2_CONFERECIA Armonía Moderna y Guitarra

8/13/2019 2_CONFERECIA Armona Moderna y Guitarra

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.

POR: RAUL FELIX NAVAS MACIA.

PARA CUALQUIER CONSULTA ESTE ES

MI COPRREO.

[email protected]

!


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CIFRADO MUSICAL:

E e" nom#re $%e re&'#e e" '(ema )e en%n&'ar y e&r'#'r "o a&or)e.

E*'(en )o ('+o )e &',ra)o m%'&a"- e" a"emn y e" 'n/"e 'en)o e" %"('mo e" $%e

ma e %('"'0a +or e1a"ar &on %na m'ma "e(ra )e" a#e&e)ar'o "a no(a o a&or)e )e ' mayor

o menor.

La "e(ra e&o/')a )e" a#e&e)ar'o +ara ')en(','&ar "o a&or)e on:

C 2 E F 3 A

2o Re M' Fa So" La S'

A +ar('r )e e(e &a+'(%"o (o)a "a +ro/re'one a&or)a"e 5an ha&er e&r'(a &on e(e

'(ema )e &',ra)o +or "o $%e e )e#e e(%)'ar +ara % ')en(','&a&'6n.

Ca)a e(r%&(%ra a&or)a" e )e'/na)a me)'an(e %n 7m#o"o e+e&'a" $%e ')en(','&a "a

,%n&'6n $%e e(e rea"'0a.

E8: E(r%&(%ra a&or)a"e en :

2o-9 C - 2om- 9Cm - 2o;- 9 C; - 2om;- 9 Cm; .


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E(r%&(%ra A&or)a" = en 2o > 9&omo mo)e"o

Nom#re S'/n','&a)o

C A&or)e Mayor

Cm A&or)e Menor

C a%m A&or)e ? A%men(a)a

C )'m= C A&or)e ? 2'm'n%')a

C 9 ; ma8 o C A&or)e Mayor &on ; Mayor

C; A&or)e ; 2om'nan(e

C; 9? A&or)e ; &on ? A%men(a)a

Co; o C; 9#? A&or)e ; &on ? 2'm'n%')a

Cm; A&or)e Menor ;

C; 9B= 9#B= 9B A&or)e ; 2om'nan(e &on B a1a)')a

C; 9!!= 9!!= 9#!! A&or)e ; 2om'nan(e &on !! a1a)')aC; 9!= 9! A&or)e ; 2om'nan(e &on ! a1a)')a

CD A&or)e Mayor D

CmD A&or)e Menor D

CD9B 9CmD9B A&or)e Mayor 6 Menor D y B a1a)')aCE A&or)e ! 'n5er'6n

C3 A&or)e


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CONSTRUCCION DE ACORDES.

La 'm+"e (r7a)a e rara 5e0 %('"'0a)a en "a Armon7a mo)erna +or "o $%e

em+e0aremo ana"'0an)o "a e(r%&(%ra mayore y menore &on e" 'n(er5a"o )e D

A1a)')o.

Para %na me8or &om+ren'6n )e "a e(r%&(%ra A&or)a"e 5amo a %('"'0ar "a (&n'&a )e "o

GBloques Acordales G "a &%a" &on'(e en e" '/%'en(e &%a)ro:

C6 Ab6 F6 Eb6

6 A Db D C

5 G Eb C Bb

3 E C A Gb

1 C Ab F Eb

1 2 3 4

A En "a +r'mera &o"%mna C e(a en ,%n&'6n )e ,%n)amen(a"- +or "o (an(o %

Mayor er E- % ? 3 y % D Mayor a )an)o or'/en a A&or)e )e CD.

En "a e/%n)a &o"%mna C e(a en ,%n&'6n )e )e" A&or)e- +or "o (an(o A#

er % ,%n)amen(a"- "a ? E# y "a D Mayor er F )an)o or'/en a" A&or)e )e

A#D.

C En "a (er&era &o"%mna C e( en ,%n&'6n )e ? 8%(a- +or "o (an(o "a

,%n)amen(a" er F- "a Mayor A y "a D Mayor 2 )an)o or'/en a" A&or)e )e

FD.

2 En "a 4 &o"%mna C e(a en ,%n&'6n )e D Mayor- +or "o (an(o "a ,%n)amen(a"

er E#- "a Mayor er 3 y "a ? 8%(a # )an)o or'/en a" A&or)e )e E#D.

4

Como +o)emo o#er5ar y ana"'0ar en e(a (&n'&a- e $%e %na m'ma no(a )'+%e(a

en )',eren(e +o'&'one 'n(er5"'&a )a or'/en a )',eren(e e(r%&(%ra.


