AvwgB bvqK! †Kvb m‡›`n? · cv‡i| I‡`i KvQ †_‡K AvwgI A‡bK ... said that Satyajeet...

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ïμevi | 29 Rvbyqvwi, 2016 | 4 cvZv | g~j¨ 5 UvKv 07 †kl! kãUv Av‡cwÿK| Avm‡j †kl e‡j wKQz †bB| †kl gv‡bB Avevi †Kvb wKQzi ïiæ| AvR †hgb †kl n‡e AvšÍR©vwZK wkï Pjw”PÎ Drm‡ei 9g Avmi, wVK Kvj †_‡KB ïiæ n‡q hv‡e 10g AvšÍR©vwZK wkï Pjw”PÎ Drm‡ei MYbv...wVK ¸‡Y ¸‡Y 358 w`b| Zvici Avevi †mB Kvw•LZ 7w`b! Avgv‡`i DrmeUv Avgv‡`i Kv‡Q iƒcK_vi iv‡R¨i g‡Zv| iƒcK_vi iv‡R¨ †hgb †Kv‡bv wbqg †bB, bxwZ †bB, euvav †bB, cÖwZeÜKZv †bB...†bB †Kvb ¯‹zj-K‡jR †KvwPs‡qi GK †N‡qwg Rxeb| Av‡Q ïay nvwm Avb›`, ˆn-û‡jø- vo, Mvb evRbv, †Ljvayjv, weL¨vZ e¨w³‡`i mv‡_ AvÇv I wewfbœ †`‡ki, wewfbœ fvlvi, wewfbœ ms¯‹…wZi Pjw”PÎ| MZKvj †ejv 11Uvq wQ‡jv wUwf weÁvcb wbg©vZv AwgZvf †iRvi Kg©kvjv| Gici weKvj 3Uvi w`‡K wkï I ZiæY wbg©vZv‡`i mvwU©wd‡KU cÖ`vb K‡ib wPj‡WªbÕm wdj¥ †mvmvBwUi mfvcwZ W. gyn¤§` Rvdi BKevj I Dc‡`óv cwil‡`i m`m¨ Bqvmwgb nK| me‡k‡l wQ‡jv Drm‡e AvMZ mKj wkï I ZiæY cÖwZwbwa I Drm‡ei mKj †¯^”Qv‡meK‡`i wb‡q ˆbk‡fvR I Avb›` Av‡qvRb| GiB gva¨‡g †kl n‡qwQj Drm‡ei 6ô w`b| AvR Drm‡ei †kl w`b| mܨvq cvewjK jvB‡eªwii kIKZ Imgvb wgjbvqZ‡b AbywôZ n‡e wkï I ZiæY Pjw”PÎ wbg©vZv‡`i cyi¯‹vi weZiYx I mgvcbx Abyôvb| hvi ga¨ w`‡qB c`©v bvg‡e Drm‡ei| †mLv‡bB hZ fq! †K cv‡e cyi¯‹vi? GiKgB GK UvbUvb D‡ËRbvi ga¨ w`‡q bvg‡e Drm‡ei c`©v| AvR iv‡Z A‡b‡KiB gb Lvivc _vK‡e| †KD †KD fzj K‡i c‡ii w`b mKv‡j Dcw¯’Z n‡e Drme cÖv½‡Y| e¨vM, wU-kvU©, my¨‡fwbqvi, AvBwW KvW©, c¨vW ZLb Rvbvb w`‡e ¯^cœxj 7wU w`‡bi K_v, †miKgB GKwU ¯§„wZ wb‡q †K‡U hv‡e 358 w`b| Zvici, Avevi †`Lv n‡e eÜz| we`vq Drme cÖv½Y| we`vq... - Avey mvC` wbkvb ey‡jwUb: Avgv‡`i Drm‡e G‡m Avcbvi †Kgb jvM‡Q? AwgZvf †iRv: LyeB fv‡jv, AmvaviY! GLv‡b GKUv ÔAb¨iKg evZvmÕ Gi Abyf‚wZ cvIqv hvq †h Avgiv GKUv bZzb m¤¢vebvi Øv‡i AvwQ| Avgv‡`i Lvivc w`b Avm‡j †kl| ey‡jwUb: bZzb wbg©vZv‡`i K‡_vcK_‡bi gva¨‡g Avcbvi Zv‡`i m¤ú‡K© wK g‡b n‡q‡Q? AwgZvf †iRv: LyeB fv‡jv| wKš‘ wKQz fzj wkÿv Zviv cv‡”Q †h¸‡jv Avgv‡`i Luy‡R †ei K‡i Zv‡`i‡K c_ †`wL‡q w`‡Z n‡e| KviY A‡bK ai‡Yi wm‡bgv n‡”Q| Gi g‡a¨ †_‡K fv‡jv wm‡bgvi m‡½ Zv‡`i cwiPq Kwi‡q w`‡Z n‡e| ey‡jwUb: Avcbvi mvg‡bi Pjw”P‡Î Avgv‡`i Rb¨ †¯úkvj w¯Œwbs‡qi e¨e¯’v _vK‡e? AwgZvf †iRv: wPj‡WªbÕm wdj¥ †dw÷f¨vj n‡j, bv! KviY Avgvi Pjw”Pθ‡jv Avm‡j wkï‡`i Rb¨ bq| ey‡jwUb: Avcbvi g‡Z GKRb fv‡jv wdj¥‡g- Kvi n‡Z n‡j Kx Ki‡Z n‡e? AwgZvf †iRv: A‡bK co‡Z n‡e! A‡bK Qwe †`L‡Z n‡e| - bIkxb AvbRyg bynv, mycÖxwZ gvjvKvi gy‡LvgywL AwgZvf †iRv! †kl e‡j wKQz †bB...

