A T L E V E L 3 P L A N A T L E V E L 4

OPEN ABOVE

OPEN ABOVEOPEN BELOW

OPEN BELOWUP

UP

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OPEN BELOW

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WEBER

WALHALLA

P L A N A T G R O U N D L E V E L P L A N A T L E V E L 2

P L A N A T L E V E L 3 P L A N A T L E V E L 4

OPEN ABOVE

OPEN ABOVEOPEN BELOW

OPEN BELOW

C A L V I N L U N A

C A L V I N L U N A

O V E R-T H E-R H I N EB R E W E R Y The Over-the-Rhine neighborhood located

close to downtown Cincinnati as well as near-by University of Cincinnati is being rejuvenat-ed based off of its rich historical beginnings. A thriving community in the early 20th century, the area has since degraded and become an area of need and rebirth. Recently, howev-er, new restuarants, boutique shops, and craft beer breweries have been flocking to the area to attract the young, hip crowd. Our particular situe for the new brewery is placed on (the main road) located next door to the locally famous Findlay Market.

The new brewery becomes an object show-cased on the street corner, while also creating an open community beer garden in the back. A displaced L-Bar scheme, the public restau-rant and tap room become separated from the brewery, allowing a pass through for the com-munity to filter in and utilize the beer garden.

THIRD YEAR, FALL SEMESTER

C A L V I N L U N A

P L A N A T B A S E M E N T L E V E L

P L A N A T G R O U N D L E V E L

P L A N A T L E V E L 2

P L A N A T L E V E L 3

P L A N A T B A S E M E N T L E V E L

P L A N A T G R O U N D L E V E L

P L A N A T L E V E L 2

P L A N A T L E V E L 3

C A L V I N L U N A

W E X N E RM U S E U M

With the family’s overwhelming private art col-lection, the Wexner’s are looking for a new space to house their works. On a site on Broad Street in downtown Columbus, Ohio located on the campus of the Columbus College or Art and Design, we propose a new space to showcase pieces of their immense collection.

The new museum is situated around a central courtyard housing a sculpture garden that sep-arates private office space from the public gal-lery space. For the gallery, the couryard, situat-ed near the entry, ecomes the main source of natural light to the space. As museum patrons circulate through the gallery, they will notice placed skylights throughout that spotlight se-lected scuptural works.

THIRD YEAR, FALL SEMESTER

C A L V I N L U N A

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P L A N A T G R O U N D L E V E L P L A N A T L E V E L 2

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P L A N A T G R O U N D L E V E L P L A N A T L E V E L 2

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