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CALLIGRAPHY& LETTERINGDESIGNByArthurNewhall
WALTEROSTERublishing
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usNsNU,T
TEITFA HTTUOSAgniref fel dt ni bnuorplcsdbeirsv nssupinus esd lsr lwst l u^:Áyddol refsedtbebulcniesd >lroweiH .bls i t npiasbcir{qsrpo-srot pnirettel hs pniaitrevbsBnifnisqngia ,ael i i teivom ,eysrq¿hs ,pninpiasbqyt ,gnirufcstunsmididxs ot npiasb noi fcuborcs.lo l lA .ycnsps niaihevbs s rol rofcer ib rs bns pni lni rqneercac.yrlqsrpi l lsc id 1o nsmenitsrsrlt of bsbbs svsrlxpni lqiceib ¿sr;sdfas lewasecivon r l tebiugbnsqler lot ybssrayswls i iA el l r>aleom srl f lo sno to erofsvonni r l l to sno esw eH.lsnoie¿sto.rJAUeAc ,4ooTFAc erl l - bsJserc eveaslyla eJlsl slucsJcec¿oi bsirfsvsdynsM .e'Od ns¿'0A rlt o lqirc?nrsboMs ¿s lsw¿s-svsdwelfud ,lsuascnoohsc srlt o "¿¿sneaslsrsceibut¿,,rii srutqsc,sliweirlbns sH .elylabns noiaicerqot rslrcitas ai fiA .bsbegcc,ra>lcorbsr lul i fussde'snosirAnredholl - snobs? ni svir .smrnf
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ANDLETTERINGESIGN
BYARTNEWHALL
WalterFosterPublishing,nc.23062LaCadena rive,Laguna il ls,CA92653
@ 1989,WalterFosterPublishing,nc.All rights eserved.This book has been published o aid the aspiringartist. Reproduction f the work forstudyor f inishedart is permissible.ny photomechanicaleproductionf art from the
publicationr art drawn rom hepublicationorcommercial urposess prohibited ith-outwritten onsent rom he publisher.
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BasicChanceryCursive
Chancery trokeSequence
ChanceryStyles
Chancery amples
UncialFlourishes Swashes
The BlackLetter
Roman
Spencerian cript
Awards-Spencer ian. .
Renaissance . .
lntroduct ion.. . .
Materials
Basic nstruction
BasicSanSerifStyle .
Exploded iewAnd StrokeSequence
Numerals. . . . .
Batarde .. . .42
Versals . . . .44
Greet ing ards .. . 46
lnl ine . . . . . . 49
Logo&SymbolDesign .. . . . . . .50
TheSteelBrush . . . . . . . . 55
LettersAt Work . .. 56Conclus ion .. . . . . 64
3
4
b
7
BI
10
11
12
19
2023
24
30
36
39
40
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The remendousnterest ndpopulari ty f cal l igraphy mong hegeneral
public n ecent earshas ncreasedhescopeand he useof hisbeautiful
letteringorm.Aside rom tsobvious lace n theproduction f diplomas,
awards,estimonials nd verses; contemporary seof cal l igraphy asdeveloped,reating new,exciting emand or it in the designof logos,
movie it les,book jackets,album covers,sign design,menus, abels,posters,ype designand advertising to name ust a few.
This bookoffers he reader comprehensiveeference uideand studymanual. t presents myriadof alphabets nd heirapplicat¡onso study
and to copy.Beginners houldalwayshavegood examplesn front of
them while practicing.More advanced all igraphersan use he letter
stylesamplesor reference.
It is imporant o first earn he basicsand to becomecomfortable ithyour ools,but ry to be adventurousndcreative. ractice ith differentpens,papersand techniques.Develop our own stylesof lettering r
changeestabl ishedetter tyles o make hemyour own.
F
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The BroadPen s availablenvariety f shapes ndsizes.
FinePointNibs or detai llettering.
PENSAND INKCall igraphic let ter ing is doneprimari lywith a broadpen.Thereare two types of broad pens:dippensand ountain ens.Bothhaveinterchangeable ibs. There aremany brandson the market.The
main advantage f foqntainpensis their abi l i ty to hold a largesupply of ink, but they have al imited umber f n ibsizes nddonot ut i l ize permanent nk. Dippens producea cleaner,crisperl ine than fountainpens,but areslightlymore diff icult o master.You wil l needa jar of black ndia
ink or usewitha dip pen. t isveryimportant o keep both types ofpens clean.A small ar of waterkept nearby for dipping thepen and wiping i t c lean isrecommended.
A wide,small ar secured o a pieceof heavy ardor plastic eeps he nkcontainer table. he nk evel houldbe usthighenough or a dippedpen
load.