Transcript of AvwgB bvqK! †Kvb m‡›`n? · cv‡i| I‡`i KvQ †_‡K AvwgI A‡bK ... said that Satyajeet...

Page 1: AvwgB bvqK! †Kvb m‡›`n? · cv‡i| I‡`i KvQ †_‡K AvwgI A‡bK ... said that Satyajeet Roy movies are essential to understand content development, camera work and cinematography.

ïµevi | 29 Rvbyqvwi, 2016 | 4 cvZv | g~j¨ 5 UvKv 07

†kl! kãUv Av‡cwÿK| Avm‡j †kl e‡j wKQz †bB| †kl gv‡bB Avevi †Kvb wKQzi ïiæ| AvR †hgb †kl n‡e AvšÍR©vwZK wkï Pjw”PÎ Drm‡ei 9g Avmi, wVK Kvj †_‡KB ïiæ n‡q hv‡e 10g AvšÍR©vwZK wkï Pjw”PÎ Drm‡ei MYbv...wVK ¸‡Y ¸‡Y 358 w`b| Zvici Avevi †mB Kvw•LZ 7w`b!Avgv‡`i DrmeUv Avgv‡`i Kv‡Q iƒcK_vi iv‡R¨i g‡Zv| iƒcK_vi iv‡R¨ †hgb †Kv‡bv wbqg †bB, bxwZ †bB, euvav †bB, cÖwZeÜKZv †bB...†bB †Kvb ¯‹zj-K‡jR †KvwPs‡qi GK †N‡qwg Rxeb| Av‡Q ïay nvwm Avb›`, ˆn-û‡jø-vo, Mvb evRbv, †Ljvayjv, weL¨vZ e¨w³‡`i mv‡_ AvÇv I wewfbœ †`‡ki, wewfbœ fvlvi, wewfbœ ms¯‹…wZi Pjw”PÎ| MZKvj †ejv 11Uvq wQ‡jv wUwf weÁvcb wbg©vZv AwgZvf †iRvi Kg©kvjv| Gici weKvj 3Uvi w`‡K wkï I ZiæY wbg©vZv‡`i mvwU©wd‡KU cÖ`vb K‡ib wPj‡WªbÕm wdj¥ †mvmvBwUi mfvcwZ W. gyn¤§` Rvdi BKevj I Dc‡`óv cwil‡`i m`m¨ Bqvmwgb nK| me‡k‡l wQ‡jv Drm‡e AvMZ mKj wkï I ZiæY cÖwZwbwa I Drm‡ei mKj †¯^”Qv‡meK‡`i wb‡q ˆbk‡fvR I Avb›` Av‡qvRb| GiB gva¨‡g †kl n‡qwQj Drm‡ei 6ô w`b| AvR Drm‡ei †kl w`b|

mܨvq cvewjK jvB‡eªwii kIKZ Imgvb wgjbvqZ‡b AbywôZ n‡e wkï I ZiæY Pjw”PÎ wbg©vZv‡`i cyi¯‹vi weZiYx I mgvcbx Abyôvb| hvi ga¨ w`‡qB c`©v bvg‡e Drm‡ei| †mLv‡bB hZ fq! †K cv‡e cyi¯‹vi? GiKgB GK UvbUvb D‡ËRbvi ga¨ w`‡q bvg‡e Drm‡ei c`©v|AvR iv‡Z A‡b‡KiB gb Lvivc _vK‡e| †KD