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E8: OTRO CASO: XmD

Cm6 Am6 Fm6 Ebm6

6 A F# D C

5 G E C Bb3m Eb C Ab G

I C A F Eb

OTRO CASO: Xm;

Cm7 Am7 Fm7 Dm77m Bb G Eb C

5ta G E C A

3m Eb C Ab F

I C A F D

OTRO CASO: X; 92OMINANTE

C7 Ab7 F7 D77m Bb Gb Eb C

5 G Eb C A

3 E C A F#

I C Ab F D

OTRO CASO: X; 9?

C7(#5) Ab7(#5) Fb7(#5) D7(#5)

7m Bb Gb Eb C

5aum G# E C A#

3 E C Ab F#

I C Ab Fb D

?

Em+e0aremo +or e(%)'ar "a +o'#'"')a)e )e "o A&or)e &on D A1a)')a. (X6).


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U('"'0an)o &omo A&or)e )e (6n'&a "o m'mo en (ona"')a) mayor o menor- e %na

a/re/a&'6n $%e no a,e&(a "a onor')a) )e" m'mo y %n')o a o(ra a/re/a&'one )a %na m%y

#%ena ena&'6n )e re+oo )e+% )e "a reo"%&'6n )e "a Pro/re'6n A&or)a".

E8:

CD AmD 2m ; 3; CD9B

4

4

La &on)%&&'6n )e "a 5o&e )e "o A&or)e e m%y 'm+or(an(e +ara "o/rar %n en"a&e

Arm6n'&o +er,e&(o. Para "o/rar"o e )e#e (ener +reen(e "a '/%'en(e re/"a:

Re/"a !: Man(en/a "a no(a &om%ne en "a m'ma 5o0 o 5o&e.

E8:

C6 - Am6 - Dm7/A - G7 - C6(9)

1 C 3 C 3 F 7 F 9 D6 A 1 A 7 C 3 B 6 A3 E 5 E 5 A 1 G 3 E1 C 1 A 5 A 1 G 1 C

E(e en"a&e e +%ramen(e /%'(arr7('&o )e)e e" +%n(o (e6r'&o er7a e" '/%'en(e.

E8:

C6 Am6 Dm7/A G7 C6(9)3 A A A G A1 G D D D D5 E E F F E

1 C C C B C

D

Re/"a


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CON2UCEN POR EL CAMINO MAS CERCANOJ. Pre,er'#"emen(e 'n(er5a"o )e


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;Estructuras me!res Xm6

1 2 1

1 3 2 3 4 2 3

2 3 4 4

X X X X X X X X

Gm6

G E Bb D

Cm6 Em6 Am6

C Eb A C E G C# E A A C

En e(e momen(o "e re&omen)amo $%e e8er&'(e e(a e(r%&(%ra en (o)o e"

)'a+a06n )e" 'n(r%men(o.

Ten'en)o &ono&'m'en(o ya )e e(a e(r%&(%ra A&or)a". Ana"'0aremo"a o(ra a/re/a&'6n +o'#"e $%e ('enen "o XD y XmD y e "a B mayor

9en(en)'n)oe 'n(er5a"o )e no5ena mayor.

E m%y e,e&('5o +ara &on&"%'r +'e0a m%'&a"e y e(r%&(%ra"men(e e

+reen(a )e "a '/%'en(e ,orma en "a /%'(arra:

! = = D = y B.

ESTRUCTURAS MAS USADAS " TONO MA#OR

1 1

2 3 4 2 1 3

3 4 2 4

X X X X X X

F A D G C E A D

E6(9)

E G# C# F#

F6 (9) C6(9)

TONO MENOR

1 1

1 2 3 4 3

2 3 4 2 4

X X X X X X

Em

6(9)

Fm

6(9)Cm

6(9)


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K

A &on('n%a&'6n %n e8em+"o )e en"a&e )on)e e %('"'0an "a )o +o'#'"')a)e )e

"o XD y XD 9B.

C6 Am6 Dm7 G7 C6 Gm C7 F7 Fm7 C6 A7 Dm6 G7 C6 F7 C6 (9)

4

4

1 1 1

3 2 3 4 2

2

X X X X X

Cm6

Am6 Dm7

1 1

2

2

3

2 3X X X X X X

C7

G B D G B F G Bb D G C Bb E G

Dm6

D A B F

G7 Gm

2 1 3

3 2 4

4 3

4

X X X X X X

F C Eb Ab Eb F C E A D

F7

F C Eb A Eb F

Fm7 C6(9)

$


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2e+% )e ha#er )'&%(')o "a +o'#'"')a)e )e "o X6 " Xm6" X6 ($) "

Xm6($) " (en/a +reen(e a" %('"'0ar"o "a '/%'en(e o#er5a&'one.

X6 Xm6 : U('"'0aremo &omo A&or)e )e

T6n'&a o )en(ro )e "a +ro&e'6n

A&or)a".

X6 ($) Xm6(($) : U('"'&emo &omo A&or)e

Con&"%'5o o )e F'na"'0a&'6n

)e "a +'e0a m%'&a".

2_CONFERECIA Armonía Moderna y Guitarra

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