Transcript of RENAISSANCE PRESENTATION. SACRED GENRES By: Shelby! (:
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- RENAISSANCE PRESENTATION
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- SACRED GENRES By: Shelby! (:
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- MASS: Mass-a form of sacred musical composition, is a choral
composition that sets the invariable portions of the Eucharistic
liturgy (principally that of the Catholic Church, the Anglican
Communion, and the Lutheran Church) to music Messa Concertata by
Cavalli was an Italian composer of the early Baroque period. His
real name was Pietro Francesco Caletti-Bruni, but he is better
known by that of Cavalli, the name of his patron Federico Cavalli,
a Venetian nobleman. ( February 14, 1602 January 14, 16760
http://www.youtube.com/watch?v=nRdJwNzO_kw
http://www.youtube.com/watch?v=nRdJwNzO_kw
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- MOTET a word that is applied to a number of highly varied
choral musical compositions He was the most famous European
composer between Guillaume Dufay and Palestrina, and is usually
considered to be the central figure of the Franco-Flemish School.
Josquin is widely considered by music scholars to be the first
master of the high Renaissance style of polyphonic vocal music that
was emerging during his lifetime.
http://www.youtube.com/watch?v=rsX-T2gEM7g
http://www.youtube.com/watch?v=rsX-T2gEM7g
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- MADRIGALE SPIRITUALE Madrigale Spirituale- a madrigal, or
madrigal-like piece of music, with a sacred rather than a secular
text Lassus- LagrimediSanPietro Orlande de Lassus was a
Franco-Flemish composer of the late Renaissance. He is today
considered to be the chief representative of the mature polyphonic
style of the Franco-Flemish school, and one of the three most
famous and influential musicians in Europe at the end of the 16th
century http://www.youtube.com/watch?v=8URQ0ZElT0Q
http://www.youtube.com/watch?v=8URQ0ZElT0Q
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- LAUDE Laude- the most important form of vernacular sacred song
in Italy in the late medieval era and Renaissance Vincenzo Ruffo
was an Italian composer of the Renaissance. He was one of the
composers most responsive to the musical reforms suggested by the
Council of Trent, especially in his composition of masses, and as
such was an influential member of the Counter-Reformation.
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- SECULAR COMPOSERS
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- JOHN DOWLAND 1563-1626 Song by Dowland "Flow My Tears" Wrote
melancholy, born in London, known for writing instrumental
work.
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- MARCO CARA 1465-1525 Song by Cara "Salve Regine" Italain
composer of renaissance, singer, and lutenist.
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- PIERRE CADEAC 1538-1558 song by Cadeac "Oure Father" French
composer, wrote sacred and secular songs.
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- ALESSANDO STRIGGIO 1536-1592 Song by Striggio Italian composer,
wrote sacred and secular work.
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- SECULAR TERMS
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- CHANSON FROTTOLA 3 voice texture, melody on top 3 or 4 part
strophic song set syllabically and homophonically
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- MADRIGAL CACCIA - Most important secular genre of the 16th
century, vocal composition for 3 or more voices Italian vocal form
for two voices in canon plus an independent tenor
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- MEDIEVAL INSTRUMENTS From the Bagpipe to The Psaltery
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- Woodwind's
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- BAGPIPE The bagpipe is played by blowing air into its bag which
is lightly squeezed and will push air through its Chanter which
features seven finger holes and a thumb hole, and has a usual range
of an octave and one note.
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- THE KORTHOLT This instrument featured a reed cap, When it was
played it had a soft low buzzing sound due to it double bore.
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- THE RACKETT This instrument was played by blowing into its
Piruette which has a wide reed, pitch was changed by covering holes
which were different passages for your air to flow. It features a
very dynamic range of octave's.
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- THE RAUSCHPFEIFE Loud reed capped instrument, it has multiple
sizes from soprano to bass. Its overtly loud tone allows it to be
played outside more effectively.
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- THE SCHALMEI Double reeded instrument, has a Loud Piercing tone
and is used in Europe and Asian counties still. It has multiple
finger holes located across the Instrument.
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- Brass
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- THE SACBUT Is the ancestor to the trombone, so its way of being
played is the exact same. By moving a slide extending and shorting
the flow of air which will change the tone of the sound.
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- THE LIZARD A long curved shape, is played by blowing air into
its mouth piece, Tone is changed by covering it many finger holes.
it features a foggy low bass tone.
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- THE SERPENT A large brass instrument the has 6 finger holes
across its long curving body. It has a very low tone that can
extend into 3 octaves if played by someone skilled with it, and its
tone is very similar to a Euphonium.
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- CORNET Featured a very small mouth piece and was an all around
instrument, it was used in serious music, dance music, town bands,
rural households, at church, and court.
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- String
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- HARP Most ancient string instrument, was played in almost any
setting due to its extremely large range of tones because of its
many strings.
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- THE VIOL Mainly played by courts in England this instrument was
played with a bow, Because of its low tone it wasn't used much in
dance music.
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- THE GAMBA A bass version of the viol, was much large so it
could utilize a lower range of tones. Was used more than the viol
because of its louder, deeper tone.
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- THE PSALTERY A handheld stringed instrument, it was played at
party's due to its festive tone and its small size and its
accessibility to be easily played.
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- Percussion
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- THE TAMBOURINE Consisted of bells and open shells that when
shook or struck would produce sound. Played at party's mostly due
to its extreme simplicity.
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- THE DRUM Was created in many Different countries across the
world. Made simply by stretching sheep skin across a wooden
cylinder. Was used in many different forms of music to keep the
beat for most anything.
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- RESOURCES www.music.iastate.edu/antiqua/instrumt.html
www.music.iastate.edu/antiqua/instrumt.html
www.yourworldinstruments.com/Medieval-Instruments-s/129.htm
www.yourworldinstruments.com/Medieval-Instruments-s/129.htm
http://www.castles.me.uk/medieval-musical-instruments.htm
http://www.castles.me.uk/medieval-musical-instruments.htm
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- SOURCES http://www.youtube.com/ http://www.youtube.com/
http://www.google.com/ http://www.google.com/
http://www.wikipedia.org/ http://www.wikipedia.org/