†KD fzj K‡i c‡ii w`b mKv‡j Dcw¯’Z n‡e Drme cÖv½‡Y| e¨vM, wU-kvU©, my¨‡fwbqvi, AvBwW KvW©, c¨vW ZLb Rvbvb w`‡e ¯^cœxj 7wU w`‡bi K_v, †miKgB GKwU ¯§„wZ wb‡q †K‡U hv‡e 358 w`b| Zvici, Avevi †`Lv n‡e eÜz| we`vq Drme cÖv½Y| we`vq...

- Avey mvC` wbkvb

ey‡jwUb: Avgv‡`i Drm‡e G‡m Avcbvi †Kgb jvM‡Q?AwgZvf †iRv: LyeB fv‡jv, AmvaviY! GLv‡b GKUv ÔAb¨iKg evZvmÕ Gi Abyf‚wZ cvIqv hvq †h Avgiv GKUv bZzb m¤¢vebvi Øv‡i AvwQ| Avgv‡`i Lvivc w`b Avm‡j †kl| ey‡jwUb: bZzb wbg©vZv‡`i K‡_vcK_‡bi gva¨‡g Avcbvi Zv‡`i m¤ú‡K© wK g‡b n‡q‡Q?AwgZvf †iRv: LyeB fv‡jv| wKš‘ wKQz fzj wkÿv Zviv cv‡”Q †h¸‡jv Avgv‡`i Luy‡R †ei K‡i Zv‡`i‡K c_ †`wL‡q w`‡Z n‡e| KviY A‡bK ai‡Yi wm‡bgv n‡”Q| Gi g‡a¨ †_‡K

fv‡jv wm‡bgvi m‡½ Zv‡`i cwiPq Kwi‡q w`‡Z n‡e|ey‡jwUb: Avcbvi mvg‡bi Pjw”P‡Î Avgv‡`i Rb¨ †¯úkvj w¯Œwbs‡qi e¨e¯’v _vK‡e?AwgZvf †iRv: wPj‡WªbÕm wdj¥ †dw÷f¨vj n‡j, bv! KviY Avgvi Pjw”Pθ‡jv Avm‡j wkï‡`i Rb¨ bq| ey‡jwUb: Avcbvi g‡Z GKRb fv‡jv wdj¥‡g-Kvi n‡Z n‡j Kx Ki‡Z n‡e?AwgZvf †iRv: A‡bK co‡Z n‡e! A‡bK Qwe †`L‡Z n‡e|

- bIkxb AvbRyg bynv, mycÖxwZ gvjvKvigy‡LvgywL AwgZvf †iRv!

†kl e‡j wKQz †bB...

Page 2: AvwgB bvqK! †Kvb m‡›`n? · cv‡i| I‡`i KvQ †_‡K AvwgI A‡bK ... said that Satyajeet Roy movies are essential to understand content development, camera work and cinematography.

MZKvj 28 Rvbyqvwi Drm‡ei 6ô w`‡b Pjw”PÎ wbg©vZv‡`i nv‡Z mb`cÎ Zz‡j †`b wPj‡WªbÕm wdj¥ †mvmvBwUi mfvcwZ W. gyn¤§` Rvdi BKevj| G Dcj‡ÿ¨ cvewjK jvB‡eªwii †mwgbvi K‡ÿ Av‡qvRb Kiv nq GKwU Av‡jvPbv mfv| †mLv‡b W. gyn¤§` Rvdi BKevj wbg©vZv‡`i mv‡_ Db¥y³ cÖ‡kœvËi c‡e© Ask †bb| Av‡jvPbvq Dcw¯’Z mevi D‡Ï‡k¨ wZwb e‡jb, ÔcÖhyw³ Avgiv e¨envi Ki‡evB, wKš‘ cÖhyw³ †hb Avgv‡`i e¨envi Ki‡Z bv cv‡i|Õ wZwb AviI e‡jb, ÔGKRb gvby‡li Rb¨ m„RbkxjZvB eo ¸Y|Õ - gbvgx nvwg`

