2007 3 8

1

1.1 1.2

2 2.1

2.2

2.2.1 Fort-da 84-85 unbinding

2.2.2 246

2.2.3 eros eros 138-139--Anti-Oedipus, A Thousand Plateau

2.2.4 2.2.5 desexualization

3 pornography

3.1 Susan Sontag Syberberg images and signs of horrors and atrocity pornography (Songtag 404)

3.2 pornographypornography pornography

3.3 de Sade Masoch pornological lieterature

4

4.1 4.2 Susan Sontag Syberberg

Syberberg Mlis, Eisentein, Rieenstahl, HollywoodphantasmagoriaSyberberg (wasteland)multitude(Songtag 405-6)

4.3 (Aesthetics of multiple use)

4.4 Sontag Syberberg Syberberg (Songtag 407)stand-ins for the realmosaic of stylistic quotations, (Songtag 409)

4.5 Sontag Syberberg Eschatology of evil Messianic timeSyberberg Syberberg (Hitler-substance)(Songtag 411-2)

4.6 Syberberg Sontag Alexander and Margarete Mitscherlich The inability to MournSontag Syberberg work through grief (Songtag 413)Syberberg excessSyberberg(Songtag 413-4)

4.7 Syberberg (Songtag 415)

5 5.1 (regime)

Syberberg (Deleuze 126)

5.2 psychomechanics sutomatic Syberberg pornographySyberberg (a non-totalizable complexity)(speech-act)

5.3 opsigns, sonsigns recollection-image, dream image, mnemosign, onirosign

6 Deleuze Sadomasochismsadistmasochist

De Sade (instituting) Masoch 1 2 3 4

5 6 (fetish) 7

8 9

10 11

(Deleuze 134)

z eros bindingThanatosgroundless ground the ground-less from which the ground itself emerged, Beyond Eros we encounter Thanatos; beyond the ground, the abyss of the groundless; beyond the repetition that links, the repetition that erases and destroys. It is hardly surprising that Freuds writings should be so complex; sometimes he suggests that repetition is one and the same agency, acting now demonically, how beneficently, in Thanatos and in Eros; elsewhere he contradicts this by insisting on the strictest qualitative difference between Eros and Thanatos, the difference being that between union, the construction of ever larger units, and destruction; elsewhere again he tones down the strictly dualistic hypothesis by suggesting that what probably underlies the qualitative difference is a difference in rhythm and amplitude, a difference on a time-scaleaccording as repetition is repetition at the origination of life, or before. It should be understood that repetition as conceived by Freuds genius is in and of itself a synthesis of timea transcendental synthesis. It is at once repetition of before, during and after, that is to say it is a constitution in time of the past, the present and even the future. (114-5)

z Monism, Qualitative dualismRhythm

z eros (116)Eros,

leap binding z Is

there no other solution besides the functional disturbance of neurosis and th spiritual outlet of sublimation? Could there not be a third alternative which would be related not to the functional interdependence of the ego and the superego, but to the structural split between them? And is not this very alternative indicated by Freud under the name of perversion? (117) The deeper the coldness of the desexualization, the more powerful and extensive the process of perverse resexualization. (117)

z We found in every case that what appeared to be a common sign linking

the two perversions together turned out on investigation to be in the nature of a mere syndrome which could be further broken down into irreducibly specific symptoms of the one or the other perversion. Let us now try to summarize the results o our inquiry. (1) Sadism is speculative-demonstrative, masochism dialectical-imaginative; (2) sadism operates with the negative and pure negation, masochism with disavowal and suspension; (3) sadism operates by means of quantitative reiteration, masochism by means of qualitative suspense; (4) there is a masochism specific to the sadist and equally a sadism specific to the masochist, the one never combining with the other; (5) sadism negates the mother and inflates the father, masochism disavows the mother and abolishes the father; (6) the role and significance of the fetish, and the function of the fantasy are totally different in each case; (7) there is an aestheticism in masochism, while sadism is hostile to the aesthetic attitude; (8) sadism is institutional, masochism contractual; (9) in sadism the superego and the process of identification play the primary role, masochism gives primacy to the ego and to the process of idealization; (10) sadism and masochism exhibit totally different forms of desexualization and resexualization; (11) finally, summing up all these differences, there is the most radical difference between sadistic apathy and masochistic coldness. (Deleuze 134)

z insolence and humor

z

(124) an Idea of pure negation,(126-7)

z

(125-6)

Burnett, Ron. `Lumiere's Revenge'. In T. O'Regan & B. Shoesmith eds. History on/and/in

Film. Perth: History & Film Association of Australia, 1987.140-6. http://wwwmcc.murdoch.edu.au/ReadingRoom/hfilm/BURNETT.html

Deleuze, Gilles. The Death Instinct, Sadistic Superego and Masochistic Ego, Masochism: Coldness and Cruelty (1967), New York: Zone Books, 1991. pp. 111-138.

Deleuze, Gilles. Cinema 2: The Time-image (1985), Minneapolis: University of Minnesota Press, 1989. pp. 108-109, 126-127, 262-280.

Gilles Deleuze, The Death Instinct, Sadistic Superego and Masochistic Ego, Masochism: Coldness and Cruelty (1967), New York: Zone Books, 1991. pp. 111-138.

Naughton, Leonie. `Recovering the "Unmastered Past": Nazism in the New German Cinema'. In T. O'Regan & B. Shoesmith eds. History on/and/in Film. Perth: History & Film Association of Australia, 1987. 121-30. http://wwwmcc.murdoch.edu.au/ReadingRoom/hfilm/NAUGHTON.html

Sontag, Susan. Syberbergs Hitler (1980), Under the Sign of Saturn. Doubleday, 1980, 137-165.

SPECTOR, SCOTT. Was the Third Reich Movie-Made? Interdisciplinarity and the Reframing of "Ideology" The American Historical Review (Vol. 106, No. 2, 2001) http://www.historycooperative.org/journals/ahr/106.2/ah000460.html