Extra-Fine o¡nt
|- l.-- -eSuper-Fine oint
- - -* :\:Z
Fine Point
, \a;-7
ExtraSuper-Fine o¡nt
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PAPER
Thereare many ypesof paperand boards uitableor call igraphy.Thechoicedepends n hequality nd ypeof workyouaredoing.A20 lb. ledgerbond is good for practice.For all-purposeettering,
1000/oag bristol board is favored.Bristol board comes in twof inishes, idandplate. hekid in ish s hebetter f the woas t hasa sl ight tooth."For he final oneof a kind" ob,a parchment aper
madespecif icallyor call igraphys available. howcard boardalsotakes nk beautiful ly. ive t a try.
MISCELLANEOUS
Yourequipment an be quitesimpleor veryextensive. drawingtable about 0"x 40"),achairanda goodsource f l ightarea mustif you are serious boutyour work.You wil l also needa t-square,several r iangles 30, 45, and 60 degreeangles and pencils,pens,pen cleaner, rasers, penci lsharpener,nk,opaquewhi tepaint forcorrectingmistakes) nd a few ettering rushes'
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Cal l igraphicet ter ingsdonewith he broadpen.The angle he pen sheld s the key o the beaut i fu lthickand hin"style.A simple, asicletter tyle hat squiteeasy o executewith he broadpen sshownonpage7. The letter s a thick and thin Romanstylewithoutserifs. hisstyle s beautiful nd practical.t is sometimes al led StuntLydian"becauset ss imi lar o theLydian ype ace. hepen s held ai r ly ig id,point ingabove he r ight shoulder , e ld at a 35 degreeangle.Thevert ical down) trokes nd he horizontal trokes remadewith a firmwristaction. he pen s heldat a constant ngle never otated.
Use qualitybond paper for practice. t takes nk beautiful ly, nd isrelat ivelynexpensive.s ing our -square, rawguidel inesn a sheetof smooth l lustration oard, henplace t underneath sheetof bondpaper. Thisel iminaies aving o draw guidel ines n each pieceofbondpaper.) lwayskeepa smallpieceof cardor scrappapernearbyto check he nk owof yourpen.Aftereachdip of hepen,pul la shor tstrokeon the card o remove he excessnk.This s very mportant stoo much nkcreates sloppy ine.
Try using differentpen angles o acquaint ourselfwith the results.Constant ractices a must,and it is importanto haveEoodcopy infront of you for reference. lso,be sure o cleanyour pen requently
dip t in a arof waterandwipe t cleanwitha lint-free ag.At theendof a session, lean he nib with pencleaner ammoniaworks ine.
SPACING Thespacingbetweenetterss as mportant s the ettersthemselves. ood spacing nvolves qualizinghe opticalweight orsmoothness f the word. n uppercase etters he narrowest pace sbetween ound letterssuch as O and C. A slightlywider space sbetween straight etterand a round etter, ike I and O. The widestspace s betweenwostraight, ert icaletters uchas H and . Diagonalletters respaced ptical lyo equalizehe openarea;no darkor l ightsections houlddominate. roper pacing s called goodcolor."
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Basíc
sansffiñStyle
ABCDEFGJKLMNOP
RSTUVWXL FHáabcdefgJklnnoíqrsTuvwxyz
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ABOIDIFAF-T
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albcd@+állr
fÍkf rnil,nolffqFSTUi WX1 2 1_
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1W56789
r2w56781234s678q
1ry5678e
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- INSTRUCTION-The Chancery letter is a favoritewith calligraphersbecauseof its beauty,functionandspeedof execution.t is great or a largeamountof copy.
The ChanceryCursive ital ic) etter endsitselfbeautifullyo the broadpen.The shapeof the lettersare all rather han at.The pen
angle is 45 degrees, ut the pitch of thestroke s 10-'15 egreesoff the vertical.Thependoesmostof theworkand ittlepressureis needed.Use one of the largernibs forpracticeas they are much easier o control.Follow he strokesequence s shown.Usethe guideline oard or practice.
BODYOF LOWERCASE5 PENWIDTHS
- Ascenders & Descendersequal o body height
CAPITALHEIGHT7-8 PENWDTHS
10
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STROKE EQUENCE
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UPPERCASELETTERS
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LOWERCASELETTERS
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CHANCERYURSIVE
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CHANCERY URSIVE
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CHANCERY URSIVE
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CHANCERYURSIVE
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HUKruN'WSIUTWWZnbc@W,klffinryqrstuywxyz
Basíc15
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CHANCERYURSIVE
abcdqn
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W,
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CHANCERY URSIVE
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CHANCERY AMPLES
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-lNsrRUCTloNThe name Uncial" s derivedrom he Roman nchof height "uncia."
Uncial s an uppercasealphabet, ut i ts ascenders nd descenders ive t an
upperand owercase ook.