9g Drm‡ei ey‡jwUb wUg mvRv‡Z wM‡q GK weivU Sv‡gjvq co‡Z n‡q‡Q Avgv‡`i| MZev‡ii me wi‡cvU©v‡`iB GmGmwm A_ev GBPGmwm cixÿv| MZ K‡qK Drm‡e ey‡jwU‡b KvR K‡i‡Q F× Awb›`¨ Mv½yjx, Rvwmqv web‡Z kvgxg Ges GKSvK bZzb eÜz| G‡`i wb‡qB mvRv‡bv n‡q‡Q Gev‡ii ey‡jwUb wUg| eive‡ii g‡Zv GeviI ÔAvgv‡`i DrmeÕ ey‡jwUb wUg AjsKiY K‡i‡Q kvk¦Z wmqvg| GB †Q‡jUviI GBPGmwm Avmbœ| Drme iv‡R¨i gvqvq Zvi Ôgb e‡m bv covi †Uwe‡jÕ| Lye hZœ wb‡q wmqvg Gev‡ii ey‡jwUb¸‡jv mvwR‡q‡Q| Gevi Avwm bZzb‡`i K_vq| wKQzUv fzj-åvwšÍ Qvov bynv, gbvgx, mycÖxwZ I w`ßÕi †jLv †`‡L g‡bB nq bv †h Giv bZzb KvR Ki‡Q| bZzb‡`i KvQ †_‡KI Avgv‡`i A‡bK wKQz †kLvi Av‡Q| Bs‡iwR cvZvi `vwqZ¡ cvjY K‡i‡Q AiwY †mgwšÍ Lvb Ges Zvi `yB

mn‡hvwM cY©v I bIkxb| I‡`i cvZvUv mwZ¨B Cl©Yxq my›`i| ey‡jwU‡bi †jLvi mKj Lmov¸‡jv we`y¨r MwZ‡Z UvBc K‡i ey‡jwUb †Kv-AwW©‡bUi Rvg‡m`yi ingvb mRxe| d‡UvMÖvwd wU‡gi KvQ †_‡K Avgiv A‡bK my›`i my›`i Qwe †c‡qwQ| gv‡S gv‡S auvavq c‡o †hZvg †KvbUv †i‡L †KvbUv QvcvB| me‡k‡li ab¨ev`wU Avwg w`‡Z PvB Avey mvC` wbkvb‡K| hvi m¤úv`bvq AmvaviY GB ey‡jwUbwU †ei nq|AvR Drm‡ei †kl w`b| Kvj Avevi wd‡i hv‡ev †h hvi RvqMvq, †h hvi eÜz‡`i Kv‡Q| we‡kl K‡i G Kw`b Avwg Avgvi eÜz‡`i A‡bK wgm K‡iwQ| wKš‘ †fZ‡i †fZ‡i NUbv Ab¨| AvR I‡`i wM‡q ej‡ev GZw`b †Zv‡`i wgm K‡iwQ, GLb †dw÷f¨vj‡K wgm Ki‡ev| - AvwkK Beªvnxg

mb`cÖvß wbg©vZviv

eq‡m wZwb Drme cwiPvj‡Ki †P‡qI eo| `vwqZ¡Uv Zvi Kuv‡a A‡bK| ZeyI ev”Pv-ev”Pv †¯^”Qv‡meK‡`i mv‡_ wZwb †hfv‡e wg‡k hvb, †mUv mwZ¨B AmvaviY! Drm‡ei cwi‡ekUv Zvi Kv‡Q GK K_vq PgrKvi| ÔA‡bK KvR _v‡K ZeyI wkï‡`i mv‡_ cy‡iv welqUv‡K Lye Dc‡fvM Kwi|ÕAb¨ A‡b‡Ki KvR Drm‡ei 7w`b Pj‡jI wjsKb fvB‡qi KvR P‡j mviveQi| eQi Ry‡o Drm‡ei bvbv cÖ¯‘wZ A‡bKUv mvgvj w`‡Z nq Zv‡K| nvRvi cwikÖ‡gi ciI wjsKb fvB‡qi mKj K¬vwšÍ gy‡Q hvq Drm‡e wkï‡`i Avb›` †`‡L| ZvB‡Zv Drm‡e GB e¨¯ÍZg gvbylwU Zvi wkï mnKg©x‡`i m¤ú‡K© e‡jb, Ô†QvUivI A‡bK eo wKQz Ki‡Z cv‡i| I‡`i KvQ †_‡K AvwgI A‡bK wKQz wkwL|Õ

†QvU‡`i gv‡S eo GKRb!