The Uncial etter orm smadewith a penangleof 35degrees. he etters re ull
and roundedwith considerable pen areas,so be carefulnot to overspace'Uncial hould eel hat t canbe contained etweenwo guidelines. healphabet
canbe used n a variety f heights ndwidths. t blendswellwith tal ic lphabets.
20
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UNCIAL
ABeofgnu¡1LfDnopQRsCUvwxv7&l?$
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FLOURISHESSWASHES
This"styl ish xtra" erves doublepurpose y enhancinghe spaceandaddingunexpectednterest.
I t is important hat the se strokes be executedwith discipl ineandplanning. he bold ribbonswash s donewith the samebroadpenusedfor the lettering. smallerpen s used or narrower washes nd a finepointpen s used or hairl inelourishes.
23
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laINSTRUCTION-
The Black Letter, lso cal led Old English,"s a handsome, trong,condensed
style. t is a great orm for creatinga feelingof timespast.Today, t is often usedfor diplomas, wardsand othercertificates.
The BlackLetteralphabet as many stylesandweights.The basicsol id weight etter s not asdifficult as it appearsbecause he letters arequite uniform.The pen is held at a 30 degreeangle.The veryornateOld Englishwith hairl ineflourishesmustbe drawncareful lywith a sharp,
hardpencil ,hen nked n with a pointedpen.
24
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BLACKLETTER
ABgBEr tgí f rTMffiN@#wB$WMryffixu7
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BLACKLETTER
ffi@Fr,TFWMUí1.
WFNNQ)pQIBs Tuu---l \--l
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BLACKLETTER
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BLACKLETTER
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BLACKLETTER
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SSIC
INSTRUCTIONThe Roman etter s the foundationof manyof the letter orms used oday.Roman
stonecuttersand scribesdevelopedhe classic orm.Thereare manyvariations f
the Roman etter, ut he basics emainunchanged.
The Romancapitalsare madewith a pen angleof 30 degrees. he serifson the
letters reexecutedby firstmakingan almosthorizontal trokeacross he op and
the bottomof the letter.Then the pen s arced o therightand to the left o finish
theserif.A shortvertical troke s made o finish ettersC, E,F,G, L, T, andS, henfi l led n.Thedetai led, recise lassicetters recareful ly rawnand nked n witha
finepen.
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$CDEFGH[IKOP
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ABCDEFGHINOPBSTUVWXY
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ABQDE'FGHTIKLMNOP
STUVWXY33
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ROMAN STYLIZED
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-tNSTRUcrloNThiSclaSsyScript, lSO nOwnaS
"COpperplate" r "ROundhand,"S deal Or
awards,diplomas, estimonials, reetingcards or whenevera sophisticatedfeeling s desired.
COppERpLATE The intricate inglestroke etter s writtenat a slantof 54
degreeswith a f lexible,pointed,obliquepen. Copperplates developedwithpressure n the nib. The pressures gradually ncreasedrom a hairl ine o a
swell, hendecreased ack o a hairl ine.
SPENCERIAN Used for captions, ogos and nameplates, pencerians
practical nd beautiful. hecopy s carefullyaidouton tracingpaperwithpencil,
somewhatoversize.When he letterings accurate,t is transferredo illustration
boardand inked n carefullywith a pointedpen.Correctany slipswith opaquewhitepaintand t'sready or photo reduction.
FinePoint
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SPENCERIAN
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SPENCERIAN
Theweightof the swellshouldbewel labove heguidel ine.
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AWARDS SPENCERIAN
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INSTRUCTION
Thisdecorativeetter tyleaddsmuchclassandeffectivenesshen he capitalsareused or the ead nit ial n a paragraph r a verse.
Beingveryornateand detai led,he lettermustbe careful lyaidout on tracing
paper,hen ransferredo the inalstock or inking.
lf using he broadpen,use he smallest ib andbuild he etterup with care.
lf the art s or reproduction,he racing houldbeslightly versize. ransfert toi l lust rat ionoard nddo the inal nk ingwi tha f inepointpen.Sharpen p heartwith opaquewhitepaintand t is ready or photo eduction.
40
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RENAISSANCE
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INSTRUCTION
Thisbeautiful ngular lphabet asdevelopedn Francen the ifteenth entury.
Batardesa naturalor he broadpen. t isa veryangularormand hestrokes re
madewith it i lediff culty. t is best o useoneof the argernib sizes o createhe
sharp ibboneffect. he pen s heldat a 45 degree ngle. he uppercase etters
arequitewideandcontrastwellwith he ightly-packedowercase etters'
Batarde ombines eautiful ly ith ChanceryCursive ndother tal ics'
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-tNSTRUcrloNThe name Versals"omes rom ts original seas he init ial etter f a verse.
Versals re al l etters ith an angular race. hemaincharacterist icf this etterstyle s the gentle apered laircurving n at the middleof thestroke. t is best openci l n the etter hape,henusea penwidth hatwil l giveyou onesideof the
stroke,hena dif ferent enwidth o createhe other.After his, he space s i l led
in to complete he stroke.Then hin seri fsare madewith a f lat pen angle.The
lettersB, D, G, P, R and U have aised nd lowered oopsaboveand below heguidel ines.
Bui ldup he etterwith wostrokes,hen i l l t in withpenor" rush.
Loops iseabove ndbelow heguidel ines.
fa l l
44
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ABdnEFGHIIKLMNOPQRSTU
Wg45
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qrcqtngs
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;wryWlA^riÉrr
WISHf|UE
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illNlLll lNl- INSTRUCTION-The Inlinestylecan be str ikingly ffective hen usedas a tit leor as the init ial
capital f a word. t hasgreat poster unch."
The Inl ine echnique equires omeplanning efore ts execution s the lettersmustbe wide enough o contain he str ipecomfortably. ach ettershouldbecarefully aid out with the center ine n place.One approach s to usea smallbroadpenand ettereachsideof the stroke, eavinghestripe n between. ut hebest echniques o letter he form completely nd hencarefully aint he nlinewith opaquewhitepaintanda smallbrush. hisrequires recise rushcontrol.
s
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lr,ufBOLLogo design s a vitalpartof promotional dvertising. good logocan providenstantndenti f icationnd recognition.
The best ogosare usual ly ui tesimpleand symbol ic .Many imesthe graphic ymbolalone reateshe company ignature.
A powerfuleffect s oftenachieved y groupingstylized nitials.
50
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SUNGLASSES
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LETTERINGWITHTHE
BrwhRUCTION
The SteelBrush s an interesting nd helpful ool. t is great or large ettering
because f itsextrawidth,andyou canuse hinnedposterpainton it aswellas nk.
SteelBrushes ange rom 1/4 inch to 3/4 inch wide.They make t possible o
fashion etters to 8 incheshigh.
TheSteelBrush s a fine ool or signor posterwork'Try supporting our hand
with a sign painter 'smahlstick. he flexible ip providesmore control han a
brush. or nterestingesults,rydipping hepen nto wo or morecolors ta time.
55
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tutEXAMPLESFLETTERINGUSED N
ADVERTISING
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4W*hwnuLÁL plingffi
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ínIt has beenmy pleasureo sharemy life- long bsessionwith theletter orm with you. I hopeyou don't restr ict our letter ingo thebroad pen. Try the fine point f lexiblenibs and the steel brush.Experiment i th a showcardbrushand a signpainter 's uil l .Thesewil l al l contr ibute o your total call igraphic ki l ls. have demon-stratedmany alphabets nd styles; hey are here for the taking.Remember, veryminuteyou spendexploring his excit ingart is
yours o keep.Don't be afraid o be creative
ACKNOWLEDGEMENTS
To RossSarracino-forhis kindness nd understanding.To SydneySprague-for her professional elpand editing.To my wife,Emma-for herencouragementnd patience.
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riousnstructionorSeriousrtists'll'h¿:>nhat the Artist's Library Seriess all
lürr-'il The books n this serieswill helpyou,us:¿n.J -ourcreativity,overcome echnicalnrr:r;-;ies.ndexplorenew media.Each64-pagep"*rerhackocuses n the materials ndmeth-qrrs ,trr specificmedium andprovidesstep-by-
w':: demonstrations, elpful tips,andplenty of
üÍi:tlr.Iragement.
Thequalityof instructionn this seriess
u;ns-irpassed.achbook s writtenand llustrat-r; :r aprofessionalrtistwhospecializesn thepr:ir"-ularmediumand s uniquelyqualified os;;e the eadero anew evelof expertise.
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AL13
Perspectiveby Wm. F.Poweil
AL14
Cartooningby Hal Tollison
AL15Calligraphy Lenenr.:D¿:.:.by Arthur Nerhall
AL16Watercolorih lfi.r¿¿1l¿;;;byDuane .Light
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OilPainting aterialsby Wm. F. Powell
AL18
WatercolorAcrylicMateriakby Wm. F. Powell
AL19
TheArt Of Framingby Charlene Brom
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FeltPen&WatercolorbyDuane .Light
AL21
Sculpturingby DomenicoMazzone
AL22EggTempera aintingby Kirk Miller
AL23Knife Paintingby Wm.F.Powell
AL24Marker Renderingby ToddMurrison
WalterFosterPublishing rovidesart nstruction roductsor all agesandskill evels. ormore nforma-tion,send or a freecatalog.
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8/13/2019 Calligraphy Calligraphy
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