- F× Awb›`¨ Mv½yjx

†bc‡_¨ ÒAvgv‡`i Drme!Ó

Page 3: AvwgB bvqK! †Kvb m‡›`n? · cv‡i| I‡`i KvQ †_‡K AvwgI A‡bK ... said that Satyajeet Roy movies are essential to understand content development, camera work and cinematography.

Av‡¼j Pv-Uv w`‡eb! KvR Ki‡Z Ki‡Z NygvBqv hvB‡ZwQ... GBme Kx! GKUv jvBKI c†o bv... Avq nvq f‚wgK¤c bvwK!!!

Km Kx gwgb? †KD †`‡L bvB, gvBiv w`wQ! Avwg wKš‘ NygvB‡ZwQ bv.... LvB‡ZI †`qbv, GË KvR! a¨vr...

d‡UvMÖvdviivI my‡hvM cvB‡j ïBqv c‡o!*(Qwei Rb¨)

eÜy ZzB, `ykgb ZzB...

Ddd! †Q‡jUv Kx my›`i...

ivb Avgvi ivb, Zzwg Avgvi Rvb!

a¨vr! wPwVUv jyKvBqv ivLwQjvg, KB †Mj? †Mvjvcx GLb Drm‡e... AvwgB bvqK! †Kvb m‡›`n?

wK¬K! wK¬K!!

Page 4: AvwgB bvqK! †Kvb m‡›`n? · cv‡i| I‡`i KvQ †_‡K AvwgI A‡bK ... said that Satyajeet Roy movies are essential to understand content development, camera work and cinematography.

POPCORNDIARIESTHEPOPCORNDIARIESTHE

The guest for yesterday’s workshop was the renowned director, Amitabh Reza. For 2 and a half hours he explained the basic rules and conditions of making quality �lms. He explained that people make �lms because they like to recreate some-thing, be that a feeling or story. He said that directing or shooting a �lm isn’t a mammoth task but developing the mind set and storytelling ability is a lengthy process for which one must change their perspective and outlook on life. To prepare one’s taste in developing content one must read a lot and research a lot on �lm and history and must observe human life- he advised. And he repeated again and again that there is no alternate of reading and learning and growing. He said that Satyajeet Roy movies are essential to

understand content development, camera work and cinematography. Initially he hadn’t decided on being a �lm director since he studies in economics but watching ‘Shuborno Rekha’- he knew that this is what he wanted to do. He advised the young �lm makers to be rebellious and to break the rules because only by stepping out of our comfort zones is when we can see a bigger world to learn from and grow from. He broke down the physics of making a full length �lm by presenting the behind the scenes of his new movie ‘Aynabaji’ which will hit theaters this March. Overall, it was an extremely educational workshop for everyone who attended it.

- Sumaiya Nawshin

ABC’s of Film making...ABC’s of Film making... Anjishnu Mukhapadhy, a 13 year old boy submitted a film here in our fest and when his film was selected he flew here all the way from India. But he joined us on the 6th day of the fest due to visa and customs problems. He thinks that Bangladesh is different and unique in terms of hospitality. His mother and father encouraged him to make this film and has been since they got to know about the festival. He reads in St. Xavier's and because of this achievement his whole school and people from his area are extremely proud of him. We really look forward to seeing him in the upcoming fests.

The neighbor delegate!

-Sumaiya Nawshin Jasiya Bintay Shamim

On the 6th day of the festival, volunteers and delegates rocked the rooftop terrace of Bangladesh Shilpakala Academy. They grooved and moved in the party lights and relaxed the stressed bones from all the heavy duty workshops and high voltage volunteering.

This is the second time the young leadership marched ahead and this festival was undoubtedly successful. A Note of Gratitude (in alphabeti-cal order, of course!) to Auditorium, CMT, Decoration, Delegate, Food, Graphic, Logistics, Photography, Projection, Sales, School teams and the festival supervisors, coordinators, and the directors. All the kids and young adults of Children’s Film Society, Bangladesh has shown a vibrant display of dedication in all sectors of the festival. 7 days of star studded events and a universe of movies – this was the festival of dreams. Packed with excitement for the volunteers, the delegates, the audience and everyone, the 9th ICFFB is now ready to bid goodbye. The closing and award giving ceremony will be today at the Shawkat Osman Auditorium, Central Public Library Premises.And that is all from the bulletin team! Cheers and see you all again next year!

On the way to a hat trick!On the way to a hat